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#antonio espera
cody-helix02 · 3 months
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Tried my shot at sketching Poke from Generation Kill lol...again I played around with the colours a bit and I fucking refuse to draw that damn digital green ugly ass pattern 💀 Hope ya guys like him hehe
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deputy-buck · 4 months
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@ableedingpen YOU GET IT, FUCK YEAH- also I said moodboard but this is... not- oops, maybe in the future?
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Their pup name: Romeo (almost all characters get the phonetic match to their first initial, I'm lame.) or "What do you have?? Spit it out!!", he assumes that's his name, it's said just as much as Romeo-
The collar they'd wear: Yes, the shitty nylon ones you get at Walmart or Dollar General, he's had it long before he enlisted and it means a lot to him. He does have jingly tags that make an ass-ton of noise when he moves, they clink against his bowls when he eats and drinks. (the labeled name is bc it's part of a group of collars for other characters)
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Their handler: usually Brad or Gunny. Sometimes Kocher, sometimes Poke, sometimes Nate, depends on who is around and who wants to engage with him in that manner.
The stuffed toy they love more than all their other toys: A plush Dale Earnhart car, and it is LOVED. Well-loved, sewn back together multiple times, and one time Nate stuck a squeaker in there much to Romeo's delight and everyone else's annoyance. He'll intentionally drop it in his water bowl and then put it in someone's lap, he thinks it's hilarious.
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Their food and water bowls: Just two basic stainless steel bowls, they're shallow cause,,, he doesn't have a muzzle but they do look like plain dog bowls. Usually full of cocoa puffs or cheerios, sometimes full meals -potato wedges, steak, broccoli- if he's really deep in it. And just water, nothing special in the water bowl.
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Their temperament towards people and other pups: He's 'okay' with people, mostly because he's unsure of what they'll want from him, but with other handlers that he knows and trusts (Pappy, Patterson, Kocker, Poke, Nate) he's real goofy with them -nipping, nudging, putting toys in their laps- and will let listen to them with minimal check-ins with his handler (again usually Brad or Mike).
Veeeeery social with other pups, loves to play and be the center of attention, and oftentimes gets way in over his head while playing with bigger pups (Rudy, Barrett) and might get a little hurt, but he's just happy to be there.
Where they choose to sleep: In someone's lap- Really though he prefers to sleep on the bed with his handler, his head usually on their calf or thigh, he won't get up in their face till it's time to get up, then it's fair game to lick and be stupidly excited that his handler is awake. He's fine in his kennel overnight but he'll be a little sad in the morning. He also likes little naps outside on the deck, just sprawled out in the sun, most likely gonna wake up with drool on his face.
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Feel free to send more asks, anyone!!
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cristinabcn · 6 months
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Relatos Imaginados: A LA ESPERA DE LA OSCURIDAD
Imagined Stories: WAITING FOR THE DARKNESS ANTONIO PIPPO PEDRAGOSA. Periodista, Escritor, Editorialista. Columnista Mi mente y mi emoción han sido envueltas por una música triste. Estoy ensoñado y se me introduce, imprevista, física como una caricia áspera, la idea de la muerte. My mind and my emotion have been enveloped by sad music. I am dreaming and the idea of ​​death is introduced to me,…
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huellas-poeticas · 8 months
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Con sólo verte una vez te otorgué un nombre,
para ti levanté una bella historia humana.
Una casa entre árboles y amor a media noche,
un deseo y un libro, las rosas del placer
y la desidia. Imaginé tu cuerpo
tan dulce en el estío, bañado entre las
viñas, un beso fugitivo y aquel -"Espera,
no te vayas aún, aún es temprano".
Te llegué a ver totalmente a mi lado.
El aire oreaba tu cabello, y fue sólo
pasar, apenas un minuto y ya dejarte.
Todo un amor, jazmín de un solo instante.
Mas es grato saber que nos tuvo un deseo,
y que no hubo futuro ni presente ni pasado.
