to whoever might have them, please return Gearshift’s strange little toys back to him. I can see the decrease in his work quality and it’s driving me nuts.
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Something I miss from earlier eras of the creative side of the internet was things just being unabashedly low-budget. Just all unashamedly amateur, unprofessional, ‘I don’t own a good camera but I have a story to tell you’, ‘I can’t afford a good mic but I have a song to sing for you,’ ‘I don’t have any kind of background in editing or lighting and I only just picked up this guitar last Tuesday but here’s an entire musical me and my friends wrote about our favourite book, we filmed it on a potato and put it up on YouTube in ten minute segments because we thought it was pretty funny.’
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one problem with a theatrical adaption of tlt is htn, where the reveal that Gideon lives on works because of the change of second person to first.
the only way i can think of it working is that the actor playing gideon works backstage, like the lights system (but is hidden from the audience aside from subtle hints)
the biggest hint is when when wake breaches pal's river bubble she 'breaks' the lighting system and the stage goes dark. harrow is ushered into the wings by pal so she doesn't see anything, but the lights flick back on just before the curtains drop for a scene change, and pal looks directly up at the light box in surprise and smiles. if the audience is quick to turn around they can see a flash of a black robe.
Oh boy my friend, have you come to the right place!!
So, fun fact about ninja. Bear with me, I am going somewhere with this. The image of a ninja covered head to toe in black, with a hood and mask, comes from Kabuki theatre. It was originally a stagehand uniform. Like stagehands in modern theatre, stagehands in Kabuki would wear all black to signify that they were not really there, and whatever effect they were causing (carrying a prop, creating a breeze, ect.) was to be taken as happening on its own. Basic stagehand stuff, a lot of productions in many styles around the world do it, especially if they don't have fancy rigging systems.
Someone (I don't remember who now, or in what play) had the idea to dress the ninja in a production up as a stagehand. In the convention of the theatre, this made them invisible. The audience was already so used to ignoring stagehands, they didn't know any more than the characters that the ninja was present, despite the actor being clearly visible on stage. Which meant when the ninja struck, it was as if out of nowhere. I can only imagine the uproar in the theatre the first time it happened. It worked so well as to become commonplace, and the rest is history. The popular image of a ninja is still a kabuki stagehand.
So, back to the stage play of Harrow the Ninth. I think you've hit almost exactly on how to incorporate the Gideon twist into a theatrical production. But not as a lighting tech. Gideon is a stage hand. Maybe there would be more than one stagehand, maybe she would be the only one, but she would operate in full view of the audience, literally setting the scenes. I think it works best if she's the only one, but if the production needs more, she should subtly stand out in some way.
As the play went on, we would notice that this one stage hand... increasingly interacts with Harrow, though Harrow never acknowledges it. At first it might look like she's playing Harrow's necromancy, because that would be the main special effect she would need to help with. When Harrow is unconscious at the end of a scene, it's always the same stagehand carrying her out. But we all know she's not really there. Until Palamedes acknowledges her. Turns to look right at her, and speaks to her.
I can see the scene clearly. He would look at her, stunned, until Gideon finally took off her mask. The line "Kill us twice, shame on God," would be addressed to Gideon, and then he would turn back to Harrow, kiss her on the forehead, and tell her to go. Gideon, always out of Harrow's line of sight, would guide Harrow away while Harrow looked back at Palamedes.
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Mikey and Leo episode centered around Mikey wanting to push Leo and Draxum together since Leo’s the most reluctant to give Draxum any grace (for good reason!) But, thinking on the spot, Leo says he’s gotta go do something for Hueso and “just can’t hang out right now 😔” (yes, he says the emoji out loud.)
Mikey calls his bluff and now the three of them (Mikey having grabbed a weary Draxum along) go to Hueso’s to find that yes, he actually does have a job for him. Said job asks for Leo to go with Hueso to deliver multiple pizzas to this giant yokai quite a distance away, and Hueso figured it would probably go better with Leo’s help (emphasis on probably.)
Well, Mikey decides that this would be a great bonding opportunity for them and basically invites he and Draxum along. Unfortunately for Leo, Hueso doesn’t care enough to wave away more help, though he does side-eye the wanted criminal Baron Draxum coming with them. But who is he to judge? (This choice has consequences.)
