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#thinking of how it applied to you
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people online will be like “haha i will make 9/11 jokes because the american reaction to the event had many levels of irrationality” but will not confront the massive amounts of internalised islamophobia that arose from american propaganda justifying the ‘war on terror’ and the iran and iraq wars which was then compounded by a culturally christian society that portrays Islam to be inhumane and oppressive resulting in them now hearing that a muslim group is targeting a fanfic website for ‘degeneracy’ and ‘being usa based’ and then believing it without a second thought
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calling my lover "mine" but not in the way that my toothbrush or notebook are mine, mine in the way my neighborhood is mine, and also everybody else's, "mine" like mine to tend to, mine to care for, mine to love. "mine" not like possession but devotion.
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batfamfucker · 9 months
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What About The Kens?
I'm already seeing guys complain about the Barbie movie end, how they wanted Kens to be equal in Barbieland but were only given a small part on the Cabinet.
That's the point.
You're meant to feel bad for the Kens. Believe me, women aren't partying over the 'Returns to Matriarch' ending. Some will be, but the ones who also clocked the meaning behind it won't. Most women will also feel bad for Kens. Because it's an exact parallel to how women are treated in reality.
Men, you're meant to be upset. You're meant to question it. Because you're meant to feel it, and feel what that is like, so you can finally understand women. You're upset at seeing it in a movie, now imagine living it in reality. That's being a woman.
Kens were shit on so you could feel what it was like for women this entire time. Kens were being used as a placement so you could see yourself in a woman's shoes. A world dominated by the opposite sex. When Ken leaves, and sees male presidents (All men) for the first time, men being doctors and lawyers, etc, realising he is more than just a prop for Barbie, that was on purpose. Because that is the feeling that Barbie gave to women. It's why you cheer for him at first before he goes a little overboard.
It's exactly why the real world was an exaggerated Partriarchy and Barbieland an exaggerated Matriarchy. Neither wins. Neither is equal. None of them change for the better. It's why you should want women in the real world to be respected, and Kens in Barbieland to be respected.
The thing is, women also didn't win. Not in the real world. In Barbieland, yes, but not anywhere else. The real world didn't change. But you didn't notice, did you? That Gloria (The mother that helped Barbie) also didn't get a position on the Mattel board? It was still all men? Her idea was ignored until it made a profit, and the men will likely get the credit? She'll still just be the receptionist? The women representing the real world didn't get anymore opportunities, neither did the men in Barbieland.
I was hoping that Gloria would be offered a position on the board, and that the Barbie Cabinet would introduce another entire Cabinet to represent the Kens, but neither happened. They're complete mirrors.
But which one did you actually notice? Which did you actually care about? Now tell me again the ending was unfair. Because it was. For both parties. That's the point.
The difference is, Barbieland is fictional. You will walk out of the theatre with the reassurance that at least it's not real. Women won't. Women can't. Companies not giving women equal opportunities or voices isn't fictional, and that was just one example. There are no women presidents (USA at least) for us to go look at in the real world. We don't have somewhere to go to realise it could be different for us like Ken did. Barbie and make believe is all we had when we were kids, or even now.
You're supposed to be mad, just not at the movie.
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lassieposting · 6 months
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Tav, using their Pet Owner Voice: What have you got in your mouth? What are you eating? Drop it! Drop it right now!
Scratch: [whines and drops Wyll's boot]
Owlbear Cub: [guiltily spits out Boo, alive and unharmed]
Halsin, currently a bear: [drops a half-eaten salmon and makes an indignant noise]
Astarion: [startles at the raised voice, lets go of Tav's wrist, reclaims it and goes back to his breakfast once he realises they're not talking to him]
Gale: [chewing faster]
Tav, sternly: Gale...
Gale: [reluctantly spits out a powerful magical artefact into Tav's outstretched hand]
Tav, muttering under their breath: Can't have shit in the Gate.
Gale, ruefully rubbing the back of his neck, also under his breath: Gods forbid a wizard do anything
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grimalkhiindi · 2 years
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I hate you shipping discourse I hate you unnecessarily aggressive DNI banners I hate you dehumanization of those you disagree with I hate you harassment over ships or favorite characters I hate you purposeful lack of nuance I hate you false equivalencies I hate you policing how people engage in fandom I hate you actively trying to make fandom spaces hostile I hate you refusal to filter your feed I hate you making it everyone else's problem
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crismakesstuff · 6 months
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“What if I become him and I don’t even know it?”
