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#like... that's a whole blank slate
hcppyhotel · 2 months
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❝  just  sign  on  the  line  and  we  could  be  friends  !  i'll  be  here  for  you  until  your  world  ends  ! enjoy  all  the  toys  i  will  supply,  you  only  live  once  !   ❞ 
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❝ and  you'll  be  mine  !   ❞ 
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bixels · 5 months
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On one hand, really funny that they straight up lied. On the other hand, pretty mean that they straight up lied. But on the third hand, I knew they were never doing HL2AIVR.
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canisalbus · 5 months
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I just recently started following you so i don't have the full lore of your murderous gay religiously traumatized doggos, BUT, from my understanding, they are Italian and i don't know what part of Italy they are from, yet i can't help headcanoning Vasco as Tuscan, while Machete is probably from some part of Veneto. And as an Italian who has heard Tuscans and Veneto dialet, well it's an hilarious mental image.
Vasco is indeed Tuscan, Florentine to be specific. He comes from a wealthy and influential noble family that has lived in Florence for centuries. He's proud of his roots, and it's usually easy for strangers to tell where he's from. He's a resonably successful politician and has worked as an ambassador and representative of Florence on numerous occasions.
Machete is originally Sicilian (ironically about as far from Veneto as possible), although he was taken to mainland at young age and has lived in several places since then, before ending up in Rome. The way I see it, he exhibits very little local color, his demeanor and (even though Italian hadn't become a standardized language yet) way of speaking are formal, neutral and scarcely give away any hints about his personal history, at least in the 16th century canon.
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cherry-bomb1985 · 15 days
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I feel like The Father and Hell both understand and experience love in all the worst ways.
The Father sought to create a life form that would follow and love him unconditionally. It wasn't enough that he had a great cosmic kingdom of angels who are unquestioningly loyal, no, he needed something that knew suffering and mortality and the threat of oblivion, and would still find love at the end; love for him above all else. But after numerous implied failures at that, in his desperation, he instead created the threat of eternal damnation to force them to love him in order avert that fate. Lucifer's words must have been like a splash of cold water, but by the time he realized sheer magnitude of suffering he had unintentionally set into motion, it was too late. He could not destroy Hell; he could not stop the cycle of violence.
That guilt drove him to seek a death that, from the looks of it, eluded him in spite of the hollowness consuming him. And now he is... somewhere, helpless to stop his experiments from consuming one another and themselves in a glorious show of blood and violence.
And then there's Hell itself, who seems to recognize love as an act of violence and cruelty. It is something that derives joy only from the suffering of other living creatures. God gave it so many toys to hurt and break and reform, and Mankind gave it new ones. Why would it understand love as anything but? It gave Minos a facsimile of the son he is most ashamed of, and delighted when he cast it, once more, into a labyrinth. Gabriel flattened all the souls within it's confines beneath his heel and gave those that did bend false hopes.
Now there's V1, tearing its way through the remaining layers and creating a spectacle of violence like nothing Hell has ever witnessed before. How could it not love them all for all the entertainment they've provided?
But deep within its recesses, hidden away from the eyes of Heaven, there was a Gutterman. A machine built for war, who eventually came to love that which it gave it life at the cost of their own. Enough to give the human welded within their coffin the mercy that both Heaven and Hell had denied them; enough to write a single love letter to them, even knowing that it would never be read by its intended recipient.
So, as things turn out, you /can/ teach a machine to love. And they will understand and experience it more sincerely than God or Hell ever could.
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supercutszns · 4 months
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i can never just write a normal reader they always have to have some sort of internal conflict going on. why can’t i just write something normal. the request was literally just protective luke hurt/comfort & now i’m here. sorry
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kriscommitscrimes · 11 months
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seeing more ppl referring to kris with he/him pronouns instead of they/them ones this pride month and i dont liek it. i will play through the whole game and ger everything screenshot of their CLOSEST FRIENDS AND FAMILY MEMBERS using EXCLUSIVELY they/them pronouns for them if necessary
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theplatypusblue · 2 months
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All the segments of teen Wu in season 9 are so funny cuz everyone’s just like “Wu, do you know where the dragon armor is?” and Wu’s actual unironic response is “Yeah it came to me in a dream ☺️”
And since they literally have no alternatives in this situation they just. Go in whatever random direction Wu points them in. And I get that’s kinda the point of the whole faith thing and everything but it’s so ridiculous that it’s both funny and terrifying at the same time.
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marinsawakening · 1 month
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It's pretty fun for me to play Zelda games in a manner mostly isolated from fandom opinions. Like don't get me wrong I've absorbed a lot of LOZ spoilers, headcanons, interpretations etc. via osmosis, I am not playing these games blind. But regardless of how many spoilers and fanart/fanfic I've seen going through the AO3 tag after playing BOTW was still an Experience because it made me realize that the way I interpret both Link as a character and the game as a whole is apparently completely counter to the majority fandom opinion. Something I was blissfully oblivious to while playing the game.
