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iventig · 3 days

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“A new recruit? What do we would need a newbie for?”

“Soap, there's no use questioning it,the decision has been made months ago.Now quit bothering me.” Price is truly annoyed. Ever since he broke the news to his team,Soap has not stopped asking about why, when, how and for what reason this new teammate will arrive to the taskforce.

“Okay,Okay,I get it at least tell us where they’re from,I mean we need to work with them at the very best of our abilities and-“

“Johnny”

Finally, freedom and peace arrived in the menacing form of Lieutenant Simon “Ghost” Riley. Never, in his years of work had Price thought that peace and Ghost would occur in the same sentence within his thoughts. As he stood just a few meters away from his office,and the peaceful moments that he’d get by just getting through that door, Gaz came from behind.

“Captain,outside is -“

“what time is it Gaz?” Price asked in the most nice and calmest tone he could muster. Inside his chest panic rose, as he reminded himself of today's date. The recruit is coming today at exactly 16:15 pm

“Its 16:13, sir”

“Thanks Kyle, I need all of you to go. To your bunks,or the main hall,or somewhere else. Now.”

“Why?” again, Sergeant soap thought it was a good idea to talk again and so to break the last straw of his captain’s calmness.

“Ghost make sure this nuisance doesn’t get in my way with his stupid mouth today again, or he’ll gets to experience a whole week of outside recruitment training.Understood?”

With that Price turned on his heel and out of the sight of his teammates

“Fucking bloody muppets” he mutters as he made his way outside

“Great job, Soap.Now what?”

“I know we’re all thinking the same. So, Gaz , even if you don’t want to say it, Im going to say it.We’re going to follow him, obviously.”

Soap looked to his brothers, expecting a quick response,but none came.A minute of silence followed.

“Soap,no”

“C’mon L.t, I know you give more fucks about this as you let on,so if nobody’s going to stop me,I’ll be following my Captain.”

With that he to turned in a over dramatic way just as Price did three minutes ago, and got to follow his captain way outside.

“This godforsaken scottish bastard.A’right ill better follow him and get him back before the captain does, if anyone asks for me tell’em i’m dead or drunk. Thanks sergeant Garrick.”

And so Gaz now stood alone in front of his superiors office door , neither knowing how to react to the oder given or the situation that had just occurred, while he simply wanted to inform his captain of the helicopter sighted near the base. So, he decided, he will do as told by both his Lieutenant and Captain Price, staying right where he was and tell anyone who asked that the Captain is on his Period,Ghost is drunk and Sergeant McTavish turned feral.

A rather peaceful start for them, Garrick thought.

In the helicopter, a young man looked down at his wrist, the watch showing exactly 16:14.

In exactly one minute the helicopter should land,he’d get off his seat, take his duffel bag and backpack, depart the helicopter and meet the Task force 141, under command by the British army and the CIA. He would meet his new colleagues and captain, staying with them for a exactly three months before He would be seated in this exact position, back to his home country and comrades.in exactly 45 seconds he would be on time, he thought, in 46 he would be late.

He hated being late, he despised the thought of being where he was supposed to be even a millisecond late.He knew how much could change within a single minute or even second. His time out in the fields made it even mir obvious to him, how important it was to be accountable, accurate and quick. He dreaded the thought of being late, as he knew, the seconds one waste, may be the last of anothers life

How long are thirty seconds really?

He looked down at his watch, he laughed. It was a quick moment of bitter happiness filled by empty thoughts.

29…28….27

The Helicopter landing and the small ruckus of the helicopter as it touched the ground was the only thing he felt.

16:15 exactly on time, Second.

