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#s5 is the buddie season i SPEAK this into existence
outrunningthedark · 1 year
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i feel like i watch the show the same way you do. i pick up on the ~vibes~ and see how buddie COULD work if they went that route, but i don’t think they ever will and i also see how if they did it would come completely out of left field to a casual viewer
Yep, this is exactly it. I was absolutely 100% in the same boat as the bloggers coming up with ways in which every Buck and Eddie story line can bring us to canon!Buddie back when I first joined fandom (in time for season four) right up through 6x01, but after that...sometime between Eddie not going to Buck to talk about Chris's quest for independence (despite CONFIRMING that if Chris would confide in ANYONE it would be Buck) and Buck actually being a successful sperm donor after what you'd think would have been multiple "signs" from the universe that he shouldn't go through with it...my brain like, rewired itself where I just...stopped looking at everything as a shipper. And listen, there's nothing wrong with only watching a show for a ship - I have admitted many times that the Buckley-Diaz fam is what interests me most because of Chris's presence - but realizing that this show and this ship doesn't dictate my happiness or my reason for existing on tumblr allowed me to step back and take the content for what it is in the moment instead of trying to figure out what secret meaning there could be behind it *if* (I think there are some folks who definitely forget we're speaking in hypotheticals!) the show runners are contemplating making the transition from friends to romantic lovers. Everything we've seen from Buddie so far in s6 is an extension/continuation of something from a previous season, save for Eddie showing legit fear when Buck was dangling from the wire, but...even in his delirious state post-shooting he was worried about Buck, right? The concern was elevated a notch to match the circumstance. (& then Oliver had to come out and be like "Please do not read into it right now. It's how a best friend should react.") The biggest reason why it felt/feels "different" to people is because we just went through well over a full season of both characters in relationships and the show couldn't throw either of them into ANOTHER ONE right away, so we were bound to get Buddie/Buckley-Diaz content while living the single life to mirror s3. The funny thing is, though (it's one more thing nobody wants to point out)...Buddie content outside of work was nonexistent in 6A because of "different dynamics" WHILE THERE WERE NO LOVE INTERESTS. Once 6B came around and Eddie's dating arc was about to start? Once Buck was about to meet Natalia for the first time? Oh. Look who can be friends again. How, exactly, is that different from what we witnessed in s4 and s5? Uh huh. That's what I thought. :)
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mattzerella-sticks · 3 years
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I know I joked about the 9-1-1/9-1-1 Lone Star 2nd crossover being a Buddie & Tarlos double date but - but -
It's the end of the episode. Lone Star went to California this time to help, and before they leave Buck invites TK to dinner. And in my head Carlos is also there, having followed TK for plot reasons. And since we're all hopping aboard the train that Buck will be moving in with Eddie for s5, we'll have the dinner at the Diaz house with Tarlos able to observe Buck and Eddie when they're alone and when they're with Christopher.
Dinner wraps up, Buck picking up the plates and TK helping despite protest. They begin washing dishes and halfway through TK makes a remark about how he didn't know they (Buck and Eddie were dating). Buck, flustered, tells TK that it's not like that. TK doubts this, especially when he brings up how Eddie stares at him. "What do you mean? How does he 'stare' at me?" "Like you're the only thing worth looking at for miles." Or something. They get back to cleaning but this clearly affects Buck.
Kudos if we get a similar conversation on the Eddie/Carlos side.
