Tumgik
#this was my exposure to the actor playing a genuinely nice guy and it turned my entire brain on its head thank you
wolves-in-the-world · 8 months
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Goran Višnjić as Nikola Tesla in Doctor Who 12.4, Nikola Tesla's Night of Terror.
image descriptions below the cut
[1] A still from an episode of Doctor Who, showing Goran as Nikola Tesla in front of Niagara Falls with an audience of men in suits and top hats, only their backs shown to us. Nikola is gesturing towards the waterfall as he speaks. He's a tall, slim man of about fifty in an old-fashioned suit with a tailcoat, pinstriped trousers, a waistcoat and watch-chain. He has a moustache, and brown hair parted in the middle, a few inches long and styled neatly with a bit of a wave.
[2] Goran as Nikola Tesla gesturing towards a device I don't understand well enough to even describe except that it's two corrugated metal cylinders and electricity is arcing between them, blue and dramatic, while he gestures like a magician. His other hand is on a lever, his face obscured by a starburst of blue light.
[3] A close-up of Goran as Nikola Tesla with a lightbulb in the foreground gleaming with warm light. He's looking off-screen and smiling slightly, eyes large and grey-blue, eyebrows raised, creases in his forehead and around his mouth. He's wearing a butterscotch-yellow tie with a wing or tuxedo shirt collar.
[4] A side-on view of Goran as Nikola Tesla bent over a workbench doing something with a tool we only see as a faint gleam of metal. He's bent almost double, intent on his work, a curl of hair falling down above his forehead, his coat gone and his shirt sleeves rucked up to the elbow so that his arms are bare and evidently hairy. The scene's dark, lit only by a candle lamp.
[5] A view of Goran as Nikola Tesla looking at a figure mostly out of view, visible to us only as blonde hair at the side of the screen. Nikola's eyes are a little wide, his mouth slightly open, making him look bewildered, and perhaps wary - I thought of it as his "okay, either you or this situation is bonkers" face. His thumb is just visible at the bottom of the screen, suggesting he's gesturing or fidgeting with his hands.
[6] A view of Goran in a crowded street, no coat, standing almost a head taller than everyone else and gesturing with one hand in a way that signals frustration or defensiveness, his eyes closed, mouth open as he speaks. A few bowler hats are visible around him, and a few of Nikola's companions - Dorothy, a serious-faced woman of thirty or so with tightly curly hair and smart clothing; the Doctor, currently a woman with straight blonde hair looking curiously past Dorothy; and just a glimpse of Yasmin in the background in a flat blue hat.
[7] A side-on view of Jodie Whittaker as the Doctor and Goran as Nikola both paying rapt attention to a glowing green mechanical-looking ball in a dish, with the Doctor pointing her sonic screwdriver at it and Nikola bending down to watch at the opposite side of the desk, hands folded together as if he's fidgeting, intent on her work. The Doctor's in a long light grey coat with a hood, incongruous for the era, and it's clear she'd be a lot shorter than him if he weren't currently courting back pain.
[8] The same scene as before, minutes later - the Doctor only visible as blonde hair in the foreground, Nikola's face transformed like he's realised something wonderful, eyes on the Doctor and leaning forward slightly, or still leaning on the desk. His mouth is open as he talks, his eyes bright, skin creasing faintly at the corners with a real smile.
[9] The same scene as before, seconds later. Goran as Nikola is looking to the side, no longer smiling but serious and thoughtful.
[10] The same scene as before, seconds later. Nikola is looking back at the Doctor and raising his eyebrows in a question at something she said, his forehead creasing, his expression perhaps a little doubtful.
[11] A close-up of Goran as Nikola in a room with warmer and dimmer lighting, his hair coming loose a bit as short curls on his forehead, frowning as he talks to someone off-screen. The angle exaggerates his nose, emphasises the lines around his mouth.
[12] A different view of the scene, zoomed out. Nikola is bent over a worktable beside Yasmin, a young woman with curled hair and a smart navy-blue jacket, and they're looking at each other as though discussing a problem, Nikola folding or rubbing his hands together. The desk of a mess of wires and oddments, lit bulbs in metal cages and what might be the odd green ball from earlier.
[13] Nikola and Yasmin in a very different location, dimly lit, with strange red lights in the background and a green light over their faces. (They're on an alien spaceship.) Yasmin is looking down at the floor like she's stunned, mouth open, and Nikola is holding her arm like he's just pulled her back, but his eyes are on something or someone else we can't see. His eyes are wide, his expression startled and openly afraid.
[14] Nikola and Yasmin still on the spaceship, blurry machinery behind them, but Nikola is almost level with Yasmin now and they're standing close, both looking at a third party off-screen. Yasmin's expression is one of distaste and a little anger, and Nikola's eyebrows are drawn down, expression somewhere between bewildered and worried.
[15] A different scene, different lighting - deep blue in the background, warm light on Nikola's face. It's an odd angle, his head ducked as though looking at something, his expression serious.
[16] A different scene, perhaps daytime with electric lighting, Nikola in conversation with someone off-screen who's clearly shorter than him. His hair's a little disarrayed, eyebrows raised and forehead creased, but there's something of a smile to his eyes and his mouth that gentles it.
[17] The same scene, seconds later, slightly zoomed in. Nikola's eyebrows are lower, forehead still creased and eyes a little scrunched, like he doesn't understand yet what the other person means. There's something tender about it still.
[18] A different room, darker, Nikola grinning while the Doctor is mostly off-screen, just a little of her hair visible, except she's raising a hand for a high-five that he isn't reciprocating. Creases are splayed out from his eyes, deep ones around his mouth, his nose sharp from this angle.
[19] A different view of the high-five moment, focusing on the Doctor as she realises he doesn't know to reciprocate - the high-five wasn't invented yet - and starts to lower her hand. Her mouth is wide open, teeth showing, somewhere between a grin and talking, and her body language is open exuberance. The creases around Nikola's eyes are still very visible from this angle, though most of his face isn't.
[20] A view of Goran as Nikola with his eyes closed as if he's blocking something out, and a look of forbearance and faint frustration on his face.
[21] A side-on view of Goran as Nikola, a shorter man in the background and the TARDIS behind them both, its windows glowing white. Nikola's expression is determined and a little grim, more hair curling messily against his forehead.
