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bigskydreaming · 4 years

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Can I just say, I am so on board with Duggan showing that when Bobby is really mad, like icy rage kind of chilling mad, all puns intended, like....he is an elemental Terminator jacked up on steroids. He literally just dropped temps so low he smashed through the thick steel hull like he was here to huff and puff and blow their house down, and I personally found it very sexy the way he responded to them trying to kill him by simply making all their trigger fingers snap off from frostbite. What? I’m a very vindictive reader and they deserved it.

And after just ranting the other week about how they needed to just up and let Bobby use his teleportation power all the time without help.....*sobs* here we have him teleporting himself and Bishop across the world just minutes after teleporting himself there in the first place, all without any help or even breaking a sweat. FINALLY!!!!!!!

But that said, on another note, examining this all more seriously:

So, while all of us readers know that Kate’s return is inevitable, as this series has been literally telegraphing this story direction from issue one, with it clearly only being part of her over-all story in this book rather than the end of it.....the characters themselves have no reason to be confident she’ll come back at all, let alone soon, given their concerns about her not being able to interact with Krakoa the way other mutants do.

(Personally, I suspect the reason they’ve paced things the way they have is because Kate’s murder and the mystery of whether or not she can be brought back the same way as everyone else, like...I half suspect that’s going to be among the first things X-Factor deals with, given the premise of that book, and that’s why they’re lining things up for all of this storyline to lead into right around the time X-Factor debuts. But maybe its something else entirely. Who knows. There does seem to be something going on with Lockheed, given the way the last couple of issues have framed focus around him, though I’m completely baffled as to how that could be crucial to this story, but guess we’ll see).

ANYWAY, so we know Kate’s coming back, and likely pretty soon, but the characters don’t know that, not for sure. And when you consider that Bobby, as well as being one of Kate’s really good friends and even dated her in the past, has a kind of unique perspective here....it makes total sense for him to be the one that just goes stone-cold killer here. (Again, pun absolutely intended. Look its me. Its Bobby. Read the room. I’m gonna be doing this a lot here).

Of course, he doesn’t actually kill anyone, as Bishop’s there to remind him to cool it in time, but he is merciless in his own way, and calculated and deliberate. So again...one of Kate’s dearest friends, no doubt feels guilty for being away with Christian while Kate was murdered instead of with her and protecting her......and one other element:

Bobby’s one of the few mutants that already was facing the prospect of immortality before they came up with the resurrection process. Its been an underlying source of angst for him for a long time, and IMO the true cornerstone of why he’s so often been resistant to exploring his powers and examining the implications of them, and what they suggest about his future:

See, more than anything, Bobby fears being alone. He loves people, he loves the people who are dearest to him, he craves normalcy in the sense of things that are familiar and comfortable to him....and his powers are antagonistic to all of that. Because the many times they’ve proven able to bring him back from the brink of death without him even consciously using them, and the glimpses of futures where centuries from now he’s still around as this jaded, bitter ice wizard or elemental being.....force him to constantly be aware of the potential and even likelihood that he is going to VASTLY outlive pretty much every single person he’s ever loved and ever will love.

People often note Bobby’s tendency to be drawn to various villains or antiheroes, describing this as him having a thing for the bad boys (and girls, before his coming out)....but there’s never really been any sign of the usual hero/bad guy narrative with most of these. He doesn’t actually ever ‘try and change them’ or really think he can, and there’s never anything that suggests that he like, finds their ‘dark side’ itself appealing, nor does being around them make him act more uninhibited or less altruistic or anything, at least not to any strong degree I don’t think.

But IMO, the focus on the bad guy attraction is only one way to go with that. I’ve always noticed there’s another common element that can be found in the more unexpected people Bobby tends to be drawn to:

And that’s the fact that from Mystique to Daken to the occasional cosmic being or god.....they all tend to be people who have the potential to live as long or longer than Bobby himself. People he doesn’t have to worry as much about losing, if he were to fall in love with them.

So consider that Bobby has for so long consciously and subconsciously limited himself and his own development, avoided touching on or examining the many times and things that have foreshadowed his own longevity....because he’s afraid to face it, afraid to even contemplate the idea of there coming a time when most if not all of his closest friends and loved ones are all dead and gone, and he’s still here, still alive, because his powers kinda ensure he’s always among the last standing.

And then along comes Krakoa and all its changes and bounty, and the resurrection process which is almost too good to be believed, a gift for all mutantkind that offers the potential for longevity, even immortality for all of them....

