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eriexplosion · 3 months

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Tech Lives: An Ungodly Long Essay

(AKA: Turns out that my Tech Lives compilation post comment was actually a threat.)

There have been hundreds if not thousands of posts since Plan 99 aired wondering if Tech might have made it after his fall - it's probably been brought up more than any other hanging plot point, even after season 2 scooped up Omega and left us on a massive cliffhanger. Now that season 3 has started, though, Omega and Crosshair are home (for now) but we have received an almost aggressive lack of Tech info. So, I've gathered up some of the stronger Evidence for why Tech might be fashionably late but still on his way back from The Void!

THE LEAD UP

So to start, let's go back to what came before the whole Incident. This will focus mostly on season 2, seeing as that was definitely Tech's season to shine, but with bits about plotlines in season 1. Which brings us to our first bit, that's not really evidence so much as some gentle push-back on a common argument.

Doomed By Character Development?

We've all seen this particular situation before - a character is slated for a tragic death, so just before it happens the writers gives them a little extra relevance to the plot to make sure the audience really feels it when the time comes. The Clone Wars was especially good at this, giving characters like Fives an arc of his own that ended in his tragic death. Season 7 gave us a better look at Jesse, first in the Bad Batch's intro arc and then again through the Siege of Mandalore, all to bring us to the chip activation that led to his ultimate death.

When season 2 started off with one of the two intro episodes spotlighting Tech and our first breather episode of the season also spotlighting him, people started to get worried. So is it fair to say that his spotlight in season 2 was setting him up for a permadeath?

Looking at it, I don't think so, for multiple reasons. For one, Tech didn't just get a spotlight episode, his development dominated a good chunk of the whole damned season, often taking priority over the other characters that wouldn't be dropped into the mists. While giving a little bit of character development to a doomed character can be a good move, giving ALL your development to a doomed character ends up feeling like a good portion of your season was actively pointless.

The Bad Batch is not an open ended show. It seems to have been planned for the three seasons it got, and they would have gone into it knowing they had a set amount of time to work with. Dedicating so much time to developing Tech in preparation for a character death takes away all of their opportunity to develop, well, anything else.

But, along with the amount of time that was dedicated to Tech as a character through season 2, they also didn't develop him in the ways that most often get used for a doomed character. Namely...

That Sure Is A Lot Of Open Plot Lines

And not one of them got tied up. Currently, Tech has two open plot lines to himself, both started in season 2, as well as a key place in the overall show narrative arc. As the overall show narrative arc takes precedence, we'll start with that.

The Bad Batch sets up a few different narrative arcs very early. One is if clones can be more than soldiers - this is the central thing that we see them struggling against from the start, they've been created to be soldiers and don't know much else about how to function in the world. Theoretically this arc can be fulfilled with one or two of them still dying as soldiers, as long as a few of them make it to find a new life for themselves.

The arc that can't be fulfilled without everyone though is the ongoing thread of reuniting the batch. Much of the show is geared towards making the viewer want this specific end result, as soon as they talk about Crosshair, Omega says they'll just have to get him back and complete their family. The end of season 1 teases us with this only to pull it away at the last moment, then season 2 teases us with it again only to yet again pull it away, this time seemingly permanently.

Ending one of your key narrative threads you've been using to draw audiences in only 2/3rds of the way into the show and without ever resolving it... well it would be a choice. If Tech is gone for good then the last time we saw everyone together would be the end of season 1. Rewatches would lack impact because something that was made to seem so vital ended up going nowhere, and the series finale would never quite reach the height that hearing the full batch theme kick in over the team fighting droids together did. It absolutely destroys the central narrative to leave him gone without ever having reunited the family.

And then there's his personal plots.

Let's start with the obvious one. Tech got a whole potential love interest this season and they absolutely did not resolve a damn thing about it.

Again, this takes a trope that we all know - the young army man that's going to go home and finally marry his girl, who has his whole life ahead of him, but dies tragically in his final mission - and seemingly intentionally subverts the beats. Because what makes the trope work is that the plot line is resolved as soon as that young man decides how he's going to move forward. He can't die uncertain of if he's going to marry his girl, he has to make a decision, and the longer we spend on the relationship to his girl the stronger the decision has to be to consider the narrative line resolved and free him up for some tragedy.

Tech/Phee is a tentative little 'will they or won't they' romance. They're flirting, they're feeling each other out, they're seeing if they're compatible. To tie up this narrative line we would have to find out if they are or not, get a yes or a no on the question. Will they or won't they? We simply don't know because the writers didn't put a resolution in.

We do get the traditional pre-mission scene with them, which would normally be when we get the first kiss or perhaps the promise of a date, either of which would have had me digging Tech's grave for him to fall into from the second it happened. Or even a 'we can't do this right now, but maybe some day it will be the right time' which would have been a kind of lukewarm resolution but would have at least represented a decision.

Instead we get a scene that almost aggressively refuses to resolve anything. They have an awkward interaction, but not one that says they won't get together, no promises are made for the future, no decision point is reached, and the plot line is still dangling wide open when Tech falls to his supposed death. If we truly leave it off here, well, what was the Tech/Phee subplot for? Why did we spend precious time on it when it could have been spent on something else, if it was meant to make Tech's death hit harder why did it not go further?

A second subplot with Tech is that he certainly made the most progress on seeing options outside of the Empire - it starts early on in Ruins of War when he meets Romar and gets his eyes opened to the idea of cultures that existed unconnected to the war. Serenno existed before the war and before the separatists, and Romar introduces Tech to that idea of an ongoing culture. He gets a taste of racing in front of a cheering crowd, leans further into his teaching of Omega and gets new insights from her regarding their lives as soldiers, his relationship with Phee picks up right when he finds out that she is interested in the preservation of cultures. It's a quiet little subplot, but Tech was seeing the full scope of what the galaxy contained beyond being a soldier in a war.

But, like the Tech/Phee, it never resolves. He never decides to settle down, he never chooses to stop being a soldier or even openly discusses the idea of what life will look like after. Rescuing Crosshair isn't positioned as a final mission that they have to complete in order to give up their lives as soldiers. Without that decision point being reached, the plot stays open, we never find out what he Would Have Done so we don't get a sense of the future that he would lose by dying, which is what the purpose of these types of plots is for a planned permadeath.

The Kaminoans don't create without purpose and writers working on a three season timeline don't typically write without it either. So if we spent the time on Tech/Phee but Tech is dead before it ever went anywhere, if we spent time on Tech's relationship with being something other than a soldier but he never really pursues it, what is the payoff?

Too Much of a Survivor To Die?

There's also the matter of how they chose to build Tech's character this season. Namely they beefed that man's skills up incredibly high making it intensely unbelievable that he's dead without seeing some sort of concrete proof. Things we know about Tech as of the end of season 2 include:

Incredible pain tolerance - Tech fractures his femur in Ruins of War and seems shockingly unbothered by it. The femur is frequently listed as one of the most painful bones to break. This is not a broken toe the man is hobbling around on, he fractured the strongest bone in the body and kept going through the woods. He physically fought and killed a man with that busted femur.

Lightning fast mental processing - this is of course on display nowhere so much as Faster where he's put up against droids and wins by taking calculated risks that no one else is willing to try.

A cool head in stressful circumstances - this one is hilarious because he outright says it, but Tech does demonstrate time and time again that when it comes down to it, he's able to keep calm no matter the circumstances.

Essentially, we spend the entirety of season 2 setting up why Tech is the perfect person to drop out of the sky and have him survive. He has the ability to keep calm and come up with a plan in seconds and he has the grit to keep moving even if he's grievously injured once he hits the ground. When you set a character up like this, you can still kill them, but you have to work harder to do it convincingly. Leaving Tech not at the moment of death but with probably at least a minute to act in and then not showing us the body is the exact opposite.

We have a moment in The Crossing showing us Tech's precise aim, and it comes up again to brutal effect when he shoots out the connection on the rail car. If moments through the season were used to set up that particular instant of the finale, then we can't discount the numerous scenes demonstrating his survival skills as being irrelevant to his chances.

Plus, looking back at Ruins of War - one of the big moments in the episode is towards the end, where Romar tells Tech, "I'm a survivor. Remember?" The camera then lingers on Tech for a long moment. It's not the kind of action that demonstrates his capabilities as above, but it works to associate the words with Tech in the viewers mind. Romar is a survivor, and Tech is a survivor too. And when you intend to kill someone off, it's kind of an odd choice to spend that whole season setting them up as a survivor.

THE FALL

Which brings us to the scene itself. Plan 99, implied to be one of the last ditch plans that they have. It's absolutely a heartbreaking scene, and one that can be tough to analyze when it's so well done, because it's rough to watch repeatedly. But, it's worth doing, because the scene itself is FULL of questions, some structural others more based in the visual presentation.

What is Plan 99?

Well, that's just it, we don't actually know.

We know what it's implied to be, a self sacrifice plan where one of the batch gives their life for the others to get away. But in show it's never actually defined, leaving the full meaning of Plan 99 up to interpretation. It could be as simple as what it's implied to be, but that brings up questions like 'why not provide any lead up or foreshadowing for it?' and 'does killing yourself actually count as a plan?'

Removing the assumptions from it gives us room to speculate. Is the plan actually that they leave him behind, dead or alive? Hunter ordered them to do so without a plan number in season 1, but he is the sergeant, so plan 99 could easily be something that bypasses his authority - if a batcher calls a plan 99, you go and you don't question his decision. It's certainly closer to a plan if there's something they are supposed to be doing from their end rather than just an announcement of intent.

It's not strictly evidence one way or another, but it is something of note when Tech's entire sacrifice is based around a plan that we're not privy to the details of. TBB has hidden its twists in ambiguity before, so it would not be the first time that it let us assume something only to pull the rug out later. But ambiguity is not the only thing that makes this scene stand out in the raising questions department.

Pacing Goes Out The Window

Generally speaking, a self sacrifice is the climax of an episode. Think Kanan, Hardcase, Gregor, Hevy, etc - Even a minor character sacrificing their life tends to make up the most climactic portion of any given episode, let alone one of the characters from the title squad. It gets to be the big central moment, the big rush of music and feeling, the pinnacle of the viewers attention.

Tech's sacrifice is not. It happens around 5 minutes into the episode, is rapidly moved past with barely a moment to think, and then the actual climax is Omega's capture on Ord Mantell. They even repeat the music when Omega is captured, except much stronger this time, making it clear that this is the emotional crux of the episode, this is the scene that is supposed to stick with you.

The opportunity to make it the climax of an episode was certainly there. The storyline could have been adjusted to put Tech's fall at the end of The Summit, allowing more time in Plan 99 for processing his loss and making it feel final. The pacing choice is one that doesn't allow the viewer to process the loss, only giving us maybe a couple minutes of time with actual emotional reactions before we're barreling off to the next plot point. Why was Tech's death de-emphasized within the episode if it is indeed our last moment with this central character?

Tarkin, Eriadu, & Saw Gerrera

A lot goes into the set-up for Plan 99. We have Tarkin's base on Eriadu as the setting they're working within, going up against Tarkin for the first time since early season 1. This is the big leagues, and something that's come up in multiple interviews is that when going into the den of one of the franchise's big bads we have to have consequences, something to demonstrate that Tarkin is not to be trifled with.

Sounds reasonable enough. Except Tarkin doesn't actually do anything in either of these episodes. The thing that actually threw them off was Saw's planning mixing in with their own.

All Tarkin does upon finding out that the batch is stuck on the rail is order an air strike and ignore that this would kill many of his own men. This is certainly evil, but it's standard Imperial evil. Rampart would have given that order. Hemlock would have given that order. The guy in Tipping Point that we know for 5 minutes before he fried himself would have given that order.

So if the point of this finale was to demonstrate Tarkin's power, then bringing Saw in both complicates the plot and devalues what they're claiming they are trying to show. So is the point to get them to Tantiss? No, because they fail in that. They don't plant the tracker, they're no closer to finding Crosshair than they were before.

By all accounts the point of the whole endeavor is in fact just to drop Tech off a sky rail for reasons unknown and injure Omega to force them to go back to Ord Mantell. These two things could have happened anywhere in any way of course, so why choose Eriadu and why choose to complicate the plot by introducing Saw rather than letting Tarkin handle the job?

They're questions we don't have answers to yet, but they're very hard to get answers to if Tech is dead and completely out of the picture. Having a dead body on Eriadu is fairly useless to the plot, having a living Tech on Eriadu though? That has potential to move them huge leaps forward in a very short amount of time once we bring him back in. Especially given his conversation with Saw prior to everything going downhill - Tech was in favor of gathering intel from the facility rather than destroying it.

And what about Saw, anyway? If he was genuinely there to cause problems and fly away, again, that's a plot wrinkle that isn't needed and took time away from everything else. If he's there because they needed someone to pick Tech up though? There's potential there.

Did Tech's Sacrifice Mean Anything?

In universe, Tech's sacrifice means everything, of course. It's a decision made in the moment to risk everything to save his family. It's a noble deed and one he does without hesitation. But pulling away from that narrow scope of an in universe perspective, what did we accomplish narratively with his fall?

Well... not much actually! They got over the bump in the road that they encountered all of five seconds ago and promptly crashed headfirst into another, different bump in the road. Tech's dramatic sacrifice didn't allow them to escape unharmed, it didn't allow them to find Crosshair, it just allowed them to move a few steps forward, after which Omega is almost killed and then captured, which is a fairly weak reason to sacrifice a whole major character.

But not every character death is exclusively about narrative, sometimes it's about the character arc itself. So does this close out anything for Tech's character development? Again, not really. Tech has always been completely loyal to the squad and would have risked anything for his family. He never had a choice not to fall, it was either just him or the whole team, and he is an endlessly logical actor. The action would have played out the same had it happened in the series premier or the season 1 finale, or any other time in the show. If anything it's a backtrack on his character by putting him solidly back into the soldier box that the show is trying to let the clones grow out of.

Maybe it's not about Tech's character though, maybe it's about everyone else's! Does his death change anyone's trajectory? Again... no, not really. We'll get into season 3's lack of mentioning Tech later, but in the immediate aftermath of his fall, no one's course or actions is majorly changed because of his loss. Hunter wants to go back to Pabu where it's safe, the same thing he wanted to do before they ever left for this mission. Omega puts herself in danger to save her brothers, which has been one of her defining traits since season one. Wrecker is following Hunter's lead, same as he always did. (We get very little of what Echo hopes to do, but the opening of season 3 reveals that they went back to work with Rex, exactly like they were doing before.)

So narratively nothing required him to die, the character's arc isn't completed, and the other characters aren't motivated to change. If Tech dies here, it's the picture of a shock value death. It doesn't complete or inform his character, it doesn't need to narratively happen in order to put Omega on the path to being captured, and thematically it exists just to give the viewer an unnecessary gut-punch when just the failure to rescue Crosshair and the loss of Omega would have been enough.

Framing is Everything

In a death scene there's nothing more powerful than our final shot of a character. The very last we'll ever see of them, the image that will linger in our minds when we think of that character from then on. This is especially important in animation where everything has to go through several iterations before deciding on what that final look will be. You want it to be impactful, you want the audience to have one final connection to the character before they're gone for good.

So why does Tech die with his helmet on?

If there's one thing TBB is good at, it's their expression work, and a death scene is a perfect place to show off their full range, which is why most deaths meant to have a heavy impact occur with faces unobscured. Crosshair loses his helmet and takes Mayday's off so we can see both of their faces as Mayday dies, Slip, Cade, even Clone X and Wilco, all die helmetless. Looking into older series you have Kanan dying without his mask, Fives, Hardcase, Waxer all dying helmetless with one last good look at their faces and expressions.

And while Tech's helmet gives us a good look at his eyes, the rest of his face goes unseen, and Wrecker's face as he watches this happen is completely obscured. We're denied a look at a lot of their expressions as the decision is made and Plan 99 is executed, rendering it less personal than it otherwise could have been. Tech could have lost his helmet in the blast that knocked him from the rail, Wrecker could have had his helmet knocked off at some point to give us a good look at his expression. TBB isn't known for pulling its punches, so why leave our final look at Tech's face back in The Summit and not here?

Then there's the framing choices. We get some absolutely amazing shots of Tech during the fall, from taking the shot to falling backwards towards the cloudy cover - but here's where some interesting choices are made. Rather than letting our last shot of him be a face up shot that keeps eye contact with the camera as he falls, they make the choice to have him flip over, and we hold the shot as the rail car goes down after him, partially obscuring him.

Which means instead of our last glimpse of Tech being something like this.

We end up with something closer to this.

Which, while we all love those Tech crotch shots is somewhat less impactful emotionally. These frames go through multiple departments and get multiple eyes on them before going through final animation, and no one thought that leaving him face up and unobscured until he disappears into the fog would stick more firmly in the viewer's memory?

The Flip Might be Intentional

And I don't just mean out of universe, as every detail of animation is often intentional, but in universe as well. If you look closely at Tech as he falls, he seems to roll his shoulders back in order to begin flipping over. It was a specific enough detail to send me searching for a reason and I found it in instructions on how to survive a long fall - the first thing that you're supposed to do? Get into the arch position like a skydiver to slow and control your fall.

The flip was important enough to not only include but to include the small detail of Tech intentionally flipping himself over into said position. It's not a confirmation but it's an interesting detail, and one that has very few other reasons to exist.

THE AFTERMATH

Image chosen because even thinking he's alive I didn't want to pull from Omega reacting to the fall on Ord Mantell. Looking at her makes me Sad. So the fall has happened, the rail car has rushed forward and crashed, and Omega fades in and out of consciousness until finally waking up on Ord Mantell to the bad news.

"What if he's hurt?"

Omega is our POV character for the show. We may sometimes see things she doesn't, but emotionally she remains the center of the narrative, the character that the target audience will see themselves in. Her ultimate thoughts on a situation are the closest we have to a clear indicator of our intended takeaway.

So it's interesting that the first thing we hear out of her, having heard that Tech 'didn't make it,' is a firm denial. He can't be gone, he might be hurt, he needs them and they need to go back for him. And, despite Hunter continuing to talk with her about it for a bit, we never actually hear Omega explicitly take it back or verbally acknowledge Tech as dead. The closest we get is 'lost' which she also uses for Echo in The Crossing.

Now, here's where the interpretation between the adult and child audience will likely differ. From an adult perspective, this is a reasonable reaction for a child her age. It comes off as very natural that she doesn't want to accept it and that she doesn't have time to really process that it's true before the scene moves on. It makes sense from an in universe perspective.

However, the main audience is still children who actually are Omega's age and who are being presented with her as their window into this world. And their takeaway, seeing that same scene, is likely to be that Omega is correct. They don't know that Tech's dead, just because an adult says it doesn't make it true and just because Hemlock says it DEFINITELY doesn't mean it's true, they have to go back and check.

If they wanted the main audience to think that Tech is dead for sure, they could have had Omega be the one to say that he's gone, with Hunter simply confirming it for her. Alternatively, Omega accepting it when Hunter tells her would also function in the same way - ultimately, as the POV character, if Omega doesn't accept it there's a strong possibility much of the audience won't accept it either, especially without other evidence.

No Body?

And, as we all know, we simply don't have other concrete evidence. Not only are the batch given no time to look for Tech's body or any confirmation that he died, but we get a whole scene with Hemlock and the goggles where he also confirms verbally that he doesn't have a body either. There's very little reason to have him say this outside of putting a bug in the viewer's ear that he might not be gone for good.

Not only do we have that verbal confirmation, but we have multiple places where a body could have been included or implied without adding much to the runtime.

Easiest place would probably be when Omega passes out - there's a trooper's corpse right there in front of her, and it would have been very easy to make that identifiable as Tech. Have one of the boys check his pulse like Crosshair did with Mayday and then be forced to leave after confirming he's dead. Would it require a little bit of fudging the details of how he landed so close to them, sure, but it would have been narratively streamlined and easy.

Have Hemlock bring his helmet rather than his goggles (and damage it in a way clearly incompatible with survival) or confirm that he did find a body but has no use for the goggles.

Put the body in Hemlock's lab when Omega is brought there at the end of the episode. Have a sheet covering him even if you want and just one of his hands hanging out, especially the one with the distinctive light on the back of it. Give us her reaction to that.

These are just the ones that don't involve adding scenes or making major changes - instead, in a franchise known for bringing back everyone and their grandmother especially if there's no body, they chose to leave it extremely vague.

Reused Score

The soundtrack for Tech's sacrifice is fantastic, I don't think anyone can argue that. In fact it's so good that it's used occasionally used as a reason for why he's dead for real. If it's a fakeout, why go so hard on the music?

It almost sounds like a reasonable argument, except that the music isn't even unique to Tech's fall. We get the same motif later in the episode with Omega's capture, and it actually comes in even harder and more impactful there than it did with Tech falling.

Reusing bits of the music has two results. It lessens the impact of hearing it with Tech if it is in fact his Death music, because it makes it clear that he is not the central feeling of the episode but rather, Omega's capture is. As mentioned before, deaths are usually the climax of their own episodes partially to avoid them being upstaged by any other plot points, but here Omega's capture is fully prioritized over the loss of one of our central characters.

The second result is that it changes the meaning of the music. It's no longer meant specifically to underscore a tragic death, but rather a more general one of loss and separation. And if it's simply about that separation, then it no longer requires Tech to be dead to have that same impact. They're apart from each other, and that's painful enough.

SEASON 3 SO FAR

Which of course finally brings us to season 3! We're five episodes in as of the posting of this, so a full 1/3rd of the season down, which gives us a good idea of how they're handling the whole grief aspect of this scenario.

They Aren't!

That's right, we simply have not directly acknowledged or dealt with the whole 'watching your squadmate fall to a presumed horrible death' thing even once in five episodes. Tech has been mentioned by name twice, we've seen his goggles once, and Wrecker makes one sideways reference to him having not made it back.

In universe, there is a several month timeskip and it seems to be implied that the majority of the grief milestones happened in that gap. For example, we don't see Crosshair finding out from Omega, we don't see Omega grieving her brother, we don't see Phee finding out (more on her in a bit) despite her fledgling romance. Months of grieving and processing skipped over and what comes out the other side is single line mentions that go by in seconds.

This is especially apparent after episode 5, where we got something to compare it to. Crosshair has a long, painful moment of grieving with Mayday's helmet when they return to Barton IV. It's deep, personal, and intimate and we take a minute with him gathering up the helmets of Mayday and his men to set them up on the crates the same way that Mayday had honored them.

Mayday is a one episode character that was important to only a single character, Crosshair - Tech is a core member of the team present through two full seasons and shown as close to every member of the squad. Yet the single scene grieving Mayday is longer and more emotionally gripping than every short mention of Tech so far in season 3.

Narrative Grief

Seeing characters grieve their loved ones onscreen is about more than just the characters themselves. It's also part of the viewer experience - through the characters' grief, we're able to process our own grief at the loss. It makes it feel real, it makes it feel personal, and the amount of grieving needs to be proportionate to the character's importance in the story.

This is especially true in a show written for children like The Bad Batch. Kids don't typically have the same experience with death as adults, and a well written main character death within a children's show will need more time and energy spent towards making the loss feel real. We see this with deaths like Kanan's; it wasn't Jedi Night that told the viewer that Kanan was really, truly dead, it was Dume, where the characters mourned him and dealt with the aftermath.

Currently, with Tech, we do see holes in the team that make us miss Tech but they remain completely unaddressed by the characters. We see Tech's goggles, but Hunter isn't looking at them, he's looking at Lula. Omega mentions Tech having taught her all the plans, but without any real sadness on her or Crosshair's part. The closest we get to actually bringing it up are Wrecker saying 'not everyone came back' and Echo mentioning the datapad would be difficult without Tech, and both of those are only seconds long before moving on. They don't serve as any kind of catharsis for the viewer, relying more on gut punch impact and keeping the wound open rather than allowing it to heal. The difference between the treatment of Tech's death and Mayday's just makes it more stark.

How Do You Like Yearning?

Interestingly, though, it strongly resembles the writing team's handling of another situation: Crosshair's departure from the team in season 1 vs Echo's in season 2. The show even drew a lot of flack for the lack of discussion on Crosshair's betrayal, as outside of a couple conversations the matter often went unremarked on. Echo leaving, on the other hand, got a whole episode dedicated to processing the loss immediately after it happened.

So what was the difference? Crosshair's departure is part of a long term plot point. We're supposed to want him back, we're supposed to want the team to talk about him, anything that would ease the tension. The writers on the other hand want that tension to remain until it's time to actually resolve the plot. So we get those slow drips in between bigger encounters, we get opportunities for Crosshair to come home that he doesn't take, and we don't get the catharsis of the team actually talking about any of it. We're left to want and imagine it, using the yearning to keep it on people's minds more than anything.

If Crosshair had been discussed on screen long enough for the characters to actually come to terms with his absence, though, that would have made the plot feel more settled and resolved early on. It might be conversations we want to see, but it doesn't keep the viewer on edge and craving a resolution. Best case scenario we're just not as desperate for Crosshair to come home - worst case scenario we accept that he won't be returning and find the fact that he eventually does to be unrealistic.

Echo on the other hand gets their absence processed immediately, because their absence from the team is not meant to be a huge plot point. It's something the team has to deal with, yes, and the viewer wants to see them again just like Omega does, but Echo returning isn't meant to be a maybe, and it's not supposed to keep the viewer wondering and worrying. It's a when, not an if.

Similarly to Crosshair, Tech has never felt like a resolved plot point. We don't get confirmation on his death, we don't get any long term grieving, and we get drip fed acknowledgements that pry the wound back open. If we actually see the team discuss and come to terms with their grief and loss, the plot point closes, the wound closes and we begin to fully accept a team without Tech in it, which makes it harder to reinsert him into the storyline if he is in fact alive.

If he's truly gone for good, what is the point of denying closure to the audience? We know that they are capable of writing an intense mourning moment that feels completely in character for otherwise emotionally repressed men such as Crosshair, so why not give us that with the team mourning for Tech? A memorial, an intimate moment with the goggles, a short scene of Crosshair finding out about the loss, or anything at all really? Once again it's something that makes sense if he's alive and we're simply not being shown yet, but makes very little sense to not capitalize on if he's dead.

What's to Come

We have ten episodes of season 3 to go, and a lot to cover. Reviews have indicated that Tech is not explicitly brought up in the first eight, so the earliest we could possibly have a survival reveal is in episode 9. Will it actually happen? Maybe, maybe not. Though interestingly episode 9, The Harbinger, is almost exactly one year after Plan 99, just like The Return aired almost one year after The Outpost. Could mean nothing, but they do enjoy their anniversary dates.

One thing we do know for sure is coming up is Phee's inclusion - she's seen in the official trailer, as well as briefly in a recent twitter spot. This is interesting as Phee is, of course, Tech's teased love interest, and her connection to Tech has been emphasized multiple times, including on her Databank entry and the official 'what you need to know about season 3' guide. When she comes onto the scene, it's very likely that more information about Tech will too.

