𝐩𝐨𝐭𝐡𝐨𝐥𝐞
steve harrington/eddie munson
for @steddiemicrofic's january prompt: hole, 404 words.
ft. flirting, sexual innuendo | T rating
read on ao3
“That’s just perfect.”
Steve stares at his rapidly flattening tire, and the culprit just behind the car. He loosens his tie, irritated.
It’s not that Steve can’t change a tire—he doesn’t have a spare.
Robin’s house is a couple of streets over. Sighing, he begins the walk there to call his mechanic.
“No answer,” Steve announces dejectedly as he walks back into Robin’s livingroom and flops down in her armchair, huffing.
The dramatics are a little much, but Robin bites her tongue. No need to kick the man while he’s down (not a rule she always conforms to).
“I know a guy who could help,” she says instead. “My cousin’s friend.”
Steve perks up. “Is he good?”
Robin bites her tongue again, this time fighting a grin. “Oh, he’s somethin’.”
Thirty minutes later, there’s a mechanic named Eddie in her livingroom. Steve supposes he looks exactly as expected—grey coveralls, arm tattoos, hands stained but washed (Steve knows, he shook one, with the hand that wasn’t clutching a cup of tea).
However, Eddie also has long hair tied in a loose bun, and the warmest smile. It lights up his eyes and Steve barely knows where to look.
Robin’s in the kitchen doorway, both hands on her own tea mug.
“So. Popped a tire?” asks Eddie. “How’d that happen?”
“Hole.”
Steve flushes when he hears Robin snort.
Eddie’s grinning from ear-to-ear. “Hole?”
“P-pothole,” Steve clarifies quickly. “I went over a… a big pothole.”
Eddie contemplates that, tongue between his teeth and looking Steve up and down, before he says, “Yeah, it’s amazing what a hole can do to you.”
Steve splutters into his tea. It goes up his nose a little, kind of fucking hurts. Robin barely keeps a lid on her laughter, knowing Steve won’t thank her for it.
“Eddie, you’re gonna kill him. Quit flirting.”
“Sorry! Right. Where’s the car?”
He keeps his comments to himself throughout the tire change, even though he really wants to wind up the cute guy in the nice suit with the nice car.
Steve pays him there and then, cash plus tip, but Eddie rejects the tip.
“Keep that. Since I almost killed you back at the house.”
Steve blushes. “You caught me off-guard.”
Eddie can’t resist. “I tell it like it is! Gotta know your way around a hole or you might blow, big boy.”
There’s no tea this time, but Steve still manages to choke.
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It has come to my attention that SOME OF YOU who read my last Byler post remain UNCONVINCED. So I'm gonna tack onto it this:
I'm older than fucking God and air, and I've been out and proud since 2007. Yes, I know what homophobia is, and yes, I know what queerbaiting is. I know about Supernatural and Teen Wolf and Sherlock and blahdyblahdyblah. No new ground is being covered here. I thought I made that clear in the original post, but, clearly, I did not.
I am aware of queerbaiting and homophobia, and I'm still wholeheartedly certain in Byler being canon anyway.
Okay, so there are three types of relationship I want to discuss when it comes to queerbaiting. They're all, like, "queer relationships that could have happened, but didn't".
First off, queer-coding. This isn't really a thing so much anymore, but it still crops up every once in a while. I'd argue it probably happens most with male-male relationships in family shows these days. First example that comes to mind is Mr. Smiley and Mr. Frowny from Steven Universe. You can't make a relationship canon because some shitty overhead bastard overhead said no, so you get as close as you can without compromising the show. Can't make someone gay? Well, now their comedy routine is a blatant allegory for a romantic relationship. Boom-shaka-laka. This is something I don't see being a problem with regards to Stranger Things, but I want it to be there as contrast, a demonstration of one of many things queerbaiting is not. However, one could argue that, thus far, Will Byers is, canonically, queer-coded. It's pretty fucking heavily implied in the show, and the creators have confirmed it, and you're gonna be able to see it if you're not FUCKING BLIND, but word of god is not technically canon which means that interviews don't technically make something canon, blahdyblahdyblahdyblah, technicalities, Robin has been explicitly stated in the text to be queer while Will has, thus far, not, outside of good ol' Show-Don't-Tell. Of course, anyone with two brain cells to rub together can tell that that's going to change by the end of Season 5, but, hey, for what it's worth, I'm throwing this out there.