Overnight, everything changed, not just for mutantkind as a whole, but for Bobby himself. Because the resurrection process doesn’t actually offer him anything he really needs HIMSELF. Its not likely he’ll ever need to use it, or that it would even work on him at all (since Bobby’s powers have fairly recently evolved to make him extremely hard for psychics to read, especially when in his ice form, but also even while flesh and blood....so its not a given that Xavier even COULD ‘back up’ his consciousness in Cerebro as easily or as frequently as he does other mutants).

So the resurrection process doesn’t change much for Bobby himself....but its existence and ramifications....they changed EVERYTHING for him. All of a sudden, everything he’s dreaded and feared about his future, everything that’s been underlying his fear and even hatred of his own powers at times.....just like that, its no longer relevant. Everything looks different to him now. The future is no longer something to avoid imagining whenever possible, its something to look FORWARD to......because now he can picture still having his friends and loved ones with him, far from now. He can PLAN for things, he can WISH for things. He can finally start to embrace his powers and thus himself, his full self, without fear of it taking him further and further away from everyone his own immortality has always threatened to leave behind. (I find it very interesting that its NOW of all times that Bobby finally unlocks his teleportation ability, for instance).

But just as Bobby’s started to finally be less cautious with his powers and his relationships, started to just...live, without being constantly afraid and waiting for the day his loved ones start to leave him for good....just when he begins to wrap his mind around that hopeful future.....

Kate, one of the people most important to him, dies.....and all of them are terrified she’s an exception to the new status quo, and resurrection won’t work on her.

So yeah. Bobby lost it this issue. Cold Snap was a particularly fitting title, and if ever there was a moment to showcase how dangerous the widespread death of X-Men and various of Bobby’s loved ones could be for the world and the future....it was this one. Because while I say “Bobby lost it” and you could see Bishop fearing that was exactly the case....I don’t think that means that Bobby was out of control, rather than just he lost sight or willingness to throw up barriers between his most vengeful impulses and reasons to hold himself back. I fully believe everything Bobby did this issue was willful and calculated....he knew exactly what he was doing, and he’s not remotely sorry for any of it, because they took away one of the people he can’t bear to lose JUST as he was starting to get used to the idea that now he might not ever have to actually lose them.

So. Iceberg dead ahead, indeed.

Below the cut: More about the specific ways Bobby and Bishop’s powers work almost exactly opposite, and what that implies for how vulnerable Kate’s true murderer Sebastian Shaw is to the specific friend of hers who appears to have taken point on avenging her death.

Also, me getting rambly again about Bobby’s ultimate potential as the Phoenix/Jean’s true thematic opposite - the inevitable heat death of the universe - and why their fire and ice dichotomy was never a coincidence when the two of them in specific were made the original omega mutants.

Also also, more puns. Because can’t stop won’t stop and they’re necessary. I have a mandate, back off.

So. It was also particularly fitting that Bishop was disturbed by what Bobby was doing because I mean.....again, this isn’t OOC for Bobby, its just he very very VERY rarely gets like this because he IS so aware of how destructive he can actually be and isn’t fully comfortable being a walking force of nature in human/twink form. He signed up to be a disaster gay, not a natural disaster gay. Okay enough with the puns. POINT BEING.....add to that the fact that Bishop, of all the X-Men, has always been the most conscious of the threats they could each be if unchecked, given his original focus on ferreting out who the X-Men traitor was that was destined to lead to the team’s early deaths.

Which means, although it comes up VERY rarely, Bishop has always kept in mind that despite how formidable he himself is, the precise nature of their powers makes him one of the people LEAST suited to deal with the possibility of an out-of-control Bobby Drake on a rampage.....because Bishop’s power is to absorb energy, any kind of energy, and turn it into something he can use offensively himself.

Problem is, despite how often Bobby’s depicted shooting ‘ice beams’....he doesn’t project any kind of energy at all. Its the exact opposite. Bobby’s power at its core is basically a middle finger to the laws of thermodynamics. Cold isn’t an energy after all, its just the absence of heat.....which in turn is really just energy produced by the frenetic kinetic motion of molecules.

Bobby doesn’t project energy, he takes it away. And not even by absorbing it himself, its more he just....makes it go bye-bye. Through some process nobody truly understands, least of all him, but there’s no transfer of energy from one source to another when he uses his powers. Its more that all that kinetic energy in the area he’s focusing on, no matter how small or large it is, the molecular activity responsible for the production of any amount of energy at all.....just....stops.

