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sukiglycerin · 3 years

Text

dolce (sweetly, softly, gently)

* pairing: accompanist/violinist!katsuki bakugou x violinist!reader (gender neutral!) ft kamijirou

* genre: fluff, kinda angst, enemies to lovers, classical musician au hehe

* words: 9.5k (holy crap, this was a rollercoaster to write)

* warnings: swearing bc not only does bakugou exist, he is a prominent character, brief viola/second violinist jokes (reader’s words not mine), poor rosins being dropped :(

* a/n: SO this is very late for @prettysetterbaby‘s v-day collab!! pls check out all the other talented writers involved >< jj is an ANGEL for putting up with me being late T_T there’s some violin terminology in here but it’s fine if you don’t understand it! more notes at the end aha

* playlist (spotify in source link): violin sonata no.9, op.47 in a major “kreutzer” (beethoven) ; liebesfreud (kriesler) ; violin partita no.3 in e major (bach) ; duo concertante for 2 violins no.3 in d-sharp major, op.57 (beriot) ; clair de lune (debussy) ; duo for 2 violins in d-major, op.67, no.2 (spohr) ; 24 caprices op.1, no.24 in a minor (paganini)

* synopsis: being a soloist is not made easy by your new accompanist, bakugou. you step on each other’s toes when playing - but that’s alright, he’s just a pianist. you’re separated in your two worlds of musical instruments, until one day, you’re not. bakugou traverses over realms like a simple string crossing, and there’s a lot more he’s brought with him.

a double stop in violin is a technique in which two notes are played simultaneously. played correctly, one violin playing two notes should sound like two violins playing separate notes. if your life was a violin, you only needed double stops to play it. you'd perfected the art of being alone, playing the parts of two in your sad solo sonata. you were so, so sure you could compose and play for the whole orchestra - a symphony that would surely please the audience.

you were wrong. after all, a double stop has its limits as well, impossible to play with an interval of larger than a tenth. you were content with your double stops and playing by yourself. this was how you won countless competitions - what good would changing anything be?

you were born a soloist, or that's what your parents would say. you never followed the crowd, sticking to your own mind and doing what was true to you. you never worked well in an orchestra setting (and who knew what would become of you if you ever landed in second violin!). thus, you became a soloist, determined to keep the spotlight on you. it was you and your perfection that kept the eyes of the audience transfixed; you were desperate to keep their focus enraptured by every slight movement of your bow, every shift in finger position on the fingerboard. you wanted them to follow every dynamic and tempo change like their life depended on it, feel their emotion spark the moment your bow pressed a string. you were the only one on stage, an entertainer and an artist to the audience. you brought joy and sorrow through key changes and wonder through glissandos and held suspense with every tremolo. the audience was yours for an entire piece, for a story, for a lifetime.

oh, and there was the accompanist. what was his name again? batsugou? bakugou. the last part was a joke, of course. you'd never forget the man who ruined your first recital overseas.

katsuki bakugou was quickly made your accompanist after the previous one quit last minute and schedule clashes between any other potential candidates rendered them unable to travel with you. no one in their right mind would've come along on a plane to play a piano accompaniment for you. indeed, bakugou was not in his right mind. his name was prominent locally, an orchestral prodigy with the gift of perfect pitch since the tender age of thirteen. he never ventured internationally, though given the chance multiple times to do so. you could never understand why he never took any of the opportunities. you'd jump at any chance of expanding your musical horizons and performing for a larger audience, so it frustrated you to see someone with such potential to throw away possibly beneficial opportunities. not that you really paid much attention to him, anyway. bakugou was a pianist, and you were a violinist. you only cared about competition, not those with blessings you could only dream of achieving.

the months leading to your recital, bakugou had gone quiet. well, you didn't know him personally, so it was news of him that had gone practically radio silent. he was no longer featured in news articles or even pinned on bulletin boards for upcoming recitals. there were no updates from him on social media, too. not that you really paid attention, anyway. he was a prodigy, gifted naturally with talent, and you were a violinist.

an ambitious violinist, at that. you had dreams to perform anywhere out of the stifling air of japan. even to fly a short distance to south korea would be amazing, because it meant you'd be outside of japan. you worked towards this goal tirelessly. you dreamed of stepping on a plane, violin case in your right hand and your dreams in another, to fly to another country and perform. you wished to see the talent beyond your own bubble and feel the music resonate in an auditorium in a different way than it did in japan.

one day, that dream was realized. your violin case in one hand and dreams in another, you boarded the plane flying out of japan full of hope and the faith that good days were coming. while yes, you didn't expect to step out of that plane with anyone but your old accompanist, momo, bakugou's presence comforted you in the foreign atmosphere. for the first ten minutes, he said not a word to you but made it a point to speak to everyone else he could in what seemed like very convincingly fluent english.

to which you finally mustered up the courage to say, in japanese, "i thought you didn't travel internationally."

his japanese voice was a comforting sound. "i don't. this is my first time out of japan."

you stared at him like he just said he ate babies for breakfast (which seemed just as astronomically insane as him never stepping foot out of japan).

"but-" you stuttered. "your english is so good?"

"only because you can't understand it."

to be fair, he had a point. you could only say the basics, like, "hi," "how are you?", "i'm fine, and you?," and the ever-so useful, "do you speak japanese? my english is not good." he appeared to never use any of these phrases, so he was a god in english compared to you.

it was a miracle you navigated out of the airport with your luggage in hand and a general idea of how to get to the hotel you'd booked. you're not going to talk about the events in the hotel, though. sharing a bed with bakugou was a whole different story that consisted of him complaining about your phone usage at eleven pm and you complaining about his lack of sufficient english skills to be able to get the right hotel room (which he'd retort by saying "at least i speak english!").

the path to your first international competition was rocky, so understandably by the day of the performance, your metaphorical feet were sore and you only had water on your metaphorical mind. that is to say, you hadn't practiced with bakugou once until the day before the performance. said rehearsal was cut short due to misunderstandings as a result of bakugou's apparent not-so-fluency in english. you felt bad for him at this point.

and then you were up on stage, violin in one hand, bow in the other, and arms full of your childhood aspirations. also, definitely not prepared enough. you glanced once at bakugou before beginning and he looked confident enough. the lesson you learned that day was that looks can be deceiving.

something you could remember quite clearly was the way the spotlight shined on the varnish of your instrument as you held it, propped between your chin and shoulder. you focused on this shine before taking a deep breath, closing your eyes, and praying muscle memory would take over and you'd play the piece faithfully to the score.

you liked to think your playing was accurate. you, the soloist, were the main focus of the piece. the accompaniment made the piece richer and fuller, complementing the violin beautifully while keeping attention on said violin. the thing was, bakugou, like you, played like a soloist.

the performance was like a fight, and sadly not the graceful kind you'd see in a ballet. it was gory and a nuance to the ears, melodic tinkling of the piano becoming tears of a soldier dying in combat. at parts, you clashed by overshadowing the other by playing too loudly. sometimes it was you, and sometimes it was bakugou. it was a merciless game of tag; bakugou would be running to keep up with your playing; once achieving so, you were forced to start chasing after him. you can't exactly remember if he played well, though. for certain, he was not in sync with you, but you were mainly too preoccupied with your own playing to pay attention to his. listening to the recording of the performance, you were unable to evaluate his quality of playing properly, and thus, he remained your accompanist even when you returned to japan.

(actually, the biggest reason he stayed your accompanist was because of your classical musician friends' nagging. they were all in complete awe that the famous soloist, katsuki bakugou, had offered to be your accompanist, and begged for an autograph. of course, you declined.)

you figured that like you, bakugou was a soloist. he wasn't fit to assist your playing, far more suited to his own solos to entrance the audience with only his playing. being a soloist, he played like one too - that's simply how things worked. this understanding of him, though, still couldn't stop you from harbouring a small grudge against him for ruining your international debut.

and then there was the man himself, all standoffish and rough in words and persona. obscenities had no hesitation coming (thrust!) from his mouth. he yelled brashly and frequently and it astonished you that he was a classical musician, as most of your friends of the classical music profession were typically on the quiet, softer spoken side. those that were extroverts were optimistically so, in far contrast to bakugou, who you'd expect from looks alone to be playing in some heavy metal band. it was scary to hear his renditions of debussy's dreamy, serendipitous pieces when over your earbuds, he was yelling at some guy named "shitty hair" on his phone. you were curious how he looked recording the piece.

you didn't typically communicate, though. conversation, which only ever existed during rehearsal, was a question from you and a clipped grunt in response. there was nothing else to your relation; he played his part, and you played yours. sometimes you did this simultaneously, but it was as if you were playing two completely different things. performance, according to your friends, was now stilted. this was partially the reason you stopped listening to recorded performances. it wasn’t even like you’d ever derived pleasure from listening to them - you only nitpicked your mistakes.

