Nous avons toi et moi une intolérance à la médiocrité.
Olivier Py (Les Parisiens)
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Drame historique français par Olivier Py, avec Laurent Lafitte, Stacy Martin, Bertrand de Roffignac, Jeanne Balibar (1h34). En salle le 14 février
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Les Secrets de la princesse de Cadignan (sortie en salle le 13 septembre)
Les Secrets de la princesse de Cadignan (sortie en salle le 13 septembre) :
Arielle Dombasle réalise son cinquième long métrage “Les Secrets de la princesse de Cadignan” qui sortira au cinéma le 13 septembre 2023.
C’est une princesse, une grande séductrice.
« Don Juan femme », selon l’expression de Balzac. D’une intelligence diabolique. Cette femme, qui a eu de nombreux amants, presque tous les personnages masculins de la « Comédie humaine », va enfin trouver l’amour.…
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(via Pelléas et Mélisande (DNO 2019) - YouTube)
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Saw a theatre piece sunday and like. I'm so mad it's not widely distributed bc it would do numbers on tumblr
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one of my quotes of all time is "j'affecte ma douleur" by olivier py ("i'm in love with my pain" as i understand it). so is it why i hurt everytime i love as well?
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XENOBLADE 3 SPOILER!!!!
I've been thinking about it since I first played Xenoblade 3 when it came out. But do you ever think about the way it actually hinted from the beginning that they have been repeating their lives over and over again. The ennemis in this game are called "Moebius" and in their eyes can see the "Moebius circle ♾️". In literature you can encounter it.
I read a theater piece with this process in it once. It was about a theater troupe repeating for a theater piece and having an argument because 'it is always the same person that has the more text', 'the best part and characters' ect. They have a pretty big argument and dispatch away, then happen the end of the piece, the stage director comes with a new piece and call all his actors back, give them the piece and their new role, and then with only that you can figure out that the same thing that happened at the beginning of the piece going to happen again and again. You can repeat this piece over pand over. That's what we call the Moebius circle
Okay now back to Xenoblade 3. Now think about the fact they are called Moebius and that the character's life is an endless loop that repeats itself. Everything makes sense.
(The theater piece is called 'illusions comiques' by Olivier Py.)
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“Les Secrets de la Princesse de Cadignan” de et avec Arielle Dombasle - d'après les nouvelles “Les Secrets de la Princesse de Cadignan” et “Le Cabinet des Antiques” d'Honoré de Balzac (1839) - et avec Julie Depardieu, Michel Fau, Théo Cholbi, Cédric Kahn, Stanislas Mehrar, Andy Gillet, Olivier Py et Nicolas Herman, septembre 2023.
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similarities between Olivier Py’s Hoffmann to his Huguenots not 20 minutes in to the latter production:
enormous stairs
pantomimes featuring shirtless people
strange (though not ineffective) backlighting
heavy utilization of upper levels to separate characters for unclear reasons
Bacchus dancing with one of the principal characters
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Henry VIII (La Monnaie De Munt, 2023): Reactions, Part I
enfin!!!
fancy schmancy painting
yup! it’s an olivier py production! (also lionel lhote my beloved)
lights camera action (also dear god pls let this be better than the wieler/morabito film studio prod of les huguenots)
rigoletto reference! (kinda) @leporellian
she is beauty she is grace
two guys definitely just being bros
spinny spinny spin spin
tfw you fall in love with THE anne boleyn
definitely not foreshadowing also i want that dress
making a myth
sneaky sneaky also wait which red belle époque dress girl is anne
are you really surprised? (also the music here is *chef’s kiss*)
uh oh (also @monotonous-minutia i believe we have spotted our first shirtless extra)
and that’s on being in the court of a sociopathic, power-abusive monarch
don’t let him hear you
“oh hey we totally weren’t just writing a diss track about you”
“and now i’m gonna steal your girlfriend lolz”
the pope: why are you dissing me henry :/
“dude what the fuck is wrong with you”
“shut the FUCK UP surrey i’m having my EMO SAD BOY MOMENT” (also genuinely this aria is really beautiful)
DROP THE KNIFE HENRY
bravo m. lhote!!!
girlie looks out for her friends
liar liar black dress pants on fire
everyone’s telling you not to be a douchebag
yeet
cosplay couple (victorian and tudor respectively)
how people SHOULD do the whole “living christian values” thing
well congrats for figuring it out usually it takes people at least a couple acts
and this is how people should NOT do the whole “living christian values” thing (also great descending string motif here)
extra standing above: *drops a copy of the bible down from the second story*
henry: HA! I TOLD YOU! I CONNECTED THE DOTS!
catherine: you didn’t connect shit
saint-saëns you MASTER (also this production aesthetic is contributing very well to the vibe)
“oh fuck i think my wife is smarter than i thought”
yup that’s anne boleyn!
don gomez is a good egg
the star of the lady-in-waiting squad
the beginning of…certainly something
fancy flirting
Area Woman Possibly Has Visions Of Her Own Execution
oh i LOVE this scene (though this tempo is a bit fast for my liking)
hmm (but the choral music is gorg)
oh dear
it’s one of those concertantes that just slaps you in the face and it’s AWESOME
anyway this is significantly longer than i expected so…part two coming soon!
