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#this is just a personal preference btw
bixels · 3 months
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Jesus man, relax.
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tinyetoile · 5 months
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Decided to toss my hat into the Wapeach Redesign Ring LMAO
I do think her normal design is cute I just think she looks too much like Rosalina (though to be fair, she was likely designed first and elements of her design might've been incorporated into Rosalina's...)
Actually in retrospect I probably should've switched the direction of her bangs to differentiate them more... dangit
also yknow how Mario & Luigi are contrasting colours? Well, I noticed this about the "Princess" gang if you add Wapeach to the mix
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trashcattt · 2 months
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you guys are eating up the jason and steph drawing it’s making me want to draw them more
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jackalspine · 1 year
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Trash of the Count’s Family pt.2ep.2/ch.800+ spoilers
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i needdd fengqing fics that actually deal with their complex psychosexual issues about each other stemming from their own self-hatred and regret and fundamentally opposing perceptions of the world and not just petty toothless squabbles with no larger context. folks pls remember that fengqing are about seeing urself in the other yet being so exhaustingly different and bringing out the worst versions of each other yet also needing the other to define ur very being. cmon yall throw in some actual flavor to the supposedly spicy explosive tgcf ship here
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fromxxthexxashes · 6 months
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When it comes to kids, Eddie and Buck both have different ways of being and communicating with them. I don’t think Eddie is as naturally enthusiastic as Buck. Eddie isn’t the kind of guy who would get easily immersed in a conversation with a kid outside of Christopher, or any other kids he may or may not have. Buck is the kind of guy who can talk and talk and talk with kids because he’s got brain full of facts, and a childhood spent feeling invisible to the adults supposed to see him, so he wants every kid he meets to know he sees them and enjoys hearing what the have to say. Eddie on the other hand is just so achingly gentle. Despite growing up with a father that wanted him to “be a man” in a very toxic masculinity type of way, Eddie is soft and warm. His entire presence emanates comfort. On calls, he’s the kind of guy who the kids cling to while they’re terrified or sad. Everything about Eddie feels safe. He offers security and care so easily - it’s second nature to him.
Seeing Buck and his interactions with kids, particularly with Christopher and the borderline co-parenting role he has taken, I know Buck would be an absolutely amazing dad. And we already know, with everything we’ve seen with him, that Eddie is a fucking phenomenal dad.
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wataeicentric · 9 months
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I feel as though people (mostly people who aren't insanely wataeipilled, or involved with shipping in general) are misunderstanding what we're upset about. It's not the simple assumption that we want wataei to be "canon" and that we're upset that that can't happen because of Eichi getting married, it's that HappyEle have been on a character assassination spree recently (Izumi in Mad Party & Kohaku in Last Mission) and we're worried that's going to happen to Wataru and/or Eichi. Regardless of shipping, Eichi never told Wataru, who's supposed to be his "best friend" that he's essentially been engaged to Tori's sister for the best part of a year. If Wataru isn't upset about this, then they've done it once again, because Wataru trusts Eichi to take his mask off around him; whilst the mask is "him", the "mask's purpose" (the title of his card in EP:Link) is to hide oneself. Wataru took it off for EICHI and Eichi ALONE. He put himself on display, allowed his facade to begin to fade around him and be his authentic "self" and opened himself up to possibly even be hurt (which he was immediately, by the way, and CRIED over it. HIBIKI WATARU. CRIED. Because Eichi was indifferent to his confession of love) because he trusts Eichi, and Eichi's told Wataru before (Tempest) that he also trusts him. So, is it or is it not blatant character assassination, and possibly even going back on their more recent development of becoming more honest with each other, if Wataru is not upset with this development?
