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#i'm still gonna post art there but really just art. it's more destructive than constructive to use twitter as a discussion space now
bixels · 3 months
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I've been making the transition these past few months, but I think I'm gonna just move back to Tumblr. My Twitter's follower-base has reached a point where I can't tweet anything casually opinion-related without it overflowing like a toilet. I post a short thread on my gripes with color design in anime and I'm getting QRT'd with "kill this guy with hammers" reaction gifs. Like, damn, this isn't fun anymore. It's not fun to talk about stuff on Twitter in general anymore. I wanted to post some ship dynamic doodles sometime there, but I know I'm gonna get weirdly aggressive takes and reactions. Monkey's paw curls, but I don't particularly like having that many followers.
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oleander-nin · 1 year
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Hihi! I love your writing for the yan!rise turtles! I'm not sure if you take requests, but, may I request a post about the yandere turtles reacting to or interacting with a s/o who copes with the stress of their kidnapping by singing? The songs I think of would be like musical style songs like ballads that really convict emotions.
If you don't take requests that's totally fine! I hope you're having a great day/afternoon/night!
A/N, not important: This isn't as Yan as I wanted it to be, but this would literally be like, the optimal situation for all of them. If it sucks majorly, just send me another ask, and I'll edit it to make it more dark. Thank you for requesting, you literally requested like a minute before I closed them you lucky duck. If you're ever curious about requesting, you can check my pinned post which has my requesting rules linked. I recommend you always check that before requesting. I'm trying to push out as many as I can because I want to clean out my inbox before I post the 100/200 follower special. It's impressive how fast these can go once I stop being such a lazy prick. Posts are probbles gonna be a bit shorter for a while, my apologies. Any criticism is welcome, constructive or not. This is supposed to be a gender neutral reader, so if I screwed up somewhere, please tell me.
-Ollie
Tw: Themes of being kidnapped, obsessive behavior, isolation(Donnie), yandere themes, coping mechanisms
Words: 639
Summary: The Yan! ROTTMNT turtles deal with a S/O that sings to cope with being kidnapped.
Mikey:
Is intrigued.
Will usually try and hang around while you’re singing, finding your voice soothing. Even if you sound like a screaming goat, he still loves it. You’re perfect, and so is your voice.
Encourages it as well.
Not only does he love to hear you sing, but he also recognizes it as a healthier coping mechanism.
When you’re singing, even if it’s a really sad song, you’re not really fighting him or using some destructive coping mechanism. 
Has you sing while he draws. Feels it brings you both closer together, the both of you making a form of art. Yours just happens to be intangible.
Records it when he can and shows off your singing to his brothers.
Is very proud of you and your talent
Pretends it’s not a trauma response/a coping mechanism.
He is well aware that it is, but he likes to pretend it isn’t
Donnie:
Either sits you in his lab with him, or records you while you sing in his room.
Since those are the two main places you’re going to be, he’s able to almost always listen.
Plays the tapes of you singing when you are either refusing to speak to him, or he’s punishing you via isolation and is unable to listen to you in person.
If you sing more musical style songs, he will 100% try to duet with you, especially if it’s a love song.
Will just tell you to sing sometimes. If he gets overwhelmed, and needs some form of stimulation, he goes to you and just sits in front of you and demands you to sing.
Gets incredibly huffy if you refuse.
On the flip side, he can also get extremely irritated if you’re singing for too long or if it’s distracting him or something.
Will demand you either shut up or make you go into your little isolation room to sing since it’s soundproof.
Raph:
Just a friendly reminder for Raph’s before I get yelled at. You might not actually be smaller than him, or weaker than him, but he very much sees you that way.
Anyways, he finds it cute that you sing to deal with your stress.
You’re already so fragile and weak, but you sing to cope too?
Now that’s just plain adorable.
It’s just proof that you need him. Your mind is too feeble to deal with the stress head on.
You need him to take care of you, and he’s happy to listen to your little performances.
Will scoop you into his arms(or drag you towards him if you’re bigger) and hold you tight, having you sing away while you're stuck with him.
Doesn’t understand why you stopped singing after he grabbed you.
He’s only helping after all.
Leo:
Sits criss-cross applesauce in front of you as you sing.
Very much appreciates and likes it.
Mikey mentioned offhandedly it being your coping mechanism, and Leo thought it was a really pretty one.
