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#it’s a sketch it’s practise it’s FUN!
fairmerthefarmer · 3 months
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EDIT: final version is here
DDI WIP illustration/digital painting of the hot kettle cafe! (Heavily using the screenshots as reference) actually gonna finish this one I think, it’s a bit less ambitious (though now that I started the trt one I’m probably gonna finish it one day at least)
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aldercaps · 1 year
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another werewolf appears! seeing how much wolf vs human i want to mess around with
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manadesia · 1 month
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Took my time to attempt on drawing funky little perspective poses again ^^
Posted another version of this to my instagram so I will post this one here !! Two close ups with different colors are underneath the cut!
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creaturetap · 3 months
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horse sketches
(ID in alt)
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klutzygutsi · 2 years
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Listen... I would like to apologize... NOT I'M NOT SORRY THAT I DREW LEON AGAIN AHAHEHEEEEEE
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blobbei-art · 1 year
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Art for my celestial sibling trio in order Kasifer the God of Death, Theresia the Goddess of Life and Marzie, who is a fallen God.
I meant to upload this later because I’m using these drawings for some little introduction pages but I really like them and idk when I actually have time to finish the intros
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wisteriarain · 4 months
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Practicing hairstyles with the girlsss
Some might stay, some might change, my guess is as good as any
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tintenhexer · 10 months
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Ok, this is kinda random, but I thought some of my practise sketches and thumbnails might be nice. Also I don't really have much else right now.
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minas-linkverse · 2 months
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i remember you mentioning before that you don't really do sketches- just get straight to the lineart. the sketching/lineart process takes way more time than everything else, for me, and i was wondering if you have any tips for doing it your way?
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Here's a visual example of what the asker means ^
The answer to how I do this might not be what you want to hear: A lot of practice. I've put a frick ton of time into learning to draw fast, because it is a skill like any other with art.
I can share some quick tips on how I practised and my thinking process though, if people still are curious and may wanna give it a shot!
One of the main ways I practiced this was by using permanent pens and markers while doodling in school. I always disliked how pencil smudged so that came kinda naturally to me, but it was a huge help anyway!
When you work directly onto a pristine white canvas with no guideline you're forced to really think about where you put each line, and get over the fear of mistakes. By doing this you can grow a natural understanding of where the next thing you're going to draw should be.
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(Sorry if the picture is not a good explanation, I've never been much a teacher. (Also for full disclosure I did use ctrl+z when drawing this example.)) Here I tried to picture how by having the face shape lined, I can use knowledge of anatomy and what looks good to place the eye of the character in. Then with the eye in I can "Unlock" more feature locations!
It also helps being familiar with the character... I've drawn the cast of this comic so many times that these boys just show up when I ask lol.
This approach has a lot of issues, like it can be very hard to keep a character design consistent. Another is that if u get too bogged down on doing the same thing that works you're going to start making some really stale looking art-- It's so important to not just draw what works but to go for ugly perspectives and weird experiments.
Still, I hope this can help someone! It's not a method that works for everyone, but it's a fun one to explore :)
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wri0thesley · 1 year
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cw: fantasising, reader is afab, non-consensual . . . drawing??? haz said to me 'do you think welt would draw you if he had a crush on you? draw hentai of you?' and, alas. this occurred.
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"Mr Yang?" Your voice is a soft little thing; Welt barely hears it over the sound of his pencil scratching on the paper. Eyes focused on the lines as they take shape. You pause after calling, and timidly knock twice on the door of the cabin. "May I open the door?"
"Mm?" He calls, still not moving his eyes from the paper before him. "Is something wrong?" He's so close to finishing this one; just a few more lines, a little shading here, a shine to the strings of arousal dripping down your thighs from where you're being stretched open on his cock--
You take that as assent. His door creaks open slowly - and there you are, in the flesh.
It's then that he realises exactly what he's doing, and panics.
