#pakistani industry | Explore Tumblr Posts and Blogs

badedramay · 1 year

Note

Something that has really begun to bother me recently on Pak drama Twitter is the hyperfocus on two or three male leads. Fairytale and Yaqeen Ka Safar are two dramas I moderately enjoyed, and I liked Farjaad and Asfi as characters. It's also arguable there isn't an extensive list of appreciable male leads to write home about anyway. But I'm bored verging on irritated that these two are all people can seem to congratulate. Makes me think people haven't actually watched as many dramas or are as invested in the industry's progression as they act like they are..

ouff i've been thinking about this lately!

ol they most definitely aren't interested in the industry as a whole. personally, I don't blame them. everyone has their own tastes and if Farjad or Asfi are the only two characters that satisfy the tastes of most of the stantwt population then that's not their fault. we have to accept that the PakDrama stantwt is actually a very niche audience and a one that keeps rotating with years. so like..stans that were active on twt back in 2015 aren't as active now cuz life moved them in a certain direction. or even if they are still active here, they end up getting more into the Turk dramaland or kdramas so they just don't talk about PakDramas anymore. with each inactive Pakdrama account, a certain kind of discourse on some particular dramas get sealed off. and it's not just PakDrama stantwt that behaves this way. i have seen it happen with kdramas stantwt as well. for the newer fans, history begins right from the show that got them into a particular genre of fiction (in a general sense). like i have been following both PakDramas and Kdramas for more than a decade now and I have seen first hand how in both instances the trends and sensibilities have changed. many newer fans haven't. so they cannot get into the older shows without feeling disconnected with them cuz of how "outdated" they look. this disconnect doesn't give them the chance to then critique objectively. this and also how there's no one really interested in reading such critique.

for example..Faysal Qureshi is a senior actor, right? the man has worked in the industry for decades and he works HARD to still keep in shape in a way that he can justify his position as a "leading man". but on stantwt he is only criticized for "trying too hard" and only "romancing women half his age without shame" as if the man HASN'T worked with co-actors his age. Fitoor and Farq aren't the only two projects he has done in his career. the man has done a Baba Jani as well. as well as Haiwan. as well as Roag. he has been the leading man of two of the best Umera Ahmed written scripts Meri Zaat Zara-e-Benishan and Qaid e Tanhai. his current choice of work cannot discredit his past filmography. if this man is adapting to the changing trends of the industry, how has that his fault? but you won't see such discourse of stantwt happening because CURRENTLY he's a problematic man only doing problematic shows with problematic age-difference pairings. why? disconnect of the past from the present.

as for why characters like Farjad and Asfi are hailed as best heroes that's because they are pure "green flags". because these characters have no moral flaws, their goodness stands the test of time. because the stories they are part of didn't demand that they make any mistakes for any conflict to happen in the plot, they remain safe from judgement. and because they benefit from being part of a "romance" that has a sizable following and also they are played by men who have a "crushable" personality..they simply get amplified more as the "best heroes to ever hero" cuz they have MORE fans backing up their claims. warna dekha jaye toh Obi's character in both Surkh Chandni and Baaghi were supportive, progressive men who unconditionally loved their partners and had no glaring moral flaws that would make them the subject of lengthy criticism. but because Obi doesn't have the kind of fangirly fans that Ahad and Hamza have toh Amaan and Sheheryar don't get talked about as much as Asfi and Farjad do. it's just the maths of it all.

from my experience of being in this stanning/fangirling mess for over half my life I can confidently say that for anything to become popular and to retain that popularity you need to TALK about it. one constantly has to bring the subject up in different discourses. and that takes a lot of time and energy. it's easy enough when it's an ongoing phenomenon and there are many similar voices sharing the same energy to talking about this one particular thing but the real test starts when that one thing stops airing. with newer and better things constantly taking the place of the old and flawed, not everyone will have the same dedication towards a particular character or story to reinterpret or transform it in such a way that it fits the ever changing sensibilities of the current audience. like heck..i've been talking about doing a proper extensive Diyar e Dil rewatch for DAYS now but i just can't find the time and energy to dedicate the hours to it the way I know the show requires. mujhse khud nahin horaha..kisi aur ko kya blame karna?