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Qu'est-ce que cela veut dire un homme parfait ? Cela veut dire un homme qui n'a plus de souci que d'exister et qui est si vide, si pur, si transparent, que toute chose - les êtres et les objets, amis aussi les rêves - vienne s'abreuver en lui.
Olivier Py (Les Parisiens)
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LICEU 202272023: MANON (SIERRA-FABIANO-DUHAMEL-NAOURI;MINKOVSKI-PY)
Nadine Sierra i MIchael Fabiano a Manon. Gran Teatre del Liceu. Fotografia de David Ruano gentilesa del departament de premsa del GTL
Hauré de confessar, perquè crec que té la seva importància en la valoració de la primera funció de les 11 programades aquesta temporada de la popular òpera de Jules Massenet, Manon, que el seu autor no és el que més estimo dels operistes francesos, ni aquest títol…
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“Je trouve d’abord qu’il ressemble physiquement à Molière. Sur des tableaux de Nicolas Mignard c’est troublant. Le seul défaut de Laurent –et je le lui avais dit – c’est qu’il est un peu trop sexy pour le rôle ! En revanche, sur ces mêmes portraits, on décèle ce que l’on pourrait appeler une humanité chez Molière. Et Laurent a cela. Même quand le personnage est odieux. Il en fait un être humain qui aime, qui souffre, qui pense avoir échoué…”.
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Opera Simplified #7: Les Huguenots—Notes for Act V and an Appendix!
Notes:
** For some bizarre reason (possibly a combination of length and the fact that this act does not portray the Catholic Church in a good light at all), it was surprisingly common performance practice for a very long time (although not anymore) that this act would be cut entirely and the opera would end with Raoul getting shot outside Valentine’s house at the end of Act IV. If you’re scratching your head too...yeah.
*** Partly because this scene is often seen as not really necessary for the main plot and partly because it primarily consists of an extremely difficult tenor aria, this scene is frequently cut.
**** The version of the aria given in the main text is the version commonly performed; due to a combination of cuts and censorship of anti-monarchical content, the aria here is much shorter than originally written. Below is an English translation of what was to have been an additional verse of the aria and would have been inserted after this line:
RAOUL
When he [Coligny] was alive, they did not dare look upon
this noble face honored by victory without paling—
and in death, they insulted him!
Friends, here is his blood!
Do you still doubt?
And these are Frenchmen!
And these are Christians
who claim their support from Heaven and the royal throne for this!
Roving and full of fury, cursing their torture,
I ran to the Louvre, running through the danger,
to plead with King Charles! What a crime! May he be cursed!…
I saw the King himself shoot down his [Huguenot] subjects,
whom he is supposed to protect, from the top of his balcony!
Everywhere, murder and fire!
Everywhere, furious priests
proclaiming the wrath of Heaven!
And alas, no one, not even
the young girl in prayer
or the baby at its mother’s breast,
escapes their blows!
Will we helplessly watch this blood flow
when it cries out for vengeance?
It is waiting to be avenged! And they will have that vengeance from us!
***** The Louvre Palace was the royal palace of France prior to the building of the Palace of Versailles. It did give its name to the art museum now partially housed within it, but to be clear, Valentine is not telling them to take refuge at an art museum.
****** Props to Olivier Py (director of La Monnaie De Munt’s 2011 production) for apparently being the only director with enough common sense to let Nevers die onstage.
******* The ending of the previous scene is often modified so that this and the previous scene take place in the same setting.
Appendix:
so as you may have guessed, there was a shitton of research and online articles and things used in the making of this very long, very detailed project!
the following are some of the resources used in the making of this Opera Simplified:
-Wikipedia
-Google Translate
-Collins French-English online dictionary
-Wiktionary
-five (5) different libretti:
Google Books previews of Giacomo Meyerbeer: The Complete Libretti
Nico Castel’s word-for-word English translation
this webpage of Eugène Scribe’s original libretto before Deschamps (and others) made changes to it
this French/Spanish libretto
and this French/Italian libretto
-a piano/vocal score and a full orchestral score both available on IMSLP
-this delightful post from my dear @monotonous-minutia
-this post i wrote over two years ago
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Olivier Py pour son Molière imaginaire : "C'est emmerdant le théâtre bourgeois !"
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