Alrighty, Thingamajingama Number Two: "Oops, I accidentally made the greatest love story known to man." AKA, a genuine, honest-to-goodness mistake. Unfortunately, we do live in a heteronormative society. Sometimes people who don't think about being gay much write a friendship that's incredibly compelling and don't even consider the possibility that it could have been read as romantic. Something something Top Gun something. This is, again, not queerbaiting. This is Steddie, this is Ronance, this is Elmax, this is your favorite flavor of non-canon ship this week, this is not Byler. The creators know DAMN well what they're doing. They've talked about it. We know this. Nothing new here.
Which brings us to the topic of discussion here. Actual queerbaiting. This usually starts out as an "accidental greatest love story", and then reacts to fan response. And when I say "reacts", I mean like a goddamn chemical reaction. Like bleach and ammonia, bitch. It's noxious and it's gonna kick your fucking ass without mercy. This is when a creator is like, "Hey, let's get our queer audience invested, but we're not actually going to give them what they want because our straight audience isn't here for that/we personally think it's gross/we don't give enough of a shit to want to research a goddamn thing to write a real gay character," blah blah blah whatever excuse they want to come up with this time.
And when you think "queerbaiting", I want you to think "bullying". Because that's what it is. It's lucrative bullying, like beating us up and taking our lunch money, but it's bullying all the same. And it's a real goddamn thing, even if people misuse the word a lot, often when they mean one of the two above, sometimes when they mean "bury your gays", which is another homophobic thing entirely that I'm not going to get into here. Queerbaiting is the thing we're focused on, and it's real, and it's bullying. And here's the reason I want you to think of it as bullying:
They
Think
It's
Funny.
They are actively making fun of us.
That's why Dean had the "Cas, get out of my ass," line in Supernatural. It's why the "Do you like boys?" line happened in Teen Wolf. It's why "Lie with me, Watson," happened in the RDJ Sherlock Holmes movies. Because "It's just a joke, mate." "It was just a prank, bro." "You didn't really think it would happen, did you?" "You should see your face."
So here's probably the biggest reason I don't think it's specifically queerbaiting in this specific instance of Will Byers and Mike Wheeler.
Stranger Things has never, not once, made a gay joke. Ever.
Every single time queerness comes up, it's dead serious.
Lonnie calls Will a fag, and the show is not at all reluctant to show what a goddamn horrible person he is. And when Hopper latches onto that, it's not as "Hahah, is he gay, though?" It's because he's trying to determine a potential motive for Will's disappearance, and even if someone had interpreted it as a joke, Joyce immediately has a line that functions as snapping her fingers in front of the audience's face and yelling "FOCUS" when she says "He's MISSING." Basically outright saying "This isn't funny!"
Troy calls him a fairy, along with targeting Lucas and Dustin for their skin color and disability respectively, and Mike gets damn near murderous. Troy is portrayed as a goddamn monster and the show portrays it as justice when El makes him piss his pants and later breaks his arm.
Steve calls Jonathan "queer" as a slur and gets the shit beat out of him for it.
Billy's father is revealed to be homophobic and abusive in the same breath.
Mike says "It's not my fault you don't like girls!" and we're shown how devastated Will is and Mike immediately follows him to beg for forgiveness.
There is a joke in Robin's coming-out scene, but it's not at Robin's expense. It's at Steve's. Specifically for being heteronormative.