MARKETING, INTERVIEWS, & SOCIAL MEDIA

I wanted to keep this mostly focused on what can be seen within the show itself, but it's impossible to talk about whether or not Tech is alive without pointing to the absolutely bizarre messaging from the cast and crew, as well as the marketing choices surrounding his sacrifice. (Example: the Instagram Mourning Filter they layered over him in the official trailer, as seen above) I won't get quite as detailed here as in the above, but it does have to be mentioned.

Constant Focus

In between the end of season 2 and the posting of the season 3 trailer in late January, there were several posts on various official Star Wars media. The majority of them were about Tech and Plan 99. In fact, I don't think I ever saw anything mentioning the giant 'Omega's been captured' cliffhanger, just Tech. Over and over again.

Once a character is dead, marketing generally stops caring about them. They're forward focused after all, they want you coming back for what's to come not lingering on what won't be relevant again. So why the constant focus on Tech?

And it wasn't just the social media either - a huge portion of the trailers and reels included old footage of him too. For the most part this was from Plan 99 and bringing up his fall again to rip open those old wounds, but in one case they included action footage from The Summit. This was an interesting case, because the majority of people watching wouldn't have recognized it immediately. Fittingly, the entire comment section was full of nothing but 'Was that Tech?' style comments, which they would have known was going to be the case to start with.

So why are we so focused on a man that's supposedly dead? If he's genuinely never going to show up again why keep putting him in? Everything? While not even bringing him up all that often in the show? If he's dead, this is a truly bizarre marketing decision.

Never Say Die

In interviews or in official material. For several months the word 'dead' was never used for Tech anywhere, not in interviews, not in official material, nowhere. It took until January 23rd for all of the databank entries to be updated, and among all of the main cast he's only referred to as 'killed' once, and it's on Hunter's page not even his own. Then, the Friday before the premier, an interview came out referring to him as dead - on the part of the interviewer, not the creators themselves.

Everything else seems to use a variety of euphemisms. His sacrifice, his absence, his loss, he 'plummeted out of sight', he 'fell from a tram car', he did absolutely anything it's possible to do except outright die apparently.

It's an odd choice when there's known controversy over if he's dead or not. The standard operating protocol of course, in a planned comeback, is to refer to them as dead anyway and allow fandom to fuel its own speculation, but with a fandom as devastated as TBB's was, it's quite possible that the odd behavior had to be introduced just to keep speculation going. The only interviews that sound remotely final came out right before the episodes started coming out - if they had done that from the beginning, the chances of people outright refusing to come back to the show likely would have been higher.

Much like the marketing, this is not necessarily proof of anything - but in combination with the multiple odd things in the show itself, it's certainly suspicious. Speaking of suspicious...

What an Odd Thing to Say

The cast and crew themselves have not been skimping on making strange comments when it comes to the Tech situation.

There is of course the well known Joel Aron (lighting director for the series) tweet that came out the day of the Celebrations panel (AKA when the Tech trauma was at an all time high) and in direct reply to a fan that was having a hard time with Tech's death. It's hard to take it as anything but a reference to Tech given the timing, and it was certainly taken as being about Tech in the quote tweets. If it's not about Tech, why tease the fandom with it? And the specification for it being a mid s3 episode as well...

Also from the day of Celebrations, and from the panel itself, we have Michelle Ang saying in front of God and everybody, that Tech "doesn't come back... in this episode, at least." At the time there was a possibility she didn't know and was just leaving it open, but with that only being ten months ago and the extremely long timeframe of animation, it's almost certain that she would have been done with all primary recording by that point. If you know he's not coming back, how do you accidentally imply that he is with no one correcting it?

Dee Bradley Baker, when asked for a farewell message from Tech at a con, came out with "the life of a soldier is fulfilled by fulfilling his mission and supporting his brothers. And this was the end of mine. And that's a good thing." Which was a perfectly serviceable goodbye right up until he said that the end of Tech's (life? soldier's life? mission?) was a good thing.

During an instagram interview we have Deana Kiner, one of the composers, in response to the interviewer talking about the final episode containing a major loss, saying, "It's kind of a loss... It's complicated." The claim on twitter was that this was about Omega, because everyone knows that when someone mentions the major loss in Plan 99 they're definitely talking about Omega.

So is Tech alive? Is Tech dead? We still don't know. But while one or two of the above might be a coincidence, having all of them at once coalesce around this single character death is a lot to chew over. The Bad Batch team has shown willingness to address grief and loss prior, as well as a willingness to show us death onscreen and front and center. So why, with such an important character, sidestep it all in order to keep it vague? Why keep it from sounding final for so long, if the intent the entire time was for him to be dead for good?

We won't know until he either shows back up or the show ends. If Tech's alive, all of the above starts to make sense. If he's dead... well a lot of things will just never quite add up. I feel that this team has shown enough willingness to follow up on their trailing plotlines that they've earned my trust. Fingers crossed for a satisfying resolution for all of us, and for our boy Tech, whatever that resolution may be.

#the bad batch #tbb #tbb tech #the bad batch spoilers #tbb spoilers #the bad batch speculation #this thing is some 7500 words i might have an obsession problem

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evillillad · 5 months

Note

Can we maybe get some character sheets for your ocs and id like to write about them!!

👉👈

AAAHH i really wanna do updated character sheets WITH personality and lore i just aint got time rn!! BUT thank you for being interested!! 😭😭

to make up for the lake of sheets, heres some facts and lore typed out lol

Molly: (based on persona) secret demon being attached to Nina

Mollys kind of a strange case. Not quite puppet not quite...other creatures. She popped into existence around the time nina was born, hence the shared birthday. Shes a bit scatter brained, very easily distracted but once she has her mind set on something, nothing can get in her war. She's quite inquisitive and is constantly asking questions. Her first day in the neighborhood was basically asking every neighbor she met the most wild and intrusive questions she had. Little to no filter, says exactly whats on her mind. Doesnt understand why that makes some people so uncomfortable. Isnt it good to be curious? To tell the truth? To be honest? Man these creatures are strange. Also doesnt have any boundaries, is an absolute open book and for some reason is suprised when not everyone else is too. Think of her almost like a more unhinged wally, very naive to the ways of the waking world, but well verse in the night time activities. frequently takes long walks alone in the middle of the night. she sees them. she knows them. she keeps them away. some have gotten a bit too close to the neighborhood for comfort, is it because of her? do they know shes one of them, if not atleast similar? shes suspicious wally knows whats going on, its not normal for these beings to be here, but what draws them in?

^ongoing plot line of Molly spying on Wally constantly. A bit obsessive with him-she cant tell WHAT he is but she knows he isnt like the other neighbors but hes also not like her. Constantly pushing and manipulating him to break, but he seems either annoyed or oblivious to her attempts. otherwise, general nuisance to Wally, Frank (eats his bugs), Eddie (stares at him thru the post office window), Poppy (constantly getting herself into trouble) and Nina (personal demon).

Also maybe kills the nighttime creatures?? it seems like shes protecting the neighborhood from an outsiders perspective but those that REALLY know her know its territorial...somehow isnt intimidated by home tho. maybe shes trying to work with home? two demon things band together?? idk lmao

clumsy but also graceful? very bendy. no bones...crawls around like a creep sometimes.

Nina: (self insert oc) regular spider gal with a knack for art

Ninas quite normal actually. She was raised by a normal family within normal circumstances, but found herself with the strangest imaginary friend. She was never quite sure why one day everyone was suddenly able to see Molly but shes glad she finally isnt crazy. Now she cant get rid of the annoying asshole. Stuck with this annoying ass demon puppet thing, Nina moves to the neighborhood to get a new start on independence. With her new home, Nina spends most of her days painting, sewing, crocheting, and sculpting. Of course she always has her music going on, its never quiet in the house. Wally spends lots of time with her, they will frequently setup figure drawing sessions where their fellow neighbors will pose for them. Howdy seemed more than happy to constantly volunteer, maybe a tad bit overzealous to show off his muscles. Nina was more than excited to have such an interesting subject to create art of, although with Wally by her side, he always seemed to end up drawing an apple. There wasn't even an apple in the set. Nina doesnt care, shes just happy to have her little darling with her!

Despite being easily excitable and down to earth, shes actually quite timid and easily flustered. Howdys first few advancements had Nina trying to come up with some sort of lie so she could hurriedly get out of the bugdega and hide her beet red face. After this its just the rom com do they like me pinning i love so much lol

Unlike the other neighbors, she is somewhat aware of what goes bump in the night. Shes not sure what exactly it is, but she knows its dangerous...and she knows Molly has too much fun dealing with it. Despite Mollys homicidal tendecies, Nina is NOT scared of her. Shes aware of the fact that without her, Molly wouldnt have a host to stay alive. She cant do anything to harm her and even if she did, Ninas not afraid to grab her by the tail and launch her into the sun (Molly is actually somewhat intimidated by Nina, so she shows some level of obedience).

and thats it for those two!! I also would like to add that I wanna work on an oc of my dog and make goofy content of him and barnaby being like dude tf are u doing. also i know i have other ocs but either they arent quite fleshed out (lilith, betty, batsy), they arent technically mine (tilly and mitzy), or im just really tired and its late rn.

but if u got this far wow ermgee thanks for reading my late night rambles im dying

TLDR: Mollys homicidal, stupid, cant read a room, and is a demon. Ninas just a timid, excitable, down to earth, artsy spider with a weird demon imaginary friend that came to life.

#nina noon #molly moss #welcome home oc #:o)#im so tired that was so much typing ahfdashd #i had to write a review today and its the most typing ive done since college #i never type cuz i cant read #oh and for bffs> Molly hangs around a lot with Julie and Wally #Nina hangs a lot with Barnaby and Howdy (and also Frank since they both collect bugs)

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triple-pupil · 2 years

Text

Headcanon dump, exclusive to the Game universe:

Werner Werman is an unstable, violence fanatic mouse who tried get in the military in an ongoing war between rodents and felines, but his attempt was rejected as he didn't meet the requirements. Maybe he went to the Inkwell Isles trying to find an easier way to get into any conflict at all.

He needed to go to war because it was the only way he could satisfy his hunger to kill and commit violence without being punished for it, he actually was confident that he would turn into a war hero and that the military was missing out. However, because of his upbringing, he used the excuse of patriotism to rodents as motivation, it even got to the point of believing this was his true reason.

As a last resort to participate in the war, he built a giant cat robot to wreack havoc around mice populations. In his mind, this was a twisted way of actually helping his kin, they would need to enlist more rodents to battle, and that's when he, the war hero and untapped potential, would manage to get in. (Maybe he even took the chance to apply his own justice, assaulting prisons or places he deemed corrupted, using the robotic cat to kill all rodents he saw as criminal or evil while also enjoying the chaos he caused)

I'm still not sure when he would reach out to the Devil, but he would go to the casino to speak to him after hearing rumours (He never went to the casino before, as all his addictions were somewhere else). I don't know if he goes to learn to make the robotic cat (Maybe to learn to build machinery in general) or to turn into a war hero quicker, but... I got two options for the results of this.

1) Thanks to selling his soul (and maybe also his plan with the cat) he finally is among the troups, although soldiers greatly doubt the mouse's and the recruiter's sanity when seeing Werman being a freaking lunatic, building crazy machines and just charging into battle with way too much confidence, as well as treating the rest as inferior.

Or.

2) The Devil just gives him the illusion of being a war hero by taking advantage of Werner's poor and vague wording (That has nothing to do with his accent, btw, I see Devil as capable of understanding almost any language so he and Werman can perfectly speak to each other in German). To do that, he gives the mouse medals and stuff like that through other mediators so that Werman doesn't realise about the scam, and the mouse just happily goes home, feeding more on his delusions. He even recieves fake letters from supossed military authorities, requesting his inventions and some services made to make him go around, destroy things and kill more to bring more souls to hell. Now he was part of the Devil's machine without realising.

Why is he now a debtor? Maybe he realised about the scam and got angry at the Devil, stealing the soul contract through violent ways. And if he got into the military, he could have been finally kicked out after everyone realised that having him there was a bad idea, he gets angry at the Devil because the big guy couldn't keep him in (Because of course this wasn't Werman's fault- pfff) and steals the contract through violent ways.

Now he doesn't come out of the hole in the wall he calls home, although saying he isn't scared of the Devil and that he would beat him up any day (He wouldn't).

Or maybe-

Headcanon 2: The dude is just an actual war vet who dealt with the Devil to make a mechanical cat that worked as a guard to the house because he doesn't like to have other mice around in his retirement. Tho idk why he'd turn into a debtor but this option is funny. (Thanks random YouTube comment by Shiru Otakuno for the idea of the cat as a guard dog)

#Choose your headcanon #Long ansgty edgy lunatic with a lot of backround and motivation #Or tired vet who just wants to be left alone and chill #I love both #werner werman #cuphead #cuphead headcanons #headcanon #my shit #And I know the second headcanon contradicts actual canon #But I just found it funny

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jessicanjpa · 2 years

Text

Twilight Advent Calendar 2022 event

❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️

Dec. 2 prompt: What human skills/hobbies has Jasper learned since becoming a Cullen?

-driving. Jasper hadn't ever had a reason to get inside a horseless carriage automobile before 1950. He found it very unnerving. When he was first learning to drive, he was one of those drivers that go 20 miles under the speed limit, at least until he saw someone bleeding on the other side of the highway and nearly caused an accident. Years later, he still doesn't enjoy being in cars. He's a bit claustrophic and other people's emotions are way too close, and the noise/smell/vibration is nothing like riding a horse. Motorcycles > cars > > > airplanes.

-experimenting with electricity. Jasper was almost completely absent from human society for a long time. When he left the wars and began hunting in cities, he was really intrigued by the invention of "electric" long after everyone else was used to it. Once he got comfortable in his new home he started dissecting all kinds of electrical gadgets to figure out what made them tick. This led to his and Rosalie's shared robotics hobby in later years.

-identity management. When Jasper first joined the family, he was amused by the Cullens' insistence on playing human... and a bit uncomfortable with the risks they took to do so. His concern with safety/security, his willingness to get his hands dirty, his need for real work, and his talent for strategic thinking eventually drove him to take an active role in managing the Cullens' identities (and past identities, and ongoing identities, etc.). Ironically, the workload and complexity of this task drove him to take an unprecedented risk: letting a human in on a fair amount of their secrets. This is stretching the secrecy law, and he knows it, but he's come to love this strange new family of his and to care about their happiness. Since playing human is a necessary part of that happiness, he's going to make sure it's done as safely as possible. Ironically enough, he's found a great deal of satisfaction in this role and it's led him to keep up with the human world more than he would have done otherwise. (Here's a one-shot about his starting up with Jenks's father in 1974: FFN / AO3)

-reading. Jasper never read for leisure as a human; no time and no books. He dropped out of school at age 13 to work full time on the family ranch. As a vampire in the Southern Wars there were always books on hand (some newborns could be kept quiet that way) but he rarely read then either. Once he joined the Cullens, though, that vampire obsessiveness really got a chance to shine and he devoured books like they were blood. (This actually helped with his withdrawal—he'd already gone through the worst of it when he was alone with Alice, but now he was trying to stretch out the time between hunts and be around humans again.) His interests shift as the years ago on, but history, anthropology, psychology, true crime, and philosophy are his favorite subjects in general. He's the only Cullen besides Carlisle who has his own study.

-whittling. To be fair, Jasper whittled as a human, but it was just passing time and mostly shaving pieces of wood down to nothing or quickly shaping a scrap of lumber for a particular purpose, like a clothespin or a fence post. He didn't really focus on artistry. But as a Cullen he really began to study the art of whittling. He loves to craft things like chess pieces, Christmas tree ornaments, little knickknacks, and even jewelry. Keeping his hands busy helps his thirst, and it means a lot to him to use his hands to create something beautiful and lasting after so many years of destroying everything he touched.

-helping Esme with renovations for that same reason. Sometimes he gets to design cool circuits/tech for their houses. The system of automatic steel shutters in their Forks home was his contribution. (Being overprotective is the mother of invention.)

You can find all the #twilightadvent22 prompts here!

❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️❄️

#twilightadvent22 #Jasper #headcanons #books #vampires and their cars #hobbies #Cover story #Ironically SST!Jasper rode in an airplane before he ever rode in a car #...it didn't go so well #Tale of Years

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dizzydispatch · 2 months

Text

A Night in the Life

Day 1

0652. Medical comes in just before shift change, meaning it’s a cluster and a half (sorry, Ms. Carol, the guys were fighting over whose turn it was to deal with you and your angina this time). I should be on my way home, but I've gotta stay late so I don't saddle the morning shift with the burden of a half-finished call.

In the middle of the mess, Officer Areyougoingforaworldrecordintrafficstops? (nice name you got there / thanks, it’s German) has to get one last traffic stop in. Hey, here's an idea. If a medical call is currently being dispatched, instead of making me juggle that and your unnecessary traffic stops-- I don't know, maybe go to it?

0734. Thank you for threatening to pull me over for my broken tail light on my way into work tonight, Officer Hardass. I can’t even tell if you’re kidding or not. Guess I better go to the nearest auto parts store and replace my brake light in the freezing cold.

0812. Good thing I did it here in the store parking lot before I left, because you guys sold me the wrong bulb. Oh, you don’t have the one I need? Great. Can I get that in writing for Hardass? Also, I was shivering so hard that when I tried to take the ill-fitting one out that I dropped it and it broke. But at least I’ve got the rest of the day to myself. Right?

828. Oops, I forgot that I agreed to tutor my GED student today. Was expecting to have the rest of the day, but hey, it’s for a good cause. I still have all afternoon to sleep and shower.

1100. Call from my Lieutenant. Did I want today’s eve shift for overtime? I jumped for it. Eves are my favorite shift, after all, and every overtime shift that I put straight towards my student loans brings me 0.01083% closer to financial freedom.

1101. Realized that now I had to be back at the station in four hours, and we’re in the middle of a quiz. Too polite to kick my pupil out mid-quiz, I silently resign myself to not getting a shower today.

1205. Finally, bed. Two blissful hours of--

1415. GOD that alarm is loud. Gotta get up and haul ass. No time to primp, just throw a bandana on, fresh uniform— aaaaand it’s damp.

Day 2

1500. Freezing My Butt Off Because My Uniform is WET and Dispatch is COLD.

1655. Remembered that as the dispatcher, I’m in charge of the dispatch office, and therefore I control the thermostat. Cranks heat.

1938. Relentlessly mocked by Lieutenant about keeping Dispatch a sauna.

1941: Retaliated by playing up the cold symptoms related to an ongoing, non-contagious sinus infection, then fake sneezing on said (germaphobic) Lieutenant.

1956: Noise complaint from a guy whose neighbors are watching a movie "so loudly it sounds like World War Four in there." (I'm sorry, did I miss World War Three somehow? Any particular reason we jump right to four?)

2056: I should make some coffee. I sure hope the coffee machine isn't-

2057:

2143. Where’s Officer Goingforarecord when you need him? At least the constant traffic stops would be something to keep me awake. I guess the fact that the sun was out helped me forget that three in the afternoon to a night shift person is like everyone else's three in the morning.

2300:

0000: Is it seriously only midnight?

0100:

0200:

0300:

0400: My favorite officer to chat with has decided to let me talk his ear off. While I’d like to believe I am simply that good company, I also suspect that it’s because my mindless chatter is impossible to sleep through. He looks about as tired as I feel.

0500: After talking pretty much nonstop for an hour, my voice hurts. But if I stop, I’ll lose the momentum and adrenaline of a mostly one-sided conversation about the relative benefits of being a bandana girl. Sure, it’s not exactly a runway-worthy fashion statement, but can you tell how long it’s been since I washed my hair?

0549: I wonder if this would make an interesting blog entry? Dispatch: A Night in the Life.

0601: Should I at least format it into essay style?

0636: Too tired. Transcript will have to suffice.

0639: I swear I know how to spell the word lieutenant, Mrs. Overton, my dearest seventh grade English teacher. I even use the pneumonic you taught us: lie-to-u-about-ten-ants. I’m just so tired, my brain won’t cooperate. (I won’t even tell you how many times it took me to spell pneumonic.)

0646: Wait, why would an officer lie about ants? Do we have ants in the station???

0649: I guess after the mouse that Dave’s mousetrap caught, a few ants shouldn’t be too much concern.

0651: Almost time to...

0652: You have got to be kidding me, Carol.

#911 dispatch #911 dispatcher #911 dispatchers #day in the life #night in the life #a day in the life #a night in the life #dizzydispatch #dizzydispatch911 #first responders #memes #meme humor #meme #graveyard shift #overnights #overnight shift #night shift

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house-vulort · 9 months

Text

A Brother’s Return

Tw: violence

The Firmament was bustling as always, adventurers and skybuilders ran to and from building sites, completing tasks and collecting materials. Gaël smiled, it warmed his heart to watch. The Dragonsong War was over, Ishgard had entered a new age. The damage of the war left deep scars in both parties, some groups resisted the peace between Ishgard and the Dravanians, a lot still clung to the “old ways”. It was to be expected, peace was slow after all. However, the rebuilding efforts made his heart sing. It was nice to relax for once, though his Wolve’s did make the occasional strike, to keep the peace from the shadows, as always. The Wolve’s Den had gone silent once Ishgard entered the Eorzean Alliance, those that followed Gael, or Lycan, for a few short years, had gone their ways.

He watched through his red glasses as children ran past, playing a game of tag, their laughter was like music to him. Oh, how he wanted to join them, but work came first. He adjusted his grip on the crate of materials and made his way to his destination.

“Ah, Lord Gaël! Do I take this as another delivery from your shop?” Asked the stall attendant.

“Aye! As promised, all extra supplies go to rebuilding efforts! Leathers, wool, animal pelts and cotton all reliably sourced too, even some exports from the Black Shroud!”

“We happily accept your donations, my lord. Will you be taking some time to join in some of the activities as well?”

Before Gaël had the chance to speak, a loud crash hit the counter. Two MASSIVE crates full of ingots and wood landed on the counter beside Gaël and the attendant, making the pair flinch. The crates’ owner, drenched in sweat, wiping his brow, winced as his single good eye went from person to person.

“S-sorry, I lost my grip on them at the last moment. I didn't mean to interrupt!” The man was a tall, burly, red-haired Elezen with a gold eye. The other eye was covered under an eyepatch, and most likely damaged or missing. His face was grizzled, covered in scars and facial hair. Strange, he reminded Gaël of someone from a very long time ago.

“Don’t worry about it… I was on my way anyway.”

“Again, sorry about that Ser.” The Red-haired man said, rubbing the back of his neck. Gaël stared at the man as he traded his goods to the attendant and made his way to the new construction site, as Gaël followed behind. He reminded him of someone, but couldn’t put his finger on it.

The two worked together running supplies and using them to build up frames of a few new homes with the other groups of adventurers.

“Why is a noble helping with building? I mean, Lord Farcel is overseeing the entire thing as well as the Count Durendaire, but why a Baron like you?”

“These people deserve a home to rest, like everyone else, why do you ask?” The man shrugged. “So, what brings you here, adventurer?”

“New sights I guess, I’m a mercenary by trade, before this I was helping the Grand Companies liberate Ala Mhigo. With the stalemate still ongoing, I thought it best to seek work elsewhere. Plus, I know I’m from this city, it feels so… familiar to me. Ah! Where are my manners? My name is Ivent Travanchet, and May I ask yours?”

“Gaël. Gaël Vulort.”

The man furrowed his brow and ran a hand through his beard.

“Vulort… That name sounds… very familiar…”

“You lost your memory?”

“Aye, over twenty years ago. Think I was a dragoon or something like that. My squad got surrounded by dragons, I ended up on the back of one and it took off. Long story short, misfortune struck and I fell. Woke up badly injured in the care of the person who saved my life, and without a memory, even my own name.” Ivent frowned, rubbing the palm of his hand. “My rescuer tried to help me get my memories back, but… we just kept hitting dead ends. The only piece I had left was the remaining parts of my armor, and it’s now among the rubble under the fragments of Dalamaud. Recovering it is a suicide mission.”

Gaël listened to the man speak, he began to recall the story of his brother’s passing. His squad ended up in a trap by the dragons as planned by Spider, all because Sylvain got too close to taking him back. No body was recovered, only a helmet and his lance. The search party was taken into the North Shroud, and parts of Dravania, but he was gone and given a knight’s send off to Halone’s Halls.

“…Was your new life happy?”

“Oh yes, it was…” Ivent smiled warmly. “I later married the woman who saved me, and we had a daughter, who took after her mother in almost every aspect. Our life was quiet, we tended to the life of the Shroud… Until the Calamity. I lost my wife and became separated from my daughter. I haven’t seen her since, and finding her these past few years has been one of my goals and reasons for traveling. Having a family is something I’ve always wanted, I know that much even with little memory or who I was.”

