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broadwaycutie16 · 4 years

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Earlier today, I watched a video by TheTake on YouTube, exploring and deconstructing the “Nice Guy” trope in popular media.

Basically, the trope explained the Nice Guy trope and how toxic it really is, devaluing the girl’s feelings in a relationship and promoting male entitlement. Now, I’ve heard many people in this fandom complain that Adrien Agreste is the embodiment of this trope. The underdog sweet boy, pining after a girl who has rejected his feelings multiple times, persisting in his romantic advances towards her despite her making her disinterest clear.

While I must admit that Adrien does check many of the boxes for the standard Nice Guy, I quickly remembered who else in the show, besides him, checks out many of the same boxes, and perhaps a few more than him. Someone who exhibits many of the same behaviors of the Nice Guy, but whose less-than-healthy attitude of love is often overlooked and/or pardoned by most of the fandom, while they bash Adrien for similar behaviors.

Can you guess who it is?

It’s Marinette Dupain-Cheng.

I know what you’re thinking. How dare I accuse Marinette of such a toxic mindset! She’s the hero of our story! She fights off the bitches that are bad for Adrien and yet he doesn’t even give her the love she deserves! Adrien is the one who should consider himself lucky that she adores him! Hashtag Marinette Deserves Better!

But you see that right there? That, my friends, is what makes Marinette Dupain-Cheng, in my opinion, more of a Nice Guy than Adrien Agreste.

The whole purpose of the Nice Guy trope is to make us root for the underdog. Because who doesn’t love a good story where the loser that everyone expected to fail spectacularly ends up winning it all in magnificent fashion? Almost every movie has it’s underdog. With sports movies, it’s the unathletic wimp with a skinny, small, and/or weak body. In high school movies, it’s the outcast weird kid who’s been ostracized by the popular crowd for their unusual interests and/or attitude. In romantic comedies, the underdog is the hopelessly romantic Nice Guy who adores the girl and worships her like a goddess, as opposed to the cooler, more aloof, more sociotially successful man who takes her for granted. And since the cardinal rule of feel-good films is that underdog must end up getting what he’s been wanting throughout the whole movie, the movie then directs the story narrative to favor the Nice Guy’s desires, manipulating the audience to cheer him on and, in the process, blatantly dismiss all his unhealthy behaviors and obsessive traits, like stalking the object of his affections or trying to edge out any competition he has.

Sound familiar? That’s because that’s exactly what many Marinette stans who are also Adrien haters do.

I’m not saying Marinette is a bad person, but as far as Nice Guys go, she has shown us many red flags. She often stalks Adrien, trying to sneak into parties she has not been invited to just to see him, or following him to his house when he goes to study with one of her enemies. She often tries to keep away any girls she sees as competition for Adrien. With Chloé and Lila, it’s semi-justifies, because they can be total bitches. But not Kagami.

Is Kagami kind of cold? Yes. Can she be competitive? Absolutely. But she is not evil. Many Adrienette shippers often hate on Kagami, saying she is a stone cold bitch who will stop at nothing to “steal” Adrien away from Marinette. They misinterpret what she whispered in Marinette’s ear during Frozer. Kagami said, “The reason you cannot stand on your feet is your hesitation. I never hesistate.” Adrienette shippers translate this to, “He’s mine, bitch. Back off, or I’ll kill you.” But what she’s ACTUALLY saying is, “I know you like Adrien, but I like him, too, and I’m not gonna just back off out of curtesy while you fumble the ball. So if you want Adrien, you’re going to have to win him from me fair and square. That means you have to suck up whatever insecurities you have and really work to win him over.” She knows Marinette loves Adrien, but Kagami loves him, too. And she’s not just gonna wait around for Marinette to get over her nervousness and ask Adrien out of curtesy. She’s telling Marinette that if she wants Adrien, she needs to get herself together and go after him while he’s still available.

Kagami is not a bad person. She is simply lacking in social experience to properly express her emotions and desires without coming off as an ice queen. And yet, many Adrienette shippers view her through the same toxic lens as many fans of romantic comedies view love rivals of the Nice Guy. If the rival is even the tiniest bit self-serving or emotionally detached, they are automatically dismissed as bad people and therefore, less worthy of the main love interest than the Nice Guy. Thus, viewers are quick to pardon any attempts made by the Nice Guy to sabotage or undermine his rival as a necessary evil, something that must be done so that “true love” can prevail. Like say, I dunno, setting the rival up to be humiliated at a fancy party, despite all that they did to supposedly deserve such treatment was show up to said event, which they were invited to, and act friendly towards the main love interest, because they ARE friends?

If the scenario seems familiar, that’s because that’s exactly what Marinette tried to do to Kagami in Animeastro.

One thing I’ve noticed about this fandom, is that people seem to have a double standard when it comes to Marinette’s negative behaviors vs. Adrien’s. In Glaciator, Adrien seems to accept Ladybug’s rejection, claiming that her friendship was what mattered most, then takes back everything he said in Frozer, acting salty towards Ladybug for her earlier second rejection. After that, the whole fandom was on his case, calling him a jerk and a liar.

Am I happy Adrien went back on his word like that? Of course not. But in that same episode of Frozer, Marinette accepts that she may not be more than Adrien’s friend, and even helps him on his date with Kagami, despite her heartache and despite how everyone thought she was crazy for doing so. Super sweet, right? Except when Animeastro happens, she goes back on her mature acceptance and teams up with her worst enemy, all for the purpose of embarrassing the same girl who she supposedly accepted Adrien might like instead of her. Funnily enough, no one in the fandom seemed to give her any flack for that, despite the fact that it was an exhibitation of the same possessive, hypocrital and selfish behavior that Adrien displayed earlier on, which everyone hated on him for.

Many Marinette fans are projecting the same toxic, biased mindset onto her that fans of romantic comedies project onto the Nice Guy. They excuse any negative behaviors done by the protagonist, insisting that it’s for the greater good, all while hating on the love interest for not immediately falling into their arms. They prioritize the needs and feelings of the Nice Guy/Marinette while completely disregarding those of their love interests.

Marinette stans insist that she deserves Adrien’s love more than anyone else, bashing Adrien for overlooking her in favor of other girls. After all, Marinette has done so much for Adrien, while all Ladybug does is reject him in favor of some other guy, despite how he’s put his heart and life on the line for her. That means he should just cast aside his feelings for Ladybug and settle for Marinette, right? Well, by those standards, shouldn’t Ladybug do the same? After all, Chat Noir has risked his life for her several times and made it clear he adores her, while all Adrien has done is ignore her feelings in favor of other girls, even though she’s been right there the whole time. If Adrien should ignore some of Marinette’s stalker tendacies and easily-jealous nature, shouldn’t Ladybug be able to overlook some of Chat Noir’s less-than-acceptable behaviors?

Marinette fans often share the mindset of Nice Guy stans of romance as a moral issue, harboring the idea that goodness and unwavering affection should automatically earn romantic feelings. They believe that being nice to someone automatically means they owe it to you to love you back. Sadly, life isn’t that clear cut. Love is often given to someone, whether they deserve it or not. It’s both the best and worst part of it. This close-minded, morally black-and-white mindset is given to fans by the Nice Guy, as it’s his expectation that his being kind to the girl and showering her with romance should mean that she should know he is the one for her.

Sadly, this thinking by the Nice Guy is often hypocrital in the movies, because the same Nice Guy is attracted in his crush at least in part to some sort of superficiality (ex. she’s beautiful, popular, dresses well, is the Cool Girl who drinks beer and watches sports while looking hot in a tank top and short shorts). He says she’s superficial for not wanting a dork like him, but it’s not like he’s looking around for some socially-awkward, plain-faced girl on his own level or lower and falling for HER because of HER kind treatment of him and the intensity of HER feelings. Fans get upset when Adrien the teen heartthrob doesn’t give Marinette her due attention, but it’s not like they’re clamoring for her to settle for Nathanael in “Evillistrator” or Nino in “Animan”, even though they had intense feelings for her and were kind to her.

Because of the partial superficiality of the Nice Guy’s attraction to his crush, he has this fantasy built up in his head. He puts her up on this pedestal, much like the pedestal Marinette puts Adrien on. It gets to the point that he’s in love with the IDEA of her, this image of a perfect angel that he’s made her out to be, and not the real her. He refuses to admit that she is flawed, much like how Marinette overlooks Adrien’s doormat attitude and overwillingness to forgive, seeing him instead as the perfect boy who can do no wrong. This is a set up for disappointment later on, as when the love interest does not do what the Nice Guy expects from her, like instantly return his love, the illusion that he has so carefully crafted for his pleasure is shattered, and everything goes downhill.

Many people blame the love interests for not instantly favoring the Nice Guy once he’s shown his romantic dorky side, thinking they should pick up on the feelings right away, like it’s their job to know who they should be with immediately upon meeting them, that it’s their fault they miss the signs. But this misconception shifts blame away from the Nice Guy for not properly acting on his feelings. This is where the Nice Guy becomes his own worst enemy. He automatically convinces himself that he’s below the girl’s standards and gives up before he even tries. He hesitates to act on his feelings, much like Marinette is so certain that Adrien is out of her league that she lets her insecurities get the better of her and avoids confessing to Adrien or even talking to him because she’s sure she’ll mess up before she even tries. Then when the girl doesn’t immediately realize that she is loved, despite getting no clear signs or even the words “I love you”, she is blamed for leading the Guy on, much like how Adrien is blamed for not recognizing the mixed signals from Marinette as affection.

