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corvidcrossbow · 3 days

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would you maybe write some daryl fluff? maybe reader is carols adopted daughter (20ish years old)

daryl comforting reader after henry and how carol acted in the tunnel? maybe r sees carol taking pills n stuff. idk just daryl maybe talking to carol “what about her? henry’s gone but she’s still here!” just daryl sticking up for reader and hugging her n looking after her while carols off.

~•♡•~ What One Has

➳ Summary: Following the Savior war, Carol took you and Henry in as her adoptive children. But through the events of the Whisperer war, your relationship with her became sort of estranged; at least you had Daryl looking out for you (Daryl + Fem!Reader)

➳ Setting: Post Whisperer war, around 10x18 + 10x21

➳ Word count: 1.9k

➳ C/W: Mentions of pike scene

➳ A/N: Ima be so fr, I struggled writing this, I think because I wasn't quite sure what direction I wanted to go but I needa stop sittin on this n I hope you like it nonetheless anon 😭🫶 Hopefully now that opening day at my job has passed I can refocus on writing (and hopefully we never have a day like that ever again cuz someone dropping and coding in front of me was not in any of my expectations 🗿)

Daryl groaned an exhale and shifted in his blankets, rolling over onto his back with a clenched fist resting on his forehead. Darkness shrouded his room in the basement, Dog curled up close to him no matter how many times he tried to ward the canine off from dirtying the plush couch by sleeping on it too.

Despite the threat of the Whisperers eliminated, and what he could only hope would be some time for rest, he didn't rest. Sleeping never proved easier no matter how many times a conflict was eased: he knew more would always follow. Especially now, where the repercussions of Alpha and her actions were so grave it shook foundations he'd prayed would stay stable.

The archer threw back his covers, picking himself from the makeshift bed and finding a shirt he'd earlier thrown aside, and a pack of cigarettes set on the edge of his workbench. He tisked at Dog, instructing him to stay while he quietly existed from the cellar, carefully ascended the stairs and opened the front door to head outside and smoke.

Closing it and throwing his head back to clear the messied hair from his face, he paused at the figure already occupying the right side of the steps. In the faint glow of moonlight, he recognized you despite your hunched posture, seemingly trying to obscure yourself.

“Why ya out ‘ere?”

“Same reason you are.”

It was a rhetorical question, really. He knew why, who this was about. It wasn't the first time he'd found you awake in the night as he was, having become an increasing commonality over the past 10 months since you moved here, and increasingly concerning.

Daryl stuffed the pack away in his pocket, coming to sit near you on the opposite end of the step, propping his elbows on his thighs. “Ya won’ talk ‘bout it?”

“It's not really gonna make a difference,” You replied, head bowed to stare at the wooden planks in front of you, twisting a loose thread you'd plucked from your jeans between your fingers.

“Could. Least yer not carryin’ it by yerself,” He tried to persuade you. Although he was guilty of doing it himself, his conscience didn't sit well with knowing those close to him were lost in their own minds like he so often was. Especially you, who he not only cared about, but had cared for. “C'mon, ‘m listening.”

You heaved an uneasy sigh, reluctantly accepting that he was right. He felt like the only person you had at this point. “I miss her.”

Daryl's head turned a bit so his gaze could flick to you then shifted back, nodding – more to himself – understandingly.

“And it's so weird because she's, what… 30 feet away from me right now? Maybe less? But she feels even further than she did when she just up and left to go on that boat.” You paused for a moment, coaching yourself through your breaths and not allowing them to grow erratic. “I thought, maybe after everything at the tower, she'd warm back up to me again. But I feel like the… thing, wore her raw, and then the blizzard froze her so solid she won't thaw back out.”

The man stayed silent, taking in your every word but knowing to speak now would halt the tracing of your thoughts; hinder you from fully opening up.

“Does she think because I'm grown it doesn't have a major effect on me? Henry wasn't just her son, he was like my brother. Families are supposed to be there for each other when you lose someone– and, and then I almost lost her too. I mean, you remember all the pills; how she never left her room. I could hear her some nights, just talking to herself. She was talking to something that wasn't real more than she talked to me!”

Now you were struggling, that choking feeling tightened around your throat and broke some of your words, mask slipping as the weight of everything started to collapse in on you just like– “And the cave. I… I'd never been more scared in my life, being in there with you guys. There's so many times I thought I was gonna die but nothing scared me like that. I still hear all the walkers sometimes, how she screamed, the sound of that dynamite going off. I still feel like I'm coated in dust just–... What was she thinking? I was right next to her. It's like I was invisible, or erased from her memory, and all she remembers is Henry.”

Daryl pulled you to him before you'd even realized you were crying, holding your stiff body against his, and through a few sobs, feeling you relax and give in. His strong arm wrapped around you was the most secure you'd felt in a long time.

“Shhh… s'alrigh’. ‘M ‘ere.” Soothing words were few and simple, but they were what you needed; the reminder that someone saw you, remembered you, and took account for your feelings in all of this.