#call of duty #original character #simon ghost riley #john soap mactavish #kyle gaz garrick #captain price #tf 141 #fanfic #should i continue?#ghost mw2 #cod mw2 #cod #I may need a title if i continue this

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clubdionysus · 3 days

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[BAD DECISION #10] Blonde

warnings: b is in her bleach era. love that for her!! jaykay is in the chapter for like 1.5 seconds and still manages to be the best thing about it. also if u think wow holly sometimes your chapters end very similarly, uhhh yes. ur right. mainly because my brain is smooth but also because jungkook is a creature of habit! it’s within his character traits! not because im stupid! even if i am!

soundtrack: space - audrey nuna; blonde - maisie peters

wc: 3.5k

bd total wc: 540k (on-going)

minors dni | AO3 | series masterlist

You suppose you really shouldn't be surprised when Seokjin leaves you on read. It happens as soon as he escapes the city, just like it always does.

It's always the same; he'll come back to town for a few days - to visit friends, his family, or maybe for a haircut with the only barber he trusts - then leaves just as quickly as he comes.

The predictability of it all would be funny, you think, but your knees are getting worn out from how many times you fall for it; his charm, his deception, his pretty lips that soothe the burn of his selfish choices.

He'll be radio silent for a while, and then suddenly, as if he's finally changed the batteries in his walkie-talkie, he won't be. It'll most likely be when he's on his way back to town in a few months time.

The saddest part is that you know you'll want to see him when he does. Will have the burning desire to show him just how well you've been; how well you've coped without him.

Most of all? You'll want him to know just how much you don't need him.

Inevitably, he'll end up in your bed, and you'll end up all in your head - again - overthinking and underestimating just how easy it is for him to drop you. Forgetting just how badly he fucked you up, only for him to remind you in the most callous of ways.

When Danbi comes home on Thursday night - three days since Seokjin's last message - she knows exactly what's happened. You've got a special kind of pout reserved for Seokjin-related upsets. It's always a little soft yet incredibly hard to break.

"You gotta stop letting him in," she says over a glass of red. She hates the taste, but loves the soft buzz in the pit of her stomach. Though she's much better suited to Moscato, Danbi will never turn her nose up at free wine.

If she knew why you were drinking it, she might consider rejecting it.

Seokjin's favourite. You'd bought it on the way home from work. Just couldn't help yourself.

Had figured that at least when you hugged yourself to sleep that evening, your lips would taste like his used to do, on the nights when he'd tell you that you're the most delightful thing he's ever laid his eyes upon. Would be all giggly. Wine drunk. Happy. In love.

But it's been a while since he did that. Feels like a lifetime ago, now.

You shrug as you let the ruby red liquid swirl in your glass. Fighting against your feelings feels like swimming against the tide.

Always struggling to breathe. Never winning. Failing. Falling.

"I don't know how to, Dan."

"But you do," she insists.

And she's right. Of course you do.

His number has never been blocked, but a simple restriction of access to you would solve so many of your problems.

Thing is, you kind of like him still being your problem. At least that way, on a technicality, he's still yours. Kind of.

Every time he comes back to the city, it's still your bed that he ends up in.

Never for the night. Just for an hour or two - but for long enough for you to convince yourself that he can't stay away.

The lies you let your mind whisper are insidious. You're irresistible. He's still just as affected by you as you are by him. He can't possibly leave you.

And yet he does, each and every time.

He doesn't ever let you go. Not fully. Whenever you think you're getting over it, he shows up just to get you under him; his thumb, his spell, his body.

You're halfway through the bottle of wine when Danbi tells you once more that you need to get Seokjin out of your hair.

You've reached the end of it by the time you're grabbing your purse and heading for the closest Olive Young.

It's just down the street, by the crossroads that lead into town, and the staff there have seen you in worse states. A little tipsy has nothing on the mascara-stained eyes they used to be greeted with during the worst days of the breakup.

"Sure about this?" Danbi asks just to check before you take the boxes in your hands to the counter.

"Absolutely not - but he always hated me blonde," you grin a little sardonically. The happiness that comes with this change will be temporary, but you have to remind yourself that so was he. "At least even if I can't resist him, he'll resist me."

Peroxide and perhaps a little fried, your blonde hair had caught his attention in the early days - but you had dyed your hair dark in a bid to keep it.