your old accompanist, momo, on the other hand, was an absolute angel. she was kind, polite, and skilled on the piano, fingers dancing over the keys like a graceful ballet. you fit well with her; each performance was like a delightful conversation between friends, pleasant on the ears and twinkling with joy and laughter. with her, every performance felt like something resembling victory, even if it wasn’t a competition. to you, winning the audience’s gaze was enough.

then again, you didn't feel that you could judge quite yet. momo was your accompanist for years, and you could barely remember how the two of you sounded when you first started out. bakugou had been your accompanist for mere months (though it did feel much, much longer considering how frustrating he could be). you couldn't understand why he became your accompanist at all.

opposites. it was an accurate representation of your relationship with bakugou. he was a pianist, you weren't. he was a prodigy, you weren't. he was blessed with talent, you weren't. there was nothing to talk to him about, obviously, because of these dividing factors.

the longer you knew him, the more your disdain for the man grew. at rehearsals, it always felt like your performances were about him, him, and him. he was the star piano player, of course. he hadn't volunteered to be your accompanist as a sense of "stepping down"; no, no, rather, he was flaunting his piano playing with a violin playing in the background. he played perfectly. for a soloist.

as time passed, these frustrations with him became more and more apparent. you became acutely aware of how his performance would outshine your own, and it sickened you. slowly, the quality of your own performances took a nosedive. if the piece was originally pianissimo, you'd take it up to piano (then, if bakugou increased his volume, forte). if the tempo was andante and he was playing moderato, you'd play allegro. it was a competition at this point - instigated by him, of course. you were just upping the ante, even if it meant sacrificing your own artistry.

a lot of people warned you of what would happen, but you ignored them. the fierce competition you felt between you and bakugou caused your own downfall as a musician. slowly, gigs stopped trickling in, like a faucet being shut off. you blamed this on bakugou. ("i was international before him. now, i can barely get a gig in musutafu! why does everyone think he's so great?" you had fumed over the phone to jirou, your old roommate from university. she asked you if you had even listened to him play.)

you were scrambling for places to perform at this point. (“fire him,” the very unhelpful hagakure told you. you didn’t know what you were thinking when you asked her, a violist in a local orchestra. it wasn’t like she ever got a solo.) you’d seriously considered doing so, but came up empty when looking for another accompanist. online forums and friends’ connections could only do so much. they were all either unavailable during rehearsal schedules or inadequate in terms of adapting to the music given.

“you need to try working together with him,” jirou advised you one day over the phone.

“yeah, say that to yourself and kaminari,” you muttered bitterly under your breath. kaminari was a guitarist in jirou’s band who hadn’t quite gotten along with jirou well. jirou made fun of the lightning bolt streak in his hair. when you first met them, all they did was bicker day and night; now, according to the other guitarist, tokoyami, they still did this, though on a smaller scale.

she heard you. “well,” jirou said, slightly ticked off, “we get along better now. because of communication. look- i’m not saying you need to be best friends with bakugou or anything, but you need to talk to him about what’s working and what’s not. respect him as another musician, y’know?”

“i’ll… try,” you said begrudgingly.

you heard a muffled yell from the other side of the call. “kaminari, you idiot!” jirou called, voice a bit far. “what did i tell you about plugging in the amp? i said not to-” she cut herself off. “sorry, y/n, i need to go now. kaminari’s back to his normal antics.” she sighed, but it sounded more endeared than irritated. the call ended.

respect bakugou as another musician. you could do that. bakugou was only a pianist. you were a violinist. he was your accompanist. he was to support your playing. you’d forever be separated from him, doing your own thing. he, certainly, couldn’t understand the woes of being a violinist. not the intonation nor the techniques; you were sure that if you handed him a violin on the spot, he wouldn’t be able to even hold the bow properly. the notion of bakugou, piano prodigy, struggling to make a decent sound on the violin with a bow clenched in an ungainly grip deeply amused you.

these thoughts kept your relationship with bakugou afloat and restrained you from strangling him every time he stepped a toe out of line during rehearsals. ploddingly, with as minimal communication as you could manage, you tried to play with bakugou together, as a duet rather than as two soloists playing simultaneously. you swallowed your pride to play accurately to the music, patiently explaining any qualms you had with bakugou’s playing.

eventually, you found yourself building up your performances to the quality they had once been with momo. it was still far from the pristine playing that led you to an international invite - but it was an improvement, and that was all that mattered to you. innately, you were slightly ashamed of the thoughts that allowed you to keep working with bakugou. they were thoughts that told of your superiority to him, because he was playing piano for you. that’s all he was; an accompaniment to you. you told yourself that having these thoughts on the inside was better than fighting with bakugou.

somehow, along the strings of notes slurred together and shifts of fingers from one spot on a string to the next, you found yourself experiencing a strange joy gliding your bow against the strings of your violin. the rich sound of your instrument, withering and blooming with every stroke of vibrato you performed, fulfilled you unlike how it ever had before. up until now, you’d been playing for the audience, rather than yourself. the melody reverberating in the hollow body of your violin was never for your own ears to enjoy, it was for the audience’s satisfaction and listening pleasure. for it was their own enjoyment that won you competition after competition, playing with a blank face. on some occasions, you’d open your eyes during the applause to see some audience members crying, which ultimately confused you. how you were able to draw emotions from them with your playing when the music was unable to render you anything but indifferent?

you knew it in yourself, though, that the happiness you felt was hollow. delightful notes supposed to boast joy and love echoed in the rehearsal room, falling flat on your ears.

you were a soloist, though. you couldn’t let thoughts like these get to you. you could only play, for both your pride and your audience. these woes were for you to shoulder, on top of the violin you held between your chin and collarbone.

“you’re here early,” bakugou commented one day, opening the door to your shared rehearsal room. tucked under one arm was his folder of sheet music. he caught you in the middle of practicing one of the pieces for a gig - liebesfreud, by fritz kreisler.

it was true. the morning sun basked the window sill and laminate flooring, warming the particular spots it shone through. you’d arrived an hour or so early. pleased by the bright nature of the morning, you pulled up the blinds. typically, you ran late, arriving ten minutes after bakugou’s text of “you’re late again, idiot” with a coffee and a bagel in your hands. those mornings, you were really grateful for having a case with backpack straps. if you hadn’t the time to eat your bagel on the way to rehearsal, it was cold and hard by the time you had a lunch break.

thankfully, today was not one of those days. whether it was the sun or the title of the piece (“love’s joy,” how wonderful), you’d woken up and decided that today, you’d have a warm and soft bagel for breakfast. you had a coupon for a free coffee and surprisingly, the commute to rehearsals was more punctual than usual. thus, you arrived an hour early, a smile on your face as you opened the door. you opened your case with extra care and rosined your bow with extra zest, humming a tune you heard playing on the radio. bakugou would’ve had a heart attack had he saw you then.

you ignored his entrance, only peeping one eye open at the man and nodding your head toward the piano as you continued on with the piece. you allowed yourself to become immersed in the music, following the soft pace bakugou set in his playing. closing your eyes, you saw the audience before you and felt your fingers sliding and pressing the strings. time flew while playing the piece; you’d barely noticed that the piece was nearing its end, playing its familiar melody one last time before opening your eyes. a glance at the rosin dusted in between the bridge and fingerboard of your violin satisfied you, like salt on caramel. you surely played just as sweet, smooth and saccharine like the gooey texture of a caramel confection. you relished in the sunlight streaming through into the room, ignoring the shuffling of papers behind you (from bakugou, no doubt). that was how you should play.

“something’s off,” you blearily opened your eyes to the sound of bakugou’s gruff voice. he was frowning, eyebrows furrowed in a not atypical manner.

“what,” you said flatly. “it sounded fine to me. i didn’t mess up or anything.”

“no,” he replied, deep in thought, crimson eyes darkening a shade. “we don’t have proper… emotion in the music.”

“huh?” you felt a comical question mark rising out of your head. “i played it perfectly to score. it conveys the composer’s emotions to a t,” you said, getting annoyed with the pianist. your grip tightened on your violin’s neck.

“well- yeah,” he gritted his teeth. “but what about your emotions?”

“who cares about my emotions?” you said. “all that matters is that my playing is perfect. the audience feels the emotions, not me.” why else had you been plucked into violin lessons when you were five? surely not for your own enjoyment.

“idiot, that’s definitely not how it is.”

“it’s just violin playing!” you snapped. “it’s not complicated with- with emotions! it’s the same as anything else!”

“you’re wrong,” bakugou coldly answered.

“what would you understand?” you seethed. “you’re just a damn pianist. you follow my lead.”

he ignored your remarks. “why do you play a fucking instrument, then? why bother to enter competitions or recitals?”

