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#but i kinda interpret it as a realization of love rather than falling in love if that makes sense
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queers watching other queers perform thus resulting in them falling in love my beloved
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hamliet · 3 months
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Hazbin Hotel Has Better Theology Than Most Modern "Christian" Stories
As a Christian who was raised in a fundie cult and escaped to now have a far healthier and vital faith, I genuinely really like this show. The songs are bops. The characters are well crafted and interesting, and likable too. The art design is bizarre but appealing.
And, as a theology nerd who studied theology as part leaving said cult and also has since gotten papers published in theology, I'm actually fairly impressed by the show's handling of theology.
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No, I'm not expecting the story to preach or even like, be explicitly Christian in a lot of ways. But it's taking a lot of the really beautiful aspects of Christian theology and re-contextualizing them in a way designed to provoke thought: by juxtaposing them with the antithesis of what you would think, by making demons heroes. In my opinion, this makes the beauty shine brighter.
Yeah, yeah, it's designed to be offensive and obscene in a lot of ways. Yet, it's never (thus far) mean-spirited. On the contrary, it seems to have a big, beating heart at its core that is perhaps best embodied by Charlie Morningstar, its protagonist and the daughter of Lucifer and Lilith.
Critique of the Church, with Caveats
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The story works best with an interpretation that heaven isn't actually heaven or God (who has been conspicuously absent), but instead as a critique of the church. Specifically, the evangelical American church, and specifically, white evangelicals. (Same as She-Ra's premise, actually).
God's absence therefore makes sense, because while Christians do believe God is present as a living reality among us, we also can't like, see him physically now. So, God being not even mentioned in HH makes it seem more like a mortal reality rather than an immortal one. Honestly I kinda hope God doesn't appear in the story, not only because I think it could cross some lines (which is admittedly personal), but also because I don't see that the story really needs it.
Adam in particular reminds me of every "theobro" on Twitter (I'm not calling it what you want me to, El*n). Basically a dudebro coopting his supposed salvation to flex in an often misogynistic way, who doesn't realize that he has absolutely no love in him and therefore is actually a worse human being than everyone he condemns on the regular.
(Which is kind of why I'm expecting Adam to wake up in hell next season...)
Think red hats. And Mark Driscoll. And, I have a list of pastors. Sigh. They advocate for how "simple" Christianity is, except they themselves make it ridiculously complicated and don't even examine what they suppose is "simple" if it requires them to take the planks out of their own eyes. "Shallow" is a better description of what they actually preach.
But what sends people to hell or heaven anyways?
Eschatology and Atonement Theory
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Hazbin Hotel combines a lot of theories, throwing not only the idea of a physical hell (albeit mixed with Dante's idea of what hell is the Inferno, but to be fair a lot of the church has adopted that idea too) but the idea of annihilation, which HH calls "extermination."
See, in Christianity, there's a lot of debate about hell. Like, since 2000 years ago. The reason is because a lot of Bible verses seem to indicate hell, but others indicate the eventual redemption and salvation of absolutely everything in the universe, so you have Christian universalism tracing itself back just as long. But, setting aside universalism, people who do believe in hell tend to fall into one of two camps:
Physical hell, aka suffering for eternity, or annihilation: the idea that souls that aren't saved end up annihilated, or snuffed from existence. HH combines both of them, wherein everyone lives in hell but then every so often heaven "exterminates" a certain number of sinners.
And then you also have Catholic purgatory, which is also adapted in HH in that... for most Christians, physical hell doesn't offer the ability to redeem yourself. Chance over, you're dead. But, Catholic Christianity, which draws on ideas of praying for the dead, has the idea that people can improve themselves or be prayed out of it and into heaven. This seems to be somewhat similar to the idea of Charlie's hotel, in that sinners can improve, redeem themselves, and rise to heaven.
And, I mean, it's already kinda worked. Sir Pentious acted out Jesus' words: Greater love has no man than this, that he lay down his life for his friends (John 15:13).
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But anyways, the branch of theology that deals with the afterlife is eschatology. And Hazbin Hotel takes on a related form of theology as well, a type of theology I've only seen covered in stories once before (The House in Fata Morgana): atonement theory.
Atonement theory is something I remember well from my theology 101 class, as in I remember sitting with a friend and her turning to me and being like, "okay, so we know Jesus' death and resurrection give us eternal life, but we have no idea how or why?" To which the answer was "basically, yeah."
Most of the white, American evangelical church is very "penal substitutionary atonement," but the reality is that this theory has only been popular for the past few hundred years. It's also, imo, somewhat scripturally unsound. But there are a lot of other theories, and sometimes the theories overlap. Here's a fairly decent summary. (I'm in general a believer in Christus Victor.)
So how does atonement theory tie into Hazbin Hotel? Well, essentially the scene where Charlie and Vaggie are debating with Emily, Sera, Adam, Lute, and others in heaven is them going over various atonement theories and realizing that they actually know nothing at all. How does one get to heaven? How is one saved? They don't know.
Sera criticizing Emily for asking questions was also very relatable, and I feel for Sera. She's genuinely scared but the truth will set you free, Sera. John 8:32. Anyways, the point is like... the angels are an organized religion, an evangelical church, that preaches about simplicity but mistakes shallowness for simplicity and discourages depth and discovery.
Anyways, the whole crux of theological study and atonement theories is that they should promote humility. We don't know for certain on this side of the curtain. That's okay. So what do we have to guide us?
Love. After all, God is love (1 John 4:8).
Charlie is Jesus
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"Why would you endanger your immortal life for these sinners?" 
Adam, the absolute worst, says the above to Charlie in the finale.
I mean... look. That's literally the premise of Christianity. That the immortal son of God comes down to earth, lives with sinners, loves us, and dies to save us. However that happens. Charlie even responds:
"They're my family!"
In other words, she loves them. Yeah, sure, they're destined for extermination, but they are going to be exterminated over her dead body.
In a lot of branches of Christianity, and even in some creeds--though I'm going to give into my pet peeves here and state that it is NOT Scriptural and relies on the faulty assumption that God is bound by time, when I think God exists outside of it--state that Jesus descended into hell after his death and took all the souls of people who were saved prior to his coming to earth to heaven. Again, I think that's small-minded at best. But, the idea that Charlie is working among them to bring them to heaven is pretty reminiscent of this idea. And I don't hate it lol.
Charlie sees worth inherent in everyone, and no matter what they've done, thinks there's a future for them. Honestly we need people like her on this earth.
Angel Dust
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Angel Dust is clearly my favorite character. Bite back your shock, I know (I have a type). But his name is also a fascinating multi-layered pun.
Angel is clearly foreshadowing his endgame. Let's be real, we all know Angel is ending up as an angel. And "angeldust" is of course a name for PCP, and considering Angel's drug habits, yeah.
But, dust also has another meaning to it. See, when Adam was created in Genesis 2:7, the words in Hebrew are "apar min ha'adamah," which is translated literally as "dust of the ground." So the dust is what creates Adam, literally "ground."
In other words, I very much expect Angel Dust to end up being foiled with Adam even more so. Adam might be the first man, but Angel is the first sinner working towards redemption. And let's be real, for all Angel's flaws, he's already a better person than Adam. And if there's any hope for Adam (not that I particularly care if there is but) it'd be through realizing that he and Angel aren't actually different after all. Conversely (and not necessarily mutually exclusively), Angel might serve as a more symbolic "adam" in that he becomes the person all sinners look to for hope. Which, y'know, since "the last Adam" is also a Scriptural term for Jesus...
And so it is written, “The first man Adam became a living being.” The last Adam became a life-giving spirit. (1 Corinthians 15:45).
I fully expect Angel's arc, alongside Charlie's, to bring life and redemption for everyone around them. Maybe, maybe even the dramatic "all" of Colossians 1:20 (which means, literally, all, everything, everywhere, in the entire universe).
Closing Thoughts
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But honestly, regardless of how the story ends--besides that it will presumably end happily because HH is at its core feel-good despite being profane--season one at least has got good theology. Why? Because it's digging into the questions that theology is concerned with. It's digging into the ideas of human nature, of what it means to be a good person, of what it means to redeem oneself, of affirming how precious each individual human soul is.
It doesn't offer cheap answers, and it specifically calls out the white American evangelical church for how it purports to be simple but actually just confuses people and punishes them for things they can't help, that creates more stumbling blocks than it does shine a light. And it does it in a way that is scandalous. Offensive to many religious people.
But, y'know, Jesus was pretty scandalous too.
So I really love the story so far because it emphasizes what I find so beautiful about my religion, and criticizes the parts that have also hurt me. I don't think it's remotely aiming to be a Christian allegory or anything like that, and I don't at all think anyone has to be religious to enjoy it or gain the core message of it, but I do think that it's doing a hell of a lot more good in the world message-wise than most evangelical movies of the past 30 years.
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polyklok · 1 year
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When they’re down bad
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Dethklok and their massive, throbbing crush. You can interpret this as and xReader, xOC, or even towards each other idk I don’t make the rules.
Nathan Explosion
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Unlike the other members, Nathan has had experience with actual girlfriends (rather than just flings) before, and so can identify the difference between attraction and actual romantic interest pretty quickly.
But he’s still a total idiot about it. He basically hasn’t developed his flirting style since high school; he hasn’t needed to. He’s famous! So, he just sorta forces himself into their attention all the time. He purposely bumps into them, asks to borrow random things, always stands or sits next to them. He just wants to constantly be around them.
He tries to start conversations too but, my god, he’s so awkward! They’ll be sitting in silence together and he just shouts “MAN, THIS WEATHER IS CRAZY.” While it’s been perfectly sunny for three days straight. BTW, he’s always yelling around his crush. It’s partly because he’s nervous, partly because he’s trying to assert his “dominance” (he doesn’t have any)
He tries to drop not-so-subtle hints about his feelings. Like, there will be a couple in public, clearly on a very romantic, cheesy date and he’ll be like “THAT LOOKS FUN, WE SHOULD DO THAT SOMETIME” to his crush. Or if there’s a kissing scene in a movie, he squeezes their hand or something. Just, out of the blue.