You scooted closer to him, further tucking your head into his chest as if you were trying to finally find a moment of peace by escaping into his embrace. Daryl rubbed his palm over your shoulder, doing nothing but just being there for you.

A moment passed and you recomposed yourself to some extent, shuffling away with a sniffle while he loosened the hug. His eyes caught yours for just a second, seeing so much of himself reflected in your irises.

“Sorry, didn't mean to…” You trailed off while rubbing your face with the back of your hand, ridding the salty streaks from your skin and gesturing. You turned away, embarrassed from your venting and finding it hard to face him.

“Don't. Whole point'ah talkin’ is so ya ain't bottlin’ allat to yerself.” He quieted again, casting his gaze to you then up to the sky as he fidgeted with his hands. “Had a brother too; from before. Was an asshole, but still ma brother.”

You perked up a little, following his line of sight to the black above you. “What happened?..”

“Wa'salways gettin’ stuck with tha wrong people; last time jus’ cost ‘em. Happened bouta year into this; had tah put ‘em down mahself.”

“I'm sorry…” You swallowed and unsurely nibbled on the gummy flesh of your cheek. Was there ever really a right way to respond to that kind of thing?

“Ts'fine, long time ago. Point is I get how it is tah lose family like tha’, ‘nd ‘ll always listen when ya need it. Ya got me.”

“Thank you… for everything; bein’ there every time you already have. I really appreciate it, Daryl.” Truthfully, you'd flat out needed it. He'd remained a constant when all else altered. “I just don't know what to do anymore. Dad's been so distant too, and if I'm gonna lose him to cancer... I'll need her there for that.”

You licked your lips, taking a shaky inhale and biting your tongue a bit. “Sometimes I feel like all she sees when she looks at me is my head on a pike too.”

Daryl's jaw tensed, fearing you'd confess something like that. “‘Ll talk to ‘er.”

“No, you don't have to do that. I know you two are already–”

“Nah. ‘M gonna. Ya shouldn't ever think somethin’ like tha’. She still cares ‘bout ya: ts'jus’ hard for ‘er, been through a lot.” He gave a gentle squeeze to your shoulder before removing his hand. “She loves ya. Get sum rest.”

You nodded faintly, taking another breath to gather yourself and lifting from the spot to retreat inside, leaving the man to his own solemn nature.

❥-》》—————➣

Daryl often wondered if some things were worth it, this included; begrudgingly agreeing to let Carol tag along with him on what was meant to be a hunt, yet tracing paths back to that long abandoned cabin he would've preferred to add ‘forgotten’ in the title of.

He damned Dog for leading him back there, but figured something was going to push out the full story regarding how he spent all those years in the forest – and at least it opened the conversation for more important ones that needed to be had.

It wasn't ideal; borderline arguing with the woman he'd so casually dubbed his ‘best friend’, who'd been there when he needed her and vice versa. It hurt, but it wasn't all she hurt him for, and he was far from the only one she did.

“I'm sorry for Connie,” She spoke, head bowed and pursing her lips to shove back the tears that gathered in her waterlines. “But I'm not sorry for going after the horde and I'm not sorry for making Alpha pay for killing Henry because I was right.”

“‘Nd tha's all tha’ matters; you bein’ right, huh?” Daryl angled to look at her, keeping his forearm braced against the wooden post. She questioned the depth of his motivations, and he shook his head disapprovingly.

“Ts'ain't all about ‘em, ‘ts barely ‘bout me. ‘Ts ‘bout'cher damn kid; tha one ya still got.” They met eyes for a moment before hers shot away, shamefully avoiding the confrontation. “Ya think ‘bout ‘er in all this? Tha’ what you lost, she lost too? Ya know feels like she lost you? Tha’ she don’ sleep much anymore, misses you like yer already gone, ‘cause ya might as well be … Ya still have ‘er, ‘ts sum’thin’ we can't say fer a lotta people, so quit actin’ like ya don't.”

A painful silence settled, clawing at the both of them as he pivoted away and focused out the dirtied glass plane ahead of him. The archer bit back further words, part of him regretting the harshness of such even though it felt required.

“Ya shouldn'tah come.”; brought Carol's sharper attention back, sparking meaner accusations and disclosures between them – predominantly on Daryl's part – regarding their situations.

She turned around, drifting fingertips over the structuring of the cabin's foundation and sniffling before muttering a few things more and trailing into the other room.

Tension hung heavy enough to keep it mostly quiet, even as they later parted ways while returning to Alexandria, forced through seeming trials; Daryl with his motorcycle, and Carol while attempting to cook.

Once he finally got that damn bike working and rode home, he stifled a chuckle at how the silver-haired woman stood there, disheveled appearance matching his own. The man appreciatively declined her offer for soup, exhausted from his troubles and preferring to just go lay down with Dog.

He followed the shepherd round the house to enter through the front door, watching the cheerful wagging of his tail as he padded across the hardwood and down steps to the basement.

Daryl readjusted his crossbows strap around his shoulder, brushing back his hair before descending. He picked up Carol's voice in the distance, sequenced by yours, and paused to shift his vision for just a quick glance; you perched against the kitchen counter, bowls on the surface, and for the first time in a while, a genuine smile on your face as the older woman came up beside you.

