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#in general i do like the chorus
mizugucci · 2 years
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Golden Child's Ra Pam Pam, please! 💖
this was kind of hard, if only bc ra pam pam is one of my least favorite title tracks of golcha. luckily there IS a part i like and it was made for ME, and they made sure i wouldnt watch it too much by making me dislike the song LOL
but anyway its the part at 1:47 in the mv, with seungmin, jibeom, and bomin (which is LITERALLY BIAS LINE...) with seungmin as center, leading into the new prechorus (with seungmin still in center <3)
send me some kpop songs and ill tell you my favorite part of the song!
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copper-skulls · 3 months
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.....and fanparent sprites. i'm done with these for today i think.
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shredsandpatches · 6 days
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Last night was the piano rehearsal with Maestro before we go into orchestra rehearsals tomorrow and Friday and there was definitely a distinct theme going on. (I am a very emotive singer. I'm also in the fourth row. I'm so tired this morning)
Bonus: an important note to self.
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astranauticus · 1 month
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ok there's definitely more to this thought (maybe even an art idea 👀) but. the last of the real ones by fall out boy. yjh pov joongdok song of all time
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lesbianlenas · 6 months
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i made my friend a playlist bc i’m always sending her songs to listen to & she was like you can just make me a playlist of songs and i’ll listen to them right. so i made her a playlist that was admittedly 3 hrs long lmfao. anyway she only listened to a couple of songs so far & sent me a text abt some of the songs & what she thought and then was like i think i’m lacking the religious trauma for some of these songs to really hit & i was like that’s fair i love my religious trauma music 😩 and unlike me she did not go to catholic school for 14 yrs. so today i was talking to her and i was like how many songs did you listen to bc she only sent me a text abt how she felt abt the first 5 and she was like only the 5 i told you abt and i was like 😭 none of those songs were abt religious trauma how tf did you know that there’s a bunch of songs abt that on there and she was like. actually idk what made me say that. the whole thing just sent me lmfao like? 😭
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lixbf · 5 months
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never thought id have to say this abt a noisy ateez tt but crazy form feels like. too simple to me??
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listening to the new fob album on repeat until i like it
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swiss-army-fangirl · 11 months
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i am at all times thinking about the meaning of ‘special’ by shinedown, actually.
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obstinaterixatrix · 2 years
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last year: yeah I’ve been into musicals for a while but I can’t really say I’m a hardcore fan only because I don’t know much beyond a couple specific shows and I haven’t gotten to see much at all for a while
this year: an entire world of resources has been opened up to me I’ve watched 3 shows 7 times each and have been chewing on this workshop recording with rabid intensity for months
#talking abt musicals#the thing is I actually usually don’t get into musicals by soundtracks#I actually do have to see or know something about the show first#during high school I got mom hooked and we were able to see a pro show or two every year or two#plus I was in this… program? where I got to see free high school productions by volunteering to write reviews#and then some… people would choose which reviews fo publish at the school newspaper or maybe even local papers#I never ended up getting picked so it didn’t really matter#I don’t think any of my reviews were what anybody wanted I didnt know shit about writing like a theater critic#also I have no memory of how I got into this#so other than the pro shows I was also just seeing a lot in general I guess#for… one year? one semester?#and doing stage crew and doing ensemble when I was a senior (bc obviously seniors pass auditions right)#man I was doing chorus and color guard and set building and musical rehearsals that year#and I’m pretty sure some county chorus also#did I really do all that?#wack#no wait yeah I remember I think it was wednesdays mom had to drive me to the local college for chorus rehearsals so that wasnt the hs chorus#anyway it’s because of the review program thing I actually got to see more than I would’ve#but I only remember… wait no it was way more than 3#it was thoroughly modern millie and chicago and sideshow and once on this island and peter pan#OH AND LITTLE WOMEN#wow I completely forgot about all of that#I remember because sutton foster’s the lead for millie and little women and I was really into sutton foster because of the one song I knew#from drowsy chaperone#WAIT ALSO LES MIS#I remember the high school bridge scene#and then in borders I’d go to the music section and look up cds and listen to them#I don’t think it was as common to upload osts on yt?#and I’m pretty sure we ended up seeing shrek on bway specifically because I wanted to see sutton foster#and then she DISAPPEARED INTO TV
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dilemmaed · 1 year
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12, 14, and 80 for the spotify wrapped game!!