[22] A view of Goran as Nikola outside, trees in the background, a blurry blue-white sky and what might be yellowish grass. He's wearing old-fashioned aviator goggles on his forehead, where they're pushing his hair up so it's even messier, and he's looking down at something with a troubled expression.
[23] A view of the Doctor and Goran as Nikola in the TARDIS, the scene awash in electric blue and peach-pink, and no other lighting. The Doctor's leant over the TARDIS controls doing something there and looking back at Nikola, who has picked up some sort of contraption and is looking down at it, expression either troubled or focused. The light on his face is blue, throwing his features into sharp and unflattering relief.
[24] A view of Goran as Nikola in the TARDIS still, the lighting blue, the angle of his shoulders suggesting his hands are on his hips, and his expression now one of open joy. His eyes are large, his mouth open and smiling slightly, soft creases on either side.
[25] A view of Goran as Nikola on the street, looking with his head tilted at someone in the foreground - barely visible, except for the bowler hat. Nikola's expression is tolerant, a restrained smile with narrow eyes, and his hands are probably clasped behind his back.
[26] A view of Goran as Nikola on the street, now talking to the Doctor, only the back of her head visible. Nikola's in the same pose as before, hands behind his back, only leaning slightly towards her now, his expression warm as he talks to her. The creases around his eyes are back, and it's another angle that emphasises his nose.
[27] The same view as before, only now Nikola's ducked his head, almost like he's shy, or needs a moment to collect himself. The creases have gone from his eyes, but the smile's still there at his mouth.
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pickalilywrites · 5 years
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Model/photographer fic with the pairing of your choice. Bone points if its a rare pair because they deserve more attention.
you’re absolutely right!!! ah, but i read it wrong and accidentally made it a makeup artist and not a photographer ;~; i made a model/photographer au for jeankasa that you can read here~
Not Meant to Be
MaruMina. Celebrity AU. 
1866 words. 
Buy me a ko-fi!
Mina has never understood the hype around celebrities and hadn’t understood the concept of being completely starstruck by someone until today. It’s not that she doesn’t keep up with pop culture - actors, actresses, singers, and models - or has a complete disinterest in it because she does. After all, it wouldn’t make sense for her to remain in the dark about celebrity culture when she works at Rosé, one of the most well-known beauty and fashion magazines that oftentimes feature these celebrated idols. Of course, she’s never gotten a big head from working here. In fact, it’s quite the opposite. She’s had more than her fair share of rude encounters with pompous pop stars and arrogant actors - she recalls just last week an action star had her run out to buy him an iced coffee despite the fact that she needed to do his make-up for the shoot - and had even more instances where the stars had ignored her completely. These experiences haven’t made her bitter, but they have made her more or less indifferent to these many stars, and she doesn’t expect anything much from them anymore. If she’s learned anything from working with stars, it’s that they’re human just like anyone else. Except, perhaps, Marco Bodt.
Admittedly, Mina hadn’t been aware of his name until about a year ago despite the fact that the young actor had made his film debut when he was a teenager. He had been cast in many period pieces, but he had only gained recognition recently after playing a young detective in an action-thriller that had recently won him an Academy Award. It seems that now that he has gained fame, people - fangirls, especially - have realized just how handsome and talented he is, flocking to every movie he’s starred in, including a romantic comedy released just last week where Marco Bodt plays a frazzled salaryman with no time for love. Now, magazines like Rosé are clambering to have the actor’s freckled face grace their glossy covers.
The entire building had been abuzz when they had heard that Marco Bodt would be visiting for a photoshoot. Many discussed the possibility of getting an autograph or photo of the actor while others just whispered dreamily about this lucky chance to see the actor up close. Mina, however, did not participate in these idle conversations, choosing instead to focus on mentally preparing herself for this upcoming photoshoot. At best, Marco Bodt will cooperate with the artists and photographers involved and everyone will go home happy. At worst, he’ll be an absolute demon and the photoshoot will take several days instead of a few hours. She’s had too many bad experiences to expect the former, though. Admittedly, Mina probably shouldn’t be so harsh when it comes to judging celebrities. After all, it must be difficult for them to be constantly hounded by paparazzi, and she’s sure that the constant exposure is sure to wear them down eventually. Although, Mina thinks amusedly, one would think they’d have fewer problems with all the money they have. It is, however, this exact cynicism towards celebrities that causes her to become surprised upon meeting Marco Bodt, and she thinks that she has inadequately prepared for their meeting after she’s introduced to him.
“Mina Carolina?” The make-up artist looks up at the sound of her name and is surprised to see Marco Bodt in the flesh, standing in front of her with a box of donuts in his arms. On his face he wears a beaming smile that is just as bright as the one he had worn on the red carpet just a week before. She had been certain that his smile, like most smiles that celebrities wore at those events, was just for show, but up close she sees nothing disingenuous about it. When she meets his gaze, his smile seems to grow even larger, and he lifts the box of donuts out towards her. “I heard that we were working together today, so I bought you and your team some donuts. I figured it’s the least I could do since you guys are going to be working so hard today. Compared to everyone else, I’m pretty much doing nothing.”
It’s probably the first time anyone has ever given her a thank-you gift. The most she ever gets is a card, although those cards are usually addressed to the chief photographer. Usually, she and the other employees that worked behind the curtain were completely forgotten as soon as the photoshoot was over. The kind gesture surprises her so much that she doesn’t realize she’s been staring for a while until she notices the actor shifting awkwardly in front of her. Mina quickly clears her throat and gestures for Marco to sit down in her studio.
“Thank you, Mr. Bodt,” she says, taking the box of donuts from his hands and passing it to one of her coworkers to set on a nearby table. She gestures over to an intern, who hurriedly fetches Mina the make-up palette and brushes that were decided upon for today’s shoot. “You’re far too kind. It’s already enough that you’ve shown up.”
“It’s alright for you to call me Marco,” he tells her with a laugh. He’s silent for a moment, watching as Mina pours a dab of moisturizer on her fingers to apply on the actor’s face. “It really is you who is doing all the hard work. I’m just here to sit and take pictures … although it’s my first time modeling for a magazine as prestigious as Rosé. To tell you the truth, I’m kind of nervous. I would hate to mess this up for you guys.”
She’s sure that he’s only saying this to be nice, perhaps putting up the nice-boy facade that the public finds so appealing, but she’s surprised when she glances down at his hands and finds him gripping so tightly on the arms of his chair that his knuckles have turned white. Mina begins to think that perhaps she shouldn’t have assumed such cruel things about him. Even if he’s a celebrity, he’s a stranger to her and it’s not as if she knows his life.