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ofcloudyskies · 4 years
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hiya! i really, really hope things get better for you soon. if you ever want to talk about it, just know that i'm here ♡ i know what you mean about tumblr being a safe haven. looking back, i think i came back here bc i was going through a really rough patch (existential crisis do that to you) and even after all this time, i still find comfort in the chaos that is this website. it's become some sort of refuge where i can be silly and speak into the void about the things that make me happy. (1/6)
hello marina! <3 thanks to tumblr for the reveal haha :D i'll post this to keep the whole thing in one place
apart from ouat, i used to be really into glee. i stopped watching ouat after s5 and the later seasons of glee were a real roller coaster. but i was so happy in both fandoms. i mostly kept to my tiny bubble but i did meet so many lovely people. and the fact that i'll probably never know what's become of most of them will always hurt a bit. but yeah, life goes on and one can only hope that they're happy, wherever they are. ah, this got sappy haha. what other fandoms were you in before? (2/6)
my mind keeps drifting these days, too, and the fact that summer makes me feel super drained isn't helping at all. but YES, YESSSSS, i'm definitely up for a buddy reading. that may help us beat our reading slump! we can read "if we were villains" or we can choose any other book you may be interested in, of course! speaking of naomi novik, i started reading "spinning silver" a while ago after hearing great things from a friend of mine. (3/6)
i don't think i picked it at the right time, but god, the writing was so atmospheric and raw. i'll definitely go back to it one day, i love retellings. also, i hadn't even thought about the colors of the covers, what a cool coincidence! black and gold will always be one of my favorite combos. there's something so magical and kingly about it, right? the collector's edition for crooked kingdom is black and gold, too, and i couldn't stop staring at it the day it came in the mail hahaha. (4/6)
see, i'm incredibly intrigued about nikolai. i need to know more about him. that's one of the main reasons why i want to read the shadow and bone trilogy, actually. if i manage to get out of this terrible slump, i think i'll jump back into the grishaverse and give the trilogy a go. in the meantime, could netflix please give us a trailer or some promo pics? i need something, anything! (5/6)  
ahh, tumblr won't allow me to send any more questions for at least an hour because i exceeded the ask limit. but i just needed to send one last message, so i'll just come off anon, i guess hahaha. anyway, feel free to write as much as you want!! as you can see, my messages just keep getting longer and longer. aaah, i'm so sorry. but what can i say, i love letters too! (6/6)
~~~~~
ah, thank you for good wishes <3 i don't want to burden you too much with my life problems and tbh it doesn't really get easier no matter how many times i talk about it, i will most certainly end up crying again if i start thinking about it too much again. i’ve been living with this terrible feeling of uncertainty about the future for a year now (because the thing will happen, the question is how soon) and it feels like i’m always at the verge tears, one word, one thought and i break. ugh, now i’m being weirdly vague akfdjhg sorry >< but i hope you managed to get through your rough patch! if you need to vent about anything, you know where to find me!
oh, i'm actually rewatching glee right now! i was so into it in high school but stopped watching at some point. last fall i needed a pick-me-up show to pass a few weeks of alone evenings so i randomly decided to rewatch glee and this time to watch the whole thing till the end. i think i'm at the start of s4 now. i mostly only listen to the episodes while cooking :D
other than ouat i think i only actively participated in doctor who fandom. for other things i was just a lurker/rebloger... then i got into animanga (mostly into this one baseball manga?? i literally didn't know the rules of baseball back then. don't ask why i like it so much, i don't understand it myself haha, i just accept it) and made a sideblog for that which i started using more than the main blog so i made a separate account and came here only from time to time
YAY we can agree on ‘if we were villains’!! i’ve been considering ‘the priory of the orange tree’ from samantha shannon recently but it’s definitely too long for a slump mood. ah, naomi novik has polish roots and i remember uprooted was based on polish folklore, it was nice to see elements of the tales from my country in the story. i wonder if her other books have that as well. and oh my, i envy you the collector's edition of crooked kingdom! i own the duology but in the basic covers, i love them lots anyway. what are your other fav covers on your bookshelf? and i hope i didn't oversell nikolai, would be bad now if you read the books now and were meh about him ahaha, fingers crossed!
if you like writing letters to strangers, there's this cool app called 'slowly'. you’re matched with a stranger from somewhere in the world and you can write each other letters. the letter takes time to arrive to the recipient according to the distance between the countries where both people live. i used it a bit when i was stuck at home and wanted to feel connected to the world c:
idk how we should keep this going :D does fanmail still exist on tumblr? if u have ideas let me know hah. have a good night x
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naruhearts · 6 years
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13x20: “I don’t care what happens to me”-- Dean Worthless Winchester, John Winchester’s Death and Destiel
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Oh my god!