FOOL ( FRANKIE COSMOS ) #14
your name is a triangle, your heart is a square / I love to see you way over there / once I was happy, you found it intriguing / then you got to me and left me bleeding
SAY ANYTHING ( GIRL IN RED ) #80
say anything to me / say anything, diane / say anything to me / ooh, oh-oh-oh / you'll be the good girl / i'll be the guy to change your mind
LOVER'S ROCK ( TV GIRL ) #26
are you sick of me? / would you like to be? / i'm trying to tell you something / something that I already said / ... / and if she grabs for your hand / and drags you along / she might want a kiss / before the end of this song / because love can burn like a cigarette / and leave you alone with nothing
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Gekokujo by Misumi is possibly the most AJ song I've ever heard and it was a commissioned song for my other favourite piece of media ever
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kristiliqua · 5 months
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my fav song in msr is trying not to think about it bc its bittersweet feeling and resonates with me the most (by a long shot) .
is that worrying orrr . like what does that say about me . erm
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azuremist · 11 months
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“Unfinished Painting” — Keith Haring
This painting was left intentionally incomplete. Haring began it when he was dying due to complications from AIDS, and knew he didn’t have much time left. The piece represents the incomplete lives of him and many others, lost to AIDS during the crisis.
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“AIDS Memorial Quilt” — Multiple
This quilt is over 50 tons heavy, and one of, if not the, largest pieces of community folk art. Many people who died of AIDS did not receive funerals, due to social stigma and many funeral homes refusing to handle the deceased’s remains, so this was one of the only ways their lives could be celebrated. Each panel was created in recognition of someone who died due to AIDS, typically by that person’s loved ones.
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“Untitled” (Portrait of Ross in L.A.) — Felix Gonzalez-Torres
This pile of candy weighs the same amount as Gonzalez-Torres’ partner, Ross Laycock, did. Ross Laycock had died due to AIDS-related complications earlier that same year. Visitors who see this piece are encouraged to take some of the candy. As they do so, the pile of candy weighs less and less, like how AIDS had deteriorated the body of Ross Laycock.
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The SF Gay Men's Chorus
This photo was taken in 1993. The men in white are the surviving original members. Every man in black is standing in for an original member who lost their lives to AIDS.
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“Electric Fan (Feel it Motherfuckers); Only Unclaimed Item from the Stephen Earabino Estate, 1997” — John Boskovich
After the death of his lover, Stephen Earabino, from AIDS, Boskovich discovered that his family had completely cleared his room, including Boskovich’s own possessions, save for this fan. An entire person, existence and relationship had been erased, just like so many lives during the AIDS crisis. Boskovich encased the fan in Plexiglass, but added cutouts so that its air may be felt by the viewer, almost like an exhalation. In a sense, restoring Earabino’s breath.
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“Blue” — Derek Jarman
This was Jarman’s final feature film, released four months before his death from AIDS-related complications. These complications had left him visually impaired, able to only see in shades of blue. This film consists of a single shot of a saturated blue color, as the soundtrack to the film described Jarman’s life through narration, intercut with the adventures of Blue, a humanization of the color blue. The film's final moments consist of a set of repeated names: “John. Daniel. Howard. Graham. Terry. Paul". These are the names of former lovers and friends of Jarman who had died due to AIDS.
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“Untitled” (Perfect Lovers) — Felix Gonzalez-Torres
Created by the same man who created the previous untitled piece, this piece was also inspired by his lover’s deterioration and death due to AIDS. This piece consists of two perfectly alike clocks. Over the course of time, one of the clocks will fall out of sync with the other.