After she finishes applying the foundation, Mina wipes her hands on a towel and reaches down to squeeze Marco’s hand lightly. “I’m sure you’ll do fine,” she tells him with an encouraging smile. Her words must have calmed him down because he returns the smile, but it’s bashful this time. “After all, you’re in good hands.”
“I’ll leave it to you then,” he replies.
Generally, Mina doesn’t like it when her clients try to converse with her while she’s applying their make-up. While she understands their need to fill up the silence, their moving jaws and tilting heads make it difficult for her to apply make-up properly. At times like these, she usually requests her clients to remain as silent as possible, but she finds that she doesn’t seem to mind it when Marco talks. As she converses with him, she finds that he’s far more relatable and easy to talk to compared to other celebrities. Rather than talking about himself and red carpet experiences that others can never connect to, Marco asks more about Mina and her experiences in the make-up industry, sometimes even speaking with the other artists and interns in the studio so that nobody feels left out. There are a few times where she requests that he pauses for a moment so that she can apply foundation properly, and he clamps his mouth shut immediately with an apologetic look on his face, but Mina always finds herself asking him another question so that she can get him talking again.
She finds him absolutely stunning when he speaks, and she’s grateful to be able to observe him up close as he talks. His strong jawline is even more prominent when she’s within inches of him, and she makes sure to highlight it as she goes about applying make-up. She does the same with his freckles, taking care not to cover up the golden spots sprinkled across his cheeks and nose. Above all, though, Mina finds that the natural upward curl of his lips - this hint of a smile - to be his best feature, and she’s certain that it will come in handy during the photoshoot.
Mina had never really seen the hype around Marco until meeting him. After seeing his movie, she did have to admit that the man was talented, but she still didn’t know why he had so many admirers or why they had put him on such a high pedestal. Now that she’s spoken with him, she understands their feelings completely. He’s more than just a Hollywood star with a nice-guy-next-door persona - he’s the real deal. Despite his fame, he remains humble and genuine, and Mina must confess that she’s swooning a bit after meeting the star. She didn’t really have any plans to check out the romantic comedy he starred in, but perhaps she should make time for it sometime this week.
The minutes fly by and Mina finds herself spending more time on Marco than she had originally intended. Instead of working as quickly as possible, she finds herself applying blush and concealer as slowly as possible, hoping to drag out the time they can spend together. She wonders if he notices at all. Before she knows it, it’s already thirty minutes have passed since the time Marco was scheduled to arrive at the photographer’s studio downstairs, and an under-paid intern has burst through the door, breathless and with her hair in total disarray, begging for Mina to finish up so that the photographer can get some shots in.
“Is it that time already?” Mina asks, surprised. A flush of pink creeps across her cheeks, and she wonders what on earth has gotten into her to cause her to waste all her precious time. “I’m terribly sorry. I’m just about done. Please wait a moment and we’ll be down there in a minute.” She apologizes again, this time to Marco, but the actor only shakes his head.
“You’re doing a great job. You’re only taking a long time because you want it to be perfect,” he tells her, but he’s only half-right.
In the end, they both go down to the photographer’s studio - Marco to model and Mina to make any necessary touch-ups in between shots. It’s the most interested in a photoshoot she’s been. She admires how Marco’s skin glows brilliantly underneath the bright studio lights and how poised he is despite the nervousness he had confessed to feeling earlier. He does brilliantly in every pose - brooding, thoughtful, angst-ridden, pensive - but she thinks he’s the most breathtaking when he turns to the camera, a smile on her face. Just seeing his lips curl upwards in that familiar expression is enough to make her hold her breath. She knows that this is a photoshoot, that he is meant to stare straight at the camera so that those who purchase the magazine can pretend that he’s looking straight at them, but she wishes just for a moment that he would look at her and only her. But she knows he never will.
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Text
Chapter 42: The Show Must Go On
Becoming The Mask
It felt so good to jump back into his usual routine on Monday morning. Jim hummed as he diced vegetables for omelettes. He'd need to go grocery shopping after school, or maybe shop tomorrow and do coupon clipping today. How much leftover pizza did they have? Enough for dinner?
Maybe dinner for one, he confirmed, checking the fridge, so he really should pick up something more substantial. Unless …
Yes, there were cans of mushroom soup in the cupboards, so if they had that for dinner tonight, Jim could put off grocery shopping for one more day.
He brought Barbara's breakfast upstairs. She'd remembered to take off her own glasses last night. Jim kissed her forehead on reflex, and then froze.
Barbara didn't stir. He let out a whisper-soft sigh.
For the past week, Jim and Toby had been brushing their teeth side-by-side, since the Domzalskis only had one bathroom and there was only so much time in the morning before school. Jim had started checking on Jay-Jay using his cellphone instead, even after Toby learned he was a Changeling. Today, brushing his teeth alone, he spat on the mirror again.
Toby deserved something special for lunch, Jim thought, considering how well he had been handling all the strangeness and stress that Jim dragged into his life. Let's see, there were still more eggs …
Jim went through the first few steps of making French toast, but as soon as one side of the bread was finished and flipped, he put cheese on top to melt. He was frying thin slices of onion and tomato and some diced red peppers as well.
Toby loved Chef Jim's Famous Ultimate Grilled Cheese.
Jim left Barbara's lunch in the fridge, like usual, and left to bike to school with Toby, like usual.
It felt wonderful to cook in his own kitchen again.
+=+ 
Jim seemed chipper, Walt noticed. He hoped that meant the boy was in positive contact with his Familiar's mother again, not that Jim was putting up a façade.
Of course he wanted Jim to be able to hide his feelings well, especially vulnerability. Such thespianism was a vital life skill for any Changeling. But he could hope for Jim to genuinely experience whatever positive emotions the young Changeling expressed as well.
"I've got some worrying news," Jim announced, popping into Walter's office after school. The words were at odds with his tone, grin, and bouncing step. "We have a ticking clock, of sorts? The kids want to tell their families trolls are real. Mom hasn't met them but she knows they exist and she's given us a month to do it before she starts trying. So, they're trying to persuade Vendel it's a good idea. Thoughts?"
Walter just gaped. Jim had barely gotten the door closed before he started bubbling out this very disconcerting information. He was still adjusting the piano stool.
