#noone of nowhere

[heykayhayes]

Some more content from the last session of my homebrewy Lost Mines of Phandelver campaign.

This time, the party had to rescue PC Noone from the depths of her own mind after being strung together in The Black Spider’s web and placed under a sleeping spell. The web interconnects their slumbering minds where the Spider is playing some pretty wicked tricks on them- hoping to lure them into false, dreamlike versions of their memories where nothing bad ever happened while she searches their minds for information relevant to finding the Forge in the Lost Mines of Phandelver.

To escape, Noone had to be reminded of what really happened in her past confront it head on with help from her party.

#dungeons and dragons #dnd #dnd5e #pyrus bitterfang #dnd oc #ttrpg #ectorius kesrick #d&d #dndoc #hernando rey torres #noone of nowhere #heykayhayes

[reporpoisedphantasies]

Noone my pretty. I gift you her presence (+ doodles)

#basically her hair was short bc chemo buzz #it grew back in the nowhere #the scarf and mittens are also bc of a fic idea my bf had #tson #the sounds of nightmares #little nightmares #noone tson #myart

[softichill]

The Sounds of Nightmares unofficial transcript

Chapter 3 - The Theater of the Mind

(Once again made with @queen0fm0nsterz!!!)

Chapter 1

Chapter 2

-------------

[Click]

[Otto sighs, shifting]

OTTO: Noone vanished last night. 

[Another sigh]

OTTO: As she slept, I was monitoring her ultradian sleep cycle. There was no REM/NREM oscillation; instead, involuntary spasms grew progressively worse. [shift] As I was about to wake Noone, her… body… evanesced. For a split instant- then returned, calm as can be. 

OTTO: [deep breath, loud exhale] Lacking sleep, I can’t be sure I wasn’t hallucinating. Yet the image of her sheets deflating… is imprinted upon my mind. [Sigh] After yesterday’s session, no less, when she claimed to hear this:

[Click, tape plays]

Recording of NOONE: “The faraway drifts near. Tread long, then, sink deep. Two flows from one, and here, is whole again.”

[Click, tape stops]

OTTO: A coincidence? [light clinking of ceramic/glass] Or, synchronicity? …(Scoff) Is that that bloody moth again?! 

[Loud smack, Otto sits back down] 

OTTO: Riddle piles upon riddle, and answers continue to elude. [Tape rewinding] I’ll sift through every word if I must. 

[Intro plays]

[Click]

[Loud clicking and clacking, electric humming, Otto screwing something in]

OTTO: [Humming drops, returns] It’s clear. Noone’s symptoms go beyond parasomnias. [Continuing to build] Her retellings are too detailed, vocabulary too advanced, as if derived from the oneiric itself. 

[Humming raises in pitch, clicking] 

OTTO: However, what I find impossible to believe is that Noone’s seen who you saw, Cici. [Chair creaks, clattering] If two people, without any contact, shared the exact same observation, is it proof of transpersonal dreaming?

[Otto’s building continues]

OTTO: But such implies concurrence! And these dreams are years apart! Then… no. [buzzing picks up] I cannot be taken to metaphysical backwaters. Sounding like my old professor. [building] I’ve remained balanced over the years by clinging to the notion that my recollection of what happened years ago was wrong. [click, humming gets loud again] But now, those memories are coming home to roost. 

[Clicks, electronic humming, building stops]

OTTO: [Shift] Before I began at the CPI I promised to finish this apparatus. I let it fall away, convinced that attempting it was fool’s work. Now struggling to put myself in her shoes, well. Fool me twice. 

[Humming gets louder, buzzes out completely as it shocks Otto and he lets out an “Oh!”]

[A small pained noise from Otto before he starts to put the apparatus away]

[Door opens]

OTTO: (Gasp) Noone! [Scoff, he walks away from the recorder] You’re meant to wait outside. 

NOONE: (Far away) What are you working on?-

[Audio cuts]

[Click, blank noise]

[Audio starts again]

OTTO: We’ve come to know each other better over the past weeks, haven’t we?

NOONE: Because we’re friends! That’s why. And, friends tell each other things. 

OTTO: Friends. That’s right. One of the absolutes I’ve come to realize is that, the more time you spend with someone, the harder it becomes to hide who you really are. The only exception to this rule is with the company of oneself- we willfully hide what we’d rather not face. Like, the Candleman you mentioned seeing, under hypnosis. 

NOONE: I don’t like that. 

OTTO: What?

NOONE: Hiding things from myself. 

OTTO: Nobody likes it. That’s why it’s important to reveal your inner face. “Depth analysis”, we call it. And so, I’d like you to think of this session as a dialogue with your unconscious mind- you are asking the questions, not me. 

NOONE: …Asking myself questions?

OTTO: I’ll help! But, as you go, I’d like you to try. So! This… Candleman. Did you see him again?

NOONE: I-I did. 

OTTO: And what was this meeting like?

NOONE: …He was much clearer. Not just him, everything about it. My nightmare. 

OTTO: Elaborate, please. Was it worse? More vivid?

NOONE: What’s it like- Uhm… as if I’m watching a film, that I’m also the star of. And when I woke… it was here, in the Coppy, that felt more like the dream. 

OTTO: Hm, more palpable. The Candleman-

NOONE: I can’t talk about him without the rest. …If this is an interview with myself, might I begin where I want?

OTTO: Of course! Let your imagination run. But don’t be afraid to interact with the dream. This is an important step in our process- the dialogue. Bring together the divided parts of yourself. 

NOONE: …The mirror. 

OTTO: Pardon?

NOONE: The one off your shelf. If I’m meant to speak to myself, well…

OTTO: [Pause] …Patients aren’t meant to have mirrors, but, here you are, my bright girl. 

[Otto gives her the mirror]

OTTO: Begin as you please. 

[Pause]

NOONE, Narrating: …In the dark… a hand let go of mine. 

[Slip noise, Dream!Noone gasps. Dream ambience begins.] 

NOONE: Opening my eyes, I lay on hot concrete, staring up at a sky with- no sun. And… before me was, endless grey, broken by- yellow lines of paint, all the way to the horizon!

NOONE: Standing, in that carpark, I heard a silence. So silent, my own heartbeat was a marching drum in comparison. …It was followed by… a loneliness, so lonely, I could hardly bear it. I had to turn away. 

[Dream!Noone walking on gravel]

NOONE: Behind me, I was glad to see a building! A shopping mall, so large I- I felt half my normal size. Its doors opened, [sliding gravel] and I ran to them. 

[running footsteps, transition from gravel to tile. Doors close behind Dream!Noone.]

NOONE: Inside the promenade, [lights click on] the lights flicked on, one by one, greeting me as the PA speakers came alive with music. 