In general, he’s pretty obvious and is sort of a disaster, but it’s cute and oddly charming. 7/10 because I suddenly decided I’m ranking them
Pickles The Drummer
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If Nathan was a disaster, he’s the end of the world
He desperately tries to play himself up in front of his crush, specifically trying to seem more classy and sophisticated, which are two things Pickles is not. He’s the kind of guy to try to be suave and lean up against a wall and then immediately eat shit, falling to the floor.
He likes to talk around his crush but never to his crush, ya’know? Like, if they are in a room, he’ll speak all loudly to a group about how cool he is and all the things he’s done. But in a one-on-one convo, he’s literally shaking and sweating and nodding along like his brain isn’t in full panic mode (it is). Because he physically can stand how gorgeous his crush is and how obsessed he is with them.
He’ll probably try to drink more than usual to calm his nerves, but it really makes it worse. Cause now he’s a bumbling idiot who’s only talking about how ‘damn pretty’ they are and threatening to get into a fight with the bartender.
Eventually, he does calm down. And he gets to be his natural, funny and relaxed self around them. His heart still flutters, but the anxiety doesn’t consume him like it used to and he has a real conversation with his crush and it feels like he’s falling in love all over again.
Like in most situations, Pickles is kinda a wreck. But he needs time and the right amount of booze to be a pretty great guy, 6/10
Skwisgaar Skwigelf
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Sound the fucking alarms because this Swedish whore has himself a crush. Seriously though, the realization hits him like a fucking truck. He’s just like, wow this person is hot and I like spending time with them and they have a great personality and they’re funny and they make me feel nice and HOLY FUCK
He gets so pissed. Like, genuine anger at himself and them and everyone else in the world because something is wrong. He can’t bring himself to take it out on them, so he just always scoffs and ignores them for weeks on end. But the whole time, they’re in his head. He feels all warm and fuzzy in more places than just his dick for once.
Eventually, he stops being just a baby and gives them a weird, half-assed apology his ego is still fragile, ok?! And starts flirting. Hard. Constantly praising their body and making unsubtle sexual innuendos, it’s the only thing he really knows how to do in this situation. God forbid they giggle or flirt back, because his face is gonna turn completely red and he’ll need to excuse himself for a 10-minute freak out.
Skwisgaar just feels so many strong emotions, and these new, affectionate ones are just kicking his ass. There’s a good chance that he gives up because he just can’t handle it. But, he might just persist and slowly open up and let them in.
He’s pretty much a noob for these sorts of things. He’s a sex god, not a Prince Charming. 3/10
Toki Wartooth
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Toki is actually more passive when it comes to romantic feelings than you would expect; he can accept potential love interests as friends very easily. But once someone has embedded themselves in his brain as more than just a groupie or a good friend, my man is COMPLETELY ride or die
Doesn’t make any effort to hide it either. He gets all giggly around them, biting his lip, twirling his hair, kicking his feet. He’s seriously smitten and everyone can tell, including the crush. He won’t deny it either, “Of course I’s likes them! Who wouldn’ts?”
His wooing methods are completely cheesy as well. Like, leaving a large, lovey-dovey gift basket on their doorstep or writing awful poetry for them completely in Norwegian. In fact, he’s pretty much always getting them little gifts and they’re all genuine, even the stereotypical ones.
He also gets very, very touchy. Greeting them with hugs and holding hands and even little surprise kisses. He knows that they’re not technically dating, but he still sees them as his one and only, so he already begins cementing himself as their partner.
Although, if they don’t show any interest back, he’ll stop after a week or so simply because he gets bored easily. I’m not gonna sit her and act like he doesn’t have the patience of a four-year-old.
Man goes all in with his flirting but it fizzes out very quickly. 7/10
William Murderface
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I was wrong about Pickles; THIS is the ultimate disaster. Poor guy really can’t take it, he’s so flustered and anxious and a bit furious at the whole situation. William is so fueled by hatred and hostility that he can’t fathom the fact that he genuinely likes someone and craves their love. For him, it feels like he’s gonna die without them and yet he refuses to go within a foot of them.
Most of the time, he just stares at them with his angry look on his face. If they ask what’s wrong, he just mumbles and walks away. But really, he gets so excited that they talked to him, even though he immediately fucked it up.
Maybe with some time, he can find a slightly better way to deal with his intense feelings. He mostly just needs to learn to relax and have some confidence, but those are both things he has never been good at. But, if he does manage do to so and have a conversation with them…it’s still pretty bad. He’ll stutter and stumble, walking on eggshells because he knows that he has a tendency to say stupid shit.
Even if the relationship doesn’t ever go anywhere, there’s a very good chance he’ll be this nervous around them for months, possibly years. If his crush manages to get the message and starts encouraging his ‘advances’, it’ll still be a while until he’s anything less than a wreck.
Someone please help Murderface, he’s dying out here. 2/10
Btw I wrote this last night and am posting it without much proofreading so sorry if it’s awful
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LGBTQ+ Disabled Characters Showdown Round 1, Wave 3, Poll 7
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A character being totally canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included.
Check out the other polls in this wave and prior here.
Billie Lurk-Dishonored
Qualifications:
Canon gay, canon disabled (missing arm and eye)
Propaganda:
Kills nobles, got a hot goth witch gf for a bit then killed God
Zhou Zishu-Faraway Wanderers / Tian Ya Ke
Qualifications:
He is mlm, though there's no consensus in fandom whether he's bi or gay. (He had slept with women prior to meeting his male love interest, but the way he speaks of that kinda doesn't make it sound like he enjoyed it? So there's room for interpretation. Maybe hes bi who just happened to settle with a man, maybe hes a late bloomer gay.) Either way, the novel's main romance is his relationship with another man, and they are in a committed relationship by the end! Now, for the disability part. He has a physical disability that's a result of, how do I put it, non-realistic circumstances (stabbing poisoned nails into his acupoints non-realistic), but I think it qualifies for how it affects him.
To start with, he is a martial artist, but the nails thing limits him to about half of his normal ability. Which is still pretty significant given he used to be one of the top talents of his generation, but there are many instances throughout the book where he finds himself frustrated, inconvenienced, or endangered by being unable to do what he *used to* be able to do, which I think tracks with acquired disability experience. Next, the nails also give him chronic pain issues with daily (or rather, nightly) flare ups, and additional ones when he strains himself. That usually last for several hours. (Fandom also theorizes that this leaves him chronically sleep deprived, but it's more conjecture than textual.)
Then, his biggest issue is that the nails are slowly killing him, and he has like 2-3 years to live... but uh given it's a happy ending novel his friend gives him an experimental surgery and it works out. But! Gotta note that I don't think it counts as a case of 'magically cured disability' trope. It is plainly stated that he will still have some issues post-surgery - just, y'know, no longer life-ending ones. The tl;dr here is that while his situation is not something possible in the real world, it still affects him in a way an acquired physical disability may: limits things he can do compared to his pre-injury state, results in chronic pain issues, and requires difficult medical intervention to stymie the negative effects.
Propaganda:
Zhou Zishu, how do I explain him... He is a spymaster and an assassin. He put the current Emperor on the throne. He committed atrocities. He lost the person he saw as his little brother as a result. He still thinks he did what was right, in the grand scheme of things. He decides to start his retirement at age 28 by stabbing a bunch of poisoned nails into his chest, disguising himself as a beggar, and vanishing into jianghu to daydrink and sightsee. He is living his best life, all 3 remaining years of it. He is in pain every night. He meets a man who, unexpectedly, understands him with a glance... and then begins to annoy him ceaselessly, insisting he has fallen for Zishu at first sight.
Cue Zhou Zishu's horrified realization that he's not only into men, but into this clown in particular. Zishu falls in love the way a cat falls into a bath - hes trying to get out but keeps slipping back, and hes hissing all the while. (We love to bully him for his clownsexual ways.) (Also, if this makes anybody want to check out the novel, remember: Zhou Zishu is an unreliable narrator and Will lie to you. Pay attention to his actions and reactions, not just what he *says* he thinks!) Now, I could spend hours gushing about how WenZhou (the couple's ship name, and yes they are canon and the main romantic storyline) gave me unrealistic standards for romance, but I'm gonna hold myself back from writing a 6k essay and focus on the theme of the tournament. I consider Zhou Zishu a disabled protagonist because: while his situation itself is non-realistic (aforementioned 'stabbing a bunch of poisoned nails into his chest'), the way it affects him is actually pretty similar, and in some ways really the same, to how an acquired physical disability may affect a person. First, it limits what he can do, physical activity-wise, to about half of his pre-injury state. (Which is still rather a lot, given he used to be a top dog martial artist, but it's still noticeable to him.) Second, it gives him chronic pain issues, with nightly flare-ups. (And additional ones when he strains himself.) (Also, at a certain point in the book his love interest starts holding him through his flare ups. Which doesn't lessen the pain but does help Zishu cope with it better. It's very important to me that it doesn't magically help but it does Mentally help and thats enough. The "stay with him morning and night, holding his hand" of it all (; v ;) yes thats a quote from the book.) And third, it requires a difficult surgery to stymie its negative effects (him dying in three years ones). (Yeah btw its not the case of magic surgery perfectly 'fixing' (bleugh) the character; he still need physical-therapy-analogue after it, and his uh medical professional also states he will likely still have some issues post-op.)
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chattegeorgiana · 19 days
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Happy NaruSaku Day & Happy Birthday to Hanami Uzumaki!!! 🍥🌸🥳
Quick Question about Hanami: What do you absolutely love about her? For me I don't know too much about her but I really love her design and she's really fun to draw. She's seems like a really fun character and I get such a really warm feeling whenever I look at her. My birthday is also within same month as Hanami's. Seven days away from hers really, which isn’t exactly close but it's close enough so I'm happy.
