#4s4ki

[nayeonline]

SPACE.COWBOY (my imagined ITZY comeback)

I’ve made a couple posts about JYP’s shitty management of ITZY, so I decided to do a little thought experiment in what direction I would take ITZY’s discography and aesthetics.

I decided to give them a full album because it’s 2023 and no one should be releasing mini albums this late in their career (this goes for everyone, not just itzy). The album, which I have entitled ‘SPACE.COWBOY’, has 10 tracks, including 1 English pre-release single, 1 Korean title track, two promoted b-sides, and six more b-sides.

For the concept, I decided to draw inspiration from the aesthetics of ‘Cowboy Bebop’ which I referenced in the album name. I really wanted a space aesthetic for ITZY, but I didn’t want it to be just aespa part 2, so I decided a 90s space Faye Valentine aesthetic was the move. Also, ginger Yeji, pink hair Chaeryeong, blonde Yuna, black hair Ryujin and Lia is a must :)

Anyway, into the tracklist!!!

(1) LOG-IN [Fifty Fifty]

When I first heard this song a couple years back, I was struck by how ITZY it sounded. I love it as an album opener, and I think ITZY would body a choreography to it.

(2) YEPPI YEPPI [aespa] (TITLE TRACK)

Same goes for this song, I think it sounds SO ITZY, it’s very evocative of their Dalla Dalla - Icy era, which is exactly the sound I want to hear from them again. This song is so timeless, so fun, and such a perfect ITZY title track.

(3) 3.14159 [Lexie Liu] (English Pre-Release)

I fucking love Lexie Liu, and this song is one of my favourites from her. It’s very whimsical, very psychedelic, and very high energy, which is exactly what ITZY does best. This song has the creativity their last few singles have been lacking. I think Yuna especially would OWN this track.

(4) YALLA [WJSN] (Promoted B-Side)

WHY DID NO ONE TELL ME ABOUT THIS SONG SOONER?! I imagine Chaeryeong being the centre for this song, she has the perfect energy for it. I can definitely see this song going viral on K-Pop TikTok, I love it as a promoted B-Side.

(5) Cast Pearls Before Swine [Purple Kiss]

This is quintessential ITZY. I can see Lia performing this song so clearly, and I think it thematically references their debut self love concept just the right amount. I just really love this song ok, go stream it.

(6) MAGICIAN [Lexie Liu] (Promoted B-Side)

Can you tell I love Lexie Liu yet? This one has a chorus along similar lines to YALLA, and it's so addictive. This is another Yuna type song for me, but I also think Ryujin would be such a stand out on this. I don’t see it being in Mandarin for ITZY, but the hook is mostly onomatopoeia so I don’t think a language change would ruin it at all.

(7) The Great Mermaid [LE SSERAFIM]

I admit, I didn’t see the vision for this song when it first came out, but OH MY GOD do I get it now. I can definitely see this one for ITZY, especially that killer post chorus.

(8) YUCK [Charli XCX]

Charli XCX and ITZY are such a good mix, I couldn’t help giving them one of her most underrated pop anthems. This one has Ryujin written all over it

(9) LUCID [Rina Sawayama] (Promoted B-Side)

Did you really think I wasn’t going to include a Rina song? And this one especially is fucking amazing. Realistically I know the lyrics would be different for a K-Pop release, but just the UK dance-pop vibes alone are so fun. Somi did it with Fast-Forward, and as a Brit it's so funny to see idols release stuff that wouldn’t be out of place on the radio here. Yeji would eat this song up, but IMAGINE THE CHOREOGRAPHY.