“to win, like any other normal person!”

he let out a clipped, exasperated breath. “fuckin’ explains it, then.” he didn’t elaborate. dismissing the topic, he said, “whatever. play the piece from the top. actually try to look at me this time, so we can stay together. put more emphasis on the downbeat at the start.”

“it’s not like you even heard me play the beginning,” you retorted, but made sure to accent that note even more during the replay. pianists. they always were on their high horses.

something you looked forward to every year was the valentine’s recital. the organizers, an old couple, had known you since you were a child, and thus developed a soft spot for you. you were a shoo-in for the event, relied on to learn the music on a short deadline. last year, you played preludio, from bach’s partita for violin no. 3. this year, though, the catch was weird.

“the letter says it’s a violin duet?” you said to jirou while video calling her. “i don’t have a violinist on hand, just a pianist. it’s not like bakugou can suddenly master violin.”

jirou looked at you with a surprised expression. “you don’t know?”

you stared back at her. “know what?”

“he plays violin, too.”

“huh?” you must’ve misheard her.

she nodded. “he’s pretty good, too. have you not seen the videos?”

“videos?" your eyes widened as you soon realized the implications of bakugou harbouring an aptitude for violin. "i’ve… i’ve got to go.”

“he’s as good as you, y/n,” jirou said with a knowing smile. you were quick to press the hang up button.

five seconds into teenage bakugou’s rendition of one of paganini’s caprices, you exited youtube.

the next day, you kicked open the door to the practice room.

“you,” you pointed a finger at bakugou, who sat at the piano midway through a piece.

“what is it now, dumbass? you’re late again.”

“shut up,” you grumbled. “that’s beside the point. you- you play violin?!”

he shrugged, not avoiding your piercing gaze. “i’ve dabbled in it, yes.”

you shut the door behind you. “and why did you never tell me?!”

“tch. you never asked, did you?”

“you’re my accompanist, i should know these things!”

“you know i play piano, and that’s enough,” bakugou said stubbornly. “i only play piano with you.”

“not anymore.” setting your violin case down, you shuffled through the pocket that held your sheet music. flipping out a packet of sheet music, you thrust it in bakugou’s direction. “here.”

he grabbed the sheets from you, skimming the title. “duo for two violins in…. fuck,” he muttered. “why didn’t you just say no? who even is this from?”

“valentine’s recital. the pay’s good, bakugou, and we need it.”

“you need it,” he mumbled bitterly, holding the sheets out for you. “i don’t.”

“it’s not like i’m happy about it either. since when were you a violinist?”

“since when was it any of your damn business?”

"you're supposed to be my pianist! not anything else!"

you didn’t understand how he could be so musically inclined. you blinked, and your sight smeared, blurring the sight of your feet with the laminate flooring. this wasn't right, you thought as you felt a telltale heat creeping up you. why were you crying now?

if there was one thing you prided yourself on, it was your violin playing. it seemed to be the only thing you were good at as a child when academics and athletics failed you. sure, you hated it at first (as most children did when their parents forced them to do something), but as time went on, the applause of the audience and the title of "winner" rewarded you enough. you were no prodigy, so you worked endlessly every day to prove yourself worthy. you never understood how you'd worked so hard only to be in the shadows of others so naturally gifted who surely would never understand how much you practiced to become better.

when it came to bakugou, he was never supposed to be better. he was your pianist, talented in a completely different musical realm than your own, so he could never be superior to you - and now he wasn't. he never was. here you were for the past year or so, looking like a fool in bakugou's eyes. on the days you struggled so hard with fourth finger vibrato, he was probably laughing at your inadequacy at violin. as easily as he played the violin, katsuki bakugou played you like a fool.

everything collided when you stepped out of the room, leaving a particular golden haired boy alone to stare at the sheet music you tossed him. your head throbbed with the groggy sensation of almost-tears and anger coursed through your veins.

you couldn't back out of the recital now. you couldn't.

you couldn't stand to look back into the vermillion eyes of katsuki bakugou now. even more so now, you couldn't.

your solution?

"hey, what's up?" jirou's collected voice filled your ear, your phone pressed to it.

"hey, kyo, i… kind of did a bad thing," you said, feeling jittery as you sought a commute home. you'd already made up your mind that your sorry-ass wouldn't be able to look bakugou back in the face for the rest of the day.

"...again?" she asked, tone concealing a hint of surprise. "don't tell me it was with bakugou. don't you usually practice now?"

"...usually, yes…" you sheepishly shuffled your feet, standing outside on the sidewalk. "i'll be resuming it again, 'course, when i get home…"

"why aren't you with bakugou right now?"

"that's… that's a long story," you laughed nervously.

"i can wait," jirou coolly replied. "kaminari got his foot stuck in his guitar case - don't ask - so i have time."

you considered asking about kaminari, then thought better of it.

"you know about the valentine's day recital they have every year? well, this year…" you recounted the events that led you to now, standing outside on the phone with jirou.

"where are you going to find a violinist?"

a silence found itself opportune as jirou waited for an answer. "i'm, uh, not…?" you said, deflecting the question back to jirou.

"well, you can't play both parts in the duet, can you? actually, don't answer that. i know you'd try. didn't you try that one time in-"

"what's done in uni stays in uni," you hushed her before she could recall that one time you tried to play a sonata with a recording of yourself. "aren't you going to tell me to try to make amends with bakugou?"

"no," she said thoughtfully after a pause. "you've tried before, and it's not working for you. i don't think you should be forced to do something you obviously don't want to do. i just think," she continued, "you need to find someone to do the duet with, if you don't want to work with bakugou. but objectively, he's your best bet."

as jirou always was, she was right. you thanked her for her advice not before hearing a distraught kaminari shouting for jirou in the background, and then she ended the call.

you repeated her words in your head once you got home, sliding your bow back and forth on your small block of worn rosin. the score for the duet was spread next to you on the floor. it wasn't that you didn't want to work with bakugou. or was it? had you been that selfish all along, sabotaging other performances because you didn't like him? if even jirou had noticed it, had bakugou noticed it too?

your sigh let out a thousand burdens piled up in your mind, blowing air out like dust accumulating on your tribulations. you picked up your violin and bow thoughtlessly, testing out the strings and plucking a couple with your left hand.

was it really only you with the contempt for working with bakugou? you'd assumed mutual hatred with him after your international debut, but had it really been so? had you been the only one picking fights during the time you'd worked together? as you backtracked, your fingers slipped into a familiar position. you began a piece you knew positively by heart, an absolute favorite of yours for years. you played mindlessly, serenading yourself with familiar notes and string fingerings as you thought long and hard about bakugou. how much shit had you given bakugou? he hardly complained, too, but why? why hadn't he quit after you'd been so ceaselessly difficult with him?

why were you so angry at bakugou, a gifted prodigy since childhood? the answer found itself as the composition descended into an array of complicated fingerings and string changes, sounding like an incoherent chaos somehow strung together by the music. you pretended you didn't know the answer.

it was much, much easier to leave bakugou as just a pianist. respectable in his own field, and incomparable to you. it was too good to be true, obviously. all your life, you played to win, and couldn't allow anyone else to surpass you. violin was about winning, winning, winning. how were you supposed to cope when all those hours of practice were easily overcome by someone with innate talent?

the piece eased your tension with a fermata, drawing out your vibrato to think. bakugou's perfection infuriated you, you concluded. knowing this, though, didn't help with anything. you almost screeched the last note as the composition came to an end, unsettled by thoughts of bakugou. you really couldn't stand him.

in an attempt to distract yourself from your dilemma, you decided to start practicing the recital composition. you pulled out an old portable music stand, bending the parts into place and stacking it up. carefully, you placed the sheets on the stand and skimmed over the music, bringing your violin up to your collarbone.

your eyes followed one measure ahead of what you were playing as you sight-read the piece. ahead, ahead, was all you could think as your fingers fumbled the notes, eyes moving from the score to the fingerboard. bakugou was far from your mind as you caught up to the music, too preoccupied with the sharps and flats you'd forgotten and the time you had to keep. you were busied by the shifts and the repeat signs in the music over anything else. your priority lay here for the time being, after all. the sight-reading was almost enough to make you forget you only play one half to a duet. there was still still an emptiness that lurked between the rests and the redundant beats that even your stilted practice couldn't mask. you tried not to worry about that, though.

time floated by as you repeated the piece over and over, playing for accuracy first. it wasn't enough, but you pretended it was. the metronome on your phone ticked away like time, endless and impatient, until you couldn't stand it anymore and packed away your violin.

the proceeding day was filled with more of the same practicing, working on tweaking hesitations and polishing up your playing. it was kind of convenient, practicing at home rather than waking up early to practice with bakugou. you missed the bagel the most.

you were definitely not playing your best, and it was clear by the way your bow occasionally screeched and how you fumbled the fingerings when you were particularly negligent. the piece just didn't sound right without the second part. (bakugou was definitely not the second part missing. not at all.)

by the third day you gave up and admitted to yourself that yes, bakugou was the second part missing. you were only a little bit miserable buying your usual bagel and coffee and rushing to rehearsals fifteen minutes late, aware that you'd be unable to eat it before practice. you were substantially less miserable than how you were the day previous, practicing alone.

you weren't surprised to see bakugou already there, sitting on the piano bench and tightening his bow hairs. he acknowledged you with a grunt as you set down your breakfast and beverage.

