#Danielle Lyn | Explore Tumblr Posts and Blogs

never-trust-anyone-over-30-000 · 1 year

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Dune reference in Anne Rice’s Mayfair Witches

#Anne Rice's Mayfair Witches #Mayfair Witches #Dune #The Slow Blade Penetrates The Shield #Alexandra Daddario #Danielle Lyn #;across the gulf of time and space #;Midnight Oil

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chrisnaustin · 1 year

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If only I were she!

#danielle lyn

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wornoutspines · 2 years

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Anne Rice's Mayfair Witches | Trailer

I'm only five chapters in but the book is already fascinating and DETAILED! I can't wait for the series to come, Alexandra Daddario seems great for the part. #MayfairWitches #NYCC #AMC

Writers: Anne Rice (Novel), Esta Spalding, and Michelle Ashford (Creators) Stars: Alexandra Daddario, Harry Hamlin, Tongayi Chirisa, Jack Huston Synopsis: Follows a neurosurgeon who discovers that she is the unlikely heir to a family of witches. She must contend with a sinister presence that has haunted her family for generations. If you’re interested in the source material, help us by…

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moviesandmania · 25 days

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FACELESS AFTER DARK Demented fan meta-horror - trailer

Faceless After Dark is a 2023 American home invasion meta-horror thriller film about an actress who is held hostage by a demented movie fan. Directed by Raymond Wood from a screenplay co-written by Todd Jacobs and lead actress Jenna Kanell (also in Terrifier; The Bye Bye Man; Demonica’s Reign). The movie also stars Danny Kang, Danielle Lyn, Max Calder, Michael Aaron Milligan, Kathrine Barnes,…

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#2023 #Danielle Lyn #Danny Kang #Faceless After Dark #Frightfest #horror #Jenna Kanell #Max Calder #movie film #Raymond Wood #review reviews #Terrifier

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darkmovies · 9 months

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Faceless After Dark (2023) Date de sortie : Prochainement Réalisateur : Raymond Wood Scénario : Todd Jacobs, Jenna Kanell Avec : Jenna Kanell, Danny Kang, Danielle Lyn

#news #cinéma #actualité #acteurs #film poster #affiche de film #Danielle Lyn #Danny Kang #Faceless After Dark (2023)#film d'horreur #Jenna Kanell #Raymond Wood

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emberchii · 1 year

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I've been given the wildest brainworms about the oil man movie

#twbb #daniel plainview #there will be blood #idk how to explain this but thanks lyn #i dont draw irl films ever this is an exception this part rotted my brain for some reason

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quirrelmorts · 10 months

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#airport for birds #team starkid #joe walker #daniel strauss #meredith stepien #brian holden #jeff blim #jaime lyn beatty #my post

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hardtchill · 2 years

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I don’t even feel that bad that France won because they were clearly better, i just hate that it happened on a PK.

My carrots played as well as could be expected when their coach can’t even make a fucking line-up without Viv telling him how. I really do hope he gets fired because he is just not good enough for the top of Europe. They wanted Sarina+ and they got Phill Neville light.

Positive notes.

No one is ever going to undermine Daphne (22) ever again. We have our new #1. With a lot of respect to Sari because i love the girl, but we needed a new #1.

Brick wall Steef will find a club no problem!

Wilms (21) and Casparij (21) showed so much promise. Casparij wasn’t better than Diani or faster, but she was so smart in how she defended. Loved seeing how well she positioned herself and was capable of holding her own against the absolute top players in the world.

ESMEE BRUGTS (18) IS MY FAVORITE BABY CARROT! I LOVE HER FOREVER.

Damaris (22) deserves the world, Mark can fuck a landmine for not using her when he could.

Leuchter (21) did so well when it mattered. She will get there.

WE HAVE THE FUTURE, LOOK AT ALL THESE AMAZING YOUNGSTERS!

VIV CAPTAIN BECAUSE SHE JUST IS!!!

JACKIE I LOVE YOU, DAAN I LOVE YOU (even when you don’t play great), JILL I LOVE YOU (even when you play like crap), SHERIDA I SURPRISINGLY LOVE YOU TOO (because you actually played well this tournament).