His sketch is right there, on his desk - you, in all of your beautiful glory, lovingly rendered down to the last detail. That wouldn't be so bad, he supposes, if it were just a portrait; a snatched moment of one of your smiles. Heaven knows you've seen him draw the others - both seriously, for practise, and in little caricatures that make you laugh and shift closer to him until he can smell your perfume sticking to your skin and his cock twitches in his trousers in interest.
He tries to shove it to one side as you walk towards him, unsure if he heard you the first time. You're saying something about Himeko and the Express's next stop.
Welt's movements are too clumsy. Beneath this sketch are others of you - ones he would never work on in common areas. You, mouth open, tears beading in your eyes as your mouth struggles to hold his length. Him, you in his lap, hands running all over you - some dialogue or other about 'being happy to instruct', you calling him 'Mr Yang' . . .
He never wanted to be caught like this. He hadn't meant to! But every image of you that he conjured was so delicious, his imagination overactive, and before he'd even realised it he'd amassed a portfolio of . . . He doesn't even know what to call it. Hentai? Erotica? Self-indulgent fantasy art?
He sweeps most of it into a pile as you stop by his desk and give him a smile so sweet that it makes his teeth ache - but the final sketch, the one he's been working on today, doesn't quite make it. It floats down to the ground as Welt's heart plummets into his chest, and you - lovely you, so helpful, so eager to win Welt's favour (that eagerness has been displayed time and time again in his art) - bend down to retrieve it.
You sneak a glance at what he's been working on, expecting to see some fun robot design (you know he likes robot characters), perhaps a sketch from life of the other passengers, a few simplified Pom Poms like Welt has been character designing for a children's cartoon.
A part of you hopes you see a sketch of yourself. Every time Welt draws you with a smile on his face and his voice soft, you melt inside - and seeing the way Welt sees you, sometimes you even feel beautiful.
You have your mouth all open ready to give a heartfelt compliment when you notice what it is on the paper, and your mouth goes dry.
This is certainly a drawing of you.
This is a drawing of you utterly bare save for a pair of thigh high stockings digging in to your legs, being vigorously and thoroughly fucked by a man who is just out of frame.
"I . . ." You don't know what to do, your hand still holding the sketch. You're trembling, but your mouth has opened just a little, your pupils blown wide. He can see your pulse point fluttering wildly in your throat, and not for the first time he thinks about his lips brushing over it. Teeth worrying into the soft skin of your neck. Biting you, kissing you, sucking his marks into you-- "Do you want me to c-come back later? I'm sure Himeko wouldn't mind postponing the meeting, if you're busy--"
Your voice cracks on the words, your eyes once more flickering down to the sketch. Every curve of you has been drawn with such precision. The curve of your bare ass, the way that the hand of the out of view man sinks into the plush curve of your hip, lines denoting the way your skin indents under the fingertips.
How long has Welt looked at you, to be able to recreate you from memory so easily? He's wrong about how you keep yourself down there, missed out a few markings of your inner thighs and chest that he's never had reason to see . . . but everything else?
Welt looks at you; eyes behind his glasses flashing. You've always thought him handsome. He looks at you now and notices the way you tremble on the edge of not quite knowing what to do, at war with your own desires. The stars outside the cabin play prettily on your face, reflected in your eyes - and oh, it is hard for him not to think of how you'd look on his bed, face turned towards the great expanse of space. Stars in your eyes and his cock inside of you and your body trembling and shaking under his ministrations.
You notice something else in the sketch; the other hand, on your head to pull you back and onto the man's cock . . . gloved. Much like Welt's own.
"I-is this supposed to be . . ." Your words shake and shudder, not only from nervousness but from a sudden bolt of arousal that makes your knees feel weak. "Me?"
Us?, goes the unvoiced second question.
"Close the door," he says, his voice somehow managing to be even. "I'm sorry, my dear. This was . . . horribly inappropriate of me. I'll be out in a moment."