"I suppose the possibility of a troll being photographed or filmed and spread by social media could make it worth attaining human allies who are beyond adolescence."
Mrs Nuñez was a local politician, and Mr Scott was a police officer. The scope of damage control they could truly offer in the event of a secrecy breech was limited but existent. Truly, Dr Lake would probably be the best 'respectable figure' to calm the public, if it came to that, since many humans assumed their politicians and law enforcement were corrupt in any case, but first it would be best to try discrediting the evidence and minimizing its exposure.
"Yeah, Mary pointed out basically every human has a camera at all times now." Jim turned idly side-to-side on the rotating stool. "I'm worried about Enrique, though. If Claire exposes him to their parents … He can't 'stay with a friend' like I did while they cool down. But if they're only letting him stay for appearances and don't get a chance to calm down –" He spun all the way around. "D'you think we can talk her out of it?"
"You know Ms Nuñez better than I. Do you?"
Jim made a whining noise high in his throat and spun the stool again, in the opposite direction this time.
"If it's any comfort," Walter offered, "I've seen Ms Janeth's rehearsal and performance schedule for this week, and I imagine Ms Nuñez will be too thoroughly occupied with the Montague-Capulet feud to want to create additional family strife off-stage."
There was a rehearsal for the first three afternoons that week, with the full dress rehearsal Wednesday, opening night on Thursday, and with Friday and Saturday performances to follow.
He should tell Jim about his own worrying news, his plans to leave Arcadia once he found a deputy who wouldn't be subverted or murdered, but Walter hesitated. Face to face with Jim, he found himself wondering if he ought to leave at all. His presence offered some token protection; Otto knew, even if the Polymorph survived a fight with the Trollhunter, Walter would bring about consequences. But if Walter were gone, Otto would have time to disappear.
But Jim was an excellent fighter in his own right, Walter chided himself. The boy had successfully stabbed Bular and lived to tell the tale! And he'd be safer still if – when – Walter's plan succeeded.
Still, he hadn't found a deputy, so perhaps he needn't add to the boy's worries yet.
+=+
"There's a school play," said Jim, apropos of nothing, at dinner on Tuesday night. "Later this week. I'm not in it, but, do you want to go anyway?"
"That sounds nice," said Barbara. "I'll try to clear my schedule."
"It's three nights. I could get tickets for all three. You know, school fundraisers, they're not going to turn down extra money."
"What's the troll school system like?" Barbara had decided to try to ask this sort of thing casually whenever a conversation seemed like it could flow in that direction, to get Jim used to telling her things about trolls and get herself used to hearing it.
"I have no idea. I've never seen a school in Trollmarket, though, so they might do an apprenticeship instead of general education? I'll ask Blinky. Or you could ask Blinky."
Barbara hesitated. She wasn't sure she had the nerve to go back underground yet. "You should invite him to dinner some time."
Jim laughed. "I don't know if you'd want that if you knew what trolls ate." He gasped at his own words. "I meant garbage! The stuff trolls eat is usually really unappetizing to a human. Smelly socks are tasty snacks. I mean, we've – Changelings – we've found some stuff that tastes good in both forms, but I don't know how good they'd be to an unaltered troll."
+=+
"Where have you been, young lady?"
"Dress rehearsal?" Claire frowned at her parents. "The school play, remember?"
Enrique made a happy noise from his doorway-mounted baby-bouncer. Sometimes that dispelled the tension. Tonight it didn't.
"We're very proud you're keeping your commitment to the school," said Javier. "But you have to call us when you're going to be out late. We were worried."
"I told you when you dropped me off this morning!"
She had. Enrique had been in his car seat right behind her. He hated that thing. It was cushioned, and his Familiar's parents had been very fussy about making sure the straps weren't too tight when they noticed he always cried when they put him in it, but that wasn't the point. He hated not being able to move. He couldn't wait until he got big enough not to need it anymore.
"You at least remembered you promised to come tomorrow, right?" Claire continued, narrowing her eyes.
Ophelia checked her phone. Behind the parents' backs, Enrique winced.
"Of course. For opening night."
+=+
"Nay, gentle Romeo, we must have you dance," said Logan – Mercutio – to Steve.
"Not I, believe me: you have dancing shoes, with nimble soles. I have a soul of lead, so stakes me to the ground I cannot move."
"Steve's a better actor than I thought," Toby whispered to Darci. He and Nana had ended up beside her and her parents. Darci's dad was a huge, muscle-y guy who had given Toby a suspicious look when the teens greeted one another by name, but hadn't tried to stop them from sitting next to each other.
Steve seemed utterly woebegone, being dragged by his friends to a party to make him forget the girl Romeo liked before meeting Juliet. Toby hadn't known Romeo had a past love – he'd never actually seen the play, but he'd thought part of the point of it was that first love made the characters reckless?
Mercutio launched into a speech about some fairy queen creating nightmares until Romeo interrupted him – "Peace, peace, Mercutio, peace! Thou talk'st of nothing!" – and Benevolio pointed out they were missing the party they'd planned to crash – "This wind you talk of blows us from ourselves. Supper is done, and we shall come too late."
Toby had to choke back a laugh, midway through the next act, when Romeo approached his priest friend and Friar Laurence fretted that young people didn't tend to be awake so early, and so Romeo must not have slept.
"The last is true. The sweeter rest was mine."
"God pardon sin! Wast thou with Rosaline?!"
Who knew Shakespeare had snuck so many raunchy and risqué stuff into his work? When Mary, as the Nurse, thought Juliet was simply sleeping in as opposed to faking her death, she teased that Juliet's arranged marriage would be keeping her up late soon and so it was best Juliet got as much sleep as she could before.
"Why, lamb! Why, lady! Fie, you slug-a-bed! Why, love, I say! Madam! Sweet-heart! Why, bride! … What, not a word? You take your pennyworths now. Sleep for a week; for the next night, I warrant, the County Paris hath set up his rest, that you shall rest but little. God forgive me," she added idly, in that way that meant she was only apologizing because it was expected, not because she was truly sorry.
There was a curtain across the stage, dividing Nurse from Juliet's 'bed' while the audience could see both of them.
"Marry and amen, how sound is she asleep! I must needs wake her. Madam, madam, madam!" Mary pulled the curtain back. "What, dressed and in your clothes, and down again? I must needs wake you." She started to shake Juliet, growing increasingly frantic as Claire appeared limp and unresponsive. "Lady? Lady! Lady!"