Even after Adrien has told her that he loves another girl, Marinette still decides to keep pursuing him, much like Chat Noir kept pursuing Ladybug even after she told him she loved someone. Yet, while Adrien is bashed for not immediately accepting her choice and working to move on, Marinette is pardoned from not accepting Adrien’s feelings in the matter. Viewers excusing all her Nice Guy traits while prosecuting Adrien for displaying all the same traits is what makes Marinette, in my opinion, more of a Nice Guy than him. Because the Nice Guy is usually the one that shippers root for, despite the warning signs of their behavior and the fact that the love interest has said flat out that they are not into them that way.

Do I think that Marinette is a bad person? No. Do I condone Adrien’s behavior over hers? Absolutely not. But these are fictional characters. We can’t control their flaws or talk some sense into them anymore than we can change the past or rewrite the movies that have sold us this one-sided mindset. I don’t hold their flaws against them and act like their imperfections define their whole character. I focus on the good they do, and if the characters forgive them, I forgive them, because they’re the ones who choose who to forgive, who to love, who to be friends with. So kiss off, Adrien salters. Y’all are a bunch of hypocrites. Peace out.

#adrien agreste #adrien x marinette #adrienette #marinette dupain cheng #miraculous ladybug #miraculous season 3 #miraculoustalesofladybugandcatnoir #miraculous salt #ml salt #adrien sugar #adrien deserves better #anti Adrien salt #Adrien stan #adrien protection squad #ml fandom salt #salters salt

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coeurvrai · 4 years

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Okay I’m back with a bowl of crunched up Yum Yum noodles and a nearly full glass of water. Let’s get back into the saddle.

You can’t talk your way out of this. Her blood is on your hands, not mine.” She leaned closer to him.

“I can live with that. You’re trying to paint it as something it’s not.”

“It was murder.”

“She was a slavhka, raised from birth to slaughter Kalyazi, and as necessary, other Tranavians.”

“That doesn’t make her a monster!”

“We’re all monsters, Nadya,” Malachiasz said, his voice gaining a few tangled chords of chaos. “Some of us just hide it better than others.

Not to beat a dead horse, but still, what in the actual fuck? Nadya, you have murdered people before and in fact, they were all Tranavians. The book tells us that you are supposed to be fine with murdering people.

“That doesn’t make her a monster!” Nadya, you are out here calling any and all Tranavians “heretics” and “abominations” and unworthy existing or living as is because their mere existence is an insult to you and the Gods because they rejected the gods and turned to blood magic instead. Pot calling the kettle black.

Also I still have the energy to roll my eyes at that quote, and at the phrase “a few tangled chords of chaos”. What the fuck does that mean, ED?

Now she was aware of just how close they were, her hand still clutching his arm. His gaze strayed to her lips. She managed to keep from blushing as she let go and stepped away—she didn’t want to give him the satisfaction of knowing he could still fluster her while she was angry.

She closed her eyes. Heard him step away. When she opened her eyes again he was sitting on the chaise, elbow resting against the armrest, chin in his hand.

I am literally willing them to not have a Moment at this very moment. I cannot be fucked dealing with their stupid relationship bullshit. Also, despite getting mad at him for killing Felicíja, she still finds the time to get all blushy blushy at their proximity and him looking at her mouth.

God, Nadya, you just suck.

Malachiasz changes topics and mentions that at dinner, she’ll be sitting close to the king since she’ll be sitting with Serefin, and that she should be prepared to strike when they get the opportunity to.

The door opened. Nadya whirled, but relaxed when it was only Rashid. He grinned.

“Well, that was fun.” His face fell as he picked up on the energy in the room. “Maybe not fun?”

Rashid returns! Obviously his supposed relevancy to this story has come into play again, because he’s here. Also, “fun” would be the last word I would use to describe what I’ve just had to experience.

Nadya sighed, finally collapsing into a chair. Malachiasz watched her carefully, like one watched a dog that had just bitten them. Had he assumed her harmless? That she would simply comply with any decision he made? They were still—at their core—enemies in this war. She hadn’t forgotten, not even while she found herself worrying about his safety and wanting him by her side.

Well considering the utter fact that by all rights, you were pretty easy to convince to come on this journey and to participate in this plan when you shouldn’t be, I’m not surprised if Malachiasz views you this way. Also bullshit, you being enemies in this war means absolutely nothing when you’ve literally defended your choice to show mercy to Felicíja, a blood mage, who is also your enemy! Because she’s Tranavian, and you’re supposed to hate any and all Tranavians, and kill them as is your holy and god-given mission!

Malachaisz gives her a handkerchief to clean herself up with.

He was a nightmare—the echoes she still felt of his power were troubling—but he was gentle. Anxious and strange, a boy caught up in a world that had broken him, all while trying to do something good for once. She wondered if her anger that was so quick to spark was just her fighting against the pull she felt. Was Nher fascination merely because she had been sheltered her whole life and never known someone so drastically different from herself? Or was it more? Was it because he was dangerous and exciting, all while being completely infuriating yet thoughtful?

Nadya, I am so utterly disinterested in your constant fabricated bullshit push and pull with Malachiasz right now. You’re an idiot. That’s all I really have to say. This isn’t good writing for enemies-to-lovers because the whole pretense of being enemies is to just to fabricate some angst and then will be thrown away so ED can jump into the lovers part of the trope. And you’re a fucking idiot.

Nadya can’t reach the gods atm because the reception isn’t that great.

Rashid states that next they have dinner and Nadya comments that he doesn’t look right being dressed in servants’ clothes.

“I’ve already failed the first etiquette test,” Nadya said. “That bodes well for the next one.”

Malachiasz stretched out towards her before thinking better of it and setting his hand on the arm of her chair instead. She found her eyes drawn to the tattoos on his long, elegant fingers. They were simple, straight lines: two on either side of each finger and one down the back that started at the bed of each fingernail and ended at his wrist in a single black bar.

Knowing Nadya, someone will say something at dinner and she will stab that person across the dinner table. Also, those tattoos sound fucking dumb. At least make his tattoos tell a story like Russian criminals’ tattoos do when they get them in prison or whatever. His tattoos just sound stupid, they’re all lines.

“Everything is a game,” he said. “It’s all a play for power. We didn’t want it, but you’ve caught the attention of the elite, so you may as well keep it.”

She swallowed hard. “I can handle myself.”

“I know, Nadya.”

I do not need this right now, shut up. Also that’s a lie and we all know it, Nadya.

Malachiasz asks Rashid about the gossip he’s gotten from the servants around the palace and he recaps everything we basically already know: about the queen, about Serefin and his father, about the Rawalyk, and about Pelageya.

Apparently, this is news to Nadya and I still don’t understand how it isn’t common knowledge already that Pelageya, a Kalyazi witch, is around and alive and is a companion to the Tranavian queen.

Like, apparently the people of Kalyazi, but especially the devoted and the Gods, hate the witches almost as much as they hate the Tranavians, so much so they committed a witch hunt and glorify their supposed purging from their country.

Nadya and Malachiasz exchanged a glance, their fight momentarily forgotten.

*long, drawn out sigh*

Rashid also mentions the meeting that Serefin had with the Crimson Vulture, and the salt mines.

“That’s not good,” he murmured.

“Wait, which one is Crimson?” Nadya asked. The rankings didn’t make any sense.

“Żywia is the second in command.”

Nadya didn’t like that he knew and used their names when no one else did. She didn’t need to be constantly reminded of what he was.

Just because you’re being meta and poking fun at your own worldbuilding doesn’t mean that you get off for not fixing it and not making the rankings make more sense. It’s not a get out free jail card, ED.

Also shut up, Nadya. You keep saying that but then nothing of real substance comes out of it, so just shut up about it.

“Perhaps the king’s visits to the Salt Mines means he’s working with the Black Vulture and the prince is attempting to undermine that?” Rashid said.

“I’d always thought a schism among the Vultures would be impossible,” Malachiasz said. “But I think we’ve stepped into something bigger than just a silly pageant for a queen. If the Salt Mines are involved, definitely so.”

The Rawalyk‘s relevance to the plot is what, again?

Also what do you mean you thought a schism would be impossible? I know you’re Evil McEvil, but you’ve claimed to have broken away from them for good. Like, you’re proof there’s a fucking schism. Like fucking what lmao

“Still,” Rashid said, “the king seems to have forsaken his usual retainer of guards in favor of the Vultures.”

“They’re not guards,” Malachiasz said.

“What are they, then, Malachiasz?” Nadya asked. He was becoming increasingly agitated. Nadya wasn’t going to ignore the tremors of doubt she had when he appeared to falter.

He waved a hand. “It would be like your Kalyazi tsar having clerics act as guards. It’s not their purpose, they’re not supposed to be so deeply connected to the secular throne.”

Nadya sighed. “Except religion is interwoven into our government. It’s not a thing to be shoved aside.” She didn’t like comparing monsters with her religion, but it was an apt enough example.

What? I get what secular means - that it’s separated from religious matters, as in the phrase “separation of church and state”, but that makes no sense. Is he supposed to be referring to just Kalyazin here? I would kind of assume so, because that’s the only way this would make sense. But then Nadya corrects him the next paragraph!

Because the whole nation of Tranavia is secular. Their society is based upon rejecting the Gods and being non-religious. Like that phrasing is so fucking weird. Like I get the gist, Vultures and the Court are usually separate because Vultures don’t even recognise the Tranavian king as their ruler because they have their own king, the Black Vulture. But wtf with “secular throne”.

