“I began to think hard about the world, about my place within it, and about fear. About the figure of the merchant, the trader who deals in strange and dangerous goods, how it can be found in so many myths and fables, dealing in second-hand nightmares. And how rarely the merchant themself is ever punished in those stories”
- Mikaele Salesa, mag 181: Moving On
“The stranger reached over and retrieved from behind the log on which he sat an unusually shaped sack. Within it, I could spy an assortment of trinkets, ranging from battered knives and chipped porcelain to fine jewelry, small ivory figures and even a set of gambler’s dice.
‘Luck assumes a myriad of forms,’ he proclaimed, his practiced manner warm and inviting, ‘and today it takes the form of a simple traveler offering you his wares.’”
- statement giver, tmagp 4: Taking Notes
“I was just this figure stepping into their lives long enough to gift them fortune or, more often, misery before moving on.”
“I’ve seen how they treat people who give them away…Well… maybe just once more. For old time’s sake.” [Transcription ends due to interruption. Statement giver declared dead by paramedics at-scene.]
- statement giver, tmagp 9: Rolling With It
Hmmm the parallels of the role of the merchant. It’s seeming pretty important in tmagp and I don’t know why. I need everyone’s thoughts on this
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I bet on losing dogs
I know they're losing and I'll pay for my place
By the ring
Where I'll be looking in their eyes when they're down
I'll be there on their side
I'm losing by their side
MARTIN
Yeah, but if, if you're that connected, that dependent, what happens if we actually, y'know, do manage to—
ARCHIVIST
We'll cross that bridge when we come to it. For now, I just need us to be moving on.
The price of a long due reckoning
Laid in blood when the battle has done
Old King Cole has paid the toll
Of the crimes levied upon his soul
The rebel blades have achieved their goal
Laid in blood when the battle has done
Pip: We're doomed
Flip: We're not.
Pip: Are you sure?
There's been so little time to share
We've always had our loads to bear
I won't forget
I won't leave you this time
This time
MARTIN
I refuse to accept that this—
ARCHIVIST
(Firm) Tough! The world doesn't care what you accept. It just... is!
It just is.
It's getting late, Little Moon. Finish the song. It's not that late. You are my moon, Little Moon, and it's late enough. So climb down out of the tree. Is it safe? Safe enough. Are you dead as well?
MARTIN
Yeah, yeah. Come on. We've got a job to do.
(“i bet on losing dogs” - mitski // “mag 181 - ignorance” // “laid in blood” - the mechanisms // “war of the foxes” - richard siken // “ragnarok v: end of the line” - the mechanisms // “mag 194 - parting” // “the worm king’s lullaby” - richard siken // “mag 181 - ignorance”)
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MAG 181 Relisten
Activity on my first listen: cutting the French tamarisk in my garden.
SALESA: "Hmmm. Interesting…"
Interesting indeed. You can clearly hear something that sounds like the tape recorder being picked up and then Salesa’s voice is a bit closer. The official transcript has this in it:
[Close mic bumps as the recorder is handled]
MIKAELE: (Very close) "Interesting…"
JON: [Uncomfortable] "I…er… We slept. I-I don’t know – H-How long’s it been?"
SALESA: "About seventy-one hours, by my clock. How’re you feeling?"
Okay, 71 hours are almost 3 days! That sounds super unhealthy, you still sweat a bit during sleep, your body needs water for chemical processes during sleep as well...
SALESA: "Annabelle tells me you work for The Eye."
JON: "Well… I-I w-wouldn’t exactly say I-I ‘work for’ it."
MARTIN: "Well… I-I-I mean, you say that, but when you stop to think about it, it was literally our employer, Jon, so…"
JON: "I-I suppose."
Lol, he's right there! Also that "eehhhh" sound Martin makes xD
SALESA: "Hmmmm. Interesting. Did you carry it in? Things shouldn’t be able to manifest in here like that."
I mean, Annabelle is literally alive and well in this bubble, so the Web doesn't seem to have problems here.
SALESA: "Very well. In that case, we shall leave it to be. It’s hardly valuable, and it’s probably best not to upset whatever it might be involved with. Besides, I have no secrets to hide."
Ehhhh, I found a very good reason to "If you got nothing to hide you have nothing to fear" on Reddit. It's "I need privacy, not because my actions are questionable, but because your judgement and intentions are."
Haha, Martin stammering when Salesa says he reminds him of Leitner XD
SALESA: "It’s an odd situation, but not a complicated one. Shortly after I decided to stay here, she arrived. Wandered in from the chaos out there, and told me she was going to stay with me. I didn’t get this far by pitting myself against The Web, so I welcomed her in."
JON: "And…?"
SALESA: "And sometimes she cooks."
Lol XD Also, I think Salesa is right in this case. He's no match against the Web. So better just go with the flow.
SALESA: "You are, of course, welcome to stay as long as you like."
I love Salesa so much!