Mary's last cry was a full-on scream that made everyone jump.
It wasn't really all that different from a soap opera. Even with all the death and tragedy, Toby was quite enjoying the play.
At least, he was, up until the last scene.
"What's here? A cup, closed in my true love's hand? Poison, I see, hath been his timeless end. Oh, churl – drunk all, and left no friendly drop, to help me after? I will kiss thy lips. Haply some poison yet doth hang on them, to make die with a restorative."
Juliet leaned over Romeo. Toby had heard, once, somewhere, that the hardest role in theatre was a dead body, because the actor would feel the urge to move or laugh. Steve let out a brief little "ha!" at the kiss, and then went back to being dead.
"Thy lips are warm … Then I'll be brief. Oh, happy dagger," drawing it from Romeo's scabbard, "this is thy sheath!"
Toby, and several others in the audience, gasped as Claire pressed the prop weapon to her stomach.
"There, rust … and let me die."
"What?" Toby whispered. "Juliet dies in this? No!"
The curtain closed, and Eli came out to deliver the epilogue. "A gloomy peace, this morning with it brings. Go hence, to have more talk of these sad things; for never was a story of more woe, than this of Juliet and her Romeo!"
The audience applauded, and cheered, and whistled, and Claire and Steve got up and started bowing. But all Toby could see was his friend collapsing from a stab wound.
"Toby?" said Darci, putting her hand on his. "You okay?"
"I can't believe Juliet died …"
Jim kept warning them that troll stuff could get them killed. Toby had tried to take the warnings seriously, he really had. This, though, actually seeing Claire die – even a staged death she got right back up from, like Juliet's first, fake death with sleeping potion – this hit Toby harder than all of those warnings all at once.
He forced himself to his feet, forced a congratulatory smile onto his face, and forced his hands into applause.
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Previous Chapter (Vendel is reluctant to let more humans learn trolls exist)
Table of Contents
Next Chapter (Toby has an emotional breakdown)
Whee, I figured out a way to make Romeo and Juliet plot relevant!
I actually read a transcript of 'Romeo and Juliet' to prepare this chapter. I really wanted Mercutio's Queen Mab speech, but couldn't justify quoting the whole thing, so I just referenced it happening on stage. (No, I didn't study this play in school. The Shakespeare plays we studied were Twelfth Night, Julius Ceaser, Hamlet, and the Scottish play with the cursed name. You know the one.)
Logan is the guy partnered with Mary in the flour babies episode. Darci mentions, "Logan and Mary already killed theirs. They gave Dwight D. Eisen-flour a bath and he turned into mush." Based on screenshots of the classroom, I think Logan is also the unnamed boy seen in the seats at play tryouts.
My high school typically did three performances of the school play, on Wednesday, Thursday, and Friday. Arcadia Oaks High School seems to do only one performance, but I think that's because the first half of the first season ends on opening night and the writers were done with that plotline. The next episode starts a month later, according to Toby's dialogue. That's plenty of time for more performances.
In other news, I’m thinking of doing a podfic for this story. My computer has a decent microphone, but I can’t seem to convert M4A files into MP3s, except by using external websites. I’ve followed the tutorial for doing the conversion with Windows Media Player exactly and it doesn’t work. I need MP3s if I’m going to post podfic on tumblr because tumblr can’t accept M4A uploads.
Apparently I’ll need to have the files hosted on another website, because AO3 can’t accept audio files downloaded directly or works imported from tumblr. SoundCloud sounds like it would work? Do people have recommendations or suggestions? 
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ninasfireescape · 5 years
Text
HADESTOWN
So yesterday (21st December) I saw hadestown at the National with @only-a-little-bit-dead, @ya-sudan and my mum. I’ve been a fan for a little over a year, having got into it through great comet (I would die for Amber Gray) so not only was it incredible getting to see it live but also to see her live and now I’ll give my thoughts/casual review of the production.
There are three theatre spaces at the National and it’s in the Olivier which is the biggest and is the one with the spinning stage which fits perfectly.
Also I completely underestimated how close to the front I would be. I booked for this side balcony bit but it’s actually right in front of the stage so I was only five feet from the actors and Amber and Eva made eye contact with me multiple times.
The set is this cute summer cafe but if you “look a little closer” you see it’s covered in mould. There’s also a bunch of posters up and one is for a jazz concert.
All of the cast enter at the beginning and Eurydice is rocking her look by French tucking her shirt (Tan would be proud). Hades and Persephone spend the first few songs just chilling up on the balcony and it makes it all the more ominous when he finally comes down in Way Down Hadestown. Persephone is fanning herself the whole way through.
I should mention this production is really diverse. Like not just racially but they’ve got dancers of all different sizes and body types and one dancer is an amputee as well.
When Hermes calls the Fates “three old women all dressed the same” they all glare at him and it’s really funny.
Eva is an amazing singer and she’s so beautiful and really small and Orpheus gives her lots of piggy backs
Persephone gives her her lil flower in Livin’ It Up On Top
I know lots of people were wondering about a sex scene in the show. I’d hardly call it a sex scene. It was Eurydice artfully straddling Orpheus for 0.2 seconds while fully clothed then rolling off him to sing All I’ve Ever Known
For no reason, Hermes whips out an umbrella and honestly? Iconic. (Also Hermes you know it’s bad luck to open an umbrella inside you’ve caused bad luck for Orpheus and Eurydice)
Like I said, Hades is on stage all the way up until Way Down Hadestown but we never hear him say anything until then so I expect for people who hadn’t heard the soundtrack before his voice must have been such a shock and the build up worth it. It’s actually surreal hearing a voice that deep live and my friends and I were all saying we wished our voices were that low
He and Persephone stand in the centre of the stage and then it just sinks below the floor. This trap door works a lot through the show  but the first time is when they first go to Hadestown and it’s a big surprise at this point. Steam comes out and they just disappear.
The Fates act as the wind and tear off Eurydice’s coat so she’s just left with her half French-tucked shirt and it really opens the question of whether she actually died of exposure.
Meanwhile, Orpheus is just chilling writing his song at the side of the stage. I bet if we looked at that sheet of paper, it would just be pictures of his gf in hearts
Orpheus is really adorable ok.
