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#re4 analysis
jojoqin · 1 year
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YES the chained up scene is literal remake perfection ✨
Btw I’m not a film major or anything, I’m just here to ramble because listen. The writers and the cinematic director took an almost static scene, cleaned up the script, and made it so much more dynamic. In the og, you’re kind of passively just watching Leon and Luis talk. I mean it’s alright but visually a little boring; although you do get this rotating camera effect. But even that doesn’t last long and you’re treated to some static below-the-shoulders angle.
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In the remake, the chains are there to act as visual representation for the push and pull of conversation. And it’s cut in between the speaking. Also a nice “show and not tell” way to differentiate between their personalities. So not only is it more visually stimulating and symbolic but the scene itself doesn't feel like an info dump.
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And it truly isn't this time. The writers were definitely trying to avoid how it was done in the og where the two were just straight up revealing personal history like it’s a coffee date. Another thing, the camera is far more dynamic too. When the Ganado was being wrestled on chains, the “camera” doesn’t just stick to using different cuts and angles to convey the action like before.
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The camera is actually an interactive part of the scene. Circling from Leon to Luis, to traveling over the chains. It follows the movement of the Ganado which makes it feel a bit more personal. The remake does a lot of following character’s movements in general; almost like you’re a paparazzi with a camera.
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If you compare the camerawork and editing between the og and the remake, you'd find that they're almost similar. Like yes, you still get your quick cuts, campy zoom-ins and angles. But what the remake does is improve upon that style especially by adding handheld camera movement. It feels like a proper evolution. They’ll do something like what I pointed out before or have certain shots just linger instead of using a cut to show the next action like they did here.
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Even the part where Luis throws the key is framed interestingly. Because the og has a lot of shots of just the important objects themselves. Either a zoom-in or static frame. But what the remake does here is a subtle elevation; shifting focus from one subject to another in literally one shot. It’s a simple solution but so fucking cool.
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As a last note, I like this reimagining too because the writing actually takes into account prior events. With Leon having been attacked by a village and Luis barely knowing who Leon even is, it makes sense that they treat the other like strangers in their own respective way. There’s no reason for them to be having a friendly a conversation. And imo, the remake does a great job of leaving the audience with a curious impression of Luis and sets up the future interaction with Leon. Like again, in the og there was none of that. Luis leaves and you meet up with him with no sense of continuity of the last interaction.
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hamartia-grander · 9 months
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Tired of ppl erasing Leon's flaws. Anyway, resident evil 4 remake analysis:
The funny thing with the remake is, they didn't actually write out Leon's misogyny from the og; they simply recontextualised it. He no longer says "following a lady's lead just isn't my style", but he DOES say "maybe you aren't heartless after all" to a woman who's saved his life and the life of Ashley countless of times. Hell, Ada is the reason Leon lives past Mendéz, she's the reason he finds Ashley again, she's the reason he is able to find anything in that place, and he still has the audacity to act like she doesn't care, or worse, that she's completely heartless, just because he got his wittol feewings huwt.
Leon's so selfishly caught up in making it entirely personal, even when she established that it wasn't, that he's letting his butthurt feelings literally warp his perception of her into something monstrous. He is quite literally the "one woman wronged me in the slightest way so I will distrust and despise her forever but actually it was just my entitled ass demanding more than she ever consented to give" kind of incel. All she did was kiss him in re2r, she NEVER said it meant anything, or that - fucking hell - she'd be committing to him in any way. I mean the very fact that she should have shot him to get the sample but didn't should be the biggest proof, to the audience and to Leon, that she truly cares and just didn't want him to get caught up in her work, which she actively recognises is not morally sound work.
Also, Leon never once stopped to care about or consider her own turmoil about it?? Every time they talked it was about his feelings and his sense of betrayal and "or are you just using me again", it was never about her. She cares more about him than he cares about her and it breaks my heart. He only cares about himself in this situation, he only cares about how Ada's actions affected him through his own lens, he only cares about his own hurt and doesn't stop for a second to consider hers. He doesn't see Ada as her own person, he sees her for what she could do for, or to, him. He sees her as a projection of who he wanted her to be, not as a person. And that's misogyny at its core.
And as for the fans ignoring every wrong thing Leon has ever done, and instead hating Ada for doing nothing wrong, that too is misogyny :)
Edit to add: it's most clear in how Leon treats Krauser in the exact opposite way. Despite Krauser being a power hungry maniac who killed Luis in front of Leon, Leon still appeals to Krauser's honour, he still tries to put himself in Krauser's shoes and says he "understands" the pain and betrayal Krauser must have felt. And these are all normal, natural reactions to seeing someone you used to respect and admire fall short. But the point is, he reacts this way with Krauser because he saw Krauser as a human being capable of good, whereas he only saw Ada as a projection of who he wanted her to be, and when she wasn't actually like that, he hated her for it.
Capcom's misogyny infects everything they make, and while they genuinely tried making Leon no longer misogynistic, this kinda thing still slipped through because Capcom only sees Ada as a romantic extension of Leon.
Edit again: Another thing is that just because you might think something is in character for Leon/makes sense for him to feel/act a certain way, that doesn't inherently mean he's right to. Like, Leon's an unreliable narrator a LOT of the time - anyone who has survivor's guilt like he does is gonna be. Just because you think it "makes sense" or you understand why he'd be upset, doesn't mean he's in the right to treat Ada the way he did. Leon was also understandably upset with Krauser and his actions, even saying Krauser "won't get away with this", and yet he still approaches Krauser with respect, and tries to empathise with Krauser's experiences. I just need people to understand that this double standard from Leon is obvious and misogynistic, that's all.
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ovaryacted · 8 months
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TW: suicide/suicidal ideation.
This is me ranting about Leon Kennedy’s mental health because I too am not having the best mental health time, so I wanted to write this out for a second.
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Every single time I think about Leon Kennedy’s mental health throughout the RE series and the fact that he’s been through so much trauma and loss, I get sad.
The fact that he genuinely thought about killing himself with a bullet to the head multiple times, and he’s probably tried it at his worst is so heartbreaking. He definitely tried after Raccoon City, or during, and he probably attempts to do it after really bad missions too. Instead of going through with it and pulling the trigger, he’d toss the gun to the side and start to cry, or he’d just drink his sorrows away because he’s so numb to the survivor’s guilt and the bullshit he doesn’t know what else to do.
What’s worse is how there was nobody to console him or support him, nobody to tell him that he matters. Nobody even really knows what happened to him or the full story of how he got to where he currently is, and he can’t tell anybody. He went from a rookie cop one night to a military agent the next by force and he wasn’t given a second to adjust to any of it. So he was there handling all of his overwhelming emotions and thoughts alone in the best way he could manage. Mind you, his early adulthood was basically taken away from him at the age of 21, he barely experienced life before his ability to dictate his future was stripped away from him.
The most upsetting thing to all of this, is the fact that Leon is only alive for Sherry’s sake, because he was blackmailed into military service after Raccoon City. He knew that if he tried to go through with killing himself, or telling other people the truth of what happened, the government would come after Claire and Sherry. People also often dismiss their trauma after Raccoon City too, like Sherry was a whole kid who lost both of her parents, and managed to survive because 19 year old Claire cared enough to make sure she made it out.
If it weren’t for the fear of harm coming to Sherry’s life, Leon would’ve ended it a long time ago, and I just think that’s so crazy. Not to mention how Sherry ends up becoming an agent in the future because Leon and Claire made such an impact on her life as a child, which wouldn’t even be possible if Leon didn’t manage to stay alive for her after saving them in the first place.
I cry. I love him so much. I’ll never shut up about him.
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biird-rot · 1 month
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Leon Kennedy is Autistic: An Analysis by an Autistic Person
DISCLAIMER: This post and all the points I make are highly based on my OWN experiences. I often find parallels between my experiences as a disabled individual and characters I love to help me better cope with and process my feelings. Hate will not be tolerated!!!
Before I get started, I’d like to say that this is not even me scratching the SURFACE of the things I could analyze about Leon and apply to various autistic experiences, this is mostly just the things that resonate with me the most.
