remembering how careful luke was with substances back when they first started out, it is actually heartbreaking that he did end up struggling with addiction. (I feel like we can often stereotype and box artists in, find excuses why they may end up using like it's their fault and if they happen to overdose and die then well, they should've not gotten into it in the first place. i can't shake that moment, in the 10yr podcast i think (don't quote me) he mentions he wasn't even into weed in 2015. just another 19yo aussie getting drunk and pretending to be tough like every other 19yo aussie, way more conservative and cautious in terms of substances than he probably would ever have admitted at the time.) how well he's always seemed to look after himself physically vs how much he'd given up on himself for so long. the fact he's always loved food and yet struggled with eating. actually I think diamonds should break our hearts. so should bloodline and heck, even baby blue. I think we should listen to starting line and be like hey, maybe we should treat our celebrities better. our artists. we all enjoy what they create, tear themselves apart so we don't feel alone in whatever we're experiencing and yet did we ever stop to think, how can we make this system work for everyone? how can we make fame be less deadly?
I think we should look at songs like motion and repeat when we're thinking of, hey, how should we approach this conversation about mental health? especially in the workplace with pressure to perform and take every opportunity lest we miss out on a big break and that's not only in creative industries. STEM can be like that too. and don't get me started on business/finance. we should look at the way we interact with each other--are we creating a space that's safe to feel and be honest with ourselves and each other and breathe enough to do that? or is it 'r u ok' and it's all about feelings and if you feel to numb to even know what you're feeling, then you're probably fine? we're hopefully beyond blaming parents for everything their children go through by now, but if ever we're not, we can listen to mum and see that you can have this beautiful relationship with your parents and still struggle, still blame yourself and be drowning in it and have the best morals around personal responsibility and still in a bad season be able to weaponise them against ourselves sometimes and only see our mistakes. still put on a farce for the world. still fear that people will leave whenever we take that off. are we creating a world where we're free to be ourselves, and I mean all of us? slip away and place in me should break our hearts even more when listened to in context.
and maybe these insights seem obvious to you but how are we really going at living as if this is what we need to be doing as humans? do we really live like we believe none of us are that invincible but at the same time are so, so capable and should be given the chances and accommodations every person, no matter their unique needs, need to really fulfil that (of course without being blamed for their perceived failures)? or are we still being ableist? are we still deciding we have a bar of perceived success for people we see to be 'like us' and feel like everyone else is somehow doomed and unable to succeed and so we don't need to worry about caring for them too? they either have to pretend to live up to our standards or slip into oblivion and shame? don't you see how this, something we often don't realise we're perpetuating, simply causes even more harm?
and maybe this is a lot to be dragging out from one (expertly done) album. or maybe we have someone who's told their story and we'd be foolish not to listen to it, not to think twice about the connotations of what we're seeing. maybe part of beholding this masterpiece is to use a bit of that same overthinking that went into creating it and do something productive with it. because luke's okay. things did get better for him, and he's coping, just like the rest of us. but what about the next young artist who is thrust into stardom from oblivion, who, clinging to music as a lifeline in a chaotic, unpredictable and lonely world, basks in it and chases it so hard without a thought to its dangers. what if they don't have a loving home away from the chaos to return to, and a close knit, unshakeable group of friends going through it with them? I don't get how you can listen to wfttwtaf and not think of this. also, luke didn't need to share any of these things with us. but I bet, in a world of facades and roles to play that others create for us, simplistic and superficial and suffocating, it's a relief to simply be honest. maybe it's just me. maybe he shared it just to get some money from his art, or to help others feel less alone. but either way he did share it. and he did give incredibly vulnerable descriptions of each song (to apple music i believe it was) which he didn't have to do either. but he did and so let's heed the protest intrinsic in it and cultivate that sense of empathy, be respectful and encouraging to him and the band, yes, but also think. if we have a case study on how to protect and better care for young artists and creatives, are we just going to let it entertain us and then do nothing about what we hear? wfttwtaf is a protest album. it might not mean to be. it might be the saddest and least angry one we've heard. it might be pure in that it pulls at our heartstrings and demands nothing from us. so let your impact be that pure and free of demands too and just. be kind. not only to the people you see in person, but everyone who might be impacted by your individual and collective actions--not only kind but smart about what is actually helpful, actually encouraging. it's pretty simple isn't it? or is it just the wild ideas of my intuition?
10 notes
·
View notes
Mob sat still, hardly breathing. He loosened and tightened his grip as he listened, tapping along to the natural rhythm in the muffled sound beyond the door. It flooded his mind with wonder. A real person was just beyond the threshold, with a face and a body, a life, a name. It was a person who must see people every day. Someone who walked around in the world outside, someone with a job and clothes—
Rereading A Breach of Trust by @phantomrose96 these past few weeks..
422 notes
·
View notes
even tho i started supernatural less than 2 months ago, interacting with the fandom is pretty much what i thought it would be. however, there's one thing that NOTHING in the world could've prepared me for, and it's the extremely common type of post that is like: "[supernatural screencap] [quote from a book about incest] [supernatural screencap] [quote from a play about incest] [supernatural screencap] [screencap from a movie about incest] wincesties do not touch this post or i will stomp you to death"
147 notes
·
View notes
sorry but liam saying he beat the guy who gets the seat n being mad abt it is so dumb, my guy, u beat yuki, once, he beat u all other times n its not like yukis seat was in question n u never beat daniel just stfu
11 notes
·
View notes
DMC Questions Anon here!