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wavebiders · 5 months
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I think what really bothers me about fanon!Astarion isn't just the woobification. That happens to every problematic white boy. It's annoying, but not news. It's that almost every trait that the fandom assigns him is something that is already explored through a different character in this very game
You want a character that's too focused on the task at hand to want to stop and help innocents? That's Lae'zel! Astarion is cool with dicking around, but Lae'zel spends most act 1 actively in a panic about the tadpole and pushes you to just find a cure already
You want a trauma survivor that is mostly self-serving but can't help but care about people in a similar situation? Well, Astarion disaproves of you helping slaves, but Shadowheart really wants you to look out for kids! Even when she gets tortured for it!
You want someone who is prone to sympathizing with the monstrous? Despite being a monster hunter, it's Wyll that has that covered! Astarion doesn't even like you sympathizing with a recently orphaned goblin kid
You want a proper courtship with a prince charming? That's literally Wyll's romance!
You want a character that tries very hard to be bad, but deep down enjoys doing the right thing, and starts to accept that over the course of the game? Shadowheart again! A massive part of her story is just that
You want the angst of a character still having been a minor when entering their abusive situation? That's the case for literally everybody except for him and maybe Karlach! He was an adult with a job
None of this is meant to be an attack on Astarion as a character, but pushing all those traits on him does the game a massive disservice. All these character's storylines exist in conversation with each other, they all benefit from the existence of the others. To instead pretend all those things apply to one character, is just
Well, it's incredibly boring
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hel1anthus-annuus · 6 months
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Love this bitch for having multiple gender filters on. He’s transmasc, he’s a woman who’s a man, she’s nothing at all
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Please stop telling people to die. Please stop telling people to kill themselves. For the love of everything, please stop. Don’t do that.
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coredrill · 5 months
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this is something i’ve talked about quite a bit with a friend, but i figured i’d share it here just because i think it’s an interesting and informative mindset to look at current media with… basically, i had the chance to talk to [writer who works for major media corporation, not involved with any of the examples i mention] a bit ago and they said that when they tried to include a trans character in their story, the direction they were given from higher-ups was that “they can BE trans, but they can’t SAY they’re trans.” and i think hearing this really made a lot of things click into place for me regarding, like, queer characters as a whole?
like. i think it’s the reason that someone like captain angel in strange new worlds can use they/them pronouns and talk to spock about not fitting into boxes but can’t SAY that they are nonbinary/trans. it’s the reason those gundam girls can propose and get matching rings, but as soon as a voice actor says they’re gay, bandai scrambles to “correct” it. kirara from jjk can have a middle school class photo that looks quite masc and in the present look very punk & femme, but not say the word trans. gwen stacy also cannot say the word trans while the screen flashes pink and white and blue as she begs her dad to just see her for who she is as his daughter. galo can give lio the kiss of life and then explode into a heart-shaped flame in a movie littered with pink triangles but not be called gay.
and all of this is obviously frustrating for a number of reasons, and it can be hard to parse intent when movies and shows CAN’T be as open as their writers would like them to be, but i think it’s worthwhile to keep in mind as a viewer? i don’t pretend to know what goes on behind the scenes of course, but i’d bet that’s why we’re getting to such a point where there are stories that are laughably blatant in how queer they are but which staunchly don’t claim to be - because if they DID, they’d lose the chance to tell that story before they could even try 😭
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Could the Ace Attorney fandom stop pretending that Phoenix Wright or Miles Edgeworth or any of the main cast is white? Idgaf if the localized version is set in America. Asian Americans exist. You are consuming a piece of Asian-made media, not everything is about white people
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shlulkythepissbaby · 6 months
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And I'm too physically disabled to do manual labor too.
I love you, Shlulky, I hope you're able to get the financial aid you need.
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constellaj · 2 years
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anyway im tired of people treating Disney (corporate) and Disney (writing and directing staff) as a monolith. yes Disney (corporate) funds massive anti gay legislature. yes Disney (corporate) only recognizes demographics in terms of how much profit they can bring. but trans guy in Baymax isn't an evil trap put there by the shareholders to draw in queers and wring us of money. the trans guy in Baymax exists because in the writing room a bunch of storyboarders and storytellers were spitballing "hey, what people do we need here?" and one of the answers that came up was "trans guy" from a person who sincerely believed that representation was not only valuable but necessary. there are real people making every choice you see and hear. you can hate how corporate feigns blasé without assuming it's all some premeditated plan. you can be rightfully suspicious of corporate motivation without erasing the artists with their own motivations
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turtleblogatlast · 3 months
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Imagine the boys getting cursed to bear witness to “some of the most negatively impactful things in their lives” and they’re terrified, thinking it’ll be stuff like the invasion or Shredder or something-
Only to be met with multiple scenarios of their family. Saying offhand, but hurtful things. Doing hurtful things. Lots of scenarios that were inconsequential to everyone but the one most affected.