Parallel Play/Preferring to Work Alone
It could be attributed to trauma, and the fact he works in a government agency, but Leon has always been the flying solo type. Missions in which it would be better if multiple people worked on it (RE4) HOWEVER! Whenever he does work with others, he often goes off on his own and leaves whoever he's with to deal with what's there (DI, Leon going off immediately after being vaccinated by Rebecca)
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Difficulty Communicating/Identifying Emotions
This also plays into the difficulty making friends and maintaining friendships aspect of being autistic. There isn't any direct/obvious representations of this occurring in the franchise, but it can be inferred based upon his interaction with Chris and Rebecca in RE: Vendetta when the two try to recruit Leon on their mission because of the intel he has on the type of BOWs they're dealing with. Speaking of RE: Vendetta, it can also be noted that Leon copes with his inability to cope with/regulate his emotions by drinking, and this is a habit he always had. In fact, he's essentially hung over in RE2, having drunk his feelings away after being broken up with the night before the Raccoon City incident, and he is literally drinking on the job in Damnation. Essentially, he's canonically an alcoholic. As an autistic person, sometimes I would turn to unhealthy coping mechanisms to deal with my emotional dysregulation, especially when I was unaware that I was autistic.
Leon isn't a very emotional person in general, again, It could be chalked up to trauma, but lack of emotional expression is also a common experience/trait amongst autistics.
“Inappropriate” Responses to Situations
GODDDD this one is SO prominent in RE4R (hell, even the OG), Infinite Darkness actually everything he's in, I can name at LEAST 2 examples of this. To keep this short, I'll just name ones that I relate painfully hard to, and ones that I find hilarious.
To start, WHENEVR HE JUST SAYS "ok 🧍" in response to an emotional moment. RE2R, when Claire introduces him to Sherry, in RE4R, when Ashley hugs him and expresses her relief that he's okay, and in Infinite Darkness whenever he checks up on Patrick after the White House Outbreak. It never fails to make me lose it because he's just like me fr.
Thists a sillier one, but I want to mention it because it's so mecore.
Thank you to @highball66 for doing the lord's work of translating the Death Island manga yall seriously he’s a legend🙏
When Leon sends selfies of him on missions. That's it. He just sends it to Hunnigan and I think it's great.
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Sensory Issues
Okay, I KNOW LEON IS A GOVERNMENT AGENT AND NEEDS SOME LEVEL OF GEAR ON MISSIONS BUT!!!!! Half the time he isn't even wearing a full set, not even a bullet proof vest. HOWEVER, I did notice that one thing he CONSISTENTLY wears (with the exception of a few instances) is GLOVES!!! This is more of a personal headcannon, but I like to think he's sensitive to texture, especially when handling guns and such, so he wears gloves, so it doesn't feel as terrible. To further back up his sensitivity to texture, in Death Island, after the Dylan BOW explodes and splashes water everywhere, Chris doesn't seem to care about being covered in water while Leon is flicking the water off him.
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Literal Thinking - Coming off as Rude/Inappropriate Unintentionally
GODDDDD this is another big one, but I’ll only cover the ones that I relate to a lot to save time. Starting with his initial encounter with Jill in Death Island, they’re being chased by lickers and…well..this interaction
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Exhibit B: This scene. He’s just so nonchalant about it and I do the exact same thing without like…intentionally being a “smartass” or whatever, I’m just being honest 🧍. Jill’s “Oh😒” at the end of the scene is really what made it hit home, because that’s how people typically react when i have a similar interaction with them
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ANOTHER THING!!! All of the instances in which Leon casually asks “so you wanna get dinner?” Or something along those lines. It’s often interpreted as a poor attempt at flirting, but personally, I think he genuinely just wants food, and he doesn’t understand why ppl are like 🤨 when he asks. He just wants a nice dinner with a nice lady :(
Hyper-empathy
Small disclaimer here, autism is a SPECTRUM. And our empathy levels fluctuate every day. In Leon’s case, I see him being hyper-empathetic, much like myself. And being able to empathize so easily with people is incredibly draining. Additionally, a huge thing that is common among autistics is how we tend to respond to people who are sharing their struggles with us sharing our OWN experiences that are similar to theirs, and it often comes off as egocentric and selfish to “make it about us”, but in reality, that’s our way of saying that we understand what you’re going through, and it helps us process how you may be feeling as well. There are many scenes I could pull from, but I want to talk about one specifically in Infinite Darkness since it resonates so much with me:
The scene within ID in which Jason is having a nightmare, and Leon wakes him up, immediately asking him if he wants to talk about it. Jason recalls the nightmare and his trauma about Penamstan to Leon, and says that he has no idea what it was like, and Leon responds talking about his experience in Raccoon City, and how that affected him similarly
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Special Interests & Using Media to Communicate Feelings
There are many aspects of this I could talk about, but I’ve already written 10 pages worth already in this post, so I’ll speed through it.
Personally, I think Leon has a special interest in film! He makes several references throughout the franchise, many of which are overlooked. Personally, my favorite reference he makes is in RE: Vendetta to Pulp Fiction (I think) when Chris and Rebecca confront him during his “vacation”
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Final Notes/Conclusion
I had to cut a LOT out from my original mini-essay I wrote about this to fit it better on here, and make it not as boring to read lmao, but I hope you enjoyed my silly little analysis! I love being able to relate my experiences to others, fictional or otherwise, as it helps me feel less alone, and be able to process and cope with what makes my disability a…well, a disability. I hope fellow autistics find some solace in this as well, and please let me know your additional thoughts about this topic if you’re a fellow autistic Leon Kennedy headcannoner!!!
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rainierest · 9 months
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I feel like to Krauser, power represents safety. He would do anything to feel safe again after operation Javier. But he doesn’t realize that he never will. He’s selfish and doesn’t care if he hurts others to get to this goal, as he is unsure how he can live in a world where there is no safety no matter how powerful you are. He thinks he is unsafe because he is weak, (inferior) and doesn’t realize safety is never guaranteed. Leon by contrast has never felt safe for a moment in his life. Krauser views Leon as naive but leon is aware the government is using him and doesn’t care about him. He is just working for them to protect Sherry and access their resources. Krauser thought being a soldier meant something, and can’t handle that it meant nothing and that his whole squad died for no reason other than the government is corrupt. He also internalizes the idea that his injury makes him worthless and weak. He is willing to do anything for a way out. Krauser thinks leon is naive and still works for government because he doesn’t realize that they won’t protect him and that he needs power to be safe: LEON KNOWS THEYLL THROW HIM OUT THE SECOND HE STOPS BEING USEFUL. But he has to do the right thing. He then doesn’t understand why krauser can’t do the right thing, he doesn’t realize that krauser is still caught up in the betrayal and trauma. Krauser thought he was a part of something important. And he was abandoned and left to die with a bunch of people he was close to and they DID DIE. And he couldn’t do anything and felt he should have been able to protect them. He thinks it was HIS FAULT. But he also knows it was the governments fault and hates them. This is not to remove the selfishness from his actions he is deeply selfish and self centered and will do anything to get ahead. This is why he seeks power instead of revenge. He just also cares very much about the people he worked with imo and is extremely mad both they and him were thrown out. Since leon works for the government he sees him as part of the problem and also sees leon as representative of his failures/what he wasn’t able to achieve. He sees leon as his replacement and unwilling to see the truth.
TLDR: to krauser power = safety and Leon is naive for not seeking power, to Leon power = corruption and safety does not exist and krauser has corrupted himself in his desire to be safe which is in itself a naive thing to want.
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laooneart · 1 year
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To all artists/writers who make Luis survive and actually give him real life repercussions (like him being disabled now due to the knife in the back)
I absolutely love you
I really like the idea not only of Luis surviving but also it having a repercussion on Luis.
We see that the knife actually kinda goes into his spine
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That is sure to leave a serious damage to the spinal cord, normally leading to paralysis, due to the spinal cord being severed/torn/sheared. So if we go by the headcanon that Luis does survive, he’ll most likely be disabled, idk if paralyzed forever maybe he’ll just need help walking for the rest of his life or maybe he’ll get better with some rehabilitation.