After the success of the female-led spinoff Capcom decided another one should be made (I wish) and have once again asked you to helm it. Who do you want to lead this time? What plot would this game follow?
(While writing this I decided I should specify it doesn't need to follow up on the previous one, unless that's where your mind is headed, of course.)
(sorry for being less active with the asks)
Listen, listen, I don't have strong opinions about the first Ladies Spinoff game, but the second? Has to be Lucia's. She proved herself to be a very capable protagonist, plus her devil abilities and design are very distinct from the main series, and that's a good way to explore some weirder-mechanics for the series.
Personally, I'd like to have 1, just one, with good parkour, or, at least a smooth one. Parkour in dmc5 makes me want to tear my hair out because of the camera, and the moveset is Not optimised for it. Darksiders 2 would be the best comparison here - that game features some awesome, if not very challenging, parkour sections! Timed ones are bad, but the general room-to-dungeon-room parkour is nice. It would also fit Lucia's theme better I think, since DMC2 introduced wall-running and jumping.
At least, give us more mobility options and more level verticality, just that would be great. And Lucia. I need more Lucia.
9 notes
·
View notes
new oc batch ready! 8 more of these guys lol. the whole deal with this set is they’re from the artisan guild- lunar flair! intentionally spelled like “flair” as in “style” or “a flare for ____” rather than “flare”
basically all the members of the guild are different kinds of artists with different niches (and varying degrees of diva-ness). it’s pretty easy to tell who does what based on the everything about them, but if you want more info their bios are still under the cut!
Name: Jupiter
Name Origin: The planet of course
Pronouns: He/him
Age: 52
Guild rank: Guildmaster
Weapon: Lightning rods
Ethos (Power): Gigantomachy. He can make himself (even more) giant
Flaw power is based on: His overly protective nature, especially where the guild is concerned.
Notes: Literally the nicest guy ever until you provoke him though
Name: Erinome (Erin)
Name Origin: A moon of jupiter, the exact meaning of it’s name is murky but it can refer to grace or purity
Pronouns: She/her
Age: 13
Guild rank: 2 star
Weapon: A Book.
Ethos (Power): Poetic Imagery. Illusions cast forth by his her poems that change the appearance of the physical environment
Flaw power is based on: Her escapist indulgence in fantasy
Notes: You know, like, the pen is mightier than the sword and all that.
Name: Pictor
Name Origin: The constellation meaning “painter”
Pronouns: He/him
Age: 23
Guild rank: 3 star
Weapon: Giant paintbrush
Ethos (Power): Ardor. He can create three-dimensional things with his paintbrush. However they are not animate or alive.
Flaw power is based on: His conceited nature in regards to his own work.
Notes: Goes to museums to talk about how he could probably do it better anyway
Name: Oberon
Name Origin: A moon of the planet Uranus, it gets it’s name from the king of the fairies in Renaissance literature. Notably in Shakespeare’s A Midsummer Night's Dream
Pronouns: He/him
Age: 29
Guild rank: 5 star
Weapon: Rapier
Ethos (Power): Fantasia. An illusion of changing his own appearance.
Flaw power is based on: His theatrical nature, of course
Notes: Why is he ourple?
Name: Syrma
Name Origin: A star in virgo, it’s name refers to the train of a garment (Typically worn by actors in tragedies)
Pronouns: She/her
Age: 25
Guild rank: 4 star
Weapon: Giant needle
Ethos (Power): Binding threads. She can create stitches on any solid objects and bind them to each other. Including people- The stitches are manifested energy and do not hurt.
Flaw power is based on: The dependency she often has on bonds- i.e. threads that bind people.
Notes: She makes and models all her own clothes.
Name: Parumleo
Name Origin: A star in Pisces, it’s name means “small lion”
Pronouns: They/he
Age: 19
Guild rank: 3 star
Weapon: Microphone bardiche
Ethos (Power): Persuasion. If they can make you laugh you’ll temporarily have to follow his orders. Though it’s too weak to call full-blown mind control, and fairly easy to snap out of.
Flaw power is based on: His desire to be liked by others.
Notes: They’re like a lolcat. They can haz cheezburger.
Name: Leda
Name Origin: A moon of jupiter, the name means swan.
Pronouns: She/her
Age: 28
Guild rank: 4 star
Weapon: Duel ribbons
Ethos (Power): Poise. Complete and utter weightlessness.
Flaw power is based on: Her carefree and utterly absent-minded nature.
Notes: You guys know swan lake right? Well, there ya go.
Name: Styx
Name Origin: A moon of pluto that gets it’s name from the river of the underworld. Yeah it’s also a rock band.
Pronouns: She/they
Age: 20
Guild rank: 3 star
Weapon: Axe-guitar.
Ethos (Power): Vibrato. Powerful soundwaves cast by her axe-guitar
Flaw power is based on: Her brash and blasé attitude
Notes: Calls everyone “baby” or “babe” because they’re a cool rockstar.
99 notes
·
View notes