“What makes their collaboration so interesting is how Colleen does so many different things depending on the tone and direction of the story,” said curator Kim Munson. “There are so many visual references and touchpoints, and so much range to her style.”
New retrospective of @colleendoran’s work with @neil-gaiman appears in Forbes (!) in time for the opening of the Colleen Doran Illustrates Neil Gaiman exhibition at NYC’s Society of Illustrators.
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Staff Pick of the Week
Collen Doran’s A Distant Soil [ADS] was groundbreaking for being among the first comics to feature openly gay characters and gay romantic leads and explore questions of gender identity. It is also an important early example of a creator-owned comic. Doran is a foremost figure in comics self-publishing, known for her advocacy for creator rights in addition to her award-winning career as an comic artist.
Based on characters Doran started drawing at the age of twelve and developed in fanzines throughout her teens, A Distant Soil’s first official appearance was in Elfquest #16 (WaRP Graphics, 1983), followed by a nine-issue run for WaRP (1984-1986). The first 5 were published as magazine-sized comics, with the remaining in standard comic format. A tenth issue was completed, but an acrimonious split with WaRP halted it’s publication. According to Doran, WaRP not only attempted to claim ownership of the series, but claimed to have created it as well. The issue was settled out of court, and Doran maintained control of ADS.
Doran was then approached by the Donning Company to relaunch the title as a full color graphic novel on their imprint, Starblaze Graphics, turning down offers from Marvel and Dark Horse. Doran made a fresh start, rewriting and redrawing the comic from scratch, abandoning the pencil-only textures of the original run. In the afterward to the first of those graphic novels, Immigrant Song (1989), Doran acknowledged that fans “enjoyed the textured look of that, but after a few too many nights of a cramped hand soaked in epsom salts, I had to beg off that technique.” Unfortunately, the Donning Company folded and only two ADS books were published.
Doran decided to take a leap and self-publish ADS as Aria Press. A new series was initiated, launching in 1991, drawing on art and story lines from the Starblaze graphic novels (note images 7 & 8, from the Starblaze and Aria Press runs). After fourteen self-published issues, the title was picked up by Image Comics in 1996. The latest installation (#42) came out in 2013.
The images shown here are from our Comic Book Collection, as follows:
The first image is from Elfquest #16 (WaRP Graphics)
Images 2-4 are from the WaRP Graphics run.
Images 5-7 are from the Starblaze Graphics/Donning Company run.
Images 8 & 9 are from the self-published Aria Press run.
Image 10 is the cover from the first Image Comics publication (a continuation of the Aria series)
View other posts from our Comic Book Collection.
View our other Staff Picks.
-Olivia, Special Collections Graduate Intern
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GOOD GOLLy I NEVER SAID ANYTHING
busy rn so now art but
HAPPY LATE CCCC DAY !!!!!!
on may 2nd the Chonny’s Charming Chaos Compendium album came out!!! happy birthday heart mind and soil we love u sm 💜💙❤️‼️‼️‼️
for context (finally), chonny covered 47 tally hall-related songs and made a narrative out of them featuring the personified concepts of the Heart, Mind, and Soul! Whole (chonny, the guy himself…ish??) was dumped by a girl then split into three (literally, metaphorically, smthn else?? maybe the hms are physical, maybe hes in a coma and fighting with himself, maybe it’s just inner demon stuff as he writes songs. prolly the last one). then they fight and heart shoots mind then soul blinds heart bc theyre supposed to stick together and then they do other stuff and make up and get mad—thing stuff!! angst and goober potential!! SO. MUCH. ANGST. GIVE THE MEN SOME ROOM TO B r e a T H e gosh dangit. they do have literal designs bc chonny cosplays in the music videos, but lots of people make their own designs. heart has wings oftentimes, mind is a partial robot, and soul has a trident + sometimes half-n-half stuff. but stuff can switch up!! me and a friend rainworld-ified the four 👀✨. CCCC is such a wild ride pls listen to it if you’re interested. it’s kinda aggressive so i can understand if some peeps don’t like it, but i’ve been consumed by the narrative and stuff. its very full and often loud but that’s expressive music babeeyy. an album of song covers but its basically a remix!!!! yum🍜
this album changed my life for the better. thank you mr jash we love u sm <333 hopefully ur having a good time and taking a good break after the power hours. wooooooooooooooooooooooooooooooooooo forever!! /ref
let’s hear it for the evil fabloo album everyone🎉🎉🥳🙏✨✨ happy birday cccc!
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I am incredibly privileged to do what I do for a living.
Please buy my books so I can keep doing it.
I realize there are more important things in the world...but I really do think you will enjoy these books by me and the wonderful writers for whom I make the pictures.
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How people in the USA loved nature and knew the ways of the plants in the past vs. nowadays
I have been in the stacks at the library, reading a lot of magazine and journal articles, selecting those that are from over fifty years ago.
I do this because I want to see how people thought and the tools they had to come up with their ideas, and see if I can get perspective on the thoughts and ideas of nowadays
I've been looking at the journals and magazines about nature, gardening, plants, and wildlife, focusing on those from 1950-1970 or thereabouts. These are some unstructured observations.