We can see he is stabbed in kinda the end of the cervical area and the beginning of the thoracic area, now that part is really dangerous to injure, more so above the shoulder area but yeah still does a whole lot of damage.
Moreover, Luis starts to lose motor skills, like holding himself up or even using his hands, reduced to limited movement. Not only that but he starts to struggle to talk (yes that could be sue to a punctured lung and he’s choking on blood but I don’t think so, we would’ve seen him cough up more blood).
Now i am no medic or have any knowledge on actual medical issues, i am just a teen who happens to like overanalyzing characters and happened to land on this fandom, so if i say anything inaccurate feel free to correct me or suggest something. I like the idea of this kind of representation in games so id like to work around with that fir my fanart of RE4R
I genuinely enjoyed the game and fell in love with Luis’s character, he deserves to see Ashley and Leon get better and he deserves a vacation for all that he’s been through.
Why not a family vacation? You know, Leon and Luis and their adoptive daughter Ashley
Yes yes i am still sad about Luis’s death, i will never recover
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possessionisamyth · 7 months
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Here's some RE Separate Ways analysis that isn't about shipping because I like Ada. I'm happy her DLC actually focuses on her, but some of the takes I'm seeing are Insufferable. Main statements in bold for ease of reading and skipping purposes.
-Wesker and Ada haven't been working together consistently for the past 6 years. This dripless bitch is calling Ada every five minutes to babysit her. I don't think that's the relationship dynamic of someone you're regularly employed under, and when it is, Ada is not the type of character to tolerate that behavior for 6 years. We know Ada is a contract worker. We can understand she's worked for Wesker on and off, but she's a freelance agent period. She must've done enough jobs for Wesker that he feels the need to check on her and have this constant reporting in to make sure she stays on task since he's clearly used to her not always following his orders. He 100% hired her for this assignment because he knew the situation and compared to the other options, she had the highest survival chances. Which, he was right. High risk, high reward.
Sometimes Wesker's babysitting works: Ada holding Luis at gunpoint when he tries to negotiate saving Leon and Ashley. Sometimes he knows when to step away: "Keep your dog." All of it is in the effort to get what he wants. Look, he let her live. He worked with S.T.A.R.S for years and wanted them all dead. If he worked with Ada regularly and she pulled this shit with the amber, he would've had that helicopter blown out of the sky. There's always some restraint with personal distance, especially with a guy who thinks so highly of himself.
-Luis is a drama queen. In the regular game, Luis acts cool and under control to the best of his abilities around Leon and Ashley. It's a part of his newly found hero-complex even though he does still know when to ask for help: "save me prince charming!" In the DLC, we see the real side of Luis. The one who's scared, and dramatic, and knows when he's not shooting with a loaded gun so to speak. When Ada tells him to leave her to fight, he does. He wants to help, but his respect for her abilities sends him fleeing like she orders him to. Also, like every scientist, he has zero self-preservation! He ran into a fire that clearly would kill him to get medicine. And the exchange afterwards? "No! Now you'll all die!" "Make some more medicine." "Oh..yeah...I can do that. I do have that ability."
The flamenco dance. "Are you mad at me???🥺 You're mad at me!😭" This man understands Ada can kill him without blinking, but still can't keep his composure around her. This is such a fun dynamic to explore in fic for expansion stories and "Luis lives" au's. The DLC gives him breaks to freak out and panic, whereas the main game holds the "cool persona" moments after Leon saves him. Even his dying words to Ada. This man is bleeding to death and still can't shut up. I love him.
Okay, that's all I gotta say about the loser men. Now for the star of the DLC. Ada. :)
-Ada "Sans Undertale go into my eyes" Wong. The methods Ada uses in the DLC are fun and appropriate. It's not invasive and in your face unlike another agent, but more subtle. She can track footprints, fingerprints, gauge the safe distance required for her grappling hook, and she knows when she needs to fight and whens he needs to run. Her practicality has always been the cleanest of the entire cast due to her being a spy, but this time we actually get to see this trait utilized through her tools.
-Ada is silly and quips her own jokes to get through it. Something I'm not seeing anyone talk about including the aeon people who are claiming anything they can get, is this specific humor parallel between Leon and Ada in the remake. Both of them have gone through the horrors of Raccoon City. Both of them went right back into very difficult military in function style work which always has a body count. I talked about Leon's humor coping mechanism here [X], but to hear Ada do the same thing? I feel like they went under the radar because they don't sound as stupid as Leon's quips, but they are still so stupid. "Nighty night." "Lights out." "Bring me a real challenge next time." "Now look at the mess you've made." "You think that gun will be enough?" She and Leon even share the same "Next," line!
If I had 80GB to spare on the game, I'd see just how many more I could get out of her. Like, these are dumb as hell. She's found a method to cope with the horrors she's witnessing that just so happens to coincide with Leon's. I'm not saying this as a marker of whatever romance you've tossed them in or even to diss any other romances. What I am saying is that they have a similar type of mental illness resulting from trauma, and they ended up using the exact same coping method despite never seeing each other.
Ada fans who hate Leon! This opens a door for you when it comes to character analysis and how Ada deals with her PTSD and/or depression! Run through it RIGHT NOW!
-Ada's infection pulls a lot more weight than it seems. I've seen some people say Ada's parasite should've been removed the same as Leon's and Ashley's. (Which is an extremely unsubtle argument to get them all in the same room for your shipping nonsense.) However, something I noticed with the DLC were the parallels to the troubles in RE2. The Black Robe/U-3/Pesenta monster is the first time where we get to see Ada dealing with a stalking enemy. Due to RE4 being so much more plot-lined streamed to maintain the flow of gameplay, these events were not allowed to be random, but the narrative purpose remains. Ada gets to have a stalking enemy in her DLC like Claire and Leon did in RE2 with the addition of a hubris check.
The hubris check? Well, Ada has never been infected until this DLC. In the original games, she can step back and watch people die because she doesn't know what it feels like. Now she knows what it feels like. The lack of control. The pain. The slow turning. Her job has had her flirting with death for years, but not in a way she can't fiddle with the odds. A parasite is not something a person can distract with words. The action to steal the amber is backed up via personal experience not just a morality code slapped on. The addition of Wesker's correction to "billions of causalities" means she's included in that number and just cements her incentive to flee. She's not doing this for Leon. She's not doing this for Luis. She's doing this for herself, and if it so happens to help other people then it is what it is. After being on both sides of the coin when it comes to viruses, she can no longer function as entirely impartial to the work she's doing.
-Ada doesn't ask for permission but asks for forgiveness. Don't take this phrasing literally. She doesn't ask Wesker to forgive her. What this means is that she'll do something before asking, and if it upsets people then she'll course correct. Her job is not the kind of job where she needs to take orders for every action she implements which is why Wesker calling every five minutes was annoying as hell. In the OG RE4 she kind of argues with Wesker for Leon to live for "his usefulness", but it's swiftly shut down until it's convenient to Wesker for Leon to live. This forces her to sneak around and betray Wesker multiple times to save Leon secretly, and the concept rightfully gets thrown into the garbage for the remake DLC.
The scene in the bedroom where Wesker tells Ada not to become a liability after taking her blood? Ada doesn't fight to get her shit back. Some people said this was flirting. Wrong. This is Ada seeking forgiveness after the fuck up of passing out in the middle of an active field by letting Wesker walk off with an infection sample. She then makes sure not to fuck up a second time in the same way, and she doesn't. She learns the signs of her parasite so in case she does pass out again, she'll be somewhere much less conspicuous. She listens for the changes in her environment and the feelings in her body and prepares herself for what's next.
-Ada saves Leon and Ashley for Luis' sake. I stated earlier that Ada's action to take the amber was for her own sake but ends up helping others. This is the exact situation going on when Luis talks about getting the suppressant. She needs the suppressant in order to do her job and kill the black robe so she can heal. It just so happens that Leon and Ashley need the suppressant for survival reasons too. They are an afterthought until Luis dies.
