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#mad honey symposium
llovelymoonn · 2 months
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sally wen mao mad honey symposium: "yellow fever"
kofi
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gennsoup · 9 days
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If I could do girlhood again, I'd ask to be scarier. Less whimpering--more pyromaniac urges, more flirting with kerosene.
Sally Wen Mao, Drop-kick Aria
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smokefalls · 2 years
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Some kisses are not without / cruelty.
Sally Wen Mao, “Song, with Caution Tape” from Mad Honey Symposium
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geryone · 1 year
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Mad Honey Symposium, Sally Wen Mao
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sylkithecat · 4 months
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SYLVIE LAUFEYDOTTIR; a phoenix only needs her fire to burn.
Catherynne M. Valente, Deathless | Taylor Swift; Would've, Could've, Should've | Emilie Autumn, The Asylum for Wayward Victorian Girls | Aria Aber, Ideology | Sally Wen Mao, Mad Honey Symposium | Lidia Yuknavitch, The Chronology of Water | Taylor Swift, Nothing New | Joan Macleod, The Shape of a Girl / Jewel | Linda M. Crate, A brighter phoenix | Odysseus Elytis; Maria Nephele: A Poem in Two Voices, | Clementine von Radics, Vigil
Sophia Di Martino & Cailey Fleming as Sylvie (Loki 2021-2023)
@giftober 2023 + @mcuchallenge| Day 21/31: Spring & LOKI APPRECIATION WEEK 2023 | for @dailyloki + @mcuchallenge
Day 4: Favorite character (or Variant)
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psalmsofpsychosis · 5 months
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dogs unleashed;
—in continuation of this collaborative meta on the nature of Batman's relationship with pain.
// mitski - cop car // Emily Skaja, Brute // Batman: Europa // Sally Wen Mao, Mad Honey Symposium // Lingua Ignota, Pennsylvania Furnace //
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willgaham · 11 months
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SUCCESSION | 4.09 Church and State "You cannot follow the dead, but you can follow a legend until it stains you on the lips, jaw, teeth, until you are its primary evidence." — Sally Wen Mao, Mad Honey Symposium
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n0-eyedtaissa · 1 year
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we hear the wilderness and it hears us : the power vs the price of worship
yellowjackets (2021 - ongoing) // mad honey symposium, sally wen mao // their eyes were watching god, zora neale hurston // courtney eaton as lottie matthews, s1ep10 ‘sic transit gloria mundi’ // eating snake, margaret atwood // yellowjackets s2ep4, ‘old wounds’ // your modern gods mean nothing in this part of the woods
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give me back my girlhood, it was mine first
unknown / @/apocryphics (on tumblr) / @/heartlikegold (on tumblr) / unknown / Ashe Vernon excerpt from Buried, "Not a Girl" / The Virgin Suicides (1999) dir. Sofia Coppola / unknown / Serge Ivanoff / Sally Wen Mao excerpt from Drop-kick Aria, "Mad Honey Symposium"
i. unknown
[ "A girl in the shape of a monster / A monster in the shape of a girl" ]
ii. @/apocryphics
[ Screenshot of a tumblr post by @/apocryphics. "girls will carry unimaginable primordial rage but still go about their day as if nothing is wrong and that is very sexy of us I think" ]
iii. @/heartlikegold
[ Screenshot of a tumblr post by @/heartlikegold. " 'girlhood rots between my teeth, a sickness so sweet it aches' / - SUGAR, SPICE & EVERYTHING NICE // d.s" ]
iv. unknown
[ Painting of a young girl in the process of braiding her blonde hair. She looks away from the viewer towards the right as she braids her hair towards the audience. ]
v. Ashe Vernon, Buried
[ "Isn't all that rage so ugly? And isn't it mine, still? Good god, isn't it mine?" ]
vi. Sofia Coppola, The Virgin Suicides
[ Movie screencap of The Virgin Suicides. Hanna Hall (playing Cecilia Lisbon) las on a hospital bed wearing a blue gown. The subtitles read, "Obviously, doctor, you've never been a 13-year-old girl." ]
vii. unknown
[ "girlhood / 1. ripped stockings, smeared red lipstick, stolen lilac branches in our hands, scrapes from tree-climbing stinging our knees. a laughing moon to guide us home. the wild, wicked stars. the crimson fires of our heartbeats burning. so many secrets we keep like knives between our teeth. / 2. i'm made of fairydust and that moment of silence right before the thunderstruck sky breaks open with rain. i'm a breathing, bleeding body. i'm a breathing, bleeding soul. / 3. what prayers do we say when we think god isn't listening?" ]
viii. Serge Ivanoff
[ Cropped image of a painting by Serge Ivanoff . A woman stands in a room wearing a light pink dress. She folds her hands in front of her as she poses. ]
ix. Sally Wen Mao, Drop-kick Aria
[ Screenshot of a tumblr post by @/lifeinpoetry. "If i could do girlhood again, I'd ask / to be scarier. Less whimpering-more pyromanic / urges, more flirting with kerosene." ]
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simmyfrobby · 10 months
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― Mad Honey Symposium, Sally Wen Mao
Hockey Poetry Post 52/?
