i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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want to give my two cents on the AI usage in the maestro trailer--
i think seventeen doing a whole concept that is anti-AI is very cool, especially as creatives themselves i think it's good that they're speaking up against it and i hope it gets more ppl talking about the issue. i also understand on a surface level the artistic choice (whether it was made by the members, the mv director, or whoever else), to directly use AI in contrast to real, human-made visuals and music in order to criticize it. i also appreciate that they clearly stated the intention of the use of AI at the beginning of the video
however, although i understand it to an extent, i do not agree with the choice to use AI to critique AI. one of the main ethical concerns with generative AI is that it is trained on other artists' work without their knowledge, consent, or compensation. and even when AI generated images are being used to critique AI, it still does not negate this particular ethical concern
the use of AI to critique also does not negate the fact that this is work that could have been done by an actual artist. i have seen some people argue that it's okay in this context because it's a critique specifically about AI, and it is content that never would have been done by a real artist anyway because it doesn't make sense for the story they're trying to tell. but i disagree. i think you can still tell the exact same story without using AI
and in fact, i would argue that it would make the anti-AI message stronger if they HAD paid an artist to draw/animate the scenes that are supposed to represent AI generated images. wouldn't it just be proof that humans can create images that are just as bad and nonsensical and soulless as AI, but that AI can't replicate the creativity and beauty and basic fucking anatomy that's in human-made art?
it feels very obvious this was not just a way to cut corners and costs like a lot of scummy people are using AI for. ultimately it was a very intentional creative decision, i just personally think it was a very poor one. and even if some ethical considerations were taken into account before this decision, i certainly don't think all of them were. at the very least i feel like the decision undermines the message they want to convey
i would also like to recognize that i myself am not an artist, and i have seen some artists that are totally on board with the use of AI in this specific context, so clearly this is not a topic that is cut and dry. but generative AI is still new, and i think it's important to keep having these conversations
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I think Inej's "I will have you without armor" scene is a good example of why you can't just randomly insert scenes from the source into an adaptation and call it a character arc. In the book, Kaz believes the only way to solve his issues is to brute force through them. When he tries to solve his touch repulsion, he does it by removing his gloves right away instead of dealing with the trauma that caused him to wear them in the first place, treating it as a physical failure instead of an emotional one. He isn't trying to solve his trauma, he wants to remove his "weakness". In fact, he is scared of letting go of the emotional damage done to him and reduces himself entirely to a "hurt guy looking for revenge who will destroy everything and everyone", since that's what has been keeping him going for years. Inej notices this, even if she doesn't have the full context. She witnesses him repeatedly trying to brute force his way through their relationship, opening up to her a bit only to shut her away the next second, because his only goal is to keep her by his side and not to actually heal himself. She understands his touch aversion is not just a physical thing, his gloves aren't just a way to cope with it, they are the symbol of everything that makes him a bad person - not his trauma, but the fact that he uses it as an excuse to hurt others. Inej herself has PTSD related to physical touch, but she doesn't let it define her, and she wants to heal and get over her past, so there is no way she could ever settle for a partner who is actively trying NOT to forget at the expense of hurting her and everyone around him. In the show, there is none of this buildup. We still don't know a single thing about Inej's trauma, except that one implied scene in s1 where she was scared of that dude touching her arm. She isn't even present for the wagon scene, which was supposed to be the first time Kaz was plainly suffering and in need of help. And Kaz is not running away from emotional responsibility - he has repeatedly told her how much she means to him, he tried to give her money to skip town, he got her indenture paid off, and all of that BEFORE this scene. So why is she saying it? What is the armor she is talking about?? It's word-for-word the same, but with none of the weight. It almost seems like it's literally just the gloves, just as all the bad-faith readers have been interpreting the scene for years, which makes me believe the writers went with that surface interpretation too and that's really sad
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ATBB's Future
Hiiii y'all, its uh. been a minute huh
Now that it's been a bit over a year since I put this blog on hiatus, a loootta stuff has happened and changed and i've been doing a loootttta thinking!
Looking back on it, like really really looking, my biggest reason for the hiatus was that at some point the blog just kinda became more of a chore than something I wanted to work on for fun. Ask blogs are a lot of work, even when you're just using talking portraits rather than drawing out every individual answer, and with how much ask culture on tumblr has died out over the years there just wasn't really enough payoff to make it feel worthwhile to keep burning myself out.