We watch Ada question Wesker and his plans all throughout this DLC, and she comes to her own conclusions after her experience working with him. She could've gotten the amber back and let the whole place blow into smithereens like Wesker intended. Who cares about the president's daughter? Who cares about another dead federal agent? Luis did. He cared so much he died for it, and just like that other clown in Raccoon City (aka her), she got emotionally attached. If there was anything she could've done for Luis to make his death mean something, it was this act.
-Ada sells Leon's jacket. This isn't analysis, but I thought this was funny as hell. ACAB! No exceptions! Freeze your tiddies off, Leon! I don't give a shit!
-Ada's new outfit is still better than her old one. It's still not the best they could've given her. I'm also not speaking from a fashion point of view when I say this. In the OG RE4 we see Leon in a jacket which is forcibly removed to show off his pecs to the ladies, but it clearly marks a colder time of year. OG RE4 Ada has arms out, legs out, and tits out because a hoe never gets cold. The sweater dress for the remake re-establishes that it's colder here because even Luis doesn't lose his jacket. Ashley doesn't lose her jacket either until they yoink it off her for ritual reasons. I still hate that the thigh high boots have that heel and would prefer the flats, but that's going to be in the complaint paragraph below.
-Capcom sexism at play once again. I don't give a shit about rigs and motion capture or whatever, her walk cycle was 2 adjustments from being full Bayonetta, and I hate it. The ass shots? Disrespectful. Her heels didn't have to be that high. Never heard of a kitten heel? They exist. The people who worked on RE3 Remake and worked on this DLC sure love to make a woman vomit don't they? Why the fuck was she so clean the entire game? She was being thrown around and tossed in the dirt a lot, but this woman's skin is shinier than a waxed apple. Either she has some wet wipes on hand, or god forbid women get filthy. Absolutely zero reason she shouldn't have been looking as rough as Leon by the time she gets on the helicopter! No reason at all!
That's all they wrote! I love Ada. I loved this DLC, and I loved the dynamics going on here even though I hated every time Wesker was on screen or opened his mouth at all.
As much as I would love to expand this post and go further into the changed Ada and Leon relationship, I frankly hate all the takes I've been seeing so much on either side of the Aeon debate. I hate the ongoing conversation around it so much that I don't know if I want to discuss this at all. The Aeon should've gotten this if not for Luis and Ashley side and the Aeon is dead side going back and forth with each other? All of you put on your clown noses! None of you are looking at this situation objectively to see where the lines cross and where they run alongside each other, and frankly I'm tired! I could clear this whole table off so both of you can get exactly what you want based on what you're not actually interpreting from this media, but I won't! Kill each other!
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fantomette22 · 1 year
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Brain fluid, Great ones, Blood and parasites.
I am replaying Bloodborne and I'm noticing a few new things.
I finally get to the research hall and read the brain fluids description again (in French & English)
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Greyish amoeba-shaped brain fluid. Wobbles and bounces.
Extracted from a patient whose head expanded until that was all that they were.
In the early days of the Healing Church, the Great Ones were linked to the ocean, and so the cerebral patients would imbibe water, and listen for the howl of the sea. Brain fluid writhed inside the head, the initial makings of internal eyes. (…)
So… was i supposed to found out myself they actually have parasite inside ??
So one thing you need to know is that "brain fluid" or cerebrospinal fluid (liquide céphalo-rachidien/cérébrospinal en VF) is a transparent liquid where you have your brain and inside your spine for your nerves. It doesn't quite fit what we have in game right ?
But they did add water in it, right ? It also said (but it's more clear in French that it have an amoeba (amibe) shape.
What's an amoeba ? from wikipedia : "(...) is a type of cell or unicellular organism with the ability to alter its shape (...) Amoeboid cells occur not only among the protozoa, but also in fungi, algae, and animals. Microbiologists often use the terms "amoeboid" and "amoeba" interchangeably for any organism that exhibits amoeboid movement."
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It's an eucaryote (membrane, cytoplasm and nucleus like our cells) and unicellular organism that can lived without and host in the earth or water for example (unlike our cells who need to be a part of a pluricellulaires organism).
But, there's some type of amoeba who act as parasite and actually can "eat" a brain💀 (actually it attacked the nervous system & cells from the cavity between the nose and brain ) do you see where I'm trying to get ?
The water they put inside the patients head... probably had microorganism inside it. If it's not the Kos parasites then others things really similar.
It will take too long to develop everything, maybe another day so really short : we know about the Kos parasite right ? And that Kos probably had parasites who infected and transformed the inhabitants of the Hamlet.
For the blood we literally have vermin, the loran silver beasts (+ the maggots), the bloodletting beast with the giant worms and the blood dregs. (the eyes that turned blind some parasite do that in real life too)
I thought at first that what caused the beast plague was "infected cells' like cancerous cells that created more organic materials, mutated their host and boom. And not just some bacteria or viruses (that is possible too XD but also vermin are those arthropods like parasites so I was a bit confused.
But now ! If we need to have a more scientifically and realistically approach about what happened in Bloodborne (and not just boom great ones dream magic) I think it can be caused by unicellular beings who composed the great ones and mess with everyone 👍
I mean diseases and organism disfunction (of the neural system for ex) are caused on a cellular if not molecular level after all (how molecules and drugs act in the neurons and synapses of the brain is really fascinating ! But it’s not easy to learn)
Also why are great ones so close to the first protozoan cells organism for some reason ?! There's multicellular organism I guess but exist on different planes of existence (if they're not aliens or smt) but bc of the parasites blood and all (odeon is kinda blood/ what we have in the blood) so they're probably really really old forms of life you (like unicellular organisms).I guess we could say that great ones are parasites of the mind !👈 👈 (ok enough of today)
Little bonus : the first unicellular appear between 3,5 and 3,8 billion years. The multicellular appeared 2 billions years ago, our Earth have 4,5 billions years, our solar system just a bit more and the universe is 13,8 billions years old. Homo sapiens sapiens (us) is like 200 000 years old 💀 but don't worry the homininae line appeared 10 million years ago!
Hey you know we're closer to the dinosaurs who lived at the end of the cretaceous (64Ma) than between the Dino of the cretaceous and the beginning to the triassic (first Dino : 230/250 Ma)? CRAZY HMMM ??????
Anyway I do believe Bloodborne universe is actually as fantastic as dark souls or Elden Ring and not super ultra realistic like our own world. Some things just doesn't make sense realistically and maybe don't have a possible realistic and scientific explanation (the dreams, great ones etc) but it's cool to try to used sciences to explain things in the universe ! That make its own world more coherent in its own logic I believe ! (it's like you know sci fi movies, Frankenstein and all. it's not possible in real life but based on true sciences stuff).
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sapphire-weapon · 1 year
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I’m about to vomit out a bunch of thoughts, and I’m not sure any of this is going to make sense by the end, but. I’ve been thinking a LOT about these three lines in RE4make:
“You haven’t changed. You just think you have.”
“You can’t save her. You can’t save anyone.”
“This time, it has to be different...”
I’ve seen people focus in on that Krauser line and tie it directly back to Sherry, which is cool! Even as recently as five years ago, people completely glossed over Sherry’s impact on Leon’s life, and it’s cool that the remakes have had people digging into his character and realizing “oh shit, literally everything that happens to him after RE2 is because of his paternal love for Sherry.”
But... Krauser’s line is about more than just her.
With the remake turning Krauser into Leon’s combat trainer, chances are he knows about everything that happened in Raccoon City. And I don’t mean, like. He read a government file. Leon probably told him.
In OG, Krauser and Leon have this exchange of dialogue:
Krauser: “What is it that you fight for, comrade?” Leon: “My past, I suppose.” Krauser: “Hmph. Umbrella.”
It was axed completely from the remake, because it doesn’t make sense for it to happen in the remake. If Krauser was Leon’s trainer, that question was probably asked very early in their relationship. And since they weren’t currently in a fight to the death, and because they weren’t already six years removed from Raccoon City, chances are, Leon’s answer was a bit more involved than just “my past.”
So, let’s back up a little bit. In RE2make, they basically turned Kendo into a completely different character. OG Kendo was literally just there to point a shotgun at Leon and/or Claire and then go “oh my bad you’re not a zombie” and hook them up with some guns before he gets eaten. In RE2make, he’s a desperate and terrified father just trying to spend his last few moments with his infected 6 or 7 year old daughter before she turns. After he shuts the door on Leon and Ada, Leon turns to Ada and says, “Protecting people like that is why I joined the force.”