His own tugged the slightest bit at one side of his mouth, satisfied with the apparent reconnecting. He continued his action, setting his things down in his room before partially undressing and flopping back on that couch.

Even if his relationship with Carol remained rocky, granting some stability to yours was enough for him. That was worth it.

©corvidcrossbow 2024. I do not give permission for my works to be copied, modified or adapted to other platforms. My work may be translated only if asked and with proof of given consent.

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babyseraphim · 2 days

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i saw you say something about how trauma can make one appear autistic/etc (on the edwin post where steve yockey said he wasn't autistic), i was wondering if you could share a little more about that? it was interesting to learn and makes a bit of sense. /nf

I can try my best! I’ve been diagnosed with C-PTSD and in intensive trauma therapy for the last 3 years now, so I know some stuff, but I am in no way an expert. I'm just speaking from experience and what i've learned in therapy!

I think something to keep in mind is that things like C-PTSD and PTSD can delay the development of the brain - which is why some people actually consider C-PTSD to be a type of neurodivergence (though that’s not been medically confirmed). This is something that’s more prevalent in cases of very early childhood abuse, but I think that in Edwin’s case, given that he’s a teenager that went through 70 years of trauma, it can still apply. It can cause delays in social development (inability to connect with others and a persistent feeling of being an outsider being the two major effects), which results in difficulty in being vulnerable with others (though I think Edwin’s existence as a gay man in the 1910’s also plays into his difficulty with connection). There’s also a conversation to be had about attachment styles and how those come into play, but that’s a topic for another post.

People with C-PTSD can also have a very difficult time with change or unpredictability, because things being unpredictable often leads to an inability to feel safe. C-PTSD is developed by being subjected to inescapable environments that are consistently traumatizing for extended periods of time, and that trauma is often of an unpredictable nature (as seen with Edwin’s experience in Hell). In order to maintain some semblance of safety, people with C-PTSD can sometimes develop strict routines or habits that will provide a grounding structure to the world around them (sometimes reminiscent of behaviors associated with OCD and/or autism)

People with C-PTSD are also most often hypervigilant, which can lead to sensory sensitivities and sensory overload because of how permanently dialed in they are to their surroundings. I think that’s also part of what makes Edwin such a good detective; he notices everything. This can also lead to a heightened startle response, which is something we’ve seen from Edwin in the show.

this is by no means an exhaustive list, but here are some other traits that autism and C-PTSD often share:

dissociation

difficulty managing intense emotions

use of stimming to manage emotions

difficulty relaxing/sleeping

negative beliefs of self/the world

higher risk of repeated victimization

Hope this helps, and let me know if you have any other questions! I’m happy to share my knowledge

#dead boy detectives #dbda #dbdshow #edwin payne #my writing

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l0stvegas · 1 day

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Disabled artist trying to make ends meet, help appreciated!

Hey if y’all like what I do and wanna help keep me afloat so I can post more art, I have a kofi where y’all can support me in the meantime. Some more information about my current situation will be below the readmore.

I’ve been caught in a loop of trying to make progress on my queue of commission work while trying to make enough money on the side for daily expenses, and doing that while managing my current mental health issues and unmedicated ADHD has admittedly been challenging. I’ve not been able to make much money because my energy is mostly being spent playing catch-up with old owed art.

I’ve been working to put together a GFM campaign to get myself out of my current living situation— I’ve been writing up stuff for it for a while now and the process of doing that and compiling evidence has been emotionally exhausting on top of everything else. I am at odds with my family and prefer to rely on and seek help from them as little as possible if I can help it.

I’m working on trying to figure out alternative, more profitable ways to monetize my art. Additionally, I am studying to get my GED diploma (I’m a dropout) so I can plan to seek more stable, non-art-related, better-paying employment in the future for my main income— and so I don’t need to ask for help like this as often going forward. I’ll also likely be reopening my print/merch store and soon opening a Patreon so you all can directly support my art on the basis of actually getting something in return.

Until I’m able to do all this, anything helps. I hope I can keep my head above water and that I can make art consistently again to make it worth people’s while to support what I’m doing.

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michaelgruberfan · 11 months

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Tiny interview Michael and Tony did for the Southwest Connector in order to help promote Jersey Boys! (X) (Published Wednesday, May 17, 2023) It's a relatively short read and if you've seen next to any recent Gruber interviews you'll know this stuff anyways however to get confirmation that Tony DID work in New York for a bit was cool (I wasn't certain about it however I was thinking he might of cause of blah blah) Article below the cut:

By Tesha M. Christensen

Two Armatage residents are wrapping up a run in “The Prom” at the Chanhassen Dinner Theater, and looking ahead to “Jersey Boys.” Spouses Tony Vierling and Michael Gruber actually met at the Chanhassen Dinner Theater. It was 2007 and they were both in the world premiere of Irving Berlin’s “Easter Parade.” “I was brought in from New York City to play Don Hewes and Tony was in the company. We became great friends during the run of the show, and our relationship progressed from there,” recalled Gruber. “It was one of those decisions that really did change the course of my life.” Vierling added, “We’ve been together 16 years and married for nine years. We moved back to Minneapolis, to the Armatage neighborhood, in 2010 after having been working in New York and being on tour.”