He'd said some bullshit in a conversation amongst friends about his preferences, and how he favoured the 'natural look'. You weren't together at the time, not officially - but everyone there was a friend of his. They all knew you'd be going home with him. It only took two boxes of dye to get him asking to be exclusive. A week later he was introducing you to his friends as his girlfriend.

Funny what a little bit of conformity can do for a man who loves playing by the rules.

You assume his desire to tick the boxes and do what is expected of him is also why he was such a bellend when it came to the glitter you liked to dust yourself in.

Nobody's perfect though, so he was willing to overlook it. Was just one of the flaws he perceived in you. When you love someone, you accept them.

He ultimately never grew to love it, but for a while, you thought he might.

Bleach boxes in one hand, another bottle of wine in the other, you waste no time and head straight for the bathroom. Danbi follows you right in. She's always there to lend a hand or at least provide a Spotify playlist to get you through your woes.

Folding the powder into the developing lotion by the sink, you know your bleach-induced bathroom antics could get you a spot in a Brad Mondo video.

All a little haphazard, you're without a mixing bowl and brush, so are having to use an old takeout container and a plastic spoon, instead.

It's not quite how the instructions suggest you should mix it all up, but no good ever comes from following the rules.

You'd tried for Seokjin, and look where that got you.

Unlike him, trusty Tupperware has never done you dirty before. No reason why it should now.

Danbi sits on the closed toilet seat, legs crossed, a small bottle of bubbles in her hand. The bubbles had been a Christmas party favour from the office job she'd quit four months ago. Rediscovered when she'd been cleaning her room earlier that day, Danbi had taken to blowing pretty little bubble flurries your way all afternoon.

Your reflection is captured in the peacock sheen of the bubbles while you study your rapidly developing hair in the mirror.

You haven't bothered to change out of your shirt. It's not yours. One of Seokjin's. It's navy, and you hope the bleach ruins it.

"I think I've fucked up," you say all rather calmy, talking about your hair and not the shirt. It's not the end of the world if you have. Just hair, you always think.

Danbi shrugs. Has clearly spent too much time in your company, because she echoes exactly what you're thinking: "Just hair, babe. It'll grow."

That's the joy of your friendship; you both encourage each other with the same dumb remarks whenever you feel like you've reached the point of no return.

After all, if you can't go back?

Go forward.

"Plus," she adds, blowing more bubbles instead of taking a breath. "You can just chalk it up to being your hot mess era."

"Been in that for months already," you smile at her in the reflection of the mirror. You prod a little at your roots, and know that you definitely should have waited a little longer to work the bleach up to them. Bollocks.

You've done this enough times to know you'll end up with a gold band haloing around the top of your hair thanks to how easily your roots always lift. Nightmare.

"Exactly, so you may as well look the part," Danbi encourages. Worst influence going, she is. Also the best at times, too. You find comfort in the fact she won't always say what you want to hear, but what you need to hear instead.

The conversation dissolves into empty chatter, gossip about Danbi's dog walking clients, mentions of Taehyung and how he's still trying to talk her into a mates-rates discount despite the fact they aren't actually 'mates'. She asked you about your Bartender That Smiles, and you say he's all good - before you have to insist there's nothing going on there.

"He's got issues with his ex," you explain.

She rolls her eyes. "Don't they all? Boys and their first loves, I swear to God."

"Not sure she was his first," you defend, though you're not sure why. The thought lingers as you rummage around for an old tube of toner that you know you have hiding in the bathroom cabinet somewhere. It's been a while since your hair was pale enough to take toner, so it's been pushed right to the back.

Danbi is shooed from her perch on the toilet seat and into the living room as you let the shower run to heat it a little.

The first crash of water against your skin is lukewarm. Tepid. Unappealing, but necessary.

