#Chronotopia

[traumendesmadchen]

That’s it. After so many years, our fairytale inspired visual novel Chronotopia: Second Skin is now officially released on Steam and itchio!

💜Grab it now on your favourite platform with a 20% off launch discount for the 1st week!💜

I really hope you will enjoy Chronotopia’s story. If so, be sure to leave a review or a comment to share your thoughts about the game. It will help us a lot as we’re a small team and visibility is everything these days.

✨You can also find the full credits on itchio to see who participated in the project in great details✨

#visual novel #traumendes madchen #chronotopia #english visual novel #yuri #otome game #otome #fairytale #donkeyskin #indie game #amare game #release #Youtube

[animefeminist]

#links #transgender #kunihiko ikuhara #chronotopia

[thepolishlynx]

Chronotopia: Second Skin - Lord's Day [Part 10]

#youtube #Chronotopia #Chronotopia: Second Skin #Traumendes Madchen #Visual Novel #Anime #Indie #Indie game #Indie dev #Indie developer #.Indie Visual Novel

[notttt-che]

I am posting them here too. I was commissioned to do summer themed illust for Chronotopia! Be sure to check this project out!

Nahima-Day

Aalis-Sunset

Médeia -Night

#chronotopia #english visual novel #please check it out #!!!

[blerdyotome]

Chronotopia: Second Skin is a fresh take on a little known dark fairytale

At long last, Brittany based indie studio, Träumendes Mädchen released their fairytale inspired visual novel, Chronotopia: Second Skin. The project was crowdfunded on Kickstarter in 2016, but due to various circumstances spent years in development limbo. But, the developer has been working on the game and now it is finally available to play. Chronotopia: Second Skin is a unique rewriting of the Donkeyskin fairytale, a darker variation of Cinderella. Follow Kionna into a painful but ultimately rewarding search for her true self.

View On WordPress

#Amare #Chronotopia Second Skin #Game Reviews #Games #Indie Game #Träumendes Mädchen #Visual Novel

[ackee]

omg a visual novel i always wanted to play just released.. gonna dl the demo tmr maybe..

Chronotopia: Second Skin is a unique rewriting of the Donkeyskin fairytale, a darker variation of Cinderella. Follow Kionna into a painful but ultimately rewarding search for her true self.

#txt #ackee plays vns #idr my tag. adhd happened

[hyperannotation]

"Chronotopias Unleashed: The Horrors Within"

In the dimly lit corridors of secrecy, a chilling tale emerges, intertwining the realms of forbidden knowledge and the macabre. Set within the eerie landscape of the "OFFICIAL REPORT ON THE INTRANSITIONALIST CHRONOTOPOLOGIES OF KENJI SIRATORI: APPENDIX 8.2.3," a collective work crafted by the enigmatic members of The Ministry of Transrational Research into Anastrophic Manifolds, this horror fiction delves into the horrors unleashed by their unrelenting pursuit of transrational truths.

Chapter 1: The Forbidden Archives Deep within the labyrinthine catacombs of The Ministry, a young researcher stumbles upon the clandestine "OFFICIAL REPORT." Unbeknownst to them, the pages hold secrets too dreadful to fathom. As they delve into the cryptic texts, an ominous presence begins to loom, tainting their every thought and dream.

Chapter 2: An Unearthly Influence The dark forces inherent within the report start to seep into the researcher's mind, distorting their perception of reality. Strange occurrences become commonplace, with whispers echoing through empty hallways and sinister apparitions haunting their every step. The researcher becomes entangled in a web of fear, unable to escape the clutches of the malevolent influence.

Chapter 3: Reality Unraveled As the researcher's grasp on reality slips further, the boundaries between dimensions blur. The Ministry's experimentations with chronotopologies unleash unspeakable horrors upon the world. Time becomes malleable, warping and distorting the fabric of existence. Entities from other realms claw their way into our reality, wreaking havoc and sowing chaos.

Chapter 4: Descent into Madness The researcher's sanity teeters on the edge as they bear witness to the abominations birthed by the Ministry's transrational research. Haunted by nightmarish visions and pursued by eldritch abominations, they find themselves trapped in a desperate struggle for survival. Each encounter with the otherworldly brings them closer to the brink of madness.

Chapter 5: The Final Revelation In a climactic confrontation, the researcher uncovers the horrifying truth behind the Ministry's experiments. The ancient secrets of the transrational research into anastrophic manifolds lay bare before them. In a desperate bid to restore order and protect humanity, they must confront the very essence of the horrors that have been unleashed.