But Leon doesn’t protect or save Kendo or his daughter. He doesn’t protect or save... anyone. Every single person that Leon comes into contact with and tries to save dies horrifically -- and some, he even has to kill, himself (Marvin Branaugh). The only people who make it out of Raccoon City alive are people who saved themselves (Claire and Ada).
Of course, there is Sherry. But Leon didn’t save Sherry; Claire did. ESPECIALLY in remake canon, since nearly all of Leon’s scenes with Sherry got severely shortened or removed completely in RE2make.
But then, when Claire entrusts Sherry to Leon’s care (on his own insistence, per her RE3 epilogue), he goes and fucks that up, too. Gets her kidnapped and held hostage indefinitely by the federal government, and the only thing he can do about it is do exactly as they say and just hope they keep their end of the bargain and not hurt her.
So, when Krauser says “You can’t save anyone,” he means anyone. Ever. And even up to that point in RE4... Leon got the two officers who drove him into town killed, and he watched Luis die a slow, agonizing death right in front of him. And then, past that point, Leon has to kill Krauser with his own hands. Then he watches Mike die.
Ashley is literally Leon’s first and only success story, up to this point in canon. (And even when you go all the way up to current-day canon, Ashley is one of... three? People? I can think of? Total? Who Leon actually saves?)
So, Leon saying, “This time, it has to be different,” he doesn’t just mean Sherry. He means Ada. He means Kendo. He means Marvin. He means the entirety of Raccoon City. He’s staring down a repeat of what happened back then, not in terms of the bioterror situation, but in terms of his own personal failures. His survivor’s guilt. He can’t handle the thought that he’ll be the only person to walk away again -- and he refuses to be.
And that’s why Ada’s line bothers me so fucking much.
I mean, first of all -- Ada, you haven’t seen this man in six years, and you’ve spent a total of like five minutes with him since meeting up with him again here, so how the fuck would you even know -- but even aside from that...
To be clear: she’s right.
But she’s also wrong.
Leon has changed -- to an extent. In RE2 (OG or remake), Leon honestly believed that if it was lawful, then it was also morally right. He doesn’t believe that anymore. There’s no more “letting the law sort it out” or trusting in the power of authority for him anymore. His moral compass has been boiled down to: “If you hurt or murder innocent people, you’re a fucking asshole, and I don’t really care who you are, I’ll kill you myself.”
RE2 Leon was willing to hear people out and give them an honest benefit of the doubt -- even Annette Birkin. RE4 Leon just tells people to shut the fuck up before opening fire.
RE2 Leon was honest and trusting to a fault, and he felt stronger as part of a team. RE4 Leon is suspicious almost to the point of paranoia, and he just wants to be left the fuck alone to do his job.
These are all things that were really important to who Leon was in Raccoon City, and they’re reasons why things turned out the way they did for him, back then.
But at the same time, Ada’s right in saying that, at the core of it all, Leon is still that kind-hearted, decent guy who just wants the good guys to win and the bad guys to lose. That’s why it hits him somewhere sensitive when Krauser says: “You can’t save anyone.” 
It’s just that, now, the way he approaches it is different. His outlook on life in terms of his goals is different. His expectations for it have changed.
So, if Leon had been smarter/wittier, he absolutely could have turned it around on her and said: “No, I’ve definitely changed. You just think I haven’t.”
And not only would that sound threatening as fuck, he’d also be right. They both would be, at that point.
And for all of those major parts of him to have changed and still be facing down the possibility of failing every single person he comes across, especially Ashley...
"This time, it has to be different.”
And this time, it was.
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jojoqin · 1 year
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Why the remake cabin kicks the OG’s ass -an analysis 🔎
Basically it has to do with a lot of elements. Sound, cinematic framing, how well written the entire segment is in general. All that sweet jazz. Also sorry in advance, I had to gifmaker some shitty gifs because I needed examples 😭💀
So I read up on a lot of filmmaking for this post about what makes a good set piece. At the start, the game already sets it up by subconsciously familiarizing the player with the cabin; making it one of the first areas we pass by. There’s something about how you see it in its position; in between the trees, sort of in the same center as the bridge, very by itself. Clearly it’s important. Later, the Saddler mindfuck scene at the church actually shows us why the villagers are on the chase. And it's all tied to how well realized the cult theme is in the entire story. It puts a slightly more sinister spin on the villagers' motivation compared to the og where it sometimes feels like they're purely used as obstacles.
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And yes there’s actually PAYOFF this time. No more "vamanos" and the villagers just leave. Or for Luis to ask "so what now?". This time the villagers' condition gets woven into new exposition and a new goal; the Plaga ordeal inside the characters. And the end scene defines Luis role. A great set piece should have a well written purpose to advance the plot forward. And we actually experience first hand the whole hive mind thing instead of getting a 5 min Saddler monologue about it.
Talking about the technical stuff in scenes too. Like listen to the music and audio during the run up towards and after Luis closes the door, the music become this muffled droning as soon as the door is shut. It indicates that you've entered a different space that's more confined and sheltered from the outside w/o immediately breaking the ambient tension. Not necessarily an upgrade from the og but in the og, the escalating music stops because the payoff is seeing Luis. Whilst the remake still likes to remind you that you're still in a weird situation.
I also talked before how the camera loves to follow characters. In this shot you follow Leon forward and then you’re backing up behind Luis in this continuous camera movement. And see how tight the camera sticks behind Leon’s shoulder? He takes up like 75% of the frame at one point, with the camera subtly zooming in even though Luis is the focus. There’s a visceral feel in the confrontation, how its putting pressure on Luis just by how the scene is directed.
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And the sound during that is like auditory storytelling. I know my audio doesn’t quite do it justice because it’s been compressed to shit so y’all might want to seek out the actual scene. But when Luis hits the wall here, the strings fade out and the sound of the rain is brought forward. Audio-wise, it’s like it’s bringing our focus to the presence of Luis and Ashley. It's also just ASMR af.
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Another example of the fluid camera transition from earlier is when Ashley hides. The camera leads away from her and it follows that same “leading away” movement when it transition cuts to the window with Leon going into frame. Like look how seamless it tells action w/o having to do a lot of harsh cuts unlike the gif of the og below. The remake tends to show multiple activities either within the same shot or following a visual style so that it's easy to digest.
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And holy shit, the way the music just disappears when our dudes take position here is so FUCKING GOOD. Because all you hear is the echo of the cult chanting and the ASMR patter of rain. I think of the silence as equivalent to taking a deep breath. And it’s funny because the sound effect when the scene transitions to the player is just this very intense and layered sound of exhaling. The way the camera also pulls back in the cutscene so that there’s no break from scene to gameplay just makes it so immersive.
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Also those two shots we get from Leon and Luis’ perspectives before the gameplay is kinda interesting too. Very “Main Character POV” angle because the camera is positioned at the guys’ eye level, as if we the audience are directly in front of them. At that moment we sort of take the place of the characters as the player. The “it’s game time” line is so hype because it actually does feel like it’s being said to us.
I think the writing for the fight itself is way better than in the og. There's a real rhythm to how the conflict happens; a somewhat story structure. The setup, the moment things go to shit, the resolution. The setup happens in the cutscenes and as you're battling the early wave of villagers. The Plaga baddies I see as the first climax, because they only start conveniently popping up around the time you're scrambling to get the new boards. You get them up and there's your sort of downtime, the 'falling action' before things ramp up again.
There’s a clear transition to "the moment things go to shit" phase; it's all the elements working together in the entire segment. You get a visual cue which is the ladder, an auditory cue of the noise upstairs, and then you get the in-game cue from Luis. And the musical cue is particularly what the remake does best. Like often when it wants to change up the pace during a certain part, they'll simplify the track but make it a bit deeper to build up this new adrenaline.