Comment on NaruSaku: I'm honestly really glad I gave NaruSaku a chance. I used to be a pro-NaruHina fan and didn't like when people said they liked NaruSaku better (very immature I know, still cringe at that til this day🤦‍♀️). Even when I was really disappointed in the ending, I still blindly defended NaruHina with my life. But over time I started to come to terms that NaruHina was not a good ship and joined the NaruSaku fandom out of genuine curiosity and because I was starting to notice details about them that got me interested. I started to fall out of love with NaruHina and leaned more to NaruSaku. I honestly had more fun with NaruSaku then I did with NaruHina because of the amount of symbolism they have together. I still like NaruHina but not as much as I used to. I've come to realize that I loved their potential as ship rather than what they are in canon. The potential was there but the execution was done very poorly. It's even worse when there was good potential in their kids but nothing was done with them but a bad story. But that's enough venting (sorry about that), I really love NaruSaku from their story, to their symbolism, and to their kids—ESPECIALLY their kids! My favorite detail about NaruSaku is that the Uzumaki-Haruno symbol looks like the rising sun flag and that they represent two of the most well known symbols of Japan! I also just really like how we're just finding so much hidden details about them that's most likely just a coincidence but who knows.
Anyway, Happy NaruSaku Day and I hope you enjoy yourself on this very special day!
Hi there!! Happy birthdaaaay to yooou!!!
Because if I'm understanding correctly, it's soon gonna be your birthday, right? :D Hope you're going to be having an amazing day.
ALSO HELL YEAH ARIES POWEEERRR! My birthday is a day after Sakura's, on the 29th of March haha.
I'm so happy that basically around my birthday I get to celebrate Sakura's birthday, NaruSaku's day, Hanami's birthday, Sakura's Brazilian VA's along with Junko-san's birthday is around the same time.
So really, HELLA MUCH POWER in this fam haha.
As for what I love about Hanami? Well, everything? How she's a mix of Naruto & Sakura's most inner mischievous selves and plays pranks. She's such a bubbly character, really. Full of life, like a full blown spring. After all, her name says it all.
I like that she's a very resourceful girl - she might not have her mother's & brother's patience to learn complicated techniques, but she is smart enough to work in her own way. Kinda like her dad, actually. Naruto was never the book smarts. He was more the "street smarts" and that served him so well in battle if we think about it.
In my interpretation of things, she's quick on her feet, so to speak. Both physically and mentally. That's why she doesn't have the patience to stay and study long boring texts about techniques, lol.
She's more of a "do you feel me" type of girl? As in very intuitive, just to be clear here.
So yeah, I basically love that she's a bubble of energy all around and everywhere she goes she just makes people bloom with her sweet & mischievous personality.
Also wow, you were a NH fan? What a surprise. Welcome to this side of the fandom, tho! We're happy to have you.
And hey, look, you don't have to feel bad for liking NH. It was a part of your life. Of your experience. You can like both if you ask me, lol.
Cuz for example while in canon I don't like how things worked out, in fanon tho? I could make countless scenarios where all the pairings work. That's the fun of fanon, hahaha.
So at the end of the day, feel free to enjoy both of them however YOU want because it's YOUR experience and no one else's.
I'm glad to see you've opened yourself to the NaruSaku experience. It's really awesome and as a former multishipper myself, I totally understand your predicament.
Once upon a time I was a NS/SS/NH multishipper. With time and different experiences I stayed NS only because as a symbolism enthusiast I just couldn't help but love their thematic symbolism and the little nuggets Kishimoto was dropping for these two.
Anyway, once again welcome to the NaruSaku fandom space! Hope you thoroughly enjoy your time here!
Also Happy NaruSaku day to you too!
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malvo-ish · 23 days
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what is a good starbula song
Omg thanks for the ask anon! ❤️💙
Haha I kinda make myself crazy with chosing but let me work that out. :P
Putting a read more bc this gonna be a longer post!
(Please have in mind that's how I interpret lyrics)
For their overall vibe I really love "Superstar" by MARINA. A song about finally feeling belonging with someone, overcoming difficult times together. It's a really beautiful song for this two because it can viewed from both their perspectives:
Before I met you, I pushed them all away Soon as I kissed you, I wanted you to stay What I like about you is you know who you are What you like about me is I know what I'm not
Really love the beginning of the song fitting so perfect on Nebula.
You never judge me for any of my fears Never turn your back, always keep my body near All of the days that we spend apart My love is a planet revolving your heart
While this part is so perfect from Peter's perspective.
And of course the chorus who's just so perfect from both their sides ❤️
I love the way we worked so hard Yeah, we've come so far Baby, look at me, you're my superstar When I'm afraid, when the world's gone dark Come and save my day, you're my superstar
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Next catergory is "longing"! To specific "Nebula realizing too late she fell for Peter and now yearning for him"! Lyrics should be self explainatory. :) I just dig that vibe on her.
No one can love My closed heart That’s what I believed At some point, my heart is opening My hardened heart Can never get a rush again That’s what I believed Every time I see you, my heart beats
[chorus]
I really don’t want to give Or receive any more scars now That’s what I believed Why does is it like that won’t happen between us It will take a while For the scars in my heart to heal That’s what I believed At some point, I am in your embrace
[chorus]
My heart that became as cold as ice At some point, you softly stole it You are a warm, shining sunlight On my scar, and new skin is growing over it Without me knowing, At some point, I lean on you The heavens might have given me one more chance That’s what I think baby
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Angsty song for Peter's perspective! Mostly fitting pre-vol3. His feelings while Nebula cared for him, slowly falling for her. Knowing that she's just as broken as him. Knowing they are the same in a way. Two broken souls. Legit the entire lyrics are perfect. XD
Where have you been? Do you know when you're coming back? 'Cause since you've been gone I've got along but I've been sad I tried to put it out for you to get Could've, should've but you never did Wish you wanted it a little bit More but it's a chore for you to give Where have you been? Do you know if you're coming back? We were too close to the stars I never knew somebody like you, somebody Falling just as hard I'd rather lose somebody than use somebody Maybe it's a blessing in disguise (I sold my soul for you) I see my reflection in your eyes I know you're sick Hoping you fix whatever's broken Ignorant bliss And a few sips might be the potion I tried to put it out for you to get Could've, should've but you never did Wish you wanted it a little bit More but it's a chore for you to give Where have you been? Do you know if you're coming back? We were too close to the stars I never knew somebody like you, somebody Falling just as hard I'd rather lose somebody than use somebody Maybe it's a blessing in disguise (I sold my soul for you) I see my reflection in your eyes (tell me you see it too) So close, so close Yet so far away (so far) I don't know (I don't) How to be solo (no) So don't go, oh, no, just stay You and I were bright, shooting through the sky daily (yeah) Lighting up the night, wasn't always right, baby (mm-hmm) Yeah, every time that we realized it's crazy And you save me We were too close to the stars I never knew somebody like you, somebody Falling just as hard I'd rather lose somebody than use somebody Maybe it's a blessing in disguise (I sold my soul for you) I see my reflection in your eyes (I sold my soul for you, I know you see it too) Yeah, I brought same ones too I know you're tired, I know you're tired Just say it, I agree with you Sick of all the poison in me What did I do wrong for me, babe? Uh, I see myself in you, I see myself in you, baby I see myself in you, alright I see myself in you, maybe you should too
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Bonus: songs I just associate with them without going on full explaination:
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akatsuki-shin · 4 months
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"So for Geto it's mostly that I don't like villains with a bigoted ideology and he's too incompetent to even fall in the "love to hate" category. Really, the worst thing a villain can be is incompetent and Geto in Vol 0 is barely better than your average disney villain. Doesn't help that he never gets pushback on his ideals. Gojo tells him in Premature Death that killing people is bad, but that's it. He spouts his bullshit about how genocide is totally necessary and Yuuta stands there like "idk you might be right, but you want to kill people I care about and that's the real crime here". Nobody really engages with his ideology except Yuki I guess, but that was before he became an antagonist. I could forgive that to a degree if he was at least a real threat, but he isn't.....You don't get any of that with Geto, he's not even fun to hate because he barely provides any pushback. He's a bad villain and I dislike him as a person as well. His descent into embracing the superiority of sorcerers and resolving to kill all non-sorcerers was well written, but I don't feel for him at all. Good riddance to the guy, I'm glad he's now dead both in body and mind."
I just found this post (kinda sad when read it), can I ask your thoughts, please?
Thanks so much for your JJK posts (especially about Getou and Gojo), love to read them....
When it came to Geto (and SatoSugu), I think the biggest difference between me and most other JJK fans is that I start from doujin, headcanons, and fan analysis about them before I started consuming the canon materials.
I have friends who are avid shippers of those two and regularly shared their contents. Plus, I got commissioned to write their fic, which required me to research their dynamics and canon details.
So you can say I went into JJK after already knowing full well what to expect, why this is like this, why that is like that. Perhaps this is the reason why I can feel so much about Geto because I already read everything there is to know about him, from his "golden days" with Gojo to his descend into villainy and his death.
Despite all my screaming and fangirling about JJK (and SatoSugu in particular), I actually have a lot of personal complaints about Jujutsu Kaisen itself as a whole, particularly from the story-telling aspect — which is why despite not agreeing with that post you saw, I can kind of understand where they are coming from.
To be honest, when I read the manga, I feel like the story-telling is rather all over the place. You have all of these flashbacks featuring this and that character, but as the story progresses, not all of these characters get the spotlight you think they will get after all of those focus they're getting in the flashback. And you end up not understanding "so wtf were those for?"