You hate anything other than boiling-you-alive degrees Celsius, but know you need to be kind to your hair after the torture you've put it through. The water runs cloudy until the bleach is rinsed out, and then it runs purple thanks to your silver shampoo. It pools around your feet and seeps into the drain. Wishful thinking has you hoping memories of Seokjin will do just the same.

It's just to preemptively tone it, but you can't help but worry about the pigment taking too strongly on your roots.

The ash toner you found in the cupboard is in a box by the sink. You plan on putting that over the top of whatever mess your hair is anyway, but it doesn't hurt to get a head start on the process.

The water glistens a deep violet, briefly coating your skin - and for some reason, all you can think about is Jeongguk, and how you'd really like to be downing a Purple Starfucker (or five) with him right now. He really is the perfect distraction.

Still, you have a task at hand. You rinse your hair; ring it out. Sigh as you frown at the mess that greets you in the mirror - lilac roots, a yellow band haloing just like your thought it would, and silver ends. Brilliant.

It's as you're sitting with Danbi in the living room a little while later - body wrapped in a towel that isn't half as fluffy as Jeongguk's favourite, ashy toner smothering your peroxide blonde hair - that you notice your phone flash on the coffee table.

Danbi clocks it first, and stifles a laugh as she reads the screen. "Isn't that the guy from the club?"

You assume she means Jeongguk, and are a little perplexed to see it's Jimin's name on your screen instead.

"Yeah... Jimin. Smooth talker, shit shagger."

"A glowing review."

"Hey, I still let him think he was good," you say as you reach for your phone to read his message out loud to Danbi. "You guys out tomorrow night?"

Sipping on her wine, Danbi raises a brow. Shakes her head in confusion. "He hoping for round two?"

"Fuck knows."

It's just gone midnight, so you consider maybe he's thinking about his desire for a hook-up, and is hoping for a safe bet in the form of you.

And so you don't reply. If he double texts, you'll just lie and say you've fallen asleep.

The scent of your toner is beginning to give you a headache, so you go to rinse it and bid farewell to your final day as a brunette.

Sleep evades you. Doesn't want to let go of who you were, apparently. Wine makes you sleepy, and yet you're wired as if you've just had a triple shot americano.

But then it's three in the morning, and all you can seem to smell is the deep conditioner you bathed your hair in that evening.

Somehow, when you look to the empty space beside you - delicately ruffled, a dent prevailing in the pillow - you convince yourself that you can smell fig leaves and coconut. The notes of his favourite aftershave linger like the ache in your chest. It's hollow, and you can't work out why it hurts quite as much as it does.

If there's nothing there, how can it be so painful?

You sniff back tears that fail to truly form and pull your phone from beneath your pillow. It's hard to move your fingers when they're tangled up in puppet strings that Seokjin is refusing to let go of, but eventually you manage to tap through some Instagram stories in a bid to distract yourself from him.

Inspirational quotes don't do much for you, nor do the engagement pictures of people you haven't given a second thought since graduation. There's an abundance of them. Smiling faces. Diamonds, or maybe just cubic zirconia. Fresh sets of nails, hands that are pink and warm from the heat of whoever's been holding them.

It's a curious thought; what people who haven't spoken to you in years must think of you now.

You were the one who was going to succeed. Going far in life, made for a boardroom, would look incredible in a pantsuit - and yet you're working in a cafe, first-class degree of no more worth than the tissue paper you flush down the toilet.

See, you switched out life goals for glitter. You wear it like armour; protect yourself from the world around you. Who cares about seriousness and success when you're a constant disco? Not you. Could never be you.

Or at least, you hope that's what people think. Hope that no one realises you're covering yourself in artificial shine; like a canvas in acrylic because you were too impatient to watch the oil paint dry.

One day you'll glow. Glow for real.

For a while, you thought you had been with Seokjin.

All you see when you look in the mirror these days is tarnished silver; copper alloy pretending to be much more than what it really is. Your skin will turn green eventually.

There is, however, one person you've managed to fool.

