Tumgik
#tell the truth I guess
cutekoala1001 · 6 months
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POV: You’ve been drawing for clients all week, and you finally decide to stop and draw something for yourself. Wyd? 👀
Anatomy practice
That present for your brother
Backgrounds
Hands
♡✨BUSTER MOON✨♡
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nataliesscatorccio · 7 months
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YELLOWJACKETS
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linovadraws · 7 months
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In my excitement for A Power Unbound, I've been relistening to A Restless Truth and remembering how much I love this book, ahhhhhh.
A Maud and Violet to match my Robin and Edwin drawing :)
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zeearts · 7 months
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i didn't grow up with halloween but i read about it, just like vash did.
idea for today's @vashmerylweek Halloween + Date Night prompt very much inspired by this absolutely adorable piece 💖
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skitskatdacat63 · 7 months
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For Dru (@fortheloveofaussiegrit), thank you for completely and utterly brainrotting me with this moment 🙏
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hecksupremechips · 2 months
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Akihiko becoming a cop is something that simply doesn’t happen in the coma route cuz Shinji would see that shit and be like Aki what the actual hell is wrong with you
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theladyspanishes · 19 days
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Apologies but you were at the top of my Tumblr feed and I have been instructed to randomly tell someone online a painful truth.
Here goes.
Closing your posts to comments is an inherently hostile act.
Again; sorry. Nothing personal. We all serve the random number gods in our own fashion.
Mndrew, I recognise your profile pic, I've seen you around, I know you're a chill community member and active participant and stuff, so I want to be clear that this isn't like a dig on you or anything, it's just a response to the thesis statement: "Closing your posts to comments is an inherently hostile act". I don't know how many of you know this, but a while back, while I was still at university, I spent around a year? Maybe 2? dealing with an obsessive online stalker.
They made it very difficult to spend time anywhere online, but they especially weaponised Tumblr (I think they realised it was a less public account of mine where I could seek respite). I would wake up in the morning to find they had sent me hundreds, on one occasion close to a thousand, messages. The messages would range from threats of self harm or against me to seemingly nonsense phrases designed to just remind me that they were still there. The tumblr notification sound still spikes my anxiety.
You can't block someone like that. First of all, they would and do simply make more accounts (I just checked - I still have 30+ accounts of his blocked over here). Secondly, this kind of behaviour leaves you in a trap; If you interact with them, they know they have access. If you block them, they know that you saw their message... so they know they have access.
During this period, I had the good fortune of being able to ask Grace Helbig, of all people, whether she had any advice. She got so furious on my behalf I still tear up a little when I think about it, but *she* told me a painful truth that day: As much as you might like to, as much as most people know how to behave appropriately, you cannot leave yourself open to every line of communication your audience might want.
If you look around at my socials you'll probably start to notice a trend. You can't comment on my instagram posts unless you're a follower. You can't DM me unless I follow you on Twitter. Places where I can't control those settings, I simply do not ever open my inbox. In fact, it was really only a short time ago that I turned tumblr messages back on, after a loooong hard think. In many cases this is something that actively hurts my engagement, but it's a choice I've made to draw a line on where and when and how people can access me.
All of that said, you don't need to be an internet personality with digital stalker trauma to draw your lines. Closing your posts to comments is not inherently hostile, it can be an act of self-care, self-preservation. No one is entitled to be able to access you in every way they want to.
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Seeing mouse man for first time i thought for a sec that you un-rabbitfied William tbh xD
Everyone un-rabbit that man
yeah!!!!!! un-rabbit that man!!!!
oh but that is so cool actually. i've seen artists drawing their favs differently every time until they're completely apart from the original character. they are so sexy for that tho
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suddenrundown · 2 months
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me on my death bed: a-and tell them...tell them that the rundown job...is the...most....episode...........of.................................television
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chirpsythismorning · 11 months
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Just when I was thinking it was dry as a California summer on here. Perfect time for Nick from 8flix to make a comeback
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LYING TO THE FEDERATION’S FACE YIPPEE🎉🎉🎉
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haru-chi · 9 months
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Can we talk about Reiko for a bit ...