(10) LOG-OUT [4s4ki]

Other than the obvious nice parallels with the album intro title, I think this song is such a fun album closer for ITZY. I hate that groups like ITZY consistently release ballads as their album closer, like they have no business singing in a bpm that slow. Obviously I don’t think they would sing in Japanese, but the pure chaos of this track would be such a fun experiment for them. (This one was for u @shyreol)

@a-moth-to-the-light im so interested to see ur thoughts on my made up album, and for ur one if u end up doing it :)

#had so much fun doing this #all my faves #itzy #itzy comeback #cowboy bebop #faye valentine #lia #ryujin #yuna #chaeryeong #yeji #kpop #lexie liu #fifty fifty #aespa #wjsn #purple kiss #le sserafim #charli xcx #rina sawayama #4s4ki #album imagine #kpop fan album #kpop rants #kpop gg #kpop girls

[thewild--flower]

#!!!! #omg admittedly i dont really keep up with jpop as much as i used to but #4s4ki did a whole code geass concept album with two tracks for euphie and a shirley song??? #and theres even a fumiko orikasa ver of the shirley track?? #might need to dust off my old jpop lyric blog and do a few of the tracks #code geass #shirley fenette #euphemia li britannia #4s4ki

[jpopstreaming]

🆕🎶 「 Magic sword 」 new single by 4s4ki is now available worldwide! 🌐 Listen now on our weekly updated playlist and discover new sounds from Japan 🎧 https://spoti.fi/42HdAgd

#4s4ki #Japanese music #Jmusic #Jpop

[timetravellingkitty]

happy birthday mother

#4s4ki #🎧 #Spotify

[2hot2di3]

#me #my music #music i like #ring ring you kill me #4s4ki #Spotify

[jmp3]

#4s4ki #code ge4ss #2023

[sklira]

Cyberspace | 4s4ki

#4s4ki #cyberspace #killer in neverland #my post #musik #Bandcamp

[sneek-m]

“Freedom Kingdom” by 4s4ki ft. Swervy [Killer in Wonderland, 2022]

#4s4ki #Swervy #Song of the day

[groovesnjams]

gRººv333S,,,n,,,J▲M§ ▬|s|!|O|!| ❤︎|!|t|!|y|▬{{mmxxii}}  

..................number20 ....................of50

“LOG OUT” by 4s4ki

DV:

With the so-called metaverse falling like a rain of dead fish, and Twitter gradually imploding as its worst elements are amplified and encouraged, I initially took “LOG OUT” to be a manifesto about abandoning technology - “touch grass” as a hyperpop anthem. And it’s true that the Luddite revolution needs one of those, but it’s gonna have to wait a little longer. “LOG OUT” is actually an example of the conflict I feel as - in the case of Twitter - a place where I’ve learned so much and made so many friends becomes increasingly hostile to my mental health and existence. 4s4ki bellows at us - at herself - to log out, then immediately proclaims that she only wants to be in the virtual world. There’s no easy escape for any of us, even if we wanted it. And for some of us it’s hard to know if we should log off: the connections and information that even these deeply compromised platforms enable may simply not exist anywhere else. The world - and our heads - were quieter twenty years ago. But could anyone argue that they were actually better? 4s4ki wants to throw away hard lives, throw away the world. The question is, what comes next?

MG:

It’s not quite as straightforward as on vs. offline, talking with Pitchfork, 4s4ki says, “Honestly, I’m still not sure which is exactly my ‘reality,’” and I think “reality” is a subtle but meaningful distinction here. Theoretically, your reality should encompass your lived experience, whether that lived experience is as a Neuromancer-style brain in a jar, jacked into the ethernet, or that lived experience is as Unabomber-style analog purist, unplugged and re-wilded, or, as is the case for the vast majority of us, some mix of the two. We do not switch reality off when we tap our phones on, reality is a state of healthy consciousness. However, “LOG OUT” and its central conflict of needing to disconnect but feeling unwilling to -- that’s not reality, that’s not a state of healthy consciousness. “LOG OUT” is a brutal blast of music and I feel like we get a good sense of 4s4ki’s tortured ambivalence. When reality becomes deeply fractured, openly hostile, and swarming with microplastics -- who wouldn’t want to log out? But I don’t think 4s4ki wants to throw away the hard world, I don’t think any of us do. The choice isn’t between going back in time or jacking in, we have better options, better ways of caring for ourselves. Let “LOG OUT” be an example of how dire it felt, but don’t let panic harden your veins. 