Even Gojo's high school flashbacks come abruptly out of the blue. You press that "next chapter" button and suddenly the flashback started out of nowhere.
So you can imagine my feeling when actually reading the manga. I was like "...huh? that's it? the doujin I read was more intense than that."
(in which case, I'm super thankful to the anime staff for including more contents and crumbs about SatoSugu's relationship)
Speaking from personal experience, there have been many times when I fall in love with a character not because of what I see in canon, but because the many interpretations and contents in the fandom through fanart, fan comic, headcanon, analysis, and fics.
Like with Choso, for example. I like him a normal amount but after seeing so many cute and funny fanarts of him being a bro-con to Yuji, he becomes one of the characters I love the most now because of how precious he is in those fanarts and comics.
When you're reading or watching something by yourself, there may be things you miss, things that you only start to pay attention to after you saw other people talking about it. Likewise, there may be things that you realize but other people don't.
For example, the foreshadowing in the anime where they always put Gojo and Shoko in the light and Geto in the shadows, hinting at his eventual descent into the dark path and separating him from his friends.
I think my experience with Geto and SatoSugu is exactly like this.
I already saw fanarts and doujins about his tragic fate. I already saw both his happy and sad days up until the moment of his death. I came into the canon material with a certain level of understanding and expectations about the character, so when he did something in canon, I was like "yeah, no wonder he did that, because previously he went through this and that."
And because of that, I am willing to look deeper into him, to analyze details about him. Because he is already that dear to me from the beginning, I don't have it in me to turn and hate him for what he did.
But of course, we are all different from one another, including when it comes to interpreting a story.
Maybe the person who posted that only consumed canon material, and maybe Geto as a character is simply not to their liking, who knows? I'm not going to say their opinion is wrong because mine isn't guaranteed to be right either. When expressing out review/opinion about a story or character, we can never discard our personal preference and bias, no matter how objective we try to be, and that's okay.
Each to their own. ^^
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katyspersonal · 9 months
Note
What do you think of Gascoigne and Viola?
Sorry for falling out on the cute ships headcanons asks, I am not used to receiving many;; But it is one of my favourite ships, actually! Not only because I am a huge sucker for ships that are actually established in canon, but also because they are just so... committed? Two children, in the middle of all this chaos?
🪓 Viola's dress is very similar to that of black Church saints/doctors, and I felt like it was an implication rather than devs being 'lazy', since not only there was an effort put into altering, but also Viola's model is unique so it is not like they reused a corpse. Whatever it is, but I think that both her and Gascoigne ditched the Healing Church - whereas still wearing the evidence of former affiliation to it. Gascoigne wears the holy shawl disrespectfully, like a shawl, and Viola cropped the dress for her convenience x) They are a sassy couple!
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🎶 I like to think Viola copes with reality through raw hope, more often than not vocal about her plans about 'what we do when nights of the hunt are over' and 'where will the girls go when they grow up'. Sometimes it makes Gascoigne angry as he doesn't believe in future anymore and he has to hold back from snapping at her, other times it is the only thing that can cheer him up. He struggles to form bonds as 'everyone will become beast anyways' but Viola prefers to cherish these bonds while they last! Whatever he struggles with, if she can tone it down that's what matters. This attitude calms him often, he wishes he met more genuinely good and hopeful people like her back when he was a Father back in his home place! Inside he's troubled that in his eyes he cannot offer enough in return besides protecting her at all cost since she is not quite a hunter herself lol. As result, he constantly does nice things to her, gifts and more chores help than required and getting her whatever she as much as casually mentions, not realizing that the nicest thing he could do for her is to 'slack' on the hunt at least sometimes...
🪓 The name for the younger daughter is Dorothy, and the older Sally! Suggested by @val-of-the-north, I liked the names!
🎶 Viola kinda pouts at Gascoigne (and Henryk, who I believe is the 'grandpa' that Dorothy mentioned) for bringing his friends (the League) over, because thanks to Valtr Sally fucking wants to become a cop now -_-" Whereas Dorothy is scared of him. Viola and Valtr are having sass battle about his "bad influence" on the kids, and Gascoigne really loves seeing Viola passionate and strict like this. He thinks she is the most adorable when she is protective of her children, in big things or small.
🪓 The couple is always welcoming other people who got disillusioned about Healing Church and ready to give them advice and assistance (or even temporary shelter and social resources, depending on how much remaining Church people were pissed at the "traitor"). Henriett is one of such people, actually! I also have this awkward headcanon that both Gascoigne and Viola had the complicated period of finding her rather attractive and wrestling with themselves to not invite her in their.... ....activities uhhh. They had Guilt TM about simping for someone while being married, it is all that darn Catholic past, man. The crisis kinda subdued though and for now Henriett is just a good friend of the family! She is even a lot like an auntie for the daughters, too!
🎶 I am not downvoting the interpretation that Gascoigne killed Viola - it still has a powerful gut-punch about what that darn blood and hunt does! And it would work with importance of Viola forgetting the Music Box that tends to calm Gascoigne. But in my headcanons, Gascoigne did not do that. @heraldofcrow quite sold me on the version that murdering Viola was all part of Bloody Crow's twisted plan to drive Gascoigne, Henryk and Eileen mad (in this order)! But even if that is not included, I think it'd be huntsmen that attacked her. In either case, in my thing, Gascoigne broke because Viola was murdered, rather than murdering Viola because he broke. I am allowed one 'forgetting Music Box was just a gameplay thing and some things are so nice that blood and hunt can't ruin them' ticket!!!!
🪓 Gascoigne was actually very much distressed when his body started to show signs of beasthood. Body fur, eyes irises going white in color and vision worsening, nails becoming claws, ears sharpening... He even wanted to leave the family and go die somewhere far away, for their own safety. But Viola, knowing his habits very well, was able to identify something wrong and managed to pull the truth out of him.. She reassured him it was going to be fine, optimistic person that she is, was very loving and accepting about his metamorphoses after getting him to show her what changed, kissed him where body went 'beastly', all that. Her love and optimism actually did win him some time before going more insane.
🎶 The Music Box is actually a wedding gift from Henryk! Playing Mergo's Lullaby, it was his link to his mysterious heritage, and the reason he sought Byrgenwerth's help back then. Henryk liked Gascoigne, but never thought to confess him and Gascoigne already turned out to be in love with his adopted daughter, which of course ruined his chances and he just kept the secret between himself and Valtr. However, when Sally was born, Henryk was so happy that his broken heart got mended. They are still on very good terms, though!
🪓 Gascoigne and Viola really love doing things together, and moreover, to teach each other what they're good at! Like how Gascoigne could teach Viola to chop the wood and Viola could teach him to do knitting and embroidery. As a result, they share skills, just that one is a bit better at a skill than the other. Their daughters actually copied the dynamic of their parents here - having mostly different hobbies and vibes, they also teach one another! It is about a good example.
🎶 This dress Gascoigne did make for Viola by himself:
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If it looks like it was created mostly from the curtains... well, it is because it WAS. Still, not bad for a guy who is supposedly only skilled at swinging his axe, is it? x)
🪓 They actually at times could spend hours simply chilling with each other, idly talking about good memories they shared or complimenting one another. In some days, Gascoigne will be aloof and irritable, too occupied with the thoughts of incoming night of the hunt, but even then he will be able to say a lot of nice things about how much he cares about the safety of her and the girls. They just do not get bored about ruminating on their relationship and how good their dynamics can be despite some conflicts. A type that would still have romantic dates even years into marriage in a happier setting. Again, because they just do not get 'bored'!
🎶 They both love books (Gascoigne even wrote some in his past, as a Father!), but at the same time enjoy different genres. What Gascoigne likes and wrote is more along Russian classic novels (Tolstoy, Dostoevsky, all that). You know, the Depressing Literature TM about society, war, politics, and singular people it effected. But what Viola likes is epic novels and often containing rather satirical, ruthless commentaries. However, in general Viola is about 'saying a lot with a few words' in a book, whereas Gascoigne adores the usage of full language's potential in detailed descriptions. They like discussing the books they like with one another, and sometimes their opinions on what makes a good book get so different that it becomes a passionate debate.
🪓 Viola is a type of a mom that would like her children to have hobbies and excell at something - music, art, sport, anything. And Gascoigne is a type of a dad that is concerned about his children, first of all, being street-smart and having practical skills in life. The daughters are growing up to be both resourceful and rich with interests! Lol don't you just LOVE the fact that the only way they could survive is if the Hunter doesn't even try to help? :')
________________
Thank you for the ask! I like this ship a whole bunch.
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olderthannetfic · 6 months
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Heyo, anon who was thinking about writing a Murdock/mannequin fanfic and asked about crack fics. I have realized that the term "crack fic" probably doesn't really fit the premise; I guess I was thinking about "fic for a (kinda sorta) crack ship" and my brain short-circuited that into "crack fic" (oops). Your description of "strange subject matter written in a standard way" does fit my premise nicely, I guess it wouldn't really be a crack fic then. The episode that ship is from also shows later that he genuinely cared about the mannequin and is really upset when it gets broken irreversibly later, so this is more along the lines of Murdock genuinely having a thing for and a relationship/an affair with this mannequin rather than just joking about it, so yeah, the plan is: strange subject matter but non-crackish depiction.
As for the definition of crack fics: the ones I have come across have been a) "usual/standard premise but intentionally silly/wacky (humourous) writing intended to be read as silly as if one had to be on crack to write it and to take it seriously" b) "strange/silly premise and intentionally silly/wacky (humourous) writing intended to be read accordingly as if one had to be on crack to think of the mere premise of the fanfic" c) "strange/silly premise and dead-serious writing as if the plot were the most standard and regular fanfic premise to ever premise plottily," so to say.