(Photo credit: link, Ethan Miller, Christian Petersen, Andy Devlin, Danny Murphy, Codie McLachlan)
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llovelymoonn · 2 months
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Hi! Can you do a web weave on the feeling of being on fire? On how warm blood is? How violently you love? On how soft you wish you were but can’t ever be? On being a hurricane? On living in the holler?
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angela carter unicorn \\ carolee schneemann hand heart for ana mendieta (1986) \\ sally wen mao mad honey symposium \\ haruki murakami norwegian wood \\ philippe de champaigne saint augustin (1645-1650) [detail] \\ josé olivarez i wake in a field of wolves with the moon \\ jamaal may the big book of exit strategies \\ hélène cixous the love of the wolf \\ marge piercy a key to common lethal fungi \\ christian schloe portrait of a burning heart
kofi
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gennsoup · 1 year
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Shuttered in hot light and oil-seared stars, you alone carry the weight of planetary anxieties.
Sally Wen Mao, Sonnets for Kudryavka
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smokefalls · 2 years
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Good advice: you cannot follow the dead but you can follow a legend until it stains you on the lips, jaw, teeth until you are its primary evidence.
Sally Wen Mao, “The Pickpocket” from Mad Honey Symposium
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geryone · 1 year
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Mad Honey Symposium, Sally Wen Mao
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[Rage is a quiet thing
You think that you've tamed it
But it's just lying in wait
Oh, rage
Is it in my veins?
Feel it in my face when
When I least expect it]
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The meat tenderiser is broken
-necked so, I must soften
the beef with my father’s
hands, marrow-thick
with knowledge
the meat must be beaten
brutal into tenderness.
That anybody softens
with violence.
Another morning and I wake with thirst for the goodness I do not have.
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Rage & it’s violence.
— portrait taken from @rawrrkiyomi (1) Mad Honey Symposium, Sally Wen Mao. (2) Anais Nin. (3) Venetian Smile by Richard Burlet (4) Simmer from Petals for Armour by Hayley Williams. (5) Cover art for the florence + the machine/ethel cain collab Morning Elvis by Peegpin. (6) Wound from the mouth of a wound, Torrin A. Greathouse. Thirst, Mary Oliver. (7) Mark Rothko, Untitled, 1952 (8)
© 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS)
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if i could do girlhood again, i’d ask to be utterly terrifying.
not terrifying as in unkind, but terrifying as in stop cruelty at the source.
terrifying as in more teeth and less hand-stitched closed mouths —
more rage [and not just the quiet, simmering kind];
rage like the ocean boiling itself to steam,
rage like the sun falling clean out of the sky.
if i could do girlhood again,
i would unlower my eyes.
i would bite the hand that feeds me.
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after Sally Wen Mao, “Drop Kick Aria”, in Mad Honey Symposium.
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