Begs Donnie to figure out how to cleanly record your voice without you knowing.
He wanted to listen to you sing while he’s on patrol or in battle.
Like Donnie, would try his best to sing along.
Or hum along since he doesn't want to disrupt you too much.
Usually drops what he’s doing to come listen to you, gives you all his attention.
It’s unnerving, but he doesn't want to miss a single moment with you.
Especially not when he finds your voice such a gift.
Has you sing before you both go to sleep, likes to pull you close to his chest and bury his face into your neck as you do so.
Is incredibly conflicted, he wants to show off your voice to his brothers, but at the same time, he wants to be the only one to be able to hear you.
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struwwelzeter · 3 years
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So I read your reply to Nyarisu's comment on Lionheart and I'm really intrigued by your comments about how people understand punk compared to what it was initially. Could I possibly ask you to expand on this? Pretty please?
Yes you could! This is a very (very?) personal point of view and I know a lot of people will disagree, but here goes nothing, I guess. If you disagree with me (and somebody will), that’s fine, but I will not engage with anything that’s not a constructively put argument. I’ve spend too much time thinking about this for a “I don’t like what you’re saying and that’s why you’re wrong” anon to change my mind. Just putting that out there - with love 💜.
The thing is, especially on tumblr but I think just in generally aswell, the idea of punk is presented as this ... Robin Hood kind of thing. Beat the system, stand up to bullies, live your own truth, all of that, but it always is presented as something that is supposed to come from a ... dare I say, nice place? Like those pictures of people in studded and sprayed leather jackets rescuing puppies. All of that, you know? And I don’t want to say that is wrong, because it isn’t, and I love the idea of that, it’s just not the entire truth.
Especially in the early to mid 70s, when arguably punk started, there was a lot of fatigue between an old and stuffy establishment and the lovey, dovey peace and love “let’s all be happy” movement of the hippie scene. I was at Force Attack in 2006, which is a punk festival (and possibly dirtiest place in the world) that got established in the early 90s and went on til 2008 (?), and even then some of the “death to hippies” sentiments ran pretty deep. And I know the counter argument to that will be a well meaning “well, that’s not real punk,” the problem is that I think it actually partly is. (Please keep the partly in mind for the rest of this argument.)
The problem with having the exact choice between “get a good job, built a nice house, think of what the neighbours will say, and don’t ask me about what I did in the war” and “we’re all a big part of one human family, and isn’t nature beautiful, lets all make peace, and btw we would have never done what our parents did” is that both models aren’t a sustainable life style for everyone. That’s why you get alot of people saying this is all fake bullshit, and they start being purposely offensive. This is why you get alot of Swastikas around the sex pistols, you get all these artists singing about suicide and incest and rape. It’s not that uncommon for some of those early acts to play with Nazi imagery, or claim that homosexuality is disgusting (despite the scene always being full of LGBTQ+ people), or idk, thinking it’s fun to piss on someone while they’re asleep. It’s alot of outcry, of saying life actually is this shitty and disgusting and I am gonna be that because in a way you will hate me either way. And it’s not always nice. Disdain and hate and petty selfishness are common human emotions and many of them are low and unhealthy, and honestly not nice or helpful or inclusive, but they are there, and I think alot of that early spirit was just about stopping to pretend that they don’t exist.
I think a reason for why we don’t think of the scene that way anymore is that many people very quickly outgrew that, and said “actually, we’re better than that, that’s not who we actually are. I sadly can’t find that interview right now, but Die Ärzte are actually a good exemple of that and they even admit it themselves, that there was a sense of “enough with the happy hippie bullshit, let’s disgust them” and then later going “uhmm - maybe that went a bit far.” I mean offensive or not, but ultimately a scene that is centered around artistic expression always ends with that question of creation, maybe like “if the world isn’t like what we want it to be, how do we make one we like?” - and then you end up with having to come up with answers that are more than just destruction. And then it turns into something else - something that I think is alot more like what tumblr seems to think punk is. And that’s a wonderful thing. Still - a side of punk, whatever that is, has always been what people like GG Allin (please read the wiki for context) have taken and pushed to the limits, and it just - isn’t nice. And here is where things get a bit tricky.