LUIS ANTONIO DE VILLENA
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yng-yo · 3 months
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o verão queimou minha pele
a rua aquece meus chinelos brancos
cheios de areia
tudo tem perfume de mar
de pele coberta de sal
e seus olhos cor de pôr do sol
deixa tudo a dois passos do abismo
verão triste
sem você aqui
sol quente ardendo as pernas
cansadas de correr
e cair de joelhos
ultimamente
queimo de propósito
eu sem você
as ondas de ressaca
banho de mar
desintegrar
virar peixe
morrer, nadar
até o carnaval chegar
e a vida ser avisada
pra virar e viver
tenho medo de morrer afogada
tenho medo de morrer
mas você mexeu comigo
quero na praia me lançar
boiando até o céu pertencer
água no corpo
no peito
nos dedos
nos cabelos
sou mar de ressaca que
nem você
sou toda modernista
com alma realista
sentimentos arcadistas
porém romântica no chuveiro
tenho verão em mim
o ano inteiro
e tento ter pinta de artista
só que tem água salgada
ardendo a vista
e eu que queimo
agora deixo a noite me apagar
na cama
a pele ardida de você
tem pena de mim
tenha piedade da minha espera
outono, inverno, primavera
eu sou teu mar
-Yngrid Antonio
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guapoduoshipper · 6 months
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JUST A GUAPODUOSHIPPER PLAYLIST SONG #26
SI NO TE HUBIERAS IDO - MARCO ANTONIO SOLIS
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No hay nada más difícil que vivir sin ti Sufriendo en la espera de verte llegar El frío de mi cuerpo pregunta por ti Y no sé dónde estás Si no te hubieras ido, sería tan feliz
There's nothing tougher than living without you Suffering in the wait to see you come The cold of my body asks for you And I don't know where you are If you hadn't left, I would be so happy
This is the song qRoier sings as he seeks a way to find his husband. Just for the record.
qRoier's life was not only changed, it was torn to pieces, the moment qCellbit decided to stay in purgatory. But it is to be admired that, even with that pain, he kept his promise: to look for him at any cost and without fear of the consequences.
There are quite a few things we can share with you on the blog, look forward to future posts from M, Feh (our new contributor whom we welcome) and myself :)
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menzapping · 2 months
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La estación de trenes de Santa Justa en Sevilla, diseñada por los arquitectos Antonio Cruz y Antonio Ortiz, es un icono arquitectónico que fusiona modernidad y tradición. Su diseño contemporáneo, inaugurado en 1991, refleja la esencia de la ciudad andaluza con líneas limpias y materiales locales como el ladrillo. El edificio destaca por su imponente estructura que crea un ambiente luminoso y espacioso para los viajeros. El interior, meticulosamente diseñado, ofrece una experiencia fluida y cómoda, con amplias zonas de espera y servicios para los pasajeros. La estación de Santa Justa no solo es un punto de conexión vital para el transporte, sino también un punto de referencia arquitectónica que combina funcionalidad con belleza. 🚆✨
#ArquitecturaModerna #DiseñoContemporáneo #IconosArquitectónicos #ArquitecturaAndaluza #EstacionesDeTren #CruzYOrtiz #Sevilla #ArquitecturaEspañola #InnovaciónArquitectónica
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rinconliterario · 1 year
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Definitivamente, me he sentado a esperar a la muerte como quien espera noticias ya sabidas.
Antonio Gamoneda, 1931 -presente.