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theminecraftbee · 2 years
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Hello again so soon. I’m kind of just generally curious about the “redemption” part of Grian’s arc too, like, what forces them to finally confront each other’s identities? How do they Deal With it? What about the reactions of the rest of Team Scar? What is their dynamic like immediately after? What do they Do to shift it until Grian’s officially part of the Team?
(I’ve had this bit of idea hanging in the back of my mind since I first got the gist of this AU where in whatever event forces them to confront each other’s identities, Grian’s actually manages to get hurt enough that he breaks a wing, and because its not a limb he normally has, he can only partially de-transform until its healed. So he cant really leave his house at risk of his identity, and may or may not have anyone able/prepared to treat an injury like that, so he somehow (begrudgingly) ends up being cared for by Scar, forcing them to actually talk and not just hide from each other forever—)
so, the "being forced to confront each other's identities" works a bit like this currently in my head:
scar figures it out first.
he then immediately represses it, because he's still associating the enemy magical girl with being a villain, even if a villain he's trying to help. but scar figures it out. grian isn't that subtle, and while everyone else seems to be fooled by the magic, magical girls themselves are somewhat resistant to their own identity-concealing magic. so, he knows it's grian, and he refuses to know it's grian. this continues for a bit.
for a while, it becomes clear that A) grian does not actually have the same goals as the shadow organization and often disagrees with them despite working with them and B) grian is in over his head and can be redeemed. scar reaches out the most. cub actually disagrees with this for a while but after cub is possessed he mellows a bit because he Gets It more. cub's still more likely to shoot grian in this phase than try to help but you know, won't try to argue scar should stop anymore. bdubs is interestingly mixed; given that bdubs joins the team late he has a weird perspective and doesn't really Get scar's fixation but also is like yeah okay. i don't trust her but okay.
so then we start to get more stuff where grian is forced into a role where he's on the same side as scar occasionally. pearl's arrival in town is the first of these - pearl gets caught up in a monster attack and gets possessed while trying to investigate the shadow organization and grian ends up helping fight/rescue her against the shadow organization's will. he tries to do this sneakily but team scar catches on. he also starts helping civilians a bit more as he fights team scar and generally despite trying to present himself as terrifying is nearly at the end of his rope.
it becomes somewhat clear what grian's real goal is - while he agrees with the shadow organization that magic should not be re-sealed, some past experience with a freak magical accident that happened in one of the rare times magic still leaks through into the world in combination with his partner spirit being the spirit of freedom has lead grian to want the spirits to be able to run free. he wants magic back in the world in full and he wants the spirits to have some safe way to run free.
he's just... started to realize the consequences of that and is having trouble getting out of the situation of 'he has to work with the shadow organization because unlike team scar he has literally no one else to help him'. in addition, grian has thoroughly convinced himself he's a villain (a villain for a cause he believes in but a bad guy he's a bad person and he knows it) and refuses to work with team scar when scar reaches out.
this is about when grian puts two and two together and realizes that the guy at work he's becoming close friends with, scar, is also the enemy magical girl. i think grian has to actively catch scar transforming to figure it out he figures it out WAY later than scar does. unlike scar though he DOESN'T repress, he just panics, because the thing with grian is that while he hurts a lot of people and acts like he likes doing it, he actually doesn't want to hurt anyone, let alone his friends. which is why pearl was the initial catalyst for him to work with team scar in emergencies more often, and is why he's suddenly awkwardly holding back when he and scar fight.
this comes to a head when scar gets very badly injured in a spirit fight. the spirit is something like the spirit of death or something and it's bad and grian flips and drives out the spirit again (albeit without sealing it because grian can't actually do that). he saves scar's life and scar basically is like. i knew you could do it. you're one of my best friends i knew you could do better. i knew it was you, grian, i knew you were a good person.
grian flees because he Cannot Handle This. he's injured himself, so he has the conversation with doc i wrote at one point in his last conversation with the shadow organization as an ally. he gets patched up.
grian then vanishes for two weeks.
he doesn't tell his boss, he doesn't tell scar, he doesn't tell anyone, and scar is terrified. the only reason scar isn't more terrified is that no new magical warriors have come from the shadow organization or something. meanwhile grian has just like. fucked off to another city because he's had a panic attack slash crisis of faith over being called a good person and the fact that scar has known and not done anything about it what the fuck. he also sorta realizes that he doesn't like where he'd gotten stuck and starts trying to talk with the spirit of freedom, who has developed into kind of a friend, to figure out what to do with himself.
