#macana

[here-be-a-dragon]

she was supposed to get less arboreal with age

#macana #snakes #reptiles #i speak

[lcx5sksue1snqr]

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#macana #Pasia #counterend #jungle #semiadnate #propjets #lasslorn #malicious #drumlins #sanat #sliver #panecclesiastical #fibropolypus #southampton #vinier #isohemopyrrole #calorimeter #seemless #entomolegist #adjag

[lou-art]

Que opina nuestra chinita querida (y su creadora talentosa) de la nueva moneda que va a haber en la rioja? Como Riojana,digo que estamos en el horno 🫠

Me gustaría esperar un tiempo más para poder dar una opinión, pero por ahora pienso que Rocío puede estar alentada por sus pensamientos federalistas y la evocación del recuerdo de sus caudillos para estar apoyando todo esto ☠️ Sus gobernadores saben cómo manejarla e influenciarla, aprovechándose de su nostalgia jajaja

¡Para colmo nuestra chinita no piensa las cosas antes de actuar! Es MUY impulsiva, por lo que es probable que no se detuvo a pensar en las consecuencias de esta nueva moneda ni en lo malo que es pelearse con el gobierno nacional 😆 Gracias Chío por dejarme hacer un redibujo del meme versión 2024 (?)

#ask #AAAA OTRA RIOJANA? somos como animalitos en peligro de extinción (?) #mi niña solo se manda macanas 😭 no se sabe portar bien #aph argentina #aph provinces #aph la rioja #my art #aph oc #hetalia

[rhk111sblog]

The Philippine National Police (PNP) is now threatening to prosecute People for sharing News they deem as “Fake”, like one where retired Brigadier General Johnny Macanas talked about the “Polvoron Issue” of Bong Bong Marcos (BBM). As a Result, I will be taking down that Video soon

#philippine national police pnp #johnny macanas #bong bong marcos bbm #polvoron issue #article 154 #revised penal code #dzrh news #tiktok

[bolsa-de-mareo]

JACK DEE

#macana brothers #mic aberracion #jack dee #Youtube

[vavaharrison]

.

#ahora que lo pienso incluso lo metieron preso por decir que #el rey tenía el mismo tipo de cálculos que los chanchos lmao #y fue una de las primeras macanas que se mandó #ya deberían estar acostumbrados #qué risa esta serie #csw rewatch #txt*

[themeitrix]

Estaba trabajando en un proyecto de subtitulación que trata de la época de la revolución cubana y unas líneas me llegaron al alma:

¡Que la oligarquía entienda

que está asfixiada

y que esta revolución de los humildes,

con los humildes y para los humildes,

es invencible!

¡Es la hora, compañeros,

de morir por la patria!

¡porque morir por la patria es vivir!

#morir por la patria es vivir #eso es amor y no macana #Cuba

[wraith-of-thiodolf]

have a favourite war-club style?

there are a lot of good ones but my top picks are the big two handed tongan pakipaki and the fijian sali

#thanks for the ask #'gunstock' clubs are up there along with unbladed macana/macuahuitl #what can i say i like sharp clubs

[artifacts-archive]

Pendant with Two Crocodile Gods

Coclé

1050-1500 CE

These composite crocodilian-bat figures represent “hunter-heroes.” They carry macanas, or sword-clubs made of shell, and atlatls, or spear throwers. Their tusk-shaped bodies are made of copal, a type of resin, which may have replaced the original bone tusks used in the ornament. This pendant was most likely worn during battle or ceremonial events to demonstrate the strength and power of the wearer.

source

#artifact #pendant #pre Columbian #Coclé

[ethereal---spirits]

November 28th, 2002, Moi dix Mois performed at MACANA in Sendai as part of their ~Tour 2002-2003 forbidden~

#otd #moi dix mois

[carolinareyestorres]

Artículo 1 inciso segundo de la Ley Ómnibus de Javier Milei.