#sarah reads ws #blood tw

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shewhodoesnotexist · 4 years

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Okay, so The Rise of Skywalker. Saw it two weeks ago but it’s hard to do anything when you have so much free time ;) Two weeks ago I wrote the following: I’m a little dumbfounded… It felt like a string of fan theories put together, with a video game mode of running after stuff from one place to another xD they put in so much stuff but somehow not enough… Feeling? And I think this still sums up my impression the best. Nevertheless:

So we begin with some Sith artefacts none-one’s ever heard of… This is so reminiscent of some fan videos and theories I got into after TFA, many of them based on Legends/the old EU, things that never appeared in the movies. I’m fond of fan theories, but this just didn’t fit in at all here, and seemed so… artificial, video game-like: suddenly there’s a thing we need to find and then it’ll be fine! But first we need to find this thing and go somewhere else and do another thing and then we’ll reach the place!

Like… The Last Jedi was built around characters with personalities, their interactions and conflicts, and for all its faults that made it engaging. This felt completely flat. It was just going from place to place, maybe except for some of the Kylo & Rey scenes, there was barely any feeling in it.

Also, some scenes were so artificial and obvious set-ups, like the woman with the necklace demanding Rey’s full name – maybe she’s from a planet with different naming conventions, how do you know, lady? – just so she can say she’s nobody and then have the necklace taken by Kylo, and the woman at the end, so that Rey can say she’s Rey Skywalker, and Luke giving Rey two lightsabers so that she can give one to Ben (the scene itself was awesome, yes, but the set-up was painfully transparent). Devices, yes, but don’t be so blatant about it.

What was the point of that Threepio stunt? It’s introduced as a heartbreaking sacrifice, then it turns out nobody cares, then it’s played for laughs, and then it’s reversed. Really?

The Palpatine thing is such a clumsily done retcon, honestly. Yes, he was the ultimate Big Bad in the previous trilogies, so in that aspect it kind of makes sense, but in regards to Rey... They made themselves nobodies? Yeah, no, Kylo’s vision and words from TLJ don’t fit this, you can’t square that one. And so Rey’s arc from The Last Jedi is neatly undone and she matters because of her family and very nearly (see below) is defined by her ancestry. Honestly, whichever version you prefer, it would be better to stick to one. That’s not getting into the problems of selling your children.

And really… Rey suddenly and accidentally bursting out some Force lighting supposedly shows “who she really is”? When has the Force ever worked that way? And of course it only happens when it’s convenient. And suddenly “no-one knows me”. Great, now you can be emo together.

And why would Palpatine even want to have descendants? As a backup plan?

And that’s not getting into the fact that apparently Palpatine had a son, who was alive during OT, who somehow rebelled against him, and that’s a story potentially more interesting than this movie, which is ignored. Actually… all right, possibly Rey’s father was not Force-sensitive, which was why Palpatine wanted Rey specifically, but the wording (“to protect you”) makes it sound as if all that rebellion happened only after Rey was born and he realised Palpatine’s intentions towards her, which raises further questions. But enough on that.

It is also incidentally implied that Stormtroopers who defected are Force-sensitive, and that, too, is ignored. What Finn wanted to tell Rey could be that he loved her or that he was Force-sensitive, but, of course, it is never revealed. (Wait wait, apparently it was confirmed it was about the Force. He does talk about how he understands her several times, so that makes sense.)

Speaking of which, once again there is an effort to humanise the Stormtroopers… which is then once again ignored.

Also speaking of which, for someone raised to be mindless soldier, Finn has had quite a love life – like, approximately four possible love interests?

Remember when there was a sandworm in one of The Hobbit movies and people were joking that Legolas’ blue eyes were due to Spice? Now we can do that with SW, too!

Remember when I said I didn’t believe the Knights of Ren even existed? You probably don’t. But they might as well not. For all the mystery and speculation they turn out to be slightly more elite mooks and are killed in approximately their second scene. Even the Praetorian Guards were more impressive.

Hux being the spy is… silly. Wasn´t he super into the First Order? Now he´s undermining it just to spite Kylo. But it is rather funny.

I feel that having Leia start a Jedi training and then quit due to visions takes away from her character. What’s wrong with preferring a political/military career while being Force-sensitive? But no, she needs to have run through the woods with a lightsaber and bested Luke, of course.

Plus, Leia of all people attacking Kylo… This is upsetting. At least have her appear to him as she dies, too. I mean, like so much in this movie, the idea itself was interesting, but the execution undermined it.

I liked Rey healing Kylo’s wound, but it is true that the sudden introduction of Force healing (no matter its earlier introduction in The Mandalorian) raises some questions about why it’s never appeared before.

I am amazed at Adam Driver’s acting. The moment Ben comes back to the Light, you can see it in his face. It’s unbelievable how much he manages to convey. That man is a gift and I am happy it was not Eddie Redmayne, sorry

The ship in the desert, maybe, but you can’t tell me Luke’s X-Wing is readily functional after having been who-knows-how-many years underwater. That’s just ridiculous.

What was that football stadium. Who were these people. What was going on.

What was even Palpatine’s plan? Was it that because Rey was related to him, he could body surf into her and continue ruling, as some people are interpreting it? Or was it the old “strike me with your hate/anger and complete your turn to the dark side”, in which case it wasn’t even all that relevant that they were related, as he had another Force-sensitive family to prey upon already? And then it turns to “I can just suck power out of you two and it’s good enough”.

How was Ben able to get that planet unnoticed? That’s not to mention another falling-apart ship. Oh, but his entrance, with a blaster, and then passing the lightsabre between them, that was incredibly cool :D

A fleet of planet-killing ships, fine, we needed to up the stakes yet again, but they still have a single weak point… I guess there’s not point complaining about that.

We saw Ben smile :) It was so beautiful :) And they kissed :)

...aaand then of course he had to die *sigh*

I haven’t heard the word “dyad” in that context before, but I have read a bit about Force bonds, and aren’t you supposed to completely devastated after the other one dies, as if something is torn out of your soul? Even leaving that aside, wasn’t Rey rather fond of him? Show some grief, maybe? No?

We get to the end, and we are remembering that we are watching a movie called “The Rise of Skywalker”. All the Skywalkers and their descendants are dead. Solution: have Rey tell a conveniently placed rando she is a Skywalker and leave her to continue the Jedi and Skywalker legacy (the latter of which may not be so stellar, come to think of it). She is once again alone on a desert planet, but now she is different, and ready to set out and do… something. But on the other hand, she’s alone on a desert planet again, so she ended up where she had begun (still alone!)… and so did the story of the Skywalker bloodline, on the planet both Anakin and Luke disliked so much and Leia had nothing to do with. All that to have a repeat shot. I’m not all that impressed.

On the whole this movie gives the impression that the filmmakers were trying to play it safe and pander to the fans, mostly to the fans who disliked TLJ and those who craved nostalgia, and distance themselves from TLJ as much as possible, while cramming a lot of material into the movie at the expense of emotional depth. There’s no time to explore this significant moment, we need to rush elsewhere! Many of the concepts could have worked much better if the had been given more time and focus, but the end result is a mess. Not to mention the ST as a whole feels inconsistent. And yes, I’m upset that Ben died! But that’s part of playing it safe, I’m afraid.

I’m not going to go into the last-minute editing controversy.

I watched the SCB review and they said it was a combination of Harry Potter, Avengers and GoT finales – very accurate ;)

Eh.

#star wars #the rise of skywalker #tros spoilers #sw spoilers #of me #ignore as appropriate

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arlingtonpark · 4 years

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Frozen 2 Review

You know, I’m starting to notice a trend with me and these Disney kid’s movies: I don’t like them.

And not because I’m not a kid, but because they really are badly written.

I’ll start with what I liked.

The animation was great, like in all Disney movies. Animation for Disney is like John Williams’ music in Star Wars - it’s good no matter what movie it is.

The song sequences, taken on their own, were show stopping. The action was grand, the singing was commanding, and the visuals were gorgeous.

…OK, now on to the stuff I didn’t like.

The movie starts off with Anna and Elsa playing together as kids. You know, before Elsa almost killed Anna. I don’t think this is bad per se, but I do think it undermines the gay subtext people read into Elsa’s character, and I’m sure lot of people will see that as bad, so I’m putting this in the “bad” section of this post.

Why do people read Elsa as a lesbian? Because she has to hide her powers, the thing that makes her different, like how gay people have to hide their gayness.

This has always been the case, but this movie really reinforces it: Elsa was only forced to hide her powers after she showed the capacity to harm others with them.

In other stories, people with superpowers have to hide those powers because they have powers, not because they can harm people with them. It’s about the power itself, not the burden of having them. This is a good metaphor for things like homosexuality.

In Frozen, things are kind of a mess. Elsa was forced “into the closet” because of the demonstrable harm she posed to others, not because she had the powers to begin with. Frozen 2 emphasizes this point: Elsa’s parents were accepting of her powers up until she showed they could be used to harm others.

Gay people are forced to hide themselves because people in polite society are expected to conform to certain standards. There is an element of rejecting nonconformity in Frozen. In that movie, people see Elsa using her powers and dub it witchcraft.

So there are some elements to the movie that support an LGBT metaphor, but other elements contradict that reading, so it all ends up being a big mess.

Frozen 2 is about how different groups need to get along and how past wrongs need to be made right.

The story opens with some storytime by Elsa and Anna’s dad:

Anna and Elsa’s granddad made contact with an indigenous group of people called the Northuldra. These Northuldra were not magical, but they were able to harness the magic that was endemic to their land.

Granddaddy had a dam built in the Northuldra’s territory as a peace offering. But during a celebration of its completion, a fight broke out and grandad was killed. Why the fight happened is unknown, but the forest spirits were angered and a mist overcast the whole region, locking it away.

And that is how Elsa and Anna’s dad became the king.

Seriously. That’s the payoff to the king’s story. Interethnic conflict and it’s all setup for how he got his cool hat.

I think that was smart!