My personal definition would probably fall somewhere between a) and b), although I'd love to find more cases of c), as that sounds the most fun to read to me. Have also come across crack fics by middle/high-school students, and by that I mean people who wrote in their author's note stuff like "lolllz i wrote this during lunch break at school with a couple of friends and they dared me to post it so here you go lmaooo" (this is paraphrasing of course, but I have stumbled across multiple crack fics that have author notes like this).
Btw have decided to give it a go, so I'd like to thank you for helping me reach that decision! I was unsure whether this idea would be too silly to write, but then remembered that no amount of silliness can stop me from making fictitious people and fictitious mannequins smooch, ha! (Also am going to look for that Care Bears fanfic, that sounds like fun, so thank you for the recommendation.)
Another btw: I am no longer thinking that Murdock's potential depiction of potential interest in guys is just a joke... Have just seen "There goes the neighbourhood" (4x10), and pretty close to the beginning, they're deciding to leave with a client and her friend/boss is staying in the room, so they're saying their goodbyes and then exiting the room, and Murdock is the last to leave, and he says, "Such a pleasure meeting you, let's do lunch!" and puts on his hat and charmingly smiles at the guy, and then the camera is on the guy who does look interested. I am deciding to categorize this interaction as "not-subtle-at-all flirty encounter," and now firmly believe that either the character was written/directed as bi/pan or bi-curious (considering how much cheek-in-tongue innuendo and humour the show has, I wouldn't be that surprised if they'd decided to subtly and not-subtly get a non-straight character past homophobic film/TV censorship of the 80s) or the actor decided to portray him as interested in guys without the studio/director/whoever-decides-stuff knowing or approving, heheh. (Or the actor just felt like flirting with or hungrily staring at handsome guys, which I also respect lol.) Let's just ignore that I gravitate toward rarepairs and that that probably means I tend to interpret stuff as romantic/sexual interest innuendo that's not actually meant/written to be interpreted as such and that most other people don't bat an eye at, and that that probably means my interpretation is total bullshit, ahem. XD
Also wanted to say thank you for letting me ramble about this specific headcanony stuff from a circa 40yo TV series and unload my silly little thoughts and probable over-interpretations into your inbox. (Holy shit, this ask got long. Sorry for that!)
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"Crack treated seriously" is how people often talk about option C.
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darkcircles4lyfe · 2 years
Note
Just wanted to say I absolutely love all your meta on bkdk! I wanted your opinion on chp 348. As much as i love the fact we didn't get the izuocha confession, tsuyu's dialogue made it seem like it'll be just be happening later. And also the fact that the chapter was titled unrequited and hence we didn't get it has been nagging me with the addition of katsuki's narration. Does it mean his will also be unrequited? I know that they had other opportunities but maybe hori wanted uraraka to first have some development as a character individually rather than just reducing her to the romantic interest. As much as i wish bkdk to be canon, it's a slim possibility. No hate but I'd rather have a open ending than izuocha getting together (even if there's development implied with timeskip)
Thank you!
Tsuyu basically saying she doesn’t want people speaking about a secret her friend holds dear is. I mean yeah it doesn't look promising. Tsuyu strikes me as the discreet bff character who Ochako has probably confided in about how she feels. But just because her statement more or less confirms Ochako’s crush, that doesn’t mean Ochako’s going to confess her feelings. She never once mentions wishing she could be with Izuku or wishing he knew how she felt. So I think there’s a good change she decided she didn’t want to pursue her crush, maybe because it distracted her from her career goals. She may have told Tsuyu this as well. Based on how she’s been acting since Katsuki’s apology, it even feels to me like at this point she’s not only “pushing her feelings down,” but gotten over them entirely. She witnessed Izuku’s flaws and no longer idolizes his heroic qualities. She heard Katsuki talking about deeply personal parts of Izuku’s past and probably realized she doesn’t know Izuku as well as she thought she did. Both of those revelations are a major mood killer for romantic feelings. 
To address the rest of what you said, ya know I’ve contemplated the angle of like, is all this Horikoshi simply teasing izuocha for an even later moment? People who actually think the ship is gonna sail must be interpreting it that way. It’s like one of those optical illusions where you can see one of two images—like faces in profile vs. a vase, or a young vs. old woman. Izuocha looks canon and non-canon at the same time. Every moment we may think of as denouncing the ship, others may see as adding suspense. The classic will they/won’t they storyline is kinda odd in that it’s built on this suspense, but in a way it also relies on the audience being in on it to some extent. There’s an unspoken understanding that the couple will get together in the end. The audience is asking “how will this work out?” and not “will this work out?”
But listen, I write on this blog partly because I’ve decided it’s important to me to help ease the type of pessimism you’re describing. I want y’all to feel more confident, knowledgeable, and at ease about interpreting the story. Never mind just 348 though, I’ve already pretty much gone over it in depth. These days I’ve been looking back at the bigger picture with some hindsight and I think I’ve found the root of why this seemingly predictable ship is not what it seems. So if you don’t mind, I’d like to get into that instead. 
We can assume the ship is built on this premise: Ochako is someone who wants to help others and make them smile, and Izuku is foremost represented in this goal. Thus you can track the progression of their relationship by the moments when Ochako has helped Izuku out and by the development of Ochako’s motivations. Here is a basic timeline:
1. Ochako and Izuku meet. She saves him from falling twice with her quirk. Later she also intervenes to get him points in the entrance exam and ultimately an acceptance letter into UA.
2. They become friends, and Ochako is seen to be a general source of positivity
3. She helps him on a number of other occasions, including during the sports festival cavalry battle and joint training.
4. Independently, Ochako is impacted by the loss of Nighteye and by witnessing trauma and diminishing morale among other heroes. She applies these experiences to Izuku, seeing him for his frailties as a human being.
5. In the mission to bring Izuku back from self destruction, Ochako fully expresses this perspective. This is the climax of their subplot which is based on Ochako helping Izuku. It’s even symbolized in these panels flashing back their first meeting:
This is the entirety of their personal connection which can serve as a foundation for a romance. This is what they have. This is where all the preparation is. As the author of a story like this you’s think, okay, here is the theme, which I will establish and develop in stages. Once it has all come together, emotions between these characters are ripe for the picking. In the wake of a highly emotional full circle moment like Ochako’s speech, you take all of that stored energy and propel the relationship into a brand new stage. The climax of a story is followed quickly by a resolution because you don’t want to lose all of that momentum. Once the energy level is down, it’s down. It won’t come back up without starting over on the long trudge up the plot mountain. For izuocha’s plotline which revolved around how Ochako helped Izuku, the resolution happened at the cliff scene. And Horikoshi just. Let it all go. Nothing of substance to change the state of their relationship happened there. Izuku thanked Ochako for helping him. She dismissed it. I’ve had that panel stuck in my head ever since:
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There’s awkward (translation?) phrasing here, but basically she’s saying “you always make a big deal out of nothing.” That what she did for him wasn’t anything super personal. Pay no mind. It really sticks out to me. It feels like it’s making a point. That single dialogue sums up the whole izuocha romantic plotline and tosses it in the trash. Literally, with this Horikoshi has thrown away what little build-up and opportunity he had to work with. The ship is back at square one. What else do they have to look back on now, to say, “hey, maybe we got something going here?” Nothing! When else is Izuku ever gonna develop a not-so-platonic appreciation for what she’s done for him? When else is Ochako gonna fess up and explain why she cares so much about him?
If you ask me, 348 was the last possible opportunity to squeeze that in, so now that Izuku has left the scene of Ochako’s fight, it’s clear the two are now on totally separate trajectories. Ochako’s fight might contain mentions of Izuku, but it will not involve him directly. With the context of izuocha being anticlimactic, 348 doesn’t look like a suspenseful tease, it looks like Hori making fun of people’s expectations—ya know, for making a big deal out of nothing.
Arguments in favor of izuocha happening have always been pretty thin. There just isn’t much to work with. But now more than ever I see a complete abandonment of canon in favor of the old, “this is just how shounen manga works. MC has to get with the girl.” It’s like, they literally have nothing else to back them up anymore. It’s probably gonna get even more common as they start to act more and more like indignant whining toddlers who aren’t getting their way. I’m gonna hunker down and wait it out, and hopefully at the other end of it the fandom will be a bit tamer.
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tsnbrainrot · 5 months
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now that the three specials are over, i got a bit nostalgic and watched some eps from season 4, but then i just decided to do a whole rewatch of classic rtd.
i just finished the girl in the fireplace, and i know its been said before but wowzers it really is modfat's prototype for the doctor/amy/river era, huh.
i havent watched it since the first time which would have been in 2010, and even then i remember how struck i was by how out of character the doctor felt, and how out of place the episode feels tonally. like when the doctor realized he was stuck in france, its like he completely forgot rose and mickey were trapped on an empty space ship, didnt even spare a thought for them. and they felt like two kids he was babysitting the whole time rather than actual companions.
it made me realize that part of what makes blink and family of blood so good was that the actual doctor was barely present so he didnt have a chance to mischaracterize him lol
oh boy oh boy do i feel all of that anon !!!!!!!!!!
you're right: it's been said to DEATH and by more eloquent people than me, but looking back gitf truly was a giant red flag re: some unbearable m*ffatism (as was the library two parter lbr). which is kind of funny because, despite being a HUGE tenrose girlie, 15/16 yo me looooooved that episode back when i first watched s2. but i feel like with every single rewatch since that first one i get more and more and more annoyed by it. m*ffat hated rose and it really shows etc etc. there are still some elements of it i really enjoy (the monsters kinda fuck and the concept of them trying to fix the ship with human parts is great, as are the whole time window thing. i love when eps blend historical & futuristic. also the soundtrack SLAPS). and i do think as a tenrose supremacist there's a lot of ways to interpret it that REALLY works for their relationship: it's right after the sarah jane ep and the doctor being truly confronted with rose's mortality/having to potentially leave her/lose her like he lost sarah for maybe the first time. (at least the first time as ten??) so him bringing mickey on board and then flirting with someone else to put distance between them/hide from his feelings is something i can work with. and it also works as a condensed echo/parallel of what tenrose's romance MEANS for the doctor; a blink of an eye and she'll be dead. but i dont think that was intentional on m*ffat's part. i'm just doing the heavy lifting.
overall, there's just a bunch of moments where you're kind of going: wtf the doctor wouldn't say/do that ????? even if he wasnt in love with rose (which he IS), he'd CARE that he left her alone. i can buy him leaving to save all those french people cos he wouldn't let innocents suffer.... but he'd be UPSET he lost ROSE and THE TARDIS??? it's bullshit. but then, i hate the way m*ffat writes ten in general (dont get me started on the 50th). and tbh i STILL don't understand why madame de pompadour even ends up falling for the doctor in the first place? it's completely shallow and superficial, like most of m*ffat's romances. it's like he's always trying to write a love at first sight/fairy tale story but he doesn't give it much substance so you're left with something completely hollow. it's emotionally empty.
anyways, he was much better at writing standalone eps than showrunning (imo), but even they haven't aged as well as some others rip.