When his story pops up - a repost of tomorrow night's paint party event at Dionysus - you find yourself clicking through to your DM thread without much thought. You know he's at work. Know it's a 50/50 whether or not he'll get back to you before your mind begins to berate you again for how miserable you feel.

It's a simple message - hey - and you're pleased that it's met with an equally simple reply not even a minute later.

JustJK: To what do I owe the pleasure?

You decided that 'I'm about to cry over my shitbag ex so chose to message you instead' probably won't be Jeongguk's favourite thing to hear, so you opt for a little white lie.

You: Just wondering how the kids are <3

Part of you worries he won't understand what the fuck you're on about - but of course, he does. He's Jeongguk. Gets you better than you get yourself, these days.

JustJK: Missing their mother.

JustJK: Perry the Pigeon almost fell earlier.

JustJK: Roger the Robin looks like he has a broken wing.

JustJK: Must be one of yours. Inherited his mother's wonkiness <3

With each message that comes through, your smile grows wider in the midnight darkness of your bedroom.

You: Careful or I'll file for joint custody.

You: Get poor Roger away from his father's cruel remarks </3

There's an ease to how you joke together, both aware of how unserious you are. There's no second-guessing, no worrying about saying the wrong thing. If you do, you'll say sorry and move on. No harm, no foul.

JustJK: Your appeal won't hold up in court, Byeol.

JustJK: You've neglected them ever since you spawned them.

JustJK: Haven't even paid them a visit!!!

Laughter stifles in your throat as your body curls up into a more comfortable position. The audacity of this boy, you think, ignoring the way he manages to get you entirely focused on something that isn't your own despair.

You: You've got full custody!!!

JustJK: And you're still allowed to come for supervised visits!!!!!

JustJK: smh and to think you call yourself their mother.

JustJK: I'm their mother now.

You pout at your screen, and whine a small little 'nooo'.

You: They need me :(

JustJK: Come and see them, then. They miss their mother.

You: Tomorrow?

He reads the messages instantly, but takes a little longer than usual to reply. It worries you slightly. Makes you more aware of your surroundings. The scent of Seokjin's aftershave begins to permeate the air once more.

Until, all rather suddenly, it doesn't anymore.

JustJK: I'm not working tomorrow night, but Jimin's insisting on going to the paint party - you coming?

You: Will Perry the Pigeon be there?

JustJK: If he falls before I leave for the club, then yes.

It's not a bad proposition. One that quite intrigues you. One that has you agreeing, and him telling you to fuck off and go to sleep. He's got work to do, he says.

It's actually quite quiet at the club - Yeonjun just caught him looking at his phone with a dumb smile a few too many times for Jeongguk's liking. Doesn't wanna get caught out again.

Especially doesn't want him catching onto the fact that there's a reason Jeongguk's eyes light up like Disco Balls when he looks at his phone.

Yeonjun doesn't really have friends who are girls, Jeongguk reasons with himself. Won't understand that he's perfectly capable of having a little flirt without it meaning anything more than that - after all, isn't that just what banter is? Friendly flirting? He does it with the boys all the time. Doesn't mean fuck all. Just fun.

Jeongguk's a couple of years older than his cerulean-haired coworker, and has learnt the hard way that you really shouldn't escalate friends above the level of purely platonic. One day Yeonjun will realise this.

For now, though, Yeonjun'll shag anyone who looks at him in the right direction. Has probably already ruined a few good friendships. Doesn't even realise he's done it.

Jeongguk trusts himself not to make the same mistakes he's made in the past with you. Thinks that he's pretty happy with how things are. Has missed the dynamics of friendships with girls. Is looking forward to Monday movie night with you and Danbi again.

And yet when he gets home to find Perry the paper pigeon on his bed, he can't help but smile.

You wake up to a picture of the fallen bird in your DMs - and even though you'll whine and complain about it when you see him that evening, all you can do is smile, too.

JustJK: Looks like we're having a wholesome family trip to Dionysus tonight.

You: Mummy and Daddy reunited at last <33 Perry will be so happy.

