something bad happened to you, and you died, and you came back wrong.
not wrong all the way. the little ways. you forget important dates, stopped going out with friends. it's harder to make you smile. you're apathetic towards things you used to love, afraid of places you used to go to cheer up. quieter. flinching. different.
you came back for love. you're still here for love. what pulled you back was a brightness so loud that even death couldn't outshout it. death heard the call and smiled at you and said okay. go home. somebody is waiting for you.
but you came back different. like lot's wife; you've turned into salt. you used to chirp through life in hops and skips; but now you lose skin just standing up. you have to move slower, skimming across this world without-touching-it. most things feel dull - until they're suddenly all-too-much. life, and being alive just rushes up and over you and you get hopelessly crushed.
you try to explain it to them: it is ugly, but this is what you are, now. the huge golden hoop of your halo now a little bronze ring. you are still watering your plants and wearing the same clothes. after all, you worked hard to come home. this life; so odd and off-color, now that you are wrong.
but they waited for you - it's just that they wanted the "you" that happened before this. the "you" that could sing in the show and hug people tight and look at a blade without breaking down to cry. the you with a smile in pictures. god, holyshit, it's like looking at a completely different person, isn't it. that other-you; the one they actually wanted.
you are the consolation prize. you are the body that forgot the ghost. you are the memory of the bad thing, and the death after; like you are wearing that memory as a banner. you are a fragment, an assembly. simulacrum. you don't make eye contact in mirrors, afraid the light will glance off and your true nature will flash back at you.
you hear them talk about it in their hushed, desperate whispers. sometimes they even admit it to your face; harsh and violent, acid thrown at christmas dinner. god, can you just fucking be normal again. you do not remember what normal is. you had to climb so far to get back here; you are far too exhausted. you want to open the glass door of your heart and show all the gears. can you help resolve whatever got messed up?
you try so, so hard. you came back for them. because you believed they would love you, even when you were so horribly broken. because you believed they would be patient. because you believed unconditional meant "without exception." you cannot do things the same way. you just get tired too quickly these days.
you want to put them on a couch and pour them the tea with hands that shake more than they remember. you want to line them up and draw them a map of where you have had to wander. you want to show every bruise in a backsplash; the little helpless ant of your soul carrying all that weight, over and over. you want to say: yes! it is different! but i did it for love!
you want to say: "i'm not the same, but i'm yours and i'm here. can that be enough?"
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Reasons Tommy/Buck&Tommy aren’t going away (yet);
- The 911 insta followed Lou, and they only follow mains and people who are reoccurring (and reoccur a lot)
- They also have posted two BuckTommy posts recently, showcasing them as an official couple of the show
-Both the things above have happened in the past week, whilst they’re filming ep 8 and finishing writing 9&10 which to me suggests Tommy will be in at least one of those eps.
- Tim keeps calling it a love story and a romcom, I highly doubt he’d end that after three and a bit eps. Especially after how it’s been built up.
-Oliver said that Buck and Tommy have some getting to know each other but he also said him and Lou do too. That they need to build these relationships- doesn’t sound like it’s going anytime soon.
- Lou said he was pitched an initial arc, which is normally 4 eps, but that doesn’t mean the arc can’t be extended. Especially when the reception is as good as it has been- and also they needed the wiggle room incase it was received poorly.
- Oliver also said he’d like Tommy to stay around, regardless of what happens but also said he’d like to continue their story in a similar thread to Tarlos.
-Tim and Oliver talk a lot about getting Buck off the hamster wheel, and I think him staying in a LTR would be the final part of that. Otherwise he’s still kind of on it, where he gets in and out of relationships without settling for a bit.
-This one is half joking, but Lou keeps mentioning the fact 9-1-1 has a s8 totally unprovoked 😂
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Part SEVEN of "Clone Danny"
Red Robin, Danny recognizes, steps away from him as he sits up. "My name is Phantom," he signs, blinking the exhaustion out of his eyes. (From Red Robin's perspective, it looks like he has no eyes. There lacks his signature green glow.) "I'm not a gang member, just an out-of-town vigilante."
Red Robin frowns at him, an uncertain grip on the bō in his other hand. "Phantom?" He repeats, no lacking amount of suspicion in his voice. "How can I believe that?"
Right. Yeah, okay, that's fair. Danny shrugs at him, and slumps against the wall. "Google search?" He gestures, he's been out in the daytime before and he's seen the news articles about him.
Red's eyes narrow at him and Danny simply draws his knees up and faceplants into them, half-listening to Red's murmurs into his comm while also trying to get some extra-shut eye.
("Oracle, can you pull up anything on a vigilante named Phantom? The guy here is claiming to be one." Tim says.
"On it."
"Is this Phantom wearing a white mask?" Bruce asks, his voice gruff like an aftershock. "There's a vigilante who shares the same name, but he resides in Illinois."
"Is this guy from that Amity city you visited ages ago?" Says Tim, before shaking his head. "Don't answer that. Yes, he's wearing some freaky mask. I said it reminded me of Hood's helmet for a reason."
"I've got something," Oracle interrupts, "Bats' right. as usual. The Phantom of Amity Park, not much stuff of this guy but he's only been out for over a year. Apparently, his rogues' gallery consists of ghosts."
"Oh great.")
"Look tell the Batman that I'm sorry for trespassing on his turf," He signs irritably when Red Robin eventually starts talking to (re: interrogating) him again. "It's not like I want to be here."
"How did you get in Gotham anyways?" Red Robin questions, batman was on his way to help deal with the situation but Tim doubted he wouldn't get caught up on the way with dealing with petty crime. "Your turf is nearly a thousand miles away from here."