#type: opinion #drama industry affairs #pakistani drama #i know i ended the reply on a bleak note but i'd say #if you feel bored of the same characters..talk about the characters YOU like #i ASSURE you there are people still out there who will share the same passion as you #it's just that don't either have the time to initiate the conversation #or they dont know how to #but i feel there's always an audience for something #the older fans do turn up unexpectedly at the sight of the familiar

2 notes · View notes

howtobeameangirl · 2 years

Text

"Saafpanii" A Pakistani Artist and Producer!

“Saafpanii” A Pakistani Artist and Producer!

Saafpanii is a Producer, Songwriter and Internet personality from Edinburgh, Scotland. Panii began his career as a producer, He eventually went on to create the track which we know as “Talking 2 the moon x Fi Hagat”, this track is sitting at 5 Million+ streams across all platforms as of now. Panii was also discovered by a curator at YSL fashion and was asked to make a musical piece for one of…

youtube

View On WordPress

#HipHop #music industry #music video #Pakistani Artist and Producer #Rap #Saafpanii #Saafpanii Verified Music Artist #Talking 2 the moon x Fi Hagat #YSL fashion #Youtube

2 notes · View notes

walkonindigo · 2 years

Text

"Saafpanii" A Pakistani Artist and Producer!

“Saafpanii” A Pakistani Artist and Producer!

Saafpanii is a Producer, Songwriter and Internet personality from Edinburgh, Scotland. Panii began his career as a producer, He eventually went on to create the track which we know as “Talking 2 the moon x Fi Hagat”, this track is sitting at 5 Million+ streams across all platforms as of now. Panii was also discovered by a curator at YSL fashion and was asked to make a musical piece for one of…

View On WordPress

#HipHop #music industry #music video #Pakistani Artist and Producer #Rap #Saafpanii #Saafpanii Verified Music Artist #Talking 2 the moon x Fi Hagat #YSL fashion

2 notes · View notes

onlineshopingsposts · 3 months

Text

The Evolution of Trendsetting Pakistani Outfits: A Cultural Journey Through Fashion

In the vibrant tapestry of global fashion.

Pakistani outfits stand out as a unique blend of tradition, innovation, and trendsetting style. Rooted in a rich cultural heritage spanning centuries, Pakistani fashion has evolved into a dynamic force, captivating audiences worldwide with its distinctive aesthetic and craftsmanship. From the intricate embroidery of traditional wear to the cutting-edge designs of contemporary fashion, the journey of Pakistani outfits reflects the ever-changing landscape of cultural expression and identity.

At the heart of Pakistani fashion lies a deep reverence for tradition and craftsmanship. Embroidery, in particular, is a hallmark of Pakistani outfits, with techniques such as intricate threadwork, zardozi, and mirror work showcasing the exquisite skill of local artisans. These traditional embellishments not only add an opulent flair to garments but also serve as a testament to Pakistan's rich cultural heritage, passed down through generations.

One of the most iconic Pakistani outfits is the timeless Shalwar Kameez, a versatile ensemble consisting of a long tunic paired with loose-fitting trousers. Originating from the Mughal era, the Shalwar Kameez has endured as a symbol of elegance and grace, transcending trends and remaining a staple in Pakistani wardrobes. Modern interpretations of this classic attire have seen it evolve into various styles, from traditional handwoven designs to contemporary silhouettes adorned with innovative embellishments.

Another quintessential Pakistani garment is the Lehenga Choli, a lavish ensemble favored for weddings and festive occasions. Characterized by its voluminous skirt, form-fitting blouse, and dupatta (scarf), the Lehenga Choli exudes regal splendor and showcases the intricate craftsmanship of Pakistani artisans. Embellished with intricate embroidery, sequins, and beads, each Lehenga Choli is a work of art, meticulously crafted to celebrate the joyous moments of life.