Jonathan has multiple scenes where he's trying so hard to tell Will that he's always going to love him as he is, whether he's gay or not, without pressuring him to come out before he's ready.
Even when there's a little bit of ribbing at Robin's expense, it's always because she's an awkward nerd who's nervous around pretty girls, just the same as Lucas and Dustin are teased when they both first develop crushes on Max, and even then, even then, it always comes as a package deal where they make fun of Steve's girl problems at the same time.
Stranger Things is an emphatically pro-gay show. It may not be the core point of the show the way it is in, say, Our Flag Means Death, but there is nothing less than respect for its queer characters. Its queer characters are always taken completely seriously. No one is making fun of us. They never have. That's why I have serious doubts that this is queerbaiting. It would come completely out of left field for the bullying to start in Stranger Things' final season.
So it's not at all likely to be queerbaiting because queerness is taken completely seriously. The creators have talked about Will's queerness, at least, so it's not an accident. And queer-coding would be silly to expect from this show when it's already on its final season. Like, what is Netflix gonna do? Cancel it? Not to mention all the explicit queerness that's in there already. And no one's gonna "What about the children?" a show that's had sex scenes in it since the first season.
There's no fakeout here. It's gonna happen. Breathe.
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the love story being so central to our flag means death really is mindblowing. i haven’t stopped thinking about it for months. it is, to its core, a romance. that was the point. the queer romance wasn’t written in in the second or third season because the fandom picked up on the homoeroticism and made a ship popular. it wasn’t added in because the fans demanded it or because the actors pushed for it later on it wasn’t forced into slowburn by a network it was there the whole time.
when stede showed ed his secret closet that was on purpose an allegory, when they shared the marmalade bread that was romantic intentionally, when they rowed away from the burning party boat and ed was looking at stede that was him FALLING IN LOVE . that's how it was WRITTEN. ed really actually leaned in and almost kissed stede in the moonlight scene. and then. they actually kissed! like i know this is months old news now but i can’t get over how fucking different this feels to other queer romances i’ve seen. it is the core and central plot of the show and it’s beautiful. it’s funny it’s cute it’s heartwarming it’s GOOD. they did it.
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Back when mahiru thought his uncle might be dead he had a flashback to the accident that resulted in his mother's death, but one thing I noticed is that we don't actually see akira in this memory? It feels like either mahiru (or someone like lily or jeje) is supressing his memory here.
And if someone possibly killed akira on purpose, who was it and why?
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idgaf anymore. here's my iraqi princess goro akechi
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Chapter 661
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In the krang infection comic, did Leo lose his left arm to show some events were destined to happen, but that they're different since they changed the timeline (ie loss of his left arm rather than his right arm since that's the arm apocalyptic Leo lost)?
I uh....I am just a tad bit evil.
No thoughts, just hurt/comfort
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watching rory's joy at the beginning of her internship at the stanford eagle gazette and later when she worms her way back in during season 6 (which like hey whatever happened to that lol) is why i simply cannot accept a universe where she doesn't have a career in journalism
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seems like you all enjoy my rambles! great. anyways it kinda sucks how few deaths in avos and tbc felt narratively satisfying. i think it's kind of a given that deaths will seem less cool when they are given to long-running characters without much room for buildup of their death, or nothing background characters being killed off-screen to reduce numbers rather than being written specifically to die like they were in the first arc etc but stilllll
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i don't wanna take over the world, it sounds like a lot. but you know, laying siege to a golf course sounds really nice sometimes
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was missing builderoth so i started replaying dqb2 again 🥺 a redraw of an old piece!!
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I have to get this off my chest because I've seen these two get misunderstood a lot already, and with the little attention the pairing is given, maybe it's time to contribute some. If you're willing to read this please just keep an open mind, i understand that Buzz and Ozma aren't the fandom's favorite pairing especially because of the appeal some other non canon ships have (even i see it - i don't blame anyone for it) but it really makes me sad when bias influences people's ability to enjoy things outside of their main interest.