In a letter written to his lover about the piece, before his lover’s passing, Gonzalez-Tourres wrote, “Don't be afraid of the clocks, they are our time, the time has been so generous to us. We imprinted time with the sweet taste of victory. We conquered fate by meeting at a certain time in a certain space. We are a product of the time, therefore we give back credit were it is due: time. We are synchronized, now forever. I love you.”
Please feel free to reblog with more additions
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beehop · 6 months
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they've released the dance class schedule for next month and nct 127 fact check is the one that interests me the most but i do not think i can look like a fool doing nct songs two months in a row with the same instructor 💀
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bayjaruchel · 6 months
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Underneath The Strobe Light
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Pairing: Mike Schmidt (2023)/AFAB Reader
Rating: Explicit
Summary: You're aware of your feelings for Mike, but you're unsure if he feels the same. A single late-night conversation changes everything. (4.2k | originally posted on ao3 | Masterlist )
Extra Notes: Posted October 29, 2023
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You know Mike, sometimes. Mainly in bits and pieces. 
You know he has that poster of Nebraska above his bed; you know he's got a soft spot for terrible eighties cartoons. You know he likes his steak well done. Maybe it's generally useless information — but you've tucked it all away in a dear corner of your brain, in a well-worn cardboard box with his name scrawled fondly on the side in Sharpie. 
He's been busy nowadays, especially with his awful new job at that abandoned restaurant. You've always been there if he needs someone to watch over Abby. It's a strange juxtaposition— spending more and more time at his house, but spending less and less time actually talking to him. But you know he's exhausted, both mentally and physically. 
You don't expect much. You don't need much. Even though Mike's always offered to actually pay you for babysitting Abby, you've always declined. 
However— needing and wanting are two very different things. 
And you want. So, so much. 
Sitting here, on the couch in his living room, your mind always wanders back to him. Abby's a really nice kid, even if she's a little on the eccentric side. Whenever you're sitting with her, watching her draw or watching the television, you can't really focus on Mike. But now, with her safely put to bed … There's nothing to stop you. Nothing to distract you from the empty spot next to you on the couch. 
You blink, already bleary-eyed from the hour. There's some mediocre sitcom playing on the television. It's practically white noise, and you can feel yourself slowly but surely being lulled to sleep. The stubborn part of you wants to fight it. The tired part of you wants to just let it happen. You fumble for the remote instead, switching the channel. 
World News Now? 
Not bad, you think wryly, slumping back into the pillows. You liked the guy playing the accordion and singing about the news, polka-style. Hopefully they'll bring that back. Maybe large broadcasting networks actually do know their audiences. 
Yeah, no. 
You stifle a yawn, tugging your blanket a little tighter. The room's dark, so the only real sources of light are coming from the kitchen and the bluish glow of the television. The only sounds besides that of the T.V. are the occasional car passing by, joined by the gentle chorus of crickets. It's quiet, but not in a discomforting way. 
It's kind of perfect. Like your own little bubble in the world. Untouchable. Not until the sun rises, anyway. 
Your bubble suddenly pops when a car pulls into the driveway, tires crunching on the pavement, and your heart skips. 
It couldn't be anyone else. 
About a minute later, there's the sound of keys turning in the lock. The door swings open and then shuts behind him. Softly. He knows Abby would wake up if he slammed it. Then there's the thump of him setting down his stuff— carelessly. 
The couch cushions squeak a little when Mike sits down next to you. Silently. He's gotten rid of that stupid security vest. 
"Hey," you offer. 
"Hi," he obliges. 
You're sure he's not really paying attention to the T.V. "How was work?" 
It's bland small talk at best, and brutally annoying at worst. But it's the only way to move into interesting conversation territory. And he didn't just trudge past you to go flop down on his bed, so you're assuming he does want to talk. You might pretend not to know, but you're well aware of his social life— or lack thereof. Everyone needs to talk, sometimes. 