In recent years, Pakistani fashion has witnessed a surge in innovation and experimentation, propelled by a new generation of designers pushing the boundaries of tradition. Designers like Sana Safinaz, HSY, and Elan have gained international acclaim for their bold and contemporary interpretations of Pakistani outfits, blending traditional techniques with modern silhouettes to create fashion-forward ensembles that resonate with global audiences.

One notable trend in Pakistani fashion is the fusion of Eastern and Western elements, resulting in hybrid styles that appeal to diverse sensibilities. This fusion is evident in the rise of Indo-Western outfits, which combine traditional Pakistani aesthetics with Western cuts and fabrics, offering a fresh take on classic silhouettes. From fusion sarees with tailored blouses to contemporary interpretations of the Sherwani, these hybrid designs reflect the dynamic nature of Pakistani fashion, bridging the gap between tradition and modernity.

The advent of social media has also played a significant role in shaping trends in Pakistani fashion, providing a platform for designers, influencers, and fashion enthusiasts to showcase their creativity and connect with a global audience. Platforms like Instagram and Pinterest have become virtual runways, where designers unveil their latest collections and fashionistas seek inspiration for their next ensemble. This digital revolution has democratized fashion, empowering individuals to express themselves creatively and contribute to the ever-evolving tapestry of Pakistani style.

Furthermore, the global diaspora has played a vital role in popularizing Pakistani fashion on the international stage, with fashion weeks and exhibitions showcasing the diverse talent and creativity of Pakistani designers. Events like Pakistan Fashion Week and Bridal Couture Week have become must-attend affairs, attracting fashion aficionados from around the world and shining a spotlight on the richness and diversity of Pakistani couture.

In conclusion, Pakistani outfits represent a captivating fusion of tradition, innovation, and trendsetting style, reflecting the cultural vibrancy and creativity of the nation. From the timeless elegance of the Shalwar Kameez to the contemporary chic of fusion wear, Pakistani fashion continues to captivate audiences worldwide, transcending borders and inspiring a new generation of fashion enthusiasts. As the fashion landscape evolves, one thing remains constant: the enduring allure of Pakistani outfits as a symbol of cultural identity and sartorial excellence.

#Pakistani dresses online #Designer Pakistani dresses #Trendsetting Pakistani outfits #Online shopping for Pakistani dresses #Pakistani fashion industry

1 note · View note

pakshowbizl · 11 months

Text

#entertainment news #movie news #showbiz industry #celebrity interviews #pakistanshowbiz #showbiz #pakistan showbiz latest news #showbiz pakistan #pakistani actress leaked video

0 notes

shaktiknowledgeblog · 1 year

Text

Pakistani news | Pharma Industry | shahbaz sharif pakistan | Pakistan government

So will the people of Pakistan die in agony? Ultimatum to Shahbaz government, do this work in 1 week or else… Pakistan News: The Pakistan Pharmaceutical Manufacturers Association has written a letter to the Finance and Health Ministers and the CEO Drug Regulatory Authority of Pakistan (DRAP), demanding an increase in the prices of medicines. In the letter, the pharma industry gave an ultimatum to…

View On WordPress

#Pakistan government #Pakistani news #Pharma Industry #shahbaz sharif pakistan

0 notes

baigmusic · 1 year

Text

Baig - Alag Tujh Say (Music Video) from the album Karachi 1986 (Volume 2)

Full video on www.karachi1986.com (link in bio)

Album and Merch available on Bandcamp or visit www.karachi1986.com

Lyrics, Produced and Performed by Baig

Recording, Mixing/Mastering by Baig

Video Edit by Baig

Logo Design: @graphicmercenary

0 notes

exposing-now · 1 year

Text

बॉलीवुड अभिनेता रणबीर कपूर ने पाकिस्तानी फिल्म में काम करने की इच्छा जताई

रणबीर कपूर ने 1 दिसंबर से 10 दिसंबर को जेद्दा,सऊदी अरब में रेड सी फिल्म फेस्टिवल में भाग लिया। एक सत्र के दौरान,उन्होंने पाकिस्तानी फिल्म उद्योग में पाकिस्तानी अभिनेताओं के साथ काम करने और सऊदी अरब में एक फिल्म की शूटिंग करने के विचार के बारे में बात की। उन्होंने कहा कि कलाकारों की कोई सीमा नहीं होती। रणवीर कपूर को समारोह में वैरायटी इंटरनेशनल वैनगार्ड अभिनेता का पुरस्कार मिला। Courtesy : سميرة…