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hbowar-bracket · 4 months
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Albert Blithe 
Alex Penkala 
Alice 
Alton More 
Anna
Anthony 'Manimal' Jacks  
Antonio 'Poke' Espera  
Antonio Garcia 
Army Chaplain Teska  
Baba Karamanlis  
Bernard DeMarco   
Bill 'Hoosier' Smith  
Bill Leyden  
Billy Taylor  
Brad 'Iceman' Colbert  
Burton Christenson 
Capt. Andrew Haldane  
Carwood Lipton 
Charles (Chuck) Grant 
Charles Bean Cruikshank   
Charles K. Bailey  
Col. Robert Sink 
Cpt. Bryan Patterson  
Cpt. Craig 'Encino Man' Schwetje  
Cpt. Dave 'Captain America' McGraw  
Curtis Biddick  
Darrell (Shifty) Powers 
David Solomon  
David Webster 
Denver (Bull) Randleman 
Donald Hoobler 
Dr. Sledge  
Edward (Babe) Heffron 
Elmo 'Gunny' Haney  
Eric Kocher  
Eugene Jackson 
Eugene Roe 
Eugene Sledge   
Evan 'Q-Tip' Stafford  
Evan 'Scribe' Wright  
Everett Blakely   
Father John Maloney 
Floyd (Tab) Talbert 
Frank Murphy   
Frank Perconte 
Frederick (Moose) Heyliger 
Gabe Garza  
Gale 'Buck' Cleven  
George Luz 
Glenn Graham   
Gunnery Sgt. Mike 'Gunny' Wynn  
Gunnery Sgt. Ray 'Casey Kasem' Griego  
Hamm  
Harry Crosby  
Harry Welsh 
Helen  
Herbert Sobel 
Howard 'Hambone' Hamilton   
Jack Kidd  
James (Mo) Alley
James Chaffin  
James Douglass  
James Gibson   
James Miller 
Jason Lilley  
Jean Achten  
Jeffrey 'Dirty Earl' Carisalez  
John 'Bucky' Egan  
John Basilone  
John Christeson  
John D. Brady   
John Fredrick  
John Janovec 
John Julian 
John Martin 
Joseph 'Bubbles' Payne   
Joseph Liebgott 
Joseph Toye 
Josh Ray Person  
Katherine 'Tatty' Spaatz   
Ken Lemmons  
Lance Cpl. Harold James Trombley  
Larry Shawn 'Pappy' Patrick  
Leandro 'Shady B' Baptista  
Lena Basilone  
Lew 'Chuckler' Juergens  
Lewis Nixon 
Lt. Edward 'Hillbilly' Jones  
Lt. Henry Jones 
Lt. Nathaniel Fick  
Lt. Thomas Peacock 
Lynn (Buck) Compton 
Maj. 'Red' Bowman  
Maj. John Sixta  
Mama Karamanlis  
Manuel Rodriguez  
Mary Frank Sledge  
Meesh  
Merriell 'Snafu' Shelton  
Navy Hm2 Robert Timothy 'Doc' Bryan  
Neil 'Chick' Harding   
Norman Dike 
Old Man on Bicycle 
Patrick O'Keefe 
Phyllis  
R.V. Burgin   
Ralph (Doc) Spina 
Renee Lemaire 
Richard Winters 
Robert 'Rosie' Rosenthal   
Robert 'Stormy' Becker   
Robert (Popeye) Wynn 
Robert Leckie  
Rodolfo 'Rudy' Reyes  
Ronald Speirs 
Roy Claytor  
Roy Cobb 
Sammy   
Sgt. Mallard  
Sidney Phillips  
Stella Karamanlis
Teren 'T' Holsey  
Vera Keller  
Walt Hasser  
Walter (Smokey) Gordon
Warren (Skip) Muck 
Wayne (Skinny) Sisk 
Wilbur 'Runner' Conley  
William Guarnere 
William Hinton  
William J. DeBlasio  
William Quinn  
Winifred 'Pappy' Lewis  
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j4v13rd14z · 1 month
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en la vigésimosexta hora del día
con dieciséis años me compré una pipa de madera oscura y un paquete de tabaco con sabor a licor…
también por entonces, con una cita breve y seductora, Borges me mostró un Carroll con el que aprendí a atravesar los espejos…
acomodé mis pertenencias ―una sonrisa, una lágrima y algunas volutas de humo― en una maleta de cartón-piedra y encaminé mis pasos a las ruinas circulares que un día cobijaron el sueño de Arturo…
conocí a Ginebra, dejé que Lancelot me amara; imaginé un cáliz de urania apariencia ―adornado con minúsculos planetas― para ocultarlo luego en el futuro de los hombres que me precedieron y en el recuerdo de los que me sucederán…