I gotta say, 13x20 was an ANGSTY FEELSY amalgamation of meta and foreshadowing for the Big Finale Triad of 21, 22, and 23. It laid down S5 tones, key themes, and narrative direction, hoo boy!!! 
I’m sorry I posted late! Time-of-month sickness was an interruption, yikes.
I’d like to start with the Dean & Sam final scene, then talk about the major culminating implications this Father-centric episode specifically holds for our beloved protagonist Dean Winchester the shackled child — the Man behind the Mask (which S13 has been a gigantic narrative mirror of) — and the Destiel narrative/Cas in relation to Dean’s arc and character disposition *rubs hands together*
Glynn & Co made Dean’s axel-swinging between communication and miscommunication pretty clear to me in the last scene of 13x20, especially regarding the dialogue that people thought was character regression into Brodependency.
After sleeping on it, I didn’t see the same scale of toxic codependency from seasons ago a la ‘there ain’t no me if there ain’t no you.’ It wasn’t mutual. I saw it as: 1. more from Sam’s end, and 2. Dean’s willingness to protect his loved ones (Sam and CAS, in bold) combined with letting go and the textual acknowledgement of his low self-worth carrying over from 13x05 (the low self-worth he internalized across 99.6798% of his life course).
Firstly, Dabb’s subverting S5. 
He put independent Dean in S5 independent Sam’s shoes here, and it’s surely not a coincidence that Dean himself referenced their implosive S5 Michael-Lucifer mess: “Where we were last time we had front row seats”. S5 exhibited Dean’s Holding On vs Sam’s Letting Go, with lost Dean crawling to Lisa’s door and yeah, we know how that prickly-edged story went. It’s finally Dean Letting Go vs Sam Holding On. It’s indicative of S13 faithless Grieving!Sam re: Mary/Jack seeking his own emancipation and finding real introspective purpose away from the codependent strings he’s clinging to. We heard Sam’s “If we die, we die together”. Don’t fret, his current arc is constructed to get rid of this kind of thinking and move towards Faith!
Dean’s prepared to cut the codependent strings — already has via 12x22, and then in 13x05 (albeit in a suicidal grief-ridden manner. Speaking of, 13x20 this time shifted focus to Sam’s risk-taking re: Lucifer and the Apocalypse in itself. Unsurprisingly, we already witnessed this narrative train running in reverse -- early S13 Grieving!Dean and Functioning Sam swapped roles post-13x06 and in 13x11. Man, I am pumpin’ my fists).
Atop the bro dualism, Dean’s behaviour in 13x20 concerned me the most, saddened me the most, and intrigued me the most. 
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:’( 
I may have yelled said that Dean has emotionally matured, eliminated toxic coping mechanisms, achieved an internal balance between his femininity and non-performative masculinity (acknowledged in 13x04; actively manifested in 13x16 onwards x, x), and gained a sense of non-combative communication and understanding (seen in 13x14), yet his low self-worth constitutes the biggest roadblock to his FULL personal growth.
Okay, I know you’ll exclaim: after Cas returned, Dean wasn’t depressed anymore! 
Well, that’s accurate and relatively inaccurate. Dean’s low self-worth is the central facet of his characteristic development, and it does have a guaranteed correlation with depression. Yes, you can feel worthless without being clinically depressed, but worthlessness is maladaptive and contributes to feeling depressed --> Dean’s depression. 
Dean’s case is a heartbreaking one. He’s been depressed for YEARS. He never really cared about what happened to him for YEARS = our Dean meta textualized in gloomy letters!!
Yes, the single individual -- the canon WIN -- that placed him back on the rails was Cas, his Everything, resurrecting from the dead. Cas’ return drastically mitigated Dean’s severe nihilistic depression (aka his rock bottom nihilistic grief when he lost Cas) BUT it didn’t necessarily fix his pre-existing depression.