(I wanted to write this one because I wanna see how far this theory of mine going to develop in the future)
I don't know how to start with this one or from where exactly, but I'll try to make it organized as much as possible despite the chaos in my mind ><
I saw alot of people's theories about Reiko's husband or that some believe that he's Yorishima or other different theories about her, but I had very different theory about her or maybe her story in general. ...
- Her connection to the exorcist world
I guess it's already a given that her husband might've been an exorcist which in result would also explain how she knew about some spells .. but the connection doesn't seem to end there I fear.
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the first time Natsume went to an exorcist gathering someone recognized him as Reiko, was that a human or a Youkai ?? but I believe it might be a human more than a youkai. since...
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when Nanase first heard his name, she asked about Reiko so that prove exorcists do know of her somehow, she said she knew of her from the youkai, but is that really true ??
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I mean one of the reasons Seiji was interested in Natsume was because of Reiko, in the manga (we don't talk about the anime ver here cuz it's too different ugh) when Seiji start threating Natsume, it was because he wanted info about Reiko that badly but what kind of info ??
Seiji also said the same as Nanase that he heard about her from the youkai and that it's natural to want to know more about someone this powerful since they're rare ...
that can be normal if Reiko is alive, but she isn't .. would you go as far as threating a little boy to get some info about someone who's already died ?? unless what you want is something that she left behind so you're desperate to get this info to the point you're threating like that perhaps ??
now you'll think, " oh so they heard about the book of friends from the youkai?!!!"
but nope, I don't believe it's from the youkai such rumors spread, why do I think so, you ask ??
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in the same chapter, Madara stated even if Seiji heard about the book of friends, then that's likely from human than youkai since the youkai by instinct won't mention such a thing which hold their own life in it especially not to exorcists.
maybe it's as a myth or uncertain rumors, when and how did it start I don't know but I think the exorcist world DID hear one thing or two about Reiko and the book of friends.
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in the same chapter of when Natsume first went to the exorcist gathering, Natsume realized that the book of friends must be kept a secret from those people, I tend to think of such things as having indirect meaning since Midorikawa-sensei craft her stories carefully so I took this as indirect sign that they already knew of it one way or another which led to what I'm gonna bring up next.
Now that I established that the exorcist world do know of Reiko one way or another be it as a myth or more we're yet to actually see or confirm
PS : it's normal for Natori to never have heard about Reiko or the book unlike Seiji or the others since Natori wasn't always there or grow up in this world and he's hated on top of all.
-Next is about Reiko's death
now to the next question, how did Reiko died ?? do we actually know the details ?? was it an accident ? sickness ? or killed ?? all we know is that she died at a young age leaving her daughter behind.
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when Nanase showered Natsume with all those questions about Reiko and her way of death, Natsume stated that he only heard she was found died under a tree one day, nothing else is known. I smell a crime here :)
now if Reiko was indeed killed by someone, was it a human or a youkai ??
personally, as far as of now, and as far as what I stated before, I'd go to say it's a human who killed her and an exorcist at that too.
I don't think I need to state why she was killed; the aim was the book of friends :)
another reason why I believe it was an exorcist is ...
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Madara stated the first time Natsume went against exorcist that he can't protect him against such humans 100%. I mean Madara for sure knows what actually happened to Reiko be it her life or her death, but he chose to stay silent about it, so if he was there but failed to protect her then he said this line out from experience.
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also, an exorcist is the one who sealed him in his cat form, so what if this happened when he tried to protect Reiko from her attacker ?? but he got sealed while Reiko got killed.
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and what if that time when Madara went berserk after seeing Natsume get hurt by an exorcist's arrow was very triggering to him because it happened before ??
thus, I kinda feel so far all of this point out to Reiko being killed by an exorcist more than by youkai ...
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something else I think of is, where was her husband ?? her husband mostly an exorcist, right ? now what if he's the reason all this tragedy occurred, that he's the reason Reiko got into the exorcist world, that be it by him or someone around him the existence of the book of friends became known which endangered them all.
what if he tried to protect his family so that's why he was never there when Reiko had his daughter, or maybe simply he died in the line or work since it isn't a normal line of work ?