Memory… A memory began to call out to Gaël.

~~~~

“Hey Sylv?” A much younger Gaël asked his brother.

“Yeah?” Came the response of his older, red haired brother. He had just come back from a day of training and still wore his armor as the two played in the streets. They laid against the grass in the back of their estate, watching clouds and the stone spires that pierced them.

“If this war didn’t exist, what would you do?”

“Find someone I like and start a family I guess, while taking care of our father's shop.”

“That’s boring! Think of something else!”

“It’s true! As I get older, I do want to start looking for someone I can be happy with. Besides, I’ve… always wanted to have a family. Or just caring for someone like that.”

“I don’t like that! When I’m older I wanna travel the world and see what’s out there!”

“Yeah, that doesn’t sound too bad, but you should look out.”

“Huh? Why?” The young child asked his brother with a tilt of his head. Sylvain quickly grabbed Gael, pulling him close to him and rubbing his knuckles against his head.

“Who’ll keep you safe from the knuckle monster!?” Sylvain laughed and Gael yelped out and laughed.

“Hey! Mister Gael, you alright there!?” Ivent called him back to reality.

“O-oh… Sorry… I must have spaced out. You just… really remind me of my late older brother.” It was odd, the man before him acted almost exactly like the brother he knew.

“Really now? Who knows? Maybe I could be him!” He joked with a laugh. Even that laugh of his, despite him being older, sounded exactly the same. Gaël let out a soft nervous laugh as they returned back to work. It only drove Gaël more up the wall as the man hummed Coerthian folk tunes he swore he never heard before, something his brother would sing often after training.

Why are you going off a hunch? This could be another person?

What if this is him? It’s almost EXACTLY like him.

Fine, fine, how will you jog his memory?

He… had mother’s handkerchief, and I still have his broken lance and helmet Father was given. Maybe showing them to him will jog it?

A few days had passed, it was now late evening, Gaël sat in the estate enjoying a cup of tea as he went over some paperwork. From his window he’d watch the passerby’s go about their day, but that man, Ivent, would frequently walk by almost hourly after work in the Firmament concluded.

“Are you alright?” Gaël asked him from the doorway.

“This place… it feels familiar. Like…” Ivent paused for a moment trying to figure something out.

“Why don’t you come inside and get out of the cold?” Gaël motioned for him to come inside. Ivent looked around and slowly came inside. His good eye widened as he looked around the entryway.

“I… feel I’ve been here before… a long time ago…”

“Oh? I didn’t really get time to add my own flairs after my father passed, it’s kinda been the same since I was a child, well, minus a few rooms.” Ivent quickened his pace as he went into a seating area. His eyes locked on a shrine, Sylvain’s shrine… his shrine, containing the broken helmet and lance, with a small painting of his. Something the former lord commissioned.

“That’s… my helmet… and lance.” He winced out in pain holding his head. Gaël quickly grabbed a hold of his arm and guided him to a nearby chair.

“Take it easy, don’t force yourself.” Gaël quietly told him. He sat beside him, in case he needed someone. Not all of those memories would be happy ones.

“I’m… starting to remember so many things… I had… a massive fight with my father after he sold you. I was… outraged… things were thrown… I left for the Brume and became a dragoon instead of the temple knight he wanted me to be… I spent every day looking for you… I got close so many times… I was… making that man nervous, he threatened me so many times, had members of the Brume chase me away from wherever he was keeping you. Then… My last mission happened… it happened so fast… I’m sorry I wasn’t here to keep you safe…”

“No, no! Don’t apologize! We’re… alive aren’t we, Sylv- Ivent?” Ivent rested his head on Gaël’s shoulder.

“That… will take some time… My name I mean, both suit me, but I don’t want to lose the name she gave me…”

“You don’t have to go back, maybe you can keep both of them? Like Sylvain Ivent Vulort? No, that doesn’t sound good…”

“It’s fine… I don’t mind what I am called, both feel right.”

The next couple of weeks were the happiest Gaël has felt in a long time. He enjoyed every moment he spent with his brother, the meals they cooked together, the stories they shared, it was perfect, he couldn’t ask for anything better. He learned a lot from his brother again, he started a family with the woman who rescued him and together they had a daughter, who he is still looking for after being separated from the Calamity. It was all going fine until one night.

After closing the tailor shop for the night, Sylvain came into the Gaël’s office while he was organizing customer details, and slammed a stack of letters on his desk.

“Can you explain these?” He growled. Gaël blinked at him as he went through the papers, letters from his former subordinates about cleaning the filth out of the city. Some of the death notes of targets.

“Where did you find these? I had these hidden away for a reason.”

“Oh, so you know what they are then? What the seven hells are you doing with execution orders!?”

“You seem to forget I was trained to be a killer. Sadly old habits didn’t die after I escaped Spider’s web. But yes, I ordered these and acted on them.”

“You murdered people!? Why would you do that!?”

“Why? You are asking me why? Those… those animals did nothing but bring suffering to the lowborn. I grew tired of watching it! Before you say it, yes, I tried to report it all but I only got brushed aside. If there was going to be real change, sadly drastic measures had to be taken. Am I proud of it? Hells no, but it had to be done.”

“So, you sought no other options but to murder these people?”

“I already told you, I tried putting myself in the crossfire personally, even tried using my status as a Baron, as much as I detest doing that, and nothing was done, I’ve done less if you did read those files and still there wasn’t much change. Corruption still ran rampant, I had to get my hands bloodied in some cases.” Gaël said as he stood up and went around his desk, reading off some of the documents placed before him.

“You… say you wanted change but all you did was create an endless circle of strife. How is that better compared to what Spider did?”

“Do not compare me to that demon.” Gaël hissed.

“Look at what you have done! What makes you think after all you have done even in his care, you are better than him!?”

Gaël immediately saw red, he lunged at his brother, striking him square in the face. Sylvain stumbled back, covering his nose, blood coating his hands. Gaël watched as Sylvain’s aether flicked to life, but something about it seemed… wrong. He didn’t have enough time to react to Sylvain lunging at him like a wild beast, grabbing him by the throat and slamming him to the ground. A struggle ensued as the two fought for control. Sylvain held Gaël down as he repeatedly swung at Gael’s face, staining his fists red. Gaël struck his brother in the crotch, giving him enough time to throw Sylvain off him. His instincts told him to run, but he couldn’t make it far as his vision blurred to black. He saw his brother turning back to him, before stopping.

“…What… what am I doing…?”

Gaël awoke in a Chirurgeon’s office a few days later with half of his face bandaged, and severe bruising on his neck. Their fight had broken his left orbital wall, parts of his jaw and nose, along with a concussion. Eating and drinking were PAINFUL to do on his own, he hated having to rely on feeding tubes and straws until things healed more. It reminded him of his time recovering from his injuries while in the labyrinth and how much he hated hospitals because of it. Chirurgeons were tending him every several hours, tending to his wounds. A few weeks of this and he should be fine. One day he awoke to a Duskwright woman placing herb based ointment on his healing injuries.

“What the hells are you doing!?”

“It’s an herbal salve I made! It should help with your healing process, and make you smell a lot nicer!” She had dark gray skin, with her face dotted with light freckles, white hair that draped over her shoulders into small “drills” and a long braid in the back. Gaël sank further into his pillow as she got closer to his face.

“Aris, stop. You are making him uncomfortable.” A voice came from the other side of the room. Sylvain leaned up against the wall by the door, his arm was in a cast along with bandages across his nose. Seeing him made his blood run cold.

“Oh… right. Sorry, uncle!” The woman, Aris, stood back up and trotted over to Sylvain’s side. Gaël stared back to the two visibly confused.

“Right, introductions! Gaël, this is Aris, my daughter. She’s been tracking an aether trail when I bumped into her in the markets the other day. Turns out, she’s been studying to be a medic and herbalist in Sharlayan! Aris, this is your uncle, Gaël. He’s the head of my side of the family and owner of the family tailor shop, and has been working closely with the Firmament in rebuilding efforts.”

“Nice to meet you! But… uh… who did this to you? Or the both of you?”

Both brothers turned their gaze away from her. She looked between the two and sighed. “Oh… I see… I uh… should probably let you two talk if… uh… you want to…” then quickly left the room. The air became heavy as silence and muffled footsteps and chatter from beyond the door claimed the room.

“L-look,” Sylvain finally started after several minutes. “I said some really horrible things to you in the moment I really should not have said. You have every right to be upset with me, I’m sorry Gaël. You don’t have to accept my apology if you don’t want to.”

“We hurt each other…”

“I… can’t argue with that… How about this” Sylvain took a step closer, causing Gael’s posture to shift into an almost defensive position, causing him to stop. “…No… too soon, I’ll give you your space while you heal, we both need some space, but when you're healed up, why don’t we do something nice? We could visit the Twelveswood or the borders of it, if you want…”

“…That… that sounds nice….” Gaël choked out, as he pulled his knees closer to his chest.

“Then it’s settled! Sylvain said with a bright smile, “I’ll leave you to rest now, and again, I’m sorry.”

A week later, the three of them, Aris, Gaël and Sylvain took their chocobos out to venture to the Twelveswood. Everything was going fine until they got to the Coerthas border into The Black Shroud, it was like Gael’s body refused to press on.

You are abandoning them! Don’t go! They need us!

“Gaël? What is it?”

“I… I can’t go. I’m sorry.”

Sylvain furrowed his brow. “Why not? What is stopping you?”

Don’t go! Don’t leave them to die!

“I… I can’t go… I can’t go…”

“Why can’t you? Help us understand, Gaël.”

Gaël ran his fingers through his hair, he could feel his heart starting to race.

“Just take a-“

“He isn’t ready yet, and that’s okay! It’ll take time! It might be best if we return to Ishgard for… all of our sakes…” Aris pipped up, turning her white chocobo around. Sylvain let out an annoyed grunt as he mounted his own steed to turn back. The ride back was quiet, Gaël noticed Sylvain frequently pressed a hand to his chest, as lightning based aether surged through his body, something he frequently said was normal due to his past injuries. However, upon watching Aris’ gaze switch between the two, something told him there was more going on.

Upon their return to the estate, a group of Temple Knights awaited them, leaning up against the main stairway into the estate. The captain stood and approached them.

“Baron Gaël Vulort, you are under arrest for crimes against the Holy See.”

“T-there must be a mistake!” Aris cried out. “He’s been with us for the past several days, not counting his recovery in a medic’s ward!”

“No, milady,” The captain shook his head. “These crimes ranged from before the end of the Dragonsong War’s end to a few short months ago. By law, all heretics must still be given fair trial.”

Gaël froze up, eyes wide and focused on the captain and his squad slowly surrounding him. “Under what evidence do you claim I have committed such crimes!?”

The Captain presented a document at Gael’s nose. “Do you recognize this, my lord? This was given to us by an anonymous source.” It was the exact same document Sylvain slammed on his desk a few weeks prior. Gael’s face went white in horror then a beet red as he turned to his brother. He couldn’t even meet his eyes.

“You sold me out!? Why!? Why the fuck would you do that!?”

“You committed murder among several other crimes! Do you really think I’d turn a blind eye? It doesn’t matter if it happened years or months ago! It doesn’t matter if they were innocent-“

“THEY WERE NOT FUCKING INNOCENT PEOPLE! No! Those DEMONS were far from that! They terrorized INNOCENT people, and when those people came to them, they were brushed aside as if it didn’t matter only for the abuse to get worse! I know their pain! I know EXACTLY what it feels like to try and testify against a higher power and to be brushed aside only to be called a lunatic and threatened! I didn’t want to kill them! Do you think I didn’t try to avoid it!? I was tired of living that life already, but that never left me.”

The knights closed in closer on him, Gaël took a few steps back.

“Please sir, don’t make this difficult for any of us. We don’t want to hurt you.”

“Like hells you would, I’m just another monster to you…” He took another several steps back, weapons were now drawn.

“Don’t you fucking DARE run from this, you beast!” Sylvain spat out. That same corrupted aether sparked to life again, turning his good eye a bright red for a second. Aris noticed and looked at the pair horrified. This wasn’t Sylvain anymore… whatever was corrupting him was taking over, and it would grow worse if he fled from his arrest.

Gael tossed his weapons aside and raised his arms up in surrender, the captain stepped forward to cuff him and escort him to the Tribunal. He was made to shed his personalized garments to that of rags that marked prisoners. Memories of his last few days in the labyrinth came rushing in his head, chained up, blindfolded and unable to speak. At least, this time he was to be treated more humanely until his trial. He just didn’t know what to feel. Sorrow, hatred, relief, confusion, it all washed over him, leaving him feeling nothing and everything all at once. This time at least his cell was warmer than the depths. He sat in the corner curled in a ball, tears rushing down his face. He wanted to live, he had to. There was still so much he wanted to do. This place was going to be his home for the time being, until someone came to give his rights before they took him to trial or he requested trial by combat…

“I want to live…” he kept saying to himself until he fell asleep. It was going to be a long several days…

#final fantasy xiv #ffxiv #ff14 #ffxiv writing #elezen #tw: violence

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hacash · 2 years

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2021 fanfic roundup

(this year’s been absolutely rubbish but I got a lot of writing done and made some lovely new fandom friends in the process, so here’s a review of all the fic I did during 2021! tagging anyone who wants to to do the same)

Give Me A Call Sometime (Ted Lasso) Will does the fashionable thing and matches up with a colleague on Bantr. Colin does the unexpected thing and finds himself being the responsible one. (minor Will/Colin)

Misadventures on Bantr (Ted Lasso) One dating app dependent on anonymity. Twenty-two footballers with no sense of boundaries. There's no way this can go badly, right? (multi-chap; Isaac/Colin, Sam/Dani, Dani/Colin, Thierry/Richard, Jan/Jamie, Jamie/Isaac, Jan/Moe, among others.)

Home for Christmas (Ted Lasso) Isaac is determined to give Colin the best Christmas he can. (Isaac/Colin)

Can't Take Them Anywhere (Ted Lasso) The Greyhounds' Hotel Furniture Shenanigans (and the Ongoing Quest Of One Nathan Shelley To Return Said Furniture To Whence It Came).

Colin Hughes’ Terrible, Horrible, No Good, Very Bad Existential Crisis (Ted Lasso) Going through one sexual awakening to realise you’re gay is stressful enough. A second one to realise you’re actually bi is just downright unfair. (Or: the universe is screwing with Colin Hughes for giggles. Colin does not appreciate the universe’s efforts.) (Colin/OFC)

This Slanted Light (Lord of the Rings) During the Scouring of the Shire, the four Travellers battle their own traumas as they save their homeland. Frodo endeavours to help Sam live his own life; Merry grapples with the choices he made before the War; and Pippin balances honour against matters of the heart. (multi-chap: Sam/Rosie, Merry/Estella, Pippin/Diamond, Sam/Rosie/Frodo)

You're not a Demon (there's a reason you're behaving that way) (Ted Lasso) At a charity football match Colin and Nate finally have a chance to clear the air. OR: What happens when two people have wildly differing perspectives of the same event.

Unconditional (Ted Lasso) After his move to West Ham, Nate is prepared for everyone at Richmond to hate him. Unfortunately for him, the Richmond team have nothing but love for their beloved coach, which is an experience Nate is woefully underprepared for...

A is for Ally (Ted Lasso) When Richard suggests a novel way for the Richmond boys to show their allyship, Colin ends up coming out to the team...just not in the way they were expecting. (In which Isaac is overprotective, Jamie suspects Colin might actually be a Jedi knight, and Bumbercatch reveals way more about his sexual preferences than anyone was expecting.)

Tough Truths (Ted Lasso) On the eve of the most important match in Richmond's history, a newly returned Nate tells Jamie precisely what he needs to hear.

On Purpose (Ted Lasso) More than anyone else, Rebecca knows the dangers of getting too close to Rupert Mannion. Being Rebecca, she expresses her concerns to Nate in her own unique fashion.

Lost in Translation (Ted Lasso) Dani has a little multilingual fun with Colin. Colin is in hell. (Colin/Dani) Only The Welsh Can Cwtch (Ted Lasso) Eight times when Colin gave his teammates the physical affection they needed, and one time when they returned the favour. (minor Colin/everyone)

One Is A Lonely Number (Ted Lasso) Driven by necessity, Jamie delivers a long overdue apology to Nate. It goes about as well as you'd expect.

Doing Better (Ted Lasso) After Nate's apology, Colin thinks about fathers, mistakes, and having people come through for you. (Also about Nate. He's a bit worried about Nate, actually.)

Three is Company (Lord of the Rings) Sometimes relationships need a little communication. In which Rosie is bolder than the boys expect, Frodo is overcome with emotion (and a severe case of the giggles), Sam still doesn't understand what a catch he is - and all three hobbits love each other very dearly indeed. (Rosie/Sam/Frodo)

An Unexpected Courtship (Lord of the Rings) After a chance meeting at a party, Pippin is delighted to pretend to be courting the lovely Diamond North-Took to help her avoid an unwanted suitor. Unfortunately, due to a misunderstanding, her unwanted suitor is…Pippin Took. This could get complicated... (multi-chap; Pippin/Diamond)

Sabotage (Lord of the Rings) A series of post-wedding day pranks begins a new tradition between Frodo, Sam, Merry and Pippin. (Sam/Rosie, Merry/Estella, Pippin/Diamond, minor Sam/Rosie/Frodo)

Heed No Nightly Noises (Lord of the Rings) After the Quest, the Travellers aren’t the only ones who need looking after. Sam and Frodo comfort Rosie in the aftermath of a nightmare. (platonic Sam/Rosie/Frodo) Mark of a Warrior (Lord of the Rings) After the funeral for Theoden, Merry wakes up to a problem experienced by many a young man after a night of heavy drinking. The ink on his arm doesn't appear to be washing off… Irises in Summer (Lord of the Rings) Sometimes the only choices left to you are bad ones. An old hobbit reflects on what Merry lost in the course of the Conspiracy. (Merry/Estella)

Let's Talk About Love (Lord of the Rings) When talk of romance is in the air, the demisexual Sam and Legolas share their own experiences of love and desire - and exchange a little much-needed advice in the process. (Written for Aspec Arda Week 2021; Sam/Rosie, Gimli/Legolas)

apodyosis (The Musketeers) At the funeral mass of Alice’s husband, Porthos and Alice take the measure of each other in every possible way. (Porthos/Alice) A Passing Shadow (Lord of the Rings) At the funeral wake of Denethor, Gandalf tries to help Pippin make sense of the Lord Steward's actions - and maybe let go of the past in the process. Capernoited (The Musketeers) D'Artagnan celebrates his appointment to the king's Musketeers in an unorthodox fashion.

Home Fires Burning (Lord of the Rings) The War of the Ring rages on. In the Shire, and under foreign occupation, the hobbits learn to live without those they love.

Too Much Information (Lord of the Rings) The Fellowship share about the sex lives of the various races. (Rather too much, in fact). In which Gandalf is cagey, Merry and Pippin are shameless, and Boromir finds out more about the Fellowship's personal lives than he wanted to know. A Shadow And A Thought (Lord of the Rings) AU: Boromir lives, and the Lady of the White Tower falls in love with a different man to come to Edoras. (Boromir/Eowyn, Faramir/Eowyn, minor Legolas/Gimli.)

#my fanfiction #ted lasso #lotr #lord of the rings #bbc musketeers #colin hughes #isaac mcadoo #dani rojas #nate shelley #pippin took #merry brandybuck #samwise gamgee #frodo baggins #jamie tartt #sam obisanya #legolas #gimli

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gryffindors-weasley · 3 years

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Mended Pieces

Draco Malfoy x Reader

Summary: When undesirable memories of the war resurface, Draco has you to seek comfort in.

Word Count: 2.2k

Warnings: mentions of the war, guilt, depression, angst, bad days, comfort, fluff

The soft sigh that was heaved across from you was one to join many others that evening, one to join many others that day, actually. When you peer over the top of your book Draco’s gaze is fixed out of the window, focusing on the steady streams of raindrops trickling down the leaves of the trees nearby. His hair flopped over his forehead in haphazard chunks of platinum, dangerously close to obstructing his distracted stare. It wasn’t hard to presume that today had not been his best day, or week, not even a good one—could tell by the very look on his face when he returned home from his shift at St. Mungo’s. That, paired with his need to be close to you despite the lack of any conversation was a clear indicator of such things.

“Draco,” you say softly, cutting through the ongoing silence filling the room. He finally manages to pull his attention to you, a tired smile tugging at his lips upon hearing your voice. “What’s the matter, Love?”

He sits up a little straighter at that, clearing his throat and pushing the hair out of his face. “Nothing, darling.”

It had been your turn to sigh now, because the words leaving his lips were far from truthful and he knew you wouldn’t believe him even for a second. He could tell by the way you folded your page immediately and closed your book, abandoning it entirely as you set it on the nightstand to give him your full attention. Not to mention the way you had pursed your lips ever so slightly, looking over his own expression. His eyes were tired and he slouched, his hair a ruffled mess from undoubtedly running his fingers through it in a nervous habit throughout the day. He sat before you, picking relentlessly at a loose string on his pajama pants.

You waited a few moments before you spoke again.

“Do you want to talk about it?” You ask kindly, patiently, his gaze bouncing around every inch of your face as he mulled over his response. He simply shook his head. Draco Malfoy was not one to talk about things as openly as another may be, he never had been in all of his life so his answer had not come as a surprise.

You nod, understanding in your eyes as you give him a small smile. You do, however, offer him your hand and he takes it without hesitation, allowing you to pull him to your side of the bench as he settles against your chest. A different kind of sigh left his lips this time, one of relaxed contentment as he rested his head over your heart. It was something he’d been waiting to do all day, a feeling he craved so desperately. You knew exactly what had been souring his day, what had been on his mind. The same thing that had always done it; it was the war.

His involvement in the now four year old event was something that continued to weigh heavy on his mind from time to time. Some days were far worse than others. Sometimes he spoke on it, sometimes he didn’t, but it had been the same reasoning every single time. Guilt.

Your fingers run through his hair, gingerly brushing through the minor tangles he’d created before repeating the action over and over. The rain was steady pouring on the other side of the window, its heavy droplets pattering against the window consistently and trickling down the cold panes. The bedroom grew darker by the minute as evening rolled around without pause, the stormy clouds only adding to the shadows filling the room. You couldn’t imagine the inclement weather to be of any help for his mood. A soft kiss is pressed to his forehead, a gesture he wordlessly appreciates more than he could describe in that moment as he squeezes around your waist.

He knew you were privy to what had been plaguing him that day, and he knew you had all the right things to say because you were wonderfully compassionate; so much so that he hadn’t known just what he’d done to deserve it. Not with the person he once was. The guilt weighing him down was far too much for him to articulate properly, of the things he had done, the hurtful things he had said as a child and as a young adult. All of it had danced ungracefully through his mind in this bout of remembrance of his past, taunting him whenever it so pleased. The guilt of the hurt you had gone through at the start of your relationship when your love was once forbidden. Before he could readily and openly defy his fathers wishes to rid himself of you; but he couldn’t let you go, even if that meant not being able to love you as he’d have liked to then. You meant more to him than to do such a thing.

The culmination of the years of mistakes and numerous regrets had proved to be far too much to carry for just one day, and he was grateful of your understanding. He was grateful for your unwavering patience with him.

He gripped your wrist tenderly, pulling your hand from his hair before enveloping it securely in his own. His fingers pushed between yours, hands melding in the perfect fit as he exhaled another breath.

“A new shipment of books arrived at the shop today,” you mentioned after a while, anything to pull his focus elsewhere.

A soft laugh left his lips at that, his thumb brushing over your skin. “And let me guess, they were nearly all romance novels?”

You joined in with his laughter, reaching up with your other hand to ruffle his hair before pressing a kiss to the top of his head. “Your guessing skills are starting to become impeccable, do you know that?”

“Or perhaps I just know you like the back of my hand, darling,” he says with a lazy smile, one that widens with your delighted laughter. Your laughter doesn’t cease upon the feeling of his lips on your neck, chaste kisses pressed to your skin. Kisses of gratitude for simply being there, but you weren’t privy to their meaning.

“Perhaps,” you murmur.

Your hand drops down to his back, finger tips tracing lightly across the bare skin in unknown shapes and lines. He ignored the chill that ran through him at the action in favor of relishing in your touch, his calloused hand squeezing yours a little tighter. It was moments like these that always meant the most to him. Moments where he didn’t feel like he needed to speak his dark truths in order for you to understand them, moments where you just let him feel what he’s feeling with the promise of being there with him. It made all the difference to him.

Eventually after a few moments when the laughter dies down, he sits himself up, tugging on your hand to pull you to his chest instead. He leans his back against the opposite wall of the window seat, his legs tangling with yours in a silence that could only be described as comfortable.

His fingers splayed across your back, cheek rested on your head as his stare remains focused on the gloomy Thursday night weather. It was ironic really, to have such miserable weather in a day he felt his absolute worst. As if Mother Nature had known his very outlook amongst everyone else and decided to match his countenance, his feelings. But despite that, he feels he’s got the sun in his arms, he knows he does. No one in the world could bring him out of a bad moment the way you could.

The simple act of you laying tucked away in his arms, knowing he could vent to you if and when he chose to, it worked wonders to soothe his racing mind. To know he could feel without judgement, process without pressure. It helped.

He focused on the way your chest would rise and fall against his own steadily, and the feeling of your kiss on his jaw. He focused on the way your thumb brushed gingerly over his knuckles and traveled to the back of his hand. Or the way your lashes tickled his skin with every fatigued blink, your cheek pressed to his chest. His lips ghosted over the crown of your head, kissing once, twice, three times there, his nose nudging affectionately against your temple.

You were a wonder to him indeed, a blessing, if you will. For you loved him for his ins and outs, his ups and downs, through everything. He needed that, all his life he needed that. And now he’s finally got it.

“Will you play me a song?” You ask after who knows how long, eyes curious and tired as you gaze up at him through your lashes. He looks down at you quizzically, brow raised.

“A song?”

“Yes, a song,” you laugh softly, sitting up and leaving the warmth of his arms much to his dismay. “On the piano, Dray.”

A knowing smile graces his lips then, his gaze traveling down to the hand you’ve outstretched towards him. The piano. You had gotten it from the Manor when you’d first moved into your own little cottage; it was a housewarming gift as much as it was a gift of long-standing comfort. You had known of the joy that was bestowed upon him whenever he allowed himself a moment to play it, you had known the distraction it gave. It had done so all his life. You knew it all, you always did, and he couldn’t help the way his heart swells in his chest at the thought behind your suggestion.

With a lighthearted huff he takes your hand, allowing you to pull him through the hall and down the wooden staircase eagerly, your laughter filling the space as he shook his head fondly at your antics. It wasn’t until he’d gotten up that he realized just how drained he had really been.

Moments later, the sleek grand piano had come into view, tucked in the shadowed corner of your living room just waiting to be played. He raised his brow at you once more, hand having not left yours quite yet. You pulled him to sit on the bench with you and he did so with a sigh of faux annoyance, but you didn’t miss the small smile on his lips. He settled down next to you, sitting closely by your side as you switched on a nearby lamp with a simple twitch of your fingers. It took him a moment to decide on a song, but soon he figured it out.

The pattering rain was quick to dissolve into mere background noise as his fingers slowly dance across the ivory keys with a comfortable familiarity, and you could see him beginning to relax. Could tell by the way his gaze focused on his hands, could tell by the way his shoulders began to slump and lose their stressed tension. There was something about creating a melody, one so beautifully delicate, that set him at ease. He created it, he had made something beautiful.

You move to rest your head upon his shoulder, and the smile on his face was immediate yet unseen by you as you let your eyes flutter closed. It was then that he deemed himself to be lucky, the luckiest man in the very strange world he knew. The sorrows of his day hadn’t washed away completely, no, they were still very much there. But they lessened; with the unwavering love you gave him and your wordless comfort, they lessened.

He played. He played a song ever so familiar to him, so much so that he could do it without a second though as if his hands had a mind of their own. A song that was your favorite just as much as it was his, one his mother had taught him as a boy.

In a matter of minutes the song began to taper and lose its tune as he’d become far too distracted by you, his lips pressing to your temple. It was when he’d stopped playing completely that you lifted your head in curiosity, a confused smile tugging at the corners of your mouth.

“What is it?”

He simply looked at you for a few fleeting moments, his eyes bouncing between yours as a soft grin remained to mirror yours. Then he leaned in, his forehead pressed to yours, noses brushing. “You made me a better person. Thank you.”

His words were hushed and they were true, spoken in the utmost appreciation as he spoke them in the close proximity. You let out a quiet laugh as your eyes fall closed for a moment.

“I love you,” you say and his hand settles on your cheek, his kiss as tender and meaningful as his statement. And if it weren’t for the sudden pressing of piano keys as he clumsily tried to move closer to you, it just might have lasted longer.

“I love you,” he murmurs, his laughter puffing warm against your lips. “I love you.”

In that moment, you made him feel whole; you mended his broken pieces.

—

Tags: @dracosathenaeum @awritingtree @amourtentiaa @harrysweasleys @snitches-at-dawn @hahee154hq @lunalovecroft

#draco malfoy #draco malfoy angst #draco malfoy one shot #draco malfoy fluff #draco malfoy x reader #draco malfoy x you #draco x you #draco malfoy imagine #draco fanfiction #draco malfoy fic #draco malfoy fanfiction