"Pretty dull." Rolling his probably stiff shoulders, he lets out a small sound of discomfort. Sheepishly, he murmurs: "I kind of … I kind of just napped, to be honest." 
"Aren't you supposed to be a security guard?" You tease. "That's a really important job, you know. You have to stop all the dangerous teenagers from breaking in and spray-painting dicks on the walls." 
He huffs out something reminiscent of a laugh. "Honestly, the pay's too low to take it seriously." 
"And yet … " 
"There weren't any kids, okay?" Mike shakes his head. When you turn to look at him, though, he's smiling. It's faint, but it's there. "No dangerous teenagers that I had to fight off. It was fine." 
"Fine?" 
"Fine." 
You don't want to let the silence set in. 
"Oh, yeah, we finished the leftover spaghetti earlier. For dinner. I hope that's okay." 
"No, it's terrible," he deadpans. "I hate you." 
"Asshole." 
"Whatever." Mike snickers, and you bask in its gloriousness. "Yeah, it's okay. I know that I probably wouldn't have eaten it anyway. Did you, uh … " He pauses for a split second. "… Did you like it?" 
His tone makes you wonder, but you hastily brush it off. "Yeah, I did," you clarify, "the sauce was pretty great. Was it store-bought, or?" Because if it was, then where can I get it?
"Yup," he replies, popping the 'p'. "Great stuff, for something that's canned. But I always add a little more garlic powder, too." 
"Oh, really?" 
Mike hums an affirmation. "It's like magic, I'm telling you. Doesn't even take a lot to add flavor." 
"That's cool." You rustle with your blanket again, adjusting it more out of habit than anything else. That, and it's kind of cold. "I'll try and remember it for later." 
He's almost cheeky when he speaks. 
"It's life-changing." 
You can't help but snort. "You sound like an addict." 
Incredulously, he glances at you. "To what? Garlic powder?" 
"Pretty much, yeah." 
"I can't believe that you'd say that." He slowly shakes his head, for the second time in the span of roughly a minute. "Especially as someone who's experienced it firsthand—" 
"—you're the one talking about how life-changing it is—" 
"—you can't possibly ignore the irresistible savoriness of garlic powder." 
You look at one another for a moment. The sheer absurdity of the situation sets in all at once. And, well. He starts giggling, and you can't hold it in, either. How could you? Even though he looks at least part zombie, his eyes are still very much alive. Despite the blatant awkwardness and lingering shyness that always follows him around, he's still got a very contagious laugh.  
After you both calm down, he lets out a long sigh. 
"It's getting really late." 
You cling to what little stubbornness remains. "Yeah?" 
"Are you gonna head home?" 
Again, there's something there. Despite his nonchalant attitude, it's almost like— 
—but you're probably overthinking. Wouldn't be anything new. He has to get some rest, and so do you. The drowsiness repeatedly threatening to tug your eyelids closed is a testament to that. Normally, you'd just pass out on the couch or something, and take off early in the morning; before Mike and Abby wake up. But now, it's different. Now, you actually have to make a choice before your sleepy body makes it for you. 
"Um." You rub your eyes again. "I mean. I could, if it's bothering you—" 
"It's not." 
He interrupts you so quickly that it catches you off-guard. It seemingly catches him off-guard, too, judging by the way he promptly averts his gaze and pretends to care about the guy on the television going on about some sort of plumber strike in the city. 
"Oh." You need a second to process. "Oh, okay. Well, in that case … I don't really think that it'd be safe for me to drive right now." You laugh, a little too airily for it to be completely genuine. "I'd probably fall asleep at the wheel or something." At least that's the truth. "I'll just take the couch. As usual." 
"Okay," he says. He's back to murmuring. 
"And I'll be gone before you eat breakfast." Subconsciously, you're fiddling with the slightly frayed edges of the blanket. It's well-loved. "As usual." 