"showed up, huh?" he said finally, voice rough. he stood up, setting his sheet music on a stand. you stared at him, awed by his nonchalance. he picked up his violin and bow (which, by the way, looked super expensive) and propped his violin up by his chin. it felt so foreign to see him in position to play violin, fingers already expertly in first position and wrist beautifully curved, yet it inexplicably clicked. the scene in front of you looked like he'd done this everyday, as it was always supposed to have been, his back confidently straight. his fingers arched over the fingerboard and his bow appeared mathematically parallel to the bridge, held delicately between his fingers. you'd never carefully watched him play piano (probably due to your distaste to him and lack of knowledge about the percussion instrument), but he made the violin look like an instrument of the gods. he hesitated, though, bow moving a centimeter then back. he frowned at your idle silence and turned back to you. "well? are we doing this duet or not?"

"oh," you reacted intelligently. "yeah. yeah." it kicked in what you were doing by the time you'd started tuning your violin, first bowing your a string. after tuning your violin (with the help of a tuning fork and none from the perfect-pitched bastard bakugou, who appeared to be watching you with a triumphant gleam in his eyes as you struggled to tune your violin properly), you set your sheet music next to bakugou's.

"ready?" you asked, as if you'd been the one waiting for bakugou all this time.

"ask yourself that," he snorted. "i'll do the count."

you nodded.

"one, two, three, f-"

"wait, wait," you said, squinting at your music. "isn't it supposed to be a bit slower than that?"

"it says allegro," bakugou said, tapping his foot. "need an italian lesson? lively, briskly."

"i know what allegro means," you gritted. "seems too fast, when paired with dolce."

"maybe for you," he smirked.

you narrowed your eyes at him. "and that means what, exactly?"

he opened his mouth to reply some smug, smart-ass answer, but you stopped him.

"nevermind," you said. "do the count again, at the same tempo. i can do it."

you were bluffing, of course. since when was allegro this fast? you wondered as the opening notes sped by you in a musical blur. already familiar with the melody, you messed up dynamics the most. of crescendos and diminuendos? it wasn't like bakugou would notice, too preoccupied with his part.

the ending of the piece took your breath away, storming toward you in a whirlwind. adrenaline filled your veins as you raced to the last measure of the music, overcome by the tempo and the music. this time, full of energy and exhilaration, the piece felt complete. your and bakugou's sound surrounded the two of you, overflowing the room with a saccharine melody. it felt right simply standing beside him playing a two part piece, chest heaving from the piece's energy. you could only hear your breathing, a gentle encore to your playing.

"your playing is sloppy," bakugou said bluntly. he leaned over to your sheet music, starting to point at dynamic markings.

you swatted his hand away before he could say a word. "yeah, well, i just got the music three days ago," you interjected.

"you also had two of the three days off, so i'd say you're not doing enough." he glanced back down at your score. he pointed at a measure. "this is a crescendo, moron, why didn't you get much louder?"

"just- pay attention to your own music!" you said. "besides, it's dolce. i can get away with playing softer."

"that wasn't very dolce to me," he argued. "nothing sweet, soft, or gentle about that," he mumbled.

"i can be sweet, soft, and gentle if i want to!" you retorted.

he raised a brow, as if a challenge, scarlet eyes glinting in the light. "tch. i'm sure you can, but your playing damn can't."

“it can, too! listen,” you said, impetuously raising your violin and bow again. you slowly started to play a d major scale, impatiently scrunching your nose and squeezing your eyes shut to concentrate on making the music soft and gentle, tampering with different degrees of vibrato and bow pressure.

“... that’s just piano,” bakugou said, moving to you as you bowed an a. your bow came to an abrupt halt, making an unpleasant squeal, as bakugou positioned himself behind you. you felt his body warmth radiating behind you as a sweet, homely scent wafted around you. he brought his arms around you, hands overlapping where you held your violin and bow.

“you need to be,” he murmured into your ear, gentle tone almost slurring the words together, "fragile when you play dolce." he angled your bow slightly, moving your hand. "bow closer to the fingerboard." the smooth baritone of his voice resonated within you, becoming lost within the violinist's embrace.

"most of all," he said, dropping an octave to an intimate tone, "you need to feel it. you can attempt to play it, but without feeling, it's fuckin’ meaningless."

"feeling?" you repeated blankly. “the audience’s, you mean.”

he stepped away, a gesture that made you breathless, and shook his head. he crossed his arms over his chest, unintentionally accentuating their volume. “your damn feelings. what do you feel when playing the piece?”

there’s a pause for perhaps a second too long, as you mulled over different answers in your head.

“tch.” his eyes don’t leave you, gaze a laser burning into you. “‘s what i thought. why do you play violin?”

you held your tongue from answering my parents. “to win. i play to win,” you stated.

“and that’s the damn problem,” bakugou said, releasing a breath of frustrated air. “you win to play.”

“that means…?” you were starting to get impatient with the man, who seemed to be stalling and dragging out your limited time.

“you win competitions to play more.”

you almost scoffed, but his words were plausible. “what’s the purpose in playing more if not to win?”

he made a scratching noise in his throat, cool demeanor shifting to that of the bakugou you knew. “l-l-” he coughed, “love.”

“love?” you repeated, the word a surprise to swallow.

he nodded, gagging on his reply. you couldn’t see bakugou as the romantic type - the same bakugou who called all of his friends demeaning nicknames and could barely say the word love out loud. he was explosive, maybe, and talented, sure - but acquainted with love? you pursed your lips at the stuttering man trying to advise you.

“whatever,” he dismissed, voice oddly hoarse. “just play it from the top. fix the dynamics.”

weeks passed in a blur, though bakugou’s advice was left unforgotten. it had, for the most part, faded from your mind but lingered like a ghost in an abandoned attic, stirring up dust in complete silence. it was valid criticism on bakugou’s part, but the problem was that it was criticism you couldn’t digest. it was a ghost that you could not rid of, whispering and lurking until your music played over it.

four weeks before the performance, you had the piece almost entirely memorized other than a few flukes here and there. you managed most of your dynamics, playing in sync with bakugou by your side. three weeks and the piece was mostly smooth, foregoing all sheet music and practicing in the middle of the room with bakugou tapping out the tempo on the honeyed floor. any mistakes were recovered from quickly, and you were pleased to say that the amount of bakugou’s slip-ups equated to yours. at two weeks, though, he brought up the pest bugging your mind.

“play with more emotion,” he sighed exasperatedly, letting out a huff as you played for him. “start on f sharp again.”

you’d tried time and time again, but the longer you’d replayed the same few measures (followed by his criticism for the nth time), the only emotion you felt was frustration. your bow would push too hard or your vibrato would lay on thick, immensely irritating bakugou. you didn’t know why he even tried.

the air felt stale and the lights shone obnoxiously bright. the pads of your left hand fingers had hardened by now, indented with a pair of parallel lines from your unforgiving violin strings. you inhaled rosin dust and occasional bow hairs miserably dropped to the floor. your arms were tired, sore, and sick of playing; your ears painfully endured the same tune again and again, the originally fluid and sweet notes becoming high frequency static.

“i can’t do this.” you were tempted to flop onto the ground, hopelessness pouring over you.

“you can,” bakugou insisted stubbornly. “you just need to try harder.”

“harder?” you would’ve snapped (and you were surprised your e string didn’t already by the repetitive motions on it) if you weren’t so exhausted from rehearsing.

he nodded like it was obvious. “try harder.”

you shakily inhaled, trying to smooth your voice over. “i’m sorry i can’t be a prodigy like you.”

he stiffened, tense to the point of trembling. “whatever,” and it was a strained word pulled from his mouth. it was very atypical for him to give up like this, but you didn't care. you avoided his eyes as you restarted the piece, unable to bloom anything from it.

outside of your rehearsal time, you practiced. arguably, your solo rehearsals were more rigorous. you forced yourself to add emotion to the piece, sometimes playing for jirou. she agreed with bakugou (though was a great deal less irritating), stating that your playing was somewhat hollow. (you restrained yourself from knocking on the instrument and saying that yes, indeed, violins were hollow.)

"how… how do you get any emotions from playing?" you asked jirou at one point, watching one of her band's rehearsals. they were on a break, chatting idly and taking sips from their water bottles.