#oranjeleeuwinnen #vivianne miedema #danielle van de donk #jackie groenen #daphne van domselaar #lyn wilms #kerstin casparij #esmee brugts #European Championships

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gyuijns · 11 months

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EVELYN A PRETTY PINK THEME NOW??? YES ONG THTS SO CUTE

AHH THANK YOU!! When I saw the photos posted on new jeans Instagram for their new album I knew I had to make it into my theme somehow!! Pink is my favorite color after all and I have done ballet for 8 years of my life so I absolutely love the concept that they’re doing for that photoshoot! <3

#new jeans #hanni #new jeans danielle #💭 lyns asks (^｡^)#⋆𖦹 moots 🍙⋆ ˚

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movie-titlecards · 1 year

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youtube

Without Warning (1980)

My rating: 5/10

This odd little proto-Predator is not a very good movie, but it has a solid cast, and they were at least trying to do something a bit more interesting in terms of premise and plot - they didn't quite get there, in the end, but the attempt is admirable.

#Without Warning #Greydon Clark #Lyn Freeman #Daniel Grodnik #Bennett Tramer #Jack Palance #Martin Landau #Tarah Nutter #Youtube

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tinybitofhope · 10 months

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i suppose i must do an intro post….

help and donate!!!

hi im lena or hops, im okay with both!! also i luv nicknames so go wild!! also oml use pet names (NON SEXUALLY IM JS A MINOR) they make me smile

about me

ill try to post everyday but dont expect it bc im tired sometimes lol.

i do a lot of fandom posting and just posting whatever is on my mind

my pronouns are she/he/they (im experimenting) and im biromantic and arospec and probably agender/demigirl

i use she/her irl, so pls use that if u kno me irl!!

saw enhypen 5.1.24 !!

INFP-T

forever stuck between my two sisters (and adorable dog)

probably have anxiety and adhd, gonna get tested for adhd

birthday is december 16, THE SAME AS BASH CROFTS!! (my biggest flex) and that makes me a sagittarius

filipino or as my cousin says ‘proud to be pinoy ✌🏼🇵🇭’ (i love her sm)

my favorite song is probably star lost or another day by stray kids

i have a cool writing side blog

fandoms im in are (blue r the ones i think abt the most rn)

newjeans

stray kids (skz)

enhypen

osemanverse

jacksons diary (jd)

the world of mr plant (twomp)

nimona

hamilton

riordanverse (rrverse)

when i fly towards you (wifty)

school bus graveyard

kins/bias list

leo valdez

nico di angelo

will solace

sadie kane

jimmy kaga ricci

lister bird

david miller

angelica schuyler

nick nelson

darcy olsson

zuko

han jisung

kim minji

jake sim

my interests are

literally my fandoms above ^

cursing (although if ur not ok w it I won't do it!!)

music

books

SUDOKU!!!

sewing but i’ve no ideas and js started lmao

skateboarding but i cant do shit

being aesthetically pleasing bc im that girlie

trying to not kms

and shit like that

ok heres my music taste and fave artists

laufey

lyn lapid

conan gray

taylor swift

girl in red

artic monkeys

rocco

stephen sanchez

ricky montgomery

newjeans

stray kids

enhypen

kpop in general hah

current joys

clairo

beabadobee

daniel padilla

jazzy songs

skater type songs idk

phonk/sped up audios

indie

kpop

gacha life songs (brings back the memories haha)

other socials

tt- donot.disturb26

twitter- tinybitofhope

spotify- lena>>

pronouns page

edit bc name and stuff

#introducing myself #osemanverse #twomp #newjeans #nimoma #im just gonna be editing this as i go #my music taste is so gay wtf #pjo

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charlottegeorgesheart · 9 months

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Young Queen Charlotte, played by India Amarteifio, keeps to innocent pastels in her early scenes, but her colors grow bolder as her power does too. (Liam Daniel/Netflix)

BY VALLI HERMAN

In the first minutes of the “Bridgerton” prequel “Queen Charlotte,” the namesake character complains heartily how her elaborate gown and its restrictive corset made of brittle and sharp whalebone means that if she moves too much, “I might be sliced and stabbed to death by my undergarments.”