[Tinny, slightly off-sounding mall music]

NOONE: It had been ages since I’d visited a shopping center. I didn’t know where to start!

OTTO: You saw no need to find an exit right away?

NOONE: I felt like I was in good hands. But many shops were closed, though. There were no doors, and… no displays in the windows. Or, there must have been a private entrance, because- I could see shadows beyond the glass. 

NOONE: …A-after passing by several shops this way, I grew disappointed, but that’s when… a cowboy’s voice came over the speaker. 

COWBOY, slightly overlapped with Noone: “Sale at Jujube’s Toys! Dolls, games, puzzles, and more! Ground floor by the fountain!”

NOONE: I could see that fountain in front of me! And on the other side, was… a bright green storefront, with bubbles floating out the entrance. 

[Dream!Noone walking over, doors hiss as they open. Different tinny music.]

NOONE: Shelves and- shelves of wonders lined the shop! The toys on the first shelf were very old, but… deeper shelves held the same toys I had back home, and deeper ones held exactly those I’d wish for, even Little Lotty Potty! But… these Lotties had black eyes, not blue. And their skin was… yellow, like autumn leaves. 

NOONE: The shop owner wasn’t present, so… I grabbed one and began playing on the carpet. 

[Dream!Noone humming Six’s Theme. Doll makes automated noises.]

NOONE: But, it didn’t take long for me to grow… bored. That was the first time I… I felt too old for dolls. 

OTTO: (distant-sounding) Maturity is natural as you approach adolescence. The brain loses interest in things once held dear. 

NOONE: The idea of growing up made me sad. And as if reacting… Lotty’s dress became wet. The doll was doing as its name said, but… [doll chattering] the liquid was- dark and thick. I put her down to find something else. But the choices were almost too many! Towering shelves extending deep in- the gloom of the impossibly long shop!

NOONE: I settled on the games section, but, most were meant for two. Suddenly, a staticky whisper said,

Voice, overlapping with NOONE: “I’ll play with you.”

NOONE: I-I thought it was the shopkeeper, but… nobody was around. My eyes fell upon a jewelry-making kit, with a red necklace on the cover. I took the box back to where I left Lotty, only… she was gone. The shelf above, where the other dolls had been, was completely empty too. I wanted to make the jewelry, I really did, but… I felt weird, so… I put it down. Then, the PA crackled, a woman’s voice this time:

Voice, ov. NOONE: “Jujube’s Toys is now closing.”

NOONE: [Lights clicking off] The lights shut off, bubbles stopped… and, the last thing I saw before exiting… [toy train noises] was the train set crashing to a stop. [quiet fake bell ringing, toy engine stops] 

[Dream!Noone walking out of the store]

NOONE: The promenade was empty, still. Each step [steps become echoey] echoed across the walls and floors, which were- pearl white, and had patterns like… veins. 

[steps and music continues]

NOONE: I came to three sets of stairs, side-by-side, leading to the next floor. I chose one, and, reaching to the top, I saw another open shop. Mademoiselle’s… (saying it wrong) bijottery. 

OTTO: (still distant) Bijouterie. But, regardless- you could read this?

NOONE: Yes. The letters were quite big. 

OTTO: …Have you been able to read in your dreams before?

NOONE: I’m not sure. That’s not a question I would ask myself, though, Otto. 

OTTO: Apologies. 

NOONE, Narrating: The glass case in the center of the room… pulled me in. Full of… gold, and silver necklaces. Hanging in the middle, was… an enchanting red pendant. And before you ask, yes, it was just like on the box at the toy store. T-The PA came on again,

Voice, ov. with NOONE: “A free gift to all little girls 10 and under!”

NOONE: Without asking, I put the necklace on, glowing, like a ruby teardrop. With my gift, I set to leave, but… someone must’ve left the speaker on because… I heard arguing. 

NOONE: (overlapping) “Don’t overdo it!” Said a first voice, followed by a second, (overlapping) “One more prize can’t hurt!”

[something being set down, wheels across tile, whoosh]

NOONE: From the back room, a rack of dresses rolled out. All, exactly my size.

[Dream!Noone looking through the dresses]

NOONE: It’d been ages since I’d been allowed to pick out my own dress. The telly people chose them for me. These ones were very pretty, with lace and, and bows and stitching but, one… it… it was the plaid dress I wore the day I arrived at the Coppy. How could my dress be here? [lowering pitch of voice, asking questions to herself] Your real life doesn’t have to mix into your dreams Noone, why now? 

OTTO, interrupting narration: (astonished) Pardon?

NOONE: (giggling) I’m asking myself questions. Well, the only explanation is that they could see inside my head.

OTTO: I’m not sure that’s logical.

NOONE: Let me finish! Please. You’ll see.

NOONE, narrating: Back out on the promenade, the shop gates began to slam shut. [Gates slamming] I was worried the mall was closing, but on the floor above, a set of spinning bright lights came on [Lights turn on]. The music stopped and, the PA crackled with a sing-songy voice, 

Voice, ov. with NOONE: [music] “Showtime’s patrons! Our daily motion picture will begin shortly. Hot popcorn’s popping and the seats await in the playhouse!” 

NOONE: [Lights shutting off] The rest of the mall went dark, making the lights more enticing to follow. 

[Dream!Noone walks across the mall]

NOONE: The lobby was- red from floor to ceiling. Buckets of popcorn overflowed on the concession stand. I grabbed one, and hurried to push open the huge golden doors leading into the theater.  

[Running steps, doors creak. Slightly off organ music plays.] 

NOONE: The velvet seats went for rows and rows, full of people. A spotlight hit the stage, illuminating an organ, but… there was no organ player. Only tall curtains swaying in some breeze. I tiptoed down the aisle, and sat centered with the screen. The chair seemed to hug me, and the room fell dark [crunching] as the first buttery bit hit my tongue. 

[Music stops playing, sounds of projector booting up]

NOONE: Without adverts or introduction, the film began. Images of… trees on fire and… white hooves galloping. I recognized the picture instantly because I’ve seen it a hundred times. “The Healing Horn”. [Movie plays] Only the scenes were out of order, and the unicorn… her horn was misshapen, like… a rotten tree branch. The evil prince’s face, too, was… was wrong. 

NOONE: Feeling out of place I – I looked around. The audience, I… I realized, was not people but… mannequins. 

NOONE: All of a sudden, a familiar scent entered the dream. Ocean. I was no longer alone. The dusty projector light made it difficult to suss, but a few seats over… was the Candleman. His eyes and mouth were… deep black pits inside a mess like a wet gunny sack, sagging down the floor. Without turning, he spoke. 

[Growing noise stops]

OTTO, interrupting abruptly: He – what?! [Shifting] What did he say? 