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yakou furio's character is so tragic to me. i wanna meme about how they used the fridged wife trope but other than that it's like. he lost his family and later all of his coworkers and just. existed alone for years.
looking at the state the submarine and especially his bedroom was in, with everything being a mess and all the cigarette butts in his bed, yakou was clearly depressed. he wouldn't even take on any interesting cases to fulfill his passion as a detective because he was so afraid of the peacekeepers. instead he just kept his head down. surviving but not actually living.
and then he finally gets some new detectives to work at his agency and the first thing he can do is fail to save most of them from dying horribly. but the five that yakou did manage to save latch onto him and he starts getting into a leader role! even if his new coworkers are all rowdy and get into trouble they still respect him as a leader and look up to him.
the detectives keep picking fights with the peacekeepers that yakou has been trying so hard to dodge. and usually the resolution is kind of messed up because the victims die but the detectives prove themselves capable of handling the peacekeepers! they're helping people! for the first time in a while, yakou comes toe to toe with peacekeepers willingly, to help his new friends. he realizes that he is able to stand up against amaterasu corp, with the help of the others.
but by the time he realizes this, the stage has already been set. the letter from yomi turned his grief into anger and a thirst for vengeance. although yomi gave him the information and opportunity, yakou was ultimately the one who chose to murder the man who murdered his wife.
yakou has already rebuilt his life after his wife's death. the detectives at his agency look up to him and he would do anything for them. it would never be the same as the life he had with his wife but yakou had the chance to turn over a new leaf with a new found family who cares about him.
but instead, yakou plans a murder. he needs to die, over and over, in order to access the man he wants to kill and he accepts it. he needs to trick two kids, who look up to him and who he cares for, into becoming his accomplices to the murder and he accepts it. in the wake of forcing his detectives to witness his murder, he needs leave them in a lab filled with peacekeepers who want to kill them and he accepts it.
and it's not that he doesn't care about his detectives. yuma and halara disobeyed his orders and assaulted several peacekeepers, and he was willing to be arrested himself before throwing his employees under the bus. yuma and fubuki were implicated in terrorism and yakou and the others solve the case for them, then prepare to fight an army of peacekeepers to protect yuma.
for his murder plan, yakou only needs desuhiko and fubuki's powers. but he brings halara and vivia along as well because they would be able to protect the two younger detectives and fight their way out of the lab after yakou dies. he enacts his plan on a day that yuma wasn't around because he won't be able to help fight peacekeepers, so it's better to just keep him out of this mess. he covers up his murder-suicide to protect his detective's feelings, but also because they would be implicated as his accomplices if his plan was revealed.
and yakou probably expected that the other detectives would be fine. if they'd left him behind to die, the other detectives probably would have been able to either fight their way out or hide out in the lab a bit longer and figured out a good plan to escape. if yakou had his way, he would have gotten his revenge and his detectives would have gone home grief-stricken, but unharmed and forever unaware of their roles in his death.
but yakou doesn't account for the fact that the other detectives would try to save his life. yuma doesn't run after the hitman and escape the peacekeepers, he stays behind to beg yomi to help yakou. fubuki uses up all her energy to rewind time to try to prevent yakou's death instead of helping the others escape the lab. halara, vivia, and desuhiko not only have to fight off peacekeepers, but they also have to carry yakou to a hiding spot to give first aid. and instead of calmly planning their next move, everyone is desperate to solve the case so there would be any chance of getting yakou to a hospital as quickly as possible.
one major theme of rain code is that despite tragedies that may have happened in the past, people can work together with those they care about to live a better life in the future. and yakou could have had that. his wife's death should have stayed in the past, and he should have continued to mentor the other detectives, solving mysteries together and enjoying each other's companies.
but yakou couldn't let the past stay in the past. he had every chance to not go through with his murder. he has new people he loves, but he manipulates them and puts them in danger in order to get back at the person who killed the last person he loved. his victory was a pyrrhic one. he got his revenge but in return, he destroyed himself and his detectives' trust in him. he enjoyed his revenge momentarily before dying and leaving his new family, who he used their love and trust for him to his advantage, to pick up the pieces.
yakou furio had lost everything in the past. but in trying to pursue it he destroyed everything he had in the present. that's the tragedy of his character to me.
