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eastvillagetripster · 6 days

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Daughter of Clay

Detail from artist Rose B Simpson work "Daughters: Reverence" on display at the Whitney Biennial, Whitney Museum of Art, Meatpacking district, New York City.

#art #native american art #daughter #scuplture #whitneymuseum #biennial #meatpacking district #new york city #rose b simpson

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freshthoughts2020 · 1 month

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clairity-org · 28 days

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Franz Kline, Mahoning, 1956, Oil and paper on canvas, 2/17/24 #whitneymuseum by Sharon Mollerus

#fine art #Oil and paper on canvas #Franz Kline #Mahoning #New York City #Whitney Museum of American Art #1956 #whitneymuseum #2/17/24 whitneymuseum #New York #NY #flickr

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marroquinruben · 9 months

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New York gallery and Museum hop

Marlborough Gallery, Whitney Museum and Tony Smith sculptures.

#new york art #newyorkgalleries #galleryhopper #museumplein #whitneymuseum #joshkline #tonysmith #diagramexhibit #Marlboroughgallery #chelseaart #rubenmarroquin #art #sculpture #artists on tumblr

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nicks-lunchbox-service · 1 year

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3.5.23 Lunchtime drawing: The last day of the Edward Hopper show at the Whitney Museum — I loved the watercolors of NY.

#nickslunchboxservice #eswardhopper #whitney #whitneymuseum #sketchbook

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sabinahahn · 1 year

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Came for the Hopper, stayed for the Calder’s Circus. Behind a blue curtain, on the seventh floor of Whitney museum, you can find Calder’s circus, both the sculptures and the movie. I was absolutely mesmerized. So much talent, joy, humor, movement and balance in these small figures. #art #calderscircus #alexandercalder #visualdiary #diary #whitneymuseum @whitneymuseum https://www.instagram.com/p/Co5iw8IPS-3/?igshid=NGJjMDIxMWI=

#art #calderscircus #alexandercalder #visualdiary #diary #whitneymuseum

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artsology · 2 years

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“Forms Abstracted,” 1914, by Marsden Hartley, from the permanent collection of the Whitney Museum. #americanart #modernart #marsdenhartley #whitney #whitneymuseum #painting #abstractart #horse (at Whitney Museum of American Art) https://www.instagram.com/p/ChV47DIF-mz/?igshid=NGJjMDIxMWI=

#americanart #modernart #marsdenhartley #whitney #whitneymuseum #painting #abstractart #horse

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instructionsonback · 1 month

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"CONFUSION AT ITS FINEST" 15" x 20"

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phonemantra-blog · 1 month

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Beyoncé's highly anticipated album, "Cowboy Carter," has sparked a buzz unlike any other. Just days before the official release on March 29th, unauthorized projections promoting the album materialized on the facades of several prominent New York City museums. While the guerilla marketing stunt generated excitement among fans, it left museum officials scrambling for answers. A Midnight Projection Extravaganza On Wednesday night, New Yorkers were treated to an unexpected light show. Large-scale advertisements for "Cowboy Carter" were beamed onto the exteriors of various museums, including: Guggenheim Museum Whitney Museum of American Art New Museum Museum of Art and Design These projections featured the album title, release date, and a powerful statement referencing Beyoncé's previous struggles within the country music genre: "This ain't a country album. This is a 'Beyoncé' album." This line directly echoes a recent Instagram post by Beyoncé, where she opened up about the inspiration behind "Cowboy Carter" (Act II) and the lack of inclusivity she faced in the country music industry. Museums React: Surprise and a Touch of Humor The unauthorized projections caught several museums off guard. The Guggenheim Museum released a statement to ARTnews, clarifying their position: "The Guggenheim Museum was not informed about and did not authorize this activation. However, we invite the public — including Beyoncé and her devoted fans — to visit the museum May 16–20 when we present projections by artist Jenny Holzer on the facade of our iconic building to celebrate the opening of her major exhibition." While not explicitly condemning the projections, the Guggenheim used the opportunity to promote an upcoming art exhibit featuring works by Black and female artists. Interestingly, some fans speculated a possible connection between the "Cowboy Carter" projection and the Guggenheim's current exhibition, "Going Dark: The Contemporary Figure at the Edge of Visibility." The Whitney Museum and the New Museum also confirmed they were not involved in the "Cowboy Carter" projections. However, the museums seemed to take the situation in stride. The Guggenheim acknowledged the buzz on social media by sharing a fan post featuring the "Cowboy Carter" projection on their Instagram story, even adding a playful bee emoji. Social Media Frenzy: Fans Fuel the Fire News of the museum projections spread quickly on social media, igniting a frenzy among Beyoncé's devoted fanbase, the Beyhive. Fans eagerly shared photos and videos of the projections, expressing their excitement for the upcoming album. Eagle-eyed fans also noticed a clue on Beyoncé's Instagram story. She had subtly hinted at the projections by sharing the coordinates of the Guggenheim Museum. The other museums reportedly displayed the "Cowboy Carter" album cover on their exteriors. The Empire State Building Joins the Rodeo Adding to the marketing intrigue, another iconic New York landmark, the Empire State Building, appeared to acknowledge "Cowboy Carter" earlier in the week. Responding to Beyoncé's social media post promoting the album, the Empire State Building's official account shared an image of the building adorned with a cowboy hat. Guerilla Marketing or Artistic Expression? The unauthorized projections have sparked debate. While some laud it as a bold and innovative marketing strategy, others question its legality and potential damage to the museums' exteriors. However, the undeniable impact is the buzz it has generated for "Cowboy Carter." Beyoncé, known for her creative and strategic marketing campaigns, has once again dominated the headlines and social media conversations. FAQs: Q: What is "Cowboy Carter"? A: "Cowboy Carter" is the highly anticipated new album by Beyoncé, set for release on March 29th, 2024. It is considered Act II of a previous project. Q: Why were unauthorized projections of "Cowboy Carter" displayed in New York City museums? A: The reason behind the projections remains unclear. Some speculate it was a marketing strategy by Beyoncé's team, while others believe it could be a fan initiative. Q: Did the projections damage the museums? A: There have been no reports of damage to the museums as a result of the projections. Q: What are the potential legal implications of the projections? A: The legal implications are unclear at this point. The unauthorized use of a museum's exterior for promotional purposes could be considered trespassing or vandalism.