JustJK: It's okay, you don't have to lie.

JustJK: I know you're talking about yourself, not Perry.

Jeongguk doesn't send the message where he tells you not to call him Daddy. Knows you'll read into it; tease him about it. It's not like he's got a thing for it, or anything, he just... maybe wouldn't be opposed to it, and so he'd rather not be called it when he's having casual conversations with you. Wouldn't wanna get flustered.

Part of you already knows this. Is precisely why you'd said it. It's not really your style, not the kind of thing that gets you going.

But it is also exactly why you choose to end your next message with, 'See you tonight, Daddy x'.

You're laughing as you send it.

And as he receives it, Jeongguk groans. Buries his head into his pillow. Crumples Perry a little in the process. Whines.

"Don't fuck this up, Jeongguk."

AO3 | MASTERLIST | NEXT

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ghostespresso · 10 months

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staff logging on to tumblr dot com today

#staff sweetie i Promise you an algorithm would kill this webbed site #changing the way reblogs look/work would Absolutely kill this webbed site too #this is a Blogging Platform i dont want it to be like tiktok or twitter jesus #if you NEED to change something literally listen to the the Tumblr Users you pretend you cant hear #if money is what you need make your userbase Happy and you should be fine #the shop is fine blaze posts are fine ad free subscriptions are fine but dont get rid of shit that Works For You in favor of making money #someone really laced up their clown boots today im. so tired staff please dont #tumblr staff #EDIT: staff updated their original post to say we were all misunderstanding but #that doesnt stop the post from being stupid #the whole post was worded for Investors and then presented to the userbase #if you say 'we have big changes planned!' and dont put in the 'as options' its Your Fault that people read it as 'were changing everything'#staff isnt stupid. they know how they Should have worded it better than what they did #so yeah. someone Did lace up their clown boots before they hit post #edit pt 2 lol for the record i dont think tumblr would actually go through with all their changes in that post #they know how the userbase is and there are A Lot of us #i just dont like how? idk. condescending? the post sounded #and out of every place on the internet being being burned alive in the name of money #tumblr is the one place i know enough about to be Actually mad at lol #ive really liked some stuff staff has done in recent years #but talking to your userbase that way wasnt one

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blueskittlesart · 11 months

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any thoughts on how once again zelda was robbed of her agency because her "father figure" didn't listen to her? even if rauru was kinder to her than her father. and that she had sonia who was patient and loving for a little while before she died (just like her mother). i know rauru apologizes for his hubris but still, i wish we saw zelda be upset about it. and even if zelda was such a big part of the quest she still literally sacrificed her humanity once again because of someone else's mistake- because rauru literally didn't listen to the girl from the future that warned you that shit was going to go down. o know nintendo just loves putting zelda inside crystals and stones but i wish we got something better. even if it was her decision to become a dragon... did she have any other choice? it really just feels like they robbed her of agency again just like botw and the games before

i've been trying to figure out how to answer this one. because there are two ways i could analyze this plot point, either from a writer's perspective or an in-story perspective, but neither of those lead to me fully agreeing with your interpretation? I think there's definitely something to be said about zelda consistently being pushed aside in these games, but. well. ok let's get into it ig

from a writer's perspective, I do honestly have quite a bit of sympathy for the zelda devs as they attempt to navigate the modern political landscape with these games. The cyclical lore, though canonized relatively recently, holds them to a standard of consistency in their games in terms of certain key elements. one of those key elements is that there has to be a princess, and that princess must somehow be the main macguffin of the game. The player must chase her, and the end goal of the game must be to reunite the player and the princess. In 1986 this was an incredibly easy sell. women didn't need to be characters. players were content with saving a 2-dimensional princess whose only purpose was to tell them "good job!" at the end. but as society advances, that princess becomes a much more difficult character to write while adhering to the established overarching canon. (as a side note: i don't necessarily believe that the writers SHOULD be held to the standards of that canon. I think deviating from it in certain areas would be a good change of pace. but i also recognize that deviations from the formula are widely hated by the loz playerbase and that they're trying to make money off these games, so we're working under the established rule that the formula must be at least loosely adhered to.) Modern fans want a princess who is a person, who has agency and makes decisions and struggles in the same way the hero does. but modern fans ALSO want a game that follows the established rules of the canon. so we need a princess who is a real character but who can ALSO serve as a macguffin within the narrative, something that is inherently somewhat objectifying.