What drew you to acting? Gruber: I remember putting on plays for my second grade class. My teacher must have been very open minded. I can’t remember what they were about, but I do remember being fairly extroverted – which is funny because I’m quite an introvert in my adult life. But nevertheless, I do love being a part of stories that can affect an audience in a positive way. Vierling: I started acting at the age of eight. I have always been a bit dramatic! Putting on plays in my basement, with my best friend in his garage, at the church, anywhere I could! I started actually acting in a local theatre in Des Moines, Iowa, as well as doing school plays. Did commercials and voice over work as a kid and teenager. I have always loved the group dynamic of theatre, and the rapport that is shared with the audience.

What is exciting about this production? Gruber: I am in the ensemble so I get to play several different characters. That is always delightful because I have much broader leeway to create something personal and fun. I also understudy one of the principals, Trent Oliver, and due to COVID-19 in the company, I had to learn the role of the high school principal, Tom Hawkins, in two days and perform it for three performances until the actor playing the role could return to the production. That was a wonderful challenge. Vierling: I play several smaller characters in this show. All of them are very silly, which is great fun. What excites me about this show is the young people in our cast. They are all so talented; it’s a very energetic show for them! I really love watching their work every night! As far as my roles and growth in this show, every job is a learning experience. Since my parts are smaller, I am more of a support this time. Creating characters and filling scenes with ideas that other actors can play against adds texture to the show, making it a richer experience for us all.

What is it like to perform with your significant other? Vierling: It is a real joy to work with my spouse every night. We have been so lucky to be able to consistently work together. Being on a performance schedule is challenging and can be pretty difficult if one of the couple is not home every night. It takes another actor to understand the demands of the job. Gruber: It is great to be able to share the stage with Tony. We have had the opportunity to play opposite each other in “Singin’ in the Rain” as Don and Cosmo at the Ordway, in “Holiday Inn” as Jim and Ted, and “The Music Man” as Harold and Marcellus.

What’s next? Gruber: We both will be in the company of Jersey Boys. I’m cast as Gyp Decarlo and Tony will play Joe Pesci. Vierling: We start rehearsals in a couple of weeks and open in mid June. Should be a very fun show. Minneapolis has such a rich a diverse theatre community. The talent here is amazing, and we are so lucky to have so many amazing theatres to showcase all of that talent. Get out and support local theatre!

#tony vierling #Interviews #Articles #chanhassen dinner theatres #Jersey Boys #Southwest Connector #Trying to post stuff like this more often #2023 #2020s #Michael Gruber

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werewolfsmile · 24 days

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The Eliot Spencer Details Masterpost

I have been recording details about our beloved Eliot Spencer on my latest watch through. And now, it's finally time to reveal the details!! If I have gotten any details INCORRECT, I beg of you to correct me, at which time, this post will be updated and credit given. (Note: S1 was aired out of chronological order. I am going by chronological episode numbers - aka the correct order - and providing the episode titles as well to minimise confusion.) !! This post contains details from Leverage: Redemption! Read the episode references carefully if you are wanting to avoid certain spoilers !!

Shirtless Moments

S1 E7 The Two-Horse Job: The flashback scene when Aimee asks Eliot what his excuse was for not coming back to her, we see him being dragged/tortured, shirtless. "Tell us what you did with the monkey!"

S2 E2 The Tap-Out Job: Eliot is shirtless for the fight match.

S4 E9 The Cross My Heart Job: Ehh he's not completely shirtless here but whatever. At about 16 mins in, Eliot and Parker are getting changed together, Eliot strips to a singlet then throws his shirt at me the camera. (I didn't include other scenes of Eliot in a singlet here because in this scene he's actively undressing, whereas in others he's not.)

Necklaces

The earliest sighting of his guitar pick necklace is S1 E2 The Homecoming Job. It continues to pop up frequently in episodes, though noticeably less in S1. I thought about recording every occurrence of it here but ... lmao it's in legit waaayyyy too many episodes for me to bother.

S2 E10 The Runway Job: Honourable mention of the necklaces Eliot wears with his fashion week outfit. The longer one is kinda dogtag-esque, the shorter one is ... I think it's a fleur de lis? He also wears a range of chain necklaces later in this episode.

S4 E18 The Last Dam Job: Bird pendant (possibly kingfisher) visible at 34 mins 39 seconds. Full credits to @wolves-in-the-world for this one including the time stamp! You can check out their reblog of this post with more details here!

Dammit Hardison

S1 E13 The Second David Job: The FIRST INSTANCE of dammit Hardison in the entire show! Said upon discovering each other in the gallery, around 4 mins 15 seconds.

S2 E1 The Beantown Bailout Job: Said around 22 mins 30 seconds, immediately following, "What are the odds that Eliot's crotch will actually explode?" Iconic.