The discourse about spraying poisons on everything in your garden/lawn has been virtually unchanged for the past 70 years; the main thing that's changed is the specific chemicals used, which in the past were chemicals now known to be horribly dangerous and toxic. In many cases, just as today, the people who opposed the poisons were considered as whackos overreacting to something mostly safe with a few risks that could be easily minimized. In short, history is not on the pesticides' side.
Compared with 50-70 years ago, today the "wilderness" areas of the USA are doing much better nowadays, but it actually appears that the areas with lots of human habitation are doing much worse nowadays.
I am especially stricken by references to wildflowers. There has definitely been a MASSIVE disappearance of flowers in the Eastern United States. I can tell this because of what flowers the old magazines reference as common or familiar wildflowers. Many of them are flowers that seem rare to me, which I have only seen in designated preserves.
There are a lot more lepidopterans (butterflies and moths) presumed to be familiar to the reader. And birds.
Yes, land ownership in the USA originated with colonization, but it appears that the preoccupation with who owns every little piece of land on a very nitpicking level has emerged more recently? In the magazines there is a sense of natural places as an unacknowledged commons. It is assumed that a person has access to "The creek," "The woods," "The field," "The pond" for simple rambling or enjoyment without personally owning property or directly asking permission to go onto another person's property.
There is very little talk of hiking and backpacking. I don't think I saw anything in the magazines about hiking or going on hikes, which is strange because nowadays hiking is the main outdoor activity people think of. Nature lovers 50-70 years ago described many more activities that were not very physically active, simply watching the birds or tending to one's garden or going on a nice walk. I feel this HAS to do with the immediately above point.
Gardening seems like it was more common, like in general. The discussion is about gardening without poisons or unsustainable practices, instead of trying to convince people to garden at all.
Overall, the range of animals and plants culturally considered to be common or familiar "backyard" creatures has narrowed significantly, even as the overall conservation status of animals and plants has improved.
This, to me, suggests two things that each may be possible: first, that the soils and environments of our suburbs and houses have sustained such a high level of cumulative damage that the life forms they once supported are no longer able to live, or second, that our way of managing our yards and inhabited areas has become steadily more destructive. Perhaps it may be the case that the minimum "acceptable" standard of lawn management has become more fastidious.
In conclusion, I feel that our relationship with nature has become more distant, even as the number of people who abstractly support the preservation of "wilderness" has increased. In the past, these wilderness preservation initiatives were a harder sell, but somehow, more people were in more direct contact with the more mundane parts of nature like flowers and birds, and had a personal relationship with those things.
And somehow, even with all the DDT and arsenic, the everyday outdoor spaces surrounding people's homes were not as broadly hostile to life even though the people might have FELT more hostile towards life. In 1960, a person hates woodpeckers, snakes and moths and his yard is constantly plagued by them: in 2024, a person enjoys the concept of woodpeckers, snakes and moths but rarely sees them, and is more likely to think of parks and preserves as the place they live and need to be protected. Large animals are mostly doing better in 2024, but the littlest ones, the wildflowers and bugs and birds, have declined steeply. It's not because "wilderness" is less; it seems more because non-wilderness has declined in quality.
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Centaur Aliens
Lifespan: 80 years
Adult weight: 500-1000 kg
Adult height: 2.5-4 meters
Visual range: near infrared to blue
Diet: Obligate hypercarnivores
Centaurs' evolutionary ancestors were savanna pack predators who used ambush to hunt prey, nomadically following prey animal herds as they traveled round the global continent every year. Modern centaurs emerged when they started to use tools to help with hunting and land management, eventually resulting in some groups settling down and becoming reliant on fishing, animal agriculture, and food preservation to survive. Centaurs remain obligate hypercarnivores, meaning approximately 70% of a healthy diet is meat and animal products, but they opportunistically supplement their diet with grain, starchy tubers, and small amounts of roughage and vegetation.
Similar to humans, centaurs have a bisex reproductive system with an inseminator sex and gestator sex who gave birth to live young, but functionally are more akin to Earth's marsupials. Centaur’s distant ancestors had larvae that lived in the soil like grubs before pupating into adults, and their viviparous silk eating clade first emerged after parental care of the larval stage evolved. While other members of their clade have development and pupation both happen in-utero, centaur litters leave the womb early and feed on their parent’s nutritive silk until they are large enough to pupate, spinning a cocoon on their parent’s back. They emerge as an imago, resembling a miniature adult with the physical capacity of an six-week old kitten.
Centaurs are pseudo-eusocial, with a social structure hierarchy somewhat similar to meerkats. At its most basic level a clan consists of one matriarch, a female who is responsible for bearing the clan's young; the entourage, who are the matriarch's partners and usually mostly male; and the clan's "workers," who are not involved in reproduction. These non-reproductive clan members are generally either the matriarch's children, childless relatives, or individuals married in for their skills or political purposes.
Read more about centaur biology on my janky eternally work-in-progress website here, or look at the old centaur reference post here.
PATREON | STORE | Runaway to the Stars
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