Tumgik
#my sister is doing the best she can
tinknevertalks · 3 months
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*Googles how to make salt water rinse*
*Reads* Most saltwater rinse recipes call for 8 ounces of warm water and 1 teaspoon of salt.
*Looks at cup*
*Looks at sink*
*Runs tongue over sore tooth*
Eh, five+ teaspoons of salt to a third of a mug of warm water should be OK.
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pien-art · 4 months
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Little Moiraine and baby Anvaere 💫
(click image for optimal quality)
prints available here !
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useramor · 4 months
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maybe it's just me but when a kid calls your name a million times just to say "WATCH THIS" and then jumps and falls like.....that's the greatest thing ever like the whole entire world is so new to you and even the little things feel like the greatest accomplishments and you want to share it with ME? you find something that makes your little kid brain go "WOW!!!! NEAT!!!!" and the first thing you do is turn around and call my name............i will love you forever
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flareboi · 1 month
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what if purple never calls him dad
#what if the word ‘dad’ is something purple doesn’t like.#what if it carries a bad connotation for them and a bitter reminder for mango.#family doesnt always have to look like one thing yknow? i dont think those two would have a traditional dynamic in that way#maybe purple does consider him their parent. they just dont call him ‘dad’ unless its in third person#and theyre fine with that and so is he#king is his father figure yes but he’s also a mom. a big brother. a sister. their dynamic just isnt captured in purple calling him ‘dad’#maybe his name is the best way they can say it. the best way they can appreciate him#because for purple a father is someone who hurts you. someone who leaves you#i think ‘purple calls him dad on accident’ is a cute idea#but honestly it would make more sense if they called him mom on accident instead. or if it happened when they were afraid. not comfortable#(this is presuming orchid is his mother and navy his father based on the pronouns used in the react vids iirc)#because why would purple refer to someone he sees as a parent with the title of the one that presumably did not raise them?#and on mangos end#i think u can kinda tell who in this fandom has never lost a loved one in how they characterize him#guys. grief doesnt leave. it never leaves.#you just learn to live with it!!!#mango is not okay just because he has a new kid to take care of. i would know this my bio mom passed and i have a stepmother!!!#she does not fill that void and i do not expect her to because it cannot be filled. but she brings a lot new to ease the pain and is a#wonderful part of my life#the same thing here#mango will never ever just .. go back to how he was#he will never be the same since gold died. and thats okay#purple will not change that. they will merely add something new#their dynamic can be beautiful and nontraditional and a showing of how grief can change you#it doesnt have to be ‘replacement dad and replacement son’#its so much more#oke. tag rant over#fett rambles#ava#uhh should i tag the chars
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coquelicoq · 5 months
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i am such a clown. decided to make stickers for my siblings even though i have ZERO design skills or knowledge of any programs that allow you to rotate text except for powerpoint. so i made them in powerpoint. (this took, mmmm, maybe 6-8 hours btw.) then had to find a website that would print and mail these stickers to me. no i don't want 50 stickers. i want one circle sticker and one rectangle sticker. oh that's not an option anybody wants to give me? okay then i guess i will buy 16 circle stickers (the least offered) and 50 rectangle stickers (the least offered. why not 16 also? a mystery). one of the designs is for my sibling's band, so if they like it theoretically they could use the stickers as merch or something lol. but i'm not holding my breath, on account of the aforementioned lack of design skills. i get away with a lot among my family because they're all so willing to react to my questionable creations with aww look, she Tried! but that probably doesn't work for strangers who are fans of my sibling's band. so i guess they will just have 49 extra stickers that they can idk stick to streetlight poles or something. not my problem.
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hii 📓
Okay so the thing is that I wanted a “the Zenin raised Megumi instead of Gojo” fic but the thing is that I’m absolutely convinced that if the Zenin were the ones that took Megumi they wouldn’t actually take tsumiki too. The fandom consensus I’ve personally seen has been that she would have been taken and mistreated by zenin for being a female non sorcerer but I personally think they would have just straight up left her behind.
They only bought Megumi. They keep non sorcerers and women as servants in their compound but all of them are Zenin themselves. Tsumiki isn’t related and I couldn’t really see any reason why they’d want her. Which turned this into a fic where Tsumiki loses her brother, but she’s trying to find him again, she swears. I think of it as my “siblings doomed by the narrative desperately try to write a new one where they can be together” fic.
The thing is that Tsumikis mom was one of those people who thought love and consumption were synonymous. She had a habit of getting caught up with assholes and just… having both of them chew on each other for a while until it turns into this horrible fucking bloodbath.
Tojis just another loser her mom got caught up in, but he’s Tsumiki’s favorite out of all the losers, because he gave her her brother. Her mom marries this random guy she barley knows and Tsumikis pretty sure she does it so they can both ditch their kids twice as much, secure in the knowledge that there’s supposedly another person checking in. It works out great for them, because they both stop coming entirely. It’s fine, because Tsumiki has Megumi and Megumi has Tsumiki and they don’t need anything else.