S13 depicts Dean -- despite Cas’ bright presence -- as traveling the rails empty. There’s not enough coal to fuel his engine because he LACKS the mental faculties to appropriately cope re: trauma and give up his control. This is why he seems to oscillate between character progression and regression, and he still isn’t 100% HONEST and OPEN about his feelings. He’s keepin’ it in. There’s no healthy psychological unload taking place.
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Case in point? Dean’s regressed to drinking the hard booze again; Cas FILLS the negative spaces (as he’s been doing throughout S13). Dean is not disclosing the whole truth -- not saying what he’s genuinely feeling (to CAS. I discuss it x, x, x). 
Plus, Dean’s internal worries re: Death, the next apocalyptic war, Cas’ Heavenly plans, and his respective destiny/fate (Death’s “See you soon”) just exacerbate the personal instability he’s experiencing.
And then we observe Dean’s parental duty rearing its head:
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To me this is what reiterated the Brodependency being dismantled in late S12/S13 (12x22 and 13x12/15 in particular). Don’t get me wrong – Dean’s mostly let go. He was willing to leave Sam behind in 13x05 after losing the one person who textually means Everything to him. 
Dean’s psyche is at a point right now where he AIN’T okay with Sam’s risk-taking. He questions his little brother’s half-baked plans and sympathizes with the close-to-here manic desperation (again, mirroring S5 and S13 Grieving!Dean), except Dean’s low self-worth puts him in the dark position: I’m doing it, all of it, for YOU (Sam and Cas) since I don’t value myself enough to do it for ME. He further says--
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He obviously does, but us, the audience, know--in dramatic irony fashion--that this is NOT Dean’s entire truth.
He values his brother more than himself, and he values CAS more than himself. He cares about what happens to CAS. Nothing Else Matters. And we’re aware that Cas canonically occupies the highest pedestal in Dean’s life, which TPTB absolutely highlighted during Dean’s grieving arc, Cas’ return, and 13x16 onwards. 
(In this scene, Dean continues to tell Sam what he’s NOT telling Cas. USE THE RIGHT WORDS.)
 Cas is the love of Dean’s life, his Everything, and his Win. I mentioned before that losing Cas a second time would destroy him.
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(**Dating 101: Dean therefore cannot establish a truly healthy, mutually interdependent relationship with Cas if he has low self-worth. He’s trying, but his personal losses -- more LOSSES than wins this season i.e. AU!Charlie/Mary/Jack in AU, non-confronted traumas i.e. Cas’ death, and insecurities cripple his ability to give Cas ALL of himself, out in the open!)
Although Dean HAS FAITH (Cas), the decisions he’ll formulate to protect/save Sam, Mary, Jack, and especially Cas aren’t exactly derived from mental stability. Keeping them safe is too paramount to Dean that the choices he’ll encounter could be questionable/dangerous, putting him in the line of (sacrificial) fire. 
Sound familiar? It’s deliberately supposed to sound familiar!
Jack, TFW’s Unity/Balance symbol and characteristic mirror, even stated that ‘if he can’t keep others safe, what’s the use’?
Dean will make the penultimate save-the-world (read: save my family) decision ALONE regardless of Sam’s regressive wish to die together. And I wrote that his arc is now DIRECTLY paralleling S11 Casifer & Depressed!Cas’ S11/12 arc, especially (mis)communicative 12x19 --> 12x23 ‘I Have Faith’ Cas. There’s prevalent narrative symmetry in Dean’s arc (intrinsically linked to Cas’ arc).
“You, me, and Sam...we’re just better together” indeed, and this year’s season-ender should unite TFW like last season--unite Dean and Cas--in order to change their fates/defeat Death, but Dean’s decision will be an isolated one --> one that was foreshadowed as he faced expositional Daddy Issues™ Loki by himself. And Dean may not tell Cas, just like Cas hadn’t told Dean in 12x23 about his sacrificial act.