#AlbumPromotion #Beyoncé #CowboyCarter #GuerillaMarketing #GuggenheimMuseum #MuseumofArtandDesign #NewMuseum #NewYorkCityMuseums #QueenBeyBeamsBright #SocialMediaBuzz #WhitneyMuseum

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trascapades · 3 months

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🎨 #ArtIsAWeapon #ExhibitClosing TODAY (January 28) IS THE LAST DAY TO SEE "HENRY TAYLOR: B SIDE" AT THE WHITNEY MUSEUM! Surveying 30 years of Taylor’s work in painting, sculpture and installation, this exhibit IS NOT TO BE MISSED and is the perfect way to spend this rainy, chilly winter day. GO! 🙌🏿💜

📍Whitney Museum of American Art

99 Gansevoort Street, #NYC 10014

⏰️10:30 AM–6:00 PM

@chinatowntaylor

@whitneymuseum

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✍️🏾Reposted from www.whitney.org

"For more than thirty years, the Los Angeles–based artist #HenryTaylor (b. 1958) has portrayed people from widely different backgrounds—family members, friends, neighbors, celebrities, politicians, and strangers—with a mixture of raw immediacy and tenderness. His improvisational approach to artmaking is hinted at in this exhibition’s title, Henry Taylor: B Side, which refers to the side of a record album that often contains lesser-known, more experimental songs.

Taylor’s paintings, executed quickly and instinctually from memory, newspaper clippings, snapshots, and in-person sittings, are variously light-hearted, intimate, and somber. In them, he combines flat planes of bold, sensuous color with areas of rich, intimate detail and loose brushstrokes to create paintings that feel alive. Guided by a deep-seated empathy for people and their lived experiences, Taylor captures the humanity, social milieu, and mood of his subjects, whose visceral presence is heightened by their closely cropped, often life-size images. In working from personal experience and shared history, Taylor offers a view of everyday life in the United States that is grounded in the experiences of his own community, including the incarceration, poverty, and often deadly interactions with police that disproportionately affect Black Americans. Deeply steeped in art history, his work forms a continuum with the expressive figurative painting and politically engaged work of European and American artists from Max Beckmann to Bob Thompson, Philip Guston, and Alice Neel."

#BlackGirlArtGeeks #BlackArtists #BlackArt

#HenryTaylor #BSide #WhitneyMuseum #BlackArt #BlackArtists #ExhibitClosing #ArtIsAWeapon #Instagram

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bricehammack · 3 months

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#영원한나의달문빈_생일축하해

#NewYorkCity

#Manhattan

#WhitneyMuseum

@whitneymuseum

#AWomanInTheSun

#EdwardHopper

#Signature

#BriceDailyPhoto

#영원한_나의달_문빈_생일축하해 #NewYorkCity #Manhattan #WhitneyMuseum #@whitneymuseum #AWomanInTheSun #EdwardHopper #Signature #BriceDailyPhoto

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daily-cosmog · 8 months

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The Whitney Museum of American Art New York City Discover contemporary American art against the breathtaking backdrop of The Whitney Museum in NYC.

#WhitneyMuseum #WhitneyExperience #WhitneyNYC

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freshthoughts2020 · 27 days

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TECHNICAL DREAMING - original art

$900.00

Inspired by a random basquiat piece, I decided to replace elements of the painting with my own objects while retaining the original symmetry between objects in the original paitning.

I would classify this as #PopSurrealism

Only 1 available

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clairity-org · 24 days

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Robert Vickrey, The Labyrinth, 1951, Casein on composition board, 2/17/24 #whitneymuseum by Sharon Mollerus

#whitneymuseum #1951 #New York City #Robert Vickrey #Whitney Museum of American Art #Casein on composition board #The Labyrinth #fine art #New York #NY #flickr

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cocobytesthebigapple · 1 year

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Georgia O'Keeffe at Whitney Museum

#georgiaokeefe #whitneymuseum #art gallery

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lisablasstudio · 1 year

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Monday's image: March 13, 2023

Mary Beth Edelson, Shell Venus, Painted plywood, 243.8 x 122.7 centimeters, 1974-1975, Whitney Museum of American Art

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