“well…” jirou started, glancing back at her band members. “i think about the feelings i want the audience to feel because of my songs. i think about how the song makes me feel, then i put that into how i play.”

“how do you…” you shifted uncomfortably, “know what to feel?”

she looked at you, taken aback, but replied easily. “you don’t. it just… happens.”

her response was vastly different than what you’d been taught a child. emotions? sure, there was perhaps a time where playing evoked a feeling in you, plucked something melodical from your heartstrings. it was when you were a child, though, so it was irrational and erratic, an outburst in the middle of your otherwise level playing. your violin teacher didn’t approve when you’d follow how the music made you feel. she said it made you stray too far from the original piece and would make you lose competitions. no matter how you pushed back against her, her advice haunted you over and over every time you got anything other than first place.

your performance is the audience, she’d told you. you didn’t understand what she meant at first, but she made sure you did while practicing for your next rehearsals. the audience, she quipped with thin lips under her sharp eyes, is everything. if the audience wasn’t satisfied, your performance was worthless, no matter how well you played technically. you play for them and you win - it was that plain. there was nothing more than you wanted but to win, at the time. you wanted a trophy, a medal, a certificate stating that you were better than most. it was palpable evidence that you were good enough - for your parents, your peers, anyone. like that, you practiced, a servant for approval. you weren’t a prodigy, but you sure as hell would try to play like one. her advice worked for over a decade, soundly racking you up with countless awards that filled your otherwise desolate self-esteem.

you didn’t say anything else to jirou about it, instead thinking about the bits and pieces of human feeling you could extract in between your piece’s accidentals and eighth notes. perhaps there was a possibility, through the phrases of notes and dynamic markings, you’d find a word that said love. a renewed interest sparked itself when jirou’s band continued their rehearsals, finding yourself to be a normal audience member (maybe even crying at the end. maybe).

you returned home to practice, practice, practice, coercing any hidden message in the music to vibrate in your violin and echo around your room. you watched other renditions of the piece to find something you were missing, but imitating them didn’t seem right. this continued for the following weeks, hiding any potential development from bakugou (or trying to, at least). you knew you’d be disappointing him if you failed after trying so hard. it was only safe to play what you knew, secure in the written parts of the composition and keeping it at that.

by the time the performance came around, you were glad bakugou never found out about your secret efforts. if he had, you knew he’d be sorely dispirited by your lack of tangible progress, your sound just as hollow as the soundbox of your violin. you failed, you knew, and as crestfallen as you were on that cold february morning, the show must go on.

the performances were held in an auditorium, warm compared to the snowy wonderland outside. it was typically couples comprising the audience, all romantic and pepped up in the spirit of valentine's day (white day was no different). some arrived early, finding seats in the empty auditorium and chatting amongst themselves (or sometimes making out, which made you want to throw your violin at them and gag). bakugou’s and your performance was last; it quite the heavy honor to play the finale to the recital.

backstage was a vast contrast to the hushed atmosphere settled over the assemblage. hovering over the staff and performers for the day was a sense of panic, hurry, and hecticness. bits of rosin were scattered on the ground where you prepared for your rehearsal, some belonging to your block and others not. your pack of extra strings lay next to you on the sofa you sat on, arm resting on the side of the seat. similar to your violin's strings, spun tightly over pegs to be kept in place, you felt high-strung. the buzz of energetic excitement flitted in your head, knee bumping up and down and jerking your violin in the same motion. it was hard to calm when you tuned your violin to absolute perfection, relying on bakugou's perfect pitch to do so. the fine tuners on the end of your strings probably hadn't had a harder time in the years you'd owned your violin.

"you're shaking the entire sofa, idiot," bakugou deadpanned next to you. “some of us are trying to rosin our bow, unlike you.” he glanced at the floor, where amber shards of rosin lay amidst white dust (also made of rosin).

“to be fair, most of those aren’t mine,” you pointed out. you reached into your violin case, finding the rectangular case of rosin and opening the top. "mine's only chipped in a couple corners, and the rest is just worn on the edges from my bow."

you leaned over to look at bakugou's rosin, two stubs in its case. "and i'm the one dropping my rosin?"

his ears turned a deep red, matching the velvet curtains on stage. "that's different," he muttered, putting the lid on his rosin and putting it away.

"you ready?" you watched him swallow before speaking, not looking at you. you could hear one of the presenters speaking, introducing the first piece to be played (an ever-so romantic rendition of clair de lune), but the voices felt distant and muffled over the sound of your own nervous heart beating.

"yeah," he replied. he turned to look at you, scarlet eyes meeting your own. "what, you're not scared now, are you, dumbass?"

you gulped. "no… just excited," you said. in truth, you felt disappointed in yourself for being unable to find any emotion in your playing - thinking about the piece, you were devoid of anything but the measures and the notes. what was the piece trying to say in the white space between staff lines? after the clef at the beginning of the music, where did the emotions start and everything else end?

quiet notes, twinkling from the piano on stage, met your ears. you took a deep breath. how did they make you feel?

…not very good, because this pianist was certainly a beat or two off tempo. a large hand on your knee startled you out of your trance. its warmth was surprisingly comforting. you followed the arm connecting to the hand to meet bakugou's concentrated face, eyebrows furrowed and nose scrunched.

"don't shake your knee like that. also, why are you so damn cold?" he moved his hand away, leaving an imprint of heat on your knee. you hadn't noticed the physical manifestation of your nerves prior to bakugou's words.

you left his question unanswered, staring at your violin in your lap. you traced the patterns in wood, fingers following the shape of the f-hole and thumbing circles on your chin rest. how were you supposed to be able to pull living, breathing life in the form of emotions from an inanimate object? what sorcery were you supposed to manage to satisfy yourself and the audience?

you thought back to bakugou's words. what was it had he said you were supposed to be playing for? love, the irrational and sentimental flaw of life - somehow expressed from the symbols on a sheet of paper and through strings on hollow wood. what sort of miracle was bakugou creating with his music?

what was violin, if not just a task to do everyday? what was it, out of competitions and tests of skill? what was the sound reverberating within its vacant body, recording every shift of fingers on the fingerboard?

you looked past your violin to the rosin on the floor. friction, your violin teacher had explained to you. you put rosin on your bow so it creates friction with the strings, and thus creates sound. it was strange how friction caused the smooth sound of a violin. too much friction, added by pressure on the bow, made a creaky sound on the strings. without rosin, the bow would be too smooth on the string and make no noise at all. the happy medium of not too much and not too little created the familiar rich tone on the strings.

a happy medium, you mused. in between too much friction and none at all. maybe that was how you were supposed to feel, in between trying too hard and not trying at all. that's what feelings were in the end, right? a natural human instinct, spurred by life. could you breathe life into the music?

the stage seemed almost too big for the two of you, spotlights centering you on the wide, wooden platform. the crowd's eyes were on you and your fellow violinist, some watching with drooping eyelids. they felt far, distant under the shadows. even so, the question still besieged you - would you please them?

you teared your eyes away to bakugou, who started the count. everything was silent until he nodded to you, your cue to start the piece. it felt too fast when you began but it was the same allegro you’d been practicing with. muscle memory took control now, your fingers finding their places easily.

your fingers and bow took all your attention. everything else fell away - the lights, the crowd, the stage - until it was just you, your violin, and the music. you could practically see the score in your head, playing the notes you'd come to know so well.

you heard your music echo and resound off the walls, but that's all it seemed to do. it touched everyone in the room, looking for a place to stay, and diminished in an empty space alone. it frustrated you that it wouldn't resonate - where was the love bakugou had so told you of? this auditorium was no different than your room, where sounds bounced off walls and landed nowhere. you weren't reaching anywhere or anyone, lacking emotion and any true substance.

love - what was love if not a hindrance? how could bakugou expect so much out of you? love - had you ever felt it for the violin? dolce told you to play sweetly, softly, and gently, but what was sweet about the violin? what was so sweet about the imprints of strings on your fingers, fragmented rosin at your feet, and bruises on your neck from long hours of practice? what was gentle about the arduous replaying of the same measure, the ringing in your ears after playing to master a simple phrase? what was soft about the forte that rang in your head, the fortissimo that filled a performance and clouded your senses?

dolce filled you like an epiphany, euphoric in your eyes that finally opened and awakened. dolce was in bakugou's eyes, soft velvet like the crimson curtains onstage, downcast at his violin. dolce was in his sound as his bow skittered near the fingerboard, in his fingers sliding back and forth on his a string. dolce was in his grasp of his bow and violin, in the very essence he played the violin with. dolce contradicted everything you knew, reminding you of bakugou's soft hands over yours, guiding your fingers and bow. dolce was the morning light streaming into the practice room as you argued with bakugou over tempos and notes, the light glinting on shattered shards of rosin as you anxiously rosined your bow. dolce was the curve of your violin scroll, the bend of your fingers over your bow's frog. dolce was the white space in between staff lines on your sheet music and through half and whole notes. dolce was everything in between the rough of your violin experience, the laughter and smiling gone forgotten during sleepless practice sessions and violin evaluations.