View On WordPress

#bollywood #Film Industry #pakistani film #ranbir kapoor

1 note · View note

zumaira · 1 year

Text

Saba Faisal vows to disown his son Salman if he stays with his wife Neha

View On WordPress

0 notes

magazinepk · 1 year

Text

Saba Faisal vows to disown his son Salman if he stays with his wife Neha

View On WordPress

0 notes

lordofthedumpster · 2 years

Text

-

#when i first discovered the existence of ms marvel a few yrs ago i was ecstatic to learn there was a hero who was a pakistani muslim girl #i was so surprised there was smth out there about a character who was from exactly my demographic #but the more i looked into it i could see so much was written in that wasnt my experience at all #and when looking toward the show being made i felt like they were still not going to portray smth that was fully accurate #or that i could properly relate to #i don't care for superheroes or the mcu but ive never seen this kind of representation before #but i know that if i watch it im gonna have so many problems with it #idk what to do #just from looking through the tag the thing that stood out to me the most was the way her best friend is a white boy?#like i know very few families that would allow that. muslim desi families think white boys are the devil #i feel like this is gonna have a lot of great desi representation but not very good muslim rep #which is unsurprising bc who portrays muslims properly ever #literally no one #also ppl in the entertainment industry are never religious so they dont bother with those things bc it's not important to them personally #idk I'm just really tired of all the shitty rep and I just want something nice for once

0 notes

don-lichterman · 2 years

Text

Indie artists carving a niche for Pakistan's music

Indie artists carving a niche for Pakistan’s music

KARACHI: Pakistan is a land full of immense and often undiscovered talent comprising of independent artists who are overlooked for the lucrative mediocracy of commercially successful pop music that follows a fine blueprint laid out by predecessors of musical success. The humble beginnings of Indie music scene in Pakistan remain a novel concept. Since 1990s, rise of bands like Ganda Banda and the…

View On WordPress

#Featured #indie music #Pakistani music industry #Sikandar ka Mandar #Taha G

0 notes

gothhabiba · 6 months

Text

[ID: Map of the partition plan approved by the UN general assembly on November 29, 1947. It marks the "Jewish state" in green (all the border to the east with Syria, much of the south and the inland west including the southern half of the Dead Sea; and most of the northern coastline with the Mediterranean Sea) and the "Arab state" in orange (a strip on the western border with Egypt and southern part of the border with the Mediterranean, including Rafah and Gaza; and the mostly inland north including the area where the Jordan flows into the Dead Sea. In purple the "Jerusalem district" in the center of the country is marked. End ID]

But how fair, balanced, pragmatic, and practicable was the UN 1947 partition plan itself? In gross terms, the partition resolution awarded 55.5 percent of the total area of Palestine to the Jews (most of whom were recent immigrants) who constituted less than a third of the population and who owned less than 7 percent of the land. The Palestinians, on the other hand, who made up over two thirds of the population and who owned the vast bulk of the land, were awarded 45.5 percent of the country of which they had enjoyed continuous possession for centuries.

Looking at the situation in greater detail, Palestine was a country of 27 million dunams (4 dunams = 1 acre). Its population in December 1946 was just under 2 million (1,972,000): 1,364,000 Palestinians and 608,000 Jews. The partition plan divided the country into eight sections: three Jewish, three Palestinian, an international enclave (corpus separatum) including municipal Jerusalem and the surrounding villages, and an enclave for Jaffa that would be part of the Palestinian state, albeit completely surrounded by the Jewish state [...].