S2 E6 The Top Hat Job: When setting up for the magic show and discovering the rabbit missing, roughly 19 mins 45 seconds.

S3 E3 The Inside Job: Running from security, around 31 mins 30 seconds.

S3 E4 The Scheherazade Job: Trying to enter McRory's at the same time, around 1 min 30 seconds.

S3 E5 The Double Blind Job: This is an honourable mention because this time NATE is the one to say dammit Hardison! 9 mins 15 seconds.

S3 E6 The Studio Job: Upon discovering the master tape isn't in the case, roughly 32 mins.

S3 E7 The Gone Fishin' Job: Eliot and Hardison running in the woods for their lives, arguing as always. This one is a bonus 'dammit' because Hardison says it straight back to Eliot after Eliot yells it at him! Around 21 mins.

S3 E12 The King George Job: Discussing Hardison's forgery work, followed by Eliot regretting touching anything. Around 23 mins 55 seconds.

S3 E13 The Morning After Job: Pretending to be cops and accidentally ending up with a prisoner to take back to jail, around 16 mins 20 seconds.

S3 E14 The Ho Ho Ho Job: Honourable mention of Chaos mocking Eliot by saying dammit Hardison. Roughly 21 mins 15 seconds.

(phew, S3 was rough on Hardison! given what Eliot was going through with the whole Moreau thing.... ooh that's delicious angst)

S4 E5 The Hot Potato Job: Honourable mention for Sophie saying it this time! While playing the role that was meant for Eliot, around 24 mins.

S4 E6 The Carnival Job: Mixing chemicals for a distraction, roughly 25 mins 30 seconds.

S4 E17 The Radio Job: Hardison running away from being thrown off a high floor, around 5 mins.

S4 E18 The Last Dam Job: Sneaking around at the Bellington Dam, roughly 13 mins 35 seconds.

S5 E1 The (Very) Big Bird Job: 'Accidentally' putting a brew pub menu in front of Eliot, around 10 mins 20 seconds.

S5 E15 The Long Goodbye Job: Emotional scene that we do not speak about, around 12 mins 40 seconds.

RS1 E1 The Too Many Rembrandts Job: After knocking Harry out and asking Hardison to help carry Harry, and Hardison refuses. 11 mins 40 seconds.

RS1 E2 The Panamanian Monkey Job: Upon discovering that security is headed to the vault where Parker is, and the only way down there is through the vents. Around 34 mins 10 seconds.

RS2 E1 The Debutante Job: We get 3! In this whole episode! Probably to make up for Hardison being gone for most of Redemption. Anyway! First one when Eliot and Hardison are in Ralphie Roy's place and Hardison has no idea who Ralphie is, around 23 mins 15 seconds. Second is when they're breaking into the elevator and Hardison won't help fight or move the unconscious guards, roughly 37 mins 40 seconds. And third, after the job when Parker says that Hardison was the one who took out all the guards. Around 45 mins 10 seconds.

RS2 E3 The Tournament Job: Right at the start after Eliot says gaming isn't a sport and Parker texts Hardison, so Hardison starts blowing up Eliot's phone. Lmao. Around 4 mins 20 seconds.

Dammit Parker

S1 E4 The Snow Job: Parker jumps out of a second floor window, Eliot catches her. 15 mins. (Parker gets a dammit from Eliot before Hardison does!!)

S3 E8 The Boost Job: Parker driving erratically, Eliot thrown around in back seat. (Technically there's a pause between dammit and Parker but I'm still including it) 35 min 35 seconds.

S5 E12 The White Rabbit Job: Searching the mark's house, Parker wants to steal a shirt. Again, this isn't technically a proper dammit Parker, as Eliot instead says, "Put it back! Dammit." But I'm still including it because it was aimed at her. 21 mins 20 seconds.

RS1 E10 The Unwellness Job: At end of episode, after Parker admits that she didn't even learn Eliot's name till after the team broke up the first time. 44 mins 30 seconds.

RS1 E13 The Hurricane Job: After washing up on shore and entering the Beacon Inn, Parker and Eliot are bickering about Maria. He doesn't strictly say dammit Parker but there's absolutely no doubt who he's directing the dammits towards. 3 mins 30 seconds.

RS2 E6 The Fractured Job: When farewelling Billy and Parker says next time she'll finish telling him about the robot bodies. Again, it's just dammit not dammit Parker but it's close enough. 41 mins.

RS2 E8 The Turkish Prisoner Job: Another standalone dammit that is most definitely aimed at Parker! When breaking Romero out, Parker says she's a firefighter (with far too much glee), around 14 mins 30 seconds.

RS2 E11 The Work Study Job: A full dammit Parker this time! When Parker reveals that it's super easy to steal from a university and produces a whole bunch of stuff, roughly 22 mins 40 seconds.

Very Distinctive Moments

S1 E2 The Homecoming Job: Eliot ID's the weapon from the gunshots, around 8 mins. Later, he ID's a guy off his knife fighting style, around 18 mins 50 seconds.