It’s one of those things where they were in really unhealthy circumstances and it made their relationship a little bit unhealthy but not necessarily bad. They both had to grow up way too fast and deal with way too much too soon and become codependent on each other because they are, in the most literal way possible, dependent on one another. Neither of them know how to love in a way that doesn’t involve sacrificing themselves for their sibling, mostly because they don’t have a way that doesn’t involve that.
They’re in a sinking ship and tsumiki knows it. Their parents aren’t coming back. The money is going to run out sooner or later. Their problems are stacking up.
Megumi has confessed to her that he sees things that no one else does. When she asks him how he knows no one else sees them, he explains that they’d say something if they did and won’t say anything else. And she doesn’t know what to believe but she refuses to call him crazy. He tells her that monsters cling to her back and he fights them off for her. She patches up his bruises and cuts and tells him he’s brave and tries to figure out if she’s just imagining that her back feels lighter after. He tells her that there are dogs that only he can see that have started following him around, and she tells him she believes him and can never remember, later, if she meant it or was just saying it.
The last time Toji came by, he left them more money than tsumikis ever seen in her life, took them to ice cream, told them that he was sorry he was so shit at this and that the money was Megumi’s share in a payment. It was for something he was going to help daddy with later. Tsumiki and him were to use it to take care of themselves and be healthy, because Megumi couldn’t help him later if he wasn’t. And tsumiki was always afraid of what he meant by that, but in the end, she let it slip her mind. After all, Toji hadn’t been by in ages. He probably wouldn’t come by at all.
And he didn’t. But others did. Two men she’s never met before are waiting outside their building one day, and when they see Megumi, they laugh. But the thing that Tsumiki can never get out of her mind later is that she swears they weren’t looking at Megumi directly. They were looking at his dogs.
Tsumiki basically tries to get Megumi and powerwalk past them, but they’re a lot bigger and a lot stronger and there’s nothing she can do, really. They have a brief conversation about whether they should take her too, before one decides that Toji only sold him his kid and to leave the other behind. This makes both of them try to run, but there’s nothing either of them can do to overpower the men, and the men say that “Naobito would go ballistic if they left the ten shadows behind” so they take Megumi and leave her.
They put Megumi in a car and shove Tsumiki to the curb outside of it, and she tried to hold onto his hand, she swears. She grabbed at the car door even when the car started moving, and she banged on the windows, and she watched as Megumi kicked and punched and screamed inside, until one of them hit him and he went still. She ends up falling and hitting her head when the car picks up speed, and when she wakes up again, the cars gone and she has no idea where it went.
And it becomes a foundational moment for who she is. I think she was just intensely lonely before Megumi and poured a lot of herself into this idea of a family together. Tsumikis never able to shake the moment of her being outside the car and Megumi being on the inside, and not being able to get into him. She can never again get what she felt in that moment out of her head.
She goes to the police and tells them that it’s her little brother, his dad sold him but she wants him back, and they’re like “…”. The issue is that apparently her mom can pick up the damn phone if the police call and she shows up, spins some lie about how her and the stepdad split up and he took the kid with him, they never adopted each others kids so it was within his rights, Tsumiki was taking the separation hard and acting out. She lies, basically, because toji hadn’t kept up his end of the deal and dropped in to check in (neither had she) and his kid wasn’t her responsibility, he could do what he wanted with him. She doesn’t want the police poking around the way she lives. Just let the kid go because he’s probably dead and not her real brother anyway.
Tsumiki refuses to give up on him. They were both kids who no one cared about but they cared about each other and that had to be enough. But she’s seven with no support and zero idea on how to find him. She starts skipping school to look for him in random streets, puts up flyers, can’t go outside without looking for him. She gets held back a year in school because of how much she skips and she can’t bring herself to care. She buys him gifts on every birthday and writes him letters she can’t post because she’s going to find her brother and she’s going to prove to him that she never once stopped looking for him. She just. She needs him to know that she never stopped looking for him. She needs to find him and be able to honestly tell him she never stopped trying.
One day her mom comes back in clothes she can’t afford and comes with movers they shouldn’t be able to afford and announces a move they definitely can’t afford. Tsumikis absolutely opposed to going because if her brother comes to look for her, she needs to be in their old apartment so he can find her. She doesn’t have much of a choice in the matter. They have mysterious new benefactors who are setting up a trust to take care of tsumiki with a very generous stipend for her mom but they have to move to Sendai as a stipulation of getting the money.
It’s not until the attorney who’s managing her trust hands her a set of glittery blue butterfly hairpins that tsumiki realizes her mom sold her brother a second time.
The thing is that tsumiki had this one cheap set of butterfly hairpins she’d always stopped to look at in the store when she took Megumi to go grocery shopping. Shed never buy them, because they couldn’t afford it, but it was the thing she wanted most openly in front of him. She was always secretly really insecure about her hair, because they were the kind of poor where bar soap was a luxury they could only sometimes afford and kids at school made fun of how her hair was dirty and frayed. Megumi was the only one who ever saw how badly she wanted those stupid hair clips. If they had to give her a set of butterfly hair clips, it’s because he demanded that they did.