Lots of awful historical events are glossed over for the sake of relatively trivial bullshit. I mean, I’m writing this on Thanksgiving. A holiday about being thankful is great! But the peace between colonists and natives that this holiday is built around is negated by…how there was no peace in the end. We all understand that on some level, right?

So I think this is a cool nod to how historical events, even historical atrocities, are mythologized.

The motivator for our heroes is uncovering the true history of Arendelle so the angry forest spirits can be calmed.

The true history is this:

Grandad actually hated the Northuldra. He built the dam to make them a vassal of his kingdom…somehow.

The ceremony was just a way for him to size up the Northuldra and determine their strength. He was the one who started the fight.

So…

Why did grandad use the ceremony to size up the Northuldra if that same ceremony was a trap to…kill them all, I guess?

Grandad uses the ceremony to learn of their numbers and strength, the same ceremony he uses to kill their leader and incite a conflict. You’d think the king would have learned the Northuldra’s numbers and strength before this. Just, you know, in the course of interacting with them and coordinating construction of the dam.

And why did King Grandad go to all the trouble of building the dam if he was just going to start a war with the Northuldra?

That’s a big ass dam! The king had it built and for what? Was he going to enslave them? That hardly seems worth it.

I guess the king was just a greedy bastard, but…he’s barely a character at all, so it’s just bad writing.

The point, though, is that the past!Arendellites did something awful and this needs to be set right. The dam still stands and its existence angers the forest spirits. But if the dam is destroyed, the water behind it will flood the area and destroy Arendelle.

So……

Arendellites of the past are big meanie heads.

This has repercussions through to the present.

This has to be made right.

That means destroying Arendelle.

Is this supposed to be applicable to our world?

White people of the past are big meanie heads.

This has repercussions through to the present.

This has to be made right.

That means…destroying white people?

Yes, the institution of racism still exists, and yes, that has to be made right. But no one is saying white people have to lose their homes. What is this movie even talking about?

Radical leftists, the ones who aren’t shitheads, want to sweep away the current order, but that’s because they want to replace it with a new one.

Reparative action means destroying the old order to replace it with a better one. This movie casts reparative action as just destructive.

I like to think of this as being like global warming. Many people think that to fight global warming we have to basically ruin our lives and sacrifice economic growth. We need to give up all our environmentally harmful practices and this basically means living Extreme Paleo. It’s that or a world with no ice caps.

But that’s not true. We don’t have to make that choice. We can have an environmentally sustainable economy and be just as prosperous as we’ve always been.

This movie seems to believe that making amends for the past requires some sacrifice by the descendants of the perpetrators.

If the racial hierarchy were destroyed, white people would no longer benefit from it, so in that sense they would lose out, but that’s not the same thing as losing your home!

The movie is clearly a commentary. It tries soooo hard to be topical and relevant; it only succeeds in being irreverent.

Why do the people at Disney keep trying to talk about racism? They suck at it! They have no idea what they’re talking about.

First Zootopia, now this. They keep trying and trying; I wish they’d stop.

Do they have any self-awareness? If they did, they’d realize they’re just confusing children with these badly designed messages.

The movie tries to be a social commentary. It does so by elucidating a dilemma that doesn’t exist. There is no trade-off between righting the past and continuing our livelihoods.

Ah, but you see, this movie is multilayered in how bad it is.

In the end, Anna decides to destroy the dam, Arendelle be damned. The dam breaks and the kingdom is about to be swamped.

And then, in an almost literal deus ex machina, Elsa swoops in on a magical contraption and uses her powers to BS the tension away.

So………

On one level we have the silly trade-off the movie proposes. Do the next right thing and fix racism, but lose your home. (If this movie were a person, it’d be an old man yelling at clouds.)

On another level, if we take this proposal for granted, we’ve got a completely uninspired message about how doing what’s right will never backfire on you.

*vomits*

Returning to the social commentary level, this means the message is that we need magic to solve the dilemma that doesn’t actually exist.

We need a special, almost magical someone who can BS away all the BS sacrifices white people need to make to right the sins of their ancestors.

(It’s not just the politics, this movie is poorly thought out in general.)

This movie has a very unsubtle theme about change. It’s so horribly done, I can’t believe it’s real.

By the end of the movie, Anna is queen now and Elsa decides to live with the Northuldra. That’s the only meaningful change and the implications of it are not shown to us.

The movie ignores the burdens of statecraft, so how much being queen now affects Anna’s life isn’t important to the narrative.

And we don’t see much of Elsa’s new life either. All we see is her frolicking on horseback through a field with a wide smile on her face. Really.

Elsa struggles with alienation in this movie, except we don’t really see it. We are told that she feels out of place, but there’s nothing in the movie to suggest a fundamental disconnect between Elsa and everyone else.

I mean, I get that Elsa’s magical and Arendelle isn’t, but Elsa doesn’t seem unhappy when the film picks up. Whatever angst she has in the first act is because of the voice she’s hearing. If she feels that Arendelle is a poor fit for her, it wasn’t communicated well.

This is to say that Frozen 2 is only tepidly about the dynamism of life. There’s no change for the worse, and what change for the better there is lacks gravitas.

Elsa’s decision to live amongst the Northuldra is another example of the writers not paying attention.

Another attempted example of change occurring is the unification of the Northuldra and Arendelle. A statue of Elsa and Anna’s parents, who it turns out were each from one of the groups, is erected to commemorate this newfound unity. Anna remarks that the races have “finally” been united.

Unfortunately, the implications of this unity are not shown, so it’s all meaningless.

You would think there would be an exchange of ideas between the two groups. Things like music, food, ideals, etc. We don’t see that. So the change that this movie talks a lot about just isn’t there.

Back to Elsa living with the Northuldra, I take it as implying that there won’t be much real coexistence between the Arendellites and the Northuldra. Because if there were a real cultural exchange, I don’t think Elsa would’ve made the move.

She felt she had to live with the Northuldra to feel more at home. This implies there will continue to be a meaningful disconnect between the two groups.

Instead of Elsa moving, why can’t the people of Arendelle integrate magic into their daily lives like the Northuldra?

Are human settlements just inherently anti-magical?

That’s problematic, because the Northuldra in general smack of being noble savages.

The noble savage trope is a stereotypical depiction of native peoples. The stereotype is that natives have a primitive way of life that lets them be one with nature. It romanticizes native culture.

Frozen 2 leans very heavily on the noble savage trope to communicate its ideas. The Northuldra are one with nature, but this is disrupted when the dam is built. Human civilization is a taint upon the Northuldra’s communion with nature, as represented by the forest spirits.

The whole point behind the noble savage trope is that the native way of life is uncorrupted by human civilization.

Exactly how the dam’s existence is a blight is never explained; the movie uses the noble savage trope as a cheat to get across why the dam is a bad thing.

“Why is the dam bad?”

“Uh, er, well, it’s civilization!”

The movie tries to be about how the races need to coexist, even as it sets one side up as being superior to the other, while showing no sharing of ideas or even goods.

In Frozen 2, “coexistence” means separate but equal.

This movie tries to do a lot.

There’s an arc for Anna about doing the next right thing, an arc for Kristoff and Anna about getting married, the social commentary about uncovering the true history and atoning for past misdeeds, and two major arcs for Elsa. One about her feeling alienated and another about her having this savior complex. She thinks she has to be the one to save everyone.

Subsequently, many plot beats feel half-baked and rushed. Elsa’s alienation wasn’t really established. Anna’s decision to destroy the dam wasn’t dwelled upon, so it didn’t have the emotional weight it could have.

Elsa’s arc about trying to go it alone is very badly handled.

The point of the arc is that teamwork is golden and relying on your powers is as valuable as a shiny penny.

But once again, it is clear the writers aren’t paying attention. One scene in particular was a galaxy brain fuck up.

A forest fire breaks out and Elsa tries to put it out. Anna jumps in because it looks like Elsa is going to be overwhelmed. You would think that Anna will get Elsa to drop putting the fire out and save herself.

But nope.

Anna is the one who needs to be bailed out. Elsa successfully puts the fire out.

Just, ugggghhhh.

Then later on, some rock giants are lumbering about and everyone has to avoid their notice. But Elsa tries to go off on her own again and follow them.

Because she thinks she can tame them.

Huh???

Elsa’s arc here is about teamwork, but trying to tame these things is just a stupid idea. With following the voice, it’s clear they have to do it if they want to get things to normal. It’s their mission.

Why tame rock giants?

The problem with this moment is that Elsa isn’t just being arrogant, she’s being an idiot.

Then we get to the finale and Elsa’s arc about teamwork just peters out and isn’t a factor in it. Everyone has a role to play in the climax, but it’s all serendipitous.

The kind of teamwork the movie tries to uphold up to this point entails not just trusting other people, but actually working together.

They learn they have to venture into the unknown. Elsa tries to go alone, but relents when Anna argues she should go too.

Later, Elsa tries to go alone to the mystery river and sends Anna away against her will. This is presented as a bad thing.

The lesson, so far, seemed to be that you can’t go it alone.

In the finale, they all go it alone while still working with each other. The finale emphasizes trust, while the rest of the movie emphasizes actual teamwork.

It’s not that they’re all a team working together, it’s more like they’re all playing off each other and making it up as they go.

Elsa learns the true history and communicates it to Anna.

Anna takes it upon herself to go dambusting.

Kristoff helps, but he doesn’t know what’s going on. Teamwork implies everyone is of the same mind. That’s not the case here.

The guards try to stop Anna, but they eventually choose to trust that this is the right thing to do. They don’t really know what’s going on either.

Then, just to really drive home how much they don’t care, at the very end Elsa uses her powers to save everyone singlehandedly.

Because you can’t go it alone.

You can’t just rely on your own power.

Every bridge has two sides, so even Elsa needs help from others.