The journey goes about as terribly as you’d expect, but at least the pizzas get delivered on time.
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fat snake is so important
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I'm going to be honest I think what frustrates me the most about there being so much content about notorious child hater astarion being a parent in a nuclear family unit as opposed to literally any other character is because like. wyll literally becomes a canon father in one of the epilogues. besides laezel he's the only one to do so. how much dad content have you seen for wyll compared to astarion or even laezel. I had some people I've talked to not even KNOW wyll becomes a parent like. come on. come on
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they got that thang on them (a leash)
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visiting nobles/lords/royals quickly notice that merlin has arthur’s ear and that arthur values merlin’s opinion above all others. when they’re having trouble convincing arthur to go along w their plan or sign their Important Document, they go to merlin to try and convince him to convince arthur. merlin knows what they’re doing. merlin does not want to push arthur one way or another, he wants arthur to make his own choices and lead his people as he sees fit. merlin satisfies both of their needs by seeming apologetic that he can’t convince arthur of this but maybe they can and gives them “tips and tricks” on how to soften arthur up to agreeing to the plan.
its all bullshit.
so far he’s convinced a princess (looking for marriage) that arthur loves frogs and pranks so she filled his chambers with a bunch of toads (arthur is terrified of frogs), a lord (was “wronged” by another lord and wanted a portion of his land) that arthur is a fan of the arts, particularly music, and he ended up breaking into song and dance in front of everyone, and a nobleman (arguing against the repealed magic ban and hoping to bring back uther’s laws) that arthur LOVES potatoes and to just give him one throughout the day whenever he seems him so arthur will associate the nobleman with the joy of receiving his favorite food so he’ll be more inclined to the nobleman’s request (arthur despises potatoes).
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is there a reason you usually answer asks with a . and talk in the tags? i got confused when i first saw that bc usually when people do that its a 'presented without commentary' thing but you do have commentary haha it feels like you're answering just in whispers like a ghost
.
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I wanted me a Alastor breakdown and BOY HOWDY I GOT ONE
So many ideas about what direction he can go and they're all fun to think about-- personally I wouldn't be against a longterm redemption plot. But nothing easy for him, no, I want him to try some shit, have it blow up in his face even worse than this. Have him claw his way back into trust and good graces.
I don't think he's AS ATTACHED to the crew as some seem to think, and as much as I'd like him to be, BUT I do think there's some fondness there. It's not enough yet to deter him from his true goal, but it's there, and maybe even that small part was an influence in his fight. But now gets shoved into the far reaches of his mind because holy shit I almost died and for WHAT? These weak fools? Hell with that, no more feelings!
But the thread continues to fray; his cane/mike is broken (we dunno if it can be fixed easy), he came this close to death, and he's still not much closer to getting out of contract. He can keep himself together for only so long, and now we got Lilith coming into the picture as a potential road block that can't be as easily fought off as Adam.
I'm also not entirely sure if it's her with Alastor's soul anymore? It's still highly possible but with her being in Heaven all this time and not even speaking to her family....why bother with sending Alastor? I'm not getting the impression she cares that much, yet...and what would she even gain from it? The timelines coincide, but nothing else makes much sense for it.
Whatever it is, I'm looking forward to it and the even bigger mental snap that's sure to come. Give me that madness-> main villain-> broken down man offered a hand.
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“who are you? i don’t even know your name” “don’t be in such a rush. you will give me a name someday. and i live in terror of that day” / “i’m afraid to turn around. not of your anger, though. i’m afraid i’ll see nobody” / “go on dreaming. when you dream about my likeness you create it” / “when you loved no one you never thought of death” / “give her proof of her love” “shall i?” “kill her before she sees you” “no!” “then kill yourself” “how?” “let her go”
literally who is doing it like them. no one. no one. no one.