he proceeds to get captured by the shadow organization, which has managed to hunt him down and decided that, since grian clearly isn't cooperative anymore, he's a threat, and more useful to take apart and study than as a distraction for team scar now. grian proceeds to have a Bad Time for several days before being given an offer by the spirit of freedom:
grian is now powerful enough as a magical girl to transform on his own. he knows this, the shadow organization doesn't quite know this but that's because grian's refused to give it away, the spirit of freedom knows this. grian has also never been easy to possess; he wrested control from the spirit of freedom on his own, after all, way back in the beginning, in order to become a mage all on his own.
but he can still become possessed willingly.
and an actual, fully-fledged and independent magical girl being possessed is a calamity on a scale that no other possession can compare to.
grian agrees. cue madoka-inspired creature made of wings and broken cage bars basically entirely destroying the underground facility he'd been in and briefly becoming effectively a natural disaster, a 'king of monsters' arc where grian basically out of fear and anger and pain and all his conflicting emotions decides that fine, he's fully joining the side of the spirits, he's done being human he's done dealing with this. he's also pretty done being in his right mind because neither he nor the spirit of freedom are actually capable of fully handling the resulting power of "spirit fully possessing a magical locus as powerful as grian had gotten at that point".
team scar has to fight him and also talk him down enough for grian to manage to claw back enough right mind to separate from the spirit of freedom, but also to want to. combination fight scenes and VERY emotional final conversations and also i think scar just completely detransforms in front of grian and is like "no more secrets all this laid bare now come on please let me help you, you were right i don't actually think all magic should be sealed anymore but i also don't think what you're doing now is right, you are hurting people and you are hurt and this isn't you".
scar manages to talk grian down from being a pure calamity and then spirits him away to a hiding place where he can stay safe while team scar tries to figure out what the fuck to do now.
for the record, even after ALL OF THIS i think cub doesn't fully trust grian. bdubs trusts that grian is too much of an emotional and physical wreck when he first switches sides to do anything but cub's like. have you seen some of the stunts this lady has pulled. i am not keeping my eyes off of her. and grian knows he has some SERIOUS work to do to get people's trust again especially after what just happened.
and this leads into team scar finally doing a full assault on the (now much more damaged) shadow organization like this is the last arc before that happens i think lol
subject to change of course if other people have good ideas i REALLY like your idea too i just had the very dramatic image of grian, king of monsters, for a while now and so that's definitely happening.
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thedreadvampy · 5 months
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so me and Sam FINALLY watched the last season of Capaldi's Who
and tell me how, after literally over a decade and for perhaps the first time in his fucking career, Steven Moffat wrote a not just tolerable but really actually good two-parter and fully stuck the landing. like the editing and pacing were still a bit off but the storyline was original, fun, interesting and emotionally invested, and most importantly, rather than ending on a damp fart or the most furious autofellatio in history, the final part didn't fumble it and ended in a way that felt emotionally satisfying and like it made sense for the characters. like the last time he successfully wrapped up a multiparter in a way that didn't feel cheap and hollowly disappointing to me was literally The Empty Child/The Doctor Dances, and a) that was in 2005 and b) tbh The Doctor Dances is about a tenth as compelling and memorable as The Empty Child.
so after 12 years of either hackery or great ideas that fall apart in the second act, Steven Moffat writes what I would genuinely consider to be a memorable Good Doctor Who serial. it ends with bittersweet pathos, a solid closer for all the main characters, and sends Moffat's showrunning career out on a genuine high despite failing ratings and budget cuts (and the fact Doctor Who hasn't been consistently good since about 2009). good job Steve. with grudging respect I admit you pulled it out of the bag on this one.
wait what's this there's one more episode left? and it stars Mark Gatiss? and you literally spend the whole episode inexplicably just shitting all over the legacy of Doctor Who by inventing a version of the First Doctor that bears literally no resemblance to the character that William Hartnell actually played, just so you can spend the whole episode saying misogynistic things to run yourself off to how much more Totally Feminist your version was than the version you made up in your head of what Doctor Who was like in the 60s? and it added literally nothing to the season except to take all the wind out of the sails of the actually good finale you already wrote?
even when he writes a good episode this fucker still finds ways to disappoint me.