NOONE: [Sighing] It was like a – a voice underwater. The words could hardly escape the folds of skin. He repeated them to me. 

NOONE as the FERRYMAN, glitching: “The faraway drifts near. Tread long, then sink deep. Two flows from one, and here, is whole again.”

OTTO: And then? [shifting in the chair] What else? 

NOONE, as the FERRYMAN: “Here. Here. Here.”

NOONE: He just repeated over and over.

OTTO: There must be more! Try, try! Interact with the dream!

NOONE: There was no more!

OTTO: (raising his voice) Ask who he is, ask what he wants!

NOONE: (raising her voice) It doesn’t work that way!

OTTO: You were right there! Don’t tell me you did nothing?! Not a damn thing!

NOONE: Stop!

OTTO: [farther away] I’m beginning to doubt you’ve seen this Candleman! [Noone struggling] Perhaps you’ve invented the whole story! 

NOONE: Please, stop- my head!

[Otto hisses (gets hit?), sounds of something being knocked over, Noone runs out of the room.] 

[Otto huffs and stops the tape]

[Click. Blank noise. Another click]

[Various shifting noises. Silence. Door opens and someone walks, then closes it]

OTTO: [far away, stern] What are you doing? With the mirror. [Steps] You’re up to something, but we’ll let it slide. I know girls like you. 

[Shifting]

OTTO: You’re upset with me, aren’t you? [plastic clacking] Here. A pill for your headache. (Sigh) Earlier, that was… awfully…[Otto sits] that- that was not how friends act. Sleep has evaded me too. I’ve grown worried, trying to… please, forgive me. I’d very much like to hear the rest. I won’t interrupt, you have my word. 

[Silence.]

NOONE: … Fine. 

OTTO: So… you were in this theater with him. 

NOONE, narrating: … All kinds of pictured* flashed on the screen, and then he was gone, leaving me alone again. Or so I thought. The projector flickered in the booth. I dashed up, and found the door ajar. A new voice came over the PA, angry. “No patrons in the projection room!” The door was stuck, but I pushed and pushed. The PA boomed, 

VOICE, ov. with NOONE: “You must not enter!”

[Crashing, door opens]

NOONE: The projector I saw first was shaped like… a deformed eye. Then, my attention fell to… the mass on the floor. [Slimy sound] A brain? A heart? …No. It’s muscles pumped and pumped, and its tubes ran into the walls. The voice came, both from inside the room and over the PA: 

VOICE, ov. with NOONE: “Happy day, No One.”

NOONE: It… it knew my real nickname. The ones kids at school scribbled all over my books. How? Because it was in my head. …I asked, “You’re the one who’s been talking? All those voices?”. Then, I saw countless film cans around the room, and understood. It was so alone, it took to imitating. Then it said, 

VOICE, ov. with NOONE: “Are you going to leave? Like all the others?”

NOONE: I managed a… “Yes”. The thing began pulsing and, upset, it sort of cried out. 

VOICE, ov. with NOONE: “So many, they take what they want and go, or get snatched away or worse!” 

NOONE: It paused, then went on, 

VOICE, ov. with NOONE: “Whatever you desire, it’s yours.”

NOONE: … But I didn’t want anything from it. The PA belted, 

VOICE, ov. with NOONE: “The pendant! You wanted that!”

NOONE: The pulsing worsened until another voice came within the first,

VOICE 2, ov. with NOONE: “You’ve driven another away!” [Not overlapping, repeating: “You’ve driven another away!]

NOONE: I felt bad for it. Or them… this place had been warped by pain, and wanted so badly to keep me. Even the walls began throbbing. What could I do?!

[Noise intensifies, Dream!Noone breathes heavily] 

NOONE: I – I ran. Down the stairs, out of the theater. 

[Dream!Noone runs away]

NOONE: On the promenade, the lights were flashing so as to be dizzying. The PA screeched, 

VOICE, ov. with NOONE: “Everyone needs someone! Don’t leave me alone!”

NOONE: The walls began to cry that dark thick liquid, pooling around me, I looked up. From the floor above, the Candleman stared, pointing at my chest. At the pendant. I flung it down into the liquid, then he reached a hand toward me and – 

[All noise stops]

NOONE: And all faded, as the PA sobbed,

VOICE, ov. with NOONE: “Don’t take her! Not this one, too…” 

[Narration stops. Silence. Shifting]

OTTO: T-There was um… uh, e-excuse me, a curious phrase. “Warped by pain”. Is that how you feel, sometimes? 

[Silence]

OTTO: Noone? Are you still angry with me? Or… distracted by the mirror? 

NOONE: Behind my ear…  there’s… a sore. 

OTTO: Is that why you wanted the mirror all along?

NOONE: [Hum] It’s like the ones I used to get. I need to see it. 

[Shifting]

OTTO: Nothing’s there. It’s red because you’ve been picking at it. 

NOONE: …I have one more question for myself. Why do I have these dreams? Water sickness, that’s my answer. 

OTTO: Noone. It’s wiped out of your system. There have been no known reinfections. It’s in your mind. 

NOONE: (with increasing distress) What if the cure is the cause? I never had nightmares or headaches before all of this, before going on telly, before – before this! –

OTTO, interrupting: (whispering) No, no, come, come, come, come here, my girl. [Shifting, Otto hugs Noone] You’re not sick. You’re perfectly fine. You’re a perfectly wonderful little girl. This time I will protect you. 

[The mirror falls on the ground and breaks]

NOONE: I’m sorry! I’m sorry, uh, you were squeezing so tight and… it slipped. 

[The mirror shards are picked up. Otto throws them away] 

OTTO: You asked why you dream. The truth? Nobody knows. My studies always assumed they were more than the brain’s way of filtering unconscious thoughts. But I had no answer either. An old professor of mine thought he did. He believed dreams come from an ever shifting plane, a quiddity of consciousness. 

NOONE: Quidd-i-ty…

OTTO: Quiddity. The essence of a thing. In this case, a semiatangible plane outside the mind. 

NOONE: Is it the same as mutual dreams? I don’t understand.

OTTO: My colleagues didn’t either. I’ve flip-flopped over the years, but I figured it was impossible to prove.

NOONE: Will I ever get rid of them, then? Will I ever leave the Coppy?

OTTO: You must understand, you are a unique case. I want to let you go, as soon as – 

NOONE, interrupting: I’m better?

OTTO: (sighing) Yes. As soon as you’re better. [Otto stands, picks something up] Now – 

NOONE: I know, I know. (Lower pitch, mimicking Otto) “Sweets for my sweet”. …Do I have to go back to my room?

[Sounds of plates] 

OTTO: I’ve- got to tidy, [wrappers] and, you reminded me there’s something I need to find. On you go. I’ll come by later. 