bajé hasta las entrañas de la pirámide y besé los dorados labios de Tutankamón; despertó y bebimos en el cáliz artúrico; bebimos hasta el alba, hasta un amanecer ensangrentado y violento que anunciaba la llegada de un ejército angélico y terrible…
comandé las huestes del Emperador Amarillo;
cabalgué a la derecha de Alejandro y caí herido en la toma de Altair, durante la conquista de la constelación de Aquila…
en las horas sofocantes de la tarde abisinia, tendido en una alfombra, dejé que el burbujeo de una pipa de jazmín se mezclara con el imperceptible sonido de algún dátil cayendo…
y en la frescura de un carmen granadino, conocí los placeres que las huríes otorgan a los que mueren en la batalla; el acompasado tintineo del agua en la fuente se fundía con un lejano y metálico sonido de alfanges y de espadas: a los pies de la muralla, las tropas del rey cristiano degollaban a mis súbditos…
gocé el cuerpo de Beatrice mientras el Dante bajaba a los Infiernos…
aspiré el perfume de los cedros el Líbano y coroné las montañas de los aromas de la mano de Salomé…
reiné en el lecho de Cleopatra ―Antonio no lo supo― mientras la barcaza de la muerte remontaba un Nilo arropado por juncos…
compartí los celos de Judas mientras veía cómo el evangelista recostaba su cabeza sobre el pecho del nazareno…
acompañé a Juana de Orleans en Compiègne y, a los pies de la pira, en Ruán, me despedí de élla besando las puntas de sus dedos…
la sonrisa del Tadzio veneciano y los ojos de la Bergman guerrillera siguen aún emborrachando mis sentidos…
goberné la santabárbara del buque fantasma ―algunos establecieron mi origen en Holanda y me bautizaron "errante"…
he vivido en los ojos de Cristina de Suecia…
oculté el rumbo de la nave de Ulises y supe sucumbir a los cánticos de las sirenas, a la caricia del mar y a los besos de la noche…
no se me oculta el hecho de que Avalón me espera;
y en esta hora imposible, hermosa como todo lo imposible, he sabido que jamás retornaré a Ítaca.
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deputy-buck · 6 months
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This is a transfer post from my old blog!
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Anon I’d like to personally propose we get married immediately- also i will be saying “boathouse” instead of “wheelhouse” now.  also I so didn’t mean to take this long-
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GabeWalt: Dumbasses, idiots, literally so oblivious to the fact that everyone else can see them. Walt teases Gabe about the Iraqi hitting on him relentlessly, asking Gabe to take his glasses off as though Walt ““sees something”” and then just saying, “Oh, it’s just a set of beautiful eyes, false alarm.” AND WALKS AWAY- 
ManimalChaffin: Clingy👏Bfs👏 Seriously, Jacks has no sense of personal space, he will hang off Chaffin like a jungle gym despite the fact that Chaffin is at least a head shorter than him. Chaffin likes it, likes the physical weighted presence of Jacks right there, knowing he’s nearly always within reach. Once one of them gets out of the Corps, they get an apartment together, adopt a little Jack Russell and name it Shelby.
Manimal/Chaffin/Gabe: Chaffin now has two clingy motherfuckers to deal with, and even though Garza is a little lighter than Jacks, he seems to forget how strong his grip is, often leaving little finger-shaped bruises on Chaffin’s biceps and forearms. Jacks will often shimmy between them and put both his elbows on one of each of their shoulders, Garza will lean into the touch while James stays solid. Garza bends to Jacks, Jacks bends to Chaffin, Chaffin watches out for both of them. It works for them.