You think you hear him suck in a breath, seconds before: 
"Why don't you stay?"  
Your own breath stutters in your chest. 
"... what?" Is all you can manage, without horrifically humiliating yourself. 
"I mean," he rushes to correct himself, "you come by sometimes because you want to spend time with Abby— she likes you a lot, you know, sometimes I think she likes you more than she likes me . I think—" He's properly nervous now, his knee bouncing up and down. But he's already continuing before you can get a word in. "I think she'd like you to be here in the morning. And you don't accept pay, anyway. You just— won't." 
His nervousness is spreading to you. "Hey, I—" 
"Why are you here, anyway?" 
The question sounds like it's been a long time coming. He's demanding you now, brow furrowed and eyes sparking with emotion. "Is it out of pity? Do you feel sorry for me? Do you feel sorry for Abby? Because if you do, then— then you can just—" 
"It's not!" You exclaim. 
Immediately, you realize that there's a sleeping girl not too far away, and shamefully lower your voice. 
"... It's not, I promise. I just—" It takes a little while for you to gather the right words, and when you do, you don't drop your gaze from him. All of his previous frustration is all but gone, replaced by a slightly wide-eyed expression that's making your heart ache a little. "I genuinely really like spending time with Abby, okay? She's really sweet, and creative, and just a really great kid. And I—" 
You stop yourself. 
"And you what?" Mike asks, gently. 
Might as well, huh? 
"And I really like spending time with you, too," you admit, finally unable to meet his eyes and focusing on your lap instead. 
There's an incredibly tense beat, in which you swear your life flashes before your eyes. 
Then: 
He's barely audible when he speaks. His knee has stopped bouncing, but he's playing with his thumbs. Clearly, your confession— vague as it was— resonated with him, in some way. You hope he understands what you meant, because you couldn't possibly put it all into words in a way that would make sense. 
"Feeling's mutual," he mutters. 
Your head almost snaps up at that. Maybe you had expected it, deep down— you're not oblivious, duh— but it's one thing to have a hunch, and another to have that hunch proven. And out loud, no less. 
"Yeah?" You dare to ask. 
Slowly, he looks up. He meets your eyes. 
"Yeah," he repeats breathlessly, like the wind's been knocked out of him. 
You let your blanket fall from your shoulders, and it slides all the way onto the floor. 
You reach out. 
He lets you lace your fingers through his. 
Mike's palm is sort of clammy— and he's shaking a little— but he still squeezes your hand. On instinct, you guess. It still makes you smile. He doesn't return it, but his lips are parted a little, and you really, really like that. More than you probably should. You like a lot of things about him more than you probably should. 
You scooch a little closer, and he doesn't move away. You let your gaze drop back down to his lips again, making your intentions clear. Still, you don't know if it's clear enough. You lean in, just barely. 
"... Can I?" 
His reply is almost instantaneous. 
"Please."  
You swallow all of the witty quips you could make, and kiss him instead. 
He's very tentative at first. Like he hasn't done this for a while. But you ease him into it— and before long, he's got one hand on the back of your neck, the other somewhere near your waist. He tastes like coffee and something else you can't really put your finger on. It doesn't really matter, though. Because you are kissing him, damnit! 
His eyes are still shut when you part— with a soft smack — but they flutter open after a second. You're not sure if you're supposed to say something meaningful. Luckily, he leans in instead, and your thoughts are immediately transported elsewhere. 
You kiss like this for a while. It's really nice, and you know he needs it. So do you. 
However— when you start losing track of time, lost in the moment, he makes a noise. 
It's quiet, definitely. But it's nothing like the little hums and sighs he's been making so far. It makes you shift closer, pressing more insistently into him. And he responds, enthusiastically wrapping his arms around you, closing the little distance between your bodies that there was. You can practically feel his heart jackrabbiting in his chest when you slip your tongue past his already kiss-swollen lips. 
He moans.  
You indulge yourself. For a little longer. And Mike chases you when you part. 