It’s basically implied that the Zenin are the ones paying for her care and upkeep due to an unspecified deal they cut with Megumi, but when they approached her mom with it, they added the caveat that Tsumiki had to be moved to a new city entirely and there could be no forwarding address left anywhere.
The zenins stance on tsumiki is, effectively, that she’s a weakness Megumi needs to be weaned off of. They honestly assumed he’d just like, forget she ever existed and he. Did not do that. He actually pitched a total bitch fit. Tried to scale the compound walls. Bit multiple people including the clan leader. But he’s got the ten shadows, he’s heir to the clan, and he can’t be caught up on some random non sorcerer who isn’t even a Zenin. They end up agreeing to pay for her to live very comfortably if he starts cooperating more but they want to make sure that he can’t ever find her again if he does ever succeed in running away.
Tsumiki is at once full of hope and hopeless, because on one hand, the butterfly clips prove that Megumi still loves her and remembers her, at least in her mind. But at the same time, she’s being moved to Sendai and doesn’t know how they’ll ever find each other again. She doesn’t honestly know if they’d recognize each other if they saw each other again. She wears the butterfly clips every day, even when she gets too old for the style, because she’s more confident about her brother recognizing them than her.
The thing about tsumiki is that she doesn’t understand hate. She just doesn’t. Her mom and toji always got caught up in these perceived slights and revenge and never once let go of the past. They’d destroy themselves if it meant taking down the people they hated with them. She never wanted that. She wanted to live with the people she loved and she’d happily turn around and forget everything, all the pain, all the searching, if it just meant she could go back to being megumis sister.
This isn’t about hate. This is about that moment outside the car, where her brother was inside and she couldn’t get in to him. This is about how helpless and small she felt when they shoved her to the curb and ripped megumis hand out of hers. She needs to make sure that when she finds Megumi, she can take him home again. So she decides she needs to learn how to fight.
Itadori Yuuji has the constitution of an ox and the strength to match it, and he is known for getting in fights with bullies and trouncing them so thoroughly that it’s never a question of who wins when the fight starts. He’s insanely physically capable and can hold his own in a fight with ease. He’s also nice and kind and Tsumiki’s comfortable enough asking him to teach her how to throw a punch or two.
She is bad at it.
So fucking bad at it.
But she never gives up, and Itadori is nice enough to keep teaching her despite how embarrassingly horrible she is at it all. He always asks her why she wants to learn so bad, she doesn’t seem to like it all, and she never answers his question honestly.
In their last year of middle school, their class has a trip to Kyoto. She, Itadori, and the rest of their group walk into some random restaurant in the city and have barely sat down when someone comes inside, starts searching every booth in the restaurant while shouting Tsumikis name.
And oh. They could recognize each other after all.
She looked for Megumi in every crowd she was ever in, but she didn’t consider that he was doing the same. Or that he would see her first.
Her brother grew up without her seeing it. Hes older, dressed in strange, expensive clothes, has a slightly bruised up face and split lip, but his eyes are the same, and he looks like the brother she remembered.
But a lot more nervous than Megumi ever was. He was a tiny, stoic child who didn’t take any shit and never showed fear, even when there were monsters that only he could see. But he’s nervous when he tells her that she probably doesn’t recognize him or remember him, but when she was a lot younger, he—
Megumi. He’s her little brother. Of course she remembers him. She’s been looking for him everywhere.
Megumi didn’t smile much as a child, but he smiles at her then. He tells her he doesn’t have a lot of time and she tells him that they can leave out the back, and he never let her hold his hand as a child but he takes her hand so easily in that second. And just for a second, she’s his sister again, and it’s everything she wanted.
They never make it out the back.
Two men come in. Megumi calls one of them uncle, and he goes stiff and flat the second he sees him. His uncle apologizes for his nephew, tells everyone that he always makes scenes when they’re out in public, tells him to apologize to the nice people and leave. Megumi was mistaken.
Tsumiki tríes to keep ahold of his hand. Really, she does. She tries to tell people to call the police. But megumis “uncle” steps towards her and Megumi slams him into a table, and then suddenly Megumi’s the one insisting that they leave immediately. They can go. It’s fine. They’re leaving. She loses ahold of his hand.
She tries to follow, but the other man restrains her. She learns that she’s better at slamming plates into peoples heads than she is at punching, and at this point itadoris Friend In Danger Override has been triggered and he fucking tackles the dude, which gives tsumiki the clearing that she needs to chase outside after her brother. She gets out just in time to see him be pushed into a car, and she’s had years to think about the last time this happened and figure out what to do differently. She throws herself in front of the car and refuses to move.
See her entire stance is that she’ll sooner get run over and killed in the street than let them do this a second time, but she also can see Megumi trying to fucking punch the drivers head in from behind because he’s about to hit his sister. His uncles trying to restrain him, and just for a second, she sees his hands make the shape of the shadow puppets he used to show her as children. Something invisible slams her out of the way just as his uncle knocks him out.