"Aló, habla Javi, ¿qué tal les pinta una dictadurita de 2 añitos?, dos nada mas...nah....sin triple A, ni garage Olimpo, ni nada eso, algo tranqui, algo piola, eso si no me hagan macana en las calles que los recago a palos che"

#argentina #milei #protestas en argentina #DNU #ley ómnibus #ultraderecha #peronismo #Guillermo Moreno #cacerolazo

[afranciscomiradiezblr-blog]

Tercera pierna - cayado - báculo - cachava - cayada - estaca - garrota - garrote, bordón - macana - muleta - apoyo - arrimo - sostén ...

báculo - bastoncillo - bordón - cachava -caña - cayado - cetro - palo - garrote -  muleta - porra - taco - tranca - vara-virola

#Esta es la imagen y agunos datos (O no) la historia la pones tú #la tuya ¿Lo harás

[draugsresurrection]

Draug's Resurrection 1.2.1

1.2.1 marks the addition of a whole new tab to the main menu, called Passives. It introduces a new way to upgrade your character, by Enhancing Spells/Skills along various basic attributes (MP Cost, Damage, Recharge Time, etc). In the original design for DR, every spell had five versions as you learned it, each with steadily improving stats. That's why the spell learning is broken into five sections like that. This addition harkens back to that idea, but makes it a bit more specialized and puts some player control into it.

Passive Abilities is also part of the earlier mentioned Passive tab, and gives characters boosts in more specific circumstances, like when surrounding an enemy, making Buff spells hit all allies but take much longer, or make an archer-type characters do more damage when performing their scarce few Direct attacks or while standing in the middle of the battlefield. About 70% of these Abilities have been completed right now, although they're naturally the less mechanically complex ones. Which generally means less interesting, too. They're all visible, just the ones that aren't done cost 99 Points to equip, of a maximum possible 50 or so.

The Passive tab also lets you see character's support status with each other (now called Unities), and now raises characters' elemental defenses as well.

Along with new upgrade routes comes more weapon types, also giving you a higher total maximum level. I was always dissatisfied that some mid-late Skills were created, some didn't actually end up on weapons themselves, and had to be Personal Skills (notably Rapier-oriented Clear Thrust and Lance-oriented Joust). First came Flamberges and Sarissas, then Chimes as a heavy physical Staff weapon (though they were Maces for a bit, until Macana came along and gave a decent non-Bash option for Maces), and the rest shortly fell into place.

Some of those new weapons have some of 25 new Spells and Skills added, many of which are focused on Terrain Effects, Movement Skills, and Enhancements. The existing Terrain Effects are now stored on the tile, rather than the caster, making them more versatile than before, and some fights now start with Terrain Effects already in place.

Minor, but probably really useful to everyone who isn't me. Pulling up the Battle Log can now also give you access to a nifty lil' reference of any active Ailments or the like currently active in the battle. It can expand to be bigger if it's a really convoluted battle.

The last big new thing is the ability to remove Draug from the party. Storywise, nothing changes, but it's great news if you didn't like the defensive-oriented playstyle Draug prefers, or just want to level your characters more evenly.

Actually, the really big last thing should be the end of the game crashing due to memory issues. I don't fully understand all of it, but older programs had a cap of how much Memory they could use, usually 1-2 GB. The cap has been editted to now be 4 GB. Why it was hitting 1GB at all is still a mystery to me, but considering a could run a random given game from ~2000 and it'll also hit 600+ MBs of RAM (despite their recommended requirements back in the day being about a tenth that), it's something about how modern PCs run… something. I dunno. I don't really get it. Regardless, issue should be fixed realistically forever.

It didn't amount to anything, but I would like to make a brief footnote here that I seriously played with the idea of doubling the resolution of Draug's Resurrection, but ultimately went against it. In part because a lot of things are hardcoded in a way that would make that not great, but mostly because it seems like certain resolutions simply cause the game to freeze, and it seems machine dependant. Disappointing, especially as boards looked way better when viewed further back, but the stability risk was just too great.

In more normal news, Alternate outfits have been expanded a fair bit over the year, with most characters having two alternates and their default. Since that's honestly probably the most interesting thing to look at, I'll end this post with a few characters, showing of all their outfits.

Download still available on itch.io.

#draug's resurrection #rpg #gamedev #indie game dev #screenshot

[danserletango]

Los Hermanos Macana. Ardingly. May 2015

#youtube

[redsilkstudies]

The 'Moretta' or 'Servetta Muta' Mask Research

from left to right: 'La Moretta' oil painting by Felice Boscaratti (Italy, 1721-1807), detail from 'Moretta, Venetian Mask' watercolour by Giovanni Grevembroch (Venice, Italy, 1731-1807), 'Young Girl Holding a Mask' oil painting by Charles-Antoine Coypel (France, 1694-1752)

above: 'The Ridotto in Venice with Masked Figures Conversing' by Francesco Guardi (Venice, Italy, 1712-1793). Women can be seen wearing both servetta muta and bauta masks.