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ftpverse · 9 months
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SHADITUDE an early DI Shad Mix
for the asshole, the cocky teenager, the guy who thinks he's hot shit
(or, that's what he SAYS, anyway,)
--
-> [ listen ] <-
tracklist + liner notes under the cut
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dragon rider - tsfh (instrumental)
gives you hell - all-american rejects truth be told, i miss you truth be told, i'm lying (when you see my face, i hope it gives you hell)
bad reputation - joan jett & the blackhearts and i don't give a damn 'bout my reputation never said i wanted to improve my station
i don't care - fall out boy i don't care what you think as long as it's about me / say my name and his in the same breath i dare you to say they taste the same
hello - courtney love shut up i'm about to tell you about the difference you will never make
crushcrushcrush - paramore if you wanna play it like a game well, come on, come on, let's play ('cause i'd rather waste my life pretending than have to forget you for one whole minute)
do you want to fight me - venus hum you're eighty pounds of wreckage in a mason jar you're a bit combustible, don't break
crusher - free refills i'll walk all over you with my leather boots break your heart in two, that's what i wanna do
doopliss theme - ZMiX (instrumental)
confident - demi lovato it's time to get the chains out is your tongue tied up? 'cause this is my ground and i'm dangerous
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some other misc thoughts:
shoutout to all the ppl on main who gave me song suggestions for this; not knowing what it was for
and also magik for talking me into crushcrushcrush. i got so fuckored by it even tho this is supposed to be the angst-free playlist lol. i THOUGHT about putting misery business in here but while very funny as a concept i couldn't quite abide by the lyrics. i just couldn't... (too romance-focused, not even fitting at all, though very fun to imagine him and kairi singing together in [gesturing] the future or whatever. tho i wonder if kairi shared music with him while they were regularly meeting on the beach. honestly no way she didn't? fun little bonus scene...)
had to put a courtney love song in here after realizing 1) how cornerstone she was in the grunge scene, 2) that shad would love her music
''do you want to fight me'''s quoted liner notes are meant to be shad @ sora. but you can read them however you like :)
i put the demi lovato song in here because 1) it worked 2) shad would unironically listen to it. and think it rules. one of my longest-standing canons about his music taste that is he is a sucker for female vocals. i had to! i simply did!!!
i bitched about the og mix being 8 songs of which 3 were instrumental . and then kept 2 of the 3 instrumentals. look! i couldn't not keep the doopliss theme remix! okay!! first of all its JUST SO!!! ITS SO!!! second of all i needed something to help me transition into confident, which i refused to cut
other than the instrumentals i only preserved 2 other songs from the og mix - tho half a mix is pretty solid, i guess. still felt like i was scrambling for a hot minute tho.
the four i cut were:
1) the third instrumental (which was fine but that's SO MANY instrumentals, and also it was ONLY fine)
2) the only possible interpretation of it was his crush on kairi being Weird - even if i tried to reframe it as about sora it'd still kinda be weird. ITS HONESTLY EXTREMELY PINING. WHICH ISN'T INCORRECT BUT IS LIKE. THE WRONG TIMELINE FOR THIS MIX. BAD NEWS THE LYRICS DID FUCKOR ME THO
3) angst, in the mix i didn't want to have angst ((or at least to not swing away from being mostly uptempo and SOUND confident, even if there's layers of angst underneath))
4) ANGST THAT WASN'T EVEN LIKE ACCURATE TO HIM AS A CHARACTER. I HAD TWO OTHER BETTER-FITTING MCR SONGS I COULD HAVE - AND DID ELSEWHERE!! - USE FOR HIM SO. WHY DID I GO WITH THAT ONE? HELLO???? TO WHAT END???
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drakewing-duck · 1 year
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I’m kinda curious as to how Copperbeak was conceived, how did Goldbeak and Celia Cruz first meet and was it one night stand by accident or did Goldbeak have an affair with his mother behind his wife's back? What was his reaction when Celia told him she is carrying his child?
Well, for starters, I have to emphasize that I wrote GoldBeak to be very very VERY entrenched in heteronormative/amonormative societal norms. Aka, he has to act exactly as it is expected for a super rich, white, cishet man to act in the face of the public, and upholding his family's status and image takes priority over all else. Therefore, for him it is very important to adhere to the nuclear family unit, and having a wife is a must.
Celia Cruz met him when she was in a bad financial situation, fresh out of college and in her mid twenties, so she was both desperate and young enough to mistake her gratitude for GB's promise of financial stability for love. Meanwhile, GB was around 26-27 and in the process of becoming family head, so he was already falling into the mindset of upholding apperances and decided to choose Celia, someone he viewed as an intillectual high-acheiver and one of the few people he became aquanted with through a group project, as a suitable wife.
However, they broke things off very quickly as Celia realized what GB wanted was someone who can act the part of the high-class family spouse, rather than an actual, natural relationship based on mutual love and flexibility, and that her feelings were mis-interpreted and short lived. They were only together for a month at most, but that's the timeframe of Copperbeak's conception. After they broke it off, GoldBeak promptly found himself another wife (Willia), and a bit over a year later Steelbeak was born.
Addressing the latter half of your question, the news of CopperBeak's birth only came a bit after their breakup, and Celia did give him the news in person- I would describe his reaction as pretty devoid of emotion really, almost buisness-like, as he only seemed to view this in terms of family power expansion and possibly having an heir. This is the point when Celia actually started despising GoldBeak and realizing he was rotten to the core, only viewing him as a uncomfortably strict and slightly frustrating before- as her pregnancy progressed, they started butting heads over custody and fighting each other in court. Unfortunatley, GodBeak's wealth and power got him just what he wanted, and a majority of CopperBeak's early childhood was spent with GB. But the older CB got and the more apperant it was that he wouldn't mantain status over all else like his father, GB lost interest in him as a family asset and essentially let Celia take him in instead.
So, in short, GoldBeak will do anything to solidify his social standing and his family's power and that's basically all his motivation is gonna be. Celia was overwhelmed by her problems and emotions, therefore accepting a seemingly wonderful deal without thinking too much, and only a month later learning that neither was gonna become what the other wanted. Celia learned she was pregnant soon after the breakup, and told Goldbeak, who had already found a new wife to mantain the nuclear family structure- he interpeted this information as something that would benifit his family's status/reach, nothing more, and Celia started realizing just how shitty of a person he is. While she was pregnant, the two started having their custody battle, and CopperBeak ended up living with his dad for most of his early life.
Hope this all makes sense!! Don't be afraid to shoot more questions, sorry this is so long
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oviids · 3 years
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pls share some of your spn fic recs 🥺🥺
ok, a few things first:
followers and mutuals who do not have supernatural brainworms, kindly avert your eyes
i don’t normally rec or even read much fanfic any more but this is a CRISIS ok (cont.)
there is so. much. content for deancas out there and i have incredibly high standards, several ancient ao3 bookmarks, can speedread, and want to spare you guys the experience of wading through it all.
i also have a section for spn femslash since I was pretty into that back in the day (sadly a lot less fan content for this :/)
I don’t really like au’s or pure smut (I honestly usually just skim or skip those scenes) so if you’re mainly looking for that kind of thing this probably won’t be very helpful to you. jsyk.
i’m not great at describing stuff but i’ll do my best, i’ll also try and add tw’s when neccesary.
i wil try and keep updating this with any other decent fics i find, feel free to rec stuff too since i’m like 7 years behind.(edit 1/25/21) this is getting looooong so i’m going to start making another list on my spn blog rather than update this one
(edit 1/3/21) since this has gotten pretty long i’ve added rating/approximate word counts and marked my particular favorites with an asterisk.
Dean/Cas fic:
So Says The Sword*** - explicit/85k. FUCK its good...au/time travel where dean is not pulled out of hell by cas and says yes to becoming the michael sword. honestly could serve as an alternative to actually watching the show, if you want to get into dean/cas without actually doing that to yourself.
Fata morgana.*  - teen/6k, pst s9 finale. very bela centric and i love it, she finds cas looking for dean in hell.
Redemption Road -misc/600+k. an incredibly long fic from a collaborative writing group back in the day. canon divergent from the end of s6 on, has a cool take on godstiel and the leviathans, as well as the lovecratian mythos connection. ngl when i reread it i only made it about 28% in but imo the casual reader can actually stop around there, the rest concerns a lovecraftian apocalypse that is still good (i think i don’t remember it very well) but not required to enjoy the first half. if you prefer i have an ebook version i can send you on gdrive.
Someone Who's Feeling For Me* - mature/45k, s12. they run into lisa braeden and dean thinks cas is into her while cas thinks dean still likes her. treats lisa way better than the show ever did and the miscommunication is pretty funny rather than annoying.
a turn of the earth - mature/95k. time travel fic where cas from s10 keeps showing up in deans life from a few years before s1 to right before the hellhounds take his soul.  slow burn, good character study, and at one point cas punches the dad in the face and it rules.