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fluffs-n-stuffs · 8 months
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"yeah so I've started watching Horizons 'cause the plot looked interesting"
the plot that looked interesting:
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m4ndysk4nkovich · 2 months
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the way that in mandy’s first ever scene she stands tall and walks and speaks with such confidence, but by her last scene she seems embarrassed and more timid. free my girl she did nothing wrong
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assblastergaster · 5 months
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I am finally starting to see the light on just how robust all of the companion origin romances are (i.e. romances within the party outside of tav). While larian obvs had to work with sudden, abrupt story changes and losses, somehow they still managed to make all of their stories so intertwined that all possible romances are good.
Take Karlach for example:
• Wyll: Their stories are literal parallels; They both were following someone with power and influence, yearning to serve them and others to the best of their abilities—and were both discarded after being tricked into (literal) hell. together they provide for each other what was taken without denying themselves what has changed them (more devilish? so be it, i am stronger for it). She will guard what he loves without question—all he's ever tried to do—and he will stand against the forces that served to get them here, all she's ever wanted. They have both been forever changed to be more devilish (scarred, marked, horned, dehorned) but still yearn to thrive amongst their peers to no avail. He will always be a human with fangs and horns, and she will always be a tiefling with no horn(s), no heart. They are each other's only peers, the hunter and the prey.
• Shadowheart: One young girl is torn from the people she loves, her home, the authority figure she serves. She is marred by this person. Her parents are lost to her—she will never get to say goodbye, never get to hug them again. Her peers shun her, believe her dead or worse. Her only friends are lost to her (or so she thinks). She is a half-elf forcibly blinded to the ways of the world, sent on a suicide mission to secure her master's authority. She is a tiefling who has forgotten the joys of the world, escaping a suicide mission meant to secure her master's authority. They were both taught to selfishly strike out against the world to just survive. Together they find something alien to both of them—self prioritization without selfishness (I am not made to serve, i was made to be here. with you).
• Astarion: He is empty of life, cold and buried; She is being consumed by her life, toiling and burned. They were both, for lack of better words, Baldurian hot-shots in their youths. A learned magistrate and the head guard of an up-and-coming Baneite. They were both likely very corrupt. Astarion is obvious—his attack by the Gur was prob in response to prejudiced rulings. But Karlach was working for fucking Gortash. She's not an idiot, and while she certainly has a soft spot for the community, she had to have had a hand in his nefarious doings. Regardless, both of them are still furious about what happened to them, rightfully so—and neither is willing to accept (yet) that the version of them they left behind was not what they want now. They both want revenge, to kill the fucks that stole them away. And they both get it, only to find that they need to make a life after this, not to mourn the life before this.
• Lae'zel: This, like all Lae'zel romances, is a tale of two cities. Lae'zel wants to serve someone so badly, else she cannot prove to others (and herself) that she is worth the air she is breathing. Her culture demands it, history commands it, and she was born for it. But she can't do it. Not blindly. Karlach was a rough and tumble child on the streets of Baldur's Gate looking to eke out her livelihood without serving authority. But she couldn't avoid it, nothing she's good at could make money or earn respect except for serving as a guard, as a soldier. At first meeting, they both immediately respect and pity each other. Karlach likes seeing someone so proud of who they choose to serve, but innately understands that it is not a choice. Lae'zel likes seeing someone strong enough to command respect, but knows that she "should" want to serve someone too. They see themselves in the other. Neither understands, but they will. Karlach will see why Lae'zel is so desperate to belong, to serve—Lae'zel will see why she is too scared to submit.