Again, its why I’ve always said that despite how he’s usually depicted compared to her, Bobby truly is the most ideal thematic opposite to Jean and the Phoenix Force, and its why it was a perfect choice to make him the other original omega mutant, alongside her.

After all, Jean as the Phoenix was always shown as a force of fire and light...and her ultimate potential/destiny was usually written as the reincarnation/resurrection force....essentially, the Phoenix is meant to be the spark that reignites creation, that begins everything again, once destroyed.

Bobby, in contrast, isn’t just the Iceman.....his ultimate potential and destiny could just as easily be described as the natural and NECESSARY counterpart to the Phoenix Force....the inevitable Heat Death of the Universe.

Since, much like global warming, the heat death of the universe is a somewhat misleading title. Because of the emphasis it puts on heat, most people hear it and tend to think of the end of the universe being an explosive thing, one last blaze of glory. But in actuality, another name for the heat death of the universe is The Big Chill or The Big Freeze. The whole theory behind it is that the ultimate fate of the universe is that it will someday reach a point where there is no untapped thermodynamic free energy LEFT to power entropic cycles.

And as entropy is the natural state of the universe....no more entropy means no more universe. It doesn’t imply that the universe would be destroyed or explode, implode, cease to exist....its more that everything would just....stop. Not because it dropped to some specific temperature or anything, but simply because.....there’s no more molecular movement happening. Nothing in motion....and without that molecular motion to PRODUCE energy that in turn powers all the other natural forces/states of being in the universe....nothing can ever happen again, from that point on, basically....

At least not without an outside catalyst, an external force acting to restart, reignite molecular activity, a self-contained power source that could funnel enough external free energy back into the machinery to jumpstart it again....a fuel source for essentially...a Big Bang, an explosion so big that it produces so much free energy that everything starts up again, in whatever new configuration it all settles into in the wake of that primordial explosion. And thus, a universe is born anew, like a phoenix from the ashes, etc, etc.

Anyway, got off on a tangent there, as I am wont to do, but in the vein of my fondness for usually super nice characters who are actually super dangerous if you go about pissing them off in just the right ways, and who could absolutely be the most villainous villains to end all villains if not for their willful and constant choosing of GOOD over self-service and prioritizing their own wants and needs over that of innocents.....

Well, in actuality, the goofy, eternal frat boy, pun-loving, deliberately and consciously immature ‘little brother’ of the X-Men, Bobby Drake....he’s not just an ice sculptor and snow cone maker, for all that he mostly uses his powers just for that stuff, by CHOICE. Because nobody’s more conscious than he that when he really puts his mind to it, there is literally not a more ideal killing machine in the entire Marvel Universe than Bobby himself.

Like, Thanos? Fuck that guy. Thanos would have Bobby-envy if he ever pulled his head out of his own ass long enough to notice someone other than himself.

Plenty of other mutants, superhumans and even cosmic beings are extremely dangerous killers in all kinds of ways, capable of enormous destruction.

None of them are more suited to one specific part of the Celestial endgame than Bobby himself:

He’s the end result of the attempts to engineer a new generation of cosmic beings that could be the architects of a whole new universe, just as they were the architects of the current one.

But in order for a new universe to someday begin, the current one has to someday end.

And the X-Men’s goofy gay twink is the one being noted by Marvel’s current roster of cosmic beings, as being the potential killer of universes needed to make that part of the eternal universal cycle happen.

The guy who one day, thousands or millions or even billions of years from now, in whatever form he exists in by then...

(since omega mutants were originally described as evolution incarnate, those mutants who are constantly evolving themselves even as they live, so that there is no upper limit to how their powers can grow, change, adapt, mutate, with a by-product of this being they all at some point evolve some way of transcending the limitations of physical bodies and mortality).....

....could just snap his fingers and make everything, all energy, all motion, all molecular activity, just.....stop.

Anyway! Obviously, most of that is just hypothetical and conjecture even within universe, and a long way from ever happening in-universe, if at all, and Bobby for all his power now is still nowhere near that point.

BUT....the reason I brought up Bishop’s disturbed reaction at the start of all this, and noted how Bishop himself is uniquely unsuited to dealing with the Iceman on a rampage....

Is that there’s one specific character whose powers work an awful lot like Bishop’s....which means he shares that specific vulnerability to Bobby in particular.

With that being...Sebastian Shaw, the man ultimately responsible for what happened to Kate, the one who actually killed her and set all of this in motion.