On the Wings of War - teen/85k, canon divergent s5. dean accidentally becomes the Horseman of War. plays fun, fast and loose with biblical lore, michael has some rights.
Named - mature/95k, alternate s5. EXTREMELY blasphemous in a fun sexy way. manages to predict metatron almost to a T. there’s one major character death and its literally jesus christ, everyone is very sad about it and it sets the rest of the story rolling. an alternate interpretation of cas’ mission to raise dean from hell which had me on the floor. ngl its kind of misogynistic at points, but its from 2010 and tracks with late oughts-2010 spn (sorry anna the author did you dirty here:/).
The Girlfriend Experience - explicit/15k. uhhh i don’t normally rec or even read smutty stuff unless someone i know is specifically asking for it but this has stuff like sam trying to be a good ally and dean thinking holding hands with cas is ‘kinda gay :/’ minutes after having gay sex with him.
i crippled your heart a hundred times - explicit/19k, s8. cas confesses his feelings and dean spends a long time getting his head out of his ass about it. truly hits different after the actual confession, despite being written six years early it feels like its actually what could have gone down more or less if the writers weren’t talentless demons who hate us.
My Roots Take Flight** - mature/125k. reverse au where cas is a hunter and dean’s an angel...OR IS IT???? an alternate retelling of s4. tw for briefly being set in a psychiatric hospital/the hospital being mentioned somewhat frequently throughout the fic, plus more references to torture in hell and heaven than usual.
The One Thing You Can't Lose* - teen/4k.you know those posts about how cas is a super-strong super-tough ancient warrior but he just lets dean tug him around because he likes it? thats it thats the fic.
Hands, From Which All Things Are Built - teen/14k, post s8′s ‘goodbye stranger.’ cas is on the run with the angel tablet but keeps in touch with sam and dean by text, he and dean still manage to be terrible at Actual communication.
Autrement, Danger - or, The Account of an Exceedingly Long Day - mature/30k, post s11. a monster that takes the appearance of your soulmate leads to some wild miscommunications and dealing with years of repression, also dean gets to see cas’ true form which is always cool. tw for non-graphic mentions of underage sexual assault/sex work.
Down to Agincourt - mature/explicit/900++++k, endverse continuation. endverse!cas survives his encounter with lucifer and discovers another time-displaced dean from s7. i’ve only read the two of four parts but its really good, veeeeery slow burn, has a lot of fun oc’s and takes a rather surprising but (imo) entertaining and intriguing turn into Hellenic history and mythology. usual tw’s for endverse/endverse!cas but nothing graphic, it’s actually pretty light-hearted (relatively speaking of course).
Nothing Equals the Splendor** - explicit/8k, THEE finale fix it fic you’ve been waiting for! posits that the entire final episode was just a (very bad and lame) djinn’s vision.
like moses and batman and james dean - explicit/31k, post s8. explores dean’s trauma and internalized homophoba from his technically canon experience with sex work and its impact on his relationship with cas. the sex work itself isn’t really shown in any detail but it’s still a relatively heavy fic.
Crazy Diamonds - explicit/25k, s4/alternate s14. fresh-out-of-hell dean and dean from 10 years in the future are displaced from time and sent to each other’s present.
where the weeds take root - explicit/30k. au where the men of letters kick them out of the bunker and they accidentally move out into the country, get over their codependence and semi retire. featuring chicken coop building, sam volunteering at a dog shelter, gardening, and blissfully mundane domesticity.
No Resting Place - teen/6k. djinn dream fic, switches back and forth between cas’ dream of being married to dean and retired from hunting to the aftermath when he wakes up. tw for brief mention of suicide since, y’know, djinn dream.
any port in a storm - mature/52k. post s8 finale. cas and dean have to pose as a couple going through a rough patch for a case and actually deal with their emotional baggage, cas struggles with being human and metatron is up to stuff.
all this and heaven too* - explicit/7k. in the author’s own words ‘...a love letter to every trans person who ever projected onto Dean Winchester.’ absolutely unzipped me emotionally and theologically, its just. so good. tw for very brief mentions of internalized transphobia/dysphoria.
Because it is* - mature/6k, finale fix it. killing chuck does not bring back anyone back and the winchesters spend a very long time dealing with what they’ve lost, cas and dean SOMEHOW still manage to have signifigant communication issues even after the confession. tw for suicidal thoughts/brief attempt.
Vena Amoris and Other Old-Fashioned Bullshit* - teen/4k, s6. when cas fell for dean it automatically soulbonded/angel married them, shenanigans ensue when dean finds out during the angel’s civil war. funny and actually written back when s6 was airing so cas is still (or at least pretending to be) kind of an OP asshole which is fun.
Rinse, Repeat - teen/3k, s8. angsty character study of cas as he’s reprogrammed and trained to kill dean. not really dean/cas since its just cas’ pov of canon events but its beautifully written and ends with him snapping out of it through the power of love (also now a canon event!).
Emergence - explicit/59k, canon divergent after s11. dean meets a hunter he only recognizes as their friend claire novak’s missing father, but soon realizes he might be the answer behind the mysterious void in his memories and feelings (aka everyone’s memories of cas are completely wiped away for three years).
Cuckoo And Nest - explicit/10k, early established relationship/character study, cas tries to figure out how he fits into dean’s life and space in the bunker.
Build a Home* - teen/20k, canon divergent s12. sam and eileen are cute and turn the bunker into men of letters/hunters hq and everyone but cas moves in, mutual miscommunication issues and pining ensues.
Down in the River - teen/5k, early s8, cas prays to dean in purgatory while sam and dean try to figure out a way to get him out.
Teaching Poetry to Fish* - mature/52k, ?? BC through the entire series/canon divergent s14 and 15. retelling of crucial scenes throughout the shows timeline from cas’ pov, feat. actual fish and poetry.
the minor fall, the major lift - gen/4k, post confession/finale fixit. dean goes into the empty to save cas and runs into several old friends (and enemies).
With the Kisses of His Mouth* - teen/3k, gen later seasons. dean and cas keep kissing by accident.
Remaining Grace - explicit/109k, alternate s6. au where cas asks dean for help with raphael and dean, of course, does. tw for temporary major character death/semi-graphic depictions of alcohol withdrawal.
The face of heaven.* - teen/10k, au, dean is a regular guy and cas is a fallen star (think ‘stardust’, kinda).
Stories Are Made of Mistakes*  - teen/5k. newly human cas has trouble getting used to a human body and humanity in general, but still figures out that he and dean are A Thing before dean does.
Hurry Up And Wait - mature/21k, canon divergent s12. a fairyland and quite possibly LOTR related case comes up and dean goes full fanboy, mary is introduced to the wonders of the peter jackson adaptions, many references and comparisons (including between cas and dean’s ‘friendship’ and arwen/aragon). also charle is still alive and has just been doing fairy stuff this whole time.
There Are Many Things - explicit/28k, s9. cas is extremely lonely/touch-starved and trying to figure out this whole human thing, as well as where he and dean stand after being kicked out of the bunker.
It's A Long Life to Always Be Longing - teen/40k, post s11 finale. amara helps dean by putting him in a magical coma so he can finally get some much needed rest and show him possible futures for him, sam and cas. meanwhile sam and cas go on a roadtrip (or several) to find componets for a spell to wake dean up. really good sam and cas friendship, they actually talk about their shared lucifer trauma and stuff.
Non-Photo Blue - gen/2k, s4/5/alternate s5. fifty moments from cas’ memories of dean.
Tall Grass - explicit/57k, canon divergent post series. cas becomes the ultimate plant dad. feat the wayward sisters gang, cathartic character growth, fun oc’s, domesticity, and lots of actual botanical info-dumping.
on vessels - no rating/gen/2k. established dean/cas, cas tells dean about how he used to imagine what it would be like to have him as his vessel.
search for tomorrow on every shore* - teen/11k, post-finale (extremely derogatory). some angels in jack’s new heaven act out and dean gets temporarily resurrected in 2003 and runs into his younger self.
Architecture of the Minotaur’s Heart - explicit/45k, very canon divergent post s1. dean’s new house seems to have a life and mind of its own, while in his dreams he sees glimpses of a world and apocalypse that never came to be and an angel that looks strangely like his mysterious neighbor, cas. loosely inspired by the book house of leaves (which i highly recommend for fans of weird horror).
The Distance Of The Setting Sun - explicit/17k, post s5. established dean/cas relationship, team free will finally takes advantage of cas’ abilities to go on vacation around the world.
diamond star halo - teen/5k, s11. dean lets cas use him as a temporary vessel while he recovers from rowena’s spell, sam is a long-suffering third-wheel.
Make Known** - teen/16k, s6/7. dean struggles to understand how cas could have become his enemy and whether he ever truly knew him in the first place.
blunt little instrument* - mature/1.4k, post finale. dean finally confronts his father in heaven, very cathartic.
my heart a compass*** - teen/10k, post confession. the empty forces cas to re-experience his most regretted moments while dean tries to snap him out of it and bring him home.
A Crash Course in Someone Else's History - teen/11k, s6. cas from the very start of s4 is brought forward in time by s6!cas to distract the brothers from his and crowley’s plans.
The Cuckoo Father - mature/8k, s7 au. the woman who found cas in the river post-leviathans does not marry him bc he was sent to her by god or whatever, but actually identifies him as jimmy novak and sends him back to claire and amelia.
The Dead Dean Clause* - teen/5k, post alt s5 ending. team free will celebrates surviving taking down lucifer by getting blitzed, cas lies to a cop and gets an impromptu driving lesson. title/description sound dark i know but it’s actually very funny and light.
