Crisp those Lines!
Or: a small collection of suggestions for a crispy, neat lineart.
SO MANY OF YOU ASKED FOR THIS (it feels absurd to say, yes), so here you go.
A premise: there's no right or wrong way of inking, and some of the following tips entirely depend on the type of inking I do. Which is neat and clean, with no blacks, and moreover: digitally. More under the cut because it's gonna be long and full of explanatory pictures. Here's an example:
SOFTWARES AND BRUSHES:
Let's address the elephant in the room: Photoshop SUCKS for inking and linework. The stabilisation of the brush there is SHIT. Good for colouring and painting and doing photobashing, but for Lineart you want it to be precise. Do yourself a favour and don't use Photoshop.
I generally use Clip Studio Paint, but i have to say that the best program for it that I've tried keeps being Paint Tool SAI 2. It has few functions, it's true, and I use CSP because it has more instruments. But if you don't want to pay much, SAI is incredible as for brush rendition and stabilisation.
As for the brush: you don't need a fancy brush, anything in your software will go. What I use and what works best tho must have:
Tapered start and end.
High stabilisation (I go from 60 upward, lower it down for trees and grass or anything more natural that needs to be less neat and flowy)
Low tapering.
It must be set so that pressure controls only the dimension. The more you push on your pen, the bigger the line gets. No colour or opaciy variation!
On Clip Studio Paint, I use the G-Pen in the program. It's good as it is, but I think I did some variations as per here:
FILE DIMENSIONS:Better work larger and then resize down. Sizing files up digitally is possible, but it leads to unfocused images.
I generally work on files at 600dpi (300 is fine too, but don't go any lower. Particularly if that's something you want to print later on, any printing wants a minimum of 300dpi). in roughly an A3 format (bigger dimension is 43cm). Most pictures I upload here are 6000x5000 pixel.
A bigger file will give you more possibilities with brush sizes, and it'll be easier. Remember: digitally, sizing down is ok, sizing up is not something you should do.
SKETCH:
This is the suggestion I should follow but never do.
Having a clean, polished sketch simplifies your life A LOT. This is because if you don't have to worry about drawing details and fixing the anatomy of your drawing during the lineart, and doing it so GOOD because it's the lineart... You'll go that much slower and your life will be more complicated (it's not impossible, my sketches usually are very rough. I am ok with it, the most I do drawing wise is during the lineart... But I'm lazy, don't do like me. A good sketch will help you out.)
Compare the two sketches below:
Another note about your sketch layer: you know those memes that complains that the sketch looks good but when you hide it the lineart is shitty? That's easily solvable.
When you're inking, lower the opacity of the sketch layer down, A LOT. I generally go for a 30 or 40% opacity (depending on the colour of the sketch. the yellow sketch will go around 40% because it's less visible, the purple one lower).
When you're inking, you MUST see clearly the lineart you're doing. If the sketch isn't contrasting enough, you won't see clearly what you're doing... It's like trying to sketch with a dim light, not seeing the paper clearly. See the difference:
BEFORE YOU START:
You probably have read it everywhere, but it bears repeating: warm up your hand.
You're using muscles and for more than five minutes. The warmer they are, the firmer your hand is, the easier it gets controlling your lines. It also prevents you from damaging your wrist. Stretching is also great, and grippers are nice to have. Keep your hand fit!
As for warming up: I usually do some calligraphy exercises, practicing on flowy cursives. You want to practice varying the pressure of your lines in a single trait, hence why calligraphy is good. But generally, what you can do is...
PRESSURE VARIATION AND LONG LINES:
So. My main tip and trick is to vary the pressure of your lines. In the same line, and between different details. This will help making the lineart more dynamic and interesting.
A note: this works for semi-realistic styles. If your goal is obtaining a Cartoon Network style: they have generally little to no variation and it works. My suggestion would be to study the kind of style and effect you want to obtain, different styles will work best with different linearts. If you're aiming at hyperrealistic painting, there's no point in spending time over a lineart, for example, I inked the same lineart, but with a brush that doesn't vary it's dimensions with pressure, and not changing the dimension of the brush.
What makes my linearts look "flowy" and "neat" is the fact that I tend to draw less lines and longer, and pay attention when I stop, to start the line where I end it. This will give the impression of one continuous, single line, and make everything more fluid. See above in the french hood: on the right, I left the line rough on purpose, you can see where I stopped and started again. On the left, where I took care of it, you can't.
Generally speaking:
Thick, dark lines communicate that the object is close to the viewer (always keep the viewer in mind!) or in shadow. Lines should be thicker on the outside of your objects, to separate two planes, and in stuff closer to you.
Thin lines are delicate, they should be used in the background, for small details (see the hair, the lips, the small wrinkles around her eyes.)
As for line continuity: in both cases, the line of her face is one single line I drew. This can be obtained with a smooth result, particularly in curved lines, by getting the brush stabilisation on higher settings (80-100): sacrifice speed for accuracy.
MORE IS MORE, WHEN IT COMES TO LEVELS:
Particularly when there are two objects intersecating, or more characters interacting… Instead of inking all on the same level, I always do one level for each object, trace the WHOLE line as if there was nothing above, and then erase where it's not shown. This is a little thing, but pays off. Always in the drawing of above, the feather and the hem of the bodice were on separate layers, and then I erased the bodice under the feather. Take advantage of being inking digitally and not traditionally!