"We shouldn't do this in the living room," you whisper, nearly panting. "The couch is a little—" 
"Okay," he whispers back, already sounding wrecked. "Okay." 
You've been in his room before. You've sat on his bed— you've even laid on it before. But you've never straddled him on it before. It's a position that makes your head spin a little, and you occupy yourself with kissing him again. His hands fit perfectly on your hips, but they don't stay there for long, tragically— they trail upwards, up your waist, to your back. To your shoulders, and then back down again. It's as if he just can't get enough. You can't either. You need more. 
So, you tug at his shirt. He gets the message right away— hands scrambling to pull it up and over his head. He's still rather slim, but with a slight softness, mostly located in his midsection. There's a light dusting of dark hair on his chest, as well as the provocative happy trail leading down from his navel. You drag your eyes downward, admiring him, and then decide that you're wearing too much clothing. Your top comes off, dropped onto the floor near his. 
Mike takes more time to admire you when your torso is completely bare. His hands are warm on your bare skin, and slightly rough. Like before, he's hesitant at first, but when you encourage him— either literally or with physical indications— he grows bolder. His stubble scratches gently against you when his lips find your collarbone. 
You squirm a little, not even realizing it— and you feel him. Simultaneously, you both gasp. He's not fully there, but he's at least half-hard— and it can't be comfortable in those jeans. 
"Should I—" 
"Yeah—" 
With steady fingers, you unbutton his fly, and then unzip him. It's a little awkward when he shimmies out of the jeans, and when you wriggle out of your bottoms— you both snicker a little, but he's back to comfortably breathless when you settle back onto his lap. Under normal circumstances, you would tease him again. And yet, you can't bring yourself to. Not right now, at least. 
All you want to do is keep going. 
You roll your hips, testing the waters. His breath audibly hitches, and his hands fly up to settle back on your hips. He looks up at you, eyes already half-lidded— and they close when you grind down again. And again. His lips are clumsier this time when you kiss him, but he still reciprocates all the same. The sensation of him directly underneath you like this is intoxicating. You can feel every little twitch and every little jolt. 
"Fuck," he breathes, long and drawn-out, " God, I can— I can see the spot on your—" 
"Yeah?" You encourage, grinding down again, drinking in his answering groan. "You like that?" 
  "Yes —" 
"You want me to take 'em off?" 
Mike's pupils are blown wide, even though his eyes are already dark as is in the dimness of the room. He nods, once, then twice. "Yes," he murmurs. "Please," he adds, for good measure. 
He stares openly when you get off him, just enough to peel off your last remaining layer of clothing. And when you sit back down, well. It's obvious that you'll have to give him a second. "Can I," he says, finally, "can I touch you?" The way he's looking up at you again is just so sweet, so needy, that you consider saying no. Your throbbing core quickly shuts that idea down. 
"Go on," you encourage. 
He helps you move so he has easier access, and—  
His fingertips find your slit, already wet for him.
"Look what you did to me," you murmur. 
He visibly flushes— and then carefully works one finger into your slick heat. The feeling, combined with his thumb brushing against your clit— it's relief that you've needed this entire time, and you can't help but let a quiet sound escape your lips. It's apparently enough incentive for him to quicken his pace a little. Deliberately, he continues massaging your sensitive nub in a firm but easy pattern as he gently pushes a second finger inside you. 
Mike may be out of practice, but evidently, he still knows what he's doing. He peppers kisses up and down your neck, some more open-mouthed than others. Crooking his fingers, he maintains his diligent rhythm. A thought floats through your mind, unbidden— he must have strong hands, if he's been able to keep up like this—   
Two becomes three, and you're spreading your thighs a little wider for him. He's still transfixed, but speeds up at your urging, breath hot against the divot between your neck and shoulder. You chance a glance down, and you can see the visible outline of him through his boxers. You did that to him. He's desperate— for you. 