#red said#as I remembered it is by a LONG shot the best that Doctor Who has been under Moffat and I do think giving Capaldi more creative control#helped a lot. cause he's a massive nerd and also he approximately knows how to construct a story.#bill is the first female companion Moffat has ever written with an actual fucking personality#(even if being mean that personality is maybe kind of just what you'd get if you put rose Martha and Donna in a blender)#(at least she's not a blank slate with the words SASSY. SEXY. written on it)#matt Lucas is genuinely surprising bc despite hating the man it's kind of impossible to not like Nardole by the end??#michelle gomez finally gets some room to get her Anthony Ainley on and be the Master PROPERLY#i was hooting and clapping my hands at the John Sim Master's dumb disguise#like the cast is GREAT#(and while he still can't shut the fuck up about her at least Moffat isn't shoving River fucking Song down my throat 24/7)#buuuuuuuut uhhhh the politics are. incoherent and the vibes are rancid in a lot of the episode plots.#they clearly WANT to do Social Commentary but weirdly keep bringing up colonialism and capitalism and then taking the side of the baddies?#how are you doing to do a piece about the British Empire colonising Mars with a posh villain and a whole comparison to the British Raj#then come down on the side of the British state? same with the ninth legion piece? and the zombie spacesuit one is fun#but it wraps up with 'and then they complained to upper management and capitalism ended forever the end'#uhhhhh in the one with the microbot colony again we conclude the Morally Correct Answer is colonialism#don't get me started on the monks plot which is a) literally just ripping off the Year That Never Was but without the emotional impact#but also b) has some really weird and genuinely fucked up ideas about both geopolitics and uhhhh consent????#so yeah the philosophical core is either incoherent or Fucking Horrendous in almost every episode#it's frequently derivative but tbh that's often to its benefit bc it vibes like trying to figure out what actually makes episodes memorable#and the budget is clearly cut to the bone bc the visual effects look worse than 2005 and the post edits are really weird and janky#like the pacing and ordering is weirdly off and a lot of the shot to shot transitions are awkward or confusing.#plus the sound design in the first few eps is. unhinged. it sounds like offbrand versions of standard stings it's all just Slightly Wrong#but for real i liked it more than I've liked any other season of Moffat Who. it's messy incoherent and often politically INFURIATING#but it has some actual heart and energy. and it feels like doctor who. and i would say moffat is spending like 10% as much time#wanking over his own past triumphs (and Alex Kingston)#and a lot more time like. trying to write something which works. he's not like successful 100% of the time. or even 50%.#but there's a lot more warmth and creativity. mackie capaldi and lucas have actual chemistry as a core cast#and i think it helps that everyone in the core cast is SO PSYCHED TO BE THERE. like it just wasn't a slog like all Moffat's other seasons.
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bingqiv · 11 months
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waiting for a marauders-style renaissance for the academy era
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sysig · 5 months
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Your Weekly TV Guide
On Monday you can expect:
2:30 PM: Adventure Time
And Tuesday:
2:30 PM: AT - Betty
Wednesday:
2:30 PM: Sona reacts to Petrigrof
Thursday:
2:30 PM: AT
Friday:
2:30 PM: Wander Over Yonder - Sylvia
Saturday:
2:30 PM: Star Control II
Sunday:
2:30 PM: SCII
Thanks for tuning in! (Patreon)
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POYW; Give it back
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“Make me” 
Rose/(y/n) messin’ round with her fav pirate, aka stealing his hook and refusing to give it back.
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iheartbookbran · 2 years
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ASOIAF culture is watching an incest love triangle involving an asshole named Aegon on your tv and thinking “oh, the writers based this off of the other incest love triangle involving an asshole named Aegon from the books” and not finding anything weird in that statement.
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isaut · 7 months
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what do you think about all the Chrollo x reader stories that are always yandere. I personally feel like it’s too ooc for him. I agree he’s very dark and I guess you could say ‘evil’ to an extent, but I can’t understand why he’d treat his s/o like how ‘yanderes’ do. Wouldn’t he treat his s/o like family like he does the troupe? Idgi 🥲
I just wanna read smthin where he’s not literally being a r*pist
lmao i think no matter what universe you put chrollo in hes yandere. i also think no matter what universe you put him in chrollo isn’t a rapist.
yandere basically means that someone is sick with love— and will do anything to have their love fulfilled. i always think about yukako yamagashi from jjba. girl will do anything to get with koichi.
and i think that because of chrollo’s belief in fate (that he must both bend to the will of and write his own) makes him the perfect yandere. he thinks that he can make you fall in love with him no matter what he does.
but you’re right, in he isn’t a yandere that’s going to kidnap you and lock you up. instead, he’s going to spend days months years courting you until you’re in so deep he can throw the key into the ocean. he loves the thrill of the chase. his eye is on the prize but he can wait it out. watching you slowly fall into his trap, watching you willing fall into his trap provides him with all the satisfaction in the world. (think of a spider weaving a web around the most beautiful butterfly he’s ever seen with no thoughts other than: pretty. want for myself.)
he wants true love. he wants to believe in love in first sight. he also believes in nudging true love to happen. giving it a helpful little push. an object in motion stays in motion, after all.
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mkultrafied · 7 days
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i made this when i had my horrible adam lanza "hyperfixation" (i call it that because i dont think interest would sufficiently show how great my obsession with him was) last year . its corny and bad. im aware this is two days late.
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