JON: [Compellingly] "Tell me what happened."
SALESA: "No."
JON: "I – uh… W-What?"
[DEEP CHUCKLES FROM SALESA]
SALESA: "The look on your face! Look, he’s so confused!"
[MARTIN LAUGHS A BIT TOO]
JON: "Martin!"
MARTIN: "Sorry. Sorry. Y-You did look kind of funny. It was l-l-l-like you were flunking an exam or something."
Aw man, Jon sounds so betrayed, lol! It is super funny, though xD And just an episode ago Jon was delighted about not Knowing anything about this place. So why stop at Knowing?
SALESA: "Yes! Exactly that! Your powers won’t work here, Jonathan Sims, Head Archivist of the Magnus Institute, London."
Distributed by Rusty Quill and li- Ahhh... So why does Salesa know Jon's catchphrase? That means at some point he must have heard tapes of him... And knowing he's with the one who set all those tapes up, it's likely it was here at Upton House.
SALESA: "So what’s it like out there? I assume the Archivist must be rather a powerful position, since you seem to be travelling through it pretty freely."
JON: "It’s… uh… um…"
MARTIN: "Jon?"
JON: "Sorry I just, er… Hmm."
The Archives inaccessable at the moment xD
SALESA: "I have spent the last decade preparing for this to happen."
And we actually have seen this in MAG 45. The antique syringe. Salesa bought it. And after it was gone from the lab, things started happening there. So that syringe was probably to the Corruption what's the camera with the broken lens to the Eye. And I say Eye, because I think the camera only completely blocks out the Eye. And since the whole apocalypse is ruled by the Eye, it creates this safety bubble. Annabelle, who according to her in MAG 197 is only kept alive by the Web, is fine here. And Salesa mentions a "insect thing, a creature of the Crawling Rot" made it here (I'm guessing this means the bubble) later in this episode. Plus, after all, cameras are an Eye thing.
SALESA: "You are right, to a point. I would welcome a return to the real world. Ha! To be the only man to weather the greatest disaster in history of reality utterly unharmed."
Already a hint that this is not just a blip nobody will remember. These people are aware of what's happening to them. And without actually turning back time, everyone will still remember what happened to them...
MARTIN: "F-F-For what it’s worth, I’d also quite like to know how this all happened."
SALESA: "Fine, I’ll tell you how it happened. But you must sit quietly while I tell you."
No one escapes Martin's charm^^
SALESA: "When I say I was one of his assistants, you know exactly the kind of education that would be. Terrifying, fascinating, misguided. The man was a genius and an idiot."
Leitner seemed to be pretty reckless when it came to his assistants. Salesa seemed to be super protective of his crew. I wonder if this has a correlation. Salesa seeing how Leitner treats his people and thinking "I'm going to be better!" (It's usually the reaction I have to being mistreated. I don't want to continue this madness.)
SALESA: "To tell you the truth, I got a real kick out of playing my role. To think of myself as a purveyor of curses, walking softly through the most dangerous edges of reality so that the rich and arrogant could buy their own doom."
Have I mentioned that I love Salesa? XD
On my first listen when Salesa mentioned the camera, I remembered that one being mentioned before. I just couldn't remember what statement it was xD
SALESA: "One that through some quirk had the ability to hide you from the Powers."
Yeah, ah, again, this sounds a bit strange. One could argue it hides you from all Fears and they still can occasionally stumbled upon this by accident... Then why would Annabelle be able to still access the Web, but Jon not the Eye?
SALESA: "It hid me from The Eye, which, in the new order of reality, also protects where I am from the hellscape all around us."
Yeah that makes more sense.
I know, there are posts out there about how Jon and Martin should steal the camera and confront Elias with it. And I could imagine this working with the dream logic. The Pupil of the Eye distributes all the Fear. When this collapses, the whole system could cease to work. But the problem about the fix-its is the Web. It would have immediately intervened.
SALESA: "Let us relax, and talk and drink. And not worry about who might be… listening."
I love how this sounds like a 4th wall break! And, in a way, it's meant to be like that. We listening to the tapes after they arrived here, I mean.
MARTIN: "Yeah, but if, if you’re that connected, that dependent, what happens if we actually, y’know, do manage to –"
JON: "We’ll cross that bridge when we come to it. For now, I just need us to be moving on."
That hum from Martin after Jon's reply. He is not happy at all about this...
ANNABELLE: "Don’t worry, Martin. We’ll meet again. Hopefully when you’re feeling a little bit more… open-minded."
Mhm, it will be exactly like this. There were just a bit more things happening necessary to get Martin to that point.
JON: "I guess so. It’s, er… It’s gone. Like a dream. What was it like?"
MARTIN: "… Nice. It was… It was really nice."
Can't have shit in the apocalypse!! For both, Jon is robbed of the happy memories and for Martin they turn bittersweet, knowing Jon doesn’t remember anything of it.
@a-mag-a-day
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