• Gale: We both have a bomb in our chests. A divine being, omnipotent in all but name, placed it within you and quelled its fire so long as you obey and worship. The most obscene devil, queen of the Hells, ripped me from my home and gave me this, its flame fanned by servitude and snuffed by disobedience. Gale has lost himself to depression, Karlach to rage. He pours through books searching for the answer he will never find, but that's how he got here in the first place. Karlach smashes her way through everything, making ragtag enemies and allies along the way, but that's how she got here. Before anyone says some bullshit about Karlach being too "dumb" or Gale being too "pretentious;" Karlach is not dumb, she is naïve (which lends itself to dumb decisions) but wise. She's led an experience-rich life (encountered through misplaced trust and naivety) and has learned lessons from every single one, something she learns to temper within Gale as well. Gale has done many things but actually learned from very few of them, which is one of the reasons why he's immediately eager for the Crown. But he's also not an idiot, he's just vulnerable. Together, they balance each other emotionally and pedagogically.
Obviously this is focusing on the narrative aspects of these relationships—not the personal intricacies. But the majesty of this writing is that these are all characters written by separate people, forging separate stories with thousands of paths each. It's just unheard of.
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bigbuffelves · 5 months
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I hate to say it but I'm definitely not recruiting Astarion in future playthroughs. I like his character well enough but the amount of screentime he takes up compared to everyone else is really frustrating. I barely take him out of camp, have only got approval from the camp scenes, aren't romancing him, and the game still demands I talk to him constantly
and the thing is most of the time he's just repeating himself in different ways. yeah that's great for Astarion fans who want to hear him talk, but I'm sick of listening to the same talking points over and over because he told me this stuff already??
meanwhile the character I do take everywhere and do try to hoard approval of, has had like two scenes :///
I think people only call this game a masterpiece because they like Astarion. if you attach to any other characters your experience is very different, and also quite unsatisfying
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blu3b3rryj4mp1r3 · 5 months
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I know I'm perhaps looking a bit far into the future but I just can't help but wonder what mlp g6 will be like 🙃
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hua-liansimp · 6 months
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Astarion got me reading second person pov fics
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ofdreamsanddoodles · 2 years
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my most important apollo headcanon is that his online presence is like. absolutely nothing & it makes him dating klavier so much funnier. personally i think social media in the ace attorney universe is like permanently stuck in the 2000s era but like the important thing here is that tabloids catch wind of their relationship & naturally its SO exciting because apollo got klavier’s brother double arrested and you’d think there’s SO much you can do with that but then they try & dig into apollos past and just find absolutely nothing because the single personal anecdote you can find about apollo online is on clay’s instagram that he hasn’t used since high school (trucy sometimes talks about apollo but the only social media she has that isn’t on private are work accounts so it almost doesn’t count). the only thing left to do is talk to people who know him but all they can find is trucy & phoenix, who would respond to questioning like this by straight up lying & telling people he was raised by wolves. at some point lamirior does a press release saying apollo is her son & every news source starts kicking themselves that they didn’t figure this out first
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It makes me almost laugh how, even after P5R, some genuinely believe Akiren and Akechi hate each other. It’s just so baffling to me when (and this isn’t even everything):
1) The whole beginning of their confidant (and Akiren still going out with Akechi for eight whole ranks) implies in a not-even-subtle way that Akiren knew. He knew from the very start that Akechi was someone at the very least dangerous due to his detective work, and even more so with the full-on certainty (basically) that Akechi had already been into the metaverse. Yet the full true ending requires that the whole confidant has been completed and truly, besides an initial attempt to understand the danger the PTs were getting into with Akechi, Akiren/Akechi’s whole outings were... dates. The most normal of dates, aside from Rank 7 (which is where, again, not even so subtly, Goro “mentions” the whole assassination ordeal and an aborted-from-the-start possible accomplice route) and ofc Rank 8. Akiren didn’t have much to gain from them, besides possibly understanding... well, Akechi as a person. And also, Akiren is kind of an appreciator of the fine art of danger, he likes the thrill of it. He loves the rivalry they have. 