She picks up a rock and tries to smash in the fucking window with it, and itadori has to pull her out of the way to keep her from getting her feet run over when the car finally tears out of the parking lot. She goes ballistic on him for stopping her because her brother was right there and she lost him again and she didn’t even get the license plate. He was right there.
The police basically do jack all again. There’s no license plate, no names they can follow up on, and they’re still half convinced this is a settled custody issue even though tsumiki insists her brother was sold by his dad and is very plainly getting hurt wherever he is. Itadori is now a devoted advocate of finding tsumikis brother and reuniting them, and both basically kind of end up becoming really close to the other? He’s taking care of himself and his grandpa alone, she’s alone while her moms awol again, and they both become the others support system.
At one point, there’s this random girl and boy who doesn’t speak who shows up to their school for indeterminate reasons. The girl is bored and twirling her glasses in one hand while the person in a suit that they’re with asks the principal questions, and when tsumikis eyes catch at the right angle, she sees an invisible monster clinging to a classmates back through them. She realizes it’s exactly what Megumi always talked about and still remembers that the people who took him could see his dogs. She corners the two others in a room and tries to demand information about the invisible monsters or see if they know her brother or the people who took him, and immediately gets blown off. The fight escalates until the girl tells him that actually, yeah. She knows tsumikis brother. He is a very special person to some very powerful people, and the only way she can ever help him is to tell him that she’s let go of him and that he needs to do the same to her. That’s the only message that the people who have him would ever let get through, and his life would get a lot better as soon as he got it.
The people who have him would give him anything in the world, except for her. He could be a lot happier and healthier than he is right now if he just agreed to stop trying to find tsumiki. If she really wants to help her brother, then she needs to let him go.
Tsumiki nails her in the back of the head with a milk carton when she tries to walk away. It sloshes out on her. Tsumiki did not intend this. She cannot admit that fact. There are some actions you just have to own when you do them. She tells the girl that he’s her brother and she’s never letting go of him. She’s going to find him. They can’t keep him from her forever. She doesn’t care how long it takes her.
For a second, tsumiki really thinks this girl is going to kick her ass, but she doesn’t. She wishes her luck and tells her she’ll need it, and it’s only later that tsumiki realizes she slipped the eyeglasses into her pocket.
And as it turns out, her brothers monsters were real all along.
There was a knife that toji left in the frame of his bed. Tsumiki confiscated it from Megumi as soon as he found it, and it was odd and strange and gave her bad feelings when she held it, and it can kill the things that gather on her back. When she follows Itadori to their local high school and joins the occult club in an attempt to find more people involved in this world of invisible monsters, she wears the eyeglasses and keeps the knife hidden in her bag.
It comes in handy when her senpais are trying to open this thing and suddenly there’s like a fucking portal opening and Actually Let’s Not Oh Too Late Let’s Run Let’s Fucking Run.
They run.
Meanwhile at the hospital Megumi found out in very quick succession that his sister has fucking sukunas finger and also that there’s a very over enthusiastic himbo who is the self appointed vice president of the Find Fushiguro Megumi And Bring Him Home Club who absolutely fucking refuses to leave his side. Sorry who are you. Why are you so enthusiastic about finding him. Megumi sort of was the one doing the finding there was a whole tracking situation and him waiting dramatically in the shadows like they just did it.
Anyway they run very very quickly to tsumikis school where she is dodging she is serpentining this is a fuckton of monsters oh holy fuck is that her brother?
The fight goes bad.
Tsumiki manages to follow itadori and her brother out at a much slower pace because she’s not a freak of nature like itadori and shows up just in time to see her brother shouting at itadori to not eat the fucking finger while itadori is absolutely trying to eat the fucking finger.
She chucks her shoe at him. The finger goes flying.
Then the monster eats it instead.
Tsumiki: :o
Yuuji: :o
Megumi: fuck
Now there’s a bigger monster and the fight goes even worse. There’s a lot of shouting. Itadori ends up with her knife. Then he ends up getting eaten and they’re down both a knife and itadori, who’s probably fucking dead. Then megumis insisting she run and she’s insisting he shut the fuck up because it’s sort of taken a decade to get this close to him again and she’s not fumbling the bag now because of a monster on the rampage. Have a sense of fucking priorities here.
Then itadori bursts out of the monsters stomach with the knife like the fucking Kool Aid Man and the fight is suddenly very over. Good job, team.
Gojo rolls up to his most stoic and eternally pissed off student having a dramatic and emotional reunion with his sister.