"Chronotopias Unleashed: The Horrors Within" delves into the nightmarish consequences of tampering with the unknown. As the reader journeys alongside the researcher through a twisted realm of eldritch terrors, they witness the catastrophic aftermath of the Ministry's transgressions. This horror fiction serves as a cautionary tale, reminding us of the dangers that lie in the pursuit of forbidden knowledge and the price one may pay when meddling with the forces beyond our comprehension.

[ilikemytittieswithmilk]

**Void-016 - The Ephemeral Chronotopia (Dangerous)**

Embark on a perilous odyssey through the cosmic anomalies of Weirdcore Ville with Void-016, a realm shrouded in danger and temporal enigma. Classified as "Dangerous" in the cosmic hierarchy, the Ephemeral Chronotopia challenges those who dare to navigate its ever-shifting dimensions.

Void-016 is a chaotic tapestry where time warps and folds upon itself. The landscape is a kaleidoscope of ephemeral structures, each mirage a glimpse into different temporal epochs. From ancient civilizations to distant futures, the Chronotopia weaves a cosmic dance where the past, present, and future coalesce in a disorienting spectacle.

Navigating this perilous realm demands not only physical resilience but a mental fortitude to withstand the temporal distortions that assail wanderers. The tear list designates Void-016 as "Dangerous," marking it as a cosmic tapestry where the very fabric of time poses a constant threat, challenging those who traverse its ever-changing landscapes.

SORRY I FELL ASLEEP

#weirdcoreville #dailypost #void-016

[yuuseiphoto]

Week 7

Our team divide roles of each part. As a result, composition analysis and information analysis have become separated. And I couldn't comprehensively analyze a single photo. Therefore, I realized that by analyzing each image one by one and finally discussing the results of each analysis, I was able to capture the series well. Also, since my analysis of composition using photographic terminology was insufficient, I felt it was necessary to not only read the intention from the information, but also to review composition.

[kotlerjacob]

Week 7 Blog

Looking back on last weeks presentation of Simon Norfolk’s exhibition titled “Afghanistan: Chronotopia,” I found it necessary to revisit some key elements (aside from what we covered in our presentation) of which made this series really come to life and have a lasting effect on the viewer. After digesting the feedback and considering other aspects of the pieces that we over-looked, I have developed my own interpretation of Norfolk’s work that has greatly furthered my understanding of the series as a whole. 

The title alone has much to offer in the way of guidance, hinting to the viewer what the aims/goals are for the exhibition. It is important to understand the meaning of “chronotopia” in the context of this work, as it alludes to the themes that are conveyed throughout the images. By defintion, the term “chronotopia” is most commonly used in literary theory to describe how time and place are linked in a story. When researching this term further, I found that the word can be broken down into two roots “chronos” meaning time and “topos” meaning place. In the context of Norfolk’s exhibition, “chronotopia” refers to a place where the temporary and spatial dimensions intersecct in such a way that provides a narrative about the transformation of Afghanistan througout history. 

In terms of his photographic approach/style in this series, Norfolk’s use of film in large format cameras is very effective in capturing the texture and depth of landscapes and architectural subjects, illustrating his sensitivity to light and form. Upon revisiting the series with a new perspective, I noticed that each image is much more connected than I had previously thought. He has managed to depict layers of historical time that coexist in present day Afghanistan, creating a narrative that allows the viewer to really feel how complex a relationship the country’s past and present share, especially considering its years of constant conflict.

[traumendesmadchen]

After many years of troubled development, health issues and general bad luck, we are happy to announce that 

✨ Chronotopia: Second Skin will be released on October 13th. Friday the 13th. ✨

Isn’t it fitting for a cursed game to be released on an unlucky day? We thought it would be a good way to close this chapter of our misfortunes. An updated demo will also be made available a few days prior so you can refresh your memory!

Excited to finally be able to read the full story? Please consider sharing the announcement around you~

💜 Wishlist us on Steam 💜

Chronotopia: Second Skin is a unique rewriting of the Donkeyskin fairytale, a darker variation of Cinderella. Follow Kionna into a painful but ultimately rewarding search for her true self.

The plan was supposed to be simple, almost ridiculously so. When her father, driven mad by years of grief, suddenly decided to force her into marrying him, Princess Kionna enlisted the help of her childhood friend. Together, they managed to contact her long-lost fairy godmother. Surely, her powers would save her from this hellish fate. Kionna would be able to escape the castle, a prince charming would find her, and they would live happily ever after. Alas, magic can only do so much. Things keep spinning out of control. Trapped in an endless nightmare, the princess ceaselessly rewinds time in a race with death itself. Is a happy ending truly waiting for her at the end of the tunnel?