#gnjsoty2k22 #log out #4s4ki #music

[a-matsumae]

4s4ki, Hanagata, RhymeTube & OHTORA『Don't Look Back』//SASAKRECT（Official...

#4s4ki #Hanagata #RhymeTube #OHTORA #Don't Look Back #Music

[pocima]

My seasonal music highlights: winter 2024 🧣

Welcome to a new series of my silly music-blogging. Starting it because I want to regularly properly write about and describe the songs I enjoy, and to present my own candidates for the unofficial “song of the season” awards. I already started an annual fav list for albums/EPs and wanted something less major and more presentable as a little playlist, not really in particular order. Enjoy! Note that I kept the list one song per artist, most have incredible new releases outside of the ones focused on, these are just my picks for the season or my most played. And let me tell you, countless artists are dropping new music and projects left and right and I’m getting FED. This list alone is extremely abundant and we’re barely 2 full months into the year. The competition for this year’s personal favorite album spots and the highlights for the next seasons is about to be real tough. Can’t wait. (GIF source: MV for Cyberia by Meth Math.)

❅ winter again - 4s4ki

What better way to start a songs of the winter list than with THE anthem of this winter season? With her ability to not only pull off but absolutely excel at the different genres she incorporates into her music, 4s4ki simply never disappoints. She went into the studio with a mission to give the famous Last Christmas by Wham! a true successor and the mission was wonderfully accomplished. In this mellow 80s pop influenced track, she channels her inner Cocteau Twins (word to that one YouTube comment in the lyric video) while longing for a loved one that didn’t seem to stay by her side not even to have some canned coffee and bento this holiday season. Now I’m gonna channel my inner platonic delulu and say that it was released just on time, when I was discovering and especially feeling Boy Harsher’s alternative 80s inspired music (collab when?). Ironic how a self-described reverse Christmas song ended up doubling my winter spirits. She never fails to give me exactly what I need. I love this woman. (Big ups to Magic sword but as I mentioned I’m keeping the list one song per artist.)

❅ 4eva - Shygirl feat. Empress Of

You know from my username that I’ve been loving what Shygirl has had to offer for quite a while now, and 4eva was my personal post-Nymph jam ever since I heard a snippet of it back in last September and neither the full studio version nor my intuition let me down. Shygirl’s rapping and Empress Of’s verse over the Kingdom-produced delicious wobbly synths indeed stay playing on my mind. Empress Of’s feature came as a tracklist surprise and I’m more grateful for it than I had expected. The jungle drums in the chorus, and honestly the structure of the song in general were unexpected to me as well, but nevertheless they took part in forming possibly my favorite dance track of 2024. Both the Club Shy EP and 4eva have secured firm spots in my favorites of the year.

❅ Deer Teeth - Sega Bodega

Father of music, first ever man in the music industry, smash hit sorcerer, my favorite producer of all time… However you may refer to Sega Bodega, you can always rely on him to create an entire universe in one record and take you there and back. With Deer Teeth, he tells a story of a sighting of a late mother laid to rest with her child in a swan’s wings along with 200 deer teeth (hence the song title), which brings with itself a tale of hope, sacrifice and eternity. With reversed and distorted vocals, the addition of Mayah Alkhateri’s siren-like voice and obviously Sega’s otherworldly production style, the tale transforms into a cinematic masterpiece in sound form. Extra note: perfect to fall asleep to in a road trip, tried and tested. Both Deer Teeth and his newer single Set Me Free, I’m an Animal are stunning masterpieces, and I know this will make my year-end album list real predictable but SB3 is the most solid candidate for the top spot as of right now. Save me Sega Bodega, save me…

❅ Ex-Girlfriend - Erika de Casier feat. Shygirl

New slow R&B earworms drawing on different nostalgic genres couldn’t be more perfect for the chilly season, especially when they’re delivered by the one and only Erika de Casier. She has this ability to mix the best musical aspects of the near past (namely the 90s/00s) with her very own sensuality, freshness and uniqueness. Her soft vocals over a down-tempo R&B beat to match come after an orchestral, arguably dramatic intro and the melancholic, yearning yet cocky-ish tone is set. Shygirl’s deep, almost raspy voice always shines with slow, gloomy instrumentals (also seen in Lapdance from Asia by Cosha) and this track was no exception, matter of fact it’s now certainly one of my favorite features of hers. I will be returning to this song not only on the colder days of March, but the whole year, or rather until it’s wiped off existence completely.

