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Hot Vintage Stage Actress Round 3
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Emily Stevens: Victoria Fairchild in Modern Marriage (1911 Broadway); Myra Dimsley in The Point of View (1912 Broadway); Madonna in Madonna of the Future (1926 Broadway)
Marie Doro: Lady Millicent in Little Mary (1904 Broadway); Dora in Granny (1904 Broadway); Friquet in Friquet (1905 West End)
Propaganda under the cut.
Emily Stevens:
she stims!!! i dont wanna diagnose someone from a hundred years ago with anything but as someone with audhd, it was so lovely reading reviews of her as an actress and reading about how she constantly fidgeted and bit her lip like seeing someone from a hundred years ago who did the same things i do made her feel so human to me and was really special
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Marie Doro:
I am so sad that she died long before I was born so now I don’t have a chance with her, she embodies everything my little lesbian heart looks for in a woman. Incredibly pretty? Check, intelligent and witty? Check, an expert on Shakespeare and Elizabethan poetry? Check, a literal occultist who hosted seances? Check, she’s got it all
I need you to know I literally read the entire Charlie Chaplin autobiography just to read the scraps of information about her in it. I’m obsessed
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ober-affen-geil · 1 year
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perfettamentechic · 5 months
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2 gennaio … ricordiamo …
2 gennaio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2023: Frank Galati, regista, sceneggiatore e attore statunitense attivo in campo televisivo, teatrale e cinematografico. Nel 1966 insegnò all’Università della Florida Meridionale e conseguì un master’s degree alla Northwestern University, nel 1971 il dottorato di ricerca (PhD) alla Northwestern University. Nel 1976 diresse l’opera lirica The Mother of Us All. Divenne regista associato del Goodman…
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and I'm sorry I left, but it was for the best my little dove...
absolute solitude: selected poems, dulce maria loynaz (tr. james o'connor) // the glass essay, anne carson // boyish, japanese breakfast // @uglyfruit // yves olade // hunger, harry styles // a not admitting of the wound, emily dickinson // no surprises, radiohead // fourth of july, sufjan stevens
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germpills · 5 months
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sorta was experimenting with different brushes
reblogs over likes
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theladyigraine · 7 months
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one piece s1 | bloopers
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the-stress-express · 2 months
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Hey, lovelies, I finished that angsty thing I started yesterday. Eat up, now, the angst is nice and ripe!
I am this 🤏 close to writing a whole entire fanfiction about this (but with more than just this scene). Perhaps a series of oneshots or short chapter stories?
Ya’ll free to tell me what you think about that and I’ll be thinking as well.
For now, enjoy my finished product!
I hate TikTok for always lowering the quality of my drawing videos, pls send help 😅
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jq37 · 14 days
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So, that lady FH episode was amazing and all, but...
Hoo boy, I already see the discourse around the Ratgrinders' fates forming and it is going to be painful. Be careful around the fandom space.
(I mean, resurrection is still on the table for them, but that's based on if the players feel like it and right now, we're looking at 50/50 odds at bests)
Yeah, don't worry about me. This isn't my first rodeo and also I post a lot about D20 and respond to asks I get but I don't actually personally engage with any of The Discourse (tm).
And I'm not really surprised at the reaction. I know people have been opinionated all season in two main camps (that have a lot of overlap): people dissatisfied with the narrative direction and people deeply sympathetic to the Rat Grinders to the point of being mad at the Bad Kids.
The first camp I mostly understand. I get wishing the cast would explore a certain storyline more. For example, I've been on the Aelwyn redemption arc train since literally the first episode of Fantasy High so I was a little disappointed that when that finally came to a head in Freshman Year, it was a big fight and then very little aftermath/unpacking because Aelwyn was sent to jail right after. And Sophomore Year hadn't been announced so I had no idea that she was gonna get another shot. But I wasn't upset or anything. Adaine at that point still hated her sister. She had no reason to want to reach out. And at the end of the day this is other people playing a game. Brennan presented them all the possible plot threads and they were most interested in self discovery, hanging out with each other, doing Shenanigans, and playing Tomb Raider re: Ankarna. Those are all options they were presented and it's not like they were doing crazy off-roading. It's well within the parameters of what D&D is. If you're gonna watch a show like this (or honestly any show), you have to accept that what's most interesting to you isn't always going to be the most interesting thing to the people in the driver's seat.
So yeah, I feel like this side of things I get (even though I'm fine with how things turned out).
The other camp--people being legit mad at the Bad Kids (and in some cases the actual cast) for treating the Rat Grinders like antagonists instead of victims that they were responsible for empathizing with and redeeming--I find kind of wild.
Like…you're mad at the kids who go to Child Murder School for killing kids who want to end the world and kill them specifically? Literally the first day of school the principal of the school says that adventurers are violent wanderers who engage in shenanigans and enact violence. This is the exact assignment they were given and that's what they're doing.
I think it's wild to at the same time believe that the Rat Grinders (who have killed people) are not responsible for their actions and deserve to be talked down while in the process of causing an apocalypse because they're just kids who were manipulated while at the same time calling the Bad Kids evil lunatics for trying to stop them by killing them (in a world where Revivify and Resurrection exist) even though they are ALSO kids who are doing what they've learned at Child Murder School. The Bad Kids have to be mature enough to thoroughly investigate the situation and have nuance about it but the Rat Grinders don't have any responsibility to not join a shady evil murder plan*? And do the Bad Kids really hate the Rat Grinders to the point where they're doing some overkill in this fight? Absolutely. But it's not like they're killing them because they hate them. They're killing them because they're trying to end the world--and they also happen to hate them. Are we forgetting that Kipperlilly killed Buddy--her own teammate--with a gleeful smile on her face? That was so out of pocket.