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These vastly important storytelling threads ultimately conjoin with “I don’t care what happens to me. I never really have” as the PINNACLE of Dean’s 13-year long characterization; the progressive climax sparking his death/decay so that he can be reborn and revitalized aka THIS IS IT!! Dean’s impending death and self-sacrifice for his loved ones (CAS) = the ultimate catharsis in that S13′s narrative has finally approached the IRL scenario of 13x16 ghost kid (DEAN)’s release from father figure Bad Man -- from the negative influence of all the other literal (Loki, Odin, Lucifer, James Turner) and metaphorical (Asmodeus, Buddy, Michael) fatherly mirrors permeating this season. He’ll LET GO of everything that incarcerated him since he was 4 years old: his Blunt Tool role, control, manipulation, parental abuse and absenteeism, parental duty, the heteronormative patriarchy, and the long-standing trauma slapped on him by Alastair, Amara, and Cain.
He’ll burn the remaining pocket knife of all pocket knives tethering him to his past -- John Winchester x, x He’ll self-transform.
And Dean’s S13 death would fulfill the sacrificial Act of True Love (with Cas holding heavy weight in Dean’s decision for LOVE)--
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--and S14 Winning Him Back in the subverted flavour of S10. Romance tropes abound!!
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 @thetwistedwillow and @sactownbrowns3 both ignited my stomach-churning feels. This is an extremely pivotal visual. The Michael-reminiscent sword and radiant halo-like lights atop Dean’s head? Yeah, set off HUGE Michael!Dean radars. Complete moral dualism with S10 Demon!Dean--selflessness vs selfishness. Free choice (saying yes to possession) vs stolen choice (demon transformation against his will).
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Secondly, as aforementioned, Dean’s harbouring a LOT of traumas he hasn’t mentally confronted, with Daddy Issues™ re: John Winchester (reflected via Dean’s solo faceoff with Loki) as his overarching undealt source of trauma.
Loki tells Dean: “The truth is, [Odin] despised me, but he was my father. I’m sure you understand. What would you do for your father?” 
And Dean stabs Loki’s hologram. He stabs the metaphorical father figure who neglected his sons. He stabs another narrative embodiment of John’s ghost, foreshadowing that Dean’s death = John Winchester’s final death. It’s time to deconstruct and conquer his influence.
(Gabriel was an extended mirror of both Dean and Sam, too. Gabe, the little brother whom deadbeat Daddy Chuck never paid attention to. ‘Ah, big bros, right? Always think they know best’ Gabe, who stabbed and killed deadbeat Loki. Gabe, who subsequently ran away from home, was used and tortured beneath Asmodeus’ control, embarked on a revenge trip, and didn’t feel good about it. Dean and Sam themselves knew what it felt like to be manipulated. While it’s true that their traumatic experiences are subjective, they share common Deadbeat Father-adjacent life courses.)
What beautiful and consistent silent storytelling!!
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And oh look, narratively associated to this ^^ is the reappearance of Dean’s John-linked BAG OF EMOTIONAL BAGGAGE--
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I can’t can’t can’t wait for him to let go of it PERMANENTLY! 
And of course, Cas’ death remains his immediate significant source of undealt trauma (same links above:  x, x, x)
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*looks at Dean’s serious, intense, and emotionally laden expression* *clutches chest tight* *blinks away tears*
I additionally wrote something about Endverse!Cas and D/C (mis)communication a few months ago which I feel is relevant again:
And we know HUMAN Endverse!Cas was representative of that, a sad, depressed, and hollow depiction of the wrong choices for the right reasons who festers (AND DIES), in part because of Dean’s wrong choices, and also because of his own consciously uninformed, narrow-minded choices that led to this literal apocalypse of mind, body and soul.
5x04 laid down what Cas (and Dean) shouldn’t become. If both Cas and Dean (TFW) continue to fail in learning their lessons regarding healthy interdependence (where control must become equality; ignorance must become understanding; intransigence must become compromise; stonewalling must become transparency; lying must become honesty; silence must become communication), Endverse will be their life.