(That bridge metaphor is the dumbest line in the whole movie.)

The people behind this movie obviously didn’t care. They put no thought in this. See Kristoff’s in-movie MTV music video.

Yes, really, that happened. In it, Kristoff laments being unable to really connect with Anna.

I’m about to sing a song lamenting the future of this franchise.

#frozen 2 #spoilers

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fae-fucker · 5 years

Text

Review: Shatter Me

by Tahereh Mafi

Juliette hasn’t touched anyone in exactly 264 days.

The last time she did, it was an accident, but The Reestablishment locked her up for murder. No one knows why Juliette’s touch is fatal. As long as she doesn’t hurt anyone else, no one really cares. The world is too busy crumbling to pieces to pay attention to a 17-year-old girl. Diseases are destroying the population, food is hard to find, birds don’t fly anymore, and the clouds are the wrong color.

The Reestablishment said their way was the only way to fix things, so they threw Juliette in a cell. Now so many people are dead that the survivors are whispering war– and The Reestablishment has changed its mind. Maybe Juliette is more than a tortured soul stuffed into a poisonous body. Maybe she’s exactly what they need right now.

Juliette has to make a choice: BE A WEAPON. OR BE A WARRIOR.

*This review contains vague spoilers.*

I uh … I’m having a hard time figuring out where to even begin with this one, lads. I guess I’ll start with the absolute basics:

This book is not a dystopia. This is a superhero (supervillain?) origin story. I didn’t know this going in and it didn’t feel like it until the very end. With heavy-handed romance, heavy-handed writing, heavy-handed messages, and a plodding plot that I’m pretty sure sucked about 25 years out of my goddamn life.

*rubs hands together*

Well, with that in mind, let’s do this!

The “Writing”

Tahereh Mafi isn’t some backwater Harlequin mommy porn writer, nu-uh! She’s an Artiste, and as such, her art isn’t merely art, it’s Arté.

When a sentence could be five words, Mafi makes it a paragraph. When a metaphor could make sense, Mafi confuses your PLEBEIAN MIND with her MYSTIC WRITING POWERS, to the point where nothing fucking makes sense anymore and you’re just scratching your head, wondering how the fuck supposedly near-catatonic Juliette is able to come up with such convoluted comparisons. When other writers use pages to put words on them for people to read, Mafi puts maybe one word at the very top for four or five pages for the DRAMA of it all, except unlike when we all freaked out about Stephenie Meyer doing that, here it’s Artistic.

Jokes aside, this book is the epitome of everything I hate about purple prose. As someone who violently dislikes purple prose (because usually it’s done horribly by people who want to show off how many big words they know rather than evoke any sort of emotion), I knew going in that this book wouldn’t be for me, but I wasn’t expecting this.

Metaphors are long ang confusing, the prose and the rhythm are all off, the dialogue is atrocious and cartoonish, and Juliette’s thoughts are painfully obtuse despite her supposed “deep” personality. Except sometimes her thoughts are so convoluted and specific that it clashes with how dumb she is. Sometimes she thinks of the lackadaisical ennui of the uncaring sun, sometimes she compares her boyfriend’s eyes to buckets of water. It’s a huge, disjointed mess of word vomit.

People have defended Juliette’s narration as being a result of her solitary confinement, but those people’s opinions are bad and wrong and you shouldn’t listen to them, and I will explain to you why when I discuss Juliette’s “personality” in the character section of this review.

This book’s main “thing” is Juliette crossing out words and sentences, but it’s not consistent enough to actually mean anything or tell us anything about Juliette. It also happens in dialogue, which is fucking baffling. How do characters speak the words that are crossed out? Presumably they don’t, and I’m guessing that it’s supposed to represent what Juliette thinks people want to say but don’t, but then why the fuck would you put the crossed-out shit inside the quotes with the actual dialogue? Don’t!!!! Do that!!!! You’re clearly not equipped to ignore the rules of grammar yet, Mrs Mafi! You need to level up!!!

Sometimes, things that are implied to be true are crossed out. Sometimes, it’s the propaganda that Juliette knows is untrue that’s crossed out. With both the truth and the lies, Juliette’s thoughts vs her feelings, being crossed out without any rhyme or reason, we can never be entirely certain what the fuck the strikethroughs are supposed to represent.

If, for example, only the lies were crossed out, it would imply Juliette was aware that they’re lies and isn’t afraid to confront the truth. If only the truth was crossed out, then it would mean Juliette is in denial, knowing something is wrong but believing it anyway.

Instead, the strikethrough bullshit is just … there. What it means changes from instance to instance, and because of that, it loses all the impact and significance it could’ve had and ends up meaning nothing.

In short: the writing in this book is a whole-ass mess and nothing you say will convince me otherwise.

The Characters

Juliette’s mind is perfectly fine at all times, characters even praise her for being able to withstand literal psychological torture unlike all the other female WEAKLINGS in the facility. Her obnoxious inner monologues are just there for show, because Juliette is Deep and Troubled but in a sexy, dramatic way that doesn’t actually impact her as a person or her life at all. She doesn’t suffer from any mental illness or trauma that would’ve been brought on by 260+ days of nonstop psychological torture and years of emotional abuse and neglect.

How do I know that? Because she doesn’t believe any of the bullshit she spouts. It’s made perfectly clear that Juliette only thinks in metaphors because that’s just her obnoxious “personality”. Sometimes one of the Boys says something and she claims that her knees shatter or something similar. Except she doesn’t react as if they were, as if she felt the pain. She only thinks that because … Idk. It’s deep. Shut the fuck up.

I think her narration is supposed to imply that Juliette is smart, but that’s hilariously contrasted by her constant, and I mean fucking CONSTANT thirst and attraction to both Adam and Warner, the latter being especially jarring considering how she keeps saying she despises him and is disgusted by him.

She ogles and fawns over these men even when she’s in pain or in danger, even when they’re the ones inflicting the pain or threatening her. That’s how fucking horny she is, that’s where Mafi’s priorities lie.

She undermines her own protagonist by having Juliette constantly act like a horny schoolgirl instead of the broken and tortured person she should be after what she’s been through. After years of isolation and discrimination, after 260 days of solitary confinement, this girl still acts just like any other normal horny teenager, and it’s fucking awful to read, because it invalidates everything Juliette has been through and once again puts sex appeal and men higher on the priority list over an honest and realistic portrayal of trauma and isolation.

Speaking of sex appeal …

Warner. Oh Warner. What wonderful potential was lost. I think he’s genuinely interesting, or at least had the potential to be. He’s damaged and he’s troubled and he’s complex, despite how edgy he is. He’s hands-down the most interesting character in the book, and I weep for Mafi’s inability to fucking pace herself because that’s what’s absolutely ruined him for me. Let me explain:

I’m all for redemption arcs, alright? And Warner? He’s … salvageable. With some work and some atonement, I can totally see him becoming a complex anti-hero type. He’s clearly fucked up and the things he does are damaging him.

You know where Mafi fails? You know where she fucking destroys the guy?

She’s constantly describing him as hot. When he’s acting like a terrifying and abusive shithead, Juliette can’t help but think of how the anger makes his green eyes flash. When he takes off his shirt, Juliette claims how disgusted she is by the sight, and then in the same breath describes his perfectly sculpted chest in careful detail.

We’re supposed to find Warner sexy.

We’re supposed to reluctantly be attracted to him, just like Juliette, despite that and sometimes even because he’s a dangerous and abusive jackass.

There’s even a makeout session between Juliette and Warner where she’s complaining about how grossed out she is, but the kissing is described in more sexy and hot detail than any Adam makeout, and Juliette can’t help her attraction to Warner despite her believing he’d just killed the man she loves in cold blood.

Do you undersand my problem? If Warner was just a tragic villain and Juliette pitied him and didn’t feel any, and I mean ANY attraction to the guy, I would 100% accept him later trying to change sides to atone or to make up for the things he did. Aka a proper redemption arc.

But here, he’s already written as attractive to us. He’s already sexy and desireable and alluring. The narrative paints him in a good light by undermining the terrible things he does through constant descriptions of his appearance and Juliette’s obvious lust for him.

And you can say that “Woe, Juliette can’t control her attraction!” and you would still be a dumbass, because guess who can control Juliette’s attraction? Tahereh Mafi. It was Mafi’s conscious decision to make Juliette attracted to Warner, to write him this way as a sexy but dangerous man we’re supposed to root for and want to fix.

And that’s just gross. So whatever excuse or justification or explanation Warner’s actions get in lieu of an actual redemption arc, it won’t matter to me, because it’s already been undermined by how sexy he’s supposed to be despite his damage, and the terrible things he does are only there to make him more “mysterious” and his eventual love interest status more unexpected.

Mafi isn’t interested in writing a redemption arc, she just can’t write a morally ambiguous or mysterious love interest without taking it up to eleven and have him be a fucking unhinged dictator, but it’s ok because he’s still hot enough to bang!

I love redemption arcs. I hate abusers who are painted as attractive.

Adam exists. And what a pointless existence it is! He’s very obviously a decoy love interest, too nice and too basic to be endgame, and just vague and nonthreatening enough to have a sinister plan.

See, girls? Boys who protect you and care about you are actually evil! The boys who abuse you and terrify you are the ones who truly love you!

Kenji is very clearly designed to be quirky and snarky and for the Tumblr fangirls to fawn over to the point where he sticks out like a sore thumb among the rest of the cast. I didn’t like him and found him to be pretty boring without any deviation from the snarky flirty guy archetype.

There are a bunch of other characters that are spoilers and who don’t really matter, but I will say that there is a Black man who’s described as chocolate, so there.