"Mike," you gasp, "nnh—" 
"Yeah, c'mon," he mouths, against your neck, "c'mon—" He's not letting up in the slightest, and when you tell him to, he speeds up again. He needs to see you cum just as much as you need to feel it. Your needs and wants are rapidly blending into one. You squeeze your eyes shut, but open them to look at him. His dark curls are a mess, his hand working tirelessly between your legs. 
  "Mike —" 
He says your name in return, like he's the one in the vulnerable position. 
"Mike , 'm gonna— 'm gonna—"  
"Please," his breaths are ragged, debauched, "cum, please, c'mon, lemme see it—" 
"Oh —" 
The tension snaps, and you spasm around his fingers. Your hips twitch, and you moan, your mouth falling open as you ride out your orgasm. You're rising— falling — molten honey pooling in your core, before flowing throughout your body. And Mike keeps going throughout it all, letting you enjoy the sensations until you're fully satisfied. 
Nearly boneless, you sag backward. His fingers, soaked with your glistening release, slip out of your cunt with a wet noise. He doesn't waste any time in bringing them up into his mouth, cleaning them off with his tongue— at the taste of you, he groans, even though it's muffled. Your mind takes a moment to catch up again with the world, but another thought manifests itself— how would he react, if you let him use his mouth on you? How would his head look between your thighs? He would be noisy, wouldn't he? Enthusiastic, pliant, and—
Your desire, although it waned for a short minute, comes back tenfold. But you take one look down again and— you can do that later. Right now, you want him inside you. 
Mike lets you tug him down for another kiss. He lets you feel the worn fabric on his thighs, almost playfully. When you palm him through them— he hisses through his teeth, hypersensitive even though you've barely touched him yet. You're going to fix that, though. Hooking your thumbs into the waistband of his boxers, you tug them down. 
You were right. He's desperate. As soon as his overheated skin meets the cool air, he lets out another quiet hiss. And when you take him in hand— 
"Mmh —" A firm stroke from base to tip, and you've already got him. He's average in length, but a little girthy. You know he'll be perfect. There's a little drop at the head of his cock, and you resist the urge to lick it off, focusing instead on warming him up a little. He whispers your name, once, when you pump up and down, twisting your wrist. 
"Got a condom?" You ask, stilling for a second. His eyes snap to you. 
"Oh my God, " he quickly mutters under his breath, before raising his volume, "uh, yeah, I think so. Lemme—" And he's already scrambling off the bed, opening the drawers of his nightstand with speed, but somehow simultaneously managing not to make much noise. He rifles through them, but soon emerges victoriously with what he was looking for. It's a little funny, how he doesn't waste any time in ripping it open and tossing the garbage into the mostly-overfull pail near his bed. Hastily, he rolls on the condom. You think he's expecting you to lay back or get up on your hands and knees so he can fuck you like that— you wouldn't be entirely opposed to it— but that's not what you want right now. 
You place your hands on his chest and push him back down so he's sitting against the headboard. He goes without complaint, even shifting when he understands what you want to do. He's flushed almost down to his neck. 
When you sink down on him in a smooth slide, still slick from earlier, you both moan. He sounds strained— he's biting his lower lip, squirming until he finally bottoms out. You have to take a moment to catch your breath, too; the fullness is just how you imagined, but it's so, so much, especially because of your lingering sensitivity. 
"I'm not—" He audibly swallows, hands tightening on your waist when you move just a little, "oh, fuck, I'm not gonna— I'm not gonna last long." He's babbling a little. "You're tight, fuck." 
You rock back and forth, once, and it's enough to force a choked noise from his throat. You watch his face, observing every little twitch, the clenching of his jaw. You can't hesitate for much longer, though— so you begin lifting yourself and dropping yourself down on his cock. Just in little movements at first, so you can get used to the feeling. His eyes squeeze shut— 
"Look at me," you demand, and he does. He doesn't try and thrust up into you when you really start to move. Up and down, up and down, with lewd plaps that accompany your sounds; his grunts—  you swear you hear him whimper .  His eyelashes flutter open and closed, as he struggles to follow your command, wanting to be good. For you. Even though you can see his thighs flexing as he holds everything back. You ride him for all you're worth. 
