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yourhighness6 · 2 months

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NATLA Debrief: Episode 3 (by yours truly)

Hi again! If any of ya'll are interested here's episodes 1 and 2. Thank you to those who have been following these deranged, unorganized posts, especially @phoebester (Just an fyi this will be hella long, just like the other two)

First of all, the way they framed the opening resistence scene was genuinely so cool because I immediately thought back to the cold open for the first episode. The streets are so similar that's where my mind went RIGHT AWAY and if that is not good set design and filming I don't know what is.

The resistance scene was so powerful for so many reasons besides those small details, too. The concept of a resistance within the FN was never addressed at all within the cartoon and I can't express how glad I am that they added this. It just makes logical sense that some people would resist, especially while so many are dying in war, and it really serves to humanize the FN people in a way that's reminiscent of book 3 ATLA. Perfect way to expand on the source material and introduce core themes earlier in the show (M Nite should be taking notes).

It was also a perfect way to introduce both Ozai and Azula's characters. Ozai is this menacing figure stepping out of the shadows (quite literally), an almost larger than life villain who seems to have every move planned and everything calculated. He's brutal and efficient and we can see that. Azula is conniving and smart, the kind of girl who can fool anyone and come out on top, but is ultimately still a weapon under her father's control. You can tell from the moment Ozai mentions Zuko that she is the underdog, but she is determined that it will not stay that way, and she seems just terrifying enough to succeed. (also idc what anyone says Elizabeth Yu has mastered Azula's look and general vibe. I feel like the whole 'miscasting' debacle was a mix of fatphobia and being shown the wrong stills before the show came out. She looked sort of sweet and innocent in those but I get absolutely none of that from this scene)

Ugh the exposition was great and then they have to give us this. What the absolute hell did they do to my Katara? Like there was a whole ass episode in the cartoon devoted to her getting mad because she wasn't progressing as fast as Aang and then in this fucking adaptation the maddest she sounds is when she emotionlessly declares, "I don't get it" to convey mild frustration. I'm sorry Kiawentiio, you're acting is great but the writers clearly have no fucking idea how to put your emotional range to good use. The same problem was present in the last episode and I just don't see them being able to fix it significantly enough at this point, even if they have a desire to. Not to undermine that, but there were a couple good points in this scene: Aang mentions something about bending being "beyond thought" which gives bending a more spiritual aspect that I like, and Katara's PTSD is brought up again in an intelligent way, but still, that doesn't matter if they're going to completely butcher her character. (side note: when is Aang going to learn waterbending? they haven't shown him training at all and I'm getting worried)

This scene was fine or whatever but what in the absolute fuck is going on with Zuko and Zhao? Are they not going to do the agni kai? Like I know there's still animosity there but they were really just sitting there (semi)-calmly enjoying a cup of tea and demonstrating only mild dislike for each other. All I have to say is if they remove the agni kai altogether I'm gonna be so fucking pissed it'll bug me forever and I'll be fucking insufferable.

Also Zuko is so mean to Luitenient Jee for no reason. I know it's because his abuse makes him see any kind of comradery as weakness so it's a good detail if that's what they're going for but ngl I also find it a bit funny. Like what did he ever do to you? And Zhao taking three tries to pass his officer exam is so perfect too like what a fucking looser lmao.

Ba Sing Se looks beautiful. There's something so mystical about it, especially in the way Aang describes it as they walk up to the gate. It's this hub of culture and science and art, but it's also incredibly militaristic and so changed due to war it's almost unrecognizable to someone who was there a hundred years ago. The adaptation of cultures during times of change is something ATLA does so well and I'm glad to see that it's continuing in the LA.

AHH Katara was so awkward during this whole scene and I loved it. For one thing Sokka's commentary was absolutely hilarious but it's also this reminder that Katara has been relatively isolated from other children her age and her brain is like "cute boy flirt how" and its so fucking funny. It might not be the same Katara as the cartoon who is effortlessly comfortable wherever she goes but this is so much more realistic and if she's going to be a bit different this is probably the best thing for them to change (now keep the awkwardness and give her back her anger Netflix I'm begging you)

I am slightly concerned because it looks to me like they're trying to condense at least four episodes into one and I'm not sure if that's going to be a cohesive plotline or a complete mess or not but if handled carefully I think they might be able to pull it off.

Ooooh the explosion was super unexpected and totally cray cray thanks for keeping me on my toes. I'm assuming it was Jet that planted the bomb although I cannot for the life of me think why. Anyways Teo was adorable I'm adopting him.