And every big set piece needs constrasty elements to show different perspectives. I believe just the simple imagery of seeing the mob outside as you're constantly having to kick the ladder is so effective because it shows scale. It makes us actually feel that the problem is as big as it is. It's a smart show of perspective especially after starting the fight in a confined area. This part of it was kind of weird in the og. Even though there's a mob, you could always stare out some window and it'll just be a void there (probably due to the graphical limitations).
But before you even trigger the Bull Head dude's cutscene, like again, you already hear an auditory cue of him. Also his addition makes the scene a true "everything is going to shit" moment. You kinda need that enemy as a standout variety. Like the og is iconic but it's very straightforward with the ambience and the enemy encounter. In the remake, everything is an escalating bombardment to the senses. Especially on the first playthrough, at this point you're on your last leg, no heal, no shotgun/rifle ammo left, the cult chanting is overwhelmingly loud now. It's funny but also apt that when Ashley saves the guys, she's enveloped in this holy light. Even the camera angle that's positioned lower looking up visually puts her in a higher position than the audience.
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hamartia-grander · 4 months
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Babe get over here the kids are figuring out that Leon Kennedy has survivor's guilt
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void-detective · 7 months
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Tragically Beautiful -Serennedy
Small spoilers from Separate Ways
When I first became a fan of Resident Evil I was drawn into the dynamic between Leon and Luis when I was watching RE4. There was so much that I enjoyed the more I got into Re and how much more I understood when it came to the dynamic that the pairing had through their short interactions in scene packs.
Something about Leon specifically that I learned when getting into RE is that he is exceptionally understanding and can't seem to just hate people. Everyone he's ever associated with has had some form of connection to the Umbrella corporation, the same reason he is so traumatized so you'd think he would hate anyone from the organization. But no with both Ada and Luis he does not really seem to hate them in ways that could be understandable for his character, but that's not his nature. Leon was already very suspicious of Luis from the first time they met but they worked off each other naturally when it came to fighting and chemistry. Upon learning that Luis worked alongside Umbrella and was a contributing factor to Racoon City, Leon does not treat him differently no matter the implications that may leave.
@highball66 from all their Cheron posts it is even further pushed that Leon clicks with people he deeply cares about and understands. He makes connections to people a lot emotionally and bonds to those he can sympathize with. This is all my own interpretation of Leon of course but his connection to Chris is incredibly strong, they are in perfect sync and share a chemistry only achieved from years of working even seeming to be connected deeper then they were originally.
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In small tidbits of the game play we see Leon and Luis connecting in a somewhat playful manner, from bantering while they are walking around, encouraging each other in fighting and Luis' all to subtle attempts to oogle Leon throughout the game. In the game Luis is hell bent on attempting to repair the damage he did as a result of working with Umbrella but still holds the organization close to his heart as seen with his lighter and the photo. Luis knows he's hurt lots of people and wants nothing more then to protect, in his mind this is making up for his crimes he committed within Umbrella because he is so guilty over the matter.
Through his time with Ada he expresses only worry and persistence on finding a way to cure and save Leon and Ashely from the Plaga. He wants to help them no matter the situation even as he is helping Ada, he is more concerned about them. He barley knows Ashely and Leon but he is constantly running into danger for them, from giving Leon the medicine, running to check on Leon, save the medicine for Leon and Ashley, handing his laboratory key to Leon, and pushing his dying body to save Leon.
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Leon is constantly losing people closest to him and no matter who it is, he is deeply affected. From being on the verge of tears during Luis' death to his pained reaction to killing Krauser. Leon was lazer focused on his mission but he was also very caring toward Luis in situations, he is gentle with people and expresses his care as well as he can. He lets himself be open with someone again since he was with Ada and even possibly since Krauser (if you believe they had something in the military) he starts to be less cold and shows his more playful and joking side. He trusts Luis once he actually admits he is in the wrong and tells Leon what he wants to know, he gives him the past details even at the risk of damaging their relationship and at that expense it deepens their bond. Their connection is much more genuine then any other Leon has had since Chris, the importance to Leon is gaining trust again after everything he's been through.
Luis was focused on making things right and becoming a better person but in the process his continuous act of running away from it, is what ended up killing him. His fantasy proved he believes he could be a hero even if it was somewhat mediocre. His entire life changed as he lost people around him as well as a result of Los Iluminado and Umbrella. He holds onto things that may be painful for him but they are still of importance in his heart (his rings as religious symbols and the umbrella photo+his lighter) Luis values proving himself and removing his past, helping others as a way to "make himself feel better."
Both of them became very close during the mission, constantly getting in harms way for the other and gaining a chemistry similar to Cheron. The main theme overlapping with Serennedy is change. How things can change a person for the worse or the best, they express the importance of healing and accepting your past, and they express the importance of trusting. Leon has been through so much with people he's held closest but he chooses to keep helping people because he knows people can change.
I have a feeling he knew Luis could change too.
Anyone can mend their past with the right steps to becoming better.
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"People can change, right Leon?"
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.
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"You were a fine knight, Don Quixote.."
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morgan1413 · 4 months
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Images like this really get me thinking about the roles that women might play in the Los Illuminados religious cult. Sure, this could be a relic or artefact from a few centuries back when the area may have tended closer towards Orthodox Christianity, but as far as I'm aware the cult has had quite a grip on the region since it's inception, so I'm willing to believe this represents their religious beliefs. It's interesting to note the usage of a veil, as is traditional in the Abrahamic religions. Personally, I would take this to mean that women's bodies and roles are quite heavily policed, especially in a religious context, and by which the region is known for being devoutly religious. In a way, I feel like this is both endorsed and also outright objected by what we see in the game. Not only do we have the strange hooded ladies that accompany Lord Osmund Saddler at nearly all times, but also the female villagers and cultists who do not wear any sort of covering, as demonstrated below.
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This rather overcomplicates things when it comes to the message we receive about the role of women in this society. Are they seen as equal to men? Unequal but different? Something else entirely? Maybe this has to do with factors we never really get to see, such as social or familial status, but it's more likely that this is an oversight on Capcom's part. The inner workings of this religious cult fascinate me, and women are always an interesting vector when it comes to analysing such things. So the fact we get this mixed messaging, of women occupying menial roles in the village with uncovered hair, as well as armed religious fanatics (who by the way, are bald) with or without varying degrees of hoods/veils, it kind of feels like Capcom wanted to have it both ways when it came to the imagery they used. At the same time, women appear to be both submissive and dependent, but also free to operate as they please, depending on where they are situated in the area. I'm not sure, although that first image fascinated me and made me want to make this post. I'd be interested to hear what you think too 😊
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Account Update / Leon Kennedy Stuff
Hey friends! Recently I made a post complaining about the current state of the Leon Kennedy fandom and how hard it is to find content about Leon that isn't overtly sexual or just generally gross. It seemed some people agreed with me, so from now on I'm going to be using this account to make Leon/Resi content.
Here you'll find overly specific headcanons, fanart that wasn't only inspired by the remake models, character playlists with corresponding links to docs that breakdown why each song is there, metas about the resi characters (mostly Leon lol), and much much more. I'll try to keep it simply about the characters themselves, not just self-ship/romantic stuff (although there might be a tiny bit bc I can't deny that I have a crush on Leon like the rest of us do... He's been my babygirl since I was 6)
Anyways, if you like the sound of that, feel free to follow me (also follow @highball66 bc they make amazing resi content). I have a LOT of Leon content I've been keeping to myself and I'll post it all soon! Here are some pictures of Leon for the he road!
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cosmos-daughter · 11 months
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A detailed psychological analysis of Leon Kennedy and Aeon: explaining the agent's endless struggle with guilt and dysfunctional romance with Ada Wong.
The reason why I decided to write this is because I have seen some complaints about Leon apparently "flirting" with someone in the DI movie (not sure who or if he even does, since it's not out yet as I write this) and accusing him of being out of character because of that. I was confused of why were people suddenly acting as if Leon being flirty with women was something new, surprising or unexpected, since that's a character trait of his ever since 2004.
Then, I finally got the ✨context✨ and apparently, the reason why they are upset over this is actually because of the beautiful spy in red, Ada Wong.