At the time, one of the arguments frequently raised by the Jews against a unitary state in Palestine had been the unfairness of Arab majoritarian rule over the Jewish minority. Commenting on this argument, the Pakistani delegate at the UN, Muhammad Zafrulla Khan, remarked: "If it is unfair that 33 percent of the population of Palestine [the Jews in the proposed unitary state] should be subject to 67 percent of the population, is it less unfair that 46 percent of the population [the Arabs in the proposed Jewish state] should be subject to 54 percent?" [...]

In terms of land ownership, despite over seventy years of intensive, centrally organized and internationally financed colonization since the early 1880s, Jewish-owned land on the eve of the partition resolution amounted, according to Jewish sources, to 1,820,000 dunams, or less than 7 percent of the total land area of the country. Now, at the bang of his gavel [...], the president of the UNGA [...] "awarded" the Jews 15,000,000 dunams for the Jewish state. Within the borders of this state, Jewish-owned land at its most inflated estimate amounted to 1,678,000 dunams, or 11.2 percent. [...]

But it was not only the extent of the land allotted to the Jewish state that was at issue. The best lands were incorporated within it—most of the fertile coastal plains (from Jaffa to Haifa) and all the interior plains (from Haifa to Baysan and Tiberias). These included almost all the citrus and cereal producing areas. Half of the former and the vast bulk of the latter were owned by Palestinians. Citrus was the main export crop of the country, accounting before World War II for 80 percent of the total value of exports. [...] As if this were not enough, a full 40 percent of Palestinian industry and the major sources of the country's electrical supply fell within the envisaged Jewish state.

[...] Jaffa [...], the historical Palestinian port and vibrant center of Palestinian cultural and social life, was not only confined within its municipal borders, with no living space for any growth or development, but was also cut off from the orange groves that bore its name and were its principal source of economic livelihood. Haifa—the main port of Palestine, the terminal of the oil pipeline from Iraq, the petroleum depot for the entire country, seat of the most active entrepreneurial sectors of Palestinian society [...]—fell squarely within the Jewish state. Many of the other major Arab towns included in the Palestinian state [...] were left just inside its borders but without their most fertile lands or economic hinterlands. The upper reaches of the Jordan River, and therefore control of the major source of riverine water supply to the Palestinian state, were vested in the Jewish state. The whole of Lake Tiberias and its rich fishing industry, traditionally in Palestinian hands, was incorporated within the Jewish state. The bulk of the Palestinian state, restricted to the central highlands, was landlocked with no direct access to the Red Sea southward or the Mediterranean westward. Its two other coastal towns (apart from isolated Jaffa) had no harbors or port facilities. The only airport (near Lydda) in the country with international connections went to the Jewish state, leaving the Palestinian state with no air access either.

– 1997. Walid Khalidi, “Revisiting the UNGA Partition Resolution,” Journal of Palestine Studies 27.1, pp. 5-21.

#Palestine #Palestinian history #UN 1947 partition #Walid Khalidi #quote #long post /

716 notes · View notes

hobiebrownismygod · 5 months

Text

Let's talk about Desi representation again!!

I don't talk about this stuff often but when I do, I have some strong ass opinions

and yes I'm gonna be talking about none other than Pavitr Prabhakar at the end cuz he's just special to me <3

Hollywood is lagging behind on Desi representation

You'd think one of the biggest film industries in the world would be able to represent us properly, considering the fact that we make up the largest group of South-Asian Americans and the second largest group of Asian-Americans in the US, but instead-

Western Television forces Indians to conform to harmful stereotypes

Some of the most popular Desi characters on screen are Raj Koothrappali from the Big Bang Theory, Devi Vishwakumar from Never Have I Ever and Kelly Kapoor from the Office.

Indian men are almost always portrayed as robotics engineers and computer whizzes, but with terrible social intellect, making them seem like awkward nerds.

Indian women are almost always portrayed as "whitewashed", or wanting to appear more western, with zero understanding of their own culture or language along with an unrelenting need for attention from white friends/colleagues.

These are both based on stereotypes that Indian culture is "toxic" and "too traditional" and that Indians are only interested in studies.

Most Desi characters in western media have stories that are solely based around their ethnicity and/or racial stereotypes.