BradPoke: Poke forced his way into Brad’s life and Brad got attached- simple as that. Antonio for sure has Brad wrapped around his finger, they banter of course, but Brad will always give way to whatever Poke wants. Brad also doesn’t really know what the fuck to do with a boyfriend so he just kinda waits for Antonio to plan dates and other excursions, observing and taking mental notes from other gay couples, Poke knows he’s doing it and thinks it’s adorable. 
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StineyTeren: Stiney stole a pair of T’s PT shorts the first day they trained together. It was an accident sort of, being assigned to share a barracks room meant that they shared the same laundry facility as everyone else in the barracks building, there are limited washers available to begin with and good luck getting two open washers. He was trying to be nice! He really was just trying to be nice, he thought Teren didn’t like him because T was so quiet, so Stiney thought it was a good idea to throw T’s laundry in with his own. Uhh, turns out they’re the same size in bottoms, and it turns out Teren labels all his clothes on the inner waistband and collar. Teren noticed it when they were grappling in the sandpits, Stiney’s shorts rode up to his waist and flipped down when he leaned and lunged for T’s legs, T saw the little Sharpie’d block letters on the tag and got distracted, allowing Stiney to finally take him to the ground on the first try. Things between them unfolded from there :)
WaltTrombley: It took so long for Trombley to admit he liked Walt too. So many freakouts, both internal and physical, he was a mess, Walt was patient though, letting Trombley settle down on his own time. Walt ““made a move”” on one of their last days at the abandoned tank repair yard. Bringing him to one of the odd buildings that was deemed too unstable for overnight shelter, Walt grabbed Trombley’s hand when they were behind enough cover that Walt knew nobody could see them and pulled the younger Marine close to his side, sort of leaning on him beings as Trombley is a little taller than him, but still walking. James blurted out “I’m not gay!” yet made no move to let go of Hasser’s hand or push him away, if anything he was the one to intertwine their fingers, rubbing his thumb over the back of Walt’s thumb.
ChaffinGabe: They’re worse about insults than Brad and Ray- That’s their show of affection in public. In private though, James gets a little sappy, Garza will catch James just staring and smiling at him, and when confronted all James says is, “Just can’t believe I got so damn lucky with you.” before pulling Gabe into a sweet, smile-broken kiss. Garza isn’t much better about staring, he can’t help it when Chaffin is fiddling with a new project he picked up, so caught up in how happy James looks. 
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GabeWalt: Gabe -just like everyone else honestly- is easily distracted by Walt’s mouth. No, seriously, Gabe has completely forgotten what he was saying mid-sentence all because Walt started chewing at his bottom lip. Walt knows. 
Walt for sure knows and does it on purpose but acts all coy. “Ya’okay Gabe?” and pinches his eyebrows together in mock worry, all the while Gabe is desperately trying -and failing- to not get hard right there. 
Sometimes he’s painfully honest about why his thoughts sputtered out, “’m fine, just really wanna fuck your mouth right now.” Making Walt grin and bite the tip of his tongue.
ManimalChaffin: Stupid asses. In their tent at Camp Matilda, they fooled around a lot at night. Both of their racks were toward the center of the room which put them closest to the radio they left on all night for white noise, so most of their noises are covered up. Jacks sneaks his way to Chaffin’s rack almost every night, immediately tugging at James’ boxers even before their mouths meet, he’s just so damn eager to get Chaffin’s cock in his mouth. James pets down Anthony’s shoulders and back, not hesitating to squeeze the nape of his neck hard enough to bruise when he cums. Everyone in the tent is already covered in bruises from grappling so it’s not suspicious. 