I think it's a really good thing I stopped it when I did, because having to deal with all that in my senior year of high school would have been a nightmare. I've actually just finished up my first semester of college now, and there's no way in hell I would've been able to keep up at any rate! With all of this in mind, I've gained a newer perspective about how to approach things going forward.
I'm still really attached to this story. With how much time I've spent thinking about it and developing it in my head, I can't let it go, even if the blog isn't really working out anymore. I keep thinking of different ways I could fix the decisions I made early on, as well as the super cool directions I could take it in in the future, and I just. I GOTTA.
So, I've decided to reboot it entirely as a fic series!
This means that, unfortunately, there won't be nearly as much artwork to accompany it, but it's far more likely for the story to actually progress! Writing is way less draining for me and once I get going I can do it much quicker than art anyway, even though I do still sorta wish I had the spoons to just turn it into a full-blown webcomic instead haha
This DOES mean that updates won't be nearly as linear as they were here, seeing as right now I've mostly been working on backstory fics that took place before the blog's main story, but that can at least give you guys more context for how the characters interact with each other! I'll also state that while I do write faster than I draw, I still do it a hell of a lot less, so updates will still probably be pretty infrequent. But at least they'll happen at all, right?
As for the state of this blog itself, obviously I'm going to leave it up! I still love looking back on the old interactions you guys had with my characters and your reactions to certain plot points (your reactions to Fluff tagging along with the rest of the group were my favorite by far) and I think it would actually kill me to erase them. I'll be posting the fic updates here too, just like I did for Self Hatred!
And even if it's not going to be an ask blog anymore, because of how much I still miss that kind of interaction with you guys, I think I want to do a sort of "last hurrah" event, to finally send off the asking format with some good vibes.
You see, there's a character I made up around this time of year two years ago. He's a pretty cool guy, but he doesn't actually show up until a specific turning point later in the story. I've been excited for you guys to talk to him since the day I made him, but a little bummed lately that you may not ever get the chance. I still need to get a lot of stuff prepared, so I'm not quite ready to announce or start anything just yet, but there's a reason I waited until my winter break to start thinking about this seriously.
I think you guys would really like to meet him.
But anyway, that's about all I wanted to say for now! This is a very long post already so it's time I start wrapping it up. As always, thank you all so much for sticking with me, even though I really haven't been consistent through the years. I hope this change doesn't come as too much of a disappointment, and that you'll keep sticking around for the reboot!
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yet another oc that only exists because i wanted to write something very specific
(middle is a little older, hence her scar healing. i like to think she gets a glass eye at some point)
anyway this is mira! (they/she) since that wip is almost 20k words and counting i won’t give away too much but long story short she’s the result of meta going “one last time, i promise” and adopting yet another kid
also galaxia kinda indirectly picked the name :)
i’ve mentioned before that i headcanon that pretty much all astrals are autistic and this is just kinda an extension of that. whereas meta tends to suppress his emotions and conform to others, mira…doesn’t. she gets uncomfortable and upset and lashes out at people easily, and working through their emotions is no small task.
the main reason i chose to write them that way was for the sake of narrative but i’ve grown attached to it because there’s a lot of ideas there i’d like to explore. stuff about navigating emotions and relationships when existing is so suffocatingly uncomfortable. it’s not something i could center around Kirby himself, but i think it makes sense with a post character development meta knight.
they are very loved (omg oldee cameo???)
kirby was definitely very excited to have younger siblings after being used to being the youngest in the room for so long!! (with the like. one and only exception being gooey.) he’s super affectionate with both of them and wants to have a close relationship one day, but for now mira is pretty unappreciative of that fact lol. they don’t like being pestered for hugs
everyone else is okay tho
(i know that’s hard to read. oops. “obvious bite marks”. siblings being siblings.)
mira also has a very love/hate relationship with the egg kid, being so close in age they kinda Have to get along but in typical sibling nature they also fight a lot. sure it’s probably rough for a while but i think in the end they’d be good buddies. maybe not as close as Kirby and Bandee but still.
anyway i have a lot of thoughts and am very busy but. i’m really enjoying writing about all this lately it’s been fun ^^
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