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xwing-baby · 3 years

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Impulse: The Beginning (Javier Peña x Reader)

Summary: Top of your class, the DEA have sent you to Colombia to be the poster child for their new ‘placement program’. You’re thrown in at the deep end into the drug war. With Agent Peña as your mentor, what could possibly go wrong?

Warnings: Nothing much! Mentions of misogyny/sexism, tobacco and alcohol use, show level violence, swearing

Word Count: 3.8k

A/N: BACK TO THE BEGINNING LADS LETS SEE WHERE THIS SHIT SHOW STARTED

*Spanish translation at the end of the fic*

Have you read Part 1 yet? // Masterlist // Next Chapter -->

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As one of only a few female agents in the DEA academy at the time, you had fought tooth and nail for your place from day one. Most of the men in your class thought you were useless and had campaigned on multiple occasions to get you taken out of the academy. This was mostly due to your success. You were a great agent already and were itching to get into some real action.

When the agency announced that they would be sending a couple of the highest achieving students from the graduating class out on a new placement program, you knew it was your chance. Incredibly, before you even got a chance to apply you were pulled aside by a professor and told you’d be selected. You were going to Colombia.

The fight in South America was all anyone spoke about. The tonnes they were hauling out was unmatched, it made Miami look like a small fry. A chance to go down there and help, maybe even take down some Narcos yourself, was one everyone dreamed of. Colombia alone had two of the biggest players, Pablo Escobar, and The Cali Cartel. Placement in that country would no doubt be the best learning experience you could ever get! Who knows, maybe you would be the one to catch Escobar!

It took a little convincing to your parents to let you go. They’d seen the news; they knew how dangerous it was and weren’t too keen on you going. Eventually, after a meeting with your coordinator they were convinced, you packed a bag and you flew down to Bogotá.

You were picked up at the airport and driven to the American embassy in the city to meet your mentor Agent Javier Peña. You hadn’t been told much about him other than he was from Texas and had been in Colombia for a while. Not a lot to go off. In your head you imagined some old cowboy, grumpy and hardened by the horrors of the world he had seen. He wouldn’t believe you when you appeared, would probably ask to have you removed immediately. You sighed, already resigning yourself to hate the man you were now forced to spend the next year with.

Your escort took you through the embassy, to the DEA’s office and promptly abandoned you at the door without another word. This was it. You pushed open the door and were instantly greeted by a cheery woman’s voice from behind a desk. Denise, according to her name plate, was filing her nails when you approached. She set the file down and smiled sweetly.

“Hey there, darling! What can I do for you?” Her voice had a strong southern twang to it, a quintessential southern belle with curled blonde hair and bright blue eyes.

“Hi, I’m here to see... Agent Peña,” You looked at that note in your hand to check you had the right person.

“‘Course sweetie, what’s your name?” She asked. You gave her your name and she told you to sit down in a seat opposite her desk for a moment while she called him. “So, you’re working with Peña?” She asked when she put the phone down again.

“Yeah,” You nodded, “What’s he like? I don’t really know what to expect,”

Denise giggled, “You’re certainly in for a treat darlin’. He’s something else,” You turned when her eyes watched someone through the window, “But I’m warning you now, don’t flirt with him,”

“I’m not-,” Your jaw dropped when the man in question walked past the window. Denise giggled, “Jesus Christ,” You muttered. He certainly was not the old man you had expected at all. He entered the room and you quickly shut your dropped jaw.

“Javier! Nice to see you,” Denise smiled at the man. You were shocked. Javier Peña was older, yes, but he was incredibly handsome. Tall, dark hair with dark eyes to match. He had a blue shirt on, unbuttoned just one too far. In such a professional environment it almost looked obscene. He smiled and your heart flipped.

“Denise,” Javier smiled charmingly at the assistant before turning to you, “who’s your friend?” Denise introduced you, “You’re the new kid?” He asked briefly looking you up and down, he shook your hand. Still a little dazed you smiled and nodded. “Quiet huh?”

“Sorry, uh it’s nice to meet you,” You pulled yourself out of your head, stumbling over your words as your brain caught up with what was actually going on.

“Let me show you round,” Javier chuckled, “I’ll see you later Denise,”

“See ya Javi,” She waved as you followed Agent Peña out of the office and down a new corridor.

“She’s cute. Is she your girlfriend?” You asked. Javier turned to you and shook his head.

“Never seen her before,” He smirked. You were glad he was walking ahead of you, as your jaw dropped. If he was like that with someone he had never met, what in hell was he like he was someone he liked?!

Javier took you around the office, showing the different places and meeting different people you would need to know. It seemed most people were exasperated by Javier; he was cocky and liked to get a rise out of people. He obviously didn’t really care for the bureaucracy of the job, much more an action guy than a paperwork guy. Despite your track record with these types previously, you got on well with Javier. He was easy to talk to and his confidence wasn’t arrogant.

You followed him around from room to room, making small talk about where you were from, how you’d been enjoying the academy and such. All the while you were trying to remember where everything was but ultimately failing. The place was a maze. Eventually you came to a small office tucked away in the corner of the building.

“And this, is where we live!” Javier said as he opened the room. The room was small, barely enough room for the two desks and row of cabinets inside. Behind one desk, engrossed in a manila file was a blonde man. He looked up when you entered, giving Javier a questioning look, “This is the Rookie,”

“Y/n,” You added. You were pretty sure he had forgotten your name, introducing you as Rookie to the last three people you had met.

“That's what I meant to say,” He replied, waving you off.

“Nice to meet you Rookie,” The blonde man grinned and chuckled, “Steve Murphy,”

“Nice to meet you sir,” You reached over the messy desk and shook his hand.

“Sir? I could get used to that! Bit of respect round here would be nice,” Steve laughed. “Steve will work just fine,”

“Or pendejo, he does respond to that too,” Javier added.

“Real funny Peña,” Steve snapped back. You chuckled. You stood in the doorway for a moment, watching as Javier chaotically cleared a space for you at his desk by moving a pile of paper from one surface to another.

“We’re moving out of here soon,” He explained, you nodded. He offered a chair, and a cigarette. You took both. “Did you have any trouble at the airport?” Javier asked. You shook your head.

“Nope. Bat my eyelashes and they don’t seem to worry,” You laughed to yourself. Javier raised an eyebrow.

“You get a lot of things done that way?” He asked. Your smile dropped quickly.

“No. I got here on credit, didn’t fuck my way to the top of that’s what your asking Agent Peña,” You said seriously, “Get that straight now. I’m just as good as any man, in fact I’m better. I don’t deal well with sexist assholes,”

“Out of line, I got it,” He threw his hands up in defence, leaning back on his chair. You turned to Murphy, who shrugged.

“All good,”

“Good,” you confirmed, “I don’t want you to think I’m rude, I just have to make it clear,”

“Crystal,”

The rest of the day was a blur, shipped about from one office to another getting badges and meeting important people. You were exhausted. Despite the copious amounts of coffee, you consumed, you had to force your eyes to stay open during the car ride home with Javier. You had been awake for more than twenty-four hours and added to the stress of a new job; you were ready to crash.

You said thanks to your mentor and dragged yourself up the stairs to your own apartment. You had only been inside your apartment briefly to drop off your bag earlier in the day. You could barely remember what it looked like.

The apartment was small and dark. There was a good-sized living room with a lumpy looking couch and a tv set. A small kitchen sat next to the entry door, separated by a half to the living room. Three doors came off the living room walls, one to a small closet, one to a tiny pink tiled bathroom and the last to a bedroom. The bedroom had a large window looking out over the street and the city beyond. There was a dresser with handles that were falling off and a double bed. The covers were old, and the colour had faded, the whole structure creaked when you sat down. The whole apartment seemed faded and old, but it would do.

You lay down, fully clothed, and smiled up at the ceiling. You had made it. You had done it! You were in Colombia, working for the DEA fighting Pablo freaking Escobar! You had succeeded beyond anyone’s expectation and you were excited to prove everyone who had ever doubted you wrong.

You hit the ground running the next day. Between moving the office to a new location, learning the ropes of the job, and catching up on ongoing investigations you felt like you never stopped. You had been home only to sleep for a few hours. You’d change your outfit, shower, and head straight back to work. You had quickly learnt that Javier was not going to be what you imagined your mentor would be, he was much more of ‘do as I say not as I do’ kind of teacher. In one week, you had already seen things that would have you kicked out of the academy if you were caught doing it. You had realised this experience would be much more of an experience to reflect on later than learn any real textbook things from day to day.

Friday was here. You knew you could get at least a few hours rest tomorrow, hoping that you wouldn’t be called in. You’d steadily been making your way through case notes, trying to make some sort of system so the immense amount of information through your desk wouldn’t get lost. You hadn’t noticed Steve and Javier call you, until Javier tapped on the desk next to you. You looked up.

“Rookie! Come on,” He motioned over to Steve who was waiting at the door, Kevlar vest in hand. You were going out on a raid!

“Seriously?” Your eyes lit up and you jumped up. You rushed to get your gun from the draw and raced after the two agents. Finally, you were getting to see some action. You were itching with excitement to finally be able to go into the field. All your training was leading up to this! A moment which for most agents didn’t happen for years! You ran to the courtyard and jumped into the backseat Javier’s truck

Javier fiddled with a radio on the dash until audible orders could be heard, barked through the walkie-talkie giving the plan for the raid. It was the house of a known sicario, not a big player in the grand scheme of things but they would have valuable information.

“When we get out there, you’re staying in here, got it?” Javier said once the orders were given.

“I don’t want to be left on the side-lines and watch! How am I meant to learn anything sitting in a truck?”

“You can stand outside the truck,” Javi offered. You

“Come on!” You begged, “Steve?”

“It’s not my call, Rookie,” Steve shrugged. You sighed.

“So, I’m meant to stand around and watch you have all the fun?”

“Quit whining,” Peña replied, glancing at you in the rear-view mirror. You frowned and settled back in your seat, your excitement dying a little.

After a few minutes of driving through the city, the convoy stopped outside a large house on the corner of a street. Javier parked and the two men jumped out of the vehicle slipping on their vests as they did. You took a deep breath, calming yourself, before stepping outside to join them.

Men started piling out of the cars and taking their places cordoning off the area. Steve was the first to get stuck in, immediately walking over to the man you assumed was in charge. You followed him, just to hear how raids were set up. Not so you could get involved, of course.

“Where are you going?” Javier asked as you walked past him.

“With Steve?” You replied cautiously, motioning over to the blonde a few paces ahead. Javi raised a brow.

“Rookie…” He warned.

“Javier…?” You replied in the same tone, as if you didn’t know exactly what he was going to say.

“Stay,” He said firmly, holding his hand up like a command given to a dog. You frowned.

“I’m not a dog,” You argued, Javi grinned and patted you on the head.

“Good girl,” You scowled at him, making him laugh again before he walked away to join his partner.

“Jerk,” You called after him. You complied, reluctantly, leaning back on the hood of the truck and watching from afar. You knew that it was a dangerous situation and you didn’t have much experience yet; you weren’t going to be seeing any up-close action for a while. It was for your own safety and everyone else's.

But it was boring.

After a short while of preparations and what seemed a lot like just milling about. The team entered the building. Those who were left outside visibly relaxed. Now any superior officers had gone out of sight, the soldiers huddled in groups chatting amongst themselves keeping one eye on their post but mostly watching you.

None of them spoke to you, but you could hear them. They assumed you didn’t speak Spanish, like Steve, so spoke without a filter whilst within earshot. How attractive they thought you were, wondering about how you got your role and whether you’d show them how you got it if they got you drunk. It was disgusting, but not new. Men are the same world over, it seemed.

You leant against the hood of the truck and turned your attention to the matter at hand. You weren’t here to make friends after all. You were here to learn, here to work. If you couldn’t follow into the raid you could learn as much as you could from the outside.

Gunfire and shouting erupted from the building suddenly, making you jump in surprise. Nobody else seemed to take any notice, barely looking up. You watched intently following shadows in the windows. Then, out the corner of your eye you saw a man race from the building. You looked over at the men, still stood around, and back to the man from the building who had started to slow down, and nobody was chasing him. They didn’t see anything. This was your chance. Before anyone could stop you, you ran down the street after the escapee.

He spotted you instantly and began to run faster down the hill and around a corner. You kept up well until the corner revealed a large crowd of people between shops. Market stalls lined the streets and your target disappeared in the blink of an eye. You followed into the people, making sure to keep your gun down to avoid mass panic. You didn’t need more of a scene to let the guy escape

You skidded to a halt and looked around, immediately overwhelmed by the amount of people and directions the man could have gone. You walked to the middle of the intersection and looked left, nothing unusual, right, nothing. Your heart hammered into your ribcage as you tried to collect yourself. It was hard to concentrate under the sun. He couldn’t have gone far, you lost him for two seconds! Losing hope of a dramatic first arrest, you looked up another street, and couldn’t spot your target. You moved to slip your gun back into your holster until you turned and saw a man leant against a wall heaving for breath halfway back up the hill you had just run down. He thought he’d lost you.

You collected yourself with a slow breath and pursued the man again, this time slowly so you didn’t catch his attention. He hadn’t spotted you as you exited the crowd of the market and walked up the hill opposite side of the street, dipping your head so not to catch his eye. You reached for your gun, just ten feet away from him when he finally noticed and jumped up.

“Fuck!” You cursed out loud as you chased him once more. The steep hill made your legs burn, but unlike the man in your pursuit you could bare it. He was visibly flagging and by the time he reached the top of the hill he had given up and you had caught up.

You shoved him against the wall, keeping your gun to his back and leg round his to keep him still. Your heart was hammering in your chest, you laughed to yourself as the adrenaline swept you up.

“Te mataré,” The man spat at you, “puta,” You swiftly lifted your knee, kicking him in the balls making the man yelp. Was it necessary? No. But it felt brilliant.

“Shut up,” You replied. You smugly smiled until you realised you were now stuck. You had no handcuffs so had no way to move him. You had not thought this through at all. You looked around and to your surprise you had just run around the block and ended up on a few feet from where your chase had begun.

You watched the raid exit the house, dragging a few men in cuffs with them. You spotted Murphy and Peña, who quickly noticed that you were gone. You watched them look for you for a minute before calling out.

“Over here!” You called loud enough for the men to hear you. Murphy was the first to spot you and ran over quickly, with a few soldiers in tow.

“Thought we told you to stay by the truck,” He said.

“You missed one,” You replied. You removed yourself from your prisoner and stuck your gun back into the holster on your hip.

“Good job,” He praised you, clapping you on the back. “Bring him up,”

With handcuffs on, the two soldiers took the man into custody. You followed Steve back over to the trucks. You beamed with pride. You’re first ever arrest! You spotted Javier watching you as you approached, a smirk set on his lips and an eyebrow raised. Your pride wavered a little. Just as you got back to the truck, prepared to get berated by your mentor, a man in a green uniform stormed over to you. You dropped your smile quickly.

“Quien es ella?!” He asked, spitting out the words at Javier. “Porque esta ella aqui?” Despite him asking about you, the man never looked at you. His attitude immediately aggravated you and before Javier could open his mouth to reply you jumped in for him.

“Yo trabajo con Murphy y Peña,” You replied for him, a sarcastic smile on your face, driving home the point that you did understand what he was saying and that he couldn’t ignore you so blatantly.

“Carrillo this is Y/n L/n, Rookie this is Commander Carrillo,” Javier introduced you to Carrillo. Javier gave you a warning look, as if that was going to stop your temper. Carrillo looked you up and down then sneered.

“Eres un poco joven?” He turned to you. You scoffed.

“It’s a new placement programme the agency is trialling,” Peña jumped in again, “Don’t worry about it,”

“Oh, so my war is a place for you to test your kids huh?” Carrillo rolled his eyes, “Fucking gringos. I don’t want some girl here,” He waved you away, turning on his heel and walking away. You scoffed, anger taking over.

“Sir, with all due respect. Fuck you,” You called after him. Carrillo stopped walking, half turned back, shocked at the audacity of what you were saying, “If I wasn’t here that guy would have run off and it would have taken you another month to find him again. Personally, I think a thank you is in order,”

“Okay! In the truck, Rookie,” Steve finally stepped in, before Carrillo could reply. He grabbed you and pulled you out the way and back to the truck. Javier stood in the way of Carrillo, so he didn’t follow.

“What a jerk,” You grumbled as you slammed your door. You glowered in the backseat, watching Javier and Carrillo talk.

“About sums it up,” Murphy agreed.

“He looks pissed,” You commented as you watched Javier part with Carrillo and join you and Murphy ready to leave.

“He always looks like that,” Steve replied, making you chuckle. You were still nervous; you had completely stepped out of line saying that stuff to the commander. No doubt Javier was going to be just as mad. You picked at the loose thread on your shirt, staying quiet when Javier opened the door. “Good?” Steve asked.

“All good,” Javier replied as he shut the truck door. Steve started up the engine and pulled away from the scene.

“Seriously?” You were shocked.

“Oh no he hates you now, but he hated Steve for a while there too so don’t take it too personally,” Javier said, Steve chuckled. “You certainly know how to make a good first impression,”

“I’m not in trouble?”

“I’m a little worried you might be insane; I don’t think I would even say that shit to Carrillo!” Javier said, “But I will say you did a good job with that sicario so, I’ll buy you a drink to celebrate the occasion when we get back,”

Javier turned to look at you quickly, giving you a cheeky smirk. You grinned back. You’d done awesome today, a week into this placement and you’d already made an arrest. One bad guy off the street, all by yourself! You’d pissed off Carrillo, and while you were sure it would probably bite you in the ass further down the road, you had made an unforgettable impression and you couldn’t really bring yourself to care that he hated you.

That evening Javier kept his promise and brought you a drink at the bar after work. Sat with Murphy and Javier in a booth, listening as the two of them bickered like an old married couple, you couldn’t stop smiling.

“To Rookie!” Steve drunkenly called out, raising his beer up. “May you keep on ignoring orders and kicking ass!” You cackled with laughter and cheersed your teammates.

This was going to be a great year.

Next Chapter -->

See! I CAN be nice!!!

translations (as always i am learning PLEASE correct me if these are wrong!)

Te mataré - I will kill you

puta - bitch

Quien es ella? - who is she

porque esta ella aqui? - why is she here?

yo trabajo con Murphy y Peña - i work with Murphy and Peña

eres un poco joven - aren’t you a little young?

Let me know if you want to be tagged in future parts!

tag list: @beskar-tano @buckysbeloved @beskarbabs @all-hallows-evie @harrys-stan @themidnightsun-12 @wille-zarr @danniburgh @itsaisopodkillmepls @urbankaite2 @whataloadofmalarkey @ahsofka @yeetus-my-feetus @sara-alonso @lesbianlena @xiao-lusi @all-good-things-have-an-ending @eternallyvenus @ajeff855 @mayangel19 @1950schick

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crystalninjaphoenix · 3 years

Text

The Winter Solstice

Fantasy Masks AU: Chapter Seven

A JSE Fanfic

Well after last week’s brief foray into writing for a different fandom, we return to the septics once again. The FM!septics to be exact. It’s the winter solstice, meaning there are holidays to celebrate! Chase, Jackie, and Henrik have a great day that totally doesn’t become suddenly serious near the end haha nope just fun times all around with some world building and character development :) Enjoy :)

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The day dawned cold and snowy, but nobody at Wyvernlair cared. Not when today was the winter solstice. This was a time for celebration! And with all the people in the camp, there was bound to be a big party. Preparations had been ongoing for the past few weeks. Food was made, games were planned, and time was set aside for those honoring the various holy days. When the day itself dawned, normal duties were put on hold so that everyone could join in.

Chase woke up at sunrise. He had a quick breakfast—light, since there would be a lot of food at the feast planned for that night—and strolled about, taking in the changes. Everyone was bustling about as usual, but now they chattered with excitement. Some people had hung decorations outside their tents: replicas of snowflakes made from white-painted sticks, candles with carved designs set on the ground, pine branches and snippets of other winter-blooming plants scattered about. Combined with the white layer of snow, it was quite beautiful.

Yet, Chase felt a pang somewhere deep in his chest. Last year, he’d spent Longest Night with his family and the rest of the village. There’d been town celebrations in the square. He helped Quentin carve his first candle. And now? Now, he didn’t know where his family was.

“Chase!”

He was snapped out of his melancholy thoughts when he heard someone call his name. In the middle of turning to see who it was, that ‘someone’ barrelled straight into him. “Oof!” He was about to respond, but found he couldn’t, because he’d been wrapped in a tight bear hug.

“Sorry, did I knock the wind out of you? Sorry!” Jackie was too full of energy to notice he apologized twice. He gave Chase one last squeeze before breaking off the hug.

“It’s okay, just give me more warning next time.” Chase took a minute to catch his breath. “Well. Happy Longest Night, then?”

“Happy Longest Night, then!” Jackie repeated. He whirled his cloak around dramatically. It was still red, but slightly nicer, with a fur lining. His wolf mask was pushed back, sitting on his forehead. “You know the plan, right? We’re having games all day. War games, dice games, card games—a few strategy games, too, the ones we have the boards for in storage. Then there’s the feast later, and the Dark Vigil tonight.”

“Yea, I understand,” Chase said, a faint smile on his face. He couldn’t help it; Jackie was contagious. “How many people will be at the Vigil?”

“A fair share. Schneep won’t; he does something at moonrise instead.” Jackie shrugged. “Are you planning to do any of the games? What about archery?!”

Chase laughed. “No, no, I’m not good enough to compete in a war game. I’ll probably just drift around and join in where I can. Do you think anyone will be playing Luck of the Deal? I’m very good at that.”

Jackie rolled his eyes. “Everyone’s good at Luck of the Deal. That’s the whole thing about it, it’s luck.”

“You don’t know that. There’s skill involved, too,” Chase insisted.

Jackie patted his shoulder. “Whatever you say, Hunter. It’ll be some time before everything really gets going. Anything you want to do before that?”

“Umm...” Chase thought about it. “Well, is there anything I can do to help with the feast preparations? That’s usually a community thing, isn’t it?”

“Well we already have a lot of volunteers for cooking. They’ve already gotten started, in fact.” Jackie thought about it. “But if you want to help, you could put your hunting skills to the test in the surrounding woods. Always good to have more food than less, on these occasions. People would eat their plates, if it was possible.”

Chase laughed. “Oh, I know that. Amabel would eat us out of home on Longest Night. She must’ve gotten her appetite from Stacia’s side of the family.” Saying their names, the melancholy threatened to return.

“Honestly? I have a confession.” Jackie leaned closer. “I’m one of those types, too.”

“Oh? Somehow, that makes sense.”

“And somehow I’m offended.” Jackie gave him a playful shove. “If you want to go ahead, you know where the shortbows and arrows are. Oh!” His eyes widened as he remembered something. “But try not to shoot any pigeons. Those are important.”

“Important?” Chase put the pieces together. “You mean...messenger birds?”

Jackie nodded. “I don’t expect anyone to send messages on the solstice except for an emergency, but there might be some arriving that were sent a fews days, or even a week, ago. It takes a while to fly across the island.”

“Got it. I won’t shoot any pigeons.” Chase shook his head, a bit in awe. “Messenger birds.” He’d heard of them, but never seen them in use. Somehow, they seemed almost as magical as actual magic. Getting letters sent across the kingdom in a matter of days? That was amazing. “I’ll just head out, then.”

“Good luck, Chase!” Jackie said cheerfully, waving as he turned to leave. “Be back before noon, that’s when the fun will start!”

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If possible, it was even colder out in the forest, away from the magic heat of the dragon bones. Chase clutched his jacket tighter and made sure his hat was securely on his head. He doubted that he’d find any animals out here. By Longest Night, most of them were hibernating. But it was worth a shot.

Snow crunched under his feet, so he slowed down, carefully placing every step so it wouldn’t make too much noise. There wasn’t a lot of foliage to hide behind in the winter, but he had made sure to grab a white jacket from storage to help him blend in. He’d also turned his hat inside out so that the red ribbon around it didn’t show. After a while, he found what he thought was a good spot to wait. So he settled down, nocking an arrow so it would be ready to fly at any moment.

The world became very still. The only sound he heard was his breath, accompanied by the small puffs of mist that breath caused in the cold. He made sure not to move a muscle.

Until there was a sudden sound. Footsteps, very light, being pursued by much heavier ones. His eyes darted towards the sound. The bare branches of a bush rustled, and suddenly a streak of brown fur dashed out in front of him followed by something much larger—

Chase reacted, letting go of the bow string and loosing the arrow. It shot through the air and landed solidly in the brown furry something. Shocked, he laughed in the rush of actually shooting something moving that fast. But then a voice cried, “I knew it!”

“Wh...?” And Chase finally noticed what the large something pursuing the small animal actually was. He looked up from his position near the ground to see...Lukas. It took him a moment to recognize him without his usual fox mask, but once the brown-auburn hair and tall longbow registered, his heart immediately sank with dread. “What are you doing—”

Lukas took an arrow out of the quiver on his back and nocked it, aiming at Chase. “Did you think you could take me out when nobody was looking?! Claim it was an accident?!”

“What in the world?!” Chase stood up. Slowly, of course, he didn’t want to get skewered by that massive arrow. “What are you talking about?”

“Don’t try to play dumb, you just tried to kill me!”

“I was shooting the rabbit!” He pointed at the small animal, which was, in fact, a rabbit.

“A likely cover story.”

All of a sudden, Chase felt hot rage rise up his throat. “I know you hate me but you don’t have to be an idiot about it!” he burst out.

That seemed to take Lukas by surprise. He blinked, and lowered his bow slightly.

“I don’t know what kind of trust issues you have or where they come from, but I’m sick of you always acting this way! I’ve been here for almost a full season now, and you still act like I’m about to stab you in the back the first opportunity I get! I know, you’re probably thinking something like ‘he’s playing a long game to get everyone to trust him,’ but let’s be honest, you’re just looking for any justification to be like this. I wouldn’t trust someone like me in your position either, but I wouldn’t be so obvious about it. You don’t have to like me, you don’t have to trust me, but elders be damned, you don’t have to stir up this much trouble for Jackie and Henrik and everyone else here!” Chase ran out of breath and was forced to stop. He waited silently for Lukas’s reaction.

For a while, there wasn’t one. Lukas just...stared at him. Then he lowered his bow fully, putting the arrow back in its quiver. “What are you doing out here?” he asked in a carefully-neutral tone.

“We have some time before the real celebrations start, so I thought I’d help out by trying to find more food for the feast,” Chase explained. He walked past Lukas and picked up the rabbit, trying not to feel sad. Something about shooting rabbits made him feel guilty. Maybe he respected how hard they worked to stay alive, running so swiftly. Or maybe he thought they were cute. “What are you doing out here?”

“The same thing,” Lukas answered.

Chase snorted. “And you decided to bring that monster of a bow for hunting?”

“It’s more powerful than yours,” Lukas retorted.

“Yes, but it’s also heavier and more cumbersome. I remember my second day here, Holly said that big bows like that were more suited for long range, while shortbows—” Chase waved his bow as an example. “—are better for mobility. Look at all these trees. Do you think you’re able to shoot long range in a forest? Not to mention if you miss, you’ll end up burying your arrow in a tree with all the force you need to fire it. That’ll just be a pain to pull out.”

“I know all this,” Lukas said irritably. “But I’m most familiar with this style of bow. I can make it work.”

“Maybe if you weren’t stomping around the woods,” Chase muttered.

“Excuse me?”

“You were running after the rabbit. Bad idea; you’ll never catch up with them. It’s better to wait and let the animals come to you. If you have to move, be quieter about it. And slow. Conserve your energy; animals get tired faster than humans.” Chase glanced downwards. “You’re wearing heavy boots, I see. Those will make a lot of sound no matter how much you try to be quiet. And your clothes stand out, too. Especially that red band on your wrist. It’s bright and you have to hide it. Like I did.” He turns his cap right-side out again, letting the red ribbon show.

“Hmm.” Lukas eyed him. He did that quite a lot, but somehow, it felt different this time. More...respectful. “Well. I’ll keep that in mind.” He turned away.

“Um...right.” Now that Lukas was leaving, Chase felt the sudden energy that had filled him starting to fade away. “I’ll...see you at the celebrations, then.”

Lukas didn’t say anything, but he raised his hand in acknowledgement, not stopping as he headed back to camp.

Well...that wasn’t too bad, all things considered. Lukas clearly didn’t think worse of him. And he had managed to shoot a rabbit, something he’d rarely done in all his years as a hunter. Though he’d only done that because the rabbit was too busy running from Lukas to notice him crouching nearby. So really, he should thank him.

Maybe later. For now, Chase headed back to camp, ready to join in on the festivities.