Manimal/Chaffin/Gabe: Gabe didn’t get sexually involved until they returned from their first OIF deployment. It should have been embarrassing how fast they booked a cheap room at a hotel only a klick away from Camp Pendleton’s main gate. They already had their post-deployment long as fuck showers so they didn’t have to wait once they got through the hotel room door. Anthony was already rucking up Garza’s shirt, big hands exploring deceptively soft skin, too excited to finally be able to touch instead of just stealing a couple glances in the showers. Chaffin was really no better, palming his own stiffy and grinning at the other two like they were prizes -which they are to him- and saying how bad he wants to fuck the both of them ‘til they can’t walk. 
BradPoke: Brad is a total fuckin’ bottom and it came as no surprise to Tony; he took one look at Brad and just knew this motherfucker was submissive and breedable a bottom- He lets Brad dictate when and where they fuck because he knows Brad hates being all vulnerable ‘n shit, white boy needs to plan and feel in control. It starts pretty much the same every time: Brad eagle-eyeing Poke all day on base, Tony acting like he doesn’t notice but intentionally keeps his body language open and happy to let Brad know he’s not in any type of mood, Brad will ask if Tony wants to have a drink at his place once they’re released, Tony will agree and sometimes give Brad a knowing little once-over and sometimes he won’t. They end up grinding against each other like indignant teenagers on Brad’s couch the second they sit down, Antonio knocking Brad’s stupidly gangly legs apart and pinning his wrists above his head, rubbing his Cammie-clad crotch against Brad’s matching crotch.
“Think you’re fuckin slick, trying to get in your ATL’s pants? That’s just sick, dog.” Tony will say, grinning against Brad’s mouth while he reaches for the velcro and buttons of Brad’s blouse, Brad already going for Tony’s trousers and easily getting them open now that his hands aren’t pinned. 
“Like you’re any better.” Brad huffs, letting his head tip back and his eyes flutter closed, a shaky breath leaving him just from wrapping his hand around Antonio’s cock, anticipating the feeling of it filling him almost too full. 
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StineyTeren: T regularly makes jokes that Stiney should have joined the Navy with his dick-sucking skills and how much he likes being fucked, he would have been a Fleet Admiral in no time. He likes making T feel good, okay? Ain’t his fault Teren makes the prettiest little noises when Stiney takes him all the way down his throat. Praise, lots of praise comes out of Teren’s mouth no matter what they’re doing, but especially when Stiney is prepping himself, three fingers thrusting in and out of his hole, trying to curl them enough to rub at the right spot. T will eventually take pity on the smaller Marine and replace Stiney’s fingers with his own, murmuring praise in Stiney’s ear while he squirms. Also a lot of T getting all hot ‘n bothered over Stiney in his shirts and hoodies, making Stiney wear one of his shirts almost every time they fuck.
WaltTrombley: Imagine sappy, sweet, patient sex... and triple the sweetness. It took a while for Trombley to get comfortable being naked around Walt in a setting that wasn’t just functionally efficient like showering on-base or changing in field tents, so it was huge when James tugged off his own shirt as he crawled over Walt. Lounging back on the couch, an old copy of Band of Brothers propped on his chest, Walt quickly abandons the book to direct his full attention to the pretty, shirtless boy suddenly in his lap. Trombley doesn’t say a word at first as he bends down to press his lips to the other man’s, his left hand cupping Walt’s cheek while he slips his other hand up Walt’s shirt, just petting over ribs for a while before speaking. 
“Want you to touch me, Hasser. Will you touch me?” James nearly begs, shifting his hips to grind down against Walt, fingers now toying with the button of Walt’s pants, he won’t pop the button if Walt doesn’t tell him to. 
“Yeah, fuck,” Walt groans, “yeah I’ll touch you. Where? You gotta tell me where, baby.” Walt greedily runs his hands over the exposed, freckled skin of James’ torso, dragging his nails up the younger man’s back to leave faint red trails for later, eager to please and ecstatic that Trombley wants to be touched. Trombley initially responds with a kiss, running his tongue over Walt’s bottom lip to ask to deepen it, and once granted he pushes impossibly closer, whimpering and pulling back when he realizes Walt isn’t going to touch him without basically written authorization. 