[Shift, audio cuts]

[Audio starts]

[Otto looks through papers, and sighs] 

OTTO: Ah, I found it. The paper that stained my professor’s career. Kept it all these years, hoping and dreading there was truth in these words… 

OTTO, reading: “We know now that there is no center to the universe. Previously we thought it was the Sun, before that we thought it was the Earth. Our species always insists that ours is the quintessence of experience. Yet scientific observation proves our folly ad nauseum. If geocentrism took centuries to disprove, the question is not if but when the same will happen to reality itself. That which we are equipped to perceive may not be the only world. Let alone the predominant one.” 

[Click]

[Outro plays]

------------

*This is what she actually says. I have no idea why.

#little nightmares #the sounds of nightmares #tson #transcript #the sounds of nightmares transcript #noone #otto #the ferryman #ln noone #ln otto #noone ln #otto ln #An origin for the name Noone chose..... #ALSO. It is confirmed!! The Nowhere very much exists!!!!!!! #And the Ferryman plays a much bigger role here!! Maybe a sign of Noone being pulled deeper in? #I wonder who that other hand was at the beginning of Noone's dream... #Also Otto. Otto. Grrrgagrg. I'm very mixed about him but right now I don't like him #You are a therapist!! Your job is to help kids!!! Help her!!!!!!! #Also fun fact!! This dream was one of the winners of that nightmare contest the official team held a while back! #So it's based on an actual dream someone had which is neat #Overall. Episode good 👍

[itstimetotheorize]

The Nowhere and the Waking world

For years we have tried to make sense of the world surrounding the Little Nightmares franchise, and after years of waiting, we finally have the one thing we never knew we could have...Answers. Thanks to the release of The Sounds of Nightmares podcast, some much needed information was finally brought to light, while many more things were finally confirmed. This world was everything we had theorized it would be, and so much more, and after years of waiting, we have a name for this nightmarish world...."The Nowhere".... and just as we have always theorized, this world was no little nightmare...it was always real.

The Nowhere itself is separate from the human world(a.k.a the waking world), but it is a world which one can travel to none the less...through dreams. After a person enters a dream state, their minds can reach the space between the two worlds, "The Threshold", a dark and endless abyss where one will float through a dark mist. The dark mist obscures one's vision until it dissipates enough to allow a person to see what is beyond the darkness, the gateway to Nowhere. Once a human crosses this gateway, they are judged by a giant red pulsing eye entity(more on this in a moment) and its many eyes circling around it, all sparkling with a hypnotic, enchanting light, their light dripping down into the abyss just as we saw it drip down into Monster Six's music box in Little Nightmares 2.

The eye entity's eyes look on as every child is presented to them within the Threshold, and if they like what they see in the tormented child, the all seeing eye will equally be pleased enough to open up and permit the human child entry to the Nowhere. Once the human child is permitted entry into Nowhere, their physical body will disappear from the waking/human world to complete the journey, leaving the child trapped among the monstrous Residents, or even becoming part of the Nowhere itself should they open themselves up to it.

However, this gateway and the Nowhere itself, are not all as they may seem. The gateway alone is guarded by the Ferryman, a Resident of the Nowhere we have known about since the very first game, primarily from the Little nightmares issues #1 and #2 comics, whose main duty is to find human children whose tormented lives have left them vulnerable enough to his manipulation, and desperate enough to find any escape from their current lives in the human world. Once a child has been selected, the Ferryman will guide them through the threshold and through the gateway, to Nowhere. The Ferryman's existence is primarily to not only guide children to Nowhere, but to also convince the children to give into the Nowhere and remain there, through any means necessary, usually by convincing them there is something only the Nowhere can provide, such as freedom from something specific, including all illnesses within their body or being liberated from whatever it is the child feels tormented by, such as other people, their own fears, loneliness etc.

While Children are primarily targeted and given permission to cross over into Nowhere, adults can also be granted permission, though through a more meticulous process. The Ferryman proclaims in chp. 6 of The Sounds of Nightmares, about there being another way to enter the Threshold to find the Nowhere, as for what this other way is? Well, more on this in another theory. As for obtaining permission to cross over into Nowhere, the Ferryman states an adult like Otto must pay a "toll in torments'", and considering it is the tormented children who are of the highest priority to claim for the Nowhere, I and many other theorists have theorized adults like Otto...must commit to the Ferryman's duty of sacrificing a large sum of children, as a way to please the very being which rules over the entire Nowhere...the eye entity, the giant pulsing red eye said to be the size of a moon, which can be met once a visitor crosses the gateway hidden within the Threshold.

The eye entity itself has been theorized to have existed since the very beginning, the most obvious sign of its constant presence being of course, the eye symbol with rays of its hypnotic light surrounding it, a symbol depicted on every game and the franchise as a whole.

Thanks to the podcast, we have finally gained some understanding as to just what the all seeing eye is, it is not just an all powerful entity which rules over the Nowhere, the eye entity/all seeing eye....IS the Nowhere, and this alone was something I and many other theorists gradually realized was always revealed... as far back as the first games DLC. In the Little Nightmares DLC: The Residence, the Runaway Kid came across various things within the lady's vast library, including a giant astrolabe depicting the all seeing eye's various eyes, looking down on the ancient instrument used to locate positions in time and space, an instrument which always revealed the all seeing eye's capability in finding the worlds beyond the threshold, primarily the human world the children originated from. In terms of the eye entity being the Nowhere itself, well....what more could we have had to confirm this than the globe in the Lady's library depicting the world and its entirety as one giant eye, the very one Noone met in chp. 6.

The eye entity has always been depicted maintaining a constant watch over everyone and everything, and while some parts of it could be encountered in the form of a fleshy mass, such as the flesh walls within the Tower and the Mall of chp. 3 of The Sounds of Nightmares, it had yet to be fully seen in the game, and now we know why...it was always hidden in a space far beyond any normal person's reach, the Threshold . The eye entity itself remains hidden within the darkness of the Threshold, along with its many eyes, eyes which can easily be mistaken for twinkling lights and constellations while in the Threshold, eyes which were also foreshadowed all throughout the world, both in the game and on the very merchandise we purchased.

Based on what we have gathered, each eye can be an entirely new location, the very Spiral we will get to journey in Little Nightmares 3, and just as we have always theorized, each eye can take on the shape of an entirely new structure, such as the Mall in chp 3 of TSON. We have always theorized structures such as the tower and the Maw were extensions of the eye entity itself, and though they act on their own, we always theorized they were all connected, like a building with different floors as Noone put it in chp. 5. But out of everything which makes up the Nowhere/eye entity, we have always theorized the most crucial piece in its ongoing survival...is humans.