British television actually showcases a lot more representation than Hollywood does

I was watching Polite Society, a movie starring two Pakistani characters as the main leads, and there was a dance scene where both the leads are wearing traditional desi attire. My mom turned over, looked at me, and asked, "Is this Hollywood? It can't be."

And she was right. It's a British movie with British-Pakistani actors.

The reason she didn't believe that it could've been Hollywood was because the dresses the two leads were wearing were traditional and beautiful and the song playing in the background was authentic Hindi music, not some random westernized DJ version of it.

A Hollywood movie would've never dressed up their Desi actors in actually flattering attire (*cough cough the Patel twins from Harry Potter) or have used real, popular Desi music in the background.

You see my point?

It is so uncommon to see well-thought-out Desi representation in TV nowadays, where to see real diversity we have to watch movies made by the same country that colonized us.

Ironic.

British movies/shows with desi leads have far better South Asian representation than anything I've seen in Hollywood recently.

The Hollywood movies starring Indian leads, like Slumdog Millionaire or Bend it like Beckham were filmed in the UK, and because they were filmed in the UK, they had fantastic South Asian representation.

Not only does Hollywood refuse to create shows and movies about real problems that South Asians face, but they also don't cast South Asian actors in good roles.

When's the last time you saw a South Asian actor playing a character that wasn't a walking stereotype? When's the last time you saw a South Asian actor playing a character that was a genuine part of the story rather than just comedic relief or a random smart kid in the classroom?

Not often, right?

Me, personally, I didn't grow up with a lot of South Asian characters or actors in shows/movies that I watched. In fact, every time someone even close to my skin color showed up on TV, I was on the edge of my seat because it was just so rare to see it.

This is why representation matters.

You've heard about all the young girls with braids being so excited when the new little mermaid with Halle Bailey came out. Well, us desi kids wanted that too.

I wanted to see a Telugu speaking girl with wavy hair and dark skin who would wear traditional clothing to Desi get-togethers and parties, go to the temple with her family, eat vegetarian Indian meals, etc...

I wanted to see a character who was a representation of me and my experiences as an Indian-American. I wanted to see a character that was at least a representation of Indians or just South Asians in general.

Instead, we were given characters that ridiculed their own culture, were extreme stereotypes and furthered the existence of casual racism in western society today. So many Desi kids experience small acts of racism on a daily basis because people have been so desensitized to the existence of these stereotypes.

Telling South Asians that their culture is a joke and feeding non-asian children media which pokes fun at other cultures is harmful, not only to us South Asians but also communities that could end up being targeted next.

Pavitr Prabhakar; Representation Matters

If you've been following me or if we're mutuals, you probably know I have a tiny obsession with Pavitr Prabhakar. But why?

Because of all the reasons I just listed.

There are few South Asian characters us Desis can look up to these days, and Pavitr Prabhakar is one of the maybe two or three characters who have great writing, magnificent representation, and overall a fun vibe.

He's likable, funny, smart and best of all, unapologetically Desi.

He's just like all the other side characters, with a little bit of his own culture mixed in. He's not being shoved down our throats to further an agenda about fake diversity, he's not a walking stereotype and best of all, he was designed by Indian creators.

He's refreshing and exciting to follow in a world full of a demand for half-hearted representations and the people who created him were obviously putting their hearts and souls into it.

He's awoken a love for Indian culture amongst, not only Desi children themselves but also among westerners who, prior to this, had thought of India as a "3rd world" country, because that's the agenda that Hollywood pushes onto many South Asian countries today.

WE LOVE PAVITR PRABHAKAR!!