S2 E6 The Top Hat Job: ID's a CIA guy from his stance, roughly 7 mins 45 seconds.

S3 E11 The Rashomon Job: ID's the smell of peppermint on Hardison's breath, around 21 mins.

S3 E12 The King George Job: ID's former British paratroopers by their haircuts, 30 mins 10 seconds.

S4 E1 The Long Way Down Job: ID's a former spetsnaz guy by his footprint, 13 mins 45 seconds.

S4 E5 The Hot Potato Job: Honourable mention of Eliot ID'ing ex-military personnel by their stances, he just doesn't say very distinctive. 18 mins 50 seconds.

S4 E11 The Experimental Job: Honourable mention of Eliot ID'ing a helicopter by the whumpa-whumpa (there's 7 of them did you know). Around 7 mins.

S5 E3 The First Contact Job: ID's military satellite transmission by the static, 7 mins 20 seconds.

S5 E9 The Rundown Job: ID's a Navy Seal who enlisted between '90-'95 by his watch, around 16 mins.

RS1 E2 The Panamanian Monkey Job: ID's a drone (Breanna's) from the sound. 11 mins 50 seconds.

RS1 E3 The Rollin' On The River Job: ID's Russian mob by the tattoos, 36 mins 30 seconds.

RS1 E7 The Double-Edged Sword Job: Honourable mention for Maria ID'ing the way Eliot disarmed her gun, 7 mins 50 seconds.

RS2 E4 The Date Night Job: Eliot ID's a guy as not having a distinctive anything - which is what is so distinctive. 20 mins 40 seconds.

RS2 E13 The Crowning Achievement Job: ID's MI6 off their search pattern, 6 mins 50 seconds.

Known Family

S1 E6 The Miracle Job: When discussing Bibletopia, Eliot says his nephew would like it. This is the ONLY mention of a nephew in the entire show, Redemption included; nor is there any direct mention of a sibling beyond this (which leads me to believe that this nephew is actually the son of a close friend/cousin/military buddy, rather than a direct family relation, but that's just my headcanon).

S2 E3 The Order 23 Job: When talking to the abused boy, Randy, Eliot says he has an uncle named Randy.

S5 E11 The Low Low Price Job: Eliot's dad owned a hardware store and he wanted Eliot to take over one day. But Eliot wanted to get out of that small town, so he joined the service. Fought with his dad the night before he left and hasn't been back since. He goes back at the end of this episode and knocks - but his dad never answers the door 😭

RS1 E9 The Bucket Job: While interrogating/torturing Eliot with Red Haze, Bligh says that Eliot's dad's friend from Vietnam has invited Eliot to join them for Christmas. At the end of the episode, Eliot goes to join them for dinner, only to get a message from 'J' that his dad was a no show. This 'J' is widely accepted as Eliot's unknown sibling but that is incorrect! 'J' is Eliot's dad's buddy from Vietnam!

RS2 E6 The Fractured Job: The ultimate Eliot family backstory episode!! (if you haven't seen it yet and don't want spoilers, skip this one!) Eliot was adopted by a black couple, Billy and an unnamed woman, after being abandoned/surrendered at a hospital as a baby. His father was a war hero who got none of the glory and sustained a wound, ruining his civilian career path, so Billy never wanted Eliot to follow in his footsteps. Eliot loved the stories of his dad in the military so joined up to be like him. His mother died while Eliot was on an op and he couldn't get leave to come back for the funeral, deepening the rift between him and Billy. Ultimately, they reconcile, (Eliot says his dad was always a hero to him, Billy say's he's proud of Eliot, they hug), and I cry every time 😭❤️ [Edit: Eliot being a baby at the time of being found at the hospital and consequently brought home by his adopted mother is unconfirmed and my presumption. We have no clear info on his age at adoption. Thanks to @nival-kenival for picking that up!]

Phrases: Ain't

S1 E4 The Snow Job: Said to Nate, right before Nate tells him to go skip some rope.

S1 E9 The Stork Job: Says it twice while conning Irina.

S1 E10 The Juror #6 Job: Upon being told to go help Parker instead of watching a sports game, Eliot takes his beer back.

S2 E2 The Tap-Out Job: Discussing the fights the mark runs, says they ain't the UFC.

S2 E3 The Order 23 Job: Said right before threatening to throw Randy's abusive father over the railing of a stairwell.

S2 E4 The Fairy Godparents Job: Upon spotting a hitman sent to kill McSweeten and Taggart.

S2 E8 The Ice Man Job: After hearing Hardison call himself the Ice Man, says he won't bail him out when things go wrong.

S2 E9 The Lost Heir Job: While trying to get Parker to the court room and end up cut off by the police.

S2 E11 The Bottle Job: When Hardison wants help to clean up Nate's apartment and Eliot refuses.

S2 E14 The Three Strikes Job: When Nate says to meet outside the ballpark but Eliot refuses because now he's sucked into the sport.

S3 E3 The Inside Job: Twice while arguing with Hardison about how to rescue Parker, once when Parker offers him a lift down the stairwell with her on her harness rig and he refuses. This is the most he says ain't in a single episode!