“Want you to jerk me off.” James mumbles like he’s embarrassed, eyes glassy and trusting. In the end, Trombley finds out that being with another man isn’t going to damn him to eternal hell immediately... and that it’s not just his own callouses he likes the feeling of against his cock-
ChaffinGabe: It’s like a fight sometimes, both struggling to get the upper hand, hands gripping and pinning until the other gives. They like it, they get off on it, so they keep doing it. Gabe usually gives first, not because James is stronger than him or anything, it just gets him in a certain mindset when Chaffin either gets him pinned or they’ve been grappling for an extended period of time. It gets to a point where Garza wants to see just how far James will go, wants to feel everything James has to give, wants James to take all he has to give. The physical strain and sweat are what gets to Chaffin, he’ll admit it’s a little gross to most people that he likes it when he can see the trails of sweat dripping down Gabe’s body, but it’s Gabe, and to Chaffin it just gets him so fucking hard knowing he’s the one making Garza strain and exert that much energy in order to sweat for him.
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l8news · 5 months
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Mininas venezolanas: El artista plástico venezolano Antonio Azzato creó 19 estatuas inspiradas en el cuadro Las Meninas del pintor español Diego Velázquez pero con un toque de cultura de Venezuela. Algunas de las figuras ya se exhiben en Madrid, pero se espera que todas sean exhibidas pronto en territorio venezolano y al aire libre. [x]
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kamas-corner · 3 months
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Y si la vida es corta y no llega la mar a tu galera, aguarda sin partir y siempre espera, que el arte es largo y, además, no importa.
-Antonio Machado
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yng-yo · 3 months
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Queria te tocar como a primeira vez
Sentir de novo a minha língua passear pelo seu corpo
Depois de muito tempo morando na espera
Queria te provar sem que me machuque
E te deixar na minha vida
Sem me quebrar por inteira
Não tem uma noite que não me visite nos sonhos
Ou que eu não acorde procurando o seu cheiro
Não sei ao certo quando se transformou no meu mundo
Ou quando percebi que eu era o erro
Por medo de te perder assumi riscos e criei desejos que normalmente não teria
Hoje bebo minhas lágrimas imaginando como seria
Me disseram que amar é deixar ir
E eu entendo, preciso ir embora
Mas por favor não me esqueça
Ou esqueça o quanto te amei em Copacabana
Por lá eu ainda te devoro, te pertenço, te espero
Só te peço que por favor não demore
-Yngrid Antonio
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ateneanike · 3 months
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POETA HORACIO
Quinto Horacio Flaco nació en el año 65 a.C en Venusia, Italia. Era hijo de un liberto, es decir, un esclavo liberado por su amo.
Su etapa académica la pasó principalmente entre Roma y Grecia, esta última en la Academia estudiando filosofía y poesía.
Horacio fue tribuno militar por orden de Marco Junio Bruto (asesino de Julio César), cuando Bruto y Casio asesinaron a César, Horacio se posicionó en favor de aquellos que preservaban la República así que luchó junto a éstos en la batalla de Filipos donde finalmente Marco Antonio y Octavio se proclamaron vencedores.
Horacio temió por su vida pero finalmente se determinó que aquellos que habían luchado en el bando republicano podían regresar a Roma sin miedo a las represalias. Así fue como Horacio de nuevo en la ciudad dedicó su tiempo a escribir.
Paralelamente conoció al que sería su gran amigo, Virgilio, y éste a su vez le presentó a Mecenas, protector de las artes que le regaló una propiedad para que pudiera dedicarse plenamente a escribir.
Horacio escribió Sátiras, Épodos, Odas y Epístolas, que son 4 estilos de obras muy diferentes.