~~~~~~~~~~~~~~~~~~~~~~~~

By the time Chase returned to Wyvernlair, the festivities were starting to get underway. Games, mostly. People gathered in circles playing cards, or in threes playing dice, or in pairs playing board games. Others clustered around the players, watching the game and shouting encouragement. Some food was already prepared. Plates of sweet buns and meat pies were passed around. Chase grabbed a couple buns as he looked around.

But though the camp inside the circle of dragon bones was crowded, most people were out on the combat field. That was where the war games were set up. Chase decided to stop by for a moment. Even if he wasn’t going to participate, he wanted to see how things were going.

Targets were set up for archers to test their skill. People had grabbed close-quarters training weapons and were sparring, onlookers cheering on their favored winner. Someone had dragged over a rock and a large branch, setting up a makeshift see-saw that people were standing on top of, trying to knife-fight without losing their balance. Chase shook his head at that particular event. He himself had some scars on his hands from knife-fights as a young man; they really weren’t worth the bragging rights.

There was an especially large crowd gathered around one particular sparring match. Chase stopped, edging his way into the mass of people as he tried to see what was going on. Wait a minute...was that Jackie?

Indeed, Jackie was one of the sparring participants. And he was easily outclassing his opponent. He easily danced around jabs and swipes, not striking for a while, then jumped forward and hit his opponent on the side with his wooden practice sword. The crowd cheered, and the two participants backed away, shaking hands as they parted. Chase could’ve sworn he saw money change hands among the watchers.

“Anyone want to go for another round?” Jackie called to the crowd. “Doesn’t have to be to the first contact. What about to the ground?”

At that, a tall man grabbed a practice sword from a nearby rack, stepped forward, and announced, “I accept the challenge!” The crowd cheered again. “To the ground!”

Jackie grinned. “To the ground! Someone give us a count!”

In unison, the crowd started chanting, counting down from five as Jackie and his opponent started circling each other. Chase joined in. “Five!...Four!...Three!...Two!...One!...Clash!”

The two men immediately started going at each other with the practice swords, jabbing and backing up, swiping and dodging. The new opponent tried to make use of his height advantage, but Jackie was just too fast. The sparring lasted a few minutes and the crowd was enthralled for every second. Until Jackie managed to get behind his opponent and knock out his legs, making him fall to the ground. The crowd cheered. The opponent got up, looking no worse for wear and in good spirits. He shook hands with Jackie before leaving. Now Chase was sure he saw people exchanging money.

“He’s got skill, doesn’t he?”

Chase looked up, and saw Holly standing beside him. “Oh. Yea, he’s really good.”

Holly laughed. “That’s an understatement. You know he trained at Fíornear Field?” Chase nodded. “Well, so did I. But he could beat me in a fight nine times out of ten.”

“Really?” Chase asked, interested. “That many times? I thought it would’ve been closer between you two.”

“Everyone does. I say it’s the size difference. But what Jackie lacks in height, he makes up for in practice and sheer determination.” Holly watched as Jackie started sparring with another opponent. “Anyway, Chase. Come to watch or try your hand?”

Chase laughed. “No, no, just watching.”

“Well. In that case.” Holly leaned closer. “Care to try for chance?”

“You mean betting? Don’t tempt me.” Chase shook his head. “Besides, I can tell that betting against Jackie is a waste of time and money.”

“Doesn’t have to be at this spar. There’s many more war games to be had. I hear there’s axe throwing.”

“Axe throwing?” Chase perked up. “Alright, I have to see that. Lead the way.”

Holly laughed, and the two of them left, heading towards a set of targets. Indeed, some people had taken up throwing axes at these targets. Not competing against each other at the moment, only themselves, and also showing off for the passersby. Chase watched as one of the axe-throwers hit the center of her target. Then, surprisingly, he recognized the axe-thrower. “Nemet!” he called.

Nemet turned around, smiling at him. “Hello, Chase! How are you?”

“I’m doing fine. What are you...uh...I didn’t know you threw axes.”

She raised an eyebrow. “Is it so unexpected?”

Chase shrugged. “Well, you’re a doctor.”

“I am. I am a doctor who likes to throw axes.” Nemet picked up a throwing axe on the ground beside her. She held it back, paused to aim, and threw. It landed right next to the last one she threw. Holly and Chase clapped, impressed.

“Wanna shoot something, Brodyson?”

Chase yelped in surprise at the voice that came from behind him. He spun around to see Tripp grinning up at him. “You did that on purpose,” he accused.

“Maybe,” Tripp said. He was tossing a rock back and forth between his hands. Getting bored of that, he threw it to the side. Magically, the rock curved around, shooting for the target, where it bounced off the handle of one of Nemet’s axes. “Ah, almost a bull’s eye. Anyway, wanna shoot something, Brodyson? We could have a triple competition, axes versus arrows versus sorcery.”

“Hmm.” Chase considered it. “You know I had only planned to watch, but...that doesn’t sound too bad.”

“Don’t let him pressure you if you don’t want to, Chase,” Nemet said.

“No, do let him pressure you, I want to see this!” Holly insisted.

Chase laughed. “Alright, fine. Just a few rounds.”