The servetta muta was a small black mask worn by commonly worn by patrician women in Venice, as well as masquerade dress in other parts of Europe, in the early modern period. The name moretta means "little dark one" and the name servetta muta means "mute servant girl".

In an article on her website Ex Urbe, historian and novelist Ada Palmer describes the servetta muta as follows:

It is a small oval-shaped mask which covers only the center of the face, leaving about an inch of skin visible all the way around.  It has round eye holes but no nostril holes and no mouth hole, and fits tightly to the face. The curve of the mask largely conceals the shape of the nose, leaving a sense of complete blankness.  The effect of the completely formless, inhuman hole in the middle of the face, with nothing but the staring eyes, is distinctly eerie to behold. A true Muta also has no straps. Instead, a small button is sewn on the inside of the mask just where the lips are, and the wearer holds the mask on by gripping the button between her teeth. This renders the wearer unable to speak.

She continues by saying that "[so] prevalent was the Muta that, in parts of the 17th and 18th centuries, if a lady dressed in the finery of the upper classes went out without one, it was considered a declaration that she was a courtesan."

According to the Ca' Macana website, Giovanni Grevembroch wrote in the 18th century:

The heads of the family and the husbands led the wives and the sons to the Piazza [S. Marco], […] had her face covered by a black moretta, which created such contrast to the whiteness of the flesh that it shone, making it highly visible.

Left: 'Henrietta Hobart, The Hon. Mrs Howard, later Countess of Suffolk, in a masquerade dress' attributed to Thomas Gibson (England, ca. 1720). Right: 'Portrait of a lady said to be Marie Adelaide de Savoie, Duchesse de Bourgogne' by the studio of Jean-Baptiste Santerre (France, 1651-1717)

I understand the functions of the mask to be as follows: to preserve the wearer's anonymity; to render the wearer mute; to display the wearer's pale skin in contrast to the dark material of the mask; to protect a large portion of the wearer's skin from sun damage; and to display the wearer's wealth by the fine materials used to make the mask. The mask evolved from the 16th century visard or vizard, a facial covering worn by wealthy women while travelling to protect the paleness of their skin.

Why is it black? Because black dye was expensive, and materials like silk velvet were also expensive. Having a mask of black silk velvet was a convenient way of flaunting your wealth without having to buy enough fabric for a gown. It also provided a strong contrast to the pale skin prized by white nobility in the early modern period. There are mentions of green visards bought for children in 1620s England, but I have only ever seen servetta muta masks in black.

What was it made of? In a blog post last updated in 2007 on her website Une Robe Magnifique: A Renaissance Fashion Webpage, Society for Creative Anachronism member Laura Martinez describes the construction of a 16th century visard mask:

Choosing materials and techniques for a foundation proved a little trickier.  While there are period description on what would have been used to cover and line masks (velvet and “sweet” or perfumed leathers), I have yet to find descriptions of actual foundations.  Therefore, I had to do some detective work on available period materials that would be light enough and malleable enough to serve my purpose.  I came up with three choices:  Papier maché,  cardboard, and buckram. 

In 2010, a visard now known as the Daventry mask was found in a 16th century wall near Daventry in Northamptonshire, England. Finds.org.uk describes the contruction of the mask as follows:

The outer fabric is black velvet. The lining is silk. The inside is strengthened by a pressed-paper inner. The three layers are stitched together by a black cotton thread. On the lining, just below the centre of the mouth, is a loose thread of white cotton. This cotton would have held the black glass bead (found in association with the mask). The bead is 10mm in diameter and weighs 1.42g. There is some wear at the hole, which is 3mm in diameter. The black glass bead was used to hold the mask in place. With a lack of holes to allow string or elastic to be put around the head, the mask would have instead been held in place by the wearer holding the black bead in her mouth.

I think is is reasonable to assume that the servetta muta has a similar construction to the earlier visard when made with velvet-the variants that have smooth, shiny surfaces I cannot speak to, though I assume they are largely made with papier-mâché the same as a bauta or volto mask.

#16th century #17th century #18th century #historical fashion #original post #y1s1

[lahueca]

Llora nomás botija son macanas que los hombres no lloran aquí lloramos todos.