Also I am so so so happy that they gave him a little more depth beyond just 'happy glider kid' and gave a bit more nuance to his character. Of COURSE kids who grew up in war are going to be desensitized to the bloodshed OF COURSE they're going to be a little vengeful and be thinking about ways to win the war OF COURSE Aang is going to be uncomfortable with that because he didn't grow up with that militaristic mindset even if he did loose everything OF COURSE that's not going to change the fact that kids grow up hearing about death and experiencing loss as extremely young children versus Aang being suddenly thrust into this responsibility and grief because he didn't grow up like that he grew up in peacetime it just makes sense. Good job Netflix this was wonderful this was perfect I loved it.

Okay don't get me wrong I love the way Aang wears his heart on his sleeve I love how their in-the-face storytelling makes a bit more sense with how open and emotional of a person he is it's just part of his character that was improved upon by the LA in my opinion but this is also just... such a misunderstanding of the group dynamic. Like why isn't Katara seeing these people and thinking "I can help with this I have to help with this" and Aang giving this speech to Sokka jumping on the bandwagon? I would even accept them seeing the destruction together and mutually deciding that they need to help the people there (this would probably be best as it allows us to see both character's compassion) or Aang saying something about it and Katara immediately being like "ur absolutely right" but of course they can't do that all we need is a lengthy speech from the protagonist while Katara stands there like robot girl. My mistake.

STOP because her mocking face is so fucking perfect I love Elizabeth Yu she's perfect. Anyway, I think that they're kind of... adjusting her trauma a bit? I mentioned earlier how I feel like she's shown as a little more scrappy and an underdog as opposed to perfectly calculating and not a hair out of place, but after this scene I feel the need to expand on that. In the cartoon, Azula's abuse from her father centers around his unattainably high expectations for her that eventually cause her ultimate breakdown and the conclusion to her devastating character arc. But in the LA, they're portraying her as less of a prodigy and more of a hard worker. She still has incredibly high expectations, but in this version, she never meets them all the time. Her brother is almost leveraged against her in a way. Even if she feels like she is the best and has the constant need to prove she is the best to her father, there's always going to be this nagging insecurity that she won't be good enough to measure up to her brother. She's not being told she's worthless like Zuko, but she's not reaching every goal like cartoon Azula, either. This also might explain why she has arrows. In the cartoon, weapons are viewed with disdain by firebenders, making Zuko using them so controversial, but Azula definetely doesn't seem to be hiding her talent for the bow and arrow and even if it was a her-sneaking-away-to-practice sort of situation that's not very in character and I don't think she would do that. I think in this version she probably has them because she's trying to find every possible way to prove herself to her father beyond just firebending, and mastering a weapon is a way to do that. I'm not sure how I feel about these changes but she is clearly a different character in this version than in the cartoon and moving forward I'm going to treat her as such. (I've noticed this a bit with all of the characters except possibly Sokka: they're different people. I think this actually might be intentional. [even so I still don't like their characterization of Katara her trauma hasn't changed very much to my knowledge she should still have the same core drives and character traits])

As well done as Azula was, there was relatively nothing in the Ty Lee and Mai department. They're just kind of existing, watching her train. Ty Lee is vaguely cheerful (and her costume is great btw) and Mai has one line about exploring the world that gives a bit of insight into her character and has a monotone voice. They're both clearly a little scared of Azula but that's basically it. Hopefully we get more on them soon.

Back in Ba Sing Se, I noticed a bit of a parallel between Teo and Katara. The Mechanist mentions that they lost his mother due to the war, which reminded me specifically of Katara. Throughout this scene, we see that Teo remembers his mother's philosophy and adopts it into his own mindset far more than his father's. Their situation is different because while Katara is arguing for compassion Teo is arguing for fighting back, but they are both fundamentally saying the same thing. It's not enough just to accept their lot in life and try to survive or fight, it's about the big picture, and about defending the things they love. While Katara and Teo both approach this subject from a very different front, the core idea is the same. It's also telling how they are dismissed initially as idealistic for their values when they are really upholding what their mothers stood for in their eyes: for Teo, a symbol of hope in her retellings of the stories of the avatar, and for Katara, a symbol of kindness in her reminders to remain empathetic despite the horrors of war. Make of this what you will, I just thought it was a nice little parallel.

Anyway, allow me to have a few words on the whole Jet thing (in bullet points because I don't have enough brain power to do this)

I'm glad Jet got his freedom fighters outfit. I was a bit worried when I saw what he was wearing in the first scene he was in because the fit is iconic, and so are the swords

God he's so fucking dramatic "they call me Jet" while the sun glints off his swords and he turns slightly for affect it was so funny I laughed out loud

He and Kia have no on-screen chemistry I'm sorry. Like even the fight scene was so awkward and every time they speak to each other they sound so stiff. They're good actors independently but whoever was watching their chemistry check (I'm assuming they had one pre-production but judging by this crap I wouldn't be surprised if they didn't) was either asleep or it was their first day because there is NOTHING there