Because just as Bishop absorbs all forms of energy and reprocesses it into offensive energy blasts he fires back on his attackers....Sebastian Shaw absorbs all kinetic energy and converts it into superhuman strength. Making him an almost unstoppable tank, as pretty much everyone’s attempt to fight him only makes him stronger, while doing no actual harm to him.

Except...enter Bobby. Who doesn’t need to hit Sebastian to hurt him. Doesn’t need to feed him any energy he can use at all. All he needs to do, is take all the heat in Sebastian away, and he can shatter him into a million pieces, just like he did all those mercenaries’ trigger fingers.

And when people find out Sebastian’s part in all this, he’s going to run, no doubt. He’ll probably slip off the island before anyone can manage to get their hands on him, and he’s got so many resources and connections of his own, he can easily flee to any part of the world without needing gate access, and buy his own private army to defend him.

But when you look at how Bobby was this issue, how relentless and implacable, and how little he cared or even acknowledged any of the armed men before him as any kind of threat at all....

Its very easy to remember that as long as he stays in his ice form, Bobby doesn’t need to eat or drink or sleep or ever stop. Period. And as shown in this issue, he can now teleport across the globe in an instant. There’s pretty much nowhere he can’t reach on his own now.

Like I said. An elemental Terminator jacked up on steroids. There’s nowhere Shaw can go that he can’t follow. No obstacle Shaw can throw up in his path that Bobby can’t shatter and just walk through without slowing. No amount of mercenaries Shaw could hire, that could actually pose any kind of threat to Bobby. And absolutely nothing Sebastian or his own mutant power could do to protect him from the specific advantage Bobby’s own abilities give him in any kind of direct confrontation between them.

In summation.....Bobby Drake, killer of universes, might be billions of years away from reality, if ever.

But even right now, at this point in time.....he’s already evolved into nature’s perfect Sebastian Shaw killing machine.

And I think after this issue, that’s particularly relevant.

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briangroth27 · 5 years

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Back to the MCU Part 2: The X-men

I’m absolutely looking forward to Dark Phoenix and New Mutants—I’ve loved or really liked all of the X-men movies except two and I’m sad to see the franchise end—but I’m also looking forward to the X-men joining the MCU. I was skeptical of the fan insistence that Spider-man would be inherently better just because Homecoming was part of the MCU and I was proven wrong, but I’m still not sure that the X-men going home will be a magical improvement. The Fox-films aren’t perfect, but they’re not the worthless dreck a lot of people make them out to be either and it’ll be a shame to lose all the good things about them (unfortunately along with The Gifted in all likelihood). Still, this is what’s happening and I’ll always be excited for new X-men adventures: they’re my favorite comics and I love seeing them brought to life! In a perfect world, we’d get a new X-men TV series (heck, both a live-action one and a new animated series) because there are just too many characters to explore over a trilogy or two of movies, but for these purposes, I’m going to assume they’ll only be doing X-films.

Full spoilers for the Fox-verse and MCU up to this point....

X-men Origins How should mutants appear in the MCU? This is super-simple: they just do.

There’s always been a handful around, like Xavier, Magneto (their ages and Erik’s Holocaust experience can be explained by saying they knew a mutant who could rejuvenate others), Apocalypse, Shadow King, etc., but mutants are just now starting to appear en masse. They’re a new and mysterious global phenomenon. Importantly, they’re a natural evolution and the most “cause” that should ever be given is the real-life explanation for evolutionary mutation: a reaction a hostile environment. Sure, you could say Thanos’ Snap created that type of environmental condition, but no one should be responsible for making mutation happen. This is something I strongly believe has to hold true: mutants can’t be created in a lab somewhere or Snapped back into existence “wrong” or have their X-genes turned on by Scarlet Witch or something. If anything like that happens, mutants automatically lose their “we’re natural, normal, and we’re supposed to be here” argument. It’s why the Inhumans aren’t really a great substitute for the mutants-as-minorities metaphor: even though the present-day Inhumans were born that way, they can still be traced back to experiments the Kree conducted on humans. Mutants, however, are completely normal and exactly what they’re supposed to be. Also, it’s that lack of an “explanation” that scares normal people and separates mutants from the other superheroes in the MCU. Bigots can write off a radioactive spider bite or a gamma accident as powers that happened to “those poor people,” but the X-men showing up and saying “this is who we are naturally, our powers come from the core of our being, and we’re the future?” That scares them and brings out the hate. That last point is just as much a source of fear as the others: just look at how white supremacists in real life scream about “being replaced” by Jewish people, Muslims, immigrants, etc.