Though there is still so much to learn about the Nowhere/eye entity, what we can be certain of is the place it currently resides, the Threshold, and though this endless dark abyss has thus far ensured the eye entity/Nowhere's safety, this abyss is still as empty and endless as Noone said it was, meaning there is nothing for the Nowhere to survive on, and much like any living being, in order to continue living and thriving...the Nowhere itself must feed.

We have always theorized the children were crucial for the eye entity/Nowhere's survival. However, although The Nowhere may prefer to consume the children for their youth and purity, it is not limited to just them, teens such as those in chp. 4 of TSON, as well as adults like Otto, can also be accepted, meaning one thing... all of humanity is more than suitable for the eye entity/Nowhere, its just a matter of how they are prepared.

What am I trying to say? Well, We have always theorized obtaining children and making them suitable enough for the eye entity's consumption, was not something it could do on its own, it required the aid of its Residents, like the Ferryman. While the eye entity/Nowhere's hypnotic light is capable of enchanting and controlling the minds of anyone who falls victim to it, it cannot affect the minds of those who have yet to fully grasp the full severity of their miserable situation. In order to be affected by the eye entity's hypnotic light, humans must grow desperate enough to seek an escape from the cruel reality around them, and who else is better suited to set things in motion than the Residents, many of whom were once children themselves before the Nowhere/eye entity finally changed them, like the sewer man in chp. 5 of TSON. Crazy thing is, we had always theorized humans knew about the existence of the Nowhere/eye entity, about monstrous Residents like the Ferryman ...sad to say, we were far more accurate than we had hoped.

In chp, 5 of The Sounds of Nightmares, Otto states the Ferryman had been documented in various cultures around the world... for centuries. Theorists and I had always theorized that humans had known about the eye entity/the Nowhere and its Residents for hundreds of years. Unfortunately, we also theorized the humans who knew of the Nowhere and the Residents existence, had played them off as nothing more than stories, myths, all of which held a warning many were quick to cast aside. No matter the warning, many humans refused to accept the possibility of their lives actually falling into danger at the hands of the monstrous beings they had always been told about, but refused to acknowledge were actually real, leaving them incapable of taking better action to learn how to defend themselves against the looming horrors from the other side and prevent further tragedy. Those who were willing to accept the existence of the Nowhere and the Residents, were cast aside as lunatics, such as Otto's old professor, his former colleagues, the parapsychologists over the centuries who obsessed over the Ferryman and the existence of the Nowhere...even the humpback girl from the little nightmares issue #1 comic....all of them, were ridiculed for their knowledge.

We may not yet know the full extend of the stories humans build around the existence of the eye entity/Nowhere and the Residents like the Ferryman, but what is certain is a large part of the world has always been aware of these myths and stories for all those hundreds of years....question is.... how long has the Nowhere existed? For the longest time, the mystery of the eye entity's origins remained unknown, and in a way it still is. The eye entity itself appears to have originated from the dark abyss of the threshold, but we have yet to know how its existence came to be. I, and many other theorists, had theorized humanity itself could only trace the existence of the Nowhere and the Ferryman as far back as humanity had learned to take notice of their looming presence, and if what we theorized is true, then could this potentially mean the eye entity/Nowhere itself had always existed far longer than what was recorded in human history ?....honestly who's to say....

Thus far, this is the sum of what I and many other theorists have put together about the world of the Nowhere and the human/waking world. And yet...something doesn't make sense...Though the two worlds seem so very far apart, they are far closer together than they appeared to be. Otto stated the Ferryman alone was proof of the connection between the two worlds...but unlike the humans... it is the Ferryman who is ABLE to see and hear into the human/waking world, while also being UNABLE to physically cross over from the Threshold to the human world as the children are capable of doing when they journey to and from the Nowhere, but why? Well...Noone did say the Ferryman did not belong to the human world, meaning he has never been capable of physically crossing over to it...and yet...what if he was always trying to....

In chp. 6 of TSON the Ferryman reveals he could hear everything Otto was saying to him, from the Threshold. Now, what does this mean? It means throughout TSON, Otto and Noone were never alone in their sessions, the Ferryman was watching them, hearing every word, seeing every action without either Noone or Otto knowing he was there. Otto gradually realized the Ferryman was watching and listening, but wondered why he couldn't see or sense the Nowhere and the Ferryman for himself, then quickly realized there was a veil up, like a two way mirror, only it was all of humanity who was stuck on the side of the mirror where you can't see through the glass. The Ferryman was always aware of what was happening without ever being seen... then again...maybe his presence was always shown. Anytime the Ferryman was spoken of, anytime his words were repeated...something strange happened...the audio in chp. 2,3,5...it glitched, it became distorted, as if there was something else interfering with the recording... as if... someone else was trying to break through...was it the Ferryman?...maybe.... But if it truly was the Ferryman attempting to break through to the other side, which he eventually did...at least vocally anyway in chp.6, then why would he?

The Ferryman and the Nowhere/eye entity have gone on throughout the centuries, taking child after child, while remaining hidden within the darkness, looking on as all of humanity was unable to find them, their existence passed on as stories and myths, and nothing more....then again....what if this was not what they wanted... Where am I going with this? Well...parapsychologists of the human world state the stories of numerous cultures believed the Ferryman stops anyone from entering any unseen worlds, even Otto himself believed the Ferryman was determined to keep him out of the Nowhere...but if this was ever true, then....why would the Ferryman push Otto to pursue his research to find a way into Nowhere? (more here) Was the Ferryman just toying with Otto?... No, if he was, he wouldn't have given Otto the information he needed to figure out how to cross over...then again...maybe it was never about what the Ferryman wanted..maybe...it was always about what the Nowhere wanted.

In chp. 5 of The Sounds of Nightmares, Otto spoke of a weather phenomenon unique to the Counties, a swirling mist known to be followed by a downpour, a storm. But the way Otto described this "weather phenomenon", it was almost as if there really was never anything normal about it...because what if maybe...just maybe....it was never just some freak weather, so what was it?

The night the bizarre swirling mist set in, was the night Otto first used his apparatus on Noone in an attempt to see the Nowhere, and to the shock of the readers, as well as Otto himself... it worked. The night Otto tested his apparatus, was the night he caught his first glimpse of the eye entity/Nowhere within the Threshold... and all the while Otto noticed the eye entity staring back at him with its intense light growing ever more powerful, the swirling mists storm could in turn be heard outside... growing stronger and stronger.

And yet, the moment the apparatus exploded, unable to withstand the presence of the eye entity/Nowhere, something odd happens...the storm we all heard raging on outside, the very storm which grew stronger the more the apparatus worked in connecting the two worlds....dies down...but why?...maybe we always knew. While the bizarre interference within the audio of TSON could have been the Ferryman trying to break through to the other side, does this mean the bizarre swirling mist and storm within the Counties was in itself, never just some freak weather? But rather...a sign of something much bigger trying to break through?...something far more powerful than the Ferryman...something like...the Nowhere.