What the hell did they do to the Freedom Fighters? They're so cheesy and the costumes are so bad (especially Smellerbee's). Like seriously that entire fight scene was so awkward idk what the hell happened there but it was nowhere near the quality of the rest of the episode so far

Overall, I'm not a huge fan. Also where is Sokka I'm pretty sure he's supposed to be there somewhere

Okay here's Sokka finally. Are they just taking him out of the Jet shenanigans entirely? I wouldn't be surprised considering how many episodes they had to condense but still I would have liked to see that. Oh well, I guess they had to have Katara do something in this episode instead of just stand around while her brother and Aang have huge plot points. Anyway, this scene was very interesting to me. Sokka and the Mechanist bonded in the og but not to this extent, and I honestly liked that they did something a bit deeper with it considering they don't have as much screentime to establish Sokka's daddy issues (for lack of a better word). Anywho the Mechanist mentioning that there are other career paths to take besides just being a warrior was super cool and I think we can glean a lot from it about Sokka's future character arc. Maybe in this version he doesn't perfectly live up to his dad's expectations and instead finds his own way? It was nice to see Hakoda proud of him in the original but if they go down this path I definitely won't be mad. It's interesting while staying true to the character, it's just a different direction.

The scene with Aang and Teo was cute. They're both good actors who play off of each other nicely, and Teo talking about how he doesn't want to follow in his father's footsteps lends a bit of insight to the conversation the Mechanist had with Sokka. He probably mentioned Sokka's dad because he wondered if his parents were engineers too and maybe is looking for a bit of an apprentice since his son doesn't take after him as much. This is also another way Teo conflicts with the Mechanist's way of life and may be more similar to his mother.

The jetara scenes at the Freedom Fighter camp had a much better dynamic. I think the fight scene was probably just them figuring each other out as actors, it just sucks that it seeped into the final take. I confess I was a bit disappointed that the Freedom Fighters didn't live up in the trees, but I guess that would be a bit difficult to engineer. I also noticed how Jet repeated Teo's "if not us, then who?" statement, which is probably just your basic commentary on how the future generations are our hope blah blah blah. It's a major theme so I shouldn't be as disinterested as I am in it but as it stands I'm still not totally thrilled with the Jet plotline as a whole and I think that may be affecting it. I feel like Sokka should be here to add some variety and spice things up a bit it's kind of boring.

The last jetara scene was definitely the best yet. I can't get over how happy I was to hear Jet say his mother taught him to fight. So often we hear how dads or older brothers are teaching the women in their family to fight but here we have a canonically badass male character saying that an older female relative was the one who taught him. One of the major complaints I have from the cartoon was how for all its talk about women being able to fight and its supposed feminist message, there were no women of the older generation fighting at all except for Jun, who wasn't even a particularly moral character like all these older men. We do have to remember that the cartoon started production over twenty years ago so it is a product of its time, when feminist issues weren't very mainstream. Another factor that might have contributed to the lack of feminism in the original was the generational discrepancies; millennials were the first to have widely accepted equal educational opportunities in the US, and even though educational opportunities are still affected by sexism, college became the norm for both male and female students at that time. This isn't to say women older than millennials didn't go to college, but this is around the time women and men started to become relatively equal as of percentage seeking higher education. Basically, they were the first generation of women expected to have careers, and therefore the writer's minds were probably shaped alongside a similar number of female peers, but primarily by men. This could have contributed to the lack of older women, but as times changed, so to did the amount of older women in professional fields. This line is a reflection of that, and I hope we continue to see more badass older women and older warrior women and women in power as the LA continues.

Other than that, I did take my shipping goggles out during this scene at the "sunrise" bit, and it wasn't about jetara. I heard from other fans in the zutara tag that the "you rise with the moon, I rise with the sun" line was removed but I keep thinking about how Katara is legitimately drawing power from remembering the sun rising, a time when the opposite element, Zuko's element, becomes more powerful. I know I'm reaching, but while I mourn the loss of our beloved "you rise with the moon, I rise with the sun" I have to find a new version. Anyway I think we should call this sunrisegate lol

Also, the way Katara is extremely hesitant to talk about her trauma whereas Jet seems completely fine with being emotional and dumping out exactly what he was feeling may have been a device but it does remind me of something I read about how ppl with PTSD will often react very differently when sharing their trauma and the same is true for many other trauma induced disorders. It was probably unintentional but I still thought it was a nice detail.