Because against that backdrop, things like John Lydon (Johnny Rotten) suddenly being a dirty old Trump supporter aren’t that surprising anymore. And then you get these 20 year olds “cancelling” the Sex Pistols, and I think there is just a bit of ... missing the point going on. I’ve read a comment on here recently, that basically said something like Richard should stop supporting the Sex Pistols (because he has that album in the back of the studio), and it’s just ... asking for a history to be erased that has rightfully been made obsolete but has still happened and was necessary at the time. You can take any of these early bands and pick their lyrics apart and find something that from our perspective now is disgusting, mean, exclusive, or outright racist. Songs about Fucking? Part of that record is a mysogynisy shitshow, something they were very aware of even at the time, and they still did it anyway because being disgusting was part of the point. The thing is though, the Sex Pistols were hugely influential, and alot of the positive things that grew out of that wouldn’t have been possible if kids like young Richard, or any of the bands you love that were influenced by them, wouldn’t have gotten that moment of “finally a place where I can put all of my petty hate”. It matters, and just because that moment is overcome, it doesn’t mean it should be forgotten, or stops existing in the people that lived through it.
I understand that the question of how much we should justify things with “it was the time” and how we deal with the result is an ever ongoing debate and their are many good arguments for why maybe we shouldn’t try to defend the wrongs of the past that way, and I want to point out that while I rarely agree on that in the first place (because I understand history as a natural learning curve where people aren’t perfect at the first try and it’s doing a disservice to humans just doing their best, but I digress and that’s a bit of another duscussion), I want to point out that I don’t want to defend anyone, rather I want to say “actually, being that horrible was often calculated, part of the point, and if you don’t like it, just leave it, fight it or debate it, but don’t pretend like it was a “missstep” or just a few black sheep of a scene that was never as nice or perfect as you want it to be.” You don’t get to erase half of a movement simply because you wish it wouldn’t exist the way it does - or well. I guess in this case mostly did - past tense.
The ugliness is part of the story to me, and it’s actually the bigger part of why I love this scene. I don’t need “punk” to define my politics, I need it to soothe my soul, and so did many, I think. The Sex Pistols breaking happened 20 years before my time, but I still feel connected to that world, and in particular the ugly parts of it. I often feel like I look at the world, and there are people that seem honestly shocked by the idea that maybe sometimes I find doing the right thing really hard, that I want petty, self serving revenge, that I don’t find it easy to not be selfish and unkind or sometimes want to hurt people because I am hurting myself and see an opportunity to do that. Obviously those aren’t nice things and I don’t want to be that way, but are you honestly telling me you don’t feel that? I find that hard to believe, and it leaves me with an ongoing question of if I am just worse than most people or if most people are just more fake. Both scenarios are equally shit. The ugly side of punk provides - not an answer to that - but maybe a partial solution, at least for me.
Another discussion we have all the time is about how what we consume or allow in artistic expression is influencing how we act as people in real life and how we want the world to be. Where do we draw the line? What is still ok? If I put me entertaining ideas about murder on a canvas, is that still good? what if it’s racism? What if it’s rape? We argue alot about how providing a safe space in art for those feelings is actually preventing us from acting on it in real life, how it’s an outlet of something we would never actually want or do, but then where is the limit to that? I am putting this intentionally controversial, but if we admit that most of us grow up with internalized racism and mysogyny, by that logic, why can’t I paint something that is blatantly hateful if I have those feelings? Maybe that is my way of fighting it, you don’t have to look at it? Not saying that’s what I am doing or would want to do, but what if? For some people Rammstein singing about not wanting to be Angels is crossing that line, for some of us that line is drawn alot later. Who is right? Isn’t that just personal sensitivity? Can you honestly rationalise that? Isn’t it just processing our different levels of petty hate in different ways? I don’t have the answers to any of that, it’s just questions I often have and that I think have to do with this, because alot of the nasty bits in punk will justify it exactly that way, as artistic expression. Alot of it isn’t as political as this scene is made out to be, it’s simply asking those things. I personally relate to that alot, as someone who arguably would draw the line of “we should stop doing this” in art very, very, very late - and certainly later than my own personal comfort zone.
