did you ever make a post about pete not liking tankhun ? i know you mentioned it a few times in your tags but i don't remember seeing a post. (i share your opin ions.)
I definitely toyed with the idea of meta or a gifset but I didn't ever make a full post! I love unrequited love and I ESPECIALLY love the extremely rare platonic version which Tankhun and Pete absolutely nail in my opinion!
There are loads of moments where Pete's smile drops around Tankhun very quickly, or he insults Tankhun behind his back. Instead of laughing things off like Arm and Pol, he almost has a wincing fear-response to Tankhun, which we don't really see at all from the other bodyguards.
I think that Tankhun likes to think of himself as being close friends with his bodyguards, and he does genuinely show a lot of open affection for Pete and eventually concern for his safety. But I think ultimately for Pete, Tankhun is just a part of Pete's job, and over time resentment has built up until he thinks of Tankhun as one of the *worst* parts of it. I definitely don't think he resents Tankhun enough to hurt or endanger him, but that's about as far as it goes, there's certainly very little love there.
Something about that dynamic is just particularly brilliant, especially when combined with Pete's eventual defection from Tankhun's side to Vegas'. He chooses a man who has beaten and tortured him over a man who showers him in affection and throws parties on his return.
I utterly adore Tankhun but I think as a character that's grown up in a gilded cage, he doesn't really understand that what Pete needs is a sense of his own autonomy rather than being dragged to "fun" "lets cheer up Pete" parties that Tankhun has demanded on his behalf. At least with Vegas he *chose* to go back, he handed Vegas the ropes, let him lock him back up again. Even before he develops feelings for Vegas, Pete has clearly felt like a subhuman pet for Tankhun and the main family for a long, long time and I think ironically Vegas acknowledging Pete's humanity is the tipping point for him.
I think even without their nascent romantic love as a factor, Pete would always choose Vegas. Because despite the threat of suffering, he offers a sense of freedom that Tankhun's gilded cage does not. It all makes for an incredibly interesting betrayal, and makes Pete choosing Vegas over Tankhun all the more pointed. By choosing to be Vegas' pet, he chooses to be human.
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there's literally nothing salvageable about him. he's french ugly soo fucking annoying and a creep and UGLY. he's so ugly I can't even look at him directly astaghfirullah
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I kinda like but dislike that Rumiko and Sunrise (and fans) have never even mentioned that miko (priestesses) are virgins. And that their shinto ability to tend holy places comes from being unmarried virgins. In modern day I guess it is not really required but I kind of wish more people analyzed Kikyo, the dark priestess, Kaede and Kagome in that light.
Personally I think that due to the era Kagome would not be allowed to remain a miko after getting married and having a child. She would still be one of course due to her spiritual ability, but I think she would no longer be allowed to remain in that societal role.
Kagome is so spunky though that I see her rebelling against it. I think Kagome's strength in being outspoken is another great contrast between her and Kikyo. While Kikyo was confined by society and was only freed from expectation when she became an impure monster. Kagome was outspoken and loud to where she didn't have much of a societal role and yet remained 'spiritually pure.'
There is a huge theme of 'societal expectation' in Kagome, Inuyasha, and Kikyo that I think being a miko is a part of.
Personally I'm torn on Kagome loudly choosing to get married and have a child VS remaining a Miko and Kagome choosing to attempt to do both.
More thematic headcannons in the tag below..
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Guess what it's my blog and we're going to talk about the Waiting Room now.
In the show, it seems rather boring at first glance. However, this is a LIE because they want to throw you off. There's only one chair, and it has a short leg. There's a weird spirograph-type piece of art on the wall. There's a fish tank, for some reason. There's a bunch of very strange shelves. And there's a giant clock on the wall. THIS IS NOT ALL. The normal entry door is invisible due to the paneling, and the back wall MOVES. It is also possible the clock moves to create loss of time and the floor slants, although these might be stress-induced hallucination. It is a perfectly designed horror liminal space, and, depending on who you put in there and why, I'm fairly certain it can be defined as psychological torture. It evokes the same kind of discomfort and lack of control that a convict being placed in solitary confinement experiences.