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now where does that leave Yorishima in all of this ?? he clearly knows Reiko and the book of friends, if such myth or rumors going on in the exorcist circles then you can't convince me that the "walking dictionary" never heard of such a thing, he's also older than he looks so he might've witness it all. actually, what if that's the very reason he cut ties with the exorcist world ??
at first, I was like he might be the one who sealed Madara or Reiko's killer and out of guilt decided to live in isolation but Madara has no reaction when they met the first time so that was the end of that idea before it starts xDD
does he know Natsume's grandfather ? was he related to what happened to Reiko ?? many ideas go through my mind, but I don't know so far too little info for me. but that's one of the reasons why I'm against him being Natsume's grandfather and why I think the role he plays is different :)
(actually what if he's Natsume's uncle than grandfather?)
hmmm, that sum up what I have about Reiko overall, I feel I forgot to mention something but more or less that's all I hope, there's a missing link which I'm searching for (mainly Natsume's grandfather, Reiko's husband but yeaaah) but for now that's what's been living in my mind. I do have other few adjustments to the theory but will keep it to myself until I see which way it rolls with future info's.
just imagine what if Reiko's killer was a Matoba or even a Natori the paper master's family, or will it be a family we never heard of before. plus, whom to say his grandfather wasn't from a family we already know too if he's an exorcist :)
when will Midorikawa-sensei give us new info about his grandfather, been hungry for more since I know the next info gonna be a big one for sure T^T
anyway, I'll end this post with this panel and leave it at that.
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borinhoran · 1 year
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jackie to shauna in 1996: “are you really going to keep something from me out here? what did i do? when did you stop wanting me to be your best friend?”
callie to shauna present day: “i swear to god mom, if you lie to me again — im so fucking over secrets. like, i can’t.”
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r0semultiverse · 2 months
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Two Truths & a Lie Round 1
For people who can't see polls: pick the lie
I've killed a frog.
I'm haunted.
I've had relations with someone's mom.
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macaiv · 1 year
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The caption made me laugh just a tad 🤭
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randomwriteronline · 1 month
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"Pohatu - fancy seeing you here."
Nokama smiles a little more when the Toa turns to her. He sits slightly hunched on the edge of a cliff overlooking the sea, powerful legs swinging idly in the emptiness that divides the rocky wall from a plummet into the ocean, completely unafraid; the unusual shape of his Kakama Nuva greets her wordlessly.
"I hope I did not bother you," she continues gently: "You seem so caught up in your thoughts, these days..."
A comfortable silence follows the pause she allows to hang.
For a moment a sense of dread creeps along her spine, around her arms, ensnaring her neck: Pohatu, whose voice rattles the mountains, stares at her eerily quiet with a terrifyingly blank gaze and a lack of emotion in his expression.
But he blinks, and his eyes widen, and he says: "What?" as he leans his head forward. "I'm sorry Turaga, I was not listening."
She exhales, amused, as the broken tension allows her shoulders to sag a little: "I only mentioned that you seem very distracted as of late - even during Vakama's tales."
"Ah," he replies with a slightly embarrassed laugh: "I guess my head likes to be in Lewa's domain far more than my feet do in Onua's."
Nokama laughs with him: "May I?" she asks.
He gestures to his side amiably, inviting her to sit with him: "Of course, of course."
It's surprising how little he's worried. Even her head starts to spin from vertigo when she dares to look down at the swirling waters, and she is the furthest thing from the infamous Po-Matoran hydrophobia; yet he sits there without the barest hint of concern despite knowing very well he would sink to the depths of the ocean horribly easily.
Pohatu looks again to the horizon.
He's unusually unreadable.
"I've spoken with the Mahi of Po-Koro, on one of my visits," she tells him - her Rau's abilities have already been unmasked by now, so it's less strange than it could be - "They've told me you quite love to pamper them, more than the Hapaka."
His laugh vibrates out of him, but she notices he does not smile as wide as the sound would imply when he simply shrugs: "I like horns."
They've told her that, too.
"What troubles you, Toa of Stone?"
He glances back at her: "Nothing."
"Yet your mind is so often elsewhere, and you almost don't look like yourself. I've come to know you, Pohatu - I wish to help, if I can."
Nokama's gentle worry makes him sigh deeply: "You're as good a teacher as Toa Lhikan thought, Turaga," he replies with a heavy tone. "Very attentive."