Thankfully, they’re learning as of S13 onwards and I’m ECSTATIC. Slow but sure progress (13x15′s conveying the shift), yet they still have to use the RIGHT WORDS.
Endverse!Dean, who never gave up his control to Cas nor listened to him, was himself consumed by the NEED over the WANT and an authoritarian means to an end. He lost everyone. And Endverse posed an ultimatum for Dean (and Cas’ own characteristic progress): keep your control forever, and you’ll have one destination–no growth, no life, no freedom. 
Full circle!
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Dean Winchester must die so he can live.
And what are Dean’s WINS (plural) by dying? Saving people instead of losing people--saving Mary, Jack, Sam, and Cas. Saving the world. Reuniting his family unit. Interacting instead of performing. OUTING INSTEAD OF HIDING. HIGH DEPRESSIONLESS SELF-WORTH INSTEAD OF LOW DEPRESSIVE SELF-WORTH.
Better yet, Dean will undergo character development in relation to his loved ones (and Cas). With high self-worth, Dean’s capable of learning how to value HIMSELF independently. In turn, without personal obstacles he’ll learn how to sustain HEALTHY interdependent relationships and COMMUNICATION as well as learn how to WHOLLY GIVE HIMSELF to others (Cas).
Tell Cas he’s not expendable, Dean. Disclose the real reason YOU “needed him back”. Expose your feelings, choose Want over Need, and push away your rejection fears! Cas loves you dearly—let him know that his love for you is reciprocated. Nothing but good things ahead!!
Gosh, this post is way longer than I expected—thank youu for sticking to it! Circumstances shall get worse before they get better, and it’s totally necessary to ensure our characters meet the final demise of their prisons.
BTW, I still can’t believe we got a borderline blatant onscreen bi!Dean (and Cas insert) treat!! What’s by is by! Overall I’m incessantly praising Dabb’s spectacular work so far + Glynn and Rich Speight Jr’s craft in this ep!!
Very little sub is left in the text, my friends. TPTB are rendering years’ worth of meta increasingly explicit in S13. I can only HOPE and expect that 13x23/S14 brings us past the Point of Know Return subtextual boundaries and into full-blown textual narrative! Authorial intent EXISTS. 
**I know, I know--S14 wasn’t confirmed as the last season and S15 is fair game. The plot accordion, as per usual, re-emerges with the slight overhaul/pullback of characteristic arcs and narrative plot due to season renewals, but I’m Endgame Positive that slow progress is SURE progress. Imho Dean and Cas are so close in saying everything from saying nothing. THE UNSAID WILL BE SAID.
Bracing myself for the last 3 episodes—they’ll burn us in awesome ways!! 
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kinetic-elaboration · 6 years
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August 9: The 100 2x01, The 48
Okay, settling down to rewatch 2x01, the start of my favorite season...
I love this Clarke so much. Badass Clarke, sneaky Clarke, a Clarke who will fearlessly do what she has to in order to escape and to get to her friends. A Clarke with convictions and guts.
How DO they know everyone’s names lol? Is that ever explained? (ETA: Monty was obviously the informant.)
Mount Weather is one of my favorite parts of this show, honestly. I love that their mission is in part to preserve the beautiful things humanity created, like art; they gave their prisoner Starry Night. The ORIGINAL Starry Night. I just find that very moving. All of these non-essential parts of being human... the show has abandoned them and that’s part of why it’s so hollow for me now, I think.
Level 5: where it all begins and it all ends.
The Clarke/Maya relationship could have been so much more, tbh. Like they had their good moments, like threatening to kill each other etc., but they could have gone deeper.
Surprise! Underground executive branch family dinner! This is the sort of twist I can get behind.
Haha remember when actual delinquents still existed? I joke but truly the later canon has ruined parts of this show for me.
I forgot Tristan survived into 2x01. Not for long. Such Grounder hypocrisy: “That’s one. I lost 300.” He makes it sound as if Finn marched into a village and killed 300 people--they were fucking soldiers on the attack you dum-dum.