HOWEVER
In the books, it is entirely different, and arguably worse. Again, depending on the person. In the books, it is a completely dark room full of slimy black mud that isn't thick enough to stand on. It is also a very deep pit of mud, so anyone who enters for a period of time slowly starts sinking. It also has bugs in it.
Now. If you are not the type of person who is terrified of who you are waiting for, or if you are a person who typically enjoys defying the conventional, the show version shouldn't be much of an issue. The chair doesn't work? Find a way to fix it, or sit on the floor. The room is obviously set up so you have to face whoever is going to enter? Face the other direction. Look at the fish. Sit on the really weird and randomly empty shelves. There are many things that can be done physically about what the room is doing to you mentally. It is also easier for the people who are putting you through this ordeal to rationalize. "It's just an oddly decorated waiting room. There's nothing that bad about waiting"
But the book version is another story. One that I have many questions about. One, we learn later on that the mud is created and maintained by the room being connected to an underground stream. (It takes a long time to swim/dig through the mud and other obstacles to reach the stream, so it is not a viable escape option for anyone but Milligan) It also, as previously mentioned, houses a lot of bugs. We do not know what kind of bugs these are. And yet, since they are alive, they must be living off of something in there. Most bugs cannot just live off of mud. So, either the Executives are having to refresh the bug population from time to time (And where would they get the bugs? Do they collect them? Does Curtain purchase them and have them shipped to the island? Does no one question this?) Or the Waiting Room is its own mainly self-contained ecosystem. My prevailing tentative theory is that it was designed for research/as a science experiment and then either abandoned until Curtain needed somewhere to keep people or he deliberately made the decision that it was part of his interrogation methods for the agents he captured (before he brainswept them) and then he simply extended the use to interrogating students.
BUT ALSO
How did Curtain in the book convince teenagers/young adults to leave children in there? It is an entirely different ballgame to tell someone (especially a younger person who hasn't quite got the morals beaten out of them yet) that it is completely safe and not at all detrimental to leave ELEVEN YEAR OLDS in a pitch-black room of slimy mud and unknown creatures for any period of time! That must have left some damage to the Executives, or maybe they had already experienced it and were afraid to be threatened with it again. Either way, that's such a terrifying thing to anyone, especially a child, and especially since they seemed to choose to leave kids in there overnight (Maybe so it wouldn't interfere with too many classes?) and they wouldn't get any sleep. AND THEN the meaner Executives and Curtain would GASLIGHT THEM. "It's not such a bad place" "Nobody likes to wait, but it didn't hurt you" "Waiting can be unpleasant, but sometimes there's no help for it" and whatever else they said. We don't even hear about the Waiting Room from Sticky or one of the other kids who've been sentenced; they just get extremely upset and start crying.
What I'm saying is, while it was a very clever narrative tool and an unconventional way to raise stakes without causing physical harm to children, I can see why it was toned down for the show. However, I think it is a fascinating bit of plot that can be examined in a lot of different ways.
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//Happy 20th Anniversary, Drakengard! I've been fighting to write and finish up my inbox asks before the 25th of Obtober gets here (I have plans and i INTEND to follow through on them), and currently... I have a bunch of drafts :,) I'll get some soon, I promise!! I thought to myself "If I even get at least two done before the month is up I'll feel content with myself" so fingers crossed!!
//Anyways, I made some art of the boy to celebrate~
//I'm gonna try a challenge run for Drakengard after this: I'm honestly doubtful it can be done entirely, but I'm going to try and see how far I can get in the game just using Leonard lmao
//I'll keep you posted on how far I get fkghsdkghbkdjf
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i keep telling my boss to try out for bb again because he got into multiple interview stages but his name is michael and he's tall and skinny with glasses and gay so they now will Not cast him
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