"Two words." Danny deadpans, "Teleport ghost." (Red Robin winces sympathetically.) "I'm keeping this bastard in the thermos for a month for this alone."
(Danny was ignoring the slow-choking anxiety growing in his lungs over how he was gonna get home. He never takes his phone when he goes out, the risk of breaking it was too high. He had no way of contacting anyone to get him home.)
(He swallows the growing lump in his throat, and buries the feeling in the back of his mind.)
"Thermos?"
Danny unclips his Fenton Phantom Thermos off from his belt loop and shows it to Red Robin. "My ghost-catching device," He says with one hand, tilting it carefully for Red to inspect. "I wish I could say I made it, but its a FentonWorks invention."
(He wasn't sure if it was a smart idea to say who it belonged to, but saying it wasn't his probably loosened up any tracks on him, right?)
"Do you work with these Fentons, then?" Red asks, and something dark and shadowy flickers from the corner of Danny's eye. He glances over, and sees nothing, and his hackles raise.
(Either that was Batman, or a ghost, or Danny's mind playing tricks on him. He couldn't feel his ghost sense building in his throat, so he decided it was either the latter of the former.)
Danny snorts, quiet and gruff. "No." He clips his thermos to his belt again, stifling a smile on his face. "The Fentons hate me actually, I prevent them from catching ghosts themselves. Their son gives me their tech."
He had a cover story, so he might as well stick with it, right?
Batman shows up at that moment, appearing atop the little roof where the door is, and giving Danny a heart attack when he speaks in his low, rumbly voice like thunder rolling in, "Why would they hate you for that?"
Danny shoots up to his feet with a startled yell in his throat, clutching his chest as he whirls around and looks up. He nearly runs into Red Robin, and signs a few choice swears at the Bat.
"wow you're scarier in person, asshole."
"you didn't answer my question."
"Of course I didn't, you scared me." and Danny takes a trembling step back when the Batman jumps down and lands on the roof in front of him. He's faced ghosts before, but somehow the living is always scarier.
"But, um, the reason is a bit.. complicated, I guess." He says, fingers beginning to shake as his adrenaline wears off. God is he tired. He wants to go home. "The Fentons are the local ghost hunters and local crazies. I don't know if I can call them mad scientists because they're harmless to the living."
"But they're extremely anti-ghost. I've heard from their son multiple times the very unethical things they would do to ghosts if they got their hands on one."
Danny 'talks' a little more before calling it quits, even telling Batman that he can't tell him more without putting his identity at risk.
Plus, its getting harder and harder to hide his bone-deep exhaustion and his growing fear of being stranded in the most dangerous city in America with no way home.
"I would love to tell you more, believe me I'm dying to." Danny signs, shaky sarcasm dripping from his fingers. His hands are visibly trembling and he's withholding a slowly growing panic attack. "But I would like nothing more than to figure out a way to get home."
"Do you have no one to contact?"
"Sort of. But only one of them could probably come get me and get me back to Amity by sunrise. And I have no phone."
That one person being Ellie.
=====
Part 1 Part 2 Part 3 Part 4 Part 4.5 (Dani interlude) Part 5 Part 6 Part 7 Part 7.5 (Dan Interlude) Part 8
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ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--
But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.
And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.
That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.
Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.
And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"
So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.
Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.
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ok bro so i don't know how to make this post SDJFHSH and say hi hello i missed everyone without being awkward and facing cricket noises since it's been over a year since i’ve logged in LMFAO and ppl still following r gonna be like ??? but .... ASKDUSDL HELLO!!!!! 🙂↕️ to everyone that is still here ... <3
I MISSED YA'LL SM OMG ;---; i hope some of you still remember me so this won’t be too awkward 🙂↕️🙏
on that note!!!! i have returned because i have really bad gojo and isagi brainrot since rewatching/rereading jjk + getting into bllk fr this time LMAOO (also getou and rin... among others but currently mostly those!!) I AM ALSO CURRENTLY REWATCHING BNHA TOO AFTER SO SO LONG AND </3 getting back into that fs... shouto is currently hitting and i have not once thought abt him like that lmfaoo
+ i have so many fics i have completed that i want to post !!! i have been cooking in isolation and after much needed self growth and love in writing <3 ;v; (gojo, isagi, and nanami ones mostly lmaoo AND ALSO A SUKUNA SERIES I WANT TO POST) AND IDK WHAT TO POST FIRST LOL
also bro i want to yap about characters and arcs analysis sm lmao... i've gotten into just. writing analysis of stuff i read and get into -- i might even make a separate blog for that since i'm like heavily into berserk (like really bad bro, i willingly sat and wrote essays for fun during finals week just bc of berserk KJSDFH) and souls games too rn LMAOOO (bg3 as well perhaps if anyone is into that too!! i love shadowheart a lot... 500+ hours... and ow <3 1k+ yikes) i mostly just rlly wanna yap about blue lock and jjk and bnha somewhere even if it's to the void on here lmfaooo
also to the mutuals (that remain... <3) please do not be alarmed if u see me in ur notifs reblogging fics for my current faves and yapping in ur tags 🙂↔️ like in the next few days LMFAO i have been deprived of reading good fic for soooo long bruh and now im like. I NEED TO READ FOR GOJO AND ISAGI SO BAD…. i missed fic so bad...
would ya'll be chill if i posted writing out of the blue here lmao and changed my username ??... it wouldn't be too awkward ?? 🙂↔️ (for the username i will change it in a few days despite my impatience so i give everybody like a chance to get used to me being on their dash so it won't be too alarming LMAOO)
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