what was dolce, if not a rebellion? what was it, if not a rebellion from the years of work and pain you'd endured in the name of musicality? what was it, if not laughing in the face of your violin instructors and the strict score you adhered to?

when you opened your eyes to meet bakugou's, whose carmine eyes dripped with a burning passion and the essence of souls, you finally felt. it was the so-sought over love, scorching every note and stroke of your bow and bursting life in every movement, breath, and echo of your performance. it was exhilarating, living through every slur and chord you played. when you finally met his eyes he understood, a satisfied smile tugging on his lips as his gaze never left yours. this was it - this was dolce, humming sweetly, softly, and gently in your ears and reflecting in the audience's heart. this was dolce, making you realize that you never wanted to play violin alone again.

you picked up a rose that had landed at your feet at the end of your piece, holding it next to bakugou's confused face. in doing so, you reached your second epiphany of the day - perhaps the more important of the two. bakugou's eyes bloomed redder than the rose, deeper than the lowest note on a double bass, and maybe it was he that was the true dolce you were looking for.

notes!!

if you’re reading this, congrats !! this is my longest fic on my account (the record will be broken soon), so i really appreciate you reading this :> (spare a reblog, perhaps?)

first, explaining the playlist:

beethoven’s kreutzer - this was played in the anime, “your lie in april,” and i simply think it fits the “fight” reader and bakugou have. this was played at reader’s first international recital that did not go so well.

kreisler’s liebesfreud (love’s joy) is in the same series as his piece called liebesleid (love’s sorrow), also featured in “your lie in april.” i personally really like the piece. of all of these listed, i think you should listen to this one the most.

beriot’s duo concertante was the other contender for reader and bakugou’s duet piece!

debussy’s clair de lune is simply a favorite of mine. it’s the first piece played at the valentine’s performance (and i like to imagine reader’s listened to bakugou’s recording of the piece)

spohr’s duo for 2 violins is the piece reader and bakugou play! it’s the second part of the duo in allegro, and i once tried to listen to it while following the sheet music. i was so confused every time i did so; i’d get lost and such, and figured my musicality was declining. nope. i was reading the wrong part. so, i started freaking out because oh god the dolce is in the first part, not the second, and thankfully, there’s a bit of dolce in the second part too! however, it did take me a while to decide whether to use the first part instead.

also, spohr invented the chinrest on the violin! crazy :D

paginini’s 24th caprice is considered the hardest out of all 24 caprices. imagine,,, teenage bakugou playing this,,, doing the left hand pizz and all T^T pain

there’s a lot i wish i could cover in this! a lot of reader’s own flaws (ahem, viola jokes) and development were something i couldn’t cover. bakugou’s arc as well! he had an arc a bit before this story takes place :)) tl;dr i’m very tempted to pick my violin up again and start playing

the frog of the bow does not, sadly, go ribbit. it’s the part violinists hold the bow by!

thank you for reading! i hope you enjoyed this :)

#bakugou x reader #bnha x reader #bakugou fluff #bnha fluff #katsuki bakugou x reader #bnha x gender neutral reader #bakugou angst #bnha angst #luna's writing #violinist bakugou

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what-is-your-plan-today · 5 years

Text

Stark Spangled Banner Ch11: A Turkey Called Marv

Summary: Nat, Clint, Evans, Lawson and the rest of her SHIELD team throw Katie a leaving party once news of her resignation spreads across the Triskellion before Katie and Steve head to New York to spend their first Thanksgiving as a couple with Tony, Pepper and Bruce.

Paring: Steve Rogers x OFC Katie Stark

Warnings: None for this chap, bar a bit of bad language and teeth rotting fluff

A/N: There is an accompanying One Shot to this called The Life Of Marv...

November 2013

News of Katie’s spectacular resignation spread like wildfire through the Triskellion. Evans, Lawson, Natasha and Clint had all been pretty upset but had understood when she had explained why she was doing it, even if Natasha didn’t necessarily agree. They had no intention of letting her go quietly, however, and the team took it upon themselves to organise a small Leaving do at Lori’s which was in full swing. Background music was playing, food had arrived and the drinks were flowing. Steve was talking to Lawson, Rumlow and Evans by the bar, leaning against it, an easy smile on his face as Katie stood with Clint and Natasha a bit further down the bar as Clint was talking to them about his latest home improvement plan.

“So I thought about putting in a pool…” Clint said, “Now the kids are bigger I thought it might be nice to have one. Maybe even a pool house round it for bad weather…”

"That's ambitious." Nat quirked an eyebrow.

Clint grinned. "That's my middle name."

"Really?" Katie asked. "I always thought it was Robert."

"What?" Clint looked at her as Nat snorted out a laugh. "Francis. Why would you think its Robert?"

Katie shrugged "You look like a Bob."

"Wait… so it's not Ambitious?" Nat asked, winking at Katie. "How boring…"

Katie nodded, draining her glass. "Bob would have been better,"

"Right," Clint started, pulling himself taller. "I hate both of you."

The girls laughed and Nat turned to Katie. “So what’s in the pipeline for you now Nova?” “I have no idea.” Katie said, and she didn’t. “I guess I’ll just get more involved in the family business.”

“You gonna move to New York?” Clint asked. She shook her head. “Probably spend a bit more time there but, I’m not moving back.”

“Nah, she can’t leave lover boy.” Natasha looked at Clint and Katie rolled her eyes. Truth is Nat had hit the nail on the head. No way was she leaving Steve in DC to move to the tower. Although they had only been together 7 months she had spent over a year of her life being 'with him' one way or another and the thought of not being terrified her.

“Nah to be fair Nat, they’ve been going out a while now. Things are probably starting to cool off.” Clint teased “Oh trust me, there’s no problems in that department.” Katie sniggered, looking at where Steve was stood.

“Oh would you look at that. I’m out of alcohol…” Nat said, suddenly “And so is Stark.”

"There's a bar over there," Clint pointed

“Cheers…”Natasha took Katie’s glass and handed it to him along with her own. Clint shook his head taking the glasses with a sigh.

“So… now he’s gone…” Nat glanced over at Steve then back to Katie “Gimme details…”

“Details on what?”

“Throw me a bone here Stark. I’m working on a few months dry spell.”

“Why are you so obsessed with my sex life?” Katie groaned “You’re constantly trying to get me to talk about it.”

“Hey, look, up until a few months ago I was convinced he was a virgin…”

“Well then you’re a dumbass.” Katie smirked “He’s Captain America, had girls throwing themselves at him back in the day.” "So he was until the serum?”

“I never said that…” she flushed.

“You’re such a shit liar.”

“Can we change the subject?” Katie groaned.

“Ok, answer me one question and then I’ll drop it.”

“What?” Katie said with an air of playful frustration. If she was honest, it was quite nice to have a girlfriend to chat to about these kind of secrets.

“Did the serum enhance…everything?” Nat wiggled her eyebrows.

Katie glanced over at Steve and smirked before she looked back at her. Fuck it.

“Well if it didn’t, I’ve no idea how he managed to stay upright before.” she smirked "I'm a lucky woman"

The red head threw back her head in a dirty laugh, a laugh that Katie had never heard from her before and it made her snigger at the sight of the normally composed assassin letting loose.

“What I miss?” Clint asked as he reappeared, handing them their drinks.

“I’ll explain when you’re older…” Nat said, patting his chest fondly.

The party went on well into the early hours of the morning and Steve had practically had to carry his girl home, not to mention holding her hair back whilst she puked up God knows how much tequila. She had a hangover to end all hangovers the day after and had hardly moved from her spot on his sofa bar to top up her glass of water and to find something crap to eat. They’d had a Chinese that night and she’d practically eaten everything on the menu before showering and crawling back into his bed, swearing she was never challenging Evans to a tequila drinking contest again which Steve had assured her was a pretty good idea.

Now, a fortnight later they were at the Tower in New York, and it was the night before Thanksgiving. Last year Katie and Steve had spent Thanksgiving as friends. This year they were spending it as lovers, and Katie was also excited to be spending it with Tony, although she would never admit that out loud.

Steve was also looking forward to it as well. Tony had mellowed to him somewhat over the past few months, especially when he had found out Steve was supporting Katie’s decision to quit SHIELD and not trying to stop her as he had original thought the Captain would. He was also looking forward to Katie’s damned fine cooking as well. Despite the fact that Tony had offered to cater in as Pepper was away until the very last minute, his girl had insisted on cooking it herself, especially now she had plenty of time on her hands.