And then he turns around and “oh my gf’s gone and I didn’t notice.”
Wait for me is really really really amazing. First of all, they’ve added some nice overlapping memories but there’s swinging lights overhead, smoke everywhere, and the workers have torches on their heads. It genuinely feels scary as the Fates follow him around going “Who are you?” so you feel he actually is facing dangers while walking to Hadestown.
Act 2 begins and Persephone is hiding flasks in amongst her basket of flowers. All the workers are really in love with her and one of them looks like he is about to faint when she puts her arm around him. Mood.
When she says “it’s right here waiting in my pay-per-view” she points at her forehead so I think Persephone’s speakeasy is ultimately just her sharing stories about being up on top and that’s how desperate the workers are to be out - that they’ll settle for stories about it.
Flowers is so beautiful, this is where you hear Eva’s voice the best.
Orpheus runs through the audience to her.
There’s this amazing dance sequence where Hades commands the workers to fight Orpheus
Hades has taken off his jacket and has a tattoo of a brick wall on one arm and another tattoo on the other but I can’t tell what it is.
If it’s true, also a gorgeous song, why did they cut this from the cast album?
All the workers end up banding behind Orpheus after this.
Now this is where a bit of bitterness comes in, they changed ALL the lyrics to Persephone’s verse in Chant II. I don’t mind most of the changes they made but this is bad, and they’ve also shoehorned in a verse sung by Orpheus which just doesn’t fit the tune but oh well.
“I CONDUCT THE ELECTRIC CITY!!!!” Patric’s voice is so powerful that there’s a burst of electricity and then a full blackout.
Epic III, Hades is crying, Persphone is crying, you’re crying, I’m crying, there’s a link between the two couples and Orpheus ends up starting a riot and the trap door bit in the middle rises up with him on top of it.
His Kiss The Riot is incredible to hear live as well with all the background music. The Fates all have instruments and are playing around him as well as the band. This is one of my favourite songs in the musical.
So Orpheus and Eurydice head back up and this section is really scary. The stage is spinning madly, Eurydice disappears off and you can barely see a thing, just smoke and shadows. Everything is really distorted as the set comes back together, shaking everything. There’s a new verse where you really see inside Orpheus’ head and though we all know he’s a dumb bitch, we understand why he would turn around because he thinks Hades is playing a trick on him.
Indeed, when Eurydice does reappear onstage to sing, she almost looks too happy, you can imagine her being some kind of vision sent to taunt him.
Light filters through this metal grate on the floor to show they’ve almost reached the surface and Orpheus is literally on the top step when he turns around. Eurydice slowly sinks back through the floor.
The play starts again at the beginning with Eurydice and Orpheus meeting again. I don’t quite know what it’s meant to be showing but I think it’s about how we tell the story again and again even though we know how it ends.
The bows take place. Here I was internally thinking “WHY WOULD THEY CUT PERSEPHONE’S FINAL SONG?”
However it comes after the bows. Hermes basically tells everyone to stop clapping and sit down without saying a word and Persephone sings I Raise My Cup.
Meeting the cast
I managed to meet everyone except for one of the fates
The cast all probably hate me because the pen I brought doesn’t work very well and Andre De Shields borrowed a gold sharpie from someone else and then wrote his name out with it in my programme in huge letters. He’s so fancy and I love it.
Apparently they were told English audiences are really cynical and were shocked by how lively we are. Then again, he does have a point. I’ve been to Hamilton London and the audience don’t even clap for “My name is Alexander Hamilton.”
My friends and I were pretty sure Reeve Carney was smashed when he came outside but he was really nice and had a long conversation with us. I know the discourse about him and honestly so unnecessary. I agree that the guy on the workshop has a better singing voice but Reeve is a great singer too and he can actually act. He is not to the detriment of the musical in any way.
The Fates seemed surprised I wanted a picture with them but they were really nice. I talked a lot to Gloria Onitiri and we joked about an actor’s salary when she asked if I was coming to Broadway and how I said “I’m a student so no”
I waited a loooooong time for Amber to come outside because I painted her a picture of her as Helene and Persephone. There was only one other person outside so I was just about to ask the doormen if I could leave my picture when she came out. She was soooo lovely and she really liked my painting. She said she’d take it to Broadway with her. She said no pictures which I was sad about but fair enough and I GOT TO MEET HER!
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ghoulboyboos · 6 years
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Inspired by doppelgangers i saw on my cruise. Ryan is a performer in the musical shows and shane is one of the photographers on board
Oh boy, nonnie! I have never been on a cruise ship in my life, all that I have is Google and my imagination. I hope I can get the scenery across
Thestage of the Calliope isbigger than any cruise ship’s Ryan has ever been on. He and thetroupe get a little lost in blocking and re-blocking the show for thenew venue. The director has already slipped out for his seventhcigarette break and it’s getting a little concerning. Ryan looks athis co-star who just shrugs. She is twisting in the cute blue dressthat is part of her costumes and Ryan snorts and pulls her into aspin. Somewhere behind the stage, “The nicest kids in town” isplaying and everyone else seems pretty chill with the new place.
Theyeventually figure all of it out. Hairsprayis still well liked, because it’s bright and happy and positive.Ryan isn’t sure if the rich and mighty are the crowd who gets mostexcited about the show, but they definitely seem to like it. Whenhe’s not on stage, he glimpses out through the curtains and frombehind the backstage door. Most of the guests are dressed in allkinds of expensive outfits, but they keep it pretty tasteful. Ryanswipes the lock that is half-plastered to his forehead to give himthat I’m trying to keep my hair in linelook Link Larkin is rocking outof his eyes and looks around. The waiters and waitresses are prettybusy and Ryan knows alcohol is flowing on these cruises like mad. Hehears a click and looks to his left.
Aman is standing nearby. He’s dressed in dark chinos and a blackHenley with a jean jacket over it. Apart from that, he has severalbags and pieces of equipment strapped to him, all of which seems tobelong to the camera he is holding in his hands. They’re nicehands, Ryan notices. Long fingered and lean. The man isn’t exactlywhat he would consider conventionally attractive, but in a weird way,he’s sort of cute. His face is long, his nose is big and his eyeskind of droopy. But he has soft, fluffy brown hair and a nice stubblecovering his chin and jaw. He’s also tall. Really, really tall andRyan licks his lips thinking about someone that height pinning him tothe next wall to kiss him senseless.