This was kinda all over the place but I just had to get this off my chest <3

Sources:

https://www.washingtonpost.com/politics/2021/06/10/discrimination-against-indian-americans-happens-more-than-you-might-think/

#for all the brown kids that never got to see a character that looked like them growing up #desi representation #desi writers #desiblr #desi tumblr #desi tag #desi culture #indian representation #pavitr #pavitr prabhakar #atsv pavitr #spiderverse pavitr #pavitr my beloved #astv #across the spider verse #across the spiderverse #spiderman atsv #pavitr Prabhakar

127 notes · View notes

pakshowbizl · 11 months

Text

#kaifi khalil #khani suno #showbiz industry #music #entertainment news #celebrity interviews #musicindustry #pakistani music

0 notes

evilwickedme · 1 year

Text

It's very frustrating to talk about fridging bc the original point of it was like a very specific criticism of how minorities are treated in comic books in particular and it's now been universalized so much people think it means "killing a woman off because she's a woman" or "killing any character to motivate another character" (the definition according to tvtropes fyi, kill it with fire kill kill kill kill). Fridging isn't bad because you're killing a character as motivation, and it's not bad because you're killing a minority off, it's bad because it's a pattern of behavior from an industry overrun by white men writing and drawing and editing those stories. You're allowed to kill a woman off if it suits your story, but the issue was that women are constantly getting hurt or depowered or raped or killed off to motivate other, non-coincidentally male characters.

The problem that stood behind the original women in refrigerators website was that the narrative that the comic book industry at large was telling was that the purpose of female characters was to get hurt in order to motivate some other guy. Kyle Rayner's girlfriend gets stuffed in a fridge, we're not sad because her life got taken from her too soon, we're sad because Kyle Rayner just lost his girlfriend. Gwen Stacy gets killed by the Green Goblin, we're not sad because she didn't get to live a full happy life, we're sad because she didn't get to live a full happy life with Peter Parker. That is not to say that the story doesn't still get told. Peter going after the Green Goblin is horrific and terrible and amazing and leads to some great plot and character development. But the choice was not to hurt Peter himself, not even to threaten his loved ones but not actually harm them, the choice - CHOICE! - the writers in the comic book industry consistently made was to hurt a character who was already part of a marginalized group, and to do that for the benefit of a (presumably) white male cishet able bodied main character's narrative.

I speak mostly in past tense because once fridging took hold in the collective popular consciousness it didn't disappear completely, but it did fall out of favor in being used so blatantly. It became isolated cases rather than the main feature of one of the best selling batman books of all time. Characters get killed off occasionally, and those characters are even sometimes members of minority groups, and biases still inform those writing choices, but I'm struggling to remember reading a comic in the last couple of years that specifically fulfills the criteria for fridging.

Anyway if you're reading this in context, you know that at the end of this month (may 2023) Marvel is planning to celebrate the most famous fridging of all time by absolutely not learning their lesson and fridging another character. They're being lazy about it, too - they've decided to do it to Kamala Khan in Peter Parker's book, two characters that mean close to nothing to each other, and being extra awful by making it a Pakistani Muslim woman being killed off during AAPI month, and so far the information we have doesn't even involve Kamala's own friends and family and superhero team mourning her at all. It's supposed to motivate Peter, because it's part of his book, and it's also supposed to parallel Gwen Stacy, and they chose to do... This. Kamala is a wildly popular and beloved character who deserves better, and frankly Peter deserves better too. If you're going to fridge, at least do it well.

But I'm also already seeing white men, who supposedly agree with me and think this is bad, saying, well it's for MCU synergy, not "because she's a female" or "because she's not a white character" (direct quotes don't @ me). And firstly, ok, way to assume the rest of us didn't also catch up to the obvious conclusion that marvel comics is doing MCU synergy, AGAIN. The thing is that those aren't separate concepts at all? Or well, they are, but they don't negate each other. They're trying to do MCU synergy and make Kamala into a mutant, but they could've done that a million other ways, just as cheap and not as offensive - a simple retcon would've sufficed, they just did that a few years ago with Franklin Richards.

They chose to do it by killing her off, and they chose to kill her off in somebody else's book to motivate him rather than tell a story about her, and they chose to do it while celebrating Gwen's fridging for some fucking reason. This is context that, when removed from the situation, makes the whole thing meaningless. And you can say a lot about Gail Simone, but that she didn't have a Goddamn point is not one of them.

#how do I even tag this #fridging #women in refrigerators #kamala khan #ms marvel #spiderman #peter parker #gwen stacy #comics #marvel comics #marvel #sexism #racism #gail speaks

228 notes · View notes