Sátiras (años 35-30 a.c.): Están compuestas por varios libros, donde emergen sus pensamientos sobre los grandes problemas del hombre y la ambición, la codicia o la riqueza personal, que ve como amenaza y que critica mordazmente.
Los Épodos (año 30 a.c) es una proclama política donde Horacio espera el fin de las hostilidades que han amenazado a Roma durante todos estos años, especialmente hace referencia a la batalla de Actium donde Octavio vence a Marco Antonio, esperando un período de paz por el bien de los ciudadanos.
Las Odas (año 23 a.C.): con claras influencias de la poesía griega, Horacio hace referencia a los temas sociales que tanto le preocupan, la paz, el amor, el respeto, las buenas costumbres, y el patriotismo.
Las Epístolas (20 a.c.): publica 20 cartas, en las que proclama sus pensamientos políticos, éticos y filosóficos, mostrándose favorable a los epicúreos.
Horacio pasó a ser el relevo natural de Virgilio a la muerte de este último, fue él el encargado de crear los Carmen Saeculare por orden del emperador Augusto.
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kpwx · 9 months
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Escribe Antonio Cabezas, el traductor de la edición de Cantares de Ise publicada por Hiperión:
Si al terminar la lectura de esta obra alguien se pregunta que dónde está su grandeza, habría que contestar como Louis Armstrong al que le preguntaba qué era el jazz: «Si tienes que preguntarlo, no puedo contestarte».
Yo no llego a tanto: sí veo grandeza en los poemas; lo que me cuesta es también encontrar grandeza en el resto. Y es que, como también escribe el traductor, «Cantares de Ise no es novela ni es historia, no es lírica, ni drama, ni épica, ni ensayo, porque es todas estas cosas a la vez». El libro contiene verso y prosa a partes iguales, y es esta última la que, por inconexa y desordenada, no me terminó de parecer bella. Respecto a los poemas, Antonio Cabezas decidió traducir el tanka japonés a seguidilla gitana, dotándolos así de rimas de las que carece el original. Aunque el resultado es ciertamente bonito, esto probablemente lo llevó a forzar y alterar todavía más el sentido de algunos poemas. Pero bueno, sean completamente fieles o no, se verá a continuación que lindos sí que son.
Una vez me quejé bastante de un libro editado por Hiperión, pero como ya escribí en otro, esta editorial tiene tanto pésimas como muy buenas ediciones. En este caso, y sin ser una edición definitiva ni mucho menos, es buena: tanto la presentación como el epílogo metacrítico y el apéndice histórico aportan bastante y están interesantes, además de que la propia traducción destaca por el esfuerzo que conllevó.
Ahora algunos poemas. He preferido no agregar la prosa que los acompaña para no hacerlos más largos, pero son necesarios si se quiere entenderlos bien.
¡Las noches de cita que yo pasé en vela, y no viniste! Ya no espero nada, y sigo en mi espera.
Números no escribas en agua que pasa, que duran poco. Y él: Al agua que corre, y al tiempo que pasa, y a la flor vana, ¿quién podrá mandarles detener su marcha?
La flor del cerezo vale lo que vale por dispersarse. ¿Qué hay en este mundo que nunca se acabe?
Dos que se han querido y se han separado, ¿será posible, pasados los años, no haberse olvidado?
No aflojes la faja mientras no esté yo, aunque el ruiponce no espere a la noche para abrirse en flor. Ella le replicó: Lacito apretado con nuestras dos fuerzas, ¿podré yo sola desembarazarlo mientras tú no vengas?
Aunque no es mi manga barraca entre yerbas, viene el rocío al caer la tarde a morar en ella.
Mil noches de otoño cuéntalas como una. Pues ni aunque goce de ti diez mil noches llegaré a mi hartura. Ella le contestó: Mil noches de otoño hazlas como una. Me pondré a hablarte, y cantará el gallo sin que yo concluya.
Cuenta de rosario fue lo tuyo y mío: así de corto. ¡Y qué largo se me hace tu corazón frío!
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