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the thing is that tumblr really isn’t that hard to use. it’s actually quite nice to use once you figure it out and it works well. you see exactly what you want to see on your reverse chronological order dash. if you want to find more creators or people to follow you go to a tag of your choosing and either look at the top posts or latest posts. or you can find a blog you like and see who they’re reblogging from. that’s how i’ve found a lot of the blogs i’ve followed for a long time. art is not hidden by the algorithm because there is no algorithm that hides art by and of POC or queers or other minorities. art circulates for years. my old art still gets reblogged. you can reblog your posts over and over again if you want them to be seen by your followers, and this isn’t considered “annoying” (at least, not by the people i follow— it’s effective and encouraged). and this is all because tumblr really isn’t even a social media site, it’s a blogging site. you don’t see other people’s follower counts and your feed is reverse chronological. that’s why i use tumblr so much despite my hatred of social media. obviously tumblr has its issues, but in my experience it is a vastly superior site to use if you want to share your art or see others’ art or find a community for anything. once you find the community you want, it’s incredibly easy to stay in that community without your experience being encroached on by “suggested posts.” getting rid of the chronological feed entirely in favor of “suggested posts” that can’t be turned off will completely kill the way tumblr is used and the reasons it’s good. if tumblr staff ever do this, i am dead serious, i’m starting a mailing list and sending y’all my art and silly thoughts via email.
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On the one hand, I know the Brides are meant to be monstrous sorority sisters there to terrorize, murder, and/or forcibly drag Jonathan into the ranks of the bloodthirsty undead in the fullest violation of life, personhood, consent, and free will
On the other hand, all I can picture at the moment is:
Bride 1: Girlies, terrible news. Bloodbag the Boytoy ran away from home <:(
Bride 2: But we didn’t even get to show him his matching coffin <:(
Bride 3: I made this diaphanous white nightie just for him <:(
Brides 1-3: <:( <:( <:(
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Been slowly learning ASL over the years for my niece and I might still struggle to introduce myself or express basic emotions, but oh boy do I ever have the sign for every animal she's ever laid eyes on memorized better than my own name.
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something i've been thinking about:
Wally is set up as a sort of "main character" by the whrp. he's said in the site's description of the show to have introduced the main theme/lesson of the day's episode, and then the rest of the neighbors join him on his escapades. but then we have our first glimpses of everyone's actual dynamics and characters through the audios and you look at Wally and its like
first of all, thats an npc. second, nearly everybody else has severe main character syndrome
but its fascinating how Wally is just kind of... There. he doesnt talk much. he doesnt contribute beyond a couple of lines. its more like he joins the others on their shenanigans. he fades into the background. he's off to the side while everyone else holds conversations & leads the moment
Wally, despite being described as Thee character, is borderline background.
& whats even more interesting, within his individual secret audio files and interactions - he's almost chatty. not only that but the way he talks is more confident and faster paced. he's taking initiative. he can be kinda pushy. when talking to the qa/whrp/Us, he acts more like the character his descriptions portray. he acts more like a person instead of a puppet waiting for his next cue
I cant tell if - when around the neighbors - his tepid milk behavior is a purposeful act or if he's masking. and if he's masking, is it deliberate or involuntary? and in regards to both, why is he acting so different? It could be tied to what he's trying to accomplish. if he's trying to "restore" Welcome Home, it would make sense for him to act as he does around the neighbors - he wouldnt want to clue them in that he knows so much more than he's letting on, would he?
but then that begs another train of thought - what if he isn't acting or masking? if there is a time discrepancy between Wally's interactions with the qa/whrp/Us & the more 'official' audios, that could explain the difference in behavior. we could be getting glimpses into "future" (read: current) Wally, who's had much more time to figure himself out since we can safely assume he started out as a blank slate. we could be seeing a more experienced Wally than the one seen with his friends.
of course that line of thinking loses some merit when considering the 14 "bug" audios. or it could lend to it... if we're seeing a more experienced Wally but his friends are only seeing what he allows them to. it's still him, just... a carefully curated version.
in general it could really tie into the themes of identity and change and being other, to me. when you're so different - or you feel so different - that you can't bring yourself to be your most authentic you around your friends. when you feel like you have to hold back and be who you think they expect you to be, or what would be most palatable. most normal. will they accept you as you really are? there's always the fear and terror that the people you consider closest to you won't. or when you're so scared of change that you'll shove down & lock away parts of yourself so that you can keep things as you are. because once they know you've changed, so will they. and really, do you want to even accept that you've changed? what if that's what scares you most of all - that you're different, you've metamorphosized, you can't go back to the way things were because you yourself are no longer the person you were before. there is no reversing this no matter how much you try or pretend
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