Though as the afternoon passed, those few rounds stretched out into many. Chase had never been one for war games, but somehow, he didn’t mind.

~~~~~~~~~~~~~~~~~~~~~~~~

Eventually, of course, came the main draw of the winter celebrations: the feast. The people who’d volunteered to cook had been preparing food all day, and shortly before sunset, declared it ready. Instantly, a good half of everyone dropped what they were doing and headed over to the cooking fires.

Chase wasn’t sure what to expect from the feast. Wyvernlair didn’t use tables for food, so would everyone be standing around with plates? But it seemed as though they’d found tables, if just for today. Probably borrowed from storage. Some of the meat stayed on the skewer, roasting over the fires to keep it hot until someone wanted it. But most food was lined up on the tables, free to take. Sweet buns and meat pies, of course, but also preserved fruits that had been kept for a special occasion like this, and tarts covered in sugar, and pumpkin pie, and roasted potatoes, and more than could be counted.

Everyone ate until they couldn’t anymore, washing down the food with water, juice, and ale. Chase savored it, mingling and talking with the other Phantoms. And for once, he didn’t feel out of place here.

Time passed. The sun set. And as the feast died down, most people began talking about the Dark Vigil, the ceremony used to honor the Elder of Dark and thank them for protecting humankind from the shadows. Chase yawned. They’d be holding that in the center of camp, where a spot had been cleared specifically for that purpose. But it would be some time before everyone was ready. So, Chase decided to slip out. He headed towards the outside of the skeleton, away from the noise and bustle.

The stars were beautiful tonight. It was clear, without any clouds fogging the view, and the moon was nearly full. Chase leaned back against the bone and stared upward. He hadn’t really had the opportunity to appreciate the world lately. It was all busy, working with the Masked Phantoms. But it was nice to slow down for a moment.

Some minutes passed in silence. Then, he heard footsteps approaching. And then, a small thud, the sound of stumbling, and a muttered “Shiesse!”

Chase looked over towards the sounds, already grinning. “You doing alright there, Henrik?”

With a huff, Henrik emerged from the darkness. “I would be better if I know no one heard that,” he muttered.

Chase laughed. “Anyway, how’re you doing? I haven’t seen you all day.”

“Ah, I am fine.” Henrik leaned against the bone next to Chase. “I have been stuck in a dice game for most of the evening. I almost missed the moonrise.”

“I see. Jackie told me you had to do something around then. Is it like the Dark Vigil?” Chase asked.

“Similar, in ways. Different, in others.” Henrik looked up at the sky. He pointed upwards, at the moon. “She is beautiful tonight, yes? I never understood why your Elders never come from the sky.”

“Huh? What do you mean?”

“Well, I understand there is the Winged Elder One, but they are for more weather, yes?” Henrik kept his eyes fixed skywards. “None of them are for the heavens.”

“Well why would they be?” Chase shrugged. “The sky’s beautiful and wonderful. But it’s so far away. We live on the earth. Shouldn’t we be more concerned with what’s down here?”

“Hmm. Perhaps.” Henrik sighed. He reached down his belt, removing his flask and taking a drink.

“Oh—” Chase started to say something, then stopped. It would probably be rude to ask, wouldn’t it?

Henrik looked over at him, and guessed what he was about to say. “Yes, I am still taking the medicine. It is...not something that goes away.”

“Sorry,” Chase mumbled. “I shouldn’t have—”

“Is okay,” Henrik said, giving him a small smile. “You are polite about it, so I do not mind.” He returned the flask to his belt. “Ah, though I am afraid I must change the subject now. I just remembered. We managed to get the materials for more plaster this week. So you can finally have a mask of your own!”

“I can?” Chase repeated.

“No need to sound so surprised,” Henrik chuckled.

“I did? I didn’t mean to. It just seems a bit...unreal.” Chase had left his borrowed mask, the hedgehog one, back in his tent. Most people had—or at least he assumed they had, since most of them were walking around without them.

“Yes, I understand.” Henrik nodded thoughtfully. “Do you want to wait?”

“Wait no, I didn’t say that—”

“I am just making sure.” Henrik playfully nudged his shoulder. “You will need to choose an animal, you know. Do you have anything in mind?”

“Oh right. I forgot about that part.” Chase thought about it for a moment. “What about...a deer?”

Henrik raised an eyebrow. “A deer?”

“Is that not allowed? I mean, Tripp’s mask has those ram horns so I figured antlers would—”

“No, is not that, I just suppose I did not expect that.”

Chase shrugged. “I like deer. They’re good animals. Um...do I have to make the mask myself, or...?”

“You can if you want, but if you’re not artistically inclined, someone else could do it easily enough. It’s not that difficult if you are...” Henrik trailed off. He was staring out into the trees, eyes fixed on a point. “Chase. Is something moving there?” And he pointed.

“Hm?” Chase peered into the darkness. Indeed, he could see the faint movement of shadows. “Oh, yea. It’s probably just an animal.” He paused. “That’s...getting closer?”

They looked at each other, but unsure what to do with this information, just turned back to watch the animal get closer. And closer. It was too small to be a threat, but Chase felt Henrik tense anyway. Eventually, the animal got close enough to make out what it was. “A...cat?” Chase asked, confused.

“A cat,” Henrik agreed.

“What’s a cat doing all the way out here?”

“I am not sure...” Henrik said slowly, brows lowered as he thought through the possibilities.

The cat continued its course, walking in a straight line up to the two of them. Chase crouched down and held out his hand. “Here, kitty.” Once it was close enough, the cat sniffed his hand. Then, satisfied, butted its head against it. Chase laughed. “Y’know I haven’t met that many cats. When I was young, maybe about twelve, Pastor Cait had a cat. We joked about that, since her name was so similar, ha. But it’s gone now. I don’t think the town had another cat since then. A couple dogs, but no cats.” He reached out and petted it. And after a few seconds of that, scooped up the cat and stood. “Does someone here have a cat?”

“No, there are no animals in camp,” Henrik said, still puzzled. “Does it have a collar?”

Chase checked. Difficult, given that the cat clearly didn’t like being held and was wriggling a bit. “Yea, right here.” He pointed to a braided leather collar around the cat’s neck. “No name, though. For the cat or its person.”

“Well. It is cold and snowy, and even with that fur, I don’t think the cat enjoys being out here,” Henrik stated. “Maybe we should take it into camp? We have that fire set up in the skull now, that could warm it up.”

“Good idea.”

The two of them headed back, passing between the dragon bones and into the main body of Wyvernlair. By now, the festivities were starting to die down. Games were ending, and a lot of people were getting ready to attend the Dark Vigil. Chase and Henrik walked quickly by, since the cat was really struggling against being held by this point. Luckily, it hadn’t used its claws yet, but Chase could already feel them digging into the fabric of his jacket.

They reached the skull soon, passing through the gap where it joined the rest of the bones and ending up inside. It was almost empty here. Except for two people and several birds. Chase blinked a bit at the surprising sight, but then remembered what Jackie had told him that morning. So these must be messenger birds, then. There were about seven of them, pigeons in a variety of colors; white, gray, brown, spotted. Actually, Jackie was here, too. Along with Ana, who Chase had figured out by now was the head of organization at Wyvernlair. They both seemed rather impatient, quickly putting away documents. Probably heading to the Vigil like most others.

Ana looked up, noticed Chase and Henrik, then turned to Jackie and said, “It’s your best friend and his best friend. They have a cat.”

“They have a what?” Jackie spun to look at them. “Oh elders, you have a cat. Where’d you get a cat?”

“It just wandered up,” Chase said. “We thought it might like to get out of the cold—ow!” The cat dug its claws into his skin, managing to pierce the jacket, and Chase instinctively opened his arms. Of course, the cat landed on its feet, and trotted over to the side of the fire, which was slowly dying but still giving off a lot of heat.

“I’ve never seen a cat like that before,” Jackie muttered. “That’s a really unique pattern, isn’t it?” The cat was mostly a brownish off-white, but its ears and tails were dark gray, almost black, and the tail had rings of lighter gray. Its legs were striped with light brown, and it had markings on its face of the same color. Big blue eyes stared up at the strange people.

“Oh!” Henrik’s eyes lit up. “I had not noticed outside! It was fairly dark. Oh, you are a pretty kitty, aren’t you?” He slowly approached the cat, and when it didn’t run away, bent over and started petting it.

Meanwhile, Ana was bored, and anxious to leave. She looked at Chase, and her eyes lit up with a strangely sly expression. “Hey, it’s Chase, isn’t it? Do you mind helping me open this?” She held out a small tube made of metal and leather. “I’ve been trying for a while, I think it’s stuck.”

“Um..sure,” Chase said warily. Was this going to be a joke of some kind? He took the small tube and turned it over in his hands. There was a door on the side of it, and after some effort, he figured out how to open it. Out fell three items. Two folded pieces of paper, made of pressed wood pulp and therefore pale brown, and a rolled-up piece of vellum tied with twine. “What’s this?”

“Messages,” Ana said, grinning. “Can you see names written on them?”

Chase looked down at the items, sorting through them. There was writing on the folded papers, but...well, it could just be his lack of reading skills, but it looked like absolute nonsense. “These are names?” he asked doubtfully.

Jackie and Henrik looked away from the cat, noticing the exchange between Chase and Ana. “What do you mean?” Jackie asked.

“These words written here, these are...names?” Chase shook his head. “I’ve just never heard names like this before. Um...here, I-I’ll try to read them. Uh...” He squinted at the writing in ink on the two papers. “This one is ‘Ee-uh-oo-koh’ and this one is...um...‘Ffssehffmuh.’ I think? The handwriting could be—”

Henrik’s eyes widened. Suddenly, he was right next to Chase, grabbing his arm and squeezing it tightly. “What is it?! The two papers?! Which one is—that one, can I see that one?”

“Whoa, hey, calm down!” Chase leaned back. “You mean this one?” He held out the paper with the ‘Fsefma’ name on it.

“Yes!” Henrik snatched it up, then retreated, unfolding it.

Jackie leaned over his shoulder, then grinned. “Oh, I see. Vsevna sent you a little letter, didn’t he? What’s it say? Is he confessing his love?”

“Shut up, Jackie,” Henrik said, holding the letter far away from him so he couldn’t read it. “Is just another report.”

Jackie laughed. “Yea, with your name on it. Come on, Henrik.”

“That does not mean anything.”

Chase, listening, raised an eyebrow. “So...I don’t know everything that’s going on, but I think I can figure out that this Fsefna person—”

“Vsevna,” Henrik corrected.

“...Vsefna—”

“Vsevna. It is important that you voice those sounds.”

“He’s the person you’re pining for, huh, Henrik?” Chase pressed on.

Henrik was slowly turning red. “I say nothing.”

“Right,” Chase said, grinning. “So, who is he?”

“He’s another one of the Phantoms,” Jackie said, sensing that Henrik wasn’t going to answer. “He and Yuko—that’s the other name on that second paper. Last we heard, they were in the Southern Moors with the rest of their crew. They said they’d scout it out for a bit more, then move on. These are probably their reports. Or...Yuko’s is a report, at least.”

“Shush,” Henrik muttered. He retreated a few steps away from the others, clutching the letter. As he passed Ana, he shot her a glare. “You make Chase open that on purpose.”

Ana just smiled. “Same results, right? Anyway, that’s the last capsule. Do you mind if I head out now?”

“No, go ahead, Ana. Send Harrison to take care of the birds,” Jackie said. She nodded, and left the skull. He then looked at Chase. “Uh...can I have the other two things?”

“Oh right.” Chase forgot he was still holding the other paper and the vellum scroll. He handed them over to Jackie, and the metal tube as well. “I’m surprised. That’s a lot for a bird to carry.”

“Well these guys are trained for it.” Jackie gestured at the pigeons, now strutting around the table. “Especially Mokin here, who had this stuff.” He patted the wings of a particular pigeon, mostly white but with brown wings, which had strangely curly feathers. “They all deserve the best seeds before we send them out again. Anyway.” Jackie unfolded the paper with Yuko’s name on it, scanning the words written there. At first, he looked excited to get a letter from this person. But the more he read, the more serious his expression became. “Henrik.”

Henrik looked away from his own letter, picking up on the tone in Jackie’s voice. “What is it?”

“I...read this while I open this scroll.” Jackie passed Henrik the letter, then began working on the twine knot holding the vellum shut.

Henrik read the letter quickly, and soon his expression matched Jackie’s. “Oh. Oh, Schwestern. Oh, no.”

Chase started to back up, feeling he shouldn’t listen to something like this. But Jackie noticed him leaving and said, “No, it’s fine, Chase. We should tell everyone this, anyway. Tomorrow, maybe.”

“What is it?” Chase asked anxiously.

“Well...you remember we told you about Marvin, right?” Jackie said slowly. “About how he went out on his own and we sometimes get reports of him?” He waited for Chase to nod before continuing. “This...was a report about him. Apparently, he was in the Moors. But...he didn’t just cause chaos and leave. He’s been...caught.”

“Caught?” Chase repeated numbly.

Jackie managed to untie the twine, and unrolled the vellum, scanning what was written there. He nodded grimly. “Yep. You know what this is?” He turned it around so Chase could see.

“That’s...a royal declaration, isn’t it?” Chase asked slowly. He recognized the format, and the royal seal in the corner. “Um...‘The King...announces a...mighty...triumph.’”

“You do not have to keep going, Chase,” Henrik said bitterly. “There are better words to read than that.” He took the declaration from Jackie, glancing at it for just a moment. “I see. Marvin is accused of attempting to kill the King and some other nobility. They caught him in the act, and now...they plan to execute him. Four weeks from now.”

Jackie looked over at the cat, now sitting and licking its paws, and gasped. “Henrik. You don’t think that’s his cat, do you?!”

“What? I suppose perhaps. But if it is, how did it get all the way up here?” Henrik sounded puzzled. “It takes a week or two to get to the Moors from here, and that is for humans on horseback. For a cat...”

“Wizardry?” Jackie guessed. “I don’t know, it was just a thought, since he likes cats so much.”

Everyone fell silent. Henrik looked back at the royal declaration, reading it slowly, taking in the information. “So...how are we going to do this?”

“Do what?” Jackie asked.

Henrik stared at him in surprise. “Well, we have to rescue him, of course.” Jackie didn’t say anything. “Do not tell me that you’re going to let your grudge stand in the way!”

“No, it’s not that!” Jackie protested. “It’s just—you read the letter, right? Yuko said that these declarations were sent everywhere. Since when has the King announced his next move like this? Everything he does, he does in secret. I mean, damn, the Phantoms are just rumors, and we’ve been taking serious action for years now. He’s hushed up so much, why wouldn’t he just make Marvin...you know, disappear? Why a public execution?”

“You think it is a trap,” Henrik stated.

“Well...yes,” Jackie admitted.

“That is fair, but if it’s a trap, who is he planning to catch? If he wants information about us, he could get it from Marvin.”

“But Marvin hasn’t been part of the group for a year now! His information would be out of date.”

“This does not change the fact that there is no guarantee it’s a trap in the first place. Perhaps he wants to strike fear into the population. Given his actions, it seems likely.”

“If it does turn out to be a trap, though, we can’t afford to lose anyone!”

Chase coughed awkwardly. Jackie and Henrik jumped, then turned to him, looking embarrassed to be fighting while he was still there. “You know...I don’t know if I have any place in this. I mean, you two are in charge, after all. But...I think you should try to get him back.”

Henrik and Jackie looked at each other, then back to Chase. “Are you trying to say something?” Jackie asked.

“I just...” Chase paused for a moment, searching for the words. “I don’t think...you should leave someone behind. He was still part of the Phantoms, right? Didn’t he help create it? A-and weren’t you three...Well. You don’t have to talk to him after we rescue him, but it just doesn’t seem right to leave someone behind in this situation. I know you had your fight and all, but maybe...this could be...you know.” He paused. “Also, I want to know if this cat is his or if some random cat just wandered by.”

Jackie laughed. “Yea, that would be good to know, wouldn’t it?” He sighed, and his expression fell, becoming serious as he was lost in thought.

Henrik leaned closer to him and rested a hand on his shoulder. “Jackie. Chase is right, this does not mean he is rejoining the group. You do not even have to go. But...we should do it. Marvin does not deserve this.”

After a moment, Jackie nodded. “You’re both right. Of course. Even though he was an ass last time we talked, that doesn’t mean I want Marvin dead.” He took a deep breath. “But we should prepare for the possibility of a trap. Just in case.”

“Of course we will,” Henrik assured him.

“...Hey. Chase.” Jackie gave him a smile. “Thank you. I-I don’t know what it is about you, but you know what to say. It’s really easy to talk to you about stuff like this.”

“It’s not a problem,” Chase said, returning the smile. “But, um...I think the Vigil is happening soon, so if we want to go—”

“Shit, I almost forgot about that!” Jackie gasped. “Henrik, I don’t want to leave the cat alone, can you look after it or something?”

“Don’t worry, I will take it to my tent,” Henrik said. “You two go and...is it alright to wish you fun? In a ceremony like this?”

“Come on, Schneep, you’ve lived here for over a decade, don’t talk like it’s so strange to you,” Jackie chuckled.

“I think it’s fun,” Chase said.

“Well, you two go have fun, then,” Henrik said. “I will see you later. Tomorrow, if not tonight.”

“Thanks, Schneep.” Jackie gave him a quick one-armed hug, then headed towards the skull entrance. “Let’s go, Chase. We don’t want to be late.”

They almost were. The Dark Vigil was about to start when they arrived, shuffling into the crowd. Everyone stood in a circle around a set of candles, one blue and the rest black, which were in turn set in a circle around several smooth, round pieces of black onyx. Three people stood inside, lighting the candles.

After the candles were alight, everyone sat on the ground, clashing a bit as they all tried to make room. Then once everyone was sitting with their legs crossed, the three in the center started the Vigil. They spoke the traditional lines, describing the Elder of Dark—their vague appearance, their actions, their history with the other Elders—and finished it by thanking them for their guardianship. Everyone joined in on the final part: “As you stand and watch vigil, so shall we this night.” And then silence fell.

During the silence of the Dark Vigil, each individual offered their thoughts about those who needed protection. In the past, Chase had asked for his family to be alright. For them all to stay healthy and happy. Today, he asked for that again. He wished, silently, desperately, for them to be safe. And not just them, but everyone else who had disappeared from his town, as well as all the other mountain towns that had been destroyed. He thought about Henrik and Jackie and all the other Phantoms he’d met here, and wished for them to have luck in this fight against the King. He thought about Marvin, someone who he’d never met but who was dear to his friends, and wished for them to be able to rescue him.

As Chase stared at the candle flames, he thought he saw...something. He wasn’t sure what. A shape in the smoke. The shape of a four-legged animal, with...antlers. A deer.

Then as was the tradition, the candles were extinguished, and the night was left in darkness.

#jacksepticeye #jacksepticeye fanfiction #jacksepticegos #jacksepticeye au #septic egos #septic egos au #chase brody #jackieboy man #dr schneeplestein #brigid writes fanfiction #fantasymasksau

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subwalls · 3 years

Text

Tales from the SMP Presents: The Haunted Mansion

An ongoing exploration of how the Inbetween drives my Kingdom Hearts brain crazy with paranoia! Less of an analysis this time, because we got confirmation (VALIDATION!!), and more of speculation, but yeah!

First of all! I was right not to trust this fucker.

Just kidding, that’s not the first thing we’re gonna talk about here. First of all, a gentle recap!

As I’ve mentioned before, the Inbetween has some uncanny resemblance to the Kingdom Hearts world known as Castle Oblivion. Castle Oblivion is known for being the place where the main series protagonist lost all of his memories, and even had false memories implanted while he was getting deeper and deeper into it.

You might be curious as to how the Kingdom Hearts protagonist escapes.

He doesn’t.

He needs outside help, and a lot of it, to get him out of that situation. Even then, it takes a whole year. He drove his own heart into the bottom of the abyss in his desperation to save someone he was tricked into thinking he knew, and he didn’t even regret it, because he was saving someone.

... A lot of people on Dream SMP have different ideas on what it means to save people.

Also, the castle also had a very plot-twisty secret where it used to be the lush and wonderful home of these three friends before they fell apart; one was lost to the Evil Dark Side™ (not real name), the other was trapped in the Realm of Darkness (real name), and the last one fell into a coma for TEN (10) YEARS and his body was left to be protected in the heart of the land, which was then locked and turned into Castle Oblivion.

So, pretty fucked up place! Not inherently evil, but the place of great misfortune and just... not very good for everyone there.

Let’s start at the beginning!

Welcome back indeed. Take notice of the wither rose in the pot, by the way, I’ll come back to this in a bit.

The first thing that stands out to me on this page is the smiley face, of course. It’s not the ever-iconic, ever-evil “:)”, but it’s similar enough that I think the callback is intentional. The smiley is c!Dream’s icon, of course, which... honestly makes me think that “:]” might be DreamXD, but that might be because I’m very very biased for the server god who simps for a dangerously apathetic cottagecore once-king.

Of course, it does also look kind of like Quackity’s face, and cc!Quackity has said something about big lore coming for him, but until further evidence is presented I’m disinclined to draw a connection there.

The Inbetween, as we’ve come to know the author of some of these books to be, being happy that Karl is continuing—it reminds me of the KH protagonist being told yes, good job, keep going, as he stumbles deeper and deeper into the castle that strips away memory after memory from his heart. Why does the Inbetween think that Karl’s time travel is important, his careful documentation of every story? Is it because the more he does it, the more he becomes attached? The more he becomes reliant on the Inbetween to feed the missing pieces of his memory?

Is it because the Inbetween, in parallel to c!Dream and c!Wilbur, prioritize the concept of story over the characters?

Things to think about. 🤔

Also kind of interesting that the Inbetween thinks Karl will eventually uncover “all [he] needs to”, which continues to make me think that the more c!Karl comes to the Inbetween the more he becomes... either dependent or over-trusting of it. Not sure. But weird things happen when it’s magic that tampers with memories, rather than trauma.

Basically, I’m getting “there is no war in Ba Sing Se” vibes.

The book continues to say that Karl probably has a lot of questions and that it would love to answer :] but never actually does. It’s trying to come off as helpful without actually being helpful. All it does is tempt him with the prospect of answers, and then draws him in deeper. “Continue onward, Karl.” But why?

Another wither rose pot.

Sidestepping the very innocuous, very surface-level information offered here (because that’s it, it’s nothing about the workings about the Inbetween, it’s just a little sweet carrot to distract with), I cannot even begin to convey the absolute terror that consumed me at the word “sleepy.”

I mentioned earlier that one of the original characters who lived in the land that would become Castle Oblivion went into a coma, right? But it’s more commonly referred to as sleeping. The game is even called “Birth by Sleep”, and there’s a whole thing about trying to get him to “wake up”. So the idea that time travel can take something out of the traveller that makes them tired, the idea that there is one specific room for sleeping quarters within the Inbetween, paired with that not-quite-right smiley face—I am traumatized, I tell you.

Yes it could be a “haha look what I did with the sentence, because day is a form of time and they time travel so long day is a funny term” kind of smiley, but. Kingdom Hearts has trained me to be suspicious of any talk of sleep.

There’s something just mildly unsettling about the way it continues, with the references to the “many Karls” and the “many many great stories” that sounds borderline condescending.

And now we get the, uh, “other” author. Notice how this one actually did not have a corresponding wither rose in a pot. I’m starting to think that the flower might actually be an indicator of the not-this-author-pictured-above, the probably-Inbetween-itself, so the fact that this book was found separately from a wither rose pot and it was tucked away under a tree... A tree, under which c!Karl will later find a bit of a refuge... yeah, different author. Or at least an author from a different time.

I’ll elaborate in a moment, but I do think that there’s three (3) mindsets/authors happening here: the sickly sweet Inbetween pretending to be good, the person trying to get c!Karl to distrust the Inbetween, and... someone who desperately wants c!Karl to stay in line.

This is the third... I don’t want to say author, because it too has the wither rose pot and is trying to keep c!Karl playing along with the Inbetween, but it’s much less coherent and much more desperate.

No “:]”, either.

Some possibilities I’m considering:

the Inbetween, but it’s like, a security subroutine or a glitch in the system,

the Inbetween, but it’s from a future wherein c!Karl has fucked it up to the point of desperation,

Karl / the other author, but it’s from a future, where trying to stray from the Inbetween resulted in something traumatic happening and they don’t want it to happen anymore.

Some fun possibilities to keep in mind. Anyway!

Ooh, the return of the wither rose pot.

For this part, the only thing I really have to say is that the repetition of the Inbetween trying to present itself as “a place to feel at ease” is... Well, as the lovely Fear has said in this post linked here, a place that tries and makes itself seem safe probably isn’t, because a genuinely safe place wouldn’t need to announce it all the time.

Very much sounding like a Ba Sing Se thing.

More importantly, the book actually says that it’s “wild” how the Inbetween is “so beautiful that even time travellers who go anywhere at anytime ever and they still choose here” with a good old “:]” tacked on at the end. That’s... that’s not just me thinking like that sounds kind of threatening, right? Like, time travellers can see anything anywhere, and they keep coming back to the Inbetween. Why?

Is it because they forget the beauty of anything else? Is it because it’s not beauty, but rather attachment and emotion that keeps someone going back to a place? If someone forgets their loved ones and precious things, then why would they go anywhere but the place where they’ve put all their stories?

Why did KH’s protagonist keep going deeper into Castle Oblivion even though he knew that the castle was taking apart his memories? Because he had one thing left: the fake, implanted memory, which told him that in order to save someone, he needed to push on no matter the personal cost.

So the real question is: are the time travellers coming back to the Inbetween because they want to, or because they no longer have a choice?

It regards all the different Karls with such... distant affection, too. “How beautiful,” it calls them, for wandering the blank halls with blank stares and blank hearts, none of which react to each other. It says that they “choose” to walk the halls, uncover mysteries, and tell stories. But what was the other choice? Was it really a choice at all?

Hmm.

Karl goes on to explore, and finds another book that does not have a wither rose pot, which tells him he has to go Under The Tree.mp3 and informs him that he “can’t afford not to”. Cool. Not ominous at all.

He finds another, which says the same thing.

Definitely not ominous. /s

The phrasing here is interesting, because it’s also phrased like a threat. Usually, when someone tells you that you “can’t afford not to”, you’re either looking at a scam or at the business end of a weapon. But the empty pages tell you that the author is trying to keep it down low. That’s one of the ways Minecraft players have found to express tone in the very limited form of Minecraft books, and it works splendidly.

Not to push my DreamXD agenda, but like... the door was iron. Iron doors are a weakness for Dreams and dreamons and, mayhaps, Dream’s dreamon.

I know it’s probably just because the iron door keeps in line with the color palette of the build but let me dream, alright.

Anyway, book content! And an interesting point of order: there is a wither rose pot. I said earlier that it might be an indicator of the Inbetween as an author, but that doesn’t make much sense now, does it? This is meant to be a place hidden from the “it” that I assume to be either the Inbetween itself or the one/s controlling it.

So why the wither rose pot inconsistency?

Unless it doesn’t mean that. Unless it’s just a metaphor for, say, memories withering away or something. Or maybe it’s just a pretty plant, for funsies! Who knows. If I had to guess, I’d say that (after much reflection) it’s likely less a mark of author and more a theme of, mm, memory status. The withering away of memories. It fits in with the Inbetween, because that’s what might be responsible for it, but the author/s of the book aren’t immune, either. They get blinks of clarity, with the hidden, tucked-away tomes, but they might not be completely free.

The next book, however, again lacks the wither rose pot. It might not be a coincidence that the one without the potential mark of a withering memory is the one that actually divulges some more information.

This book goes into slightly more detail about the warning, though not about whatever actual threat it is that the castle (which... Castle Oblivion, you know) presents.

It says that 1) it’s not what it seems, 2) the "truth about the other forms of you”, 3) this place “is not okay”, and 4) get in that portal we saw that was blocked off before.

We know that the Inbetween isn’t what it seems, but the “truth” about the other forms... Hm. This is, in fact, another Kingdom Hearts Thing. There’s a running joke that everyone on the very large cast of characters in KH that in the end, every person is actually either secretly a version of the antagonist (through possession or body splitting or whatever), or a version of the protagonist (through similar concepts). Multiple bodies and other forms is definitely a Thing in KH, though it’s not as oh-god-not-again definitely-bad as the sleeping thing.

I think the other forms have either become reliant on the Inbetween or have forgotten everything but the Inbetween, or both. Maybe more of the prior, since the warning is against trusting the place.

And, uh, this? Fucking terrifying. I love it to pieces.

Every single one of these books has a wither rose pot, and this is kind of why I think that the Inbetween or its master/s is, in some way, possibly functioning via routines and like... an AI. Or a genius loci kind of thing.

But good news, there aren’t 13 books, there are 14! This is important for Kingdom Hearts reasons, because Kingdom Hearts has a big thing about the numbers 13 and 7 (13 is the number of pieces of darkness, and 7 is the number of pieces of light, and this is equal somehow, don’t question it).

Now, 14 is an important meme number in the MCYT fandom, of course, but I don’t think it has terribly too much to do with the lore beyond a fun easter egg.

The books themselves trying to tell c!Karl to, essentially, go with the flow and the path that the Inbetween has set up for him is... something. I like the idea that it’s some future version of something trying to stop something from happening, but we all know it’s probably not going to work. Fun times.

And finally, this.

The Inbetween is a bit of a narcissist, huh? It won’t shut up about how it’s so pretty and irresistible and the whole definition of, like, a honey trap. Oh my god it even describes it as ~mysterious~ as a good trait, that’s hilarious.

More pertinently, it also calls the Inbetween “a time traveller’s dream”.

A time traveller’s. Dream.

Again, not to push my DreamXD agenda, BUT—

But! Getting back on track, the book expresses its eagerness to see Karl again, says their relationship is gonna be great, reminds him that his stories are important, and then tells him that he needs the Inbetween/author just like the SMP needs him.

Uh. He’s going to need the Inbetween?

Hello?

Why? How? So far it’s presented itself as being pretty and perfect but it never said anything about necessity! What’s going on!

Very much reminded of how Castle Oblivion was presented as “you need to keep going in even though it takes your memories away because there’s someone you need to save [fake but you don’t know that because you don’t remember anything]”, and I am afright.

Talk about subtle strings being tugged at here. I’m really seeing the beginning seeds of a dependency thing being sown, and if it weren’t for the side books painting giant neon warning signs everywhere, I don’t know if it would’ve caught on. An artificially cultivated concept of how important and great the Inbetween is, and don’t you just want to take all those stories from that messy world elsewhere but come back here in the end to take a break and exist and explore and oh, isn’t the Inbetween great, isn’t it wonderful?

Man, c!Dream wishes he was this good at subtle manipulation.

tldr; there are multiple authors trying to tug c!Karl in different directions via those books. The Kingdom Hearts parallels predict that his memory will be at stake, and he might not be able to escape without help.

#tales from the smp #dream smp #general thoughts #the inbetween is a scary place im telling u #a Place that wants to be your friend but probably has ulterior motives? oof!!

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alluringjae · 3 years

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[ 23:45 ] ⮕ END

part of my collection of cookie cuts from all i do is wait

in order to understand, read the main story first here.

pairing: ghost!doyoung x female!reader

genre: angst, sum fluff if you really squint

warnings: death, grief

author’s note: someone asked me how i would interpret this scene, so here it is. this hurt A LOT. have fun though!

leave me some feedback, constructive criticism or hellos!

Mid-1953

At long last, the Korean War has ended after 3 years.

Over 5 million people dead, and to be one of the lucky survivors was a miracle.

The remaining soldiers who’ve fought through it all could return home, whilst civilians can properly rebuild all that was devastatingly destroyed in their cities. Their own normal lives included.

The fiercest 3 years of your life must you say, too engaged with self-studying your history books saved pre-war while dealing with the bargaining stage of your grief towards Doyoung. Every day, you couldn’t go on without overthinking the what-ifs. On top of that, your toddler Areum was at the stage where she loved creating a mess on the walls with her crayons. No matter how many times you’ve corrected her because it wasn’t your house, she continued anyway.

Now, she’s full-blown crying after you confiscated them and you’re on the verge of it. Thankfully, your mother stepped in to take her out for a walk in the neighborhood so you could unwind for a bit.

Since news broke out that the war ended, everyone from every street cheered and danced on the streets. You hailed with praise along with them, positive that things were going to get better. Yet deep down, you’ve selfishly wished that he was one of the lucky few to come home.

If only you didn’t chicken out so easily after he told you he was enlisting so you had a few more seconds with him.

If only you compromised him to join another field.

If only you told him about Areum earlier so he could go home.

These thoughts revolved your mind the most, instantly getting you to break down wherever you were. Even photos of him and you together were enough to tear down your walls. So, they remained hidden until the day you’re in a much better state of mind.

Dear god, you longed for him. Everything that consists of him.

In hopes to forget this tremendous loss in your life, you poured hot tea in a cup and started on this new book from this ongoing series, The Chronicles of Narnia. Getting it during this harsh period was tough, bartering it with old books you’ve owned in the market.

Fully preoccupied in the fantastical universe, flipping the pages quickly, you almost missed the continuous knocking on your door. You let out a tiny gasp and made your way to the entrance. As delusional to think it was Doyoung, you knew it wasn’t your mother and Areum either because they would’ve simply walked in. Opening it anyways, you were met by two young tall men. One had a bandage on his cheek while the other had a cast on his right arm. Noting their growing hair, they must’ve fought in the war.

Oh, if Doyoung was one of them.

“Hello, may I know who you two are?”

The one with the bandage spoke up, bowing first. “Hello, I am Lee Taeyong and this is my friend, Kim Jungwoo. We were good friends of your late lover, Kim Doyoung.”

Late lover.