OkayRyan, chill your bi little brain. It’s just a photographer.
Saidphotographer stands up to his full height – and Ryan can’t helpbut gulp a little at that – and removes the lens of his camera,swapping it for another one with quick, practiced movement. When helooks up, his gaze brushes Ryan and Ryan can’t help it, he lifts ahand in greeting and smiles a bit. The guy pauses and then grins andwaves back.
Somewherebetween high school and college, Ryan has learned to always followwhat’s happening on the show even if he was paying attention tosomething else. He knows he’s going to be on stage in five, so hejust smirks at the tall guy, gestures towards the stage and shrugsapologetically. The photographer seems amused and just nods and giveshim a thumbs up. Ryan chuckles as the thumbs up turns into fingerguns and a wink. He pretends to swoon and sees the guy’s earspinken. Interesting.He smiles at the man before he ducks backstage and gets ready for hisnumber.
-
Afterthe show, he finds the photographer again. He is ambling about,offering people at the tables to take their picture on the Calliopewith the show’s scenery in the background. From what Ryan can see,the guy is joking a lot, making people laugh genuine laughter whilehe is taking pictures. Afterwards, he shows them the tablet he iscarrying in a bag under his arm, probably showing off their pictureson a big screen. He hands out business cards and Ryan can see himcollect the odd tip, always humble and grateful. Ryan is hanging outat the bar and buffet. He normally focuses on buffets and stacks hisplate with a bunch of fried food, but tonight, he is distracted. Ryanisn’t sure what exactly draws him to the guy. He is neitherparticularly hot or charming, but there is just something about himthat seems friendly and comforting and, as embarrassing it feels,Ryan could use someone who is just supportive and nice.
Luckily,his interest doesn’t seem as one-sided as he has feared, becauseeventually, the guy passes the bar and just quickly grabs a sausageroll to stuff his face with before he is heading straight for Ryan.Ryan knows he should probably fall into a pose that makes him lookaloof and charming, but he is sick and tired of all the flirting tipshe has gotten over the years. He feels a genuine attraction to thisman, so he decides to be genuine in return.
“Uh.Hey.” The man smiles down at Ryan and Ryan feels his stomach flip alittle. “I saw you earlier, remember me?”
Ryanchuckles. “Yeah, uh. I do remember. Did you think I wouldn’t?”
Thephotographer smiles thinly.
“Itdepends on the person. There are some who consider the staff kind of…replaceable. They don’t recall our names or faces. Not that yourcrew did that, but some other show folk have done that. Sorry.”
Ryanwaves him off.
“Noworries, you’re not insulting me or anything. I know some peoplehave huge egos.”
Theman nods.
“Isit okay if I hang out here a bit?”
Ryanblinks.
“Ofcourse! You don’t have to ask that.”
Theguy leans against the wall next to Ryan and he seems to relax alittle as he looks over and smiles. He has a nice smile and Ryanfinds himself mirroring it.
“Iguess I got in touch with too many… uh, complicated people.” Theman says and laughs. “There are some people who don’t want to beseen with me.”
Ryanfrowns.
“Whythe fuck not?”
Theguy shrugs.
“Classicism,I think? I’m just a dudetaking pictures of people who deserve having their picture takenbecause they are rich and beautiful.” He sounds a little bitter andRyan feels himself nodding.
“Yeah,I get it. The kind who wants entertainment but treats entertainerslike dancing monkeys. I know what you mean.”
Hecatches the guy shoot him a look, measuring and unsure.
“I’msorry you get that shit, too. If it helps, I thought your show wasreally amazing.”
Ryansmiles.
“Itdoes. Thank you.”
Thephotographer laughs and it sounds of relief.
“I’mShane, by the way.”
Heholds out his hand and Ryan shakes it.
“I’mRyan.”
Shanesmiles back at him and Ryan could swear he sees a sparkle in thosehazel eyes.
“Well,Ryan. I took a bunch of pictures of your show… wanna help me pickthe best ones?”
Theyend up at a table in the back where they go through the picturesShane took. Ryan is impressed. Whatever Shane did to take and editthem, the colors are popping wonderfully, which has always beensomething that was very important to him in this show. Shane alsoseems to be able to capture movement very well without causing thepicture to blur. Ryan smiles down at a picture of the main actressand him and he feels great.
“Isthat your girlfriend?” Shane asks.
Ryanknows that tone. That actively by-the-by behavior. The question thatwas really a different one: “Are you single or are you taken?”
Hedecides to go easy on the guy.
“No,no. She’s a great friend but we could never fit together likethat.” He laughs.
“Ihad a boyfriend a while ago, but it didn’t work out so I’ve beenliving the single life ever since.”
Shanelooks over at him, eyes widening and Ryan smirks at him.
Theydon’t push anywhere that night. Instead, they talk about picturesand Shane explains to him what adjustments he made to capture thecolors so well. Ryan listens intently but still instantly forgetshalf of it. He admits it to Shane, who just laughs and promises toteach him again and again if he wants to.
-
Afterthat, they are sort of glued at the hip. Some of Shane’sphotographs are just for Ryan. Moments during the show where Shanehad zoomed in to take a picture of Ryan looking especially good. Ryanfeels flattered, but he also is worried. He doesn’t want this guyto believe that he is just talking to him so he gets the bestpictures.
Hemakes a plan. On one of the nights they don’t have a show, he hangsaround the dining room until Shane is done taking pictures. He wavesat the other man to catch his attention and his heart flutters whenhe sees that face split into a smile. They hang out in the kitchen.The cook lets them, because they are technically staff and each ofthem is sitting in the back with a filled plate while talking.
“Iwas wondering.” Ryan starts, pushing himself to continue. “Do youmaybe want to hang out at my cabin later? Each of the actors got abottle of Champagne as a gift from the captain. But drinking alonesounds like a stupid idea.”
Heis laughing for good measure, but the way Shane’s eyes widen almostmakes him laugh even more.
“Uh,I mean. Are you sure you don’t want to keep it for a betteroccasion?”
Ryanleans in, not too much, but enough to insinuate something.
“Ican’t think of a better occasion than sharing it with you.”
Thereit is, the clear breach from fun flirting to serious flirting and hedoesn’t miss Shane swallowing.
“Imean… I feel really honored…”
Ryan’sheart starts to beat faster and faster as he is waiting for the“but”. It doesn’t come, however.