***i should also emphasize that this is just how i interpret it - the beauty of art is that it's subjective***
It always tics me off whenever someone says that Buzz is arrogant or anything of the type. The creators of the show describe his character as "...his biggest flaw is that he believes in his own legend." He's confident. He's overconfident even, which isn't without reason considering he has nearly 100% success rate. It's easy to confuse the two but the difference is in that, he does not belittle anyone and doesn't feel threatened by someone being as good as him or even better. There are times when he has joked at other people's expense (notably - Opposites attract, Speed trap and Plasma monster) but here's the catch - he always learns and by the end makes up for it. It's because he's not the stoic emotionless type of hero, he has personality and sometimes says things he doesn't fully think through. His whole team, Buzz included, loves throwing jabs at each other all the time, their goal never is to genuinely offend.
That leads to my next point. He always means well. Again, he never belittles ON PURPOSE. It's more or less confirmed he's introverted - before Team Lightyear, he worked alone and still loves spending time on his own. That means he likely spent most of his time around Warp and not much of anyone else, his communication skills aren't great because he focuses on his job too much and hasn't spent much time developing them. Sometimes he misses social cues and misunderstands situations or how people feel. He wasn't a jerk to Ty on purpose, everyone is constantly outdoing each other to praise his achievements so he had no idea it annoys Ty to pieces. The moment Buzz found out how he truthly feels he did everything he could to make up for it.
It's a recurring theme that Buzz isn't crazy about wildlife, it's not just his interactions with Ozma but the whole episode Dirty work is about that very topic. He's stubborn and because that's so far removed from his usual line of work he tries everything he can to use his old methods rather than to try something newer. Little by little he gives into it once he starts to allow himself to understand.
That character only cares about their working field, is willing to completely disregard anything that's outside of it, no matter how that may seem unethical to everyone else, and because they haven't gotten enough perspective from the other side they don't see why that's wrong, but is slowly learning throughout the show and could have gotten more development if the show continued.
I'm talking about Ozma this time. See how that can apply to both of them? Ozma is just as wrong as Buzz and they both can get across as irrational, but they actually are trying to protect what they believe in. Buzz doesn't care about nature and Ozma doesn't care about people - directly opposing fields, they are fighting for what the other would sacrifice. That's why their clash is so interesting, they have EVERYTHING in common, with just one difference that's so detrimental that it completely overwhelms their relationship.
Just like how Buzz is misunderstood to be arrogant, Ozma is misunderstood to be cold. She so isn't in the slightest. She treats the ugliest, most dangerous and scariest beast with utmost care and admiration, she gets excited at the sight of a rare specimen even if it could bite her head off in a second, and would risk her safety just to study or help it.
It's people where her enthusiasm dissolves, she is presented as introverted as well which is why sometimes she says things that don't come across all that great. Sure, sometimes she doesn't care because she's not interested in socializing, but she sometimes just doesn't know (example - the bloody water and floating guts comment in Beasts for Karn).
I gotta admit, it also confuses me how Buzz could come off as misogynistic towards Ozma - dammit that guy went in and memorized the most boring stuff in the universe (in his opinion) just to go in and try to impress her. He respects her work greatly - it's just in a field he's never cared for until now. Ozma could've been a male character and it would've been the same thing, because it's not Ozma herself that Buzz doesn't understand, but it's her cause.
He frankly just doesn't know how to act towards people he's interested in or that are interested in him. That's why he gives her unwanted validation - he's just genuinely impressed with her, which is why he's interested in the first place, but has no idea how to express it. He doesn't think any less of her.
Ozma was willing to team up with Zurg to protect the millennial bugs, Buzz was willing to kill Karnian beasts to get back on track with his mission. Both are just as bad, we gotta admit that. But throughout the three episodes we see them together, we see them learn to make more and more compromises for each other. They learn to see the other's perspective, and in their last chronological episode Return to Karn, they barely have fights at all (sure, there's a bit of banter, but it's nowhere near as agressive as it was before). I would kill to see how it would have progressed further.