We have always theorized the eye entity/Nowhere was the one which commanded all the Residents of its world , as well as anyone like Noone who fell prey to its hypnotic light, meaning maybe...just maybe...it was never the Ferryman who wanted to cross over to the human world...it was the Nowhere itself... If it was, then what does this mean for the children of the game?...What does this mean for the home they all hope to return to?... I guess we'll just have to wait and see...but then again...we have always theorized The Sounds of Nightmares, was no ordinary story...it was the origin story to the start of something...catastrophic. The two worlds, the waking/human world and the world of the Nowhere, though seemingly separate from one another...may be far closer together than we might think...But hey! It's just a theory...a Little Nightmares theory.

#little nightmares 2 #little nightmares #little nightmares 3 #little nightmares 2 mono #little nightmares six #little nightmares theories #little nightmares theory #ln2 #little nightmares 2 theory #ln3 noone #tson otto #tson noone #tson Ruth #ln the ferryman #ln3 low #ln3 alone #ln theories #ln2 theory #ln3 theory #ln the nowhere #ln the eye #ln the eye entity #ln six #ln mono #ln2 six #ln2 mono #the sounds of nightmares theory #ln the sound of nightmares #little nightmares 3 theory

[sadcatjae]

Favourite moment in a TV show or movie is when the Big Fight is over and protagonist is checking up on everyone and making plans, and they are just relieved that everything is okay, until someone points at them in shock and shouts "You're bleeding!" And the protagonist glances down and suddenly realises they aren't okay and they just...teeter.

#whump #whump prompt #whump scenario #bonus points if they dont notice for a long time and they realise rhey are reallt dizzy for some reason??? #or if they DO know they arent okay bur want to hide it because now is not the time to think about it #or if Noone notices and the protag just....collapses out of nowhere

[tumbleringismycopingmechanism]

Got this song stuck in my head:

Once shattered, now whole

Once whole, now united

Once united, now eternal

I swear, I will never stop thinking about you

You have come to set me free

Love is a spark

And if you should hurt me I'll always forgive you

Love's an evergrowing blaze

You are a part of me

I will never part from you

Once shattered, now whole

She was meant to be mine

Once whole, now united

Once united, now eternal

And my love for her runs eternal

And with this ring I pledge

Never to leave your side

Even through hardship and darkness and pain

From you I won't hide

Once shattered, now whole

Once whole, now united

Once united, now eternal

-Woman, General, both of them and Noone from Centaurworld

And while it is a beautiful song and a beautiful scene, I wrote down the lyrics specifically to appreciate how amazingly they foreshadow that what the Elktaur felt (at least by this point) wasn't love, just a crazy obsession with Woman. Also the song, by describing how he feels about her, also showcases how he doesn't feel about himself, even when he should.

"I swear, I will never stop thinking about you": already starting kinda obsessive, but okay, if you're feshly in love or do something big like a wedding, I can see how you might proclaim something like that. The fact that he follows through with it even while they haven't seen each other in ages is kinda creepy, but still something that might be viewed as romantic. But if you ask me, he should maybe have spent less time thinking about her and more time trying to think like her. She loved centaurworld, she loved the rift connection between both worlds and wanted it to be open, she was given to kindness for all things. And by splitting and keeping himself in halves and thus creating the Nowhere King he ruined all of that for her.

"And if you should hurt me I'll always forgive you": again, weird sentiment that might be okay on such an emotional day, but if you think about it, actually not a good sign. Like, General, my guy, if your partner hurts you (repeatedly), they should not just get absolution for that from the start. That's not healthy. Also, where's even a fraction of that forgiveness towards yourself?

"You are a part of me": you know who is even more a part of you, General? Hm? Do you?

"I will never part from you": well, I suppose at least they're matched in their unhealthy relationship ideals?

"She was meant to be mine": she belongs to noone but herself, Noone. And if you truely loved her you would a) be happy she found someone and b) not stalk around on her wedding uninvited.

"Even through hardship and darkness and pain, From you I won't hide": for one - General, you lying fucking ass. You literally tore yourself in half just to hide you centaur half from Woman. And once again, where's that sentiment for yourself? So you can stick with this random human through hardship, darkness and pain, but not with yourself? I think you might have the wrong priorities here, my guy.

So yeah, in conclusion Elktaur should probably have been comfortable saying all of this to himself before going around throwing it at someone else.

#centaurworld #centaurworld season 2 #centaurworld spoilers #the General #Woman #the nowhere king #(before he was #that's why I call him Noone here #seeing as that's how he introduces himself to Horse) #once shattered now whole #not that I don't feel the Elktaur like 300%

[grim-faux]

a massive headache of an analysis of two very terrible people in my projected ideas and observations

I mentioned this on the discord that I think that the fandom is coddling Noone a bit too much. but hear me out before you "she's just a child, you monster. She was subjected to emotional abuse and Otto is a terrible guy for being a doctor and a trusted adult in her life."

That's all valid. but one thing we should ALL REMEMBER is that the children who are approached or ensnared by the Ferry/Candleman, are not targeted because of the "sordid and sympathetic story of bullying and internalized trauma". Under my observations, I would say the Ferry/Candleman pursues children that are vulnerable and easily manipulated. And of course he's not monitoring these children for any specifics or potential, his role is to catch kids and drag them to the Maw. For profit.

And I wanna sympathize with Otto - very carefully - cause this man is a mess. He's terrible, he's a jerk, he loses control over himself over a >10 child call out on his toxicity. AND HE SHOULD HAVE APPROACHED THE SITUATION DIFFERENTLY, WHICH WOULD HAVE MAYBE SAVED NOONE FROM THE FERRY/CANDLEMAN AND THE NOWHERE.

And I would wager that this last betrayal and abandonment by Cece2.0 tossed Otto the edge of all moral practice. Otto was a horrible guy, he betrayed his patient and Noone's trust - but all of that was not done for himself per say; he didn't throw Noone to the Candle/Ferryman for glory, for discovery, for personal promotion. He was doing this out of his childish desperation to find or at the very least see his sister. Yes, that is absolutely selfish, yes he hurt someone along the way, and he will continue to hurt other kids on his journey to finding Cece.

But Noone also isn't completely blameless. She is of course a child, she is a flawed, sad, and a broken child. Of course when someone said to her, "escape the pain and awful world you live," she leapt at this opportunity, no questions. No thoughts, head empty. But Noone is far from innocent, and she will not stay that way when she goes native to the Nowhere-ville.