the two games that i think do the best job writing a princess with agency are skyward sword and botw (based on your ask, our opinions differ there lol. hear me out) in both games, we have a framing event which seperates zelda and link, but in both games, that separation was ZELDA'S CHOICE. skyward sword zelda runs away from link out of fear of hurting him. botw zelda chooses to return to the castle alone to allow link the time he needs to heal. sksw kinda fumbled later on by having ghirahim kidnap her anyway, but. i said BEST not PERFECT. botw zelda I think is the better example because, with the context of the memories, she's arguably MORE of a character than link is. we see her struggles, her breakdowns, her imperfection, specifically we see her struggle with her lack of agency within the context of the game itself. when she steps in front of link in the final memory, and when she chooses to return to the castle, those are some of the first choices we see her make almost completely free of outside influence; a RECLAMATION of her agency (within the narrative) after years of having it stripped from her. from an objective viewer's standpoint, this writing decision still means she is absent from 90% of the game and that she has little control over her actions for the duration of the player's journey. however I think this is just about the best they could have done to create a princess with agency and a real character arc while still keeping the macguffin formula intact--you're not really SAVING zelda in botw. SHE is the one that is saving YOU; when you wake up on the plateau with no memories, too weak to fight bokoblins, let alone calamity ganon. the reason you are allowed to train and heal in early-game botw is because SHE is in the castle holding ganon back, protecting YOU. When you enter the final fight, you're not rescuing zelda, you're relieving her of her duty. taking over the work she's been doing for the past hundred years. in the final hour, you both work in tandem to defeat ganon. while this isn't a PERFECT example of a female character with agency and narrative weight, i think it's a pretty good one, especially in the context of save-the-princess games like loz.

as for totk, you put a lot of emphasis on rauru not believing zelda and taking action immediately, which, again, from an objective standpoint, i understand. but even when we're writing characters with social implications in mind, those character's actions still need to... make sense. Rauru was a king ruling over what he believed to be a perfectly peaceful kingdom. zelda literally fell out of the sky, landed in front of him, claimed to be his long-lost granddaughter, and then told him that some random ruler of a fringe faction in the desert was going to murder him and he had to get the jump on it by killing him first. the ruler which this girl is trying to convince rauru to wage an unprompted war on has the power to disguise himself as other people. no one in their right mind would immediately take the girl at her word. war is not something any leader should jump into without proper research and consideration, and to rauru's credit, he DIDN'T ever outright dismiss zelda. he believed her when she said she was from the future, he allowed her to work with him and he took her warnings as seriously as he could without any further proof. but he could not wage an unprompted war on ganondorf. that's just genuinely not practical, especially for a king who values peace among his people as much as rauru seems to. as soon as ganondorf DID attack, giving rauru confirmation that zelda's accounts of the future were real, he began making preparations to confront him. remember that zelda didn't KNOW that rauru and sonia were going to be casualties of the war--she didn't make the connection between rauru's arm in the future and rauru the king until AFTER sonia's death, when rauru made the decision to attack ganondorf directly. I think the imprisoning war and the casualties of it were less an issue of zelda being denied agency and more an issue of no one, including zelda, having full context for the events as they were unfolding. if zelda had KNOWN that sonia and rauru were going to die from the beginning and was still unable to prevent it that would be a different issue, but she didn't. none of them did.