S3 E7 The Gone Fishin' Job: Once when the militia try to make him kneel, later when the militia kid catches him and Hardison near the train tracks.

S3 E11 The Rashomon Job: When Sophie changes her story to mock Eliot's accent and mannerisms.

S3 E15 The Big Bang Job: When confronting Moreau with Hardison.

S4 E1 The Long Way Down Job: Upon arriving at the base camp and complaining to Nate.

S4 E7 The Grave Danger Job: When looking for a buried Hardison and hearing the sprinklers.

S4 E10 The Queen's Gambit Job: At the end, swearing revenge on Sterling.

S4 E12 The Office Job: Arguing with Hardison about Eliot's sandwich while searching the warehouse.

S4 E13 The Girls' Night Out Job: When trying to convince Nate to socialise at the very start.

S4 E14 The Boys' Night Out Job: Exactly the same as the previous episode, so this one barely counts.

S4 E17 The Radio Job: In the patent office, when trying to figure out who lured Nate into this situation. The same scene is used later as a flashback.

S4 E18 The Last Dam Job: Warning Nate of the consequences of taking a life with your own hands.

S5 E2 The Blue Line Job: When ambushed by Marko when leaving the ice rink.

S5 E9 The Rundown Job: Once when going to wring information on the hit out of Riley, once when Hardison steps on the trigger plate of the claymore.

S5 E13 The Corkscrew Job: First time talking to Betty about how Leonard's a jerk.

RS1 E1 The Too Many Rembrandts Job: Twice when ambushed by RIZ thugs in the warehouse.

RS1 E2 The Panamanian Monkey Job: Once when discussing Ryan Corbett at the start, once when refusing to let Hardison have a turn with the diamond-tipped drill.

RS1 E3 The Rollin' On The River Job: When warning Breanna to be certain of her calculations for how to get him and Parker out of the casino's vault.

RS1 E8 The Mastermind Job: Once when discussing hiring people to overthrow a government, once when discussing how they're going to do like 6 things at once, including saving Harry.

RS1 E9 The Bucket Job: Said twice while talking with Blanche, after Blanche helped rescue Eliot from RIZ.

RS1 E14 The Great Train Job: While digging through the tainted soil with Harry.

RS2 E1 The Debutante Job: When trying to get to Volkov's plane with Parker and seeing that two guards are in the way.

RS2 E5 The Walk In The Woods Job: Talking to Paul after rescuing Harry, who was pretending to be Eliot.

Fun fact: for every ain't that Eliot says, Hardison says at least two more. And that's too many for me to bother recording!

Phrases: Y'all

Never. Not even once.

Hardison, on the other hand, says y'all all the damn time - every season, multiple times, sometimes even multiple times in the same episode.

Honourable mention for Chaos saying y'all as an incorrect mockery of Eliot's accent in S3 E14 The Ho Ho Ho Job.

... Okay, okay! So Eliot says it a few times in Redemption! But only in ONE episode!

RS1 E1 The Too Many Rembrandts Job: Said 4 times when playing a character and convincing people to clear out of the auction house.

That's it.

Aliases

These are all the names that Eliot's gone by or used on cons that I could find, not just full blown aliases.

S1 E1 The Nigerian Job: Detective Lieutenant Carden (the scene with this alias was cut from a lot of versions of this episode)

S1 E4 The Snow Job: Vince Fetkey, Hans Von Schwesterkrank

S1 E7 The Two-Horse Job: Brad Mackie

S1 E9 The Stork Job: Dale

S1 E12 The First David Job: Professor Sinclair

S1 E13 The Second David Job: Professor/Dr Adam Sinclair

S2 E2 The Tap-Out Job: Kid Jones (on the fight match poster)

S2 E4 The Fairy Godparents Job: Coach Brewer

S2 E5 The Three Days Of The Hunter Job: Earl

S2 E9 The Lost Heir Job: Officer Hilts

S2 E10 The Runway Job: Julian

S2 E14 The Three Strikes Job: Roy Chappell

S3 E1 The Jailhouse Job: Dr Abernathy

S3 E2 The Reunion Job: Lloyd Hickey

S3 E4 The Scheherazade Job: Guy Hamilton

S3 E5 The Double Blind Job: Phil

S3 E6 The Studio Job: Kenneth Crane

S3 E7 The Gone Fishin' Job: Agent Quint

S3 E8 The Boost Job: Skeeter

S3 E9 The Three-Card Monte Job: Detective Moffat

S3 E10 The Underground Job: Eric

S3 E11 The Rashomon Job: Dr Wes Abernathy

S3 E16 The San Lorenzo Job: Ray Laroque

S4 E2 The Ten Li'l Grifters Job: Charlie Siringo

S4 E4 The Van Gogh Job: Lieutenant (only granting him this one because CK played him in the flashback)

S4 E5 The Hot Potato Job: Tom Boonen

S4 E12 The Office Job: Mr Dennis

S4 E14 The Boys' Night Out Job: Luigi

S4 E15 The Lonely Hearts Job: Jackson Cooper

S4 E16 The Gold Job: Tobias Bowden

S4 E17 The Radio Job: Cowboy (*cough* John McClane *cough*)