Um. Women? I’m pretty sure the only named women we actually get to see on the page are two identical twins who are basically one entity and they show up in like the last chapter?

Before one of you shouts OMG THERE ARE MORE WOMEN IN THE LATER BOOKS, yeah, probably, I fucking hope so, but I’m not reviewing those books yet, I’m reviewing this one, and it’s one fucking giant sausage fest of hot dudes and faceless mooks.

Dems the fax.

The “Plot”

If you go into this expecting an exploration of the importance of human touch and how the lack of it might impact a person, you’re a dumbass and so am I for making that mistake.

If you’re expecting a gloomy but action-filled dystopia based on some more district/caste/personality oppression, you’re wrong again but at least justified because that’s what this is marketed as.

The stakes and conflict are … are they? Are we sure they even exist? Jury’s still out because I have no idea what Juliette wants aside from sucking Adam’s dick (and Warner’s sometimes). I know what she doesn’t want, I think (?), but I don’t know why she doesn’t want it aside from the “uwu i’m too good and pure and love people too much even tho they’ve shown me nothing but hatred and rejection” crap.

I’m honestly having a hard time figuring out what this book even is about. Supposedly the major plot development is Juliette realizing how powerful she is and how nobody will get to use her anymore, but the first thing happens in the very last chapter out of fucking nowhere, while the last thing doesn’t even matter because up until this point, Juliette has already been spending the entire book refusing to be used in the first place.

Oh, and about the first thing again, where Juliette must realize her power? It’s supposed to be this big epic moment for her at the end of the book, but we see her use her powers to throw around threats to get what she wants several times before that, on people she barely knows. She threatens Kenji just because he makes a few inappropriate comments about her, which is fucking baffling because she refused to even try to hurt Warner even though he’s been nothing but an asshole to her up until that point.

The moment Juliette gets her hands on a gun, she’s suddenly super empowered and has no problem spitting badass one-liners, even though she was a sad woobie pacifist up until that point and who couldn’t even IMAGINE hurting anyone, not even supposed monster Warner. The whole gun thing is weird and vaguely gross tbh, because Juliette genuinely seems to enjoy the power it gives her and I’m not into that.

On a technical level, this book is mostly Juliette being pushed around by men, feeling sorry for herself and clinging to morals that only serve to show how pure and good she is despite making no sense and being odd for someone in her position to have.

There are entire chapters of repeated revelations, where Juliette is sometimes literally dragged around from scene to scene by the hand, and she realizes the same thing over and over, seemingly forgetting it at the start of the chapter just to she can learn it again by the end of it: Warner is a meanie poopy-head who’s willing to hurt, kill, and torture other people for his own gain. Every time he shows this, Juliette acts shocked all over again.

This goes on for about half the book until shit suddenly takes a turn and the book becomes yet another Underground Teenage Rebellion Fighting to Take Down the Man drama, except this time the teenagers are mutants with cool superpowers.

It’s a complete tonal shift and it’s jarring as all heck, but at least there’s no more pretense about this being a dystopia because boy oh boy is it painful to watch Mafi struggle to worldbuild even the slightest concept for this superpowered angstfest.

The Worldbuilding

Important Proper Nouns galore. The book’s website (where I got the blurb) says that this book is “fresh” and “original”.

Yeah let’s uuh … Let’s investigate that statement.

The main evil guys are called the Reestablishment. That’s two letters away from Juliette fighting the establishment.

D-do I need to say more?

I honestly don’t know if I can. It’s like Mafi just sorta took all the other YA dystopian “quirks” and threw them all in without rhyme or reason.

Climate is fucked because of Big Corporate? Yeah. All animals are dead or mutated? Yup. Art and religion is deemed bad and terrible and banned for reasons? Throw that in there too, why not? They’re destroying all languages, English included? O-ok?

We never really … dwell on any of these things or figure out why they happened or how or even where. These things are always brought up together like some sort of checklist of all the bad things that the Reestablishment has done.

And I guess for a superhero story with “pulse-pounding” romance, it doesn’t really have to be that much more complicated, and it serves its function, but on Mafi’s website there’s boasting about how it has the worldbuilding of The Hunger Games and honey, you might become a more successful circus act than a writer because the level of contortion required to shove your head that far up your ass is frankly impressive.

The Wokeness

Warner is constantly described and called “crazy” and “insane” and a “madman”, so that’s FUN. Combined with the fact that this book doesn’t seem to have any idea about what solitary does to you and effectively trivializes literal torture, this isn’t looking good, lads.

There’s also, as I mentioned, no women aside from Juliette, and everything’s always about men and how they affect her and her life and how much they matter to her.

Just. Bad. The most progressive thing about this book is the fact that a WoC wrote it, and that’s about it.

The Quotes

I’m … so sorry for this. But you have to see them.

This Kills the Lady

Raindrops are my only reminder that clouds have a heartbeat. That I have one, too.

I always wonder about raindrops.

I wonder about how they’re always falling down, tripping over their own feet, breaking their legs and forgetting their parachutes as they tumble right out of the sky toward an uncertain end. It’s like someone is emptying their pockets over the earth and doesn’t seem to care where the contents fall, doesn’t seem to care that the raindrops burst when they hit the ground, that they shatter when they fall to the floor, that people curse the days the drops dare to tap on their doors.

I am a raindrop.

My parents emptied their pockets of me and left me to evaporate on a concrete slab.

Wot?

I catch the rose petals as they fall from my cheeks, as they float around the frame of my body, as they cover me in something that feels like the absence of courage.

Huh?

He shifts and my eyes shatter into thousands of pieces that ricochet around the room, capturing a million snapshots, a million moments in time. Flickering images faded with age, frozen thoughts hovering precariously in dead space, a whirlwind of memories that slice through my soul.

Come Again?

Summer is like a slow-cooker bringing everything in the world to a boil 1 degree at a time. It promises a million happy adjectives only to pour stench and sewage into your nose for dinner.

The Sun is a Rat Bastard – Poem by Juliette

I hate the lackadaisical ennui of a sun too preoccupied with itself to notice the infinite hours we spend in its presence. The sun is an arrogant thing, always leaving the world behind when it tires of us.

Juliette Contemplates Cannibalism

He whispers, “How are you?” and I want to kiss every beautiful beat of his heart.

He’s Not Wrong, I Guess

It’s the only reason Adam is staying with me – because Warner thinks Adam is a cardboard cutout of vanilla regurgitations.

Get You A Man Who Can Fix Years of Abuse and 260 Days of Solitary!

He’s kissing away the pain, the hurt, the years of self-loathing, the insecurities, the dashed hopes for a future I always pictured as obsolete.

*Sarah J Maas voice*

Realization is a pendulum the size of the moon. It won’t stop slamming into me.

I … What?

He’s a hot bath, a short breath, 5 days of summer pressed into 5 fingers writing stories on my body.

Juliette is a Loony Tunes Character

My eyelashes trip into my eyebrows; my jaw drops into my lap.

Kenji Is the Worst

He grins and hobbles forward. “You know, you’re pretty hot for a psycho chick.”

I … What? part 2

My jaw is dangling from my shoelace.

The Conclusion

Don’t waste your time on this. Trust me. There’s so many things I’ve left out for the sake of brevity, and I still ended up with a mile-long review.

It doesn’t work as a romance, it doesn’t work as a dystopia, and it certainly doesn’t work as a superhero origin story. Mostly because it tries to be all of these things at once and ends up being an overwritten mediocre mess.

For a time I felt vaguely invested and interested in knowing what happened in the next books, but that feeling has passed now and I couldn’t give less of a shit.

I would honestly be very interested in seeing a character like Warner be written properly and watch him try to redeem himself and atone. But that train has already left the station, and Mafi was not on it.

#book review #repost #shatter me

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ghostmartyr · 7 years

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SnK 98 Thoughts

Can my post this month just have a bunch of pictures of fish flopping around on the ground? Because at this moment, that is what this chapter has spawned the greatest empathy in me for.

At least the fish get to die.

The Marley saga never dies.

It is an evil Energizer Bunny come for us all.

My ability to care about the Marley side has been dying (dead?) for a while, but I think this chapter is where I just can’t stand it anymore. I just. The last bit of my creative energy went into being envious of a dying fish. I don’t care about Marley’s continued horribleness. I don’t care about moments of levity for the young kidlets who are either going to die terrible deaths or coerce other cast members into dying terrible deaths. I do not care about Diet Reiss. The Giants aren’t in the playoffs, so I really don’t care about baseball.

Have a Zeke.

.Someone wake me from this nightmare.

Turning the volume down on my mental screams a tad... I’m still trapped in how little I care about any of this.

Large portions of it are clearly framework for things that haven’t happened yet. Staring at scaffolding that doesn’t even have the decoration of drying paint isn’t my usual definition of fun. I appreciate that the story is setting up its dominoes, and looks to be taking significant care with doing so, but--well, in lieu of repeating myself ad nauseam, yeah.

What it really comes down to, I think, is that these aren’t our protagonists. The kidlets and the Warriors are all the shining stars of the Marleyan Eldians, and Magath and Willy surely have some other grand scheme going on to propel the plot into interesting places for their country.

So what?

For ninety chapters, the story has been preoccupied with the concerns of a tiny island. Eight chapters with people who don’t consider their stories worth hearing about can’t elicit the same responses.

We get the highest concentration of levity we’ve had in ages with this chapter, and a lot of it is thanks to tiny children. They’re small and cute and innocent. The impulse to sympathize is ready and waiting, and it is very keenly exploited here. Who wouldn’t want two pages depicting how completely whipped Reiner is by a set of four children?

It’s a humanizing element, and more fun to read than much of this arc has been, but it’s difficult to feel that it has a real point.

