See the thing is with streaming its going to die regardless, yes companies handing out less contracts is killing it further but its already dying at a fast rate? I'm not a stream hater either btw I really enjoy them but like. For example. 2020, 2021? When school was remote and I only ever worked mornings because of covid hours? I was clocked into that Philza 8hr stream DAILY. I was scheduling my classes around those streams so I could do homework while listening/watching. Went as far as to use my monthly speaking privilge to ask Phil what date British Daylight Savings began so I could keep my schedule clear. The second everything was no longer remote, and store hours went back to normal, I maybe caught 2, 3, maybe 4 streams in that year before I decided enough was enough about QSMP and I LOVE hardcore content.
From a company standpoint I can see why YT may not be interested in handing out streamer contracts anymore. Like Dreamie and a few others they're recognizing the Covid Number Boom is over- but unlike Dreamie, because theyre a corporation, they can't just "stick it out" and "recelebrate milestones". They have a "bottom line" to protect and they're not getting that same sweet sweet ad revenue from streams because of decreased viewer counts. Esp bc people don't just go back and watch vods unless there's a REAAAALLY good reason to. So no ad viewership there either. They're going to go back to relying on videos (and unfortunately probably shorts as well, I hate the tiktok-ification of every socmed site) to keep their ad revenue up, especially with the battle of ad blockers. I see more ad and monitization deals being handed out.
With streams (bc vod watching is lowkey practically nonexistant) not being in high demand bc of time constraints (happening while busy, timezones issues) the demands for videos will be higher as videos are ALWAYS readily available. Someone uploads at midnight your timezone? I mean it'll be there when you wake up, you won't have "missed" anything like you would have a livestream. Get a video schedule set out and you're GOLDEN- the first thing I do when I get home from work is check if a handful of youtubers have uploaded to put on to watch. If not, I rewatch some of my fav vids.
Also psychologically I actually think this is for the better of all CCs as a whole. Streaming, esp for some of the hourly requirements some of these ppl either HAVE to hit to get paid or WILLINGLY put themselves through (Tubbo) you have to wear your persona the ENTIRE time. You have to make sure you don't slip up that ENTIRE time. You have to be entertaining the ENTIRE time. You have to filter yourself because it's all live. To me this just sounds like what I do on a daily basis masking my audHD and that shit is so tiring and it's why I could NEVER be a streamer. If you're recording videos you can control what goes out. You don't have to wear whatever persona you decide to put on for 8hrs for a stream, you can record 3 hours of footage and then be done for the day, and that can either be one video or multiple depending on a lot of factors. Accidentally say your mom's name? Cut the clip. Bit isn't funny? Cut the clip. They will still have to actively filter themselves yes but for a much less amount of time. In the end CCs will have a lot more mind power that they're not using up to take care of themselves. I genuinely think it's psychologically better for them all.
It's unfortunate that the streaming industry is going to collapse this way. But also seeing how the communities heavily affected by streaming are more drama filled than communities w/o streaming, I'm lowkey hoping it's for the best. Pulling the plug like this imo is a mercy kill.
And now I'm gonna wash my mouth out for all that corporate speak I just used. Sorry for the manifesto. And if someone wants to put this manifesto on reddit idc just crop/block any usernames IG
I appreciate the essay-andy-ing these are interesting thoughts! I don't think the streaming scene will collapse entirely but I do think that it will become more advantageous to be a youtuber because people have found that to be the most consistent for many years as a CC rather than streams which require a lot of additional things (like you mentioned)
And I feel like we are seeing quite a few people say they're going to prioritize youtube more in the future which seems to be the beginning of that transition
I am curious if twitch will ever try to keep certain big-viewer streamers on the platform with 'kick-style' ($$$$) contracts.
25 notes
·
View notes
"why are we LYING and saying THIS social media is better for art than that social media because OBVIOUSLY that social media is better and-"
shut up. the site that will be ""most useful"" for selling your work has nothing to do with the site itself and everything to do with 1. if the people you want to sell to are there (and, surprise, there are other users on literally every site) and 2. if you can tolerate using it enough to reach an audience.
implying signing up for different social media is the only way to succeed as an artist is just straight up stupid. you want people to find your work? try starting with remembering to sign your fuckin name on it
102 notes
·
View notes
you ever think about how kim is a gay cop? how does he sleep at night knowing that he's part of an organization that has historically oppressed and likely still oppresses people like himself? how does he live with that? he joined the rcm despite the fact that homosexuality used to be illegal, meaning he is part of a system directly responsible for the arrest of lgbt people. does he feel more shame over being a cop and betraying himself and his peers, or over being gay (somehow, i doubt it's the former)? how does he live with the pure, unadulterated guilt? is there cognitive dissonance involved? if not, then how the fuck does he cope? what is his relationship with the broader lgbt community? how does he navigate socializing with other gay people despite his job? does he not bring it up? does he just keep everyone at arm's length? how does he manage the loneliness of it all? how can he stand it?
336 notes
·
View notes