❅ Cyberia - Meth Math

Before the quirky experimental trio’s slightly overdue, highly anticipated debut album Chupetones (go give the best b-side Pócima a listen too), they released 4 singles and I was not at all aware beforehand of the release of the third one. Pressed play, was impressed, pressed the loop button and the rest (at least 80 plays within the first week) was history. The intro immediately catches your attention, and the descriptions of a sad-looking happily-dancing angel over toot sounds, ripping synths and bonking bass transition into happy hardcore perfection. The 3-second bit before the second chorus gets me the most, it’s like a minuscule break to slow down and reflect on the all the absurdity before resuming the alien dancefloor madness. This banger completes my Meth Math song holy trinity, which is now Tambaleo-Fantasía Final-Cyberia. Add Pócima into the mix if you wanna form the four horsemen. Whatever your personal favorite may be, we can all agree that Meth Math always come at us with excellence.

❅ dOpamine - OnlyOneOf

Hallelujah. We have finally reached an era where all lyOns can live in harmony and sleep in peace instead of fighting over title tracks and new lows for the group’s flaming hot garbage record label. Even their biggest haters (so-called “fans” with a strange superiority complex) were finally praising an OnlyOneOf title track, and with how good it really is I’d be admiring their dedication to hating their own faves if they didn’t. Anyway, dOpamine is one of their best, it really is. I’ve been hoping for them to get on the drum & bass train for quite a while now, and they did it with a bright, twinkling, breakbeat-incorporating twist. They don’t lazily dip their toes into dnb and breakcore and leave it at that though, the buildups and structure of the track stay fascinating and the bridge drifts (should I intend the pun?) into their gritty industrial side before the outro closing out the song on a vocally strong, passionate but never over-the-top note. While the whole mini is exquisite, the lead single ended up being my favorite. Simply put, OnlyOneOf never fail to deliver quality K-pop against all odds.

❅ Sorbet - Kelela (LSDXOXO Remix)

The pre-release singles off of the RAVE:N remix album were all incredible just like its album tracks, however this gem is particularly lingering on me and my February mood. This spin on Sorbet encapsulates the AM club aspect of the project in one re-envisioned tune. Kelela and LSDXOXO, who produced and remixed numerous of her songs, reunite as a power duo to turn the dulcet, sedate Sorbet into a Eurodance-coded amped-up slapper that will get anyone moving. You can tell the song is DJ set opener material from when the first beat kick. The chorus melody sticks to your mind and the late night-like sonic experience becomes unforgettable. The special encounter requiring dim lighting is now set in a flashy rave scene. Completely flipped scenario yet everything makes perfect sense. All in all, Kelela’s vision for her dance records is 20/20 and LSDXOXO’s execution never leaves you hanging either.

❅ Fuetazo - Isabella Lovestory feat. Villano Antillano

Born to embody camp, forced… no, also born to be a hit maker. Isabella is undebatably one of the freshest, most outstanding figures of neoperreo and neoreggaeton, and her eccentric flare still comes through in a single as a (hopefully) pre-album snack. Fuetazo was released early into the season and closed out Isabella’s activities for the year. While the playful chorus introduces a whip that comes and goes, Villano Antillano mentions vacations and 42-inch weaves with her tone that meshes with the cheekiness of the track, and their chopped up vocal bits go back-and-forth in the outro. With the Chicken, Kamixlo and Dinamarca producer trio, the instrumentals can’t go wrong. The hard-hitting dembow drums and the lighter synths and other aspects of the song create a contrast that feels like a breeze, maybe more of a summer one even but a confidence booster gots to stay on rotation regardless of weather or temperature.