I’m not sure if any of this makes any sense at all. I hope it does - and if it doesn’t it’s probably because I don’t know either, or because I don’t want to fully blow this up into an essay (sorry, too late?) or because I suck at making a point, or maybe because we simply disagree. All I know is that I sometimes see these posts of “what is punk and what isn’t” and it leaves me with this taste of “you’re describing a utopia and it’s cute and I want that too, but it’s not everything punk as I know it is, and it feels like you don’t want to see something that mattered too - even if it was brutal and disgusting.” And everytime I see it I feel alien, like something that mattered to me so much as a teenager and young adult gets taken away from me and made into something so sleek and pretty it becomes something unattainable to be that I simply don’t manage to live up to in the way I would like. I guess that is a petty, selfish way of looking at it too.
«It's a repressive society where you can't be horrible, I'm not horrible, they made me horrible, I'm just honest.»
- John Lydon
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allydsgn · 7 years
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Hi there, I found your blog a couple of weeks ago and I already love it. I would like to know if you think that a college degree is essencial when it comes to getting hired or getting jobs in the fields of design out there; I'm very interested in graphic design and have been researching and studing by myself quite regularly - (thanks to the amazing content you post.) But still, college hasn't been an opition for financial reasons and all :/ ... Anyway, what do you think? Have a great day XO
Aww, thank you! That means a lot!!
Oooohhhh... okay so let’s sit and real talk for a bit haha
Most art fields (particularly fine arts, 3D animation, 2D animation, music, and things like that) are very well known for saying something along the lines of “well it’s your performance/portfolio that matters, not your grades/diploma/certificate/degree”. There are also people in these fields that have become successful without degrees (we’ve all heard the stories). 
I have also heard before from a designer that hires other designers that a degree isn’t a make-or-break thing for him. If their work is good and they know what they’re doing, then he would hire him if he outdid the other candidates portfolio-wise.
THAT BEING SAID...
It’s not essential to go to college for design jobs, but learning and becoming skilled in the craft is. Can you become skilled in the craft on your own is the real question.
Why College/University for Graphic Design?
You are going to a place to specifically learn about how to become skilled and knowledgeable in Graphic Design. I mean, that kinda says it.
Professors can become valuable connections and mentors
You form a network through peers, clubs, and campus activities
It’s a great environment for learning because everyone is learning around you as well and things are a little “nicer” than the real world sometimes
If you work hard in school and make great projects, then when you graduate you have a great portfolio ready to go with some connections under your sleeve.
Learning the basics like terms, principles, elements, and so on is a little easier when it’s facilitated by a teacher. You don’t have to find reliable resources on your own and they can give you feedback through critique or office hour times if you feel that you’re struggling.
There is someone there to help you and motivate you.
Why NOT?
Money lol
Having 3-hour studio classes can be a huge time killer. If you want to work and learn at the same time it’s nearly impossible unless you’re only working part time.
Sometimes professors are not as great as they could be for the amount of money you’re paying. I have heard horror stories of some professors just being “rude and destructive” instead of giving constructive feedback.
If classes are too slow-paced for you, then it feels like you could’ve been doing something better with your life while you’re doodling on your notes.
You sometimes become too reliant on someone else telling you what to do or what’s right and wrong instead of you figuring it out yourself. You are the designer, and when you graduate you need to know how to find the answers on your own. Studying on your own will definitely help with that.
If your college doesn’t actually help you learn and you find yourself self-studying anyway, then why pay a building that you sit in money? Just give yourself more time for self-studying!
You can get unlucky with a bad program that doesn’t have networking opportunities, or doesn’t have good professors, or courses in what you want to pursue after college (say if you want to learn web design and they only have one basic HTML and CSS class for all four years? That’s not gonna cut it in the real world, you’re going to have to self-study that later anyway if that’s your desired field).
If you feel that you can educate yourself and make great work WITHOUT college/university, then I think you’re totally free to self-study. But honestly, you will have to be disciplined and motivated to find feedback, resources, peers, jobs, and other opportunities on your own. One great way of networking and learning is joining AIGA and going to their design events/workshops, and things like that! Also, there are books and the internet, so you really could do it on your own if you have the money for books, possible online classes, and the programs you need to learn.
Basically: I know you can technically get design jobs without getting a degree, but that means it is solely up to you to make sure you make a good portfolio, learn what you need to know and get out there to find jobs. I recommend going to college, but you don’t have to.
(if anyone wants to add on to this please feel free to! I’m entering my fourth year of university so I’m sure I’m biased)
I hope this helped!
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