Oh, dearest gentle reader, young Queen Charlotte hasn’t suffered in vain. Her every ensemble, and those of the show’s sizable cast, are crafted with such sumptuous detail, that surely all who view them would gladly have them suffer even more.

Even though period costumes are notoriously cumbersome, Emmy-winning costume designer Lyn Elizabeth Paolo and co-costume designer Laura Frecon dispel notions that the actors suffered much (thanks to light, modern fabrics and stretchy panels in their corsets). Still, the yearlong shoot in grand estates across the United Kingdom overlapped the pandemic lockdown and required worldwide sourcing. It seems that their brand of elegant finery was a tonic for distress, and a cause for celebration. The work, helped by a 220-person costume crew, has earned them a 2023 Emmy nomination for period costumes.

Replica undergarments were crafted from light, modern fabrics and stretchy panels to be slightly more comfortable than the actual period clothing. (Liam Daniel/Netflix)

“This [shoot] was challenging, but also joyful. Every time a piece of a costume would come back, it was, ‘Oh, my God! It looks better than we thought it would.’ There was a lot of joy there,” says Paolo, the longtime designer for other Shonda Rhimes productions, such as “Inventing Anna” and “Scandal.”

The six-episode costume drama on Netflix explores the early days of the difficult marriage of Queen Charlotte (India Amarteifio) and King George III (Corey Mylchreest). The fictionalized story of the actual royals takes place in two time periods — the Georgian era of the 1760s and the later Regency era in which “Bridgerton” is set — and includes key characters from the original show. There are several grand balls, a royal wedding and a coronation to wardrobe. No biggie.

Or so Paolo was led to believe.

“I remember Sara Fischer, who is head of production at Shondaland, called me and said, ‘Shonda has this idea for a small, intimate show. She really wants you to do it.’ And, what are you going to say?” recalls Paolo, who was a consultant on Season 2 of “Bridgerton.”

She invented a time-twisting concept inspired by Monet and Matisse paintings and modern fashion designers who themselves referenced historical costume such as John Galliano, Alexander McQueen, Moschino, Zuhair Murad and Christian Dior in his New Look era. Yet Paolo kept the silhouette appropriately Georgian.

“The pitch was, we kind of want it to look like a Met Ball … but to be slightly more on point with the period. We still wanted to have our own stylistic elements that would make sure that the modern eye understood the costumes,” Paolo says.

Corey Mylchreest as King George and India Amarteifio as Queen Charlotte all but sparkle in their lustrous clothing. (Nick Wall/Netflix)

“For the men, we had images of rock ‘n’ roll icons from the ‘70s and ‘80s. So a lot of images of Prince, the New Romantics and Adam Ant. All those people back then who had that pirate chic going on.”

That vision required a mostly custom-made wardrobe that sourced from London, Los Angeles, New York, Budapest and Spain. Jewelers Joseff of Hollywood, Manhattan’s Larkspur & Hawk and Italy’s Pikkio custom made the period jewelry and other adornments. British manufacturer James Hare supplied traditional fabrics as did a mill hours from London that wove custom fabrics. Smaller artisan shops focused on hand embroidery or a particular character.

“It was sort of a small army,” says Paolo, who relied on the organizational skills of Frecon. A giant calendar and flow chart helped them track the flow of work, particularly of the embroidered pieces, which were outsourced to UK specialists Twan Lentjes Creations, Beth Parry and Hattie McGill, whose Instagram accounts illustrate their handiwork.

Other members of the court stand out in patterned fabrics (on Tunji Kasim as Adolphus) and brightly colored gowns with hats (Arsema Thomas as Agatha Danbury).

“It’s so complicated,” Paolo says, describing a process of sample making, initial embroidery, further tailoring and additional hand embellishing before a pattern piece is ever fitted into a garment. Even fabric-covered buttons were embroidered.