And they’re all scrambling, desperate to make sure the others don’t look too deep into it haha it doesn’t really bother them- but they all know the truth. Because they’re all in the same position here. It wasn’t on purpose, and they all know it wasn’t on purpose, but it still hurts.
It’s almost a relief, that they’re going through it all together. That they can apologize for mistakes, and accept that they’ve held onto hurt too long when they could have dealt with it sooner.
And that’s how they break the curse, reversing it into something different, as they’re told that before it leaves them for good they’ll bear witness to the most positively impactful things in their lives. And now they think they’ll see some of their best victories, some of their grandest adventures-
The scenes they see then are of the same cloth as their negative ones. Simple scenes, ones that most wouldn’t remember. Times where someone managed to make someone else smile, times where they were just so content to exist by the other’s side, times where they were just happy being there with their brothers, their family.
It’s the little things that go the farthest, because that’s what you experience the most in life. And they’ll mess up again, of course. Things happen, and they’ll never really know how their actions and words will be taken. But through the good and the bad, they’re family.
Besides - turns out, there’s a lot more good.
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riemmetric · 4 months
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One frustrating thing about being a mathematician is that people who aren't into math heard that Einstein quote that's like "you haven't understood something unless you can explain it in layman's terms" and use it to mean "if it can't be explained to me in five minutes it's needlessly complicated, this person is a pretentious snob and academia is gatekeeping knowledge". And like everything in life, the matter of scientists not being able to/not caring to explain their work to people who aren't at the same level of expertise as them is a complex one that is worthy of being discussed, but here's the thing that you have to keep in mind if you haven't done math since high school:
the further you get into math, the more specialized your field becomes. You start working of puzzles that are small, but fit into a greater web of similar problems, like knitting a beautiful flower that's meant to be incorporated into a huge quilt. And all of math is build on top of each other, so you can't get to the most interesting, current math being discussed in the world without getting through the building blocks that are taught to you in elementary school, high school and the university.
You ask me to explain my thesis to you and I can tell you the title, but you won't know what the main words in it mean. And that's not because you are stupid, that's just because to learn that word you have to spend time learning a hundred others. I love math, it's my favourite thing in the universe and I always have time to talk about it, so if you want, we can sit down and I'll tell you everything you need to know to understand what I'm currently working on. You can ask me questions and I will reformulate, you can ask me to go over things again and I will oblige. With your permission, I will get a piece of paper and draw shapes and schemes to help us, but it won't take five minutes. It can't take just five minutes. That is a concession you will have to make if you truly want to learn.
(Unfortunately, I don't want to disclose the title of my thesis on tunglr dot hell, because it's super specific and I don't feel like doxxing myself. But I hope this resonates with some people. I work both in symplectic geometry and Riemannian geometry, and I have to say between the two Riemannian is a little bit easier to explain, because I can just talk about distances, but symplectic geometry or Lie groups... I'm afraid I just can't explain those in a sentence because they rely on people knowing what differentiation means, and that's not knowledge you necessarily retain if you work outside a stem field. Explaining that in a few sentences would eat up the whole five minutes).
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The thing with Jon is that he is actually really funny! His delightfully dry and sarcastic sense of humor is pleasantly visible from the beginning, and it's gradual decline as pressure builds up is pointed. He never loses his humor though, and in so many cases the crisis enhances it.
It makes me consider his childhood. Jon's rejected, ignored and hushed pretty often but it scarcely stops his witty comments; is this the environment he grew up it? Its not uncommon for elderly people to have dry humor also, and the mask of academia goes hand in hand with sarcasm.
What's really fascinating about Jon's humor however, is how it changes during the apocalypse. When he no longer has to mantain a professional image or his integrity in any way his humor takes much more of a forefront. Of course, he's still under a tremendous amount of pressure so it would be ridiculous for him to be funny all of the time, but when the social stakes are lowered he's much more open.
We see it in many moments when he's with Martin, and even with Basira, Melanie, and Georgie. His jokes are a lot more honest, and he allows them to be simply funny instead of lacing them with intellectualism. For the first time him being professional, polite, and socially acceptable will do absolutely nothing to help him and he's able to let go.
Even in through the various moments of struggle in their journey Jon's able to be more relaxed, which in turn seems to create better outcomes; I'd say that this is because it's not his fault for once, but since he very clearly believes that it is, this reaction is likely as a result of the fact that it absolutely and categorically could not get any worse .
This, I think, is a reason Jon and Martin were able to get so far (and remain so engaging). Even in the darkest depths, the worst of the worst, their survival instincts and coping mechanisms compliment eachother greatly. Jon provides information, knowledge, and the light relief of a very good joke. Martin provides care, concern, and emotional critical thinking.
Their love for eachother was the glue that held together a very well suited team, and together their skills and even their flaws carried them forward.
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