The way I want to hug Young-woo and tell her that being autistic doesn't make her unloveable, I know plenty of people who only think about themselves and they're aren't autistic and they don't even have the foresight to think about how lonely they might be making others. Girl, you are wifey material just keep communicating and trying your best. You're doing great sweetie.
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forever thinking about the narrative we could've gotten if Kali had stuck around long-term and thinking about it specifically in conversation with the character arc of Abby in TLOU2, because like.
obviously the source materials are tonally different enough to not make it a clear-cut comparison, but there's something about the cycle of violence there and the desperation that comes with a years-long search for justice or revenge or closure, right?
these young women who were so deeply wronged by people more powerful than them, and so then run away and seek their own strength, seek out ways to use it. Abby gets this amazing storyline where we first see her exclusively from Ellie's perspective as the villain who killed this person she loved more than anyone, but who then becomes a person and who is given reasons and who is given a fullness of self that makes not just her more of a gut-punch to the world, but everyone around her too.
and I just keep thinking about what that sort of care could have done for a character like Kali who is so similarly caught in a cycle of violence in her search for closure, so similarly set in her pursuit of it, and what it might have been like to see her instead of seeing El's witnessing of her.
where are her hurts? what scars does she carry? whose death does she believe will be the one to make her feel okay again and when will she realize that none of them will?
Abby changes through relationships with people, through a relationship with a young boy who comes from such a different background to her but who has been hurt and who has lost in so many similar ways and Kali has that too.
Kali has El to show her a different perspective, to give her something worth loving again, to give her something to protect rather than something to fight.
I dunno where I'm going with this, I've had Kali on the mind lately and I'll always live on the Abby defense squad, but I really do mourn the direction the story could have gone if Kali had been offered the same level of personhood and depth by the narrative that Abby was.
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Just pointing this out because I don’t think people get how ambiguous Rhaenys’s position was, and how independent from the Greens and Blacks she remained until the war actually started - In Episode 09, Rhaenys was still in King’s Landing and didn’t leave with the Blacks because:
A) She had a different destination, and would be heading back to Driftmark rather than Dragonstone.
B) She was overseeing the preparation and then the transportation of Vaemond Velaryon’s body. The Silent Sisters had to do their work, so she stayed the night, whereas there’s no reason why the Blacks couldn’t just hotfoot it after the meal with Viserys.
C) It is not automatic she would go with them. Her position, despite the betrothals, on Rhaenyra and Daemon has not changed. There’s no reason to play happy families and no reason for her to accompany Baela if she goes with her father. There’s no coordination; Rhaenys is not synonymous with “the Blacks” at this point in the narrative. She’s continually positioned as an outsider from the two factions!!
It’s not fair to categorize her being in King’s Landing as a stupid move on her part - there’s no reason to think she is in danger by staying till the next day as she isn’t to know Viserys would die.
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I wish people appreciated that het ships can also about delving into a female character's inner world and complicated relationships with others and shipping the guy with a man he barely knows and interacts with is not necessarily more interesting or subversive just bc it's gay
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"They ruined Britta" by what, fleshing her out? I'm so sick of this take being used anytime Britta is shown as flawed. She's an activist because she's super opinionated and she stands up for what she believes in, and that's her strength as well as her biggest flaw because she also gets caught up in her own perception of the world and fails to factor in other people's thoughts and needs (like when she paid the deaf girl to spoil Abed his book). She gets caught up in her jokes, gets caught up in her need to "treat" her friends, gets caught up in proving she's right. And sometimes she's right and she succeeds, sometimes she takes it too far and hurts people. It's her coping mechanism after having had to run away and to prove herself to everyone. She wanted, no, needed, people to see her succeed so badly, she sometimes fell into self-centeredness, even when her intentions are never malign.
So no, she didn't necessarily get ruined, it always made sense for her arc and she's a much more relatable character that way.
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i never watched jodie whittaker's seasons but i can always tell when criticism about her performance comes from misogyny
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I keep telling myself I'm going to keep watching South park, yet it can sometimes take me two days to finish an episode. This is because I've started giving up halfway through if I find even one joke unfunny. Take the episode about honey boo-boo and James Cameron; I stopped watching it halfway through because I didn't like the jokes about Randy Newman. (Why do people always deride him as a bad musician, anyway? I've always liked his music).
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Sometimes I think of Amy Pond, who grew up being called mad by those who wielded the word as a tool of exclusion and shame —
Amy Pond, who though forced into the hands of four psychiatrists, still clung to that which they called madness until those systems which elevate psychosocial conformity above humanity stripped it from her —
Amy Pond, whose imaginary friend reappeared for a single hour after twelve years and reignited that faith before disappearing for two more years —
Amy Pond, who spent those those two years under the same implicit threat ingrained in her through psychiatric violence, and thus began to believe the man who stopped the invasion was “just a madman with a box,” only for him to agree, and to also call her “mad, impossible Amy Pond,” reframing madness as non-negative for the first time in her life —
Amy Pond, who ignored the disembodied voice of her imaginary friend even as she ran away with him for real, who still lived each day with the traumatic internalization of deviancy dictated upon her by the psychiatric-industrial complex that shaped her from childhood —
Amy Pond, who wouldn't acknowledge the Doctor's voice, such that it took an Angel in her eye that was literally killing her to ensure she couldn't reality check herself —
Amy Pond, who stood before a room which muttered about “the psychiatrists we brought her to,” and though afraid, escaped their rigid parameters of acceptable existence.
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