The women’s gowns are especially intensive. The earlier dresses, from 1760 onward, required 13 to 20 yards of fabric and at least four weeks of construction; five if they’re heavily embellished. Each ensemble requires petticoats that can add five to 10 more yards each, plus a corset, a pannier (a cage-like underpinning), a padded bum roll, shoes, stockings and garters. The jewelry sets were matched to each costume and included rings, earrings, necklaces, bracelets and tiara-like hair jewelry that was fitted into fantastical wigs by hair and makeup designer Nic Collins.

With two sets of characters to dress in two different eras, the costume designers were careful to build visual continuity, typically with color. Young Queen Charlotte, for example, keeps to innocent pastels in her early scenes, but her colors grow bolder as her power does too. The designers cannot precisely count the number of costume changes, or quantify the number of pieces they used, only to say “in the thousands.” Paolo says Jeff Jur, director of photography, was on board to capture the spectacle and regularly texted her and Frecon to say, “‘I’m doing a full head-to-toe shot of this one.”

Still, it’s tricky to absorb all of the detail, even though it’s there on the hand-embroidered initials on a man’s handkerchief, or the restored antique jet beading and lace on Queen Charlotte’s mourning gown, or the Easter eggs, as Paolo calls the references she wove into many costumes, particularly those in the final episode, which features an astronomy-themed ball, hosted by the king and queen.

King George loves astronomy, so stars and moons are embroidered and beaded into their clothes. The ball was shot outdoors at night, which usually obscures costume details. Jur expertly lit the scene to illuminate the clothes that were so laden with sparkly bits that they twinkle.

Though the final episode was picked to submit for Emmy consideration, the choice was “brutal,” Paolo said. “It’s a huge group of amazingly talented people who all deserve recognition. If we are lucky enough to win, I would want 220 miniature ones to hand out to everyone.”

#queen charlotte: a bridgerton story #india amarteifio #corey mylchreest #queen charlotte #king george iii #charlotte x george #charlottegeorge #tunji kasim #arsema thomas #prince adolphus #lady danbury #netflix #!

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finntheehumaneater · 8 months

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here are ten random songs from my playlist that is over 40 hours:

Our Love Is God - Heathers musical

Trailer Trash (acoustic) - Carolesdaughter

Just A Man - Jorge Rivera-Herrans

i can't get high - Royal & the serpent

labour - Paris Paloma

The Gold (Phoebe Bridgers version) - Manchester Orchestra and

Phoebe Bridgers

Sarcasm - Get Scared

Don't Look at It - Ashnikko

Starry Eyes - Ricky Jamaraz

Meant To Be Yours - Heathers musical

ALSO TEN SONGS FROM THE PLAYLIST THAT I LISTEN TO WHILE I WRITE/DRAW BECAUSE THE MUSIC IS WILDLY DIFFERENT:

People Watching - Conan Gray

Mawce - Everybody's Worried About Owen

Lover Of Mine - John Vincent III

Preacher - Roe Kapara

ok with it - Lyn Lapid

Wet - Dayzey and then Scouts

Some Things Cosmic - Angel Olsen

Fireworks (the last time) - Daniel Nunnelee

Pause Revere - Noah Kahan

Is This A Breakdown Baby? - Boyish

AND BECAUSE I CAN—HERE ARE TEN SONGS FROM MY SPOOKY / HALLOWEEN PLAYLIST:

I Kill Everything - DeathbyRomy

Helter Skelter (feat. Marilyn Mason) - Rob Zombie

Hey Kids - Molina

Burn The Witch - Queens of the Stone Age

Freak (feat. REI AMI) - Sub Urban

(Don't fear) The Reaper - Blue Oyster Cult

Welcome To The Circus - Five Finger Death Punch

I Fell Like A God - DeathbyRomy

Funeral Derangements - Ice Nine Kills

Little Dark Age - MGMT

@an-atlas-or-other this isn’t a tag game thing (but you could tag someone if you want) but I just want you to see the songs in my playlist because I love music :)

#I like music :D #It helps me think :D #Music #playlist #music playlist #my playlists

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specialagentblogger · 4 months

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Chain of Influence from Alexa Chung's IT: Heathers and Beetlejuice

Alexa Chung was a British TV host, model, and the IT girl of the 2010s. Ballet flats, hot pants, cashmere cardigans, and statement sunglasses made Alexa a fashion icon. During a time when skinny jeans, neon accessories, and flower crowns were a thing, Alexa stood out with ahead-of-her-time style choices. She definitely was one of the first well-known women that I sourced my inspiration from.