Yuuji, in a very bad whisper: no no so like she’s been looking for him for years but he saw her in the restaurant
Gojo: :o go on
Yuuji: and then he got caught by like, I don’t know, he said he was his uncle or something but the dude acted so weird and creepy and they put him in a car and Tsumiki tried to stop the car but they got away
Gojo: *gasp* what no
Yuuji: I know! Anyway then I start helping her look for him but we can’t find him anywhere until I’m at the hospital and he just walks up to me right?? And I’m like “dude I have been looking everywhere for you” and he’s like “I have no idea who you are, I’m here about that fucked up demon finger” and I’m like—
Megumi, really trying to have a moment here: we can both hear you
And megumis like “this is uh. My new teacher. I guess. I am his only student. And he is uh. Enthusiastic. Do not linger in conversation with him.”
Tsumiki is lingering. She needs fucking intel so he can’t disappear again. Where does he go to school and can she transfer there. It’s fucking wizard school? Will they take her even though she’s not a wizard? She cannot emphasize enough that she will study any fucking subject they want so that way she can be close with her brother again she does not care if it’s applicable to her education or life. She can throw things at people itadori tell the man tell him how enthusiastically she will throw things at monsters for their weird fucking wizard school.
Itadori: she hit me in the face with her shoe like five minutes ago
Tsumiki: see???
Megumi keeps trying to forbid her from wizard school but she’s technically the older sister so she has override rights. She will go to wizard school. How does she get wizard school to accept her.
And Gojos just really weird and off and keeps looking at Megumi and saying that he “didn’t know he had a sister.”
He really didn’t know that Megumi had a sister he wanted to stay with.
And then suddenly it’s like a switch is flipped and he’s back to his normal self telling them to leave everything to him, because he’ll make sure tsumiki can come back with them. And uh? Itadori? Weirdly physically capable kid who will apparently eat anything? Is he going to be good getting home after all this?
Itadori: actually if it’s not too much trouble can I go to wizard school too my grandpa sort of died half an hour ago and I don’t have plans for the rest of my life. Tsumikis kind of my best friend and I’d like to make sure she’s all good at wizard school. I’m a really good fighter and I stabbed the last monster so like can I come too because you know. Dead grandpa. No family or future to speak of. Haha.
Gojo:
Megumi:
Tsumiki, softly: dude
There’s more after they make it to jujutsu high but this is already really long so we leave it here
#ask games#jjk#jujutsu kaisen#continuing my streak of becoming obsessed with minor background characters#other highlights include itadori trying to platonically wingman for tsumiki with her brother (because it’s been like a decade and she knows#nothing about him and he knows nothing about her and she’s terrified he won’t like her once they get to know each other again) so that way#itadori can be the one asking the get to know you questions and tsumiki doesn’t have to admit out loud that she and her brother know nothing#about each other only the inherent problem is that her brother is actually unfairly pretty and has a sort of dry wit and is reserved but#when you get to know him he’s such a genuine dude and oh fuck oh no he’s in trouble this is his best friends long lost brother he has to be#violating some kind of code here. Kugisaki stop laughing at him this is a crisis.#gojo basically backed out of teenage fatherhood when he saw Megumi walking around with the divine dogs because it’s one thing to butt heads#with a major clan over an outcast member it’s another to do it for their most sacred technique#he thought that Megumi would be better taken care of than anyone else in the clan as the person with the ten shadows and that he’d probably#be better off than with an emotionally broken seventeen year old who works at least 28 days a month and has no idea how to raise a child#he never realized that Megumi had a sister he wanted to stay with who the Zenin separated him from#he tells himself he would have intervened if he had known because he’s been secretly worried and guilty about not taking in Megumi after all#since Maki showed up and said some worrying things about the clan heir and his standard of living and got the confirmation when he met#tsumiki and realized that he could have kept them together all those years ago and didnt. megumi and tsumiki kind of haunt him with lost#potential because not only could they have grown up a family but they could have grown up his family. megumi doesn’t know why satoru gojo#of all people is being so weirdly helpful and intense about about sponsoring tsumiki and keeping her close to him
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So I once made a funny shit post about the Young Wizard actually beaming to the Spiral at the tender age of 45 but it got me thinking of the opposite. What if the Wizard was incredibly young
Since in the game it isn't specified at what exact age we arrived in the Spiral I think it's just up to the player to come up with that part. I personally like to think The Wizard was around 7 or 8 when this happened but what if they were actually like four or five years old
Like shieeeet that's young enough where we wouldn't really remember our time on Earth very clearly right? Our family and maybe our friends but unless we had like ungodly memory powers, we wouldn't be able to remember all of the details of our original home. Like isn't it proven that human beings first gain self and special awareness at 3 or 4? Something like that
And this can open up for some sweet scenarios - little kid Wizard running up to Malorn with a scribbled drawing of him with a big smile on his face, or us and Ceren reading picture books together or clinging onto Nolan's robes as we attempt to stand on his feet as he walks like a penguin, but there's also this sad and messed up undertone that in this universe Ambrose took what was essentially a child just out of toddler stage and decided to keep them in the Spiral instead of returning them to their family
And like imagine how that would affect us. We would see it as normal at first because we grew up in the Spiral, we spent more years in the wizard world than in our home on Earth, but what if the Wizard gained awareness later on in life and actually realized what happened. Would they even care at that point because the Spiral was integrated in them at such a young age? Would they feel any yearning towards their original family, would they miss them at all? Would the Wizard be bitter about not getting to know them?