It seems the cause of people's frustration is that they expected Leon's flirty behaviour with other women to be gone on the events that are set after Resident Evil 6 in the timeline, since his feelings for Ada were finally adressed in that game. And naturally, many assumed they'd be in a relationship in a recent timeline, and therefore are treating this as a case of infidelity.
Seeing that made me realize that some people, usually fans that are rather new to the franchise and joined the fandom after the remakes, don't quite understand what Leon and Ada actually have going on or what they mean to each other. It is much, much more complicated and deep than it actually seems, and I want to talk about it in detail here while also providing some canon information to prove the points I make.
CW: mentions of alcoholism, depression and suicidal ideation.
Leon and Ada’s dynamic is a funny little thing. Talk about an dysfunctional, unstable relationship. It is definitely not the healthiest. What they have going on is messy and complicated, sure, but that's what makes it entertaining for us, viewers, and what makes Aeon a appealing ship that many love, even if watching them can also be quite frustrating at times. They are the true meaning of star-crossed lovers -- two people who love each other but aren’t able to be together, a love that’s doomed from the start -- and that's why their relationship has always been presented and described as complicated.
Take a look at this file from Resident Evil 6:
Following their escape, their paths would cross from time to time, Leon as a U.S. government operative and Ada as a spy. Ada makes no qualms about using Leon when it suits her needs, but Leon is loath to bring himself to be done with her. They don't consider each other enemies, but it's hard to tell how they feel for each other. Complicated is the word that aptly summarizes their relationship. (Leon and Ada)
That makes two things clear: Leon has feelings for Ada, and he’s also a hopeless romantic. He knows when she’s using him, he’s not stupid, but he can’t and doesn’t want to let go of her. Anyone can see that, each time they interact you can sense Leon’s hesitancy through the screen, he always seems conflicted, wary, as if going through a dilemma of “which one is more important: love or duty?", because even if she’s the woman he loves, that doesn’t change the fact that she’s shady and has worked for the opposite side before -- for the people that produce bioweapons -- and Leon's determination to keep fighting despite of how exhausted he is comes precisely from his hatred of people who make use of bioweapons and his desire to end this for good. Loving her or not, as long as he's not sure of what her true intentions are, he can't fully trust her. He won’t risk getting innocent people hurt, after all, that’s what he fights for: to protect them. He'd do anything to stop something like Raccoon City from ever happening again. It's the only thing he has. The only part of his old self -- of the Leon that was lost after the outbreak -- that still lives is his urge to protect. Serve and protect.
Krauser: What is it that you fight for, comrade? Leon: My past, I suppose. (Optional dialogue from original RE4)
In RE6, he protects Ada from Chris and Helena when they try to kill her, but he’s not sure himself if she’s innocent or not. His uncertainty becomes even clearer during the final scene before they part ways again, when he asks her: “What are you? Why are you helping us?”. Again, he’s not sure of what she wants, whose side she’s on, why she's doing what she does, what he means to her, or anything at all. But even if confused and probably curious, he doesn’t go after her for answers when Helena tells him to. And since RE6 takes place after Damnation (both are in 2012, but the events of RE6 starts in december), I’d say that’s enough evidence that they are not in a relationship at that time, even if they got intimate at some point (also the fact that he shamelessly flirts with Helena at the beginning of the game and he would never if he was in a relationship, since loyalty is a big thing of Leon's character too).
What I make up of their relationship from the content they give us and what they’ve been hinting since their first appearance in 1998 is that they’re less than lovers, but definitely more than friends, if you could even call them that. I imagine they have that kind of relationship that sometimes, Ada shows up at Leon’s doorsteps at night after a long time of not hearing from each other and they both missed each other a lot and are also undeniably attracted to each other, so maybe they do sleep together and might even share a very romantic, vulnerable moment (that they never really speak of later) and when Leon wakes up in the morning, her side of the bed is already empty. I think they have the physical, but not emotional intimacy, and if they both know how they feel about that deep down, it doesn't matter -- neither of them have the luxury of doing feelings. They don’t belong to each other and are free to do as they please, but none of them plan on moving on from each other. It’s just two screwed up humans afraid of commitment loving each other messily.
Poetically tragic, quite Shakespeare-esque.
It's also important to mention the reason why I believe Leon accepts to be in a "relationship" like this one even if he knows it's not good for him and yearns for more (even if he doesn't admit it -- he's a big softie: emotional, romantic, loves people and company, of course he wants more than that). I'd say the reason it’s not only because he loves her -- even if that's great part of it -- but also because he doesn't think himself worthy of having a loving, stable relationship. Leon is an alcoholic who suffers from depression, traumatized, barely has any free time to rest and also happens to work in the most dangerous job in the world that could get him killed anytime. So... he's not very boyfriend material. He would most likely spent the entire time thinking the other person deserves better, deserves someone present in their life and who can give them the love and attention they deserve. And with Ada, he’s able to fulfill his emotional and physical needs without having the responsibility of having an actual relationship, and without hurting anyone's feelings, because Ada doesn’t expect more from him too. They both know they can't go there. A romantic relationship is probably something he no longer knows how to deal with, ever since his life has changed so drastically. Hell, he can barely take care of himself. So he's fine with the little that Ada gives him (or at least he pretends), he'll accept whichever parts of her she'll allows him to have. He knows that she’ll never be his, so he has to be fine with having her only for a night. It's no news that Leon Scott Kennedy is the master of self-sabotage, no one is more cruel to him than himself. After all, everything in his life is a mess, his love life would hardly be any different.
Now here comes my favorite part to talk about and the main point: Leon's insecurity regarding of being unworthy of love and peace, originates from his survivor's guilt issues -- his trauma. I always talk about how cruel and visceral Leon’s case of survivor's guilt is, because it's part the character's essence, you can't have Leon without it. That thing is tied to him. It's a stain on his soul. It will always be with him, even if he manages to heal himself one day. Since that night in Raccoon City happened, he lives with an immeasurable amount of guilt regarding every single person that he "failed" to save and protect, knowing they're gone while he’s still alive and breathing is too much for him and that results in a worrisome self-destructive behaviour where he thinks he doesn’t deserve to be happy or a normal life, a break from the horrors. No, he needs to live the rest of his life miserably, fighting incessantly against bioweapons until his last breath, because this is the very least he can do to ‘make amends’ to everyone he ‘failed’ to save. He holds into his failure like it's a hand. A workaholic fueled by guilt and grief.
(EDIT: Leon's voice actor, Matthew Mercer, pretty much confirmed this by saying that Leon holds himself accountable for every death that happens on his watch even if it's out of his control in a interview for the Death Island movie. I'm aware he's the voice actor and not the writer, but he understands his character perfectly, so I find that worthy of mentioning).
Then we have Resident Evil: Damnation only further proving his crystal clear guilt issues. When Leon stops Alexander from shooting himself, these are his words to the man:
“The option of taking our own lives no longer belongs to us. Once we start using these, we owe it to the people who died alongside us, we have to continue living.”
This whole interaction, Leon stopping a man from killing himself and his words hits different when you remember that in the original RE2 Leon actually considered doing the same, and the only reason he didn’t was because to protect Sherry and make sure she was safe (this part doesn’t make too much sense in the remake since Leon doesn’t meet her until the last minutes of the game, but we’re referring to the original events here). The reason why Leon accepted to work for the government was also to ensure they would keep Sherry safe, allow her to live a normal life and not experiment on her (a promise they clearly did not keep but anyway...), even if we all know he didn't have a choice. He still did it all of that for a girl he barely knew. Self sacrifice is a vice of his just as much as alcohol.
"To tell you the truth, I even thought about ending it -- several times, actually -- with just a quick bullet to the head. But I didn't give up. Sherry needed me. She was a 10-year-old girl thrown into a hellish environment with monsters after her, so I had to pull myself together for her sake. She was our reason for not giving up - especially for Claire.” (Leon and the Raccon City Incident)
He feels obligated to continue this loop of constantly sacrificing his own mental health and safety in this miserable and dangerous life of fighting against bioweapons for that is what he owes to his fallen comrades and innocent victims of bioterrorism. Consequently, he also gives away his chances of having a normal relationship, living like a normal person and also the possibility of having a family in the future. He’s seen drinking a lot in Damnation -- including during the day, alone in his room, I think that’s pretty self explanatory.