“Only our warriors speaking English.” Well that sounds like bullshit based on literally everything we see after this point.
The statue of Lincoln is “the place we go to settle disputes.” First, please don’t say they settle disputes to the death or some nonsense, and second, that’s his namesake... Significant? I mean, objectively, no, but can I make something out of it somehow?
I disliked Luna but she COULD have been so interesting and she and Lincoln COULD have had quite a dynamic. I headcanon them as exes. I want to know their whole backstory tbh. When they met. How. If he wanted to go with her to the sea. If he did perhaps and then came back.
Drink every time someone cauterizes a wound.
You know what else they should have done? Story line about the meeting of Grounder and Sky People medicine. Oh wait that would have taken away from the repetitive war story lines never mind.
That dropship is so fucking impressive. WHERE ARE THE AWARDS FOR THE SET PEOPLE?
And the costume people for those awesome masks.
Am I supposed to feel bad for this Grounder and his charred friend? I do not. Next time, don’t attack the children for no reason and you won’t get burned to a crisp. Easy.
The thing is I can never get behind the Raven + Murphy friendship 100% even though their S5 dynamic looked interesting because he literally fucking shot her and that’s just not a bygones are bygones thing. But they do have personalities that mesh well together so in that way it’s sort of a shame. Also he 10000000000000% had a crush on her don’t even try to argue.
She fired that gun at him. I forgot that. She fired but was out of bullets, that’s the only reason he didn’t die right there. “Yeah I would have shot me too.”
I’m p. sure that’s the real Mount Weather?
I know the Mount Weather people have no leg to stand on when it comes to the Grounders and that they’re...pretty obviously racist, but in their defense--the Grounders were written to be pretty savage, so “savages,” while unforgivably racially tinged, is a fair descriptor of them.
I know I’ve harped on this before but Mount Weather has a judicial system of some sort and it’s possible to press charges there. Somehow. The world building on this show sucks balls.
“They also said you were their leader” is like some retconning, okay. Because you will not convince me that for most of S1 BELLAMY wasn’t the leader in the eyes of the delinquents.
“Kiddo.”
Fucking love Dante. Where are my Dante + Clarke mentor/mentee or ex-mentor/mentee or different-gen-rivals fics?
“We prioritize safety over sentimentality.” As Maya takes blood she absolutely doesn’t need but is having just in case and that she knows comes from someone else’s tortured body because she’s accepted this as something they do, because she’s not sentimental. But she already feels guilty.
Clarke is already using the word “capture.” I had a discussion with someone once about Clarke’s vision of Mount Weather versus, say, Jasper’s, and why it was different and I said some poorly phrased stuff that didn’t really reflect my thoughts and opinions and it still haunts me but I feel like this is...relevant to that. How she immediately feels ‘captured,’ trapped.
Clarke’s devotion to her friends and her people was still so pure and right here.
Dante really does believe he “saved” them. I wonder what his thought process was... I really hate the “savages” so I must save these children? These children look interesting, let’s meet some new friends? She’s right of course that if they were really guests, they could leave.
Multiple crash sites over 100 square miles = I should go on google maps to confirm my Pennsylvania/Farm Station theory but I’m too lazy.
GOD THOSE CLOTHES. I love that Clarke picks the pants and the high heel shiv.
There’s no way there’s actually time for natural selection to work that fast in 97 years and also I’m pretty sure the Sky People are genetically modified because their original pool was way too small for the process Dante is describing but whatever this show is all la-di-da science.
Also: this is how you run an underground Bunker OCTAVIA.
Dante was the only rival/antagonist/whatever Clarke has ever had that rivals her instincts and intelligence yeah I said it; fight me. I know she needed to be on the outside for this season to work but he should have been her mentor. He basically set her up to be mentored and then she ran off and into L who basically destroyed her and she’s never recovered.
THAT REUNION. Heartwarming. Though hard to watch too because this show did both Jasper and Monty so dirty. (Yeah I said that too WHAT OF IT.)