It's different when you're 7 - 10 and onwards because at that stage in your life you've more than gotten used to Earth life. You've gained awareness and it has been emotionally and mentally established that THIS (Earth) is your home. You know your parents and you know your friends and you know your environment. You will miss that when it's gone and feel it's absence because you're old enough to at least notice when you're taken away from it. But when you're still at that impressionable and oblivious stage of like 4 - 6 years old? The Spiral is all you know now. Your parents faces will be blurry, you may not even remember the details of what your home looked like. You may remember certain smells, colors or feelings you experienced when you were on Earth but that may be about it. And the saddest part about that is depending on what Ambrose and the other adults put our Wizard through, we may grow to completely forget even those essential memories. That Earth part of us would TOTALLY be gone and that would include even our parents (or other caretakers). I'm crying actually
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melien · 4 months
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boydykepdf · 6 months
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worst thing in the world when ur love language is gifts & ur favorite people don’t care abt receiving small presents & trinkets…i understand those cats that leave dead animals on doorsteps we r living the same lifestyle
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softquietsteadylove · 25 days
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Hey could I ask for a Thenamesh human au were Thena is raising her little sisters (Sersi and Sprite) after their parents die and Gilgamesh is her co-worker who finds her having a mini breakdown and comforts her? Kinda slow burn-ish and no smut if possible
"Sorry!"
Thena pressed even harder on her eyebrows, sure she would get bruises from it. Maybe then she might actually get medical clearance for time off. "It's fine."
"I didn't mean-"
"It's fine!" she snapped at him again, shifting to swipe at the corners of her eyes and wipe the tears onto her fingertips and then on the sleeves of her cardigan. "I was just...looking for something."
But all she heard was the door shutting gently.
Thena sighed, picking her head up and looking around the shelves. All that was in here was extra paper and printer ink. "Gil, I'm fine."
Gil was sweet, if a little too sweet. He went out of his way for people, which their firm really discouraged. But he was going into family law, which was easy to tell from the 'everything' about him.
"Yeah, I just, uh," she heard him shuffle around before finally turning to glare at him. Her glower was usually strong enough to scare away anyone else. He pointed at the shelf of toner. "Printer."
She closed her eyes, feeling the throbbing in her head from her coffee and the twitch in her eyes from her need for sleep. But they had a lot of contracts to examine, and Sersi was in the middle of the soccer season, which meant she didn't even get home until 6, which pushed dinner to 7 and that said nothing about homework and getting Sprite to bed at a decent hour.
"Um," Gilgamesh gulped, tugging at the suit he was wearing. It was standard attire for the firm, of course, but she always imagined he had a hard time finding suits to really fit him. Perhaps he needed shirts and Jackets in one fitting and trousers in a smaller one. "How was Sersi's game?"
She whipped her head up at him, and she must have looked ready for murder by the way he flinched. "What?"
He went stiff as a board, practically pressing his back to the door. "S-Sersi--your sister, you said she had a soccer game on friday. H-How did it go...if that's okay."
Right, friday; she had rushed home from work, still with half a day's work to complete, picked up Sprite, gotten her not to gripe all through grocery shopping, bundled her up for Sersi's game, which was a loss, and it was a hard loss, and Sersi got a few scrapes and bruises, so then they were both a little cranky for the start of the weekend, and of course that meant she didn't actually get any work done-
"Thena?"
She blinked, feeling as if she had gone somewhere else entirely. This was getting ridiculous. She just needed coffee, she reasoned. Even more coffee. She shook her head.
"Hey," he whispered, not moving from the door to let her out, despite her moving closer. "Are you okay? I know you're...I know you've got a lot on your plate."
A lot on her plate? She had that already with this job and the beginnings of her career. Her student debt alone would be more than a full plate.
That was before handling a joint funeral, and counselling for her sisters, and getting them back to school, and a full year of them not being themselves. And then, when they finally seem to be getting better, both of them start having the worst time with school in their lives.
Or maybe their mother was just better at dealing with it than Thena could say for herself. And while their father wasn't exactly her favourite person, let alone parent, her first year of filing her taxes with two dependants was enough for her to look into a decent accountant for this year.
"Listen, I know you've got this under control," Gil continued, visibly worried about saying the wrong thing. "I know you're tougher than I could ever imagine."
She really didn't know about that.
"But if you need--I mean, if you ever want a hand with anything, or even just logistics, or carpooling or something," he suggested, losing confidence with every new idea. His massive shoulders drooped and he gave her those big, sad puppy dog eyes that always got him the best desk and the best cases and the best lunch, "just let me know, y'know?"
Thena gulped. Heat rose up in her as the horror of her tears resurfaced. She was done crying. It was the middle of the work day. She didn't have time for this. This had never been an issue before.
Can we have lasagne?