She looks to her feet: "Vhisola was proof otherwise," she mutters.
Pohatu tilts his head: "Then it just means you've gotten better."
The Turaga smiles: "You're always too kind."
He does not reply to that.
His fingers sink into the stone of the precipice to rip a chunk out of the cliff like it's nothing; he tosses the rock from palm to palm absentmindedly, neck craned back to look at the sky.
"I'm just thinking of Po-Metru."
Curiosity, then. "It's only natural," she soothes him: "Your siblings wonder about Metru Nui too. Gali has asked me about Ga-Metru and the Great Temple quite a lot in the past few days. I'm certain Onewa will not be too shy to answer your questions."
She watches him pull one knee up to lean his chin on it: "I don't have many, to be honest - not about the city."
"Really?"
A shrug: "Turaga Vakama is very good at descriptions."
"Ah... Yes, he is, isn't he."
The Toa does not smile back at her; he keeps looking further away into the endless sky, as if to pull on the rest of the ocean with his mind until the other side of the island appears on the horizon.
"What is it, then?" Nokama nudges him. "What doubts take hold of your focus?"
He does not answer immediately.
The rock falls back in his hand perfectly each time he juggles it.
He does so halfheartedly, distractedly - in the same way he sits at the Amaja circle and looks at her brother speak as though he could see right past him, through him.
"The Matoran come from there," he finally says.
She nods.
At last, his strange nearly impersonal gaze returns upon her mask.
"Do you know where we come from?"
It takes her a moment to understand who he speaks of: "You come from the canisters," she answers, because that is nothing if the truth. "You come from the sea."
"The sea bears life - the sea bore us," he says under his breath at that, as though he is repeating a memory. It sounds a lot like Gali.
She nods: "That is as much as we Turaga know."
"And nothing else?" he insists. His words don't hold any desperation, but there is something in them she can't explain with any other term. "Did we have anything before that?"
"No, nothing. Nothing that we know of."
"You were Matoran. You became Toa. Do you not remember us?"
"No - you were never in Metru Nui. We never could have met you there, not even as Matoran."
"It remains we must have been Matoran. Isn't that right?"
His tone is... It strikes her enough to make her stagger before she can offer a response.
He sounds like...
He sounds like them, in a way.
He sounds like he is testing her - to see if he can trigger a specific reaction from her.
His tone is somewhat methodical, scientific, like a researcher interrogating a subject to observe the effects of whatever he's administered them; it is that of calculated questions that one already knows the answer to. His mask is unreadable, incomprehensible - not for a blank anonimity but instead an overwhelming amount of minuscule tells and signs that muddle the waters of his emotions, obscuring them within their own cacophonic confusion.
If only she too knew the answer.
If only (she assumes) he had not forgotten it.
"I imagine as much," Nokama finally replies. "But you six are special, Pohatu."
"You were chosen by Mata Nui himself," he interrupts her. The kindness in his voice is nearly an afterthought, but he masks that fact well. "I would say you too are not necessarily as ordinary a bunch as any Gukko flock might be in Le-Wahi."
She chuckles despite the strange atmosphere: "Oh," and then she laughs, and she laughs some more, bent over herself to try and stifle the giggles that bubble in her chest, "Oh, be careful not to say that in front of Tamaru or Kongu, lest you want a very angry lecture on how the Gukko force is so very different from their wild siblings."
Pohatu's smile is lukewarm.
The Turaga recomposes herself quickly when she takes in his lack of amusement: "But you are different," she insists. "You are something more than what we were or could have hoped to be."
"That sort of thing doesn't spring out of the ocean from nowhere."
"That sort of thing is what legends and prophecies are made of. Your arrival was foretold in stars that cannot be rewritten; you came to aid us, delivered upon our shores by the elements themselves; you battled against the Great Spirit's most insidious, terrible enemies, and defeated them. You are special. And perhaps you had no need of a Toa Stone to become who you are."
The reply she gets is a silent stare.
The rock creaks from within the Toa's grip.
If she were looking at it she'd notice the liquid manner it behaves.
"It's a sad idea," he finally says, "To be born only to fight."