One of the reasons previous chapters have worked, even through some pits and clumsiness, is that Reiner gets most of the attention. Reiner, happy about it or not, is a person who is familiar with both worlds of this conflict.

Paradis is not just a place with monsters to him, the way it is for Zeke. It’s the place of Reiner’s nightmares because he lived a life there, and deep down, he understands the citizens of Paradis.

His denial of that is a whole separate topic that could use a different chapter as a launchpad, but Reiner is still aware of the world in a way that the other cogs of Marley aren’t. He’s fully committed to our current perspective side, but he carries the burdens of both.

No one else has that problem. They have the age-old problem of titans in the world of humans. The kidlets are Eldians fighting for a better life for Eldians through supporting Marley. The Marleyans are trying to keep the rest of the world from eating them alive. The rest of the world is waiting to hear why they shouldn’t.

Paradis barely exists as a real place for the rest of the cast. It’s a mine. It’s there to supply people on the outside with the resources to survive.

All on its own, that’s not a bad thing to explore. The complete obliteration of any Paradis perspective is very much how the outside world functions in regard to the island. No one on any mainland cares about those people.

The audience doesn’t have that problem. Ninety chapters is a lot of history.

So that’s part of it. The other part is what I’ve been railing against nearly every month since this arc started.

Marley sucks.

The players of this arc are occupying a different story than the one we’re used to, and the fights they’re embittered in are ones that begin in such moral depravity that attempts to make their plight sympathetic fall flat. The Warriors are sympathetic because they’re being used, dragged forward by a carrot that no one seems to care about delivering. Likewise with the kidlets, since they’re too young to know anything but putting their best game face on and trying hard.

But the core of the conflict is that a bunch of jackasses can’t go a single generation without genocide, and those jackasses are not who the protagonists of this arc are preparing to go up against.

I have to compliment Isayama on how frustratingly human the night before the festival is, really. We get a more expansive look at Marley’s victims, and they have no love in their hearts for Eldians or Marley.

Willy’s okay, though.

Willy’s their buddy.

It doesn’t make any sense for people who hate Eldians and hate Marley to be okay with a man who represents both. But they are, because Willy is just one person, and he’s a person that these people have come to know. They’re familiar with him. He isn’t like those other Eldians. He isn’t like the rest of Marley. He’s a worthy human person.

No one at that party’s going to look at him and the little serving boy and think they have anything to do with each other, even though their blood has everything to do with why the little boy is going to be belittled by the people he’s bringing food to.

It’s disgusting, and it’s exactly what people do. As long as they never become the rule, there’s nothing wrong with exceptions. The idea that those exceptions mean the rules are ridiculous somehow never comes up.

As a depiction of humanity, it works pretty well, but going back to whining, it’s one more layer to how meaningless the destruction of this conflict is. This chapter’s ending tagline is, “Those who seek peace have no choice but to fight others who seek the same for themselves.”

If this statement is shooting for aphorism, no.

If it’s a commentary about Eldians fighting Eldians, yes, and the above no is why this is such a pain.

The Eldians in Marley are seeking peace from the treatment bestowed upon them by Marley. They are doing this by going after Paradis. The resulting sensible reaction to threat of genocide means that fighting happens, and that is a very sad thing.

Two sides, desperate for peace, should have the choice of not fighting. That can be very helpful for a thing like peace. But that choice has been systematically removed from one side, so. yay.

Characters with the very real and sympathetic desire for peace have all of that undermined by the active role they take in constantly keeping everything from being peaceful--in the name of peace.

What it boils down to is that the characters who have motivations that are understandable are repeatedly reaching the conclusion of genocide. You can’t sell that. Rooting for the bad guys is only fun when their selected aim is relatable.

Pulling off the perfect heist? Obviously wrong but LOOK HOW COOL

Defeating the undefeated superhero? Holy cow someone really did it.

Protecting your country? That’s normal, right?

Wanting a better world for your people? Awesome!

Genocide? ...

That is supposed to be one of the universal Not Okay things of the world. History books written by the societies who did that are very clear about it.

Even if all of the lives Marley has already cost Paradis are ignored, their mission statement when it comes to that island is that they want to steal something they have no claim to whatsoever. Solving your country’s problems by being the same entitled pricks that caused them to begin with is not a good thing.

There’s a lot of relatable material to be found in the hearts of Marleyan people. That doesn’t make their conclusions any less appalling, so all of this time devoted to this side of the conflict feels really, really pointless. Their reasons are nowhere close to excusing what they’re up to, and the story stepping into their world and listening to the side that says it totally does... The overall picture is pretty clear on condemning this tripe. These aren’t the people who are going to change the world for the better, and one thing this series consistently cares about is people trying to shoot higher. The close-ups of Marley digging a pit instead just aren’t working.

Now that I’ve said all that, the only logical conclusion is that Willy is going to announce at the festival that it is time for the world to become the bestest buddies with Paradis and not actually declare war on them or hurt them, and then they’ll be pals and prance off into the sunset with rainbows scattered like rose petals.

I’m only sort of kidding. Like I said, the story’s pretty clear on the whole that murder, oppression, and all the other things Marley picked up from their time under Eldia’s thumb are wrong. This deep into their perspective, one of the few twists remaining is doing something right, and less murder and more diplomacy might not be a bad start.

But this chapter kicks off with Reiner being ignored while he tries to help devise military strategies against Paradis, so that’s probably going to end up being too much to hope for.

I’m pretty terrible at plot speculation, which is probably another reason why this chapter finally sent me over the deep end. Magath and Tybur are clearly up to something, and I don’t care enough about either of them to be curious instead of frustrated. The basic thing was Magath needing an exterminator and an explosives expert, and Diet Reiss putting on a show, and I imagine both of those things are ominous foreshadowing of some kind and aaaaaaaaa

The one thing that I did kind of wonder about was Eren being a mouse with a baseball mitt. A few people have speculated that he’s actually in contact with Zeke, not island buddies, and if that’s the case, of course big brother is responsible for the glove, because baseball is the only way Zeke knows how to pretend he’s well-adjusted.

If it is from Zeke, then it seems likely that Eren is very much one of the mice Magath is talking about (and I’d very much like to know who the other ones are), but then that’s... its own type of weird. Presumably, Eren’s only contact with Zeke was that one awkward battlefield moment. Eren choosing to communicate with Zeke while he’s behind enemy lines just seems really, really risky, and I have no idea why he’d do that, but I also don’t know why the series would be so heavy-handed with the baseball stuff if it wasn’t meant to intensify the blood family feels in a significant fashion.

Knowing what the heck Eren is up to is probably going to help my feelings on these chapters greatly in the future.

Alas, that is not the now, and so I am left to suffer and ask myself why I ever thought writing a thing about a thing every month could end positively.

I do find it vaguely amusing that Eren’s first contact with his grandfather is encouraging him into a screaming fit. That probably just makes me a terrible person, but it feels oddly appropriate.

...Maybe Zeke left the glove for his grandad and Eren nicked it.

Wow, Eren. First stealing all of dad’s love, then stealing memories of precious moments with grandpa. This is why your found family is bonded to you through murder.

One thing in this chapter I did really like was the scene between Colt and Zeke. For Colt, watching Falco succeed is a horrible thing. He doesn’t want his little brother to end up cursed.

Galliard, watching nearby, had an older brother who thought the same thing. Marcel’s dead because of that fear.

Zeke, whose little brother is alive and who knows what else to him, understands big brother instincts and decides to go play catch with his successor (probably the closest thing to a brother he has access to at the moment).

Meanwhile Galliard sulks at the brotherly love, Pieck notices and cares, and Reiner is trying to ignore that his life is happening.

Beautiful.

Everything to do with Falco is also wonderful. He works hard, improves, thanks the person who’s helped him, and even shouts his feelings out to the girl he likes!

Unfortunately, the girl he likes is Gabi.

I really have to laugh, though:

“So you’re trying to say you’re getting in my way for my sake and claiming that you’re doing it for me??”

Yeah. That’s about what romance looks like in this series. Have fun, you two.

(The wounds Gabi leaves on Falco’s heart are the real reason he hangs out in hospitals.)

And of course, the most magnificent Falco moment comes from being so purely happy at leading Reiner down a creepy abandoned cellar to meet with an escaped hospital inmate. This kid is so jazzed over doing good deeds for Eren. He deserves a better setting. Say... a farm. On an island. With other children who have suffered the world’s cruelty. ...Would his parents have to get killed off first?

I hope his brain doesn’t break too badly when he finds out what he’s started. I also hope that one of the adults in the room asks him to leave before things get too messy. Falco’s a good kid and doesn’t deserve a quarter of the angst gathered in this dark room.

He’s smiling.

How many characters even know how to do that in this series?

Please let him die last. Or first, if that would be easier on him.

Anyway, I should probably say something about Reiner and Eren.

The only thing I can really think of is the first thing Eren says to Reiner is a reference to Reiner’s stated goal of living while they were pals, and in a similar time frame, Eren’s stated goal was eliminating every last titan.

...That’s probably reading a bit much into it.

It’s loaded enough that Eren is willing to reference Reiner’s desire to go back home. That’s the only thing that Reiner got out of that whole mission, and what he lost possibly wasn’t worth it in his mind. But of the two, he is the one who achieved what he said he set out to do, so kudos.

This really can’t end well.

I’d like it to. Eren and Reiner are both so incredibly damaged by everything they’ve done and had done to them that it would be nice if they could just agree that this is all fucked up, btw, we’re back to killing each other tomorrow, see you then, just wanted to say hi first. Or they could skip the killing each other part entirely.

I don’t know about deserving peace, but they both need it, and I think it would be nice if they could reach it somehow. Meeting underground is a good start; it means Eren isn’t looking for a brawl.