Just that simple text from Sprite had set her off. Because Sprite loved lasagne--she loved their mother's lasagne. And for an entire year Sprite couldn't even stand hearing the word, let alone the sight of it. And to have her ask for it, when they all knew that Thena was somehow the worst cook of all three of them.
Gil blinked as Thena dropped her head, squeezing her eyes shut and pressing her hand over her eyebrows again. His hands hovered around her, never crossing the last few inches of boundary she held.
Thena was just as shocked as she leaned froward and her forehead met something firm. But she couldn't choke it all back, a squeak escaping her as her tears dropped to the musty old storage closet carpet below.
"Hey," he whispered soothingly. Of course the bastard was great at comforting people too. Why wouldn't he be? Why wouldn't he be so completely perfect? "It'll be okay."
She usually hated when people spoke so certainly. Because what did they know? What assurance did they have? But Gil meant well. He only ever meant well. Her breathing slowed and she realised she was truly letting him embrace her. What an unfortunate turn this had taken. But he was warm, and he smelled nice. And it felt nice when he rubbed her back.
Gil let her pull away, not making a grand affair out of the whole thing. He brushed away a few more tears of hers, "you okay?"
She nodded. She was far, far from it. But she could probably get through the rest of the work day without humiliating herself further. Her throat felt dry as a bone. "Thank you."
Gil tilted his head at her. He did give off the first impression that he would be some meathead, into his own looks and loud and brash and hypermasculine. But he was kind, he was considerate of others and his good nature only made him more sensitive to those around him. "I mean it, Thena, if there's anything you need at all."
He was one of only a few who even knew about her sisters. She didn't really go around announcing her past, and she wasn't one for keeping precious personal keepsakes on her desk either. But Gil had once seen her phone light up with a notification and asked who the girls on her lockscreen were.
And as much as she could have told him to mind his own business - and he would have, knowing him - it seemed worse to ignore it. So she had told him about her sisters, and how she had basically acquired them as children, as far as the state was concerned.
The biggest advantage to Gilgamesh knowing about her duties outside the office was that he was her biggest defender whenever she couldn't make events outside of work. Of course a lot of deals happened out of the office as well as in, and being able to seal those deals came with the job. But Gil always had an excuse ready for her when she couldn't join them for drinks after work, or make a round of golf or two on sunday morning.
He smiled as she finally picked her head up. "There she is."
She chose to ignore that. She sniffled, dabbing at her eyes again. If anyone asked her if she was okay once she stepped out of this closet, she might commit an act worthy of termination. "Thanks."
"Any time," he shrugged. He still didn't leave. "I saw you get up from your desk. I thought-"
Silence came over him, perhaps at the admission that he had all but followed her here. Any other coworker and she would have her keys in her hand and a knife with his car's name on it. But only Gilgamesh could say something like that and have it be just as innocent as he meant it.
"Sorry," he concluded, having discouraged himself yet again. He blushed.
She truly was a bitch of epic proportions to inspire this level of fear from the sweetest man alive, she gathered. Usually that wasn't a problem, of course, but just this once: it was undeserved. "That's nice of you, Gil."
That seemed to surprise him even more than walking in on her crying in the closet.
She finally reached for the doorknob, and Gil nearly leapt out of her way. She headed back to her desk, with the same papers in hand as when she had first gone in. At least at her desk, she could take a breath. Her computer was still open on emails, she set the papers beside her.
Of course
She replied to Sprite, although if she got more texts she was just going to tell her not to text in class.
If her sister wanted lasagne, then she would find a way to make it happen. Affection was not her most polished skill, but love needed no polishing. If her baby sister wanted lasagne, she would have it.
If only she weren't a horrendously bad cook.
Sersi was decent, but she only ever let her help when Sersi herself seemed eager to do so, and that was usually on weekends. And Ajak was an excellent cook. Her handwritten recipes alone would not help Thena actually produce the promised product.
Thena picked up her phone again. She scrolled until she could select the contact in her phone. Perhaps it was silly to text him when his desk was in sight of hers. She was just in a closet with the man. But she selected his name and typed.
Can you make lasagne?
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biblionerd07 · 5 months
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Now look, I am not unbiased and I’ll admit that, but I’m always baffled by people who say Daniel’s feelings for Betty came out of nowhere at the end. I saw that from the pilot, but the scene that specifically stands out to me is the one in The Weiner, the Bun, and the Boob. You know the one. Betty says, “Your dad picked me, precisely so you wouldn’t do what you always do, which is hire an assistant you want to sleep with.” And what is Daniel’s response? He crosses his arms, tips his head, makes this 😏 smirk, and says, “Really?”
That is blatantly flirtatious and Daniel is in danger of being arrested for being Way Too Horny on Main. This is what fanfic dreams are made of. And it’s canon! But somehow I’M the crazy one for seeing it??? They really wrote that scene and then turned around and told me those two are platonic like brother and sister. I THINK NOT, FOLKS.