The Toa protect, for that is their duty; the Matoran create, for that is their destiny.
Her hand lays on his arm with a kind, humid pressure.
"I may very well be wrong," Nokama reassures him now. "I've told you, not even we Turaga know much."
"You know prophecies."
"Those can only get us so far. And they can't see the past."
"I wish they could," Pohatu says with a focused gaze.
His eyes are locked onto her own.
"I will pray the Great Spirit to bring you answers soon, Toa of Stone," she promises - because what else can she do? How else can she reply to the perfectly still stare that seems to pass through her, carving holes within her head with the precision of a sculptor? "So that you and your siblings will never have to feel as you do now again."
He does not move.
Then, at last, his head tilts with a tired, relieved smile.
"Thank you, Turaga," he tells her earnestly. "I hope so too."
Nokama grins back at him, so gentle, so sweet - so glad that the disquieting spell is over and the Toa is once again fully himself.
She raises herself from her seat with a bit of a struggle, helped upright by his powerful arm. Another burst of vertigo makes her sway for a moment as she catches sight of the long fall into the waters, head feeling light before she imperiously shakes the sensation out of it: there is nothing to fear, the cliff won't fall. Even Pohatu has gone back to swinging his legs in the nothingness with the carefree movements of a Matoran dangling from a jungle vine, and if he is not afraid then she has no reason to be either.
He does not move to follow her.
"I shall return to Ga-Koro now," she tells him: "Soon enough we'll have to carry the boats to Kini Nui, and I ought to make sure they're nearing completion."
"Call Taipu when you need to move them, if my brother is too busy listening to stories - I'm sure he'll be happy to help," he suggests.
Her smile confirms that his poison is mistaken for a lighthearted jab: "A good idea. I will ask Whenua to send him to us, if he is not busy enough already and wishes to lend us a hand. You should be off too, listening to stories like your siblings, should you not?"
Head thrown back and legs stiffened, the Toa whines like an annoyed child: "But Turaga," he exaggerates his whimpering drawl to kick a laugh out of her shoulders, "I don't wanna!"
"Neither do I want to go fetch Nixie out of her observatory for the eleventh time today, but duty call us all the same."
He huffs and pouts dejectedly as his body slumps on himself in a comical manner; his furrowed brow clears into a simple smile as Nokama hiccups chuckle after chuckle at his stellar performance.
"There's still a little while," he bargains with her.
"And will you be at Kini Nui on time?"
"Am I ever late?"
No, she can't argue with that. Her eyes shine with affection as she lays them on him again.
"Alright," she pretends to concede with a sigh, as though she were doing him a big favor. His grin amuses her to no end. "But make sure to be there."
He places a hand on his heartlight: "I will be."
"And try to focus, as best as you can."
"I will try my hardest. I just need to clear my head a little more, and then I'll be the most captive audience Turaga Vakama has ever had."
"I'm certain you will. I hope the sea brings you solace, Pohatu."
"Thank you, Turaga. Goodbye."
She does not see his cheerfulness drop in an instant as soon as her back tells him she will not turn to look at him again, smile flattening, eyelids drooping, eyes hardening. He watches her until she disappears from view with a face devoid of love and a sizzling in his heartlight that almost makes him feel sick; the stone in his hand squeezes through his fingers like putty, slithers between them, takes a slug-like shape as it coils around his digits squirming like a worm emerging from a fresh tomb into a summer downpour, before he lets it collects itself in his palm once more.
He crushes it gently and looks down only when he opens his palm again. It looks like a Kane-Ra bull. He tries again: this one is a Makika. A Fikou. A Dikapi. A Tunnel Stalker. A Husi. A Fusa.
A Turaga with their mask shattered.
Without a word he presses the rock with both hands to somewhat shape it back into a proper sphere, carefully, taking his time.
He kicks it as far into the ocean as he can. His eyes follow its trajectory until the distance turns it far too small for him to distinguish it against the flickering gleams of the waves in which it no doubt sinks. He continues to look at the calm waters, legs swinging idly much like branches in a light breeze.
The sea bears life, Gali said; the sea bore us.
Pohatu looks into the cradle of his siblings' rebirth thoughtlessly, quietly, hating it as much as he hates them for not swallowing them whole.
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