"IT"

In 2013, Alexa released her debut book IT, featuring her drawings, style influences, witty advice, and stories. This perfectly pink, cultural reset of a book, catered to young, aspiring "It" girls and wannabe Vogue Editors. Despite receiving critiques akin to a "wasted opportunity," IT marked the sweet beginning of character development for my 13-year-old self. The book led me on a transformative journey, unveiling my taste in music, film, and fashion - a chain of influence, if you will.Alexa wrote a lot about the most iconic film fashion that inspired her throughout the years.

HEATHERS (1988)

One of the films that started my endless love for cinema and marked the chain of influence, was Heathers (1988) - directed by Michael Lehmann and written by Daniel Waters. A satirical and macabre cult classic about a high school, where obnoxious jocks rule and the mean girls are all called Heather - until Veronica (Winona Ryder) and her mysterious boyfriend (Christian Slater) decide to kill every mean kid at the school. Pair a cinematic legend (our girl Wino) with a sexy hunk that is Christian Slater, and you have yourself an 80s classic. Watching this film when you’re 14 years old, in your secret world (my room) on a mini laptop was a transformative experience. In a sense that, in that moment, I fully understood the magic that cinema held and I wanted more. My eyes could not get enough of the cinematography, the costumes and the beautiful young actors - all while the haunting Syd Straw’s voice sang Que Sera, Sera (strongly advisable to put this song on while reading this post).

The film itself tells a classic tale of relational agression between high school girls. In the words of Lyn Mikel Brown or her book of the same name - girlfighting. In the book Girlfighting (2003), the author argues that for quite some time, soap-operas, films, and reality TV had only focused on women who are in competition with one another. Heathers falls right into that category. Its main focus is Veronica Sawyer (Winona Ryder) - one of the Heathers clique, who finally gets tired of being an accomplice to other school kids’ misery. Her character has a line in the film where she says: “I don’t really like my friends. It is like they are people I work with and our job is being popular”. It is the moment where Veronica foreshadows her involvement in the downfall of her mean friends. This twist is kind of ironic as Veronica is such good of a person that she cannot stand the meanness of her friends. Thus, she will become mean herself and even turn to murder, in order to end the meanness altogether.

COSTUMES

Iconic, voluminous hair, fitted checkered jackets with shoulder pads, mid-length grandma skirts, colourful stockings and none other than bitchy attitudes! Every shot of Heathers is filled with endless outfit inspiration, curated by Rudy Dillon. Oh, how fun would it have been to dress like that in high school. I love how this kind of fashion evokes a nostalgic longing for a time before I was even born. From then on out, you would not see me leave a vintage clothing store without an 80's padded jacket.

It would be very easy to guess who I was planning to dress as on Halloween 2014. I put my grey skirt on, borrowed my grandpa’s ashy blue t-shirt, covered my face in fake blood and bought a paper cigar from Tiger. It was magical. I walked around saying “What’s your damage, Heather?” - sadly, no one understood the reference back then and I ended up really scaring my mum. I might have been better at Maths, had I not been rewatching Heathers every other evening. However, no regrets. 2 + 2 is still 4, forever till the end of time.

Beetlejuice (1988)

The chain of influence from Alexa’s book continued naturally when I decided to explore Winona’s earlier work. The first one that came to mind was Winona’s breakthrough film 'Beetlejuice' (1988) - an absolute Halloween must-watch. Crafted by the extravagantly distinctive auteur director Tim Burton, renowned for the gothic and fantastical settings in his films. The contrast-heavy cinematography in Burton’s mise-en-scène is influenced by German Expressionism, an art movement that emerged in Germany in the early 20th century. The most predominant aspects of this movement include distorted sets, angular or weirdly-shaped architecture, and a dark, frightening atmosphere.