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krikeymate · 1 year
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Thinking about an AU where 18-year-old Sam on the verge of leaving comes home to her mother screaming at her little sister. Sam's still high, the shouts ringing in her ears but the words formless. She's about to intervene when a slap cuts through it all. Her sister's on the floor and in the blink of an eye Sam has a hand wrapped around her mother's throat, slamming her against the wall.
Tara's climbing to her feet, eyes wide with fear at the scene. Sam doesn't look away from her mother as she says "Tara, go upstairs and pack a bag." Her sister doesn't move, so Sam turns away to look at her and repeats herself. Tara must see something in her wild eyes, because she runs up the stairs.
By the time Sam escorts her downstairs half an hour later, their mother is nowhere to be seen. Tara's led through the packing and into the car in silence. The what's happening?, the where are we going?, the are you ok? sits on the tip of her tongue, choked back by uncertainty and confusion.
Sam drives out of Woodsboro and doesn't look back.
OR
Sam, 19-years-old, long since kicked out of the house and on her way out of Woodsboro. She just has one stop to make, a goodbye she has to give first.
She sneaks into the house. The door is unlocked, she doesn't even need the key Tara hid outside for her, and it enrages her. Her baby sister is upstairs sleeping and anyone can just walk in.
Her mother is passed out on the floor leaning against the couch, snoring away and a bottle still in her lap. She creeps past her and up the stairs.
Sam perches herself on the edge of Tara's bed. Her sister is sprawled out on the mattress, the covers kicked off, and it makes her smile. She brushes Tara's hair back from her face and the smile falls from her face.
Her fingers trail down to the shadow around her neck. Sam reaches over to turn on the bedside lamp, catching sight of Tara's wrist at the same time. These are bruises. She wakes her sister up and demands answers from her. She doesn't like the answers she eventually coaxes from her. She likes Tara's attempt to lie to her even less.
She makes her pack, tells her to wait out front, that she'll be out in a minute. She kicks her mother awake, tells her she's leaving for good, and that she's not leaving alone. She tells her that she will never have the chance to hurt them again, and if she tries, well, she'll learn exactly how much like her father she can be,
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tellme-o-muse · 7 months
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I FINISHED PIANO AND MY TEACHER SAID SHE WAS PROUD OF ME, AND I AM IMPROVING WELL, AND WAS MIGHTILY IMPRESSED SINCE THIS IS GRADE EIGHT I’M WORKING ON! I was so stunned that I just beamed and soaked in her praise. She even said in amazement: “How is your sight reading so good??” BEST piano lesson ever. Twelve year old me would have been so proud.
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engagemythrusters · 10 months
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i gave up. here's the girls. no name ideas yet sorry.
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hypodermicfroggy · 5 months
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I wished for a Bioshock movie for Y E A R S
but now that we're finally getting one I don't want it
I do not have faith this is going to be a good adaption, I'm sorry, maybe 10 years ago this could have been a great passion project (especially if Gore Verbinski had been involved like originally planned) but I just know it's going to be an over-actioned, improperly funded (since it's a Netflix production they're absolutely going to either dump too much or not enough money in it then write it off as a failure if it doesn't 'perform' well enough), CGI-laden slop fest that doesn't even acknowledge or properly handle half the themes present in the series.
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#Bioshock#Bioshock Movie#bonus points if it only focuses on the first game and doesn't include ANYTHING from the tie-in novel or BS2#they're going to cut Sophia Lamb's role from the plot I just fucking KNOW IT#like she was fucking important! she was the one who actually STARTED the class war! Fontaine literally just took advantage of it!#hell half the problems with BURIAL AT FUCKING SEA could have been fixed if Levine wasn't a shit and hadn't refused to use ANYTHING from BS2#like is BS2 as good as the first? no but it's still fucking better than that shitshow you call Infinite!#and the tie-in novel actually quite skillfully blended both games together to help account for certain plot errors between the two#(a novel that Levine also REFUSED TO READ)#like you could tell it was written by someone who wanted to do the series justice which is more than I can say for most tie-ins#if this movie ends up actually being good I'll fucking eat my words but considering this director's body of work includes#the Will Smith I AM LEGEND and the last three* Hunger Games films#we are not batting 1000 for quality here#I say this as someone who likes the Hunger Games movies#but they are not really the best adaptions of the novels and really downplay a lot of the more horrifying aspects for action scenes#and I fear the same will be true for Bioshock's film as well.#like the Little Sisters alone should elicit nothing short of visceral disgust and pity but I just know they're going to be so boring#they're just going to be like pale girls with glowing eyes instead of proper blood-guzzling corpse-looting parasite hosts calling it now#croak.txt#reblog.wank
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I swear, this is the last ever New Year that I ring in with people who don't value me or my time and efforts. This is the last year that I spend the holidays etc feeling utterly despondant and miserable. This is the last time I spend the 2 weeks that encompass Christmas, New Years, and my birthday with my cunt of a mother and sister. They have had almost 25 of them in some way or another, and this is their last. I'm done.
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