True to his words, you can tell when he gets close. Maybe he's been on edge this entire time. You thread your fingers through his hair— he buries his face into the crook of your neck, maybe out of embarrassment. You can feel how flushed he is, a thin sheen of sweat covering both of your bodies. Your muscles are aching, but you're determined to make him cum. You're determined to do this for him. 
He says your name, but it's more of a whine. "Please — I'm gonna— I can't — "  
"Go on," you pant, "you can. Don't hold back." Your arms are wrapped around his neck, now, holding him tight; just like his arms around your waist. The contact is almost too much, but somehow it's still not enough, despite him being inside you. "Go on," you repeat, after he whines again, the sound sending white-hot heat straight to your core. "Cum." 
Mike twitches, and you can feel him pulse— the sound he lets out is high-pitched, muffled into your skin. You slow your movements— the aftershocks of his orgasm last longer than yours. It might've been a little while for you, but it had definitely been longer for him. 
He doesn't let go, even after his breathing's slowed down. 
Gently, you pull his head back so you can look at him. He looks up at you with slightly wet eyes. The kisses you press to his cheeks and forehead make him scrunch up his face. 
"Hey," he rasps, "I gotta throw out the condom. Hang on." 
"Yeah, okay." 
When he slips out of you, you both sigh a little. With unsteady fingers, he ties up the condom before chucking it into the pail. 
The sheets are cool on your skin when he pulls them over you both. The room reeks of sex, but both of you are too exhausted to care. When you turn to lay on your side, he's behind you, throwing an arm over your waist. Tugging you closer. Almost absentmindedly, there's a kiss pressed to the back of your head. 
"Thank you," he mumbles. 
You stare at the far wall, unable to close your eyes just yet. 
"For what?" 
"For—" A pause. "For everything, I guess." 
The awkwardness is back. But you let it in. You smile. 
"You're welcome." 
He doesn't respond, but shuffles nearer, chest pressed up against your back. It's not long before you're both fast asleep. 
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macleod · 3 months
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No one really talks about it, but one of my favorite episodes of Star Trek, not just TNG, but in general is "Loud as a Whisper". A deaf diplomatic mediator, known for his never failing approach to peacefully resolve tensions between any group of people, nation, or planets, can only communicate through his "chorus", a set of three people who follow him and are uniquely able to communicate his emotions and thoughts based on their particular tuned nature to different aspects of his emotions.
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The episode goes on to where his chorus, that has been with him all his life, and all their ancestors lineage, is killed, and he is without a way to speak. The tension of the episode is that he must mediate a peaceful resolution to a multi-generational lasting war between two people on a planet that is going to lead to their joint extinction unless he does something to convince them to save themselves and become peaceful with one another.
The original script called for a special device to communicate with his chorus, instead of being telepathically linked, that translated his thoughts, and when that breaks he forces himself to learn to speak overnight. The actor, an actor who is deaf himself, didn't like that plot as it would give people the illusion that deaf people can "just learn" which is very, very wrong.
I said ‘no, I can’t do that.’ Because, remember my upbringing, and all these children who go through all these struggles trying to learn to speak and only very few deaf people can learn to speak clearly. It’s very rare. I just didn’t want to give people the false idea that children can learn to speak easily overnight. It’s just not true. I couldn’t be a part of that.
They liked his idea better, and they made one of the best examples of deaf representation I've ever seen. I won't ruin the end by writing on the conclusion of communicating, but it's a fantastic ending.
This episode holds a special place in my heart, as my mother was born deaf, and while she did have surgery early in life that allowed her to hear out of one ear and thus the ability to talk, it's still not as equal in performance to the average person. This is a fantastic episode, and really exudes a lot of what makes Star Trek so great.
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