Haven’t heard that since people in the neighborhood gossiped about your taboo pregnancy, but it’s not like they knew anyways. But from the letters exchanged with Doyoung before, he talked about these two highly. Whenever there were times of ease while serving, Doyoung was always up to mischievous things with these two. In a situation where they had to man up, they brought out his inner child.

“Oh, yes! Doyoung used to talk about you two in his letters, but I had no clue how you guys looked.”

By instinct, you invited them inside for tea by the patio. You’ve always wanted to meet them despite the circumstances. Bringing in a tray with a teapot and treats, mostly you were inquiring about their lives. Aside from knowing their positions in the team, you learned of their new plans moving forward.

“I want to return to university to finish my studies in mechanical engineering, maybe travel the world too.” Jungwoo stated, blowing on his cup before sipping it. He’s said to be an organized man according to Doyoung, always cautious of his surroundings. It balanced out his liveliness.

“Me too! I want to complete my major in finance, then marry my childhood sweetheart after a few years.” Taeyong expounded, his round eyes glowed in wonder. He must’ve been looking forward to this day, and you were content for him. Meanwhile, it processed to Taeyong what he said, realizing that it may have been insensitive.

“Shit, I’m sorry,” He burst out instantly. “I got stuck in my feelings there.”

“It’s okay, nothing to worry about. You shouldn’t apologize for how you feel.”

“I do think we should feel worried about you though.” Jungwoo interrupted, sighing heavily. “What happened with Doyoung-hyung all those years ago, we’re really concerned for you especially.”

At the mention of the painful memory, this wasn’t the right time to crumble. You weren’t capable to show your vulnerability to anyone but yourself. Plastering a wrenching pretend smile, “I appreciate the concern, truly. But I’ll be okay again. I’m planning to return to university too, then proceed to law school. A shared dream of mine and his.”

Taeyong and Jungwoo transparently viewed you like glass, coping with the grief of it. They were on the same page as you, and unaware to you, they knew his final words. With their interpretation, it only felt right to reach out to you. Befriend you, aid you in any possible way.

At the end of the day, three of you equally shared the suffering over the death of a loved one.

Sitting in peaceful silence, the front door creaked open followed by a tiny, high-pitched voice squealing.

“We’re home!” Your mother shouted.

“I’m at the patio, we have guests over!” You replied, pouring more tea for the two quiet boys.

From such a low-spirited atmosphere only did it liven up when an energetic Areum came into your setting. She had pigtails this time, satisfying herself with fresh bungeo-ppang from the neighborhood. No matter what you’re feeling, it took a single glance of her with her small moon-like eyes to recharge you.

“Mom, who are your friends here?” She pondered cluelessly.

The two boys exchanged looks at each other first, then to you in one breath. Their expressions of perplexity by how one’s hand was on their mouth and the other boy couldn’t stop staring at Areum, you identified exactly what they were thinking of.

“Areum, these are your dad’s friends in the army.” You animatedly confirmed. “The one with that tiny bandage on his face is uncle Taeyong, and the one with the white cast is uncle Jungwoo.”

Doyoung’s death was already so heavy to take in, but upon discovering this hidden surprise, Jungwoo wiped his tears on his sleeve. But you were fast to hand him some tissue. He was younger than you, so your older sister instincts kicked in.

“This is unjust, (Y/N).” He murmured across you so Areum won’t pick up his words. Your lips pressed against each other, maintaining a straight face at him. He was right.

With Taeyong, his arms spread out wide for the small girl who willingly walked to him. He loved children, having a nephew back home. He caressed her smooth hair down to her jaw. The first thing he distinguished was her pretty eyes followed by her squishy cheeks, resembling so much of his late friend.

“You’re so pretty, Areum. Did your mom tell you that you mirror so much of your dad?”

“Yes, she does! But I’ve never met him and I don’t when I will, uncle Taeyong.”

A tragedy how the splitting image of his best friend doesn’t see what everyone sees. But again, she’s only 3 and she can only process so much. She doesn’t know the real truth behind her father’s location, except that he was working far, far away. There are days she’d ask if he’d come back soon, yet your only response is not now. This isn’t the right time for her purity about life to stain.

“Well Areum,” Jungwoo gathered his senses again, crouching down to her level. “As his friends, we know that you look just like him! Prettier even.”

“Really? Tell me more about him, uncle Jungwoo!”

It’s about time someone else shared stories about your late lover because yours was short-lived. It’s even more intriguing to listen to what other people have to say about Doyoung that weren’t his parents. Some stories told by Taeyong and Jungwoo were new to you too, giggling along to their ridiculousness when they’re not training or fighting. Loving their presence, you invited them to stay for dinner with your family, which they couldn’t reject.

What started as a tense conversation transformed into a heartwarming experience. These two boys earned a spot in your life, aspiring for longtime friendships with them. The tender way they cherished for Areum like they’re own after meeting for the first time, it’ll fill in bits of her void. In exchange, they insisted to chip in for you and her lives so it wouldn’t be just you and your family. Struggling already with the consequences of the war, it only felt proper to do so.

“Doyoung has always been there for us, now let us return the favor and be there for you and Areum.”

Your protests were deemed useless, so you allowed them to do so. Once you finished law school and take the exams, you could pay them back. It’s phenomenal how Doyoung’s good influence towards others multiplied even after his passing. Maybe if you began to view things this way, you’d recover sooner. Although he’ll always be in your thoughts, it wouldn’t be as sensitive as it is now.

For now, you’re just going to enjoy the bliss Taeyong and Jungwoo brought, retelling old tales of a drunk Doyoung on the dining table.

From behind your garden fence in secret, Doyoung secretly observed as his treasured companions interacted at last with positivity. His only daughter mirroring his adored smile, he lived in that moment vicariously through her.

What a good time to visit today, truly.

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say-the-name-sebongie · 3 years

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Complicated

Synopsis: Mingyu is a demon prince and came to earth to watch another world war that was caused by the demon king to honor his inheritance to the throne in the underworld (as all his predecessors had done by tradition). It was going great until he met a female soldier at one of the military camps made him kinda not want to be a demon anymore.

Pairing: Mingyu x fem!reader

Genre: angst, kinda dystopianAU!

Warnings: war, guns, mentions of death,

Word Count: 1.3k words

Crickets chirped on a bunch of trees to her left as she walked back to the barracks. Why she was always assigned for night patrol, _____ didn't know. Her hard-military boots didn't make the walk back to the barracks any easier but she knew she had to hurry if she wanted to make it to shelter before the bombing started again.

Gritting her teeth, she gave one last spurt towards the dark building where a single lightbulb was the only thing that was providing any light. All other lights were already turned off, signifying that everyone else had turned in for the night. But sitting under the light was Mingyu. The man was twirling his service pistol— which would have been tremendously dangerous if he were not a trained soldier— with his finger inside the trigger guard. A combat shotgun was propped against the wall behind him.

Mingyu was this really tall guy who wouldn't disclose anything about his past. Where he came from, his age, his last name, what he used to do for a living before getting dispatched as an emergency recruit, nothing. All he would say was that his dad was really rich and that going to the military and fighting in this war was the only thing that would ensure that he would get all of daddy's riches when the time came.

_____ didn't know why his father would make him join the army as a private, especially in the middle of an ongoing war. If Mingyu was really as rich as he said he was then he would have been able to snag himself a higher position instead of groveling with her in the lower ranks. And if his father wanted to have an heir, he wouldn’t sent said heir off to a war where he could die at any time. But here he was, sitting under the lightbulb of one of the barracks where the privates slept, probably assigned there by their Sergeant Major to guard in case of a surprise attack or to receive emergency orders.

Mingyu stood up as she came closer, offering to her the chair he was sitting on. _____ gratefully took the seat and sighed in relief when the pressure of her weight was removed from her sore feet. She took off her shoes and propped her swollen feet up on the wall beside the combat shotgun. "Now this is the life," she muttered, smiling warmly at Mingyu. "You're not getting this chair back anytime soon, Gyu."

The boy laughed. This girl really was something. Unlike all the other girls he had heard of, she was different. Not that he had heard of or met a lot of other girls. He sat down on the wooden floor and stared at her. Her hair was sticking out several places and her face was bare. The camouflage makeup that was required of them whenever they went for patrol by the borders looked as if it was hastily wiped away. Spots of it still hung on her skin. But nonetheless, he found her beautiful.

He hadn’t seen a lot of beautiful things before. Being the son and only heir to his father's throne in the Underworld, Mingyu was used to ugly and cold. His home was full of it. He had grown up in the obsidian castle his ancestors had built, learning about what his future of ruling the Underworld would be like. It was normal to see gargoyles flying as soon as he woke up or walking past rotting zombies and skeletons on the road. Those two words basically summarized that: ugly and cold. Never in his life (or what he called his life) did he think that there was anything else aside from that.

Yet here it was, sitting on a chair with her feet up on the wall, the epitome of beauty and warmth.

He tore his eyes away from _____ and gazed out at the forest that surrounded the base. A deep orange light was shining in the distance where a city was probably being burned down. His last conversation with his father replayed itself in his mind.

"A celebration?" Mingyu scratched his head in confusion. Such a word wasn't heard in the Underworld, at least not regularly. "What for?"

The Demon King laughed and patted his son on the back. "Why to celebrate your heirship, of course." He turned Mingyu around and gestured at the land around them, at the dead roaming around jagged rocks studded with jewels and rivers glowing dimly in different colors against the dark sky. “We will fill up the Upper world with lights and shouts in your honor."

Back then, hearing that filled Mingyu with anticipation. He had never had a celebration just for him, let alone a celebration arranged for him by his very own father. But apparently, the lights his father meant were fires of burning cities and shouts were equivalent to screams of pain and fear. The celebration of his inheritance had come to Earth in the form of war.

Mingyu would have been happy with all this if he hadn't requested to see the celebration himself and met _____ in the process. He had disguised himself as a human soldier and blended in with a group of other soldiers. Her strong cheerful voice was the first thing that greeted him when he boarded the truck. She was one of the talkative ones. Helping keep order among the first time soldiers that had been recruited from the provinces near town.

_____ showed him something he had never seen before. She cheered up the other soldiers that were depressed about going to war, telling them that they would be able to come back home to their families once it was all over. She was always the first person to place a flower on the graves of fallen soldiers.

He had fallen in love with her. Sure, a demon could fall in love. But a demon falling in love with a human? That was highly unheard of.

To his luck— or misfortune— _____ liked him as well. "We just have to wait for this war to be over," she told him one night when they were on patrol together. "Then we can get married and live happily ever after."

At one of their makeshift funerals for their comrades, Mingyu realized that one of the funerals that he attended in the future could be hers. They were in a war, any one of them could be dead by the time night came. The thought of her dying scared him.

He should’ve left when they first came to get him but he was so scared of what might happen to _____ if he weren’t there. So, he made up excuses when his father's minions had come to bring him back home. He couldn’t remember what excuses he had come up with but as long as it got him to stay by her side for longer, it didn’t matter to him.

Mingyu knew that there was no way to stop this war but he wanted nothing more than to be with her. He hadn’t known of the power of love. He wanted to stay with her and throw away the throne he had inherited along with all the powers and riches that came with it without a second thought.

But he knew his father wouldn't allow it. The Demon King could find him and bring him back to rule, that was the reason Mingyu was born and that was what the king expected him to do. He knew how far his father was willing to go. If he had to kill _____ in the process then, so be it.

"Earth to Mingyu, any signal there?"

_____'s voice brought him back from his thoughts. He looked up at her, the smile on her face brighter than the light that shone above them. The girl combed her hands through his locks, Mingyu's eyes closing at the pleasurable feeling. "What are you thinking about."

"Us."

She cocked her head to the side, confused. "I thought we had already gone through this. You said you loved me and wanted to stay with me."

"That's right." Mingyu agreed.

"Then what's the problem?"

"Everything," he said sadly, taking her hand and lacing his fingers with hers.

"I want to be with you. It’s as simple and as complicated as that."

#seventeen #caratwritersclub #svt #mingyu #kim mingyu #seventeen scenarios #seventeen oneshots #seventeen imagines #seventeen fanfic #im just #so happy everything has been cleared #caratland is finally happy again!#though this fic isnt really that happy #but i am #angst

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itsclydebitches · 3 years

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RWBY Recaps: Volume 8 “Witch”

Happy Saturday, everyone! Well, it's perhaps happier provided you didn't watch today’s episode lol. Getting through these 18 minutes felt like watching an extended version of a CinemaSins vid. I heard a little 'ding!' every time something nonsensical, contradictory, or just downright stupid happened. My mind became a pinball machine.

Which, in the interest of being fair as opposed to just snarky, only matters if you're looking for something resembling emotional depth in this show. RWBY, for all its faults, is enjoyable as a mindless spectacle. It's when you expect — or simply hope — for anything more that this very fragile house of cards comes tumbling down.

If it’s not clear already, today’s recap contains copious amounts of salt. Fair warning.

With that disclaimer out of the way, let’s dive in. Episode nine is titled "Witch," which is fitting since many members of our group go toe-to-toe against Salem herself. The narrative issues inherent in having your heroes fighting their final boss years before the series is meant to end might have been avoided if it weren't for Oscar's ridiculous, sacrificial attack... but we'll get to that.

We open with a sweeping shot of the Atlas battle, as hundreds of dead soldiers segue into endless grimm. Hold onto that image for a bit. At the end of this carnage is, of course, the mouth of the whale. We cut to Jaune, Ren, and Yang already safely inside.

"Well," says Yang, "that was harrowing."

I'm on the fence about this choice. On the one hand, yes, it's good that RWBY knows it can skip over extraneous scenes. We have NINE characters to keep track of and develop, fourteen if you count Ozpin, Maria, Winter, Ironwood, and now Whitley. Plus villains. There simply isn't time to show every insignificant moment... but was this insignificant? Obviously finding Oscar and escaping Salem's clutches is the true hurdle of this mission, but that doesn't mean getting through an entire army of grimm is in any way a cake walk. I'd be more willing to ignore this time skip if it weren't likewise presented as such a challenge for Winter's team. They have to "clear a path" to the whale, but our trio got there unscathed and unnoticed? The obvious implication here is that Ren just masked them the whole way — supported by his aura breaking later in the episode — but it still feels like we missed an important chunk of this task.

I'm nit-picking though. As said, I’m straddling the fence on this one and, given that, I'm inclined to settle on a, "Good job, RWBY. You're keeping the writing tight," if only because I don't have much else to praise about this episode. Throw the poor, struggling show a bone lol.

Now that they're inside, they realize they haven't the slightest idea how they'll find Oscar. “Like finding a needle in a giant…whale… why did we think this was a good idea?!” Because you and your friends are idiots who no longer bother to think about a situation before throwing yourself straight into it? This isn't me being mean to Yang, she literally says as much later on. Our heroes no longer get by on intellect, strategy, and skill, but rather plot armor and a staggering number of coincidences. For example, Ren.

Yang: Wow, it sure is lucky for us that on our way to this incredibly dangerous mission Ren inexplicably developed a new part of his semblance. Now he can not only mask peoples' emotions, see the true emotions that someone is feeling, pull thoughts out of their head about what they believe about a situation, but can also track someone across long distances through their emotions alone. Even that doesn't actually help us find Oscar, we just got lucky again when, in this maze of a whale, he ran right into us!

Me: So what were you going to do if this meta-world stopped giving you the most contrived solutions in Remnant history?

Yang: Die gloriously, I guess.

What Yang actually says is, "Okay. That's new!" and they enter the literal belly of the beast wielding a shield of convenience.

Jaune is also being awkward again because remember, RWBY doesn't know when to incorporate humor and when to treat a situation seriously. He reminds Ren not to "drain [himself]," he'll help him, and it's clear the scene is hinting at their earlier fight. There's a lot to unpack there, but I want to save it for the second conversation.

For now, we cut to Oscar, curled up in his cell, repeating stories to comfort himself. Yeah that's fine. I could use a broken heart right before Valentine's Day.

“She brushed off her bumps and bruises, for nothing hurt worse than the loneliness in her chest." It's a line from The Girl Who Fell Through the World, which Ozpin recognizes given that he's "lived through" a fair number of fairy tales. He immediately asks how Oscar is holding up — because he's a caring person! — and Oscar admits that he never understood why the girl of the tale was sad upon reaching home again. Now he does: she wasn't the same person anymore. I don't think the fact that Oscar has had both a metaphorical fall — leaving his farm to 'fall' into this war — and a literal one — falling through Atlas to unlock his magic — is lost on anyone. This is a nice allusion to our themes. Yang's speech to Salem later on? That’s something else entirely.

Storytelling done, Ozpin says he thinks "this plan to divide might have run its course” and it's time to try and find a way to leave. I'm sorry, I love my farm boy, but what plan? He didn't do anything. At least nothing that could remotely be termed an intellectual plot. Oscar convinced Ozpin to try and turn Hazel by telling him the world would end under Salem's rule and the only reason that worked is because the story decided to chuck out Hazel's entire character. You know, the one that hates Ozpin above all others, wants the world remade into a non-Academy horror show, can't understand that people make their own choices, is terrified of Salem, and has no reason to trust a prisoner he's currently torturing. Oscar's "plan" hinged on his writers erasing a great deal of work to build a new story that fits said “plan.” He didn't even get Emerald involved, she just — again, conveniently — eavesdropped outside their door at just the right moment.

To be clear, I'm not against a story being written to work in the hero's favor. Of course things are going to be convenient in a happy-ending tale. Someone manages to hold out just as long as they need to, a sword is lying just within reach, you, yes, happen to run into the one person you're desperate to find. This kind of stuff is reassuring, telling its audiences that sometimes things do work out for the best. It's enjoyable... but only provided the hero's entire success doesn't hinge on fate being shockingly kind to them. That's what RWBY has become. A world where Salem doesn't attack Mantle, Amity Tower is suddenly finished, the group can charge into any deadly situation they want to and bank on destiny twisting around itself to ensure they come out of it safely. A hero finding a convenient weapon nearby to defeat their enemy with is only reassuring after we've seen them implement a brilliant attack, struggle, nearly win, but then suddenly be faced with failure, necessitating that little push from coincidence. They earned it. The hero doesn't get to run in blindly and find a Defeat Bad Guy plot point gift wrapped for them at the first sign of trouble. They just die.

RWBY used to be a better written show because that's precisely Pyrrha's story. She charged a Maiden unprepared, without a single plan or hope for success, and she died. That's what happens in a dangerous, internally consistent world, but RWBY has since lost the second half of that formula.

I'm harping on this because this entire episode is built on that foundation of coincidence, something that shouldn't be happening at all, but especially not when you're pitting the heroes against Salem herself.

So yeah, it just gets worse from here.

Back to Oscar. Without the cane magic is the only weapon they have at their disposal, but he's reluctant to use it because every time he does, they merge more quickly.

They... do?

Okay, there are three major problems with this announcement:

I'm pretty sure we've only seen Oscar use magic once: creating that barrier to survive the fall through Atlas. That was the point of his near death experience, to unlock something that had previously been unavailable to him. Yet if he's only used it once, why is he so sure that it hurries the merge along? What's this "every time" business? This confusion could have easily been avoided if the show had just let Oscar use his magic this volume, tackling some other questions and gaps in the process. Let him use it to fight off the grimm in Mantle, giving him the opportunity to admit to at least Jaune, Ren, and Yang that Ozpin is back. He could have used some magic against the Hound with Ozpin's encouragement, answering the question of why he was entirely silent while the two of them got their ass beat. Give us a moment where Oscar uses his magic against Hazel, nearly escaping in the process, but is captured again at the last moment. Basically, his line makes it sound like magic has been this ongoing resource with an established downside when... it hasn’t.

Coinciding with all of the above, how is it that Oscar can suddenly use magic at will? Yeah, yeah, he unlocked it during the fall, but really? You open up the magic gates and from then on out it's as natural as breathing? This is the same issue with Ruby's silver eyes. The story gives these characters incredible powers, but never has them talking about how they work, let alone training them. They just exist, perfect in execution, as soon as the plot needs them. (See: the final shot of this episode.) At least Weiss had to practice her summoning for multiple volumes.

Finally, the question of how Oscar instinctively knows how to use magic could easily be answered with, "Well, he's kind of Ozpin now," but that would require the story to actually explain what the merge is. "We merge faster," Oscar says, but what does that mean? The Ozpin and Oscar we see in this scene are fundamentally indistinguishable from the Ozpin and Oscar who existed at his aunt's house, four whole years ago. They're still separate people, with one controlling the body and the other existing as a consciousness he can talk to. Nothing has changed. The show keeps insisting that Oscar is going through this deep and painful arc of losing himself to Ozpin... despite the fact that he has yet to lose a single bit of Oscar-ness. Has he changed? Well of course, but anyone going through these experiences is going to change. Remove the "merge" aspect and Oscar's confidence or power up is likewise indistinguishable from any of the other characters' developments. Nora is becoming more of an individual this volume. Ren is becoming more powerful in his semblance. Neither have an Ozpin to force that change, it just happens on its own. So what separates Oscar from every other character going through a formative experience? When is “I’m not the same person anymore” due to unnatural magic vs. just growing up?

Don't get me wrong, I'm happy our boy is getting more screen time — and that the cast is actually being kind to him now — but overall his arc is objectively terrible. He bought some clothes, told Ironwood he was as bad as Salem, told Hazel how to access the Relic, and then asked him not to be a villain anymore. Somehow these things are presented as significant moments of growth while the real questions surrounding his merge go unanswered.

“Honestly, I think you’re doing just fine on your own," Ozpin tells him, but he's not. God knows our boy is trying, but this is a moment where Ozpin's self-hatred (and the story's insistence that the younger generation is intrinsically better than the older) is blinding him to the situation. Oscar has made terrible decisions lately, in as much as he's been able to decide anything at all, and now he's rejecting escaping captivity because he's terrified of a concept he doesn't even understand yet. None of that is fine. Reassurance is one thing, but painting this situation as Oscar making better choices than he would with Ozpin's input is insane. He literally just decided to keep them in Salem's clutches indefinitely because something something magic is scary, I guess. Oscar doesn't need a, 'You're better than me' speech, he needs a reality check so they don't both die. Remember back in Volume 5 when Oscar, a brave but idiotic 14 year old, insisted on fighting someone entirely out of his league and Ozpin was like,

then saved him from getting his head crushed in like a cantaloupe? We need more of that. Our teenage heroes need guidance, but because RWBY keeps insisting that every adult they encounter is corrupt or incompetent, that hasn't happened in three volumes. They're just aloud to decide things like, “Let's tell our captor the Relic's password because UwU ~trust~” and then the story bends over backwards to make that work. Instead we could, you know, let characters learn that they can be wrong.

The snow scene was the beginning, but RWBY really went off the rails the day it let Qrow warn the group against stealing from and attacking an allied city, only for them to call him an idiot for doubting them. Now, Ozpin doesn't even get to warn Oscar about stupid decisions, he just agrees with them, reassuring and passive. Never mind the complication of whether Ozpin is even emotionally capable of providing guidance after they labeled him the worst thing to ever happen to them.

Why does RWBY keep ruining my faves 😔

Anyway, we’ve got to stay on track. Oscar has decided to just lie there but, luckily for him, Hazel's redemption — I use that term so loosely — has begun. He drags Oscar out of his cell before we cut to Winter.

She's leading a portion of Ironwood's army, trying to get things ready for when the bomb arrives. Neon and Flynt are a part of her team, sharing scared glances and trying to remain optimistic. It's a legitimately hard-hitting moment, striking that balance between horror and hope. Funny though, I wonder that RWBYJNOR would think of their friends fighting for evil Ironwood...

Marrow, continuing the tradition of insisting that our heroes be both adults and kids simultaneously, looks sadly at the soldiers heading into battle and goes, "But... they're just kids." I would like to remind everyone reading that Ruby is younger than them. Anyone who thinks that these teenagers shouldn't be fighting grimm — the thing they have been training to do as their professional career, during an unprecedented attack on their home — should not simultaneously be looking to the girl who is two years younger as his savior. (Something that, while not overt yet, is very much where Marrow is heading as he continually doubts the Ace Ops and looks to RWBY's group as his new, moral leaders.) I'm glad that, for once, this perspective is firmly called out. Elm arrives to tell him point blank that he needs to figure out his personal ethics later. It doesn't matter because there's an army of grimm out there and monsters aren't going to spare anyone, adult or child. Quit philosophizing and kill some already.

Back to Hazel where we get the doorway shot from our trailer. He's taken Oscar to the Relic, because of course he has. Do I really need to list how convenient this is too? Apparently, "the moment we move that thing, this place goes on high alert," but there’s no alarm for when Oscar is taken from his cell, they enter the Relic's room, or when they use it. What does a movement alert matter if someone can just waltz in and waste the last question themselves? Put some of those endless grimm in the room to guard it, Salem!

Just assume that I am, at any given point in this episode, letting out the longest sigh my lungs are physically capable of.

Emerald shows up, demonstrating both the convenience of everyone arriving when they need to, and the very real danger that Salem herself could come in and discover what they're up to. Hazel has Oscar summon Jinn, only to immediately say that “Actually, I think all my questions are answered now.”

I'm sorry, how does this answer any of Hazel's questions? His driving question was not, "Is the Relic actually a magical object capable of doing magical things?" but rather "Are you telling me the truth about Salem's plans to summon the Gods and destroy all of Remnant in her quest to finally die, thereby changing who I'm going to support in this war?" Seeing a naked, blue djinn does not answer that question.

Hazel's "redemption" is non-existent. He — we — learned about Salem's death wish despite how that contradicts previous lore, then he trusted Ozpin despite that contradicting his entire character, now he joins the heroes because, literally, he sees Jinn floating there. It’s bad enough that Hazel goes from clear villain to sacrificial hero in a matter of in-world hours, but we don’t even get a reason for why that change occurred.

Oh, there's also this:

So Jinn doesn't come out of her lamp unless someone intends to ask a question, but does it for Ruby because she's special, yet still reiterates that this won't happen again. Then Oscar summons her without intending to ask a question, she comes out anyway, confirms that none of them seek knowledge from her, and happily pops back inside her lamp because eh, it’s whatever.

If RWBY had any courage the three of them would be cursed now for toying with a powerful, magical object. Remember the days when Jinn was a little terrifying because it felt like she was warping her answers and we had no idea what she might do to someone who used her carelessly? When she felt like a djinn? Good times.

Or better times, at least.

So Good Guy Hazel and Good Gal Emerald promise to get Oscar out. Never mind all the horror they caused, the people they killed, and that for Hazel, at least, this defection is coming out of nowhere.

Anyone remember that Emerald orchestrated Penny's death? No? Just me?

As they leave it turns out Neo was camouflaged against the wall, because she was also precisely where she needed to be. Does everyone just periodically pop into the Relic room to see what’s going on? At least this time it's not working in the heroes' favor. Remember when I said it's beyond idiotic for Oscar to just hand out the Relic information to known enemies currently holding him captive and torturing him?

Yeeeeaah.

So Neo's got the Lamp. Funny how all of this could have been avoided if Ruby had just put it in the vault like she came to Atlas to do ¯\_(ツ)_/¯

We return to our trio where Jaune and Ren need to rest because their aura is giving out. Good! These guys fought a battle, fought Neo, fought more grimm, fought the Hound, traipsed through the tundra, presumably fought through more grimm to get to the whale, and have been using both their semblances to look for Oscar. It's about time their reserves started to falter.

Jaune decides to scout ahead a bit, leaving Yang and Ren to talk about nothing of importance. I mean that seriously. Remember a few days ago when I spoke about how, if the snow conversation does come back up, Ren's points would be entirely ignored for a nonsensical “I’m glad we’re friends” speech? Remember how I also spoke about how every emotional beat now is entirely generic and you could replace any character with another and not a single thing would change? Yeah. This is both those arguments in one. Nothing is said about the points Ren made. His problems with how the group has been acting lately and the very real, very deadly consequences it has had are flat out ignored. We went from

"But these aren't the kinds of decisions we should be making because we have no idea what we're doing!"

"Forward, no matter what!"

in a matter of hours, with precisely zero insight into how Ren went from one perspective to the exact opposite. Kind of like Hazel. Because see, RWBY doesn't write arcs, it just writes one thing until it decides to switch it up for something else, with the opposite idea presented as a “resolution” or a “twist.” Our creators writes scenes they know the fandom is begging for without considering how to get a character to that place, let alone how to get them out of it. That's all Ren's speech was, the equivalent of moral fan service. Here's a glimpse of actual character depth and a morally gray situation... now forget it ever happened because we're back to our regularly scheduled programming.

Instead of working through the laundry list of issues Ren raised, Ren instead accepts Jaune's aura help — something they've been doing since Argus — and tells Yang it's okay to be scared. These moments are meaningless and, as said, could have been between anyone in our cast. Ren could have told Nora she doesn't have to use jokes to cover up that she's scared. Jaune could have reminded Ruby that she can depend on him. Yang could have tried to keep Blake and Weiss' hopes up. This scenes ignores the individuality of the characters, like the fact that they just fought over very different world views, to instead favor any dime-a-dozen moment of support. The number of times this volume has rejected the conflict and resolution the group needs for bland, generic reassurances staggering.

Also, apparently Jaune isn't scared at all? I don't think that's as good a thing as Ren seems to think...

Then Jaune immediately rounds the corner, terrified lol.

One of the seer grimm is on its way and he tells Ren to mask them. Apparently he had been masking them before — one of the reasons he's so tired now, trying to do two things at once — but it's only here that they go black and white again. Ren manages to keep it up for a little while, but his aura breaks before the seer passes and they're spotted.

Hark! A consequence!

That was well done. It makes sense and it adds to the stakes. We've seen the insane amount of fighting the group has done since Volume 7, we just established that they're at their breaking point, and then Ren's aura fails him right when he needs it the most. Add this to the miniscule pile of things that were well done this episode.

Salem runs into Emerald and Hazel, the former of which is acting very suspicious when asked if he's made any headway with Oscar. The seer's alarm interrupts them though and... okay. Was I the only one who cackled during this moment? Between Salem's voice acting and the fact that she just yeets herself down the hallway, it came across as really funny to me.

Either way, it is a bad situation. Our trio is trying to figure out what to do, to which Yang responds, "Do what we do best… charge blindly into danger!!”

Ren's aura is broken. Jaune barely has any left and it’s unlikely he could heal right now even if Ren had any aura to amplify. If Ren takes a single hit anywhere important he is dead.

Me, on my knees, surrounded by the ashes of the Hound, the last bit of serious storytelling we had: "For the love of God, the kingdom is on fire and simultaneously dying of cold. There's a grimm army decimating hundreds outside. Half their group is missing and they're wandering lost inside a devil whale, about to have the most powerful being Remnant has ever known personally try to kill them — can we please have their attitudes reflect that?"

The answer, in case you were wondering, is no.

Back to the bomb. Whatever scientists were given this task have completed it and Marrow watches as it's flown out towards the whale. "Come on, Juan" he whispers and I'm all, "Juan?" Apparently it's a callback to last volume when Marrow couldn't remember Jaune's actual name, but it took me hopping onto the RWBY wiki to remember that.

As death via explosion inches closer, the trio runs into Hazel and Emerald. Turns out though that Hazel is really Oscar, disguised through Emerald's semblance. Nice trick! Jaune immediately drops both weapons to hug Oscar and, while that's nice and all, it's also the stupidest thing he could possible do in enemy territory. Also, Oscar has been beaten up by the Hound, tortured with magic, and likewise beaten bloody by Hazel. I was hoping for a tender hug like the one Nora gave him, not a giant squeeze for more comedy purposes. It just feels like RWBY has no idea how to manage the tone of this volume, let alone the torture of a child...