I’ve been asked on Twitter how the common MCU people would be able to tell that the X-men are any different from the Avengers (Thor vs. Storm was the example I was given), and the answer’s in the characters. Storm and the rest of the team would absolutely self-identify as mutants, feeling they shouldn’t have to pass as aliens/accidents for an easier life (in addition to their stated goal of proving that mutants can be trusted). With that pride and the insistence that mutants are the future, bigoted reactions would mimic LGBTQIA hate: "Why should we cater to a minority? They should be committed/cured, not supported, coddled, and allowed to continue living in their delusions,” etc. People's kids being mysteriously powered is also a much scarier concept than an alien the public barely interacts with (Ragnarok having civilians know about Thor and Jane’s relationship status still rings false to me, unless Darcy’s been blogging). Thor's an external anomaly to the everyday MCU citizen and while the Avengers might accidentally wreck your town, mutants could be in your family and are an intimate threat to The Way Things Are.

I’ve also been asked how you square Scarlet Witch and Quicksilver with Magneto if the X-men just appear now rather than being rebooted into the history of the MCU, and that’s simple too. They aren’t his kids anymore in the comics, so you might not even need to explore that connection in the movies. If they do want to, he could be a secret parent they didn’t know about. They still don’t have to be mutants since their origin is tied to Loki’s scepter. Either way, Wanda’s continued presence in the MCU is not a continuity deal-breaker.

First Class While the idea I’ve seen tossed around of the team suddenly snapping into view after Xavier has been psychically hiding them from the world for years would be a cool reveal, I don’t think they’ll want to burn all the A-list X-men by introducing them as adults. IMO, the X-men are going to be the backbone of multiple future MCU phases since the big-name Avengers are winding done, so they’re going to want to cast X-teens who can grow with the MCU. They’ll also want to start at the beginning and (hopefully) really dig into the team finding its groove, learning as they go. I’ve enjoyed the Fox prequel trilogy immensely so far, but jumping 10 years between each film takes the wind out of proper development arcs. Showing the team’s learning curve as superheroes would also set them apart from the Avengers, who have personality conflicts but essentially came to the team as polished heroes.

Fox’s prequel X-team is a pretty perfect lineup in terms of characters, so I wouldn’t change the core roster much (though I do expect everyone to be recast). We’d meet the X-men as they’re recruited, allowing the film to both touch on the world mutants are living in and to show who these kids were outside the mansion. That’ll not only show the healing effect of having other kids like them in their orbit, but will also emphasize how important the school is as a safe haven (and found family) from the rest of the world. One area where Fox’s films have fallen short (and The Gifted has excelled) is showing what the common people’s reaction to mutants is, rather than just sticking with the military’s thoughts, and I hope the MCU follows that show’s lead.

While every teenager (and even every adult) can relate to the X-men’s outsider status, mutants are also (and most importantly) supposed to represent the oppressed in our society and the next cast should reflect that. So, I’d do a lot of race and sexual orientation switches. For example, Cyclops should be Native Alaskan. He’s closely tied to that region in the comics, Summers isn’t the real family name (it was chosen by an immigrant ancestor in the comics and here could be an example of his family trying to assimilate), and the pressure to be a “model minority” would mesh perfectly with Scott’s constant drive to be a straight-laced boy scout who thinks he’d be useless if he failed. I’d let the comics’ subtext about Storm being bi or pansexual be text here. I’d also stick closer to her having been a “goddess” as well as a thief; she should be the one mutant in history that ruled humans without fear or violence so she can be a voice of reason and experience on the team. Nightcrawler could be updated into a swashbuckling street performer who’s a little internet-famous (part of a growing mutant youth subculture) in addition to his religious struggles. He could also be a positive role model in how he embraces and celebrates his physical differences (like he did on X-men Evolution), no matter who calls him a demon. Kurt could be any race as long as he’s from Germany, though I kinda like the idea of one of the few white guys being blue the whole time. Rouge would definitely start out as a villain if I were writing it. She doesn’t necessarily need to be white and making her an African-American teen from Mississippi could grant her a whole new perspective on the mutants-as-minorities idea: her loss of memories and self could reflect the black American experience of not knowing where your ancestors came from or what their culture was. I also think her reaction to meeting a literal queen who’s also a black woman would be pretty great; Storm could be a role model for her once she starts to reform (and maybe punk Storm could come from interacting with Rogue’s more fun-loving persona). Those new aspects could potentially bolster the outsider feeling she’ll already have thanks to her powers acting like a disease that forbids her from making unencumbered contact with others, so she could be relatable on several fronts.