The film tells the story of a recently deceased couple, portrayed by Geena Davis and Alec Baldwin, who find themselves haunting their home after a new family moves in. In an attempt to scare away the living occupants, the couple summons a mischievous spirit named Betelgeuse (Michael Keaton) by saying his name three times. The narrative takes an intriguing turn with the introduction of Winona Ryder's character, Lydia, who, along with her parents (Catherine O’Hara and Jeffrey Jones), becomes entangled with the supernatural world. Winona Ryder delivers a captivating performance as Lydia, portraying a goth teenage girl who can see the dead because she has no fear of dying.

CINEMATOGRAPHY

Cinematographer Thomas E. Ackerman fully realised Burton’s ominous vision for the film. Every single shot is like a surrealist painting - a true feast for the eyes. Even if one does not find the film’s plot appealing, the visual aesthetic will still definitely satisfy one’s artistic hunger. Ackerman's attention to detail and use of lighting contribute to the film's haunting atmosphere, making it a visual masterpiece.

Beetlejuice vs. The Cabinet of Dr. Caligari

As mentioned previously, the influence of German Expressionism is evident in Burton’s work, and in my opinion, especially in Beetlejuice. The film has striking visual similarities to, arguably, one of the first horror films, The Cabinet of Dr. Caligari (1920), directed by a German director of the silent era - Robert Wiene. The film follows a somnambulist who makes horrifying predictions of future events. I watched it in university while I studied film, and I have to say, I was utterly spellbound. The fact that a silent film can be spine-chilling like that still blows my mind.

The distorted corridor in Beetlejuice mirrors the endless, distorted corridor in The Cabinet of Dr. Caligari. It evokes a sense of claustrophobia, almost like an optical illusion. The surrealist, angular structure of the Caligari corridor seamlessly fits into Beetlejuice, capturing the dreamlike, or rather nightmarish atmosphere. Exactly what one imagines the afterlife to be like.

In the following comparison shots, we can even identify a door with a diagonal line in Burton’s still, and the exact same shaped detail (window/door) on the house in Wiene’s still. I missed a crucial and rather obvious detail, which I just now discovered. You should have seen the way my jaw dropped: there is a black silhouette of a man in the background, seemingly holding a broom in Burton’s shot. Similarly, in Caligari’s shot, there is a man wearing black, holding what appears to be a cane.

The following two shots also sparked an 'aha' moment for me. In one, the green light and the appearance of a dead bride with a tulle veil emerge from the darkness. In another, there is a muted green light covering the room, and a girl sleeps in a white nightgown, reminiscent of a wedding dress, on a bed adorned with tulle sheets.

THE DINNER

There's a dinner scene in Beetlejuice that's wonderfully campy and even a bit meta, making it one of the most standout moments in cinema to date. The scene features Lydia, her parents, and their friends having dinner. In an attempt to scare them into leaving, the deceased couple (the Maitlands) and Betelgeuse possess the guests. One by one, they start moving involuntarily and break into singing Harry Belafonte’s legendary song 'Day-O (The Banana Boat Song),' in his distinctive voice. I truly love this artistic decision because it cleverly uses dark humour and absurdity to dilute the frightening topic of spirits and afterlife.

As I reflect on this chain of influence, I think of it as the epitome of 'one thing led to another.' I love that I could delve into Winona Ryder's creative universe and discover life-altering cinematic classics as a young girl. This, however, is just one of the many discoveries I made as a 13-year-old reading Alexa's book. More is yet to come...

Beetlejuice Beetlejuice Beetlejuice

#beetlejuice #alexa chung #winona ryder #german expressionism #dr caligari #betlegeuse #it girl #tim burton #heathers #christian slater #catherineohara #geena davis #robert wiene #somnambulism #dark humor #horror #cinema

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moviesandmania · 9 months

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FACELESS AFTER DARK (2023) First look at fan horror

Faceless After Dark is a 2023 American home invasion meta-horror thriller film about an actress who is held hostage by a demented movie fan. Directed by Raymond Wood from a screenplay co-written by Todd Jacobs and lead actress Jenna Kanell (also in Terrifier; The Bye Bye Man; Demonica’s Reign). The movie also stars Danny Kang, Danielle Lyn, Max Calder, Michael Aaron Milligan, Kathrine Barnes,…