A captivating plot full of unexpected twists and existential dread

Over 200 000 words of content with multiple endings

3 romances can be chosen at the end of Kionna’s journey

Fun secondary things like gameplay phases and collectibles

Available in both English and French!

#visual novel #traumendes madchen #chronotopia #english visual novel #yuri #otome game #otome #amare game

[charlie-morris]

Photographic Series

When I presented Simon Norfolk's "Afghanistan: Chronotopia" in class, it was a deep dive into the concept of chronotopia—where time and location mesh to paint Afghanistan’s storied past amid its war-torn present. I learned about the historical heft of Norfolk's use of a large-format camera, likely a salute to the classic landscape photography tradition, hinting that he might have used film to capture that timeless detail.

The series connects on levels beyond the obvious scars of war; each image weaves into the next, sharing themes of endurance amidst ruin, tied together by Norfolk’s thoughtful framing and the interplay of light and shadow. I noticed how the absence of shoes and the stark textures in the photos spoke volumes about the transient nature of human presence in these war landscapes. These images go beyond mere documentation—they’re a commentary on how war alters not just land but the narratives woven into it. Discussing Norfolk's work opened my eyes to the layers of meaning behind each photo, how they challenge us to reflect on the broader impacts of conflict.

[thepolishlynx]

Chronotopia: Second Skin - Search for Fairy begins [Part 4]

#youtube #Chronotopia #Chronotopia: Second Skin #Traumendes Madchen #Visual Novel #Indie #Indie game #Indie dev #Indie developer #Indie Visual Novel #Anime

[haleyinldn]

Week 7 Group Project

For our project, my group chose to analyze and cover Afghanistan: Chronotopia by Simon Norfolk. We chose this series of photographs because it does a great job of telling the story of a war stricken area and the effect of human tragedy on civilization and humanity.

In terms of the composition of these photographs, they might capture the way light and shadow, texture, and the contrast between the ruined and the intact work together to tell a story. The choice of composition, angles, and framing could evoke a sense of desolation, or the passage of time.

Moreover, the color saturation within the series can help in drawing attention to specific elements within the photos. Accentuating certain colors can highlight details or focal points that contribute to the overall message. This deliberate use of saturation directs the viewer's gaze and guides their understanding of the photographer's intended message.

The message of the series emphasizes the human tragedy that has unfolded in Afghanistan. It touches on the suffering and loss of life that is often concealed in mainstream media coverage. The photographs may capture the stark contrast between the historical ruins and the modern devastation, highlighting the relentless cycle of violence that has plagued the region.

It also symbolically focuses on the sadness and loss in Afghanistan, going beyond what you usually see in the media. The photos make a strong contrast between old ruins and the new destruction, showing how violence keeps happening in the region. The photographer, Simon Norfolk, uses an old-fashioned camera made of wood and brass, which looks like an antique. In an interview he said, "You know, the camera I use is made of wood – it’s a 4×5 field camera, made of mahogany and brass – and it looks like an antique."

Norfolk's choice of an old-style camera also adds an interesting touch, making us think about the past while looking at the present. Through our analysis, we want to help others see the different sides of conflict, how it affects people, and how art, like these photos, can tell important stories that words sometimes can't fully express. I think Norfolk used a small aperture because the subjects in each photograph are sharp and in focus.

[oswaldo0830]

Research Blog Post: Simon Norfolk

For my first research blog post I decided to write about Simon Norfolk. In particular, I wanted to write about his photo book, Afghanistan Chronotopia.

Simon Norfolk is an architectural and landscape photographer. He has published four photo books, which are displayed at various art museums. I found his photo book, Afghanistan Chronotopia, particularly interesting and I enjoyed viewing all of the photographs from it.

The Balloon Seller by Simon Norfolk.

Afghanistan Chronotopia highlights various scenes throughout Afghanistan which is now in ruins as a result from the war that has been going on for almost three decades. Looking at all of the photos, it was interesting to see all of the damage that has been caused. However, there are a lot of nice architectural buildings around Afghanistan that seem to be inspired by old European style architecture. In my opinion, the destruction of the buildings, which are now ruins, adds to their history and significance.

The destroyed Institute of Archaeology, Kabul by Simon Norfolk.

Overall, I really liked this photo book because I am a big fan of not only landscape photography, but history as well. Seeing these photos makes me want to visit historic places around the world to capture photographs such as the ones taken by Simon Norfolk.

Sources used:

[a-sense-of-drama]

Check out Simon Norfolk, Chronotopia 2 (2003), From Artsy