For many characters, here's an example of a vignette of a comic page before cleaning it up and erasing. Every single character and the weapons are on separate layers
For this it's very useful knowing your recurring mistakes. For example, I tend to draw heads bigger than they should. I know I do, so generally I keep the head on its own level, and the body on another, so it's easier to modify and size down just the head without getting crazy selecting only the lines you want with the lazo.
Again, you're inking digitally. It's not easier than traditionally necessarily, take full advantage of your instrument!
OTHER TIPS AND TRICKS:
High brush stabilisation sacrifices speed for accuracy. The line will lag a little from your cursor. Get used to watching the cursor and not the line, and trust that the line will follow.
GO SLOW.
Rotate and flip the canvas. Don't ask me why, but tracing long lines towards me is always easier than not the other way around.
Use the Free Transform, Warp, Distort etc etc and the Liquify to your heart's content if you notice the lineart has something wrong. The only cheating in art is using fucking AI generators (and AI pictures are not art, sorry not sorry)
References are your friends. Study how an artist you like does the lineart. Try and imitate them, and if you can and need to post them: tag them! (don't trace and sell it as your own)
Experiment with brushes, find one that you like for the effect you'd love. You do you, there's no right or wrong way of inking.
Remember to breathe when you trace those lines! (and to drink and do pauses and stretch, you don't want a tendonitis!)
Have fun. Lineart is not evil, lineart is your friend!
I hope this essay is exhaustive enough. I'm tagging ALL THE PEOPLE that requested it (and giving each of you a muffin).
@ndostairlyrium @narina-gnagno @salsedine @whimsyswastry @layalu @n7viper
If you have any questions, don't hesitate in asking!
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I just saw your Graves with a tall reader, which I loved, so funny at times. So you know I gotta do it, can I request Graves with a short reader? Gotta boost that man's ego 💜
Glad to hear the Graves simps are enjoying my writing and want him to be doing well mentally! And I agree, sometimes you just need to make Graves happy since he, too, will notice your efforts and try to make you happy as well, even if he does it the Graves way!
Graves with a Shorter!Reader
Graves will have hit the jackpot with someone shorter than him in all honesty. As mentioned already, it’s in his blood to be bigger and stronger and scarier than his partner, which means he gets to protect them at all times. I can see him actually going for shorter people as well. While, if asked about it, he would always tell you that it’s because you have an easier time seeing just how reliable he is, in reality he just wants to feed his ego. He used to be taller than everyone else until he stopped growing, he really just wants to feel good about himself in all honesty. Every time he looks at you, he becomes aware of the height difference and sometimes the sly bastard even starts smiling about it. The bigger the height difference the better.
If he can literally tower over you, maybe trap you between him and the wall while he looks down at you, then all is good in his life. The shorter you are the better the angle at which you view him. He can toss his hair back and it will look as though he was in some series or movie with an attractive lead, in his eyes. Besides, he also gets to tilt your face so you’ll look at him when he’s talking. In all honesty, he genuinely believes he can fluster you more easily when he’s the taller one, and he genuinely just wants you to be speechless at least once in a while. Will sweet talk you while putting his fingers under your chin.
He’s also more prone to letting you be the big spoon, or lets you hold him more often in general. You being his backpack is funny to him, as mentioned before, so he will take his sweet time enjoying the feel of you being tiny. Again, if it was up to him, you’d be roughly 1,50, or something around that. That way there would, at the very least, still be 15cm between the two of you. Graves is a very touchy person in general, so don’t be surprised if he walks up to you and puts his head on top of yours, maybe even trying to put some weight of his on you as well so you can feel just how powerful he is. You’re more than welcome to try and shake him off, though. He will feign hurt, but it amuses him anyway.
Remember how I said Graves would be even more butthurt if you crack a few too many jokes about his height when you’re taller? He’d have his fun with someone who is sensitive about their height. You will constantly hear him refer to you as his little something, whether that be little sweetie, little honeypie or even his little pile of sugar. As long as he gets to emphasize you being the shorter one he’ll be happy. If you’re dysphoric about your height, then he’ll stop, but if you’re only mad because of a relatively harmless reason, you’ll never hear the end of it. Might even crack a joke such as pointing at a skittle on the ground and saying it’s almost as small as you are. The bigger your reaction, the better. Force him to sleep on the couch and he might stop for a day or two, but you can never get him to permanently stop.
Loves picking you up and throwing you over his shoulder. You can struggle all you want, this man can carry his own Shadows over his shoulder while they’re struggling, so you don’t really stand a chance against him. He gets all the more smug if you do struggle since he knows you won’t be able to escape him. It’s things like that where he wants to show you that he can easily overpower you, but he can easily protect you as well. Just be his lovely little partner, don’t grow too much and you have a loyal guy at your service until the end of eternity. Also, he will hold you over his head and comment on your cuteness. Graves doesn’t get cuteness aggression, but he could pretend he does and squish your cheeks whenever he feels like it.
Will pick you up and sit you down on his lap as well. Yes, he will wrap his arms around you as well and render any attempt at escaping futile. Besides, getting to hold you does reassure him quite a lot. His world is in his arms, safe and sound, and he gets to pretend he’s still a cool man. He genuinely believes you think him to be a badass, even with all the teasing and whatnot. Graves has a somewhat high opinion of himself on a good day, but you can still reassure him that he is pretty epic. You can comment on how strong he is and he’ll likely flex for you, offering you to touch his bicep. But at the end of the day, barely any of this matters, what’s important is that you wanna stay with him and feel like there’s a future ahead for you. Give him a kiss and tell him you admire him and he’ll be over the moon, regardless of whether you’re shorter or taller than him.
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