New Mutants Scott, Ororo, Kurt, and Rogue would be my core team throughout all the films, but there’d be room for others as well. Jean’s another favorite of mine and it’d be cool to see her without the Phoenix as a predetermined end-point in mind for a while. I’ve seen it pointed out on Twitter that one of her biggest assets is her empathy, so let her use that to promote human/mutant understanding and use her comic origin story to drive her towards not letting anyone die. Gambit would be a lot of fun (and, in keeping with making things more diverse, the movies could go through with an intended comic development that he’d be bi), but I would definitely not adapt his charm power: there’s just too much room for that to get rapey to even try including it (plus, he shouldn’t need a power to be charming). Being a roguish thief with a heart of gold would play well against both the X-men and the gruff Wolverine when he’s introduced. Jubilee is more than deserving of a larger, more active role after being a glorified cameo so many times; maybe she eventually becomes the PR face of the school? Iceman’s always been another favorite of mine and his deep-seated denial of his homosexuality would bring another realistic touch to the team. Polaris, X-23, Honey Badger, Eclipse, Quicksilver (who I guess is dead, though; it’s a shame we have to leave the superior cinematic one behind in the Fox-verse), Domino, Bishop, Beast, Firestar, Psylocke, Shadowcat, etc. …the list of great characters in this franchise goes on and on and they’d all be welcome; this is why there needs to be a show, not just films!

Logan, the Wolverine We should get to Wolverine at some point—he’s another one of my favorites and there’s no denying he’s the most popular mutant—and I’d play up the parallels between him and Scott rather than focus on the love triangle with Jean. But first, I want them to hold off on Logan and maybe not even introduce him until something like the third movie. Let the rest of the team breathe and become an ensemble before reintroducing a new Wolverine, who’ll instantly be saddled with comparisons to arguably the most iconic version of the character: Hugh Jackman’s. They’d spend most of their time justifying the new Logan and I worry that the rest of the characters would be sidelined again. Instead, let’s see all of them get the chance to be as fleshed-out and celebrated as Logan is, then add him in and watch as the franchise gets even bigger from there. Maybe a way around Logan stealing the X-spotlight is to do something unorthodox (yet with enough comic precedence to appease the fans) and introduce him in an Avengers movie first. Maybe the Avengers could take the place of Alpha Flight in the MCU (or maybe they’d do something totally unexpected and just make an Alpha Flight movie). Personally I’d like to see a Logan who was absolutely horrible in his past—an animal occasionally pointed in the right direction—who then had the mind-wipe truly make him a better person who’s out to atone for a life he doesn’t remember. I think that would be compelling and would make the mind-wipe matter. Edit: I thought it might work to make Logan a POC to reflect real-life atrocities and experimentation carried out against minorities, but “violent rage machine who becomes a hero after (probably white) scientists torture him and erase his identity” would be a terrible message since you could say it argues they improved him. If he were innocent before Weapon X it would be different (and possibly a comment on the damage white people have inflicted on just about everyone else); I guess it depends on what they want Logan's story to be and what effect Weapon X has on him (and there should be an effect, not that X-men Origins nonsense where he's essentially the same person on both sides of it). If he's an angry white guy who's improved by forgetting who he was/the society that made him that way, that could be an interesting comment on the white male rage we see so much of today too.

Dark Phoenix, Apocalypse (and other X-threats) I definitely don’t want to see Magneto right away (though he’s the best villain in fiction). On film, we need a break from him (though if they wanted to make him Xavier’s co-leader of the X-men for an extended period, I’d be interested). I genuinely liked Mystique’s character development into just that position in the prequel films, but when she returns in the MCU it should be as a villain first (and certainly as Kurt’s mom—or why not his dad, as originally planned?—and Rogue’s adoptive mother). Stryker, the Sentinels, and the Phoenix Saga should all be held off until far down the road as well.

