I miss him
poor guy never got used again. dude only got used in like two cutscenes but he is beloved by me. he was so silly I miss him
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Ok, but how did I only just realize that their fatal flaws are the reason Percy and Annabeth fall?
Like, we've got Annabeth, who's fatal flaws is pride, who has known her fatal flaw is pride since she was thirteen! And here she is riding high after beating the quest noone else has even survived!!! She found the Athena Parthenos!!! She beat a giant spider using only her wits!!! Of course she managed to cut all the spiderwebs first try, of course she doesn't need to double check that!!!!
And Percy. Percy "my fatal flaw is loyalty" Jackson. He doesn't even think. Of course he's not letting her go. Letting anyone go would be a betrayal, but this is Annabeth. Nothing else matters!!! No! Other! Choice! Matters! It doesn't matter that they'll probably die. It doesn't matter he might be more help above. It doesn't matter that he's been missing for a year and has not seen his mother once that entire time!!!!! It does not matter!!!! Because Annabeth is hanging off a cliff and he's the only thing keeping her from falling and letting her go would be a betrayal of the highest order and he cannot do that. So of course he falls with her. What other choice is there?
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in hindsight Buck Vernon is such a funny character. like his whole story starts off with his ass getting dumped but not even realizing it. he goes across the country searching for her and doesn't have any luck until he goes to a random fortune teller (who later admits to scamming him) and takes her vague bullshit to heart which leads him to get caught in the middle of a wild drug ring and he may have accidentally set off a war between said drug dealers and a gang of arsonists that was founded by an undead biker dude. he once bumped into said undead biker dude at a night club while running from the cops. he can see/talk to ghosts and it's never explained why and he doesnt even make a big deal of it. he ends up finding a corpse in the middle of the road and goes "well shit someone has to bury the guy". when said corpse gets up and asks for a smoke buck just. gives it to him and starts having a chat with him. he cant lie for shit and gets caught like every single time but still manages to get out of every situation alive. he once beat up a drug dealer in the back of an arcade. he got black brained which kills every other character it happened to and just. didnt die somehow?? he's killed at least two people and doesn't even blink. when he found his ex and got dumped a second time he just. got up and walked off with a bullet wound in his leg. he presumably lived and proceeds to write weird sad love songs for the rest of his life.
hes the most pathetic noir protagonist ive ever seen. there's something deeply wrong with him. i want to study him
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one thing I love about blue lock is that you never see kira again after the first episode. obviously he’s used to show how serious they are about the program and to turn the usual sports anime/manga trope on its head but. his ego was very apparent the moment he realized isagi- the one person that he was friendly with there- attacked him and caused him to lose his dream. and he really lost it himself by not being prepared to fight back, he’ll have to grapple with that fact for the rest of his life, especially seeing isagi and others from blue lock make it to the national stage. but it’s especially interesting because i’m sure he had the ego to make it. as soon as he was eliminated it was evident. if he was given another chance, or even 5 seconds longer to pass the ball to someone else, i think he could’ve been a major part of blue lock and possibly make it to the national level. but because he wasn’t expecting it, was trying to think of others, wasn’t prepared to eliminate someone else in time- his soccer career slipped from his fingers and he’ll never be allowed to play for japan’s national team
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So the loops Does have something to do with Siffrin's wish (I can't remember it... I think he included all the family members there, about the stuff he's looking forward to do with the others after beating the king) And since talking to Euphrasie means everyone goes their separate ways, Siffrin's wish doesn't really... get granted? in way. Either way, what's happening right now has something to do with Siffrin's wish (considering how he's the only one that knows the proper ritual too). But what exactly is... rotting? There's still the mystery bout the country too hmmm...
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Sometimes i wonder if gaining weight would ever be viable or if it would double fuck my mystery joints to have to carry more (i have in the past been directly ordered by nurses to gain a little weight and prescribed supplements to do so but 1) they are spensive and 2) dad starts waxing fatphobic about "my health" when my ribs are still clearly visible) and then i get caught up in a completely theoretical dysphoria paradox loop about going to the trouble of finally getting top surgery only to gain weight and distribute fat right back to the bust and whether i would actually ever feel ok with my body under any circumstances. Idk.
I think about things like surgery and hrt a lot more than i have since we originally came out bc i feel like if I'm trying to shape my adult life into something i actually want to live then thats a huge component and I've already put it off a decade, but at the same time i still feel so stupid and anxious trying to look into it bc i dont even have regular healthcare and the state of our nation is so sucks and although i feel like i really know who I'm becoming or at least trying to i do NOT feel like i have enough cred to convince dad that i am capable of permanent adult life decisions, especially with how he doesn't even like the thought of me getting my ears pierced. He's always going to feel some degree of posession over my body and like its ok to manipulate me or stalk me or whatever if he "knows better" and its in my "best interest" and right now its not a problem bc we're a household and he gets a lot of managerial power anyways so it doesn't come up much but i always worry in the back of my mind what would happen if i ever did Really move out again.
He wants me to "act my age" and hit normal benchmarks like getting a job and dating and shit but like when am i Ever going to have time to work or meet people socially when I'm a 24/7 live in assistant and where am i going to get the PRIVACY to get to know somebody like that, even IF i wanted to, which i SHOULDN'T HAVE TO. He suggested arranging like zoom playdates for me once so i wouldn't get under socialized. That is NOT going to make me "normal" dude.