(There is no way this is a sanctioned Survey Corps assignment. Too many people would yell at him for trying to do this on his own.)

Next month, place your bets. Are we finally going back to Paradis? Will Eren and Reiner be left staring at each other for four months of infodump? Is Willy going to finally fulfill his dream of being a director? Is his play going to be any good? Will I finally stop typing the same monthly rant about Marley?

I fear the answer to that last one is no, but for the rest, oh, the possibility!

Something

might happen!

#Shingeki no Kyojin #SnK 98 #shingeki no spoilers #SnK spoilers #spoilers #tl;dr #chapter post #this is another one that I have to apologize for #my brain just gave up #I am really really sorry

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actual-corpse · 4 years

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Causing trouble and pushing the envelope is like, my whole deal... I'm a piece of shit who loves to get in people's ear and be in control... To give you an exact degree of my ways I'll share a quote, "If I can be the guy just behind the guy in charge, that suits me just fine." -Porter Gage.. and this has literally been my business model until shit went south near the end of the 2019 Fall Semester... Before Corona ruined everything for everyone and actually helped me deliver a hard blow to the assholes who did me wrong (more on this later). I’m also incredibly petty and I tend to hold grudges.

Fun story for better context:

I like accolades. I like shiny medals and rewards... And I like recognition, but I don't like being the main man in charge. Another wonderful Porter Gage quote, "Sure as hell ain't gonna be me; leading outright ain't my style, and there's already some blamin' me for supporting Colter all this time (more on the Colter bit later)." And "My talents are best put to use helping a new Overboss get all this shit under control. You get me?"...

So, I spent the 2019 Spring semester (2nd semester of freshman year) and the 2019 Fall semester (1st semester of Sophomore year) as a member of some type of student government... The university I go to doesn’t have ‘dorms’ it has “Residential Colleges” and in the Res Colleges there’s a government called the RCC and I spent those 2 semesters as Vice President... Well, I was getting my bearings and learning the ropes in spring but when Fall rolled around, I was ready to rock. See, every member of the RCC I was a part of left, except me and this other girl. The other girl was a complete pushover, so I mostly got what I wanted and I was actually the guy in charge.. I even tossed the whole RCC Constitution and rewrote it to suit my needs... Only to have it used as toilet paper (more on this later).

That didn’t last too long as I was on the campaign to finding a new President, hell, I wanted to run... But I was met with the first of many strange obstacles... This mysterious “they” that thought it would be best if I didn’t run because of some wild BS that made absolutely no sense, and I quote, “They don’t think it’d look good on us if you ran for president since you didn’t run last semester.” Wtf? Well, I didn’t run and instead, some new transfer girl came in as president... And I got my first taste of being the Porter...

People would listen to her, and she would listen to me... They didn’t want me in charge, but I still was... And I’m sure they didn’t like it, but fuck ‘em...

Well, everything went tits up for the assholes in Housing (the mysterious ‘They’ has a name and I know ‘They’ are from Housing because they thwart me at every turn) and especially for the College Head when the president resigned... She bit off more than she could chew and just couldn’t handle the stress so she moved back home to up north land... Now was my time for a hostile takeover!!! Remember when I said I rewrote the constitution to suit my needs? Well, every other RCC constitution had a clause where the VP would take over for the President until a new one was elected... Except, it didn’t happen... No, this mysterious “They” told the President to “appoint” someone... This, boiled my blood... Especially since they NEVER once told me why they were doing me dirty... Well, jokes on those assholes, I raised a fuss over this and it led them to vote... Too my my fucking older brother DIED that weekend so I obviously couldn’t show up to defend myself or get any reasoning as to WHY they were doing what they were.

Well, while I was out for the week, things went in my favor... Hilariously and very ironically, they voted that the girl appointed as Interim President should NOT be interim and that it should just instead, follow the Constitution... (It’s ironic because this girl had a chronic issue of projecting where she would discredit ANYONE looking for a higher position by saying, “It’s a very stressful job. Idk if they can handle it... Etc.” she couldn’t handle her own fucking job as RA, that’s why she quit after one semester)... ANYWAY

Well, time rolls on and I’m grooming someone for the position of president... Someone I thought I could trust... A very close friend who I thought I could “guide” from the sidelines... Well, just like Gage and Conner, shit went south and I just happen to die in the crossfire... You see, I helped this friend. I talked him up, I helped him campaign (not literally... I just helped him get his ideas off the ground like, I was behind him)... And I was ready to crown my scapegoat... Except, things didn’t go as I had planned...

No, when the next semester rolls around, I’m all geared up to lead the charge into a new presidency, I’m also spearheading a few other projects (more on this later) and so, I’m ready to be the Porter again.... Except, I’m not... See, the meeting after we vote for the new president, the college head says we need a new Secretary (the RA who quit was the previous secretary) and we needed a new VP... Except, I was the VP! No, instead this dick flop goes around the room and asks the Web Chair if she wants to keep her position (She says no and so Dick Flop hands it off to the first bitch who raises her hand) And then Dick Flop asks the Media Chair if she wants to keep her position (She says yes) and then he proceeds to act as tho I’m not even there and asks for nominations for secretary and VP!

The first RCA (Residential College Association) meeting of the new semester that we go to, the guy I made president, completely ignores the fact that at the RCA meetings, our Res College, is a team, who works together to vote on things... He acts completely alone... He ignores me, and I get pissed off... Well, come his first RCC meeting where he’s president, he completely undermines my title and job (I had been demoted and he was walking all over everybody...and I became RCA rep... I was supposed to relay the information we got at the RCA meetings to the RCC... The Dickhead president does this instead... In fact, he did everyone’s jobs) This was not okay. I tried to let him know that this was not okay and since he ignored me, I kinda threw my phone down on the table in front of him (I had to sign a sign-in sheet), picked it back up and stormed out.

Well, I wasn’t the only one who hated this guy... It seems that everyone was angry over something... See, there was another RCA rep... She didn’t get to do her job, so she got mad. The RAs and RD had a weekly meeting after RCC and since President Dick liked to suck himself and the College Head off, the RCC meetings lasted an hour. I don’t know how many people knew I was backing President Dick, but I’m sure those that did know, were a little miffed at me for backing him... My mistake... Hilariously enough, I had planned yet another hostile takeover... Covid just kind of, got in my way and forced me to change direction... Oops.

About that second project... I was in charge of a few different things... I was kind of important, for without me, the group was lacking specific information and various other things... Well, the more important project was All Campus Sing (and here I just gave away what University I go to because as far as I know, only one Uni does ACS)... Well, I was our ACS rep and I was trying to get a team together... Just, nobody was cooperating with me and so it was hard to get the word out... Well, shortly after I was abruptly kicked from my VP position, I was also kicked from my ACS rep position (However, those fucking idiots neglected to come to me and ask if there was anything they need to know... They thought that all they had to do was say they were interested and they could show up... However, they just invoked the wrath of the ONLY person that had any know-how of what they were supposed to do... So whenever I got an ACS email... I deleted it... They never got signed up... There was an actual process to getting entered into the competition... And they knew nothing about it... They didn’t even know what they were doing) If it wasn’t Covid who ruined their ACS, then it would’ve been me [thanks Covid...] In fact, because there WAS no ACS this year, they just re-streamed last year’s ACS instead... The one where I was on the winning Res College team.

Another thing I was in charge of was getting together an Academic Team.. We kind of had one, I was just the one who let people know when and where the matches where... And I was also trying to get a team together for the tournament... Except, everyone was too flaky and wouldn’t give me a straight answer... So, there was no team.... And so, on the eve of the Tournament, the College Head kept bothering me asking if I had a team and all that jive... Well, at that moment, I was sitting in a Logan’s in Paducah, KY after visiting a sex shop with some friends and my good buddy Matthew told me to just block the College Head... So I did, I blocked his number... And on the next day, Tournament Day, I slept... Then I went and hung out with some friends, one of which was showing me photos on Instagram where they had the Tournament... And every Res College was there... Except ours... And we laughed and I’m sure the College Head was mad... But I wouldn’t know, I blocked him and proceeded to avoid him like the plague... Old bastard...

To end this wild tale of heartbreak and deceit, I’d like to say this; I’m moving into a different Res College and I’m still debating on whether or not I want to take control there... I need to find a way to get back at the assholes in my old RC (Res College)... Like, most of the RAs were mean and smarted off to residents and were very disrespectful, and also the RCC that somehow became an exclusive club of ass-kissers and know-it-alls... I mean, yeah, I had my run of the place, but I can get that anywhere... It’s just my deal....

I also bend the ears of many people... In fact, I managed to pursuade a couple of my friends to move RCs with me (I only chose the one I did because I was chasing dick [shame on me I know...]... But I was gonna move regardless)... I am The Mastermind and I intend to have my run of the place in the new building.

This post was supposed to be about how I’m covertly coming out to my mom by pushing the envelope and asking her if I could get top surgery (on the basis of just not having to deal with breasts) or if I could have a Hysto (because periods amirite?) and also just how I have the awful habit of persuading people, mostly through some kind of manipulation, to do what I want....

It’s all about the Charisma, and my Charisma stat is maxed out...

Call me all the bad names you want to... Just know that I typically treat people right until they turn on me or hurt me in some way... Or, I mess with people in a harmless way and usually try to push for an outcome that helps everyone... Not just me... I use these tools for good! Not evil... Usually.... If there’s something I can gain from it, I’ll fight for it... Again, call me dirty names... I’m tired of being the nice guy doormat... This world’s made me into a selfish asshole and I’m no longer sorry...

#text post #hidden lore #no more mr nice guy #i am a bad person #i dont care #university horror stories #a tale of political intrigue

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