Over the course of the podcasts, we see evidence that Noone- among the children she encounters - adapt to this hostile world. Children actively ignore Noone when she calls to them (see Ref noisy children die), others are swift to abandon her when the terrors find them kiddies. And Noone herself begins to react and fight at the hostilities in her environment - this proven in Chapter 5, when a girl tried to take the nome (see Ref mushroom fairy), she threw A FUCKING BRICK AT HER ARM. And especially in Chapter 6, she slammed a bottle over the marionette pinned to the table, killing it probably. Subjected to the Nowhere and the violence there, children either adapt and defend themselves, abandon others - or they die.

And my Discord did have a big analytical study and discussion over Rusty - the trapeze boy from the circus. Rusty was an interesting character, not only because he was a teen - probably inhabited Nowhere for a long time - but he was hinted to knowing a way out of Nowhere. This latter factor, I doubt - I do not think Rusty had any real knowledge of how to escape Nowhere, and all he wanted at the end of the day was escape the circus. We choose to ignore the giant pillars stretching to the ceiling not important no siree. That's the best case scenario. But Rusty and his group suggested one of two things (or all of these things). Kids left to Nowhere REALLY REGRET THAT DECISION EVENTUALLY (maybe you get older and realize how much of a dumb brat younger you was). Or, and also, Rusty was not there because of the Candle/Ferryman guiding him to Nowhere. Otherwise, Rusty would be property of the Maw, since Ferry/Candleman gives not two ceramic dolls who has a kid or what entity wants a kid - Ferry/Candleman will escort that child to MawcDonalds.

So Rusty and his trope came to the Nowhere on their own accord - either through a liminal space or other mysterious and obscure portal people should really avoid in the normal world. And they did not know really how to find their way back to the world they lost.

The last problematic matter of Rusty, is he is sus, like a lot of characters of the Little Nightmares world. He's invested in his survival and happiness and safety. So when he and the group are presented with Noone, they jump at this opportunity. It's not crazy to think Rusty was very invested in getting himself away, and ditch anyone else along the way. Case in point when he suggested Noone to be the lookout (wink-wink, nudge-nudge, teehee), "for the man in the purple suit." Noone later realizes she has no idea what the real plan for escape is, aside from alert Rusty that the man in the purple suit is there. She's told only to signal Rusty nonverbally, but she decided to scream at the teen "big top", which he thinks is a good idea. Yes, of course he would. And apparently whatever happened to Rusty was so horrific, it locked Noone in a panic attack. Which is terrible, since it is most probable Rusty and his group only needed Noone there to draw the attention of the man in the purple suit, use her as bait - but that didn't work out. F for Rusty, you big L.

These incidents with the children - of being exploited and bullied, not just in the Nowhere but from her world, drives Noone closer to the edge of the metaphorical doorway. And Otto exasperated the condition by pushing her closer to the threshold of commitment, all to seek a hint that Cece was still there and he might find her. But it was also Noone who took the plunge, despite Otto beseeching her to wait for him - this is the moth to the light, flying closer to that which is enticing and promises comfort, only to be snuffed out when the moth reached the flame.

One of the running themes of Little Nightmares is that of children succumbing to a fate or falling into the same cycle of torment, they are fighting to avoid. For Six, she becomes the next proprietor of the Maw, unable to leave - only so she can survive. With Mono, we follow him through his struggle to find and free his friend from the Tower, only to get thrown aside and abandoned; then he becomes the thing that he fled from, and eventually destroyed - the Broadcaster of the Tower. The children of Nowhere are not escaping a terrible world for another terrible world, they are accepting of the violence and malice that shaped who they are, and turn that back onto the world that inflicted it - perpetuating the trauma which forged them. There are no happy endings of Little Nightmares, only acceptance.

Otto succumbs to that fate as well. He doesn't seek to help Noone so much as he sought to fulfil his own selfish needs. Noone did not wait for Otto to confront the Ferry/Candleman, or wait for him to turn the Candle/Ferryman away - she took the hand offered and abandoned Otto. Which, in turn, leads to Otto's descent into his tragic villain arch. To be clear, Noone isn't responsible for this adult man who should know better, Otto is far from her responsibility. But this mindset may have been what drove Cece from her lil brother Otto - a clingy child she wanted nothing to do with. And ill reiterate, Noone was not responsible for Otto or his actions, as he was the one who swore to help her, he was the doctor and the figure of authority in her life - Otto was supposed to come to her aid.

But when Otto was at his most vulnerable and had no power over Noone any longer, and he begged her to wait. She did not. As with all monsters of the Nowhere, when the child has the upper-hand or has discovered a clever trap, the child dispatches their tormentor.

As equally as she despises Otto, she favored the Ferry/Candleman for the lies he gave her. For the truth he wove amongst the promises.

Though we can dissect Noone's character and grasp what led to her actions, her story is not one of triumph or escape - it is of acceptance and defeat. She does not overcome a great adversary, she submited to the conditions of the world that created the monsters she hated. Her story has only begun in terms of the Nowhere, and it is far from over. She is not journeying through the Nowhere to reach some enlightenment or to become stronger than the shadows that will chase her, or overcome the hazards that await her. Noone becomes another cog in the machine which keeps the Nowhere and its inhabitants gleeful and fulfilled.

It is fair and fine to sympathize with Noone and her fate, she is a child and a victim to all that was set upon her - left with no protectors or sympathizers. And she fell prey to a master manipulator, as did Otto. in this story, the only one who claims success is the Candle/Ferryman, who orchestrated the whole thing.

#little nightmares #lil nightmares #noone #otto #the sounds of nightmares #sounds of nightmares #the counsellor #i get this feel that everyone who condemned otto also hates on six too #tl;dr everyone is terrible we are angry equally with these characters #noones new hobby will be throwing children off cliffs and tossing bricks at everyone #rusty was kinda sus and sinister you cant change my mind #i understand rusty wanted to escape and all but if noone was successfull her story couldve ended right there #noones going to nowhere WHAT DO YOU THINK SHELL MINOR IN NOT SELF SACRIFICE I ASSURE YOU #she was so mad at the nome too rk would be so disappointed #rk would be like - girl the nome just showed you a way out of there why you gotta hate on the lil guy #mushroom fairy #the fae are sketchy and dont stand in a toadstool circle you will disappear

[mwagneto]

crazy how going to the skatepark in my commie bloc just to sit there for like 30 minutes doing fuck all and then leave immediately fixes my brain