S5 E2 The Blue Line Job: Jacques "Jack" Labert

S5 E3 The First Contact Job: Willie Riker

S5 E5 The Gimme A K Street Job: Steven Turner

S5 E6 The DB Cooper Job: DB Cooper/Young Steve Reynolds (again, technically not an alias but whatever it's here anyway)

S5 E7 The Real Fake Car Job: Barry McElroy

S5 E11 The Low Low Price Job: Archer

S5 E14 The Toy Job: Carl

Honourable mentions of Eliot being called: "Emeril" by Parker in S1 E3 The Wedding Job [thanks @aardvaark for this one!]; "Sparky" by Parker in S1 E10 The Juror #6 Job and by Tara in S2 E15 The Maltese Falcon Job; and "Skippy" by Hardison in S3 E7 The Gone Fishin' Job.

RS1 E1 The Too Many Rembrandts Job: Will Gallagher

RS1 E6 The Card Game Job: Glenn the Savage

RS1 E7 The Double-Edged Sword: Emmett Milbarge

RS1 E8 The Mastermind Job: Frank Farmer

RS1 E10 The Unwellness Job: Hank

RS1 E12 The Golf Job: Reed Wilkins

RS1 E13 The Hurricane Job: Calvin

RS1 E15 The Muddy Waters Job: Armus Vagra

RS2 E7 The Big Rig Job: Kris

RS2 E8 The Turkish Prisoner Job: Nick O'Brien

RS2 E10 The Work Study Job: New Blood

Honourable mention of Eliot being called "Skipper" by Hardison in RS1 E16 The Harry Wilson Job.

Known Associates

This is in direct reference to hitters/people from the criminal world that Eliot knew or was aware of prior to the Leverage Team. Quinn is not included in this list due to that distinction (sorry Quinn).

S1 E3 The Wedding Job: The Butcher of Kiev

S2 E7 The Two Live Crew Job: Mikel Dayan

S3 E15 The Big Bang Job: Chapman, Damien Moreau

S3 E16 The San Lorenzo Job: Damien Moreau

S4 E4 The Van Gogh Job: Frank, Randall

S4 E6 The Carnival Job: Roper

S5 E4 The French Connection: Rampone

S5 E9 The Rundown Job: Riley

Trivia

S2 E6 The Top Hat Job: Eliot claims he only sleeps 90 minutes a day, and that he cured his claustrophobia as a kid by locking himself in the woodshed behind his house for a couple nights.

S3 E6 The Studio Job: Eliot is nervous to perform in front of an audience, to the point that Parker startles him and she's surprised that she did. Interesting to note that he seems to have no issue playing sport in front of crowds.

S3 E7 The Gone Fishin' Job: Eliot says he hates beets.

S4 E5 The Hot Potato Job: Eliot chews gum. He does this throughout a LOT of episodes across the seasons but I've only noted down this one episode for it.... thanks, past me 🙄 [Edit: thanks @nival-kenival for more info! Another confirmed episode is S1 E2 The Homecoming Job!]

S4 E9 The Cross My Heart Job: Eliot says he fought a guy with a Nerf sword in Damascus, 2002.

S5 E11 The Low Low Price Job: Eliot drives an F-150 to his dad's house in Oklahoma. This is a THIRD vehicle that apparently belongs to Eliot, in addition to the Chevrolet Silverado and Dodge Challenger we see in other episodes. The F-150 is not seen again.

S5 E12 The White Rabbit Job: Eliot has 'special sedatives' aka a little psychotropic he picked up outside of Bogota.

Eliot mostly walks at the back of the group, presumably to be the rear guard and make sure no one falls behind. See ... just about every damn episode for evidence.

RS1 E3 The Rollin' On The River Job: Parker says that Eliot has cut his way out of an ice cave, escaped a gorilla enclosure, and catered a wedding for the mob.

Eliot is seen wearing glasses throughout various episodes. A flashback in S1 E1 The Nigerian Job shows him wearing presumably his own glasses. All other instances of him wearing glasses (that I can think of) are when he takes someone's glasses for a con. It is unconfirmed if Eliot actually needs glasses to correct his eyesight or not, but is a fandom headcanon. In S3 E1 The Jailhouse Job there is an interaction where Nate ribs Eliot for taking so long in a fight, and Eliot says it's because of new glasses. An argument could be made that this means Eliot does require glasses. [Thanks @independent-fics for picking this up - for pretty much all the details pertaining to Eliot's glasses!]

And there you have it! All the details that I've spent the last 3 months collecting!! Now it's time for me to take a good, long break because my brain is fried! 😂

Once again, let me know if you find any errors so I can update the post. Data from Redemption S2 is where I've most likely missed things, since I don't have it on DVD and it's sooo much harder to scrub through streaming footage to find things. When will they release RS2 on DVD I need itttt.

If you've made it this far, thanks for reading! I hope this post can be a helpful reference for you!