❅ Messy Room - The Deep (+ mini EP review)

Had I postponed the release of my 2023 fave project list just a little, the Messy Room EP would have at least scored an honorable mention. For those who need a quick debrief: The Deep is an independent K-alternative artist whose discography radiates coziness and sweetness. Mayhaps I should say sugar, spice and everything nice. Taking part in the production of her music, creative direction and visual curation, she ticks all the boxes for the bedroom pop star that should’ve reached her target audience ages ago. While she’s taken inspiration from R&B and indie and still does, “resurfaced” genres such as UK garage, dnb and Jersey club are fairly newer additions to her range. I love all of these genres as you could tell and I adore the songs in which she uses them (got into her through the UKG bop Muah!), but surprisingly the track that glanced at her “roots” hooked me in the most. Maybe it’s because it contains the core “messy room” atmosphere of the EP, maybe it’s her soft vocals shining brightly, maybe it’s because she has the recipe to making a tune to unwind to. I hope this praise doesn’t sound like a jab at the rest of the EP because not a single skip is detected over there. In Brand New House and BAPPI, The Deep talks about deserving the luxuries and getting to the bag over garage and house beats. bow wow is about confidence despite troubles and annoyances, while 20’s is a self-reflection on the constant search for perfection and attempts to heal. The project is most definitely worth checking out if you want a bit of calm, refreshing new music, or if you’re looking for a multi-skilled artist to support.

One line section (music I loved but honestly don’t have as much to say about, so I fit my thoughts into one line/sentence)

❆ Gold On Me: Mother ABRA is back and I’m definitely checking out Groupthink after this, now it’s time for the album innit 🍽️ (should’ve definitely written about this in more detail but maybe another time soz)

❆ 4 noviosS: While everyone came to Club Shy to play, she entered with pen and paper and a goal.

❆ Perdió Este Culo: I have to give flowers where they’re due, I wish the La Joia album had more quality of this level though. (However shoutout to Sexy, La Que No Se Mueva and Sin Carné.)

❆ TYOSTAR: Can’t tell if their music is aimed at dudebros (disgustingly irritating audience) or hyperpop girlies (slightly less irritating audience) but they scored a night ride hit either way, definitely one of Starkids’ finest to date.

Thankies for getting here, and shoutout to @chuuuvi for pretty much directly fueling my writing process and inspo and @a-moth-to-the-light for inspo as well 😁

#keyboard.com #finally writing again yippee #bro spring’s highlight list already has 3 definite entries. it’s the first day of March. the food is too good #4s4ki #shygirl #empress of #sega bodega #erika de casier #meth math #onlyoneof #kelela #lsdxoxo #isabella lovestory #villano antillano #the deep #me when 2024

[nayeonline]

@shyreol today i told some guy in my physics class to go listen to 4s4ki after he said he liked electronic music

are you proud of me lol

#dont ask why i wasnt doing my work #4s4ki #not kpop #jpop

[onryou-onryou]

4s4ki – Magic sword (Official Music Video)

#アサキ #asaki #4s4ki #desktop music #j-pop #new music #handclap #Youtube

[jpopstreaming]

🆕🎶 「 Shirley (Shirley Fenette ver.) 」 new single by 4s4ki, シャーリー(CV.折笠富美子) is now available worldwide! 🌐 Listen now and discover new sounds from Japan on our weekly updated playlist 🎧 https://spoti.fi/3lgjH73

#4s4ki #シャーリー(CV.折笠富美子) #Japanese music #Jmusic #Jpop

[ferios-favorite-styles]

Magic sword / 4s4ki

#spotify #pops #music #nowplaying #newreleases #newsong #newmusic #jpop #jmusic #音楽 #音楽好き #新譜 #音楽好きな人と繋がりたい #おすすめの音楽 #音楽のある生活 #プレイリスト #FeriosList179 #4s4ki

[jinsei-pika-pika]

#4s4ki #Music #Style #Photography #Tattoo