Suck It, Judy Garland - mature/20k, s12 (after the ‘i love you...i love all of you’ episode). cas and sam have to pretend to be a couple for a case and dean is NOT happy about it.
By Daylight and In Dream - teen/16k, s5. pre-dean/cas, dean invites cas to use his dreams to hide from the other angels. tw for very brief mention of a memory/dream of alastair sexually assaulting dean.
The Five People You Meet in Heaven - mature/22k, post-canon. an actually happy (if sometimes bittersweet) heaven endgame written several years ago, though some details are rather eerily similar to the show’s ending.
heaven is a place on earth* - teen/2k. dean’s pov of some of the times cas left him behind throughout the show, and one alternate ending where he finally gets to stay.
I Cleanse The Mirror - teen/20k, alternate s6. dean’s body is stolen by an ancient elemental and his soul has to hitch a ride in cas’ vessel.
an exploration of gender; angelic*** - mature/4k. *oscar isaac voice* lets get into angel gender politics!! aka cas is trans.
Zenith - explicit/33k, s9. after 9x06 an angry witch curses cas with the ability to see supernatural beings and human souls.
La cucina. - gen/3k, alt s9. dean goes wild helping a newly-human cas find out what kinds of food he likes, or the early s9 domesticity we deserved!
Dean Winchester, Cocksucker at Rest***** - teen/7k, post-finale. john and mary finally come over for dinner and john reacts to dean/cas in a rather predictable fashion. SOOOOOOOOO good omg, its so funny and a little sad and very very cathartic. part of a series that has a few other really good short fics.
The Way You Didn't Go - teen/5k, s15. coda to 15.09, dean has nightmares about the moc!cas timeline.
On Drowning - teen/28k. dean saves cas after he nearly drowns, they both try and deal with the physical/mental fallout (aka the fic where thee iconic “you only touch me when you think I’m dead or dying” originates). tw for realistic depictions of drowning/triage/misc medical information.
The Thirty-Six Questions That Lead to Love* - mature/13k. claire has dean and cas pretend to be her gay dads for a case and they play the titular 36 question game, get mistaken for swingers, and birdwatch, among other things.
Assorted F/F stuff:
Deep Breaths* - mary/ellen, au where mary said no to azazel’s deal and let john stay dead, still becomes a milf.
Like Rebel Diamonds - krissy/claire, they become hunter gf’s on the hunt for cas to kick his ass for taking jimmy. not-so-stealth dean/cas as well.
To Ash and Bone - anna/ruby, same author as the previous fic (p much all of her stuff is good from what i recall). au where ruby is a witch and helps anna when she’s cursed.
Holy Clockwork Angels - jo/ruby, STEAMPUNK au with very cool worldbuiilding.
At Day's End - jo/anna (my fucking KINGDOM for more jo/anna content, the dean/cas parallels are allllll there), au where they are both at the camp in the endverse and gfs.
these posts - ok so not actually a fic but i’m now obsessed with this hannah/meg dynamic.
Tagelied - mary/ellen, the true story of how ellen got into hunting before angels interfered.
Hell's Bells** - meg/abaddon, alternate s8/9 where meg survives crowley’s attack with sam’s help and teams up with abaddon (who she has a sk year old crush on) to take back hell.
The Ecstasy of the Rose - anna/ruby, anna travels back in time to escape heaven and becomes a signifigant part of ruby’s old human life.
Angel Underground - anna/jo, kind of an urban fantasy au with a very intriguing premise (sadly its very short, i’d love to see more if this ‘verse).
Clover, Flame - billie/mary, billie was always the reaper that showed up to take mary after her death(s) over the years.
Drag Me To Heaven - anna/ruby, a variant on the ‘last night on earth’ thing with dean.
Come Home* - jo/anna, canon-divergent au where anna is the new waitress at the roadhouse and helps jo set up a (probably not really) haunted house for halloween.
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sxfik · 3 years
Text
let's talk about episode 16 and why it confirms solhwi endgame
back to masterlist
a/n: as always, this is just my opinion and what i interpreted from episode 16! some of this might be a stretch (or wishful thinking lol) but ya know, feel free to start discussions etc.
just through my time scrolling here on tumblr and on twitter, i've seen many viewers be disappointed with the last episode and it's lack of confirmation for solhwi (and also like understandably so, we'd all love to see a more "firm" confirmation). but i genuinely think that this whole episode was a confirmation of their feelings for each other, that there was something there.
the most important thing to remember about this show is that it is not a romance. the main plot is centered around the mystery but also these students learning how to navigate the law and trying to show the different sides of the law (ways the law can be used to help vs. ways the law can be used to harm). we, of course, also get to explore the relationships of the group with their family, their professors and with each other. so overall, i think we can all agree that we weren't going to get an "explicit" confirmation of their feelings for each other.
i think one of the things law school does really well as a show is that it doesn't give a "perfect" ending to every story. for example, in many shows, we see every plot line resolve in the show with no open endings and in general, it ends up all resolving with in the span of two episodes. but with episode 16, especially the ending scenes, we see that not everything is resolved. we don't get an answer for every single mystery, such as seung-jae's story line or the full extent of professor seo and assemblyman koi's relationship. what we do get instead is a "set-up" to show or hint at how the relationship might develop in the future. this also applies to the relationships within the story: for example, we don't really get a full ending for kang sol B's issues with her family. rather, we see that they are going to therapy and working it out together. we don't get a true ending to the court case with ji ho's dad. even with kang dan and her story, we don't get to see a "full" resolution to it, but we do get a hint/a sense that everything is on track to be resolved. many people might argue that this is a sign of bad writing but i disagree. i believe that this is realistic writing, because the issues that are faced by the students in the show is not resolvable in one year and neither are their relationships.
with that in mind, i would apply the same logic to solhwi. like i said, i didn't think we'd get a kiss scene or anything similar to that in their 1L year. through this season, we are tracking joon hwi and sol A's relationship as it grows from classmates to acquaintances to friends to in like to in love (especially for han joon hwi). if you go through and rewatch the show, you can see that as the episodes go on, we see han joon hwi and sol's relationship develop into something that is based on trust, care, appreciation and communication.
i've seen many people say that we've over hyped their relationship in the last couple episodes but i don't believe that's true. i believe that the show is trying to display that both of them are falling for each other, they're both seeing each other in a "new light." for joon hwi, that moment came much quicker; like i said in this post, joon hwi is realizing the extent of his feelings towards her when he says that he owes her. and this last episode proves it! this whole episode we see the camera focus on han joon hwi's reactions and his love for sol, except he's actually aware of himself. earlier, the reactions came out without him realizing or being aware that he's in love with her. but this episode? he is aware of his feelings for her. throughout this episode we watch as his admiration for her grows louder and louder, from smirks and soft smiles at her to appreciation for her knowledge and talents. we see the hint of defensiveness cross his face when ji ho insults kang sol (which by the way definetly felt more like ji ho was taunting joon hwi that he was actually insulting kang sol). even sol B knows when she asks to start but he makes her wait for sol A.
and in the end, we see that sol is realizing her feelings too. i believe for her, the change came through ye-seul's trial. some part of her always loved his company and his friendship but after the trial, and their friends teasing their jealousy, i think sol definitely took more note of joon hwi. i think it's evident in their 1L year in this episode, the looks of appreciation she gives him, the way her eyes seem to always land on him in the end. and ESPECIALLY the courtroom scene where sol and joon hwi were practicing her argument, we can see her feel the tension and his presence as he grows closer to her, we can see her getting flustered and nervous around him in a the way you would with someone who's position is your life is graduating from friends to a crush. the beginnings of this episode definitely show that solhwi is starting to full on fall for each other.
THEN during their 3L year, we can see how they're full blown gone for each other. i genuinely think that at this point, they are in a relationship with each other and here is why.
one: the moment sol sees joon hwi walk by, she calls out his name asking him what he's up to. then when he responds "i want to wind down" she follows him. when they get out of the elevator, she says "you said you wanted to wind down?" and he lets out a teasing laugh at that. i definetly think that she was talking about/expecting something completely different when he said he wanted to wind down, because as he explains that he wants to wind down by "watching the trial," you can watch the gears turning in her head before answering "right, i should wind down too" in an embarrassed way, with joon hwi teasingly smiling at her (obviously he knows where her mind went to). and then after stretching, sol makes her classic "you're so annoying/you're so frustrating" face at him.
two: as kang sol and joon hwi provides counsel to the old man, we see joon hwi once again watch kang sol but the expression on his face this time, is a lot different to the expressions that we've had previously. before, the reactions and expressions were more distant, more "in admiration" and in amazement (about her and his feelings for her). but in his reactions this time around, we see it's more firm, it's more confident. it's a completely different expression of love than what we've seen before. it's a lot more similar to one that a boyfriend or a husband gives their significant other than the expression a boy gives to his crush. it's a lot less amazement and enamorment and more content, proud expression.
(honestly it's kinda hard to describe how different the expressions are in words, but if you watch the moment around 1:00:00, you'll see what i mean)
here's the thing: the concepts and issues that law school is showing us are not resolvable issues in one year, and they are not "easily" resolvable issues either. that is what this show has been trying to show us: that the law is complex and it's application in the real world is even more complicated. so it would not make sense for this show to wrap everything up in a neat bow and present it to us in the final episode. moreover, solhwi has forged a friendship through the pressures of law school as well as the overarching mystery and plot of the show. this season was centered around watching them develop a relationship together and this show hints and shows that solhwi are soulmates, their relationship will not be an epic love story where there are grand gestures or confessions of love. it is a gradual change from friend to lovers, while having independent development and maintaining their own goals in life. the very ending, we see them reach their goals as lawyer and prosecutor but they still come together. if they were to have a confession scene in the very end of the show i believe that it would have been too rushed without enough development on both sides. i think that law school ended in the best way for both characters without reversing or skipping their development while leaving room and hinting at the possibilities for the future.
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