Anyway on a less serious note Iroh and Zuko's dynamic is still top tier. I've seen a lot of people complaining about Iroh's character but I don't see anything wrong up to this point. I might be in for a shock in future episodes but I have genuinely no idea what they find so off putting. He's a great actor and the character has legitimately not changed. The line above was a bit undercut by the fact that he's standing in the middle of an enemy city with a cloth half wrapped around his face to keep part of his face from being seen, but I'm just gonna take it at face value (haha pun). I think the thing Zuko despises most is cowardice, and it affects his perception of the war in a huge way. He calls Aang a coward for escaping from prison because he was running away or whatever and I've never considered Zuko a particularly logical character but it's like... bruh he's outnumbered like fifty to one what he is gonna do? Anyway his definition of cowardice is directly tied to his honor and his perception of it in relation to his trauma and the way he held back in the agni kai and him perceiving that as cowardice maybe... Ya'll got me? This isn't fully formed because I obviously haven't seen this new rendition of the agni kai but I'm guessing the events are basically the same. Do with it what you will.

I skipped over the Azula and Zhao scene because I don't have any groundbreaking commentary except to say that I liked it. It ties Azula into the story nicely and gives Zhao something actually interesting about him (I don't hate him as much as I did in the cartoon so whenever he comes up on screen I just sort of yawn).

Anyway, it was nice to see Katara get a bit angry. I think this captured the gaang dynamic pretty well. Aang being relatively neutral/ quiet while the siblings argue and Katara gets twice as mad as Sokka. Also he may have had the last word but she had the last laugh:

Again, the sibling dynamic was really great but I didn't feel like Katara was carrying it as much as in previous episodes. Sokka actually played his part in making it interesting and realistic. I don't think this single argument is enough to redeem Katara's characterization in my eyes but at least we know now there is a little spark there.

AHH THE SCARF SCENE! Scarfgate was everything I could have asked for and more. Like why does he appear directly behind her like that unless he's trying to fight her? Why does he just let her go by like that? Why does he hold out his hand in the first place? Truly is the Watergate of our time it deserves that name. (also in the same episode as the whole sunrise thing? come on) I'm probably being baited but at least I'm enjoying it.

So I was right about the bombings! I can't believe all those cute little kids are terrorists but I couldn't believe it in the cartoon either so I guess that checks out. Either way I find the bombing far less forgivable than trying to take out the Mechanist. Innocent civilians were hurt and even though I know there was a real possibility that civilians could have been hurt in the attempted bombing for whatever reason it just seems... more brutal somehow. Like the first one was in the center of town, you know? Anyway terrorism is wrong I hope Jet finds his way.

(I was worried about how they were going to tie all the seemingly unrelated plotlines together but I think they pulled it off. Again my main problems were all concentrated around the Jet plotline but when the Mechanist was tied in it became a lot more interesting)

When I heard this I was like "son ur about to get ur ass kicked" but the funny part is he was kind of right. Like when neither of them were bending he was winning. I guess in all fairness he is a lot bigger than Aang but I don't feel like that was an accidental detail. Anyway, I think this fight scene was the most entertaining yet and so much better than jetara against the firebenders earlier. Maybe the affects for water are just worse than air and fire (it feels slower somehow) but I'm very partial to this fight. And that's saying something because I usually fast-forward through fight scenes or just kind of tune them out or barely watch, so you know it was really good.

I think the reason I liked it so much was that it was funny, honestly, not in the same way or to the same degree the cartoon was but I laughed out loud a couple times. For instance Zuko gets hit in the face three times in the span of ten seconds, once with a plate, once with a wicker basket, and once with his own little stick thing. Aang also put a basket over his head and some random ass lady started whacking him with a fan. Kudos to whoever choreographed that it was the best.

Also I liked how Sokka and Katara saved the day together. Cute sibling bonding excersize. And it ended on a cliffhanger with the characters separated! My favorite kind of cliffhanger! It definitely left me wanting more.

Anyway, to recap, things I didn't like:

No Zuko and Zhao agni kai

Mai and Ty Lee were just sort of there

Katara's characterization is still so-so

Jetara plot line was boring and chemistry was not the best

It was kind of a lot for one episode, even if they managed to do it well

Things I did like:

Opening scene

Azula characterization

Teo

The Mechanist plotline

Teo and Katara parallel

Katara DID actually seem a little bit more firey in this episode

SCARFGATE

Zuko and Aang fight scene

Surprisingly good handling of all those loose ends

Cliffhanger

Overall, I would give it a 9/10. That's the highest score I've given an episode so far and I'm standing by it. I know others might have a very different opinion on it since it was condensed so much and differed a lot from the cartoon, but I agreed with many of the changes they made. One thing I would urge everyone to remember is that these are different characters from the cartoon. They're going to act slightly different and have slightly different journys and that's okay. I think it is worth comparing to the original, as it is an adaptation, but we need to remember that an adaptation is not an exact replica, nor should it be. That in no way means that we should make allowances for anything we found negative or mediocre, but it is going to be different and change in it of itself isn't a bad thing. Anyway thank you guys so much for sticking with me! I'll probably have the next episode's debrief up by tomorrow.

#natla debrief #emmie babbles #scarfgate #zutara #aang #sokka #katara #zuko #jet #jetara #natla episode 3 #natla analysis #natla meta

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