I think another thing worth pointing out with rauru and his death irt zelda is that rauru is clearly written specifically as a foil to rhoam. this is evident in how he treats both zelda and link, with a constant kindness and understanding which is clearly opposite to rhoam's dismissiveness and disappointment. consider rhoam's death and the circumstances surrounding it. He died because, in zelda's eyes, she was unable to do her duty; the one thing he constantly berated her for. Rhoam's death solidified zelda's belief that she was a failure, a belief which she KNEW rhoam held as well. his death was doubly traumatic to her because she knew he died believing it was her fault. Now contrast that to the circumstances surrounding rauru's death. Rauru CHOSE to die despite zelda's warnings, because he wanted zelda and his kingdom to live. rauru's death was not agency-stripping for zelda; in fact, it functioned almost as an admission that he believed her capable of continuing to live in his place. With him gone, the fate of the kingdom fell to her and the sages. he KNEW that he would die and still went into that battle confidently, trusting zelda to make the right decisions once he was gone. where rhoam believed zelda incapable of doing ANYTHING without link, rauru trusted zelda COMPLETELY with the fate of his kingdom. several details in totk confirm that when rauru died there was no plan for zelda to draconify, that all happened after rauru was gone. it was HER plan, the plan which rauru trusted her to come up with once he was gone. and I think it's also worth noting that zelda's sacrifice with the draconification parallels rauru's!! Rauru gives up his life trusting the sages and his people to be able to continue his work in his place. Zelda gives up her physical form trusting link and the sages in the future to be able to figure out what to do and find her. these games in general have this recurring theme but totk specifically is all about love and trust and reliance on others. zelda relies on link, link relies on zelda, they both rely on the champions and the sages and rauru and sonia and they all rely each other. reliance on others isn't lack of agency, it's a constant choice they make, and that choice is the thing which allows them to triumph.

The draconification itself is something i view similarly to zelda's sacrifice in botw--a choice she makes which, symbolically & within the confines of the narrative, is a demonstration of her reclaimed agency and places her at the center of the narrative, but which ALSO removes her from much of the player's experience and robs her of any overt presence or decisionmaking within the gameplay. again, I think this is a solution to the macguffin-with-agency dilemma, and it's probably one of the better solutions they could have come up with. Would I have liked to see a game where zelda is more present within the actual gameplay? yes, but I also understand that at this point the writers aren't quite willing to deviate that much from their formula. the alternative within the confines of this story would be to let zelda DIE in the past, removing her from gameplay ENTIRELY, which is an infinitely worse option in my opinion. draconification allowed her to be present, centered the narrative around her, and allowed the writers to reiterate the game's theme of trust and teamwork when she assists the player in the final battle, which i think was a REALLY great choice, narratively speaking.

In any case, I don't think it's right to say that zelda was completely robbed of her agency in botw and totk. Agency doesn't always mean that she's unburdened and constantly present, it means she's given the freedom to make her own choices and that her choices are realistically written with HER in mind, not just the male characters around her, and I think botw/totk do a pretty good job of writing her and her choices realistically and with nuance.

#as a note i do think that loz still has a LONG way to go in terms of defining female characters by their relationships with men #and i acknowledge that a lot of zelda's choices within these games are STILL made irt male characters like her father link rauru etc #BUT i still don't think it's fair to act like shes been completely stripped and reduced to a damsel because.. she hasn't.#she's a very nuanced depiction of a girl who is used to being dismissed and ignored and powerless #her initial response to that powerlessness in botw was to reject everyone. she got loud and mean and she tried to do everything alone #and she discovered that that wasn't the right way to get what she wanted. it didnt make her happy and it didn't win her anyones approval #what DID work for her was learning to rely on the people around her and work with them. she found solace in teamwork and family #which is why in the final battle she and link fight TOGETHER against ganon. neither of them can do it alone but they can together #the same thing applies to totk. she continues her own journey by finding others like her who understand her powers and can teach her #so by the time she DOES end up alone she has been given the confidence and skillset to figure out what she has to do #you get it. you understand what im saying #asks #totk spoilers #zelda analysis

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