As such, Steve and Tony had left her in the kitchen area of the main living quarters at midday to head down to the lab to discuss some further upgrades to the Tower. When they left Katie had been surrounded by bags of flour and ingredients, and when Steve returned he found her at just gone 5:30 surrounded by 3 pies (one apple, one pumpkin and one blackberry) pans of vegetables prepped ready for the and a turkey in the oven ready for JARVIS to turn on in the morning. She was stood at the sink, gently humming, the kitchen now clean and the smell of her baking making his mouth water.

"What are you doing Soldier?" Katie asked, jumping a little as Steve's arms came around her sides, reaching for the sink, effectively trapping her between the counter and his body.

He laid his chin on her shoulder. "The dishes,"

“I’m only leaving the pie dish to soak.” she said, turning in his arms. “The rest are going in the Dishwasher.”

“Oh because God forbid her majesty would actually wash a dish…” he teased as he rest his chin on her shoulder.

“You don’t wash them much either.” she said, rolling her eyes “How many brushes did you break last week?”

“The plastic is bad quality.” he said, pouting a little.

“Nothing to do with your ridiculously large hands being too rough.” “You weren’t complaining last night…” he said, lips warm against her cheek. Katie could hear the smile in his voice before she swatted him in the face with a dishtowel, and he laughed out loud.

“Seriously though Doll face, are you nearly done?” he said, “You’ve been in here all afternoon. You do know we’re not eating till 3 tomorrow, right?”

“Yeah but the more I do now, the less I have to do tomorrow, and let’s face it, it’s not like I have anything else to do, on account of being an unemployed bum.” she said making Steve laugh again. “Plus, I just want everything to be, you know…right.” she shrugged, and she did.

“It’s a dinner.” Steve said, chuckling slightly.

“It’s Thanksgiving” she pouted

“Yeah, and last years was pretty cool, remember?” he smiled

“Yeah but…” she trailed off, biting her lip. Steve knew that look well enough now to know there was more to this.

“What?” he probed gently.

“Nothing, just, well I never had a boyfriend over for Thanksgiving before. Or Christmas come to think of it.”

Steve smiled “I like being your first…” Katie grinned. The whole ‘I like being your first’ thing had started off by her saying it to Steve but they’d fast come to realise that they actually both had a world of inexperience between them when it came to relationships, and it was nice that they could be each other’s firsts in a lot of ways. “Honey, tomorrow is gonna be great.” he smiled at her, tipping her face up to look at his “Don’t sweat it.”

“Did you seriously just say don’t sweat it?” she sniggered.

Steve groaned “I told you I spent the afternoon with your brother…”

She giggled and leaned up to catch his lips in a soft kiss.

“Getting kinda tired of catching you two making out in a kitchen!” Tony chose that time to waltz in and open the fridge door “You got your own floor, go use it." ******

Katie woke the next morning to find Steve's side of the bed empty and cold. It wasn't unusual for him to be up earlier than her, she knew he would either be out running, in the gym or making coffee. She climbed out of bed and walked to the blinds of the bedroom, instructing JARVIS to open them, the AI being one of the many perks about being 'home'. The New York skyline stretched below her and as she glanced down she saw the people gathered on the sidewalks, attention turned to the streets, obviously waiting for the Thanksgiving Parade. She had asked Steve if he wanted to go and watch it in person but he had said he would prefer to stay in and watch from the tower as he didn't fancy getting mobbed in the street. Being recognised by one person every so often was fine but in those crowds if one person spotted him then it would spread like wildfire. Besides, as he had pointed out, her floor had an awesome view so they could watch out of the window with a drink. Katie frowned as suddenly a large brown turkey shaped balloon floated in front of her eyes. The parade wasn’t supposed to start until 9 and that meant by the time it made its way to the Avengers tower it would be... she turned and glanced at the click and gave a yelp. She had slept in until 10.

Steve heard her before he saw her, not that he needed super hearing to hear the loud yell of "how fucking late?" coming from the bedroom. Grinning to himself he turned back to the griddle on the island of the kitchen, flipping a pancake with one hand and drinking a coffee with the other. "Why didn't you wake me?" She grumbled to him as she leaned in the kitchen doorway, taking him in for a moment. He was freshly showered, dressed in a loose grey t-shirt and sweats, hair still a bit damp and spiked up in a way that made her smile. "Because you were up early yesterday and I thought I'd make you breakfast for a change." he said as she wrapped her arms around his waist, pressing her face into the back of his shoulder. The smell of his shower gel mixed with the smell of the pancake mix, made her nuzzle her nose into him to inhale deeply. "You smell good." she eventually spoke again. "Good to know." A grin tugged at the corners of his lips at the fact she was still clinging to him. "I just saw a giant inflatable Turkey." she said, hands going to rub at his stomach. "What?" "The parade" she smiled at him. Steve smiled. "You know when I was a kid, the parade was the best part of Thanksgiving." "Still is" she mumbled, cheek still pressed to his shoulder.

"Me and Bucky used to come into Manhattan with his family and my ma if she wasn't working and stuff ourselves on popcorn and warm mixed nuts" He smiled to himself at the memory. They always picked out their favourite balloons, ate until they thought they would burst, and made Rebecca, Bucky’s younger sister laugh till she cried by pretending they were in the marching bands. But once the war started, the parade had ended. He had never realized that they started it up again until Tony and Katie had mentioned it last night as they had sat eating takeout. Part of him had wanted to go to the street to watch it but after seeing that morning how crowded it had been on his run he was happy to watch it from the comfort of Katie's floor. He turned to face her for first time that day, her arms still round his waist. Her hair was pulled up into a pony tail, face fresh, eyes bright and she was, as ever, in one of his shirts and not a lot else. He leaned forward to give her a quick kiss and when he moved away, she quickly closed the space to give him another quick kiss, letting her lips linger on his for a second. "I'll burn the pancakes" he murmured and she grinned, pulling away. "I'll make fresh coffee." she said, patting his chest and turning to the machine. "Hey JAR..." she spoke, "hit me with some Christmas tunes buddy" "The usual Miss Stark?" "As long as it has the Pogues on..." "Wouldn't dream of not doing" the AI replied and then the apartment was flooded with the sounds of Fairy Tale of New York. "It’s November." Steve turned to look at her, but she simply grinned to herself and turned around, singing to him. He couldn't help but laugh, he knew from last year that Christmas for her started at Thanksgiving and ended on New Year’s Day. Plus the fact that the previous year she had spent Christmas day fighting a bunch of exploding super soldiers meant that she was going to enjoy this year as much as possible. He shook his head, a low chuckle escaping before he turned back to his pancakes. They dragged the cushions off the couch and ate breakfast sat by the huge floor to ceiling windows of the penthouse, Katie sat between Steve's legs as they both watched the parade. Suddenly, a large green balloon floated by the window and Katie gave a loud squeal when she saw what it was. A Hulk float. An amused smile spread across her lips as she watched the balloon bob in front of the window, twisting to the sides in the air as it wrestled with the wind. "Oh my God!" Katie giggled again, gently tapping Steve's right calf but he had already spotted it. A massive shield was coming out, followed by Iron Man's mask, Thor's hammer, a bow and arrow, Natasha’s Red Widow symbol and her own Nova star. She turned to look at him, a little smile was tugging at the corners of his mouth and when he met her eyes the smile broke out across his features. Laughing in disbelief, he shook his head, turning his attention back look at the shield float bounce down the street. "That's pretty cool." he commented with an amazed sigh, and it was. If anyone had told him all those years ago that one day he would feature in the Macy's Thanksgiving parade he would have told them that they were mad. Yet there it was. He found himself smiling as he thought about how his ma and Bucky would have reacted. When they had finished eating, Katie leaned back into him a little more, slouching so that her knees were bent and her feet rested on the bottom of the window. His arms reached round her neck, and he kissed the back of her head as they continued to watch the floats, the gentle sound of Bing Crosby "White Christmas" now playing through the room, the two of them simply enjoying the closeness of one another. ***** Eventually it was time to head downstairs and join Tony, Bruce and Pepper for their dinner. Katie and Pepper left the men to it and finished off the prep before calling them all to the table. As was tradition, as ‘head of the house’ Tony carved the turkey with his usual, trademark drama and they took it in turns to give a few things they were thankful for. Tony was thankful for his friends, family and a decent brand of scotch he had in the cupboard for later, Pepper was thankful for being so fortunate and being surrounded by people she loved, Bruce was thankful for being welcomed into their family home, not just for today but since he had taken up residency just after the Chitauri Battle, and Katie was thankful for being in the presence of people she cared for, and for the last year being so much better than the previous 12 months. She shot a wink at Steve as she said that and he beamed before he realised they were waiting for him.