She just reminds him of himself too much. Remember Good Ol' Buzz? He could barely stand himself because of how stubborn, abrupt and close minded he can be. It's the same thing with Ozma! She has the same traits, and so does he, and it turns into a screaming match until it turns into something else. Because that's just how they are.
So how the hell could this ever work for them? Simple - they are the only ones that could understand each other. With any other partner it would be "you chose your career over me!". If Buzz wasn't an awkward mess he could pull anyone he wants - he wants Ozma because she doesn't care who he is. Because she's brilliant, assertive, a badass and fearless. Because he has to prove himself and it doesn't come easy for him. If she doesn't care for his reputation, why is she interested? For the same reasons - he's just an awesome and determined person. He doesn't give up and believes in everything that is good, to the point of naivete. Because if anyone can give you hope in humanity's goodness, it's him.
And as much as I want to add the darker layer that Ozma might also be subconsciously reminding Buzz of Zurg but from a safe distance, that's a bit too much of a biased interpretation, and we might not be ready for that talk yet.
If you've read all of this, you're crazy, and thank you for coming to my ted talk
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staff, he ain't female and you can tell. just so we're clear. i'm not breaking shit
hc that miguel is a chronic worrier (because that's what i am lmao) and that he rewatches fights he lost at night when he can't sleep to figure out how to beat em next time & improve. always on The Grind
make my day by reblogging and not reposting!
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Hazbin Hotel thoughts (with a splash of vague theories) (Alastor edition)
Something that is super fascinating about how Alastor's character has been left highly up to interpretation is that, before these next episodes at least, it's not entirely clear what his motives are.
We know he is a skilled manipulator, a master of wording things in his favour to get the deals he wants. We know he's a serial killer that puts the laughter in slaughter, yet still has a variation of a moral code. We know he has ties, likely to lilith (though personally I really hope it ends up that he made a deal before he died for power, which now haunts him in hell).
We know that he partly protects the hotel because it's where he has a new radio broadcaster, but his protection of it could be protection for him, for what demon would mess with a friend (father figure?) of the princess of hell? Even Lucifer can't actually hurt him without hurting Charlie, regardless of how authentic Alastor is towards her.
Is his song purely to manipulate Charlie into feeling safer around him? Is he slowly wearing down her defenses so she may accidentally (or even purposefully) make a deal with him? It's clear from the dialogue and interactions that he's not incorporating himself much into the group, and we still don't know what's up with his radio broadcasting system being up once more.
There's so many ways it can be interpreted, but it's fun to have a character that is both mysterious but also bound to a set of morals he doesn't care to explain. He is the master of his own life, and (likely) sees others as lesser because they're weaker/manipulatable/"stupid". Yet his morals are just present enough that he could find it dishonorable to destroy demons that have, perhaps in his eyes, given up power for a chance at redemption.
There's also other questions around his character too, my biggest one being whether he has 1 power source or two? Many times we see his power/magic manifest as red hues (symbols specifically), similar to how he wears all red. Other times it is green, which may or may not be tied to his "neon" colours. Is it because red and green are complimentary but conflicting? Is it to show that one power is fully his and the other is not? Does the neon represent a lack of truthfulness or him acting outside of his true wishes? Because the only time we've really seen it is when he is saying (somewhat) nice things in very specific situations.
Does Alastor know Vaggie is/was an angel? He didn't like her in the pilot, and its unclear whether their strained dynamic is because Vaggie wants to protect Charlie and it is one sided, or if Alastor knows and is waiting for the perfect moment to use that against her, perhaps for a deal?
Also his only songs so far have been him just taking over someone else's song. How petty and silly of him. Can't wait to see what he has planned next!
Who knows! Either way Hazbin Hotel is a very fun show and I'm so excited for the next episodes!!
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ima be honest idk
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