Then we have Vendetta -- the peak of Leon's depression -- where we watch as he drowns himself in alcohol even more during a mental breakdown after losing his whole team being the only survivor, again. More people dead at his commands, following his words, more people dead because he can't be the super-hero he wishes he was, all that while he still breathes and gets to see another day. Leon doesn't have a lot of stability in his life, he's loses people important to him all the time, yet he does not get any used to it.
He questions if living is really worth it in the movie:
“I keep fighting... and fighting and fighting, and instead of seeing an end to this shit, it just keep getting worse. Is this what my life is supposed to be? Fighting the living dead and bastards that make them? What's the point of it all?”
He’s clearly reached his limit and is beyond exhausted, he knows it’s not fair to him and he shouldn’t have to live like this, he’s desperate for a little bit of normalcy, yet he still goes back to fight. He can't run away from duty, and he sure as hell can’t turn a blind eye to bioterrorism, no matter how tired he is. Vendetta is set after RE6, so it’s clear that his relationship hasn’t evolved since then, and it seems that it's been a while since they last saw each other, maybe even years, and maybe that also adds on the reasons why Leon snapped, since Ada is the closest to a constant he's had in his life, the only thing he can always count to come back to him, even if he doesn't knows when.
It’s not hard to believe a man like that would avoid a serious relationship at any costs. But doing that is not easy for him, after all, Leon is very emotional and so fucking lonely and touch-starved, he wants the love, even if he doesn’t think he deserves it. While I have no canon evidence about this, I can see him being the type who gets one-night stands once in a while when he’s feeling too alone and in need for a distraction and relief, I imagine that he feels a little needed and loved when he’s touching and being touched by another person, even if it’s only for the night. But he refuses to emotionally connect with the person, because his heart belongs to another and because he doesn't want to risk anyone falling for him; because something else we know about him is that he has emotional responsability and maturity, he thinks of people's feelings, considers them, and takes it very seriously.
I see Leon’s womanizer behaviour as a coping mechanism for his loneliness and his own way to lighten the mood and make those women not panic during the situation of absolute chaos and danger they're usually in with him. It's also simply because he likes women, of course, I'm not denying that, but his flirting never bothered me because of how respectful he is -- he never takes it too far or make them uncomfortable by being innapropriate (I mean, there's a reason why all the women he flirts with like Helena and Hunnigan adore him, even if not in that way, they all like him a lot as a friend). And we can tell he's not planning on making them fall in love with him by the way he only flirts hardcore with the strong-type of women whom he knows won't fall for him easily like that, and with the softer-type who might actually have a crush on him (like Ashley or Manuela) he's much more careful, mostly friendly -- ocasionally teasing and a little light flirting too, of course, but that's just his way of being playful and nice. Leon is a very charismatic and charmful man by nature, what can he do about it?
So, considering all of this, we can see why having a relationship is not on Leon's to-do-list. No person in their right mind would subject themselves to be in a relationship in which your partner is completely secretive about their work life and having to live with the anxiety of going to sleep at night not knowing if he’s still alive when he leaves for his missions; people want a relationship for security, stability, reassurance, comfort and peace, not to be tormented. And with Ada, he doesn’t need to worry about any of that. She isn’t going to ask him questions about his work nor is she going to stay up at night worrying if he’s going to come back home, because they don’t have that kind of relationship. And it's not that Leon would hate having that kind of relationship -- especially with her -- it's the opposite. He secretly craves it. I think there's nothing he'd love more than laying with the person he loves on his arms at the end of a long day, and seeing their face lit by the sunlight in the morning, or simply doing the typical clingy couple things, the casual affection; but he has a job to do and he knows he can't have both.
I don’t agree with the usage of the word ‘toxic’ to define his relationship with Ada, because that makes her seem like a horrible person when it’s not the case; none of them is forcing the other into this relationship, they both just fall in with it because they know that this is the closest to a romantic relationship that people like them can afford to have. And because this relationship isn't entirely bad for them, we don't know much about Ada, unfortunately, but we know enough about Leon to have a guess that what he has with her is enough to provide him at least a little bit of comfort, and God knows he needs it.
Even if we don't have enough content of her, her feelings, traumas and motivations to write a fully detailed essay, we know that even if she doesn't show it like he does, she loves Leon too. The difference is that she doesn't wear her heart on her sleeve like he does. And yes -- she uses him to reach her own goals during her missions, always plays little games with him, but I believe the latter is part of a façade (I'll get into this later), and she never did anything to hurt him or put him in danger. She’s a focused, calculative woman who will play dirty to get what she wants, yet she often goes out of her way to help Leon every time he’s in trouble instead of considering it a nuisance. Coming from someone like her, that means a lot. She’s the one who throws him the rocket launcher in RE2 during the fight against Nemesis, she’s the one who stops Krauser from killing him in RE4 (original, in the remake it is Luis' doing), she also goes against Wesker’s orders to keep him safe, and helps him many times in RE6 and Damnation too. Ada is always watching him from the shadows and would never let anyone harm him, no matter what. Not to mention, the way she trusts Leon becomes evident with how she always lowers her guard around him in a way you never see her doing with anyone else -- like in that choking scene from the original RE4, no other person would be able to catch her off guard like that. She's completely at ease around him.
Something else I noticed is how Ada only acts cool when in front of him. In the original RE4 you can see how she puts that unbothered, cool and mysterious woman show on when face-to-face with him, but as soon as he isn't watching her, the façade drops and she looks at him as if he's the most amazing person in the world, she has the biggest heart eyes for him, even if she doesn't let him see it. I believe the only scene she showed it to him is when he saves her from Saddler and asks her if she's okay, to which she replies with a weak "I've been better", and gives him the softest smile ever. There is so much tenderness in that look she gave him. Also, the way she talks about him: in the original Separate Ways she compliments his skills and intelligence and refers to him as "practically a genius"; she admires and respects him immensely, even if she'd never say that to his face.
My point with this is that the reason why she does that, the reason why Ada doesn’t give too much for Leon, is because she knows it’s just going to make things more difficult for both of them. After all, leaving would be much harder after hearing a “I love you”, after making promises. They both know how they feel, too, so there is no need for words. As I said before, their love isn’t exactly the healthiest and probably is something that hurts them both, but as long as they can see each other again, they can endure the pain that comes with the separation -- because like Leon said himself in RE4, “she’s like a part of me that I can’t let go”
But no matter how much they love each other, in the end, Leon and Ada are always meant to go to their separate ways.
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non4ry · 1 year
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Capcom should hire me to write Ashley because I understand her more than anyone in that entire company
(read tags for more context)
#resident evil#ashley graham#resident evil 4#re4#re4 remake#leon s kennedy#re4make#alright so this is my very mini ashley analysis I have a lot more thoughts about her#it makes me so sad that people take ashley at face value because I think there’s definitely something more to be said about her character#I do think that ashley despite dramatization bc video game is a pretty realistically written character. like she’s a young woman in an#insanely traumatizing situation#and she is CONSTANTLY disrespected. she has been kidnapped . violated insulted and the worst part of it is that she’s just a means to an end#and I do believe in my heart of hearts that president graham is kind of a shit person. IS a shit person especially politically but even as#a father??? like he’s the PRESIDENT how does he not have better security over his daughter#and ashley’s mother is presumably dead .. she gives off very. neglected and I know part of it is just the situation but she actively seems#to Expect to be hurt by other people. even leon and she feels guilty for her ‘weakness’ in their situation even though she’s actually very#helpful and resourceful several times throughout the game#idk i always think about that one scene where she’s coughing and leon tries to be kind to her and she freaks out on him like#SHE CANNOT ACCEPT KINDNESS BECAUSE SHE CANNOT PAY HIM BACK!!!!#and then at the end of everything she offers him sxl gratification because that’s the only thing she can think of to repay him#she’s been led to believe she must owe a man something for saving her and that is a very unfortunate reality for a lot of women#idk. i love ashley#she’s literally me#no kin / id tags.. do not tag as ship
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