“Dying. Same as you.” Murphy gets all the good lines. That’s why people like him, forget this “redemption arc.”
The Grounder Raven killed was Murphy’s guard and honestly--hilarious. He abandons his post, realizes all his friends are skeletons, pickpockets one, then is shot by what he must initially assume is a dead body. Better character than almost anyone introduced from S3 on.
This cake scene is the most iconic. Jonty were scene stealers stfu. They’re children--basically. They get to act their age. They get to be happy and silly and they loved each other so much.
“Pretend like you’re happy to see me.” / “We are happy to see you.” See? Adorable. I know he’s no cinnamon roll but gosh, adorable.
And then Clarke comes in like secret espionage time and they just look so Tired TM.
I feel like Monty knew, or suspected on some level, that Jasper wasn’t just ‘bummed out’ by Clarke’s suspicions, he was panicking a little.
I can’t believe Jasper and Maya have known each other for like 10 seconds and she’s already seen his O face.
“Clarke’s the only reason we survived.” Um ex-CUSE me but I know you didn’t forget Bellamy’s existence, Jasper.
Clarke’s so smart!
Maya brings out the big guns, literally.
“I’m the one who fired the rockets. Should I not have done that?” is so heartbreaking. Mostly because of the delivery. I love this entire scene. There are like 8 different scenes I love in this episode, like whole-heartedly and truly love.
Clarke’s suspicions really do look like paranoia. Like I see what she’s picking up on, saw it even the first time I watched this ep, but there’s a sense in which she does appear irrational.
There’s actually something kinda funny about Bellamy running out with a spear in one scene, looking around blankly, and then getting chained up as a prisoner in the next scene. At least he inspired his little protege Monroe. Scenes like this are the reason she joined Pike in S3.
Tristan’s like “Who are these fucking children running at me and screaming?” Then he gets shot in the head. Goodbye Tristan you won’t be missed.
“We’re here now. Everything’s going to be okay.” This sounds like Kane playing out a hero fantasy he’s had since he was a child. Except he’s talking to two mud-stained kids who are looking at him skeptically instead of, like, a captured heroine or something.
I feel like they set up this conflict where the adults/Sky People elite come in and, like Kane says explicitly, assume they’re in charge and everyone will fall in line, but then the delinquents don’t see it that way or want that: they have their own priorities (their friends) and their own relationships (Finn and Bell don’t even LIKE each other but they’re still communicating by look) and their own knowledge (the pipes that allow them to move through the dropship camp quickly and without permission). But then... it sort of plays into the rest of the season...but not that much?? Not as much as I would like.
“You are not animals. There are rules. Laws. You are not in control here anymore.”
This show sacrificed a lot of complex relationships to just either make people buddy-buddy who had no reason to be or just arbitrarily assign relationships to scenes or episodes without regard for continuity at all.
Raven took Jasper’s goggles.... never over this.
How was bringing Octavia to TonDC faster than collecting some beetles for her to eat?
“Loss, pain, regret. Time eases these things.” I’d say this is the sort of line the show should be repeating but God when it gets a line in its teeth it never lets the fuck go so I guess it’s better this one remains pristine.
I find Dante very sympathetic but also so creepy.
They weren’t really patrolling for other people, were they? Because like...surely they would have found them. They’re at the dropship and close by. He was just bullshitting here. But why don’t they want to make even more new friends?
Dante’s stationery is presidential themed lol. Glad we stocked up the bunkers properly with the important stuff.
The crashed Alpha Station is beautiful. I believe this was the first time it was shown on the show? Ugh, this whole sequence with the music, it’s perfect and so touching.
Jaha is the most tragic and heartbreaking figure on this show. He also doesn’t get the appreciation he deserves. Just...the image of a man alone in space, talking to his loved ones, hoping they can hear them, not knowing if they can... I almost can’t handle it. I used to be very unsure if I liked where his story line went after this (seeing it in its entirety, I defend it) but surely he could not have died this way.
....I really gotta sleep now.
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