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#13min
oobbbear · 9 months
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I hate unwalkable cities what do you mean it takes a 3 hours walk or a one hour bus ride to this place that only requires a 15 minutes car drive
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gaysetokaibas · 7 months
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to this day i still have no idea what the FUCK that noise was
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blmpff · 6 months
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@sparklyeyedhimbo it made me think of your "bi/pan characters'' collection
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worrywart-ish · 2 years
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I'll admit I was happily surprised by the level-up in quality (love those sweet sweet blue prints visuals) but I was a bit worried about ghost files losing a bit of the goofiness bu had
Turns out that nope, still goofy as ever
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exostud · 14 days
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My new gym is so big hahaha what the fuck
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gethellbcnt · 3 months
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remembered i didn't mention this before, but : Belph's masculine voice claim is Idris Elba ; specifically, as his role as Chief Bogo from Z.ootopia !
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loving-delusions · 30 days
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watching ep2 of the digital circus. im stuck at 3:15 because bubble's "nah thanks. im trying to quit" is circulating my head and the voice sounded nice.. it's ingrained in my Head.
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icharchivist · 5 months
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i reached 1B yesterday right before i went to sleep and i kept grinding while half awake so i'm only posting it now, but, damn.
this is my first gw reaching 1B, i'm feeling lowkey insane. before that i never went past 700M.....
when fire goes brr i guess.
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ninitenebrae · 2 years
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Happy Birthday Niqesse Happy Haurchefant Day Happy Pocky Day
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I’m actively fist fighting my past self for a fun idea to see in an animatic but I have to actually animate that shit now
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loverboyos · 1 year
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argentina please pull it together!!
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spacemaverick · 1 year
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another redraw of this old oc, david! these are all four years apart: 2015, 2019, and 2023 !! :]
[id in alt]
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javic-piotr-thane · 1 year
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honestly at this point i wouldn't be surprised if things were actually being orchestrated to make Colchester show up. i don't think so. but. god.
Torchwood's really good at these torture episodes huh.
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barbiebiddie · 1 year
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fuck i cant wait for season 8 of unhhhh
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felidthing · 2 years
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there were a few times where my dad went to pay the copay for my therapy and my therapist was just like "nah you can keep it go get ice cream or something" and i just realized those were the appointments where i would explain flight rising or mcr for an hour instead of doing any therapy
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the thing about singin’ in the rain is that you could argue this or that about it (you could argue that the second half is rushed compared to the first, or that lina lamont isn’t as powerful a villain as one could put in a film like this, or that the broadway ballet is too long, etc...) -- but the thing about singin’ in the rain is that it’s not just a love letter to movies, it’s a love letter to artistry: the artistry of making a movie and the artists who make them work, so really the plot is mainly there to serve that idea, while giving us a lovely debbie reynolds in her breakout role!
which is also why all of these later nostalgia films don’t quite work, because singin’ in the rain isn’t really about the nostalgia of silent film - it pays some homage to it, but it’s excited about the future throughout
and it’s not really about hollywood, although there is by necessity a lot of hollywood in it, because so much of it is actually about art and artisans 
and it’s not really about the supremacy of film storytelling, so much as it is showcasing how fucking cool it can look and sound and be (again through the lens of some of the best artists in the business + gorgeous sets and costumes + wonderful catchy songs -- and that colour! it’s so gorgeous is the point!) by breaking it down and building it back up again (look at how this stunt is done! look at this neurotic director! look at this matte painting and fog and ladder which creates a tableaux! look at sound design and microphones and syncing! and again, colour!)
it’s a little, fun insight into how “movie magic” gets made, and in revealing these tricks it actually reveals that they still work, even though we know that set is cardboard and she’s standing on a ladder and there’s a microphone hidden somewhere
and so when you make anything about the glory days of hollywood, using artists who aren’t the best at the thing you’re ostensibly highlighting, and proclaiming the Ultimate Power Of Hollywood Film As Superior Storytelling Device in particular, and making it into this unknowable mythic force (sometimes one that’s ostensibly “lost” in modern films, sometimes brought back by the nostalgia itself) you’re doing exactly what broadway ballet is pointing out is a potential pitfall of making it big -- you’re focusing on the wrong thing to the point of selling out, because you’re really perpetuating self-aggrandizement at your own brilliance
you’re not pulling back the curtains. you’re not showing a bunch of incredibly talented, hard-working people doing what they do best. you’re not having a bit of a laugh at the seriousness at the structure of film in a way that also blows a kiss to that structure. you’re not making it about the people
but of course, really singin’ in the rain is about a polyamorous triad who stick up for one another and that’s why it works, because you want these three crazy kids to be happy and you know what? they are 
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