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hey
do yall know any genuine rose tyler stans that are actually upset about how s1 rose was treated as an equal AND a love interest but as soon as s2-s4 rose was treated more as a equal BECAUSE of her being pideonholed as only a 'i can do things too! see!' archetype of love interests that it took two other characters to be treated as an actual equal? like why did ten thru donna said that he needs an equal and that what the dr needs an equal??
rose was already an equal in season 1. its established bts that rose was an equal to ninth doctor? but now why didn't that sentiment continued on with ten? what happened?
like martha is treated like an actual equal because the dr in the past have always hated themselves, reflected back at them, but still shared the joy and comradarie during a joint adventure with said version of self. like even the time lord victorious two parter book - 8 was flirting and 10 flirted back but at the end of the day - both of em can carry themselves without the arrival of the other, leaving the eyerolling and mild disgust or disinterest aspect to ninth dr when he shared a room with them. like the dr not wanting to "date" martha even though he literally in text trying real hard to pull the wool in both ur qnd his own eyes is essentially him trying not to fuck himself.
donna is - in an almost wish-fufilled in what the dr missed from the master - considered an equal preestablished since season 3 guest appeared and fully in season 4. shes seen as a pea in the pod like the dr master rani and romana - keeping up with that specific lot of em without going thru the 'but im better than you' alien egoist rhetoric that the time lords fall to in times of upper handedness. she can manipulate she talk fast she tech-savvy yet people-grounded BUT she makes sure the respect isnt temporary and doesnt lord it over people because everyone is great and without that person, the whole system can fall apart.
because so far, it doesnt feel that way. like are yall not mad that tenth doctor gave rose up?
after seasons of build up and getting shot and everything? the funky alien eldritch being in a mask of an earth lookin boy that had a chance to man up and show feelings when the opportunity is very in your face given to him to do so in a space where he could do so and — he just gave her up? all that moping and whining and when given what he wanted, he just went: no. here. i need an equal and i have donna so im giving you what i TEN think you want as an equal in me and thats him. BUT NINEROSE ARE EQUALS SHE NEVER SAID SHE WANTED HIM HUMAN BUT RATHER HIMSELF AS HE IS.
its like fridging rose but worse. in s2-4 you made her in memory of someone else that ALWAYS treated her as an equal instead of actually continuing on with that with the next face. death wouldve been more forgiving and thats not a great thing to come to a conclusion to. The one that really treated you as both a love interest AND equal is dead, and now you're married to the discarded imitation of the one that only typecasted you as a love interest.
tentoo should be mad abt this too but this aint about him, this is about yall and the rose tyler connundrum.
i wouldve settled for her having the hand - settling for the hand if that hand turned into ninth doctor (like full on christopher eccleston doing donna impression everything) instead of what we got - which was dust. it made more sense that way. because then the dialogue narrative - the doctor's excuse - wouldve been more well recieved. Does it need saying would have more weight if Eccleston played a NineToo whispered i love you because you know it was well meant. Genuine. Its coming from someone that always treated you as an equal and also getting that i love you and not just - oh the human i love. i miss them not because i treated them on equal terms, its strictly because i only love them - no equality at all
like yeah chris wasnt going to return but hes a movie actor - hes used to green screen. he couldve sent a video message in a leather jacket and let it be done. like we couldve had nine saying i love you to rose on doomsday like do you get what im trying to say like. like tooth and claw if it was nine and rose both wouldve been like 'oh look at that a werewolf transformation!' And not what. we got. LIKE DO YOU SEE WHAT I MEAN
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minor resurrections: on failing to raise the dead
[...] “As / if,” he says. The little phrase, broken by the line, captures all that disbelieving sorrow. “As if” is the beginning of the path to the dead. It is as if you are gone, so I will try to reach you, though you may be different, though you may not understand how living as if you are gone makes me feel.
[...] Then, as if my amusement was his amusement, a different portal opened, keyhole-slim, through which he briefly slipped. In the clear waters of Bahía Sucia I did feel free to release the stone, knowing it would float away, then dissolve.
[...] The death of someone whom you love is a discovery of Death in the abstract as well as the particular: the appearance of disappearance, not only of the dead person, but of yourself. A quicksand pause: the absence of yourself from time. The sense of being ejected from time’s usual is common among the grieving, from my anecdotal polling
[...] Being thrown out of time or immured in a fixed point within it is a way of dying with the one who has died, an unwilled and yet welcome journey that brings us nearer
[...] If I have found any resurrection for sure, it’s mine, not my brother’s: as soon as I said, to another sister, “Stephen is dead,” it was as if I, like Barthes, were one dead—and then I came back to life, changed, like Lazarus always and probably until my final death glancing at that vast distracting orb beyond.
[...] Time in the eschaton cannot be normal time; it stops, it loops, it mixes up states and tenses, it is adjacent to, but not within, eternity.
[...]If you do, then it becomes an exhortation to love the death too, because it is intrinsic to every life. Meanwhile, Mary’s hands hang in the air. Resurrection is Dante’s eternal rotation, “spurred on by flaming love”: it is the ongoing allegiance to keeping in sight the appearance of disappearance. It is living as if. It is a game of hands, an everlasting reaching after what escapes, what you love.
Elisa González
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