There's the obligatory, "Why should we trust you?" from Yang regarding Emerald joining the team, to which Ren responds, "Because she's scared, just like us."

That doesn't prove anything. Literally everyone is scared right now. There is a war going on. I really cannot emphasize enough how RWBY throws out Deep™ sounding lines that are, upon inspection, absolutely nonsensical. Nora reminding Penny that there are different parts to her personhood, Hazel saying that all his questions have been answered, Ren announcing that Emerald is scared... it's all worthless chatter that has no bearing on their problems: How do I keep from being hacked? How do I know you're telling the truth? How do we know you're trustworthy after you spent years trying to kill us? But of course, because it's RWBY, Ren's announcement is treated as some sort of secret truth that everyone accepts. Emerald joins up.

As they head for an exit we return to Marrow who, frankly, is getting on my last nerve. I know the fandom loves him because he's clearly leaning towards Team RWBY, but does anyone actually listen to what he says? He starts yelling at Winter for sending in the bomb because the trio might still be alive in there, despite:

Seeing for himself the hundreds of soldiers that have fallen trying to keep Atlas safe

Knowing and hearing again from Winter that the only way to stop this carnage is to take out the whale. Given more time, the whole city falls

Sadly announcing to the world that children shouldn't have to fight in a battle, rather than just joining the fray and helping to keep those kids safe

How does Marrow think those kids are going to be able to stop fighting? How does he think he'll get a city to return to? It's no wonder that he's drawn to Ruby because both characters stand around twiddling their thumbs, mourning that things are bad, and blaming others for imperfect solutions rather than doing something to make the situation better. Marrow's disgust at Winter over the bomb is precisely the same as Ruby's disgust at Ironwood over Mantle: how dare you not have a plan that results in both victory for us and zero sacrifices? They want perfection which, yes, is an admirable trait, but their problem is they refuse to do anything until that perfection appears. They’re paralyzed, a trait that’s particularly dangerous when your story insists that perfection will never appear: it’s not a fairy tale. So they just continue to get mad at others for the fact that they live in an unfair world. You want that perfect solution? Think it up yourself. Otherwise, stand aside and let those coming up with something do what they can to make things better.

Marrow goes so far as to drag Weiss into things, trying to guilt Winter with the knowledge that she'll have to relate the death of her sister's friends back to her. Winter, because she's a badass who isn't in denial over the situation, tells him that yes, she will shoulder that responsibility. To Marrow's credit he backs off then, but man. RWBY has legitimate moral questions here — when is holding out for a few worth risking the many? — but they go about exploring it in the most frustrating way possible. I personally have no respect for the guy who wants to announce that Children In War Is Bad instead of, you know, using the power he currently has to protect those kids already neck deep in a battle.

Because John Mulaney remains relevant:

"There shouldn't be a horse in the hospital :( "

"We're WELL PAST THAT."

Marrow is the one going, "There shouldn't be kids in a war :( We shouldn't have to kill a few to save the whole kingdom :( " and everyone around him is like, "No shit, dude! But this is the hand we were dealt! You going to help us, or what?"

Literally all of these characters could have been so much more than what they currently are.

Except Winter. She's doing great.

Now for the final scene. Our group nearly manages to escape the whale, but is incapacitated by some sort of screechy power that Salem employs.

She contorts her body, stretching out her arms to snag Emerald, and the others have a brief, but intense skirmish. Jaune manages to block a blast of magic aimed at Ren with his shield — nice — and Yang dots Salem's face with a bunch of bombs before blowing her sky-high — double nice. Oscar shoots out some magic of his own because, yeah, I guess he can just do that now? It really feels like it came out of nowhere after eight episodes of being the punching bag.

Of course, Salem immediately reforms. She traps the group with grimm arms that come out of the whale, interrogating Ozpin about why he bothers to keep coming back. There's a very sad answer there of, "I don't," referring to his lack of choice in reincarnating to fight her.

Yang interrupts their little tet-a-tet to throw the question back in Salem's face, calling her out on her choices. A great idea but, as always, execution: "because something bad happened to you once upon a time? No one gets a fairy tale ending."

I’m sorry, but that dialogue had me cringing. Like I said before, way too on the nose. There's keeping with the fairy tale theme, and then there's shoving the viewer's face in it. More of Oscar's musings on how he relates to the protagonists of fairy tales, blurring the lines between storytelling and reality, which in turn encourages the viewer to consider how they see themselves in the RWBY cast. Less... whatever this is.

Yang goes on to talk about how many people Salem has taken from her, which upon reflection makes a certain amount of sense if you toss in all the people who are here, but changed somehow due to Salem's influence, as well as acquaintances who died as a result of her meddling: Raven is scared off, Tai suffers as a result, Pyrrha dies, Penny dies, Yang loses her arm and her school. I think the dialogue could have been revised to reflect that better though because what Yang implies is that Salem has killed countless of her loved ones, yet what she says is, "Summer Rose. My mom." Honestly, for the few seconds this exchange was happening my thoughts weren't even on Summer. Yang calls Salem out for killing loved ones and my brain went, "Pyrrha??"

That's how little they've done with Yang and Summer. I know in the past I've argued that RWBY has a "better late than never" situation going on, that I would praise them for making the right writing choices even if they arrive years too late... but now that we're here, I find that it's a hard problem to overlook. Summer is Yang's mom? When's the last time we heard that? Volume 2? Whenever the conversation with Blake was. Since then Yang has called Raven "Mom," focused on that emotional connection (or lack thereof), was excluded from the conversation with Qrow, comforted Ruby after she was blindsided by Salem's taunt, and otherwise hasn't mentioned Summer at all. There is no foundation for this accusation except a few lines about getting cookies as a child and the fact that we're tossing references in now makes me worried that we'll indeed get a grimm!Summer reveal. Better remind the audience that she exists before the twist arrives! Honestly, as much as a part of me wants to praise RWBY for trying to get things back on track, moments like this just ring hollow now. They waited years and now it’s too late. It doesn't help that this is the episode where we shrug off Ren's speech. What will Yang's cutting admission amount to based on this trend? Probably nothing. Summer will become Yang’s mom again in another six seasons.

Salem, obviously, doesn't care. The real Hazel arrives and she orders him to take Oscar back to his cell. Instead, he gives him his cane with a whispered, "No more Gretchens, boy."

Behold, another meaningless line. Hazel hates Ozpin for "forcing" Gretchen on a mission and "getting" her killed. The whole point of his villainy is that he doesn't understand the concept of choice and that bad things can happen to good people with no one able to prevent it. Not every loss has a responsible party attached (outside of, you know, Salem/the grimm). So what is he even demanding here? No more huntsmen schools? That's what you wanted Salem for. No more "forcing" people to fight for you? Ozpin never did that in the first place. Or is it just a strange promise that no one else will die here? RWBY seems to be under the impression that they can just name drop dead family members — Summer, Gretchen — and that's that. Emotional depth created, never mind a lack of buildup or clarity.

Then Hazel punches Salem across the room and she releases every single hero from their bonds. See the theme of this episode: convenience. Hazel shoves a whole bunch of dust crystals into his shoulders and yells that he's doing what Gretchen would have wanted, clearly sacrificing himself so that the others can escape. The battle between him and Salem is pretty decent. I enjoyed the dust vs. magic creativity and the sheer damage Salem can take before reforming. This fight really showcases how not human she is.

It does, however, bring into question Hazel's reveal about her needing an hour to heal at the longest. I mentioned how unlikely it would be that our heroes would get the chance to "kill" her multiple times, yet here we are, just a few episodes later. They got that opportunity and... does it matter? Salem's reforming doesn't appear to slow down at all, despite her head getting obliterated at least three times, so at what point does she need longer than a few seconds to heal? If this was meant to be a potential weakness the group would eventually exploit, we needed to see it here, both for that setup and to keep it consistent with Hazel's story.

Regardless, they fight and at first it looks like a pretty straight-forward sacrifice on Hazel's part, giving the group their chance to escape. Except... Oscar.

"She'll just come after us," he tells Jaune, turning away from him to fight.

I need a list for this:

Of course she's going to come after you. This is not some shocking revelation. At no point has anyone thought that escaping the whale is the answer to all their problems, it just creates one less problem to deal with. Namely, the problem of "Our ally is captured, being tortured, and may give up important intel to the enemy. Oh, also he's about to be blown up with a bomb." Salem coming after them doesn’t matter. What matters is making her plans as difficult as possible as you work to come up with more solutions of your own. This is just a smaller version of the Ironwood conflict: “Well, Salem will just follow Atlas into the sky so it’s useless to attempt escape, or to buy ourselves time.” It’s really not. I know I’ve used this ridiculous comparison before, but if you’re ever chased by a horror movie serial killer hell-bent on your destruction and your reaction to this problem is, “Why run? He’ll just chase us. The only possible choice is to fight him with a 99% chance of our death,” then I beg you to re-evaluate things.

What was the point of coming to rescue Oscar if he was just going to stay behind? The whale is about to be blown up by a bomb and the trio risked their lives ten times over to get to him. If I were them I would be pissed. We went through all that to get you out and now you’re refusing to leave when we have a chance? Thanks for that.

Same with Hazel. Not that I care about the guy, but if I was sacrificing myself for others to escape I'd be pretty annoyed at them randomly deciding not to do that.

What does Oscar even think he's going to do? Kill the immortal witch? The entire point of our series is that they can’t do that (yet).

However, if he is able to do something significant via Ozpin's magic, why didn't Ozpin do that generations ago? Somehow I don't think a younger Ozma closer to the height of his power was in a worse position to attack Salem than a tortured, aura-less kid who unlocked his magic yesterday. The more RWBY reveals about Salem, the more I go, “Okay, but why didn’t his happen [insert any number of years] ago?”

Did Jaune actually leave? I assume he's just grabbing an airship or something before coming back to drag Oscar away, but seriously where did he go?

There's no way I can approach this scene without throwing up my hands and going, "What? WHY?" Which is a real shame because we finally get to see a bit of what the cane does and it’s... precisely what Ozpin's magic has always done? I mean, we saw that green shield five years ago and now there's a giant white beam. Okay.

If the beam just hits Salem with Generic Magic Power then there was never anything secret about the cane, it’s just, you know, Ozpin’s weapon. If the cane does something significant to hurt her we're left with the question of why it took literal generations to use it. Nothing is making sense to me and the only way I can think to salvage this scene is if Jaune runs back in, snags Oscar like a sack of potatoes, and runs out yelling about how he's clearly suffering from a concussion because what are you trying to accomplish here?

It doesn't help that this moment feels... final. Hazel has managed to hold Salem in place. Oscar has unlocked his cane and lands some mega hit right before Hazel passes out and looses his hold. Not only does this feel like a scene that should be at the end of the volume (we've still got five episodes), but also the end of the series. RWBY is building Salem into an unbeatable enemy by giving her more and more powers, and simultaneously eliminating the stakes by having our currently weakest character (in terms of exhaustion/injuries/aura/training) landing a shot like that. Why would you nerf Salem's threat level like that in the middle of a volume? Especially with a tool our group has had available from the start? If the cane does damage, maybe lead with that in the, “Here’s why we should stay and fight” office conversation.

I assume that Oscar's hit will obliterate Salem to the point where both he and Hazel have time to escape, or he obliterates both of them (“Do it”) and that's somehow presented as a better choice than just running while Salem is captured, or the bomb will interrupt things somehow... but it's just so shoddily done. At the very least, if they were going to have Oscar refuse to let someone fight alone, have it be an actual friend he's staying to assist. Having Oscar refuse his own rescue to help Hazel has more than one problem attached to it. We can say what we want about RWBY's themes of forgiveness, but this guy was torturing him just a few hours ago while serving Remnant's version of the devil. Just let him sacrifice himself and move on.

And that's where we end. Oscar powering up, the cane getting all magic-y, and him shooting a crazy big blast that engulfs both Salem and Hazel. I can't believe how not excited I am about my farm boy doing something badass, but here we are.

Overall I think this episode was way worse than last week's. We absolutely had problems in "Dark," particularly when it came to the Hound and the group's blind devotion to Ruby, but at least those moments were cushioned by an otherwise decent episode. "Witch" felt like I was watching something closer to a parody of RWBY, one deliberately poking fun at the fandom's desires: erase all conflict for awkward silly times, your favorite villains are instantly good now, the heroes go toe-to-toe with the main antagonist because why not, throw a bunch of magic in there for good measure, and wrap it all up in some over the top "this isn't a fairy tale" lines. I can see the pieces of a much better episode here — Emerald sneaking Oscar out with her semblance, Neo snagging the relic, Flint and Neon, Hazel attacking Salem — but it simply didn't come together.

I know I said this last time, but I have no idea what we're going to do for another five episodes. Salem slowly reforming from bomb damage as the group tries to keep Penny from opening the vault? The grimm attack halted with the whale gone so Qrow can go after Ironwood? The longer this volume runs, the more I think it was a mistake for them to introduce Salem as a fightable antagonist now. RWBY doesn't know what to do with her besides have her inevitably fall in the final season, so until then she's left being stupid (Relic), passive (Mantle), or, likely, written out of the story temporarily so the heroes can turn their attention towards smaller conflicts and weaker foes. They literally can’t beat Salem yet, but they can’t focus on other problems when she’s around without coming across as negligent, so if you have to find ways to erase her to make room for that... what was the point of bringing her here in the first place? We could have established that Salem is bound to her realm and had her send the Hound and whale to attack Atlas. There, all the fun parts of the volume without her complicated presence.

Well, the next five weeks will certainly be interesting, at the very least...

Until next time 💜

[Ko-Fi]

#rwby #rwby spoilers #rwby volume 8 #rwby witch #mymetas #rwby recaps

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klixxy · 3 years

Text

weekly fic recs

(ft. my bookmark comments - mostly mha and voltron)

boku no hero academia:

what is right and what is easy - theroyalsavage

(bnha; tododeku; fluff + angst; 2k words; oneshot)

Midoriya Izuku is not chosen to represent Hogwarts in the Triwizard Tournament. He does not slay a dragon, or rescue innocents, or brave a maze of dark magic. He does not win accolades, or fame, or glory.

Instead, Izuku meets the son of the greatest dark wizard of the age, a Durmstrang student with hair like a sunrise and eyes like a war. And maybe, he just might win something else.

If I'm Being Honest.... by I_dont_know_man

(bnha; tododeku; fluff + crack/humor; 26k words; oneshot; truth quirk)

Midoriya scrunched up his nose in confusion. “Uh, Shouto, why are you glaring at me like that?”

“I-” Todoroki began to lie, until nausea slammed him like a door to any room that Bakugou entered. “I--” Todoroki grit his teeth, and glared daggers into the wall behind Midoriya. Goodbye, friendship. It had been absolutely divine while it lasted. “Because you’re very attractive.”

They say honesty is the best policy, but it sure as hell had a knack for Todoroki making a complete and utter fool of himself.

Or: In which Todoroki is placed under a mysterious truth-telling quirk and suffers, Uraraka laughs at him, Midoriya is confused but smitten nonetheless, and Twitter is the thirstiest site on the planet.

paint on our lips (paint on those fingertips) by spicanao

(bnha; tododeku; angst + magical realism; 11k words; oneshot; gallery au)

Galleries are wonderful places. The works seem so vibrant, so beautiful, so alive.

Until they're actually alive.

(Ib AU)

[my bookmarks: holy shit this is beautiful in an odd, poignant, dream-like way]

Todoroki Shouto’s Amateur Guide to Not Fucking Up The Timeline by Anubis_2701

(bnha; tododeku; crack/humor; 13k words; oneshot; time travel; future fic)

All that Todoroki had wanted was milk. Nothing drastic, nothing dramatic, just milk.

Unfortunately, in his quest to get milk, he ended up running into one of the saltiest, most impulsive people this side of the globe. Who also just so happened to have a volatile time-travel quirk.

So yeah, he was fucked. Just slightly. Being punted randomly through time wasn't exactly how he'd wanted to spend his Saturday morning. At least the younger versions of his friends are cute.

awake and (un)afraid, asleep or- by driedupwishes

(bnha; tododeku; fluff + angst + The Feels; 54k words; oneshot; social media/future fic)

“You,” Shoto says, picking his head up from where his screen is filled with The Worst Photograph Ever, curtesy of Shinsou, Jiro, Kaminari, his brother, and nearly everyone they know. “You are so dead to me.”

Kirishima blinks, mouth half open while Izuku mutters oh god, it’s too late, isn’t it on the other end of the phone, before Kirishima is leaning into his space to see his screen.

“Oh,” he says, in response to the photo someone in the crowd of civilians watching the fight had taken of them. “Oh, that’s-” he cuts himself off for a minute, leaning back to eye Shoto’s face while on the other side of the phone Izuku smothers what is probably a laugh, and then changes tracks.

“It’s super manly to love and support your friends,” Kirishima tells Shoto haughtily, as if this whole thing isn't his fault in the first place.

or: Kirishima and Shoto accidentally start trending on Twitter and in retaliation Shoto decides to make an Instagram to showcase all his Hero Deku merchandise, so that everyone knows how much he loves his boyfriend Izuku, and no one expects how quickly it will all spiral out from there

[my bookmarks: broke my heart. i teared up multiple times and even now I'm barely holding back tears.

pure beauty. pulls an incredible amount of emotion from the descriptive language and conveys the love and loneliness and that pulsing ache so well that i thought that my chest would cave in from the force of all the fucking feelings in it. this entire fic was a perfect, awe-inspiring package of fluff, beautiful shoto and class 1a interaction, heartfelt long distance tododeku feels, and almost every single paragraph had my heart fucking squeezing so hard in my chest that i could barely breathe.

i am in awe.]

Hooliganisms by aphrodaisyacs

(bnha; gen/todofam; crack/humor; 17k words; series; social media)

In which an anonymous artist’s street art of Bald Endeavor goes viral, causing a chain of coincidental events and ironic situations to ripple through the lives of everyone- heroes, villains and civilians alike.

[my bookmarks: i'm crying so much from laughter]

Part 1: Where it all begins- the origins of the street artist known as the "Bald Hooligan" and their rise to infamy

Part 2: The spin-off focusing on the unlikely trio whose friendship was borne from the events of Part 1

Daydreaming by AnonymousTwit

(bnha; gen/todobakudeku; angst; 7k words; oneshot; todoroki-centric)

If he'd been more careful, then they'd be fine. If he'd been paying attention, then he wouldn't be alone right now.

But he wasn't and he hadn't, so it's just him, now. It's him, his thoughts, and the unconscious bodies of two of his closest friends as he waits for someone to reach them.

Whether they be friendly or not.

Author has writer's block and coughed up some Todoroki angst in retaliation.

A Study in Firsts by Oceanbreeze7

(bnha; gen; angst + fluff + humor; 76k words; ongoing; class 1a-centric)

There’s a first time for everything.

The first time everyone crammed in Momo’s room to study, a mess of limbs and books on her bed.

The first time Mina burned crepes so badly the smoke alarm went off.

The first time a jumpscare got Sero so badly, he flipped off the back of the couch.

The first time Uraraka fell asleep at the table and accidentally sent it floating.

The first time someone realized Todoroki walked far too quietly, and far too cautiously around the dorms to be normal.

The first time Midoriya broke his toe on a door frame and kept walking through it.

The first time Kirishima woke up screaming through the walls.

The first time Tsuyu blanched at the sight of a needle.

The first time Bakugo dropped, clutching the back of his neck with eyes scarily vacant and detonating everything around him until Aizawa had to intervene.

It wasn’t always pretty, but the dorms were filled with firsts.

Responsibility by deafmic

(bnha; gen; angst + hurt/comfort; 94k words; series (complete); todoroki-centric; dadzawa + papamic)

“I told you outside,” Aizawa chooses his words carefully, reiterating the same point he’s made before. “My responsibility for you doesn’t end at the classroom. Every part of your life is partially my responsibility. Your father doesn’t scare or intimidate me. If you need help, I can get it for you, but you and I both know that you need to ask for it first.”

Aizawa organizes a way for the students to go home for the holidays. Todoroki Shouto, however, gets left behind by his father. Aizawa, annoyed at Endeavor, takes Shouto under his care for the night, and is joined by a certain Yamada Hizashi.

[my bookmarks: *unholy screaming sobbing noises*

an incredible and emotional journey from start to finish.]

the drip of melting ice by walking_through_autumn

(bnha; gen/platonic shintodo; angst + fluff; 19k words; oneshot; todoroki/shinsou-centric ft. dadzawa)

Aizawa found out within a day. It was quite likely due to the dish Todoroki had washed and left to dry in the shared kitchen after the kitten had been fed off it. Hitoshi was forced to reflect that it wasn’t any good hiding the litter and cat food in their wardrobes if Todoroki was going to make a fundamental mistake like that.

Aizawa stood in his door frame and raised an eyebrow. “Well? Where is the cat?”

Hitoshi gave his most disarming smile. “What cat?”

Todoroki chose that moment to exit his room, eyes on his phone, other hand holding a cat toy. He bumped into Aizawa and looked up slowly, like in a horror movie.

“...oh,” Todoroki said. Aizawa raised the other eyebrow. Hitoshi rubbed a hand down his face.

Herbal tea, weekly floor gatherings, spoiled surprises, movie marathons, shared custody over a cat, rain and ice and blankets and plushies, and the journey of falling into a friendship.

(Or: Hitoshi moves into the 2A dormitory at the beginning of his second year, learns who his neighbour is, and makes the friends he had declared he isn't there to have within the space of a semester.)

Hand in Hand in Hand by kngsbrg (Citlalcoatl)

(bnha; todobakudeku; fluff + strangers to lovers; 10k words; oneshot; tea au)

Boiling the water, choosing the right temperature for the right kind of tea, using quality leaves, scooping the precise amount, and letting it steep for just the perfect time...

All that and more is needed to make a delicious cup of tea.

A business that Shouto was quite knowledgeable about.

Spring begins and brings with it the hint of new fresh air, buds waiting to blossom, and just a bit of change.

[my bookmarks: featuring: oblivious teamaker shoto and pining firemen baku and izu]

even if i die (it's you) by monomoon

(bnha; todobaku; fluff + angst + strangers to lovers; 75k words; complete; paramedic au)

Or; where Todoroki never went to UA and, in rejection of his father's ambitions, became a paramedic; and where pro hero Bakugou Katsuki is just a little bit too intrigued with the heterochromatic man who always glares daggers at him whenever he sees him.

When Bakugou was suddenly and abruptly met with two cold, heterochromatic eyes glaring daggers right back at him, he had two immediate thoughts:

"Why does he look like he's plotting my assassination?"

and

"Why the fuck are his eyes so pretty?"

[my bookmarks: UGH THIS IS JUST FUCKING PHENOMENAL- GORGEOUS LOVELY INCREDIBLE HEARTSTOPPING HEARTBREAKING BEAUTIFUL RIDICULOUSLY GOOD POIGNANT I AM RUNNING OUT OF ADJECTIVES BUT IT'S GREAT TRUST ME AKDHJSFNW]

This Is Now by colormesherlocked

(bnha; gen; angst + hurt/comfort + fluff; 193k words; series (ongoing); todoroki-centric)

Todoroki Shoto will be a hero.

...But not just yet. Right now, Todoroki Shoto is a bitter, pessimistic, hurt teenager who doesn't want help, friends or hinderances of any kind getting in the way of his misguided goals.

Thankfully, there will soon be people in his life who will be more than happy to drag him into a place of happiness, safety, and acceptance - kicking and screaming the whole way, if they have to. All he has to do is survive his first meeting with them and all the incredible changes that will come after.

This is Todoroki Shoto's Hero Academia.

(Semi-canon compliant up to a point and told from Todoroki Shoto's POV.)

the league of anti-villains by aizawa_wears_crocs (avenris), avenris

(bnha; gen; angst + fluff + humor; 35k words; ongoing; todobakushinmono-centric)

When he's secretly tasked to find the UA traitor, Todoroki isn't expecting help. He's especially not expecting it from the three other first year students perceived as villainous in their own ways. Unfortunately for him, Shinsou, Monoma and Bakugou have all got something to prove, and his solo mission turns into a team effort that rapidly spirals far beyond what they were expecting to find - but hey, they're in too deep now.

Or: in which the gang solves the mystery of the traitor feat. todoroki family shenanigans, copious amounts of dadzawa, backstory for my favorite 1-B gremlin, and good old-fashioned illegal vigilantism.

such eloquent graffiti by firelilyblooms

(bnha; todobaku; angst + hurt/comfort; 9k words; oneshot; todoroki-centric; future fic)

Todoroki Shouto is sitting cross-legged at his coffee table, hunched over a bowl of instant ramen, when he finds out along with the rest of the world that the Flame Hero, Endeavor, is dead.

Or, Shouto's guide to dealing with death.

[my bookmarks: i am in ✨pain✨:)]

Tell-All by HopeNight

(bnha; todofam; angst; 4k words; oneshot; todofam/natsuo-centric)

When Natsuo is twenty-years-old, he publishes a tell-all book on his father and growing up in his house. This starts a domino effect, of course. With the book comes an investigation and sets the groundwork for the Hawks scandal in several years’ time that will see the disbandment of the Heroic Public Safety Commission and the ascension of pro hero Deku to the Number One slot. This will also lead to a decades long chain of change and progress with Deku wielding his influence and charisma like a sword and shield to make society and the world a little better than when he found it.

In essence, you can say, that Todoroki Natsuo is the true hero of this story with his fake quirk and an anger burning in his gut. Just one small book and suddenly…everything changes. The future is brighter for its existence. The curtains are thrown back and the light begins its work to disinfect and cleanse.

When Todoroki Shouto is in his second year of UA, his brother, Natsuo, publishes a tell-all book of essays about growing up in Endeavor's house.

This is Natsuo's story about how he really changed the path of things.

like an open wound by filzmonster

(bnha; gen; angst + hurt/comfort; 5k words; oneshot; todoroki-centric; manga spoilers)

It's a Sunday and Shouto is making gyoza in the dorm kitchen - or: It's a Sunday and Todoroki has an existential crisis over food.

[my bookmarks: oh my GODDDDDDDDD

*screeches while crying**is a blubbering mess*]

Shouto Todoroki and His Stuffed Eeyore (And Also Childhood Trauma) by ThatSpicySeaFlapFlap

(bnha; gen; angst + MORE ANGST; 42k words; complete; todoroki-centric)

Aizawa looked him in the eye, placed a gentle hand around his bicep (not like Endeavor, his father had only ever touched him with the intention to burn) and asked, “Are you okay?”

People don’t usually ask him things. They like to tell him things, like where to sit or what to wear or how to talk or how to be a hero or how to be himself.

‘Am I okay?’ He thought. He realized he doesn’t ask himself things, either.

Shouto didn’t have an answer to Aizawa’s question, so instead he said:

“A very long time ago, my mother did something....highly upsetting.” The boy was tracing the outline of his scar, his calloused finger stopping and jumping around the bumps and ridges of the burnt skin. “Something today reminded me of that.”

“Do you want to talk about it?” His teacher asked.

“No.”

“Okay. I’m here when you do. I’m always here, kid.” Shouto only responded with a sob. He felt as if he’d earned that right after all the emotional labor he had been put through tonight.

days by chibistarlyte

(bnha; todobaku; angst + hurt/comfort; 19k words; series (complete); todoroki-centric)

Most days, Shouto is fine.

But some days...

Some days, Shouto falls apart.

Location Sent by sunflowerstorm

(bnha; gen; angst + hurt/comfort; 15k words; oneshot; todoroki-centric; third year 1a)

In their first year at UA Midoriya sent his location to the class 1-A group chat during the Hosu incident because he didn't have time to do anything else before rushing to Iida's aid.

Now in their second year, Todoroki sends his location to the group chat at 6:30am on a Saturday morning after going home for the weekend. Midoriya knows immediately that something is very wrong and takes off, Bakugo hot on his heels.

-----

"They’d known each other long enough to be able to communicate practically wordlessly. The quiet rage on Midoriya's face was extremely telling, this was bad. Bakugo braced himself as Midoriya shuffled to the side to show where his hands were hovering over what was most certainly a burn and a serious one at that. Todoroki’s own fire didn’t burn him but they all knew that didn’t make him fire proof. Bakugo could do the math."

Faith by phinnium

(bnha; gen; angst + hurt/comfort; 7k words; oneshot; todoroki-centric; manga spoilers)

"You wanted to open a case?"

Aizawa frowned, "uh, yeah. Someone showed you Dabi's video, didn't they? And I don't doubt Todoroki himself has told you bits and pieces."

Izuku did not expect this to be how the conversation went.

"Yeah. But Todoroki isn't being hurt now. He's fine. Endeavour's changed."

Or: Midoriya trusts the Hero Commission far more than he should, especially given the situation at hand. Todoroki isn't available to explain what's what, so Aizawa and Bakugou do it instead.

(Written after the release of issue 293 of the manga, and in the aftermath of the current arc. Spoilers ahead.)

Incendiary by macrauchenia

(bnha; gen; angst + hurt/comfort; 17k words; ongoing (hiatus?); todoroki-centric)

"You're going to die, little Todoroki. And if you don't, your classmates will instead."

A training exercise backfires when Izuku and Todoroki become tangled in an escaped villain's vendetta against Endeavor. Alone in a perilous situation due to the villain's barrier quirk, Todoroki must take desperate and creative measures to save his classmates.

[Class 1-A Teamwork/Bonding]

Parallax by petrichor (findingkairos)

(bnha; gen; angst + hurt/comfort + fluff; 64k words; ongoing; todoroki-centric)

Todoroki Shouto has memories that he didn't make on his own, motor skills that his brain doesn't know how to parse, and a love of science and mathematics and physics that means he broke down his Quirk into its most intricate, universe-bending components at the age of seven.

In one universe, he wants to become a hero. In this one, even though he doesn't want to, he might have to.

(Featuring: a rapidly developing Shoutosquad, Quirk science, headcanons of all flavors, healthy and supportive sibling and sibling-like relationships, and Dadzawa.)

[notes: one of my current favorite fics that i’m eagerly following for the next update. :D]

Caturdays by staqua (aka my fav todobaku author)

(bnha; todobaku; fluff + angst + enemies to lovers; 10k words; oneshot)

"Hmm... It's lunchtime now isn't it? You should have lunch with him."

"With Bakugou?" He blanched. "I think he would refuse and then murder me."

Rei chuckled softly as if death was a joke and held his hand tenderly. "If he's in the hospital, someone he cares about must not be well. I think anyone going through that should have a nice meal with good company."

"You overestimate me," Shouto pointed out and she gave another laugh.

OR: Shouto's usual Saturdays included visits to his mother and the cat cafe; he wasn't expecting Bakugou to get thrown in the mix.

voltron: legendary defender:

*hacks twitter in space* by Zakyuu

(vld x marvel; gen/klance; crack/humor + fluff; 17k words; social media au; ongoing)

the voltron paladins arent as popular as the avengers, obviously — in fact, no one even knows they exist. but they still radiate the same kind of dumb gay energy like the rest of the world.

or: pidge somehow manages to connect voltron's communicators onto earth and virtually nothing is the same. voltron also collectively makes everyone lose their marbles while they play hot potato with the fact that theyre in a ten thousand year war with the galra.

the fear of falling by amillionsmiles

(vld; gen; angst + fluff; character study; 3k words; oneshot; keith-centric)

Keith can pull off a downward spiral. It's the kind of maneuver he does in his sleep.

[my bookmarks: stunning. beautiful. breathtaking. poignant.]

Recoil/Release by Cheshyr

(vld; gen; angst + hurt/comfort; 22k words; oneshot; keith-centric)

When Keith is bitten by an alien creature with venom that causes your dominant emotions to be amplified, the team is ready for a day of dealing with an incredibly angry paladin.

Which means they're not ready at all for what actually happens.

hound by story_monger

(vld; gen; angst + hurt/comfort; 47k words; oneshot; keith-centric)

Keith has a lot of practice being alone; you might almost say he's good at it. When he finds himself seriously injured and stranded on an unknown planet, he knows he's not alone there. And here's the worst part: even after rescue and after things return to normal, Keith gets the distinct sense that whatever was on that planet has followed him. He doesn't have proof. But he knows it's there. He knows it's not going to stop until it gets what it wants.

Keith's 'Physical Contact' Initiation Program by alisayamin (sh_04e)

(vld; gen; fluff+ angst + hurt/comfort; 26k words; oneshot; keith-centric)

Keith didn’t move and neither did Pidge. It was a little awkward until Keith finally said, “Maybe we could officially officiate this..?”

“What do you mean?”

“Fist me.”

Pidge recoiled and sputtered, “Keith, what the f-” She was cut off by Shiro’s bellowing laughter from the observatory deck.

With his straight face unchanged, Keith lowered his left hand with the stopwatch and lifted his right hand, fisted.

Pidge actually sighed with so much relief, “OH. You mean fistbump! Right.” She slapped her forehead to remove the very very wrong image her imagination drew for her, “Holy shit, Keith, we need to work on that but yeah sure, I’d be honoured to officiate your physical contact program whatever.”

That one time Coran realized Keith was too distant and decided to make him undergo the 'Physical Contact' Initiation Program which then led to --> 5 times the paladins realized Keith was an actual cat.

The Red String by Le_Tournesol

(vld; gen/klance; angst + fluff; 19k words; series (ongoing); keith-centric; pre-voltron au)

Lance and Keith keep coming across one another at different points in their lives.

[my bookmarks: this is so sad and sweet and lovely]

All that is gold does not glitter by Rangergirl3

(vld; gen; angst + fluff + hurt/comfort; 28k words; complete; keith-centric)

Keith isn't what most would call a 'people' person, but that doesn't stop him from caring about his team.

aka

Five Times the other Paladins learned something about Keith, and the One Time he learned something about them.

[my bookmarks: fuck. just- fuck.]

Miscommunication Celebration by SleepySsnail

(vld; gen; fluff + hurt/comfort; 4k words; oneshot; keith-centric; birthday fic)

Keith was never too focused on his birthday, but when it rolls around he hopes his team remembers it. When Keith's birthday is full of quality time and fun, he doesn't even question why his friends haven't said "happy birthday" to him.

Or: Where Keith thinks everyone is celebrating his birthday when they really forgot about it.

Keithtober 2019 Day 23: Birthday

avatar: the last airbender:

Change of Address by hearmerory

(atla; gen/zukka; ANGST + fluff + hurt/comfort; 89k words; series (ongoing); zuko-centric; modern au)

A collection of instances in a modern AU of Zuko's shitty childhood, featuring Ozai's dislike of his son's autism and sexuality.

[my bookmarks: FUCK F U C K WHAT THE ACTUAL F U C K.

I CAN'T WITH THIS ANYMORE.]

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