I wish I could remember who on Twitter suggested it, but I love the idea of using conversion therapy as the basis for an X-men villain, so that’s how I’d open the series (let’s call these films The Uncanny X-men, for argument’s sake). Use Mesmero as one of two main villains, mind-controlling mutants into thinking that they don’t have powers to the point where they subconsciously shut down their access to them (like Iceman did to himself after House of M). Do this through Legion-esque twisty, mind-bending psychic sequences (so we can see each character’s inner fears and character traits), but mixed with real-world conversion therapy horrors. Once Mesmero’s phase is completed, the “cured” mutants are thrown into an elaborate deathtrap/maze to make sure they can’t access their powers anymore…this would be a Murderworld designed by an updated Arcade! That would provide the bombastic third act after the Mesmero stuff gives us some great character work. Xavier sends the team in to investigate this process (maybe it’s set on Genosha) and they meet Rogue there, who’s also undercover but for Mystique, out to kill everyone involved whereas the X-men want to expose the torture and shut it down peacefully to be a good example. You could start to argue whether the X-men being upstanding superheroes allows them to go far enough with a third party like Rogue/the Brotherhood.

My second movie would feature Mr. Sinister and his attempts to keep up with mutants by experimenting on himself to give himself powers. I’d make it a cultural appropriation metaphor, by having Sinister create agents for the government (the Freedom Force seems like an appropriate right-wing name and it looks like they might be needed to step in where the Avengers leave off after Endgame) who are heroes and celebrated by the public, whereas the X-men are still hated. The X-men would of course resent the popular “mutates” taking what made them special and being celebrated for it while they’re still hated. If the first movie is about the X-men fighting to prove they should be here, the second would be about mutants establishing their own culture (and the burgeoning mutant subculture would absolutely be a part of this). It’d also be about humans artificially clinging to relevance and fearing losing their status in society (extremely relevant to a huge problem with white society in America today), while larger sci-fi themes about moving toward the future of humanity via evolution are explored through Sinister. Sinister’s base would absolutely be in the Savage Land so we could see X-men vs. dinosaurs: in addition to just being fun and cool (and big business, if the Jurassic World movies are any indication), dinosaurs would metaphorically represent the human race. They’d be a constant reminder of the extinction and irrelevance Sinister is trying to outthink. Perhaps Sauron could be a minor villain in that setting. Since I wouldn’t want to do Phoenix yet, a Madelyne Prior story might be better for this new era (maybe she’s one of Sinister’s Freedom Force mutates). If they don’t want to do the Captain Marvel/Rogue animosity—and I’m not sure I want to see Carol lose her memories and herself again, though you could create a bond between the two of them over Carol being manipulated by the Kree and Rogue by Mystique (maybe that’s how they’d finally resolve their hatred?)—another of Sinister’s mutates being called Warbird and having flight/super-strength would be a fine substitute for Rogue to get her iconic powers and send her to the X-men for help.

As we get into Uncanny 3, I’d do Onslaught, but a more streamlined version that doesn’t involve the Heroes Reborn thing. I’d rather it be confined to the X-men, but since we’re in the MCU now it’d be a good opportunity for the teams to team up. My Onslaught wouldn’t be a Magneto/Xavier mind-meld, but a Xavier who finally lost hope in his dream and decided to force humans to accept mutants. I think Xavier screwing with the team, implanting false memories to manipulate them, sow discord, etc. would be a lot of fun…and a chance to have Rogue be the big damn hero because of her mental training to suss out her actual personality (in these films I’d dedicate time to the team actively helping her try to control her abilities and rediscover herself). A psychic threat would also be a nice bookend to the team’s first film and a response to “how impactful can the X-men be as true-blue heroes?,” while defeating Xavier would be a natural end to this chapter as the team goes on to new adventures under Scott and Ororo’s leadership.

Once we’ve explored new threats, I’m fully open to digging into Magneto, Apocalypse (hopefully maintaining his “I’m trying to save you all by forcing conflict to evolve you” delusion), Stryker, the Sentinels, Mystique, Shadow King, Juggernaut, Sabretooth, Omega Red (who hasn’t been used yet), etc. again. Whatever they do, I hope the MCU goes big and explores all facets of the X-universe, like Genosha, Asteroid M, the Morlocks, the Brood, Madripoor, Mojo, etc. The X-world is a rich one unto itself, so Disney should let it shine and really flesh out the MCU beyond the real-world boundaries they’ve lived in so far and are only just now starting to venture from (at least on Earth). When we do get to Phoenix again, I hope it’ll be a natural evolution and Jean’s quest to make the world better so no one has to die again, not a cosmic space bird trying on feelings or a secret evil split personality (as an early X3 idea pitched, my Jean would evolve into the comics’ cosmic force).