2) I adore how dudebros many use the whole “I hate you” bit of Rank 8 as proof of Akechi’s hatred towards Akiren and... it is kinda funny. Because, yes, the sentiment is there, and Akechi isn’t utterly lying, but it requires a reading between the lines operation. Both Morgana and Maruki literally state, respectively that “Goro likes Joker” (OG Japanese Engine Room, translated in English as “You don’t hate Joker”, which still conveys the same meaning, albeit less strongly/forwardly) and that their relationship “ISN’T based on hatred, nor ill will”. 
What Goro defines as spite for Akiren as a person is mostly spite because of his envy. Envy because Joker is everything Goro could have been had he had a chance. Envy because Joker was luckier. Envy because Joker got what Akechi had been craving for the most: being loved by people around him for who he is. These same people are also ones that state how basically everything from Akechi’s mouth is a full on lie besides this one and only one, but I digress. A more normal line of thoughts linked to this is, well, Akechi’s whole assassination attempt as proof of his hatred again, which well, the assassination attempt is yikes on a healthy relationship perspective, but since I am not debating on whether their relationship is healthy or not as if enemies to lovers where the lovers attempt to kill each other isn’t a basis for many heterosexual classical literature romances as well, isn’t it pretty funny that Goro challenges Akiren to a duel just before that fateful day of November. And isn’t it even funnier how he wasn’t that surprised by Akiren surviving and even states,at max rank, how Akiren too isn’t satisfied with how they left it either. I wonder.
3) P5R whole, well, Royal part is literally Maruki creating a false reality for all the PTs and somehow people still believe Akiren hates Goro with the full-on knowledge that Akiren’s whole ideal (again ideal, wished for) reality is Goro living and working with the PTs. It’s Goro having a second chance. It’s Goro specifically being with him, playing Chess with him in the reserved space of Akiren’s attic (the window behind them is the same as Akiren’s attic), their card is the only one, besides Simping Morgana - where Ann isn’t even looking at him btw) - where two PTs are together). 
I have seen someone in a comment mention how this is proof Akiren wanted Akechi to pay for his crimes and being alive was so Goro could be sent to jail when? Literally Akechi isn’t allowed to go to jail in Maruki’s reality LMAO. Akiren could have asked for everything. Money, fame... yes, but we can state these aren’t truly Akiren-like wishes, right? So, not that. But how about... having a loving family that actually cares? Because no, I can’t believe parents who leave their child to a friend’s acquaintance are supposed to be good parents. But this is an HC, so let’s scrap that. Then there is it: clearing up his name. Making it so that all of his crimes would vanish completely, especially in a country like Japan where having a dirty record is utterly terrible. He would get rid of the side-looks, the prejudices, the suspicions possibly brewing in his home town about him being the worst of criminals at age 17/18. And yet. No. For sure we can say the PTs being all together is also accounted for in Akiren’s wish, possibly, but the thing is, Maruki doesn’t use that as a last resource. His ace in his sleeve was Akechi. Had always been.
4) Every single third awakening in the game is in each PT’s room. It’s somewhere private, somewhere which is only theirs, somewhere they can call home. Akechi’s initially, in early development as uncovered by Faz, was in Jazz Jin which, he himself admits, is kinda his place, a place where he unwinds and relaxes. Akin to, well, a bedroom. Yet, it was significantly changed. Changed to freaking Leblanc. And no, I don’t think it’s because of the coffee. 
5) You know the song No More What Ifs? The one which at first was in Proof Of Justice (which, by the way, either inspired the contents of the game or the Anime and P5R directors are besties, since what’s in there is basically Akechi’s P5R confidant condensed in 20 minutes of angsty gay longing footage) and then got put, as many other Proof of Justice related matters - as stated above -, in the game? It’s literally Akechi’s theme song. And it talks about him in every way (I can only be me... if you haven’t read Mementos Mission GO READ IT) and about someone else who brings joy to life (I wonder who that is)? Yes, well, the instrumental of it is the default song in the Thieves Den. Which. It’s defined as Akiren’s palace. 2+2=4 and in here Suspicious coincidences add up to just equal either fruity (for real) or still the undeniable fact that what these two share is a sentiment far, far from hatred.
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