They're adventurers! Not guidance counselors! If Jawbone was like, "We need to kill these kids," yeah that would be weird but why would the Bad Kids extend an olive branch to the kids who (1) famously hate them, (2) killed at least one maybe 2 of their own party members, (3) endangered the entire student body population an hour ago, (4) are currently trying to end the world. Hell, Adaine was ready to be mean to her own sister in elf jail literally up until the point Brennan described how rough she looked from the torture and that's when she changed her mind. The Power of Love and Empathy is on the menu but it's a special item you only can get if you know the chef. Everyone else is getting a serving of These Hands. Just because you can find a vegan solution to a problem it doesn't mean you're obligated to.
This all comes down to, "Maybe teenagers shouldn't have godlike powers and the ability to play judge, jury, and executioner" but that's literally the premise of the entire show so you can't get around it without rejecting the show's entire premise. If they were like, "Hmm the systems that underpin our world are questionable and we should change the power structures" instead of, "Let's kill some bad guys!" then that's a totally different thing we're doing here!
And, idk man, this show has always had a Who Framed Roger Rabbit style morality where the normal rules of ethics stop applying when it's funny. They beat the crud out of Ragh and then lied to him that he shit his pants just for the bit. A pirate was rude/kinda racist to Riz so they scared him into killing himself. Riz ate the remains of the sentient (albiet evil) dragon he killed. That's all unhinged behavior but none of that is meant to be serious. Getting upset about Fig sending Ruben to hell to me feels like getting mad that Jerry hit Tom with a cartoonishly large mallet.
None of this is new so I have to assume that people are having a big reaction because they relate to the Rat Grinders or just really like them so it feels bad that the Bad Kids are treating them like fodder rather than beloved NPCs.
But again, this is a world where you can bring people back from the dead and the Rat Grinders have showed intent that is grievously neglectful at best and insanely murderous at worst so I can't muster a lot of sympathy for the fact that the Bad Kids are just taking them down without remorse. I don't think you have to try to empathize with the people who are trying to harm you if you don't want to especially while they are in the process of harming you.
(*And we still don't know how voluntarily they joined this plan. We don't know if they were killed and basically forced into resurrecting with rage or if they just leapt at the chance to join a plan that would let them get one over on their rivals. It literally could be either. We've had kid villains on this show strong armed into being party to evil plans by threat of harm (Aelwyn) as well was kid villains who just had their own selfish motivations and weren't tricked at all (Penelope and Biz). We actually don't have any clear answer on how culpable they are. We don't know if they all have rage crystals (except for Buddy). And we don't know how much having a Rage Crystal effects your actions. The best indicator we got is in this latest ep when Brennan said that there was a mechanic where Porter was going to call anyone with a rage crystal to fight for him but that says to me that he's only directly puppeting them when he uses that action and otherwise they have free will and are just angrier. The Bad Kids don't have a reason to believe definitively that the Rat Grinders are just unwilling puppets even if that is the case so of course they're treating them like enemies. Anyway, this is a whole lot of "I don't knows" but that's only because I've seen a lot of people talking like the Rat Grinders literally aren't in control of their actions but that's not info that we have. It could be true but we don't actually know that so it's not a good argument.)
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fappertwo · 7 months
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This isn't new (to some of us), but it is a more full version of the shot than I had before. (collected this morning on another site)
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m4rs-ex3 · 7 months
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i have a lot of templates
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gothamfc-batties · 29 days
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vintagestagehotties · 1 month
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Hot Vintage Stage Actress Round 1
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Ada Reeve: Dudley in San Toy (1901 West End); Ada Branscombe in Three Little Maids (1902 West End); Rhodanthe in Butterflies (1908 West End)
Emily Stevens: Victoria Fairchild in Modern Marriage (1911 Broadway); Myra Dimsley in The Point of View (1912 Broadway); Madonna in Madonna of the Future (1926 Broadway)
Propaganda under the cut
Ada Reeve:
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Emily Stevens:
she stims!!! i dont wanna diagnose someone from a hundred years ago with anything but as someone with audhd, it was so lovely reading reviews of her as an actress and reading about how she constantly fidgeted and bit her lip like seeing someone from a hundred years ago who did the same things i do made her feel so human to me and was really special
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ober-affen-geil · 1 year
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soldrawss · 1 year
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Happy 4th anniversary to me discovering my favorite podcast ❤ miss you King Falls
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elizabethloveuniverse · 3 months
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vintagestagehotties · 24 days
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Hot Vintage Stage Actress Round 2
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Emily Stevens: Victoria Fairchild in Modern Marriage (1911 Broadway); Myra Dimsley in The Point of View (1912 Broadway); Madonna in Madonna of the Future (1926 Broadway)
Mrs Patrick Campbell: Mélisande in Pelléas et Mélisande (1904 Broadway); Eliza Doolittle in Pygmalion (1914 West End); Hedda Gabler in Hedda Gabler (1922 West End)
Propaganda under the cut
Emily Stevens:
she stims!!! i dont wanna diagnose someone from a hundred years ago with anything but as someone with audhd, it was so lovely reading reviews of her as an actress and reading about how she constantly fidgeted and bit her lip like seeing someone from a hundred years ago who did the same things i do made her feel so human to me and was really special
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Mrs Patrick Campbell:
Mrs Pat created the role of Eliza Doolittle and was one of the only deaths George Bernard Shaw gave enough of a shit about to put in his diary. Most likely due to the whole madly in love with her and creating a ton of stage characters for her thing
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