United I absolutely don’t want some sort of Avengers vs. X-men thing. Who wants the Avengers turned into the militant arm of a bigoted government or something? No matter how you slice it, the X-men represent minorities/PoC/the oppressed, so making the Avengers fight them just seems wrong and automatically tips them toward being agents of oppression. If you lean too far into “mutant powers really are dangerous” to justify the Avengers fighting them, the X-men lose their social relevance. At “best,” you’ll have the Avengers making an argument along the lines of “protests that cause property damage are just as bad as the racists/social inequality they’re protesting,” which is not a good look for anyone. Plus, I’m just sick of heroes fighting heroes.

I wouldn’t do House of M or X-men vs. Inhumans either: extinction events not perpetrated by bigots trying to pull off genocide undercut the metaphor of mutancy. The X-men represent oppressed minorities, not snow leopards.

Deadpool: The Last Stand While it would be absolutely crazy if Dark Phoenix ended with Jean re-creating the Fox-Earth into the MCU or something, I don’t think the Fox-verse will get that kind of send-off. Aside from Dark Phoenix, New Mutants (which looks very spooky-cool but who knows if it will be released in theaters or on Hulu), and The Gifted (which will almost certainly be cancelled, sadly) the big dangling thread of the Fox-verse is the still-popular Deadpool. Legion will be ending after Season 3 and I think it’s safe to say Gambit, Shadowcat, Multiple Man, etc. are dead at this point, and that’s probably for the best if Disney wants to create a unified vision and start fresh.

However, a Deadpool 3 (or X-Force) film should definitely still happen, and I have an idea to help the characters (and actors) we love from those movies make the jump to the MCU intact. I think DP3/X-Force should be an adventure on Mojoworld! Deadpool’s probably the only live-action property that would be willing to go all-in on Mojo, so they should be the one to take the dive (especially now that Shatterstar’s mentioned it exists). Everyone gets abducted and the writers can go extremely meta with it. They could structure it similarly to the first Mojo episode of the 90s X-men cartoon, but with jokes about Hollywood’s obsession with sequels, reboots, and the franchise wars (as well as society’s relationship with the media). They could also joke about fan fears about Disney making them PG-13 (though I think those fears are unfounded), via some Good Place-esque censorship. Mojo’s televised world could also allow for cameos galore from the Fox-films, including the much-desired Hugh Jackman and Ryan Reynolds team-up. This isn’t how I’d prefer to see those actors together for the last time, but since it seems like the only option I’d take it. And at the end of this Mojoverse adventure? The Fox-verse is “cancelled,” leaving Wade and friends to be dumped into the MCU. You could cherry-pick the Fox timeline for favorites to save here: Wade, Domino, Negasonic, Colossus, Blind Al, Vanessa, Cable, Dopinder, both Yukios, and Laura/X-23 would all be welcome IMO (alternatively, I’ll take people like Zazie Beetz and Dafne Keen getting cast as Domino and Laura again in the MCU, just with new origins). If there’s a way to get The Gifted characters—especially Polaris and Eclipse—to the MCU too (if Blink’s season 2-ending portal doesn’t do it and make that group the MCU’s Exiles; seeing them come from a hardened anti-mutant world into an MCU where mutants are just starting to pop up in large numbers would be a really cool switch for them), I’m all for that as well. You could even give X-Force’s appearance in the MCU some narrative impact by forcing Xavier to accelerate his plan for the X-men to go public to counteract Deadpool’s team in the public eye, since Wade is not the guy you want at the center of the mutant rights effort.

Days of Future Past I realize most of this won’t happen (especially my ideas for the movies, but hey Disney, if you want some X-novels give me a call), but it’s a vision of the X-Franchise’s future I’d like to see. The big things are that mutants should just appear naturally, Disney should be open to casting and writing the characters more diversely than they’ve been in the comics (a consideration I’d extend to the franchise’s creators behind the scenes and soundtrack as well, though the main theme should absolutely be the 90s Animated Series theme!), and the MCU should take the time to dig into every aspect of the franchise rather than immediately hitting beats Fox has already covered. There are a lot of socially-relevant angles to tackle the X-men world with, and I want to see them all explored. The Disney/Fox deal is officially finalized on March 20, so we’ll soon see how the X-men will fit in.

Whatever happens, I’m excited to see Dark Phoenix and I can’t wait to see more X-adventures in the MCU!

What do you think? What do you want to see from the X-men in the MCU?

Check out more of my theories, reviews, and original short stories here!

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