He wonders if you'll ask Himeko to let you off at the Express's next stop, not wanting to be alone with him - or if you'll give in to the feelings warring within you. Your eyes flash. Teeth bite into your bottom lip.
"Is this what you think I'd look like?" You ask him, eventually, in no more than a whisper. You're still looking down at the sketch.
The longer you look at it, the more you can see the passion that he's put into it. The lines denoting the movement of his hips - the peek of his shirt cuffs at the wrist, his cane half-in frame. The puff of breath coming from where you can just see the silhouette of his mouth.
The meticulous attention to detail in your face - your mouth perfectly shaped, your hair exact. Every mole and every freckle and every scar visible in your everyday clothes has a match on the you that Welt has so lovingly rendered. This is a man who has studied you. Learnt you by heart.
"No," Welt says. "I think you'd be prettier."
You swallow. You look up from the sketch.
". . . Do you want to see for real?"
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checkazi · 4 months
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lays in bed while kicking my feet in the air and giggling as i paint nerbvous for the rest of my life
idk just a silly sketch turned into fun color practise turned into New Design Idea For Nervy, aka albino ?
it fits with the whole white test labrat scheme he has going on and i feel like it would be a more reasonable explanation for his skintone in canon, hehe imagine him trying to dye his own eyelashes . lol . lmao . fucking iidothUHUIDHSIFUHAS
but i will forever hold vitiligo nervous to my heart and soul thats canon to me
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dkniade · 9 months
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“How much did one have to sacrifice to attain the profoundest knowledge of all?” (Lisa, Character Story 5)
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“The Vision that hung from her neck became to her a bottomless pit filled with sweet delights, lingering at the back of her mind.” (Lisa, Vision)
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Since doing that comic was so fun, I sketched this to practise visual storytelling in a scrolling comic form, based on Lisa’s character stories. Initially I wanted to write some monologue, but I figured the visuals speak for themselves. It’s more fun to be abstract this way. Something about the trade-off between knowledge and health is intriguing to me
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Rough sketches just for fun
I'm going to re-learn and practise sketching correct proportions, poses, line of action, the hip axis and shoulder axis, all that jazz when life sketching but also trying to loosen up and enjoy sketching for the fun of it with some character sketches. Particularly Bad batch and Star Wars ones lol.
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I sketched side and front face profiles to get an idea of the shapes of the characters faces.
I feel like this is how Tech would motivate someone lol.
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These are not the best but hey, "tús maith leath na hoibre"- a good start is half the work. If I practise I will improve and produce better work later on. I made a rough place holder logo for future art. I know it's silly but I figure it's a good habit to get into for when I do make a decent logo/art in the future. Seeing the incredible artists on this site has inspired me to get back into it.
-Jessicaillte-Jessicannotdraw ;-;
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nyctophobia-au · 9 months
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I found an empty sketchbook that I bought like more than two years ago in my desk, so I'm deciding to draw in there because I haven't done fun traditional doodles in, for like, ever. So, uh, have a bunch of sketches of Grimm I made yesterday because I was practising drawing him (he's honestly one of the most difficult characters for me to draw properly) AND I just love him. <3
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lmshady · 4 months
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I had a moment not too long ago where I just sat and sketched Johnny all day. Had the urge and this be the results, lol. Was trying to get a good idea on how to draw the mans and maybe get some different expressions going for practise. He's pretty fun, found a good method for his hair and yeh, if I do more I'll post them but mostly been back on a writing grind for a Johnny/Connie thing. (That'll be posted here too when it's done, mostly a link from AO3 though) Anyways, enjoy~
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leidensygdom · 2 years
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I think she would! And hello, here’s Yxala with another outfit! Also a fun style practise where I tried to work directly from a sketch instead of a more neatly clean lineart. I’d love to hear your input on how this looks, I’m trying to optimize my process!!
Anyways, I believe in butch tiefling rights! (As usual, reblogs are much appreciated and an artist’s best friend, fullbodies do take longer to get done!!)
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