“Areyou sure?” Shane asks, eyes wide and stunned. Ryan frowns at him.
“Ofcourse I’m sure! Why wouldn’t I?”
Shaneblinks and actually blushes.
“Imean. You’re a pretty popular actor and singer and dancer. I’mjust a dude who takes pictures.”
AndRyan understands. His heart melts a little as he looks at Shane.
“Youwere never just a dude who takes pictures to me. I would love to hangout with you whichever way you want, Shane. Okay?”
Shaneonly nods, face pink.
-
Theyshare the Champagne and talk about shows and pictures and filming.Shane explains a bit about his camera to Ryan. He picks throughsome adjustments and talks about exposure and light with Ryanslouching on the bed next to him. Ryan doesn’t quite understandwhat Shane is getting at, until he catches a certain sentence:
“See,most people on these cruises are rich, privileged white people.Photographing them is easy because many cameras are made to taketheir picture. But when someone has brown or olive or black skin, youhave to fiddle with exposure a bit.”
Ryanwatches him with interest. They are about half way into the bottleand Ryan has taken off his blazer. He is still wearing the pink shirtand maroon pants after discarding the tie. Shane picks a lens andsits up to point the camera at Ryan. Ryan looks up, champagne flutein one hand, eyes wide and the flash goes off, less blinding than heexpected. Shane takes his tablet and swipes across the screen a bitand Ryan sits up to look over his shoulder. He sees himself, leaningon the bed, slightly surprised… and his skin glows.The brown tint fits the reddish outfit so well he feels his breathstop.
“See,babe?” He hears Shane say. “I told you. You’re a sight tobehold. Living, breathing art. I’m just some dude who takespictures.”
“Ah.”Ryan empties his flute and puts it away. He is familiar with thefeeling of inadequacy.
“Youthink I’m just hanging with you because you take good pictures?”
Shane’seyebrows twitch upwards.
“Uh…I don’t want to sound like I have a bad impressionof you- It’s just-”
Ryansmiles.
“Iget it. A bunch of people in the business have seduced you for you totake nice pictures of them?”
Shanechuckles.
“No,it never actually gets to the seducing. They just hang with me a bitand I take a bunch of pictures and then I leave.” He seems to sigh.“It’s okay. I’m doing it for the art. Not justso someone… I don’t know.Owes me affection, I guess.”
Ryanchuckles.
“Clearlythey don’t owe you anything. But in return, you don’t owe themeither, okay?”
Shaneseems to frown.
“ButI’m not an actor. My job isto take pictures of people like you.”
Ryansmiles softly.
“Andthat makes you a great person. You put so much thought in what you’redoing. Your photographs are beautiful. And you put so much work intothem. Work you really don’t have to put in just for a couple ofshow photographs.”
Hesmiles softly at Shane and it seems to work, because the other man isflushing and moving in his seat.
“I’m…I’m not doing it for attention.”
“Iget that.” Ryan whispers. He reaches out and runs a hand throughShane’s soft hair. “I guess you just caught mine. Do you… notwant it?”
Despiteeverything, Ryan wants to make sure. Shane could simply beintimidated by sitting next to someone who is kind of a “celebrity”,even though Ryan never saw himself that way. He doesn’t want Shaneto go along with something, just because Ryan is popular. Butapparently, his fear had been absurd.
Shaneblinks and laughs and leans in a little.
“Ofcourse I do. I have to admit, I kind of felt drawn to you from thesecond I saw you at the backstage door. But I’m just- And you are-Ryan are you even aware of how gorgeousyou are?”
Ryanchuckles.
“Well,that’s convenient. Because while I’m not sure what about youradmittedly strange face is so interesting to me… I have to admitI’m pretty smitten with you.”
Shane’seyes widen. Ryan sees him swallow hard and shuffle back a little.Ryan feels a sting of pain and discomfort.
“Imean… I’m sorry if that was too forward. I guess I just wantedyou to know that I’m not just some celebrity who wants nicepictures or is bored. I actually like you. And I’m happy to havemet you.”
Ryanmeans it. They have talked about a lot of random things and duringthat time, Ryan has realized that he and Shane fit togetherperfectly. Almost all of their interests overlap, they have the sametype of humor and the same taste in movies. The only thing theyreally disagree on is the existence of the supernatural, but their“fight” had quickly melted into an excited talk about theirfavorite Horror films.
“Ryan…you don’t want this. Me. You don’t want me. I’m a hugemess. I wanted to be someone and now I take pictures of richpeople on cruises, sucking up to them so they will leave me a nicetip. I’m a fucking failure. You have seen me. You know it.”
Ryanalmost laughs, but he doesn’t because Shane seems honestly upset.He takes the man’s hands.
“Listen,Shane. I really don’t have a negative opinion of your job. I’m abit upset about how little confidence you have in it, because I thinkit’s cool and you are really good at it. I still hope you will sendme that picture you took earlier. And if you don’t like me thatway, it’s cool. But if you are interested, I would like you to…well, stay here. Tonight.”
Shane’seyes seem huge in the low light of Ryan’s cabin.
“Really?”He finally manages.
Ryansmiles and leans in to press a kiss to the corner of the other man’smouth.
“Iknow you’re sometimes around a bunch of douches with too muchmoney, but just because I work on a stage doesn’t mean I sharetheir views on things.”
“No.”Shane says softly. “I mean… I didn’t think you would.”
Heglances at Ryan. It seems like he is trying to get across an apology.
“Iguess I was just worried that someone as magnificent as you wouldsettle for someone as average as… well, me.”
Ryan’sbreath stops for a second.
“Please.”He whispers. “Please don’t think you’re ever less thanperfect, okay?”
Shanechuckles a bit as Ryan leans in.
“Aren’tthose song lyrics?”
Ryansmirks, their lips almost touching. “Maybe?”
Shane’ssmile widens and Ryan feels a huff of laughter.
“Iwould love to stay with you, if you let me. And I will allow you totry and proof to me that I am nice to look at.”
Ryansnorts and cups the other man’s face in his hands.
“Ipromise I’ll do my very best, love.”
Shaneblinks and stares at him and then his tongue darts out to wet hislips. Ryan can hear the sound of Shane’s camera turning off as theman puts it aside.
“Okay.”Ryan feels the whisper more than he hears it. Shane’s breathtickles his lips. “Show me.”
Ryandoesn’t let him ask twice.
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