#only 5pm and everything is dark and snowy. I'm having the time of my life #I've never seen a single person here other than me even tho ppl definitely come here #left empty for me specifically #i mean it's -1°c im sure noone else feels up to sitting outside in pajamas and a jumper like I'm doing rn but yknow #ofc it's not specifically abt this place it's abt romanticising every aspect of my life. but i #really like places that feel straight out of a pinterest board #like I'll never make one but im living all of them #i love being outside i love snow i love cold i love it when it gets dark early i love that we have 0 streetlights. slay #also. plugging my headphones in putting my hood up and getting on my kick scooter is so. im going to die #like i have the cracks in the street memorised but it's always scary jdmridjeifjjs #almost ate shit today coz everything is covered in black ice LMFAO #i need exam season to be over so i can go on stupid little quests again my daily walk and occasional #trips to the shops are nottttt enough for me. i need to go to the middle of nowhere and break into an abandoned building #barking

[popsicle-stick]

kinda out-of-nowhere thought, but uh. always really hated those godawful posts that would refer to the statistic of the rise in domestic abuse in england whenever england lost a football match

'thinking of all those women in england tonight!!!! 💔' no you're not. be real. don't pretend to care about anonymous abused women as a way to achieve some kind of moral high ground. be normal and send hate at least like everyone else

#out of nowhere bad vibes post from me i'm sorry! #directed at noone in particular except those posts that used to flood into the euros tag back when that was happening #abuse cw #domestic abuse cw #i strongly doubt that statistic was unique to england. we just happen to know only that statistic #i just found fucking gross how it was used for cannon fodder

[marcskywalker]

decided to ruin my day by thinking about how young randall was there in that room full of people marc killed, implying that he genuinely believes that randall's death is on his hands. and not in a distant "there must've been something I could've done to avoid it" kind of way, but it is a more direct responsibility that he feels, like "I killed him. My actions cause his death. I drowned by brother"

I think, initially, Marc must've only felt that distant responsibility but then Wendy threw accusations on him everyday for years, and there is only so much a young mind can take from a maternal figure before accepting it as fact.

So he starts questioning himself about the rest of Wendy's accusations. Was he really jealous of Randall so much? Did he hate him?

But no, he loves his brother, that much he knows to be the absolute truth. So he comes to the conclusion that there must be something deeply wrong with him, that he killed the person he loved the most.

And I think a lot of this is also reflected in Marc's relationship with Steven. He truly loves Steven, which is why he wants to stay away. He wants to protect Steven from himself, because if they get too close then Marc will kill him.

thank you for coming to my ted talk

#marc spector #moon knight #steven grant #repeat #He's trying so hard to not his mistakes #to try and be better brother. #he literally begs steven to #give me the body I won't let us die #he wants a chance to himself #redeem #next session will be about how being a big brother was a big part of how marc identified #and how randall's death took that title away from him #and he had noone or nowhere to go for comfort #basically that quote #if my brother dies am i still a brother or does that part of me die too #randall spector #meta

[heykayhayes]

Final battle images for the finale of the first campaign I ever ran as a DM!! (It was a homebrewy version of Lost Mine of Phandelver!) I learned so much and had so much fun- can't wait to start my next game at the end of the month!!! :D

#dungeons and dragons #dnd #ttrpg #ectorius kesrick #gibbon du hemlock #pyrus bitterfang #noone of nowhere #hernando rey-torres #heykayhayes #dnd oc #ttrpg art

[cenawir]

hecate doodle <3

#ik noone who follows me here knows what this game is but idc <3 #path to nowhere #ptn #ptn hecate #hecate #she just cute

[verytallfox]

Just listened to the teaser for episode 5. Shit’s about to go down talon I mean it has one way or another every single episode, but uhhh Otto may finally learn the ugly truth: YOUR ACTIONS HAVE FUCKING CONSEQUENCES!!!

#little nightmares #the sounds of nightmares #noone #OTTO YOU STUPID JERK #GO INTO THE NOWHERE AND BRING BACK NOONE THIS INSTANT

[queen0fm0nsterz]

Awake at this ungodly time in the night... do you guys wanna talk about some TSON lore with me? Come in my ask box please‼️

#little nightmares #the sounds of nightmares #{i have so many thoughts about the podcast already and i am afraid people are SO gonna misuse what noone is saying #remember: noone is a normal little girl. this is the normal person experience of the nowhere. #atp i am pretty sure she will not turn out to be six which relieves me to no end #her experience might be closer to that of RK or RCG who are also normal kids unlike Mono and Six who... you've seen them}

[keclan]

can daddy please have just five minutes to himself to piss in peace?

#i can’t put baby 2 in his crib yet bc baby 1 isn’t asleep yet and his yelling will just wake him up #so he is asleep on me in the living room while we wait for baby 1 to fall asleep #but baby 1 has just started crying that he wants me to come see him #but i can’t bc baby 2 is asleep on me and i have nowhere to put him #and i really need to pee #and through it all…… i just really need to pee #can y’all please give me a break #i’ve been working nonstop since like noon #which was 8 hours ago #and i need to pee c’mon guys

[flovverworks]

random ramblings so i can delete some of my ooc posts in my drafts

in my heart u add akira on messaging apps & get a cat sticker saying good morning everyday

akira & their item collection of varyingly obvious cat-related items. guy whos way too weak to anything cute but also not likely to buy stuff thats like...overly in-your-face about it either?! u know when merch is more subtle....(says this knowing i say akira gets cat-themed decorations and plushies and pillows. easiest guy on earth to give gifts to. its more their day-to-day items that are more subtle.

feels like its been a while since i said this but, big romantic. i need to make a list of times akira has said some ridiculous stuff about romance unprompted (its like a secret rendesvouz, WHYA RE U SAYINGG THAAAATTTTTT

also been thinking about akira forgetting the wizards can do magic for tiny things ("oh no let me get a bandaid"/"wont you be cold like that?"/"its kind of dark here"). because i think its funny. like their constant dilemma over snow&white's ages (very aware they are Old As Hell but also 'yeah theyre 9-no...wait...'), but also how they forget the others are centuries old too......post-mhyk akira going oh ure only 150yo? (not fazed anymore) <-this is a joke, theyd still react but they would also think 'not as old as the twins & figaro........'

patpat

anyway akira referring to mithras space-door as his arthim thing is one of my big enjoyments, so i like to imagine they start doing that with the others spells too..........

ok thats all the repetition i have for now

#stardust speaking ! #i need to write a new cat-related open the last was in july. if i dont count the cat-decoration one from late november #im rereading the western etude atm and chloes soooooooo cuteeeeeT_T #(chloe voice) hawawa #i lov him sooooooo much #i always think of that time when akira wished they knew what to say to chloe and the time they were like 'chloes just that good' #me too #chloe's tanabata.............................akira and chloe both on the verge of tears about the reality of forgetting/being forgotten. #mithra who unfortunately(fortunately?) was in the middle of it #since theres noone to blame theres nowhere for the pain to go.................