"err…” he cleared his throat “I guess I’m thankful for being given a second chance, being welcomed by you all…and for, err, you.” he grinned at Katie who gave him a playful roll of the eyes but the flush on her cheeks told him she had understood.

“Awww.” Pepper said, as Tony made a gagging noise which resulted in Katie throwing a carrot at him. He pointed at her, frowning.

“No food fights on my floor, Kiddo.” he said sternly and she simply raised an eyebrow at him, taking a sip of her wine.

The food was good, not that anyone expected anything else. Both Tony and Banner managed 2 servings whilst Steve made it through 3. And then there was the pie. Steve managed a piece of each, whilst everyone else could only face one, but no one cared. And he found himself secretly pleased that there was enough left for him to scoff later on.

“I’m so glad I wore leggings.” Pepper sighted, leaning back and massaging her stomach.

Katie nodded in agreement, also dressed in leggings and a long jersey dress. “Think I’m having a food baby.”

"Yeah, I gotta hand it to you Kiddo..." Tony said, leaning back in his chair, undoing the top button of his pants and massaging his stomach “That was absolutely awesome."

Steve's hand dropped to his girl's leg under the table and he gave her knee a little squeeze as she reached for her wine glass, before moving his arm to drop it round the back of her chair. "I certainly prefer the Turkey dead and cooked anyway" Tony added and Katie groaned. "Are you ever gonna let me live that down?" she looked at him. "No" he shook his head. "What's this?" Steve asked, setting his glass down. "Did she not tell you about the time she brought home a live Turkey one year? Katie sighed as Steve sat up, turning to her, smirking "No..." "I was 17 and going through a meat is murder phase." She waved away the comment with her hands. "I was in the way home and saw him. He was the only one left in the farmyard so I liberated him" "By liberated she means stole." Tony quipped, standing up to retrieve 2 more bottled of Rijoca from the bar as laughs rang round the table. "No one came looking for him" She shrugged. "Marv lived a happy life for 5 years in our back garden" "Marv?" Bruce looked at her, a smile creeping across his face. "After the character from Home Alone." She said simply

“You had a turkey called Marv?” the scientist deadpanned and she nodded.

"He was a great pet. Used to chase Tony around" "The bird was a fucking menace" Tony frowned, topping everyone's glass up. Settling back into his chair, Katie noticed Pepper giving him a look and he started suddenly as if he was remembering something. He leaned forward and looked at Katie. "So I know we don’t do Thanksgiving gifts kiddo but I was thinking yesterday about something you said to me once, about having a vision for a publishing company."

Katie stole a look at Steve who simply shrugged. It was true, when she had first graduated she had thought about setting up a publishing company, but one that dealt with unknown writers. Her favourite books in the world were the Harry Potter series and during her degree she had been lucky enough to attend a small seminar held by JK Rowling, who had openly discussed her life before becoming a famous author. She had been a single mother, struggling to make ends meet, and even after she had written the books it took her years to get a deal, being rejected by 4 different publishers before Bloomsbury (a small, independent group) took a chance on her and it paid off for both of them. Katie loved the rags to riches story and since then had always harboured a desire to do the same thing for other authors but it had never really been much more than a pipe dream.

"It was an idea I once had." She shrugged, looking at Tony. "Then things went a bit crazy." "Well... how about we make it a bit more than an idea?" Pepper said. "What?" Katie frowned, looking at Pepper, then he brother who nodded. "I want you to put a proper proposal together, business plan, mood and story board that type of thing." He said, waving his hand in that Tony-esque manner "Then we're gonna look at what we need to set it up and take it to the board. Run it as a Ltd company under the Parent company of Stark Industries, but you'll be the Managing Director." "I..., I can't run a business!" She stammered. "Didn't you run the UK branch of SI for a while?" Bruce looked at her, smiling. Was everyone in on this bar her? "That was different." She pressed. "Why?" Steve asked. "Shut up Steven." She said without even looking at him.

There were a few chuckles round the table before Tony continued. "Look, you don't need to work." He shrugged "You have enough capitol behind you plus the revenue from the business as it to live your life out as an IT girl, but we both know you'll end up killing someone if you get bored, and that's likely to be Cap seeing as you see him most so this is for him as much as you." "Thanks Tony." Steve tipped his glass to the Inventor who winked. Katie pondered. It really had been a dream of hers since leaving Uni, putting her degree and passion into her work and she would be lying if she said the thought didn’t excite her but it was a hell of a big commitment, and what if it all failed?

“I'll help you." Pepper smiled at Katie who was biting her lip. "I'll proof read the proposal and I'll be there every step of the way whilst you set up.” she leaned back in her chair. "The week before Christmas there’s another board meeting. I suggest we use that to pitch the idea." she concluded and Tony nodded.

"I think this could be a great opportunity for you and Stark Industries." Tony looked at Katie "and you'll get full autonomy over it as you'll set up your own sub-board to feed up into the PLC" This was amazing. She looked at Steve who nodded encouragingly. “What is it you keep saying to me? You’ll never know until you try?” he smiled at her. She took a deep breath and looked around the table before throwing caution to the wind and letting out a huge grin. "Ok. Fuck it. Let's do it." **** After another half an hour or so of chatter, and a bottle of champagne to celebrate Katie's agreement to the business idea, everyone chipped in to clear the table before retiring to the plush living area of Tony and Pepper's floor for more drinks and chat. Then the alcohol really did start to flow, Steve and Tony moving onto the scotch, the soldier watching as everyone around him descended into that well recognised drunken haze. And then out came Drawing Without Dignity. A game he had never played before and frankly found vulgar, but couldn’t help but enjoy it. The game fast slid into chaos which was to be expected with an extremely competitive Super Soldier who had a natural advantage as he could actually draw, an equally competitive billionaire and a normally mild mannered scientist who also was quite cutthroat when it came to winning it turned out. Pepper and Katie spent most of the time sniggering at the bickering men, and at the point when they were laughing that much when it was their go, the 3 boys got so frustrated they banned them from playing. For that, the next time Steve asked her what one of the more risqué sayings meant (he had cringed at a fair few of them over the course of the evening) she lied to sabotage him earning her a full on Captain glare. "That was a pretty shitty thing to do." He grumbled at her as Tony and Bruce were both howling with laughter. "Not my fault Captain Sex Fiend doesn’t know what Rimming is!" Katie shot back, wiping away her tears. Steve had to bite back his own laugh at the ridiculous nickname instead he fixed her with another glare which she returned with a simple shrug of her shoulders. The game ended, and Steve and Tony called it a draw, which was probably the easiest thing to do since Pepper had stopped taking count and tallying towards the end. It was now well after 10pm and Steve looked around the room as Tony stood up, a little unsteady on his feet, teetering back over toe the bar.

“I think maybe we’ve had enough…” Pepper hiccupped slightly looked at Tony who had been reaching for another bottle of liquor, wheeled round slightly too fast causing him to stumble into the bar.

Katie cackled as Tony looked at Pepper “Shut up Mom.” he said, grabbing another bottle of scotch in one hand and the open bottle of Kristal the girls were drinking in the other. He walked carefully over towards the sofa, as he dropped down into it heavily, handing Katie who was on the floor in between Steve’s legs, her back resting against the sofa, the champagne. She took it and poured herself and Pepper a glass, quite pleased that she didn’t spill any.

“You know he… he can’t get drunk!” Tony handed Bruce a now full glass, pointing to Steve.

“That’s sad…” Bruce surmised, taking a sip of his drink before Tony sat bolt upright, and pointed at the scientist.

“Hey, I wonder if Hulk can get drunk?”

“That’s an…that’s an…ex…exper-expediment I don’t think we should do.” Bruce shook his head, hiccups punctuating his speech.

“Absolutely not.” Steve shook his head as Katie cackled.

“But it would be for science purposes…” Tony pressed

Bruce wrinkled his nose and shook his head “No Code Green.” “Spoil sport.” Tony said.

They stayed for another hour or so, until Pepper fell asleep and Katie’s cheeks were flushed pink and when she asked for a bottle of water Steve knew it was time to go. After asking Tony if he needed help getting to bed, and the man declining, Steve stood up, surprised to find he actually felt a little bit of a headrush. Ok, so maybe the 3 bottles of that scotch had had a little effect after all, but he felt the fizziness ebbing away as he pulled Katie to her feet and she grinned up at him.

“Wanna carry me Soldier?” she asked.

He arched an eyebrow and in one swoop had her over his shoulder, causing her to shriek with laughter.

“Night!” she waved from her upside down position. Tony and Bruce waved distractedly from where they were now trying to mix some form of cocktail at the bar.

“You can put me down now…” Katie patted Steve on his back as they boarded the elevator. “Steve…”

He smirked to himself, ignoring her giggles and protests and didn’t put her down until they reached the bedroom where he tossed her down on the bed and set about showing her exactly how thankful for her he was.