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#From watercolor to oil painting
moonpolis · 3 months
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arctic-hands · 4 months
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Oils dissolve silicone, right? If I got a silicone bowel to hold the water that cleans my paintbrushes, I wouldn't be able to use my (water miscible, meaning I don't need paint thinner or mineral spirits) oil paints in it, yeah?
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goddesshylia · 3 months
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recent sketchbook doodles of my cat!
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bitegore · 6 months
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I don't really like gore so much, but I do like fluff art. (Not saying you have to do any.) Your question got me curious too and I did look at your art blog again. The first time I visited I only found gore, this time I found the non-gore art you have and I really like watercolor art you did of Megatron, Rodimus and Zeta. Also the stunticon tetraflexagon was really cool.
Oh that makes perfect sense XD i do draw a lot of gore, but that's in among a lot of other really random stuff; on the balance I think it's mostly pinups and outright porn
More transformers artists should be doing tetraflexagons. Or hexaflexagons, which I only don't bother with because i never want to deal with glue. The changing nature of the panels makes it so uniquely suited for transformers specifically, but I've only ever seen other people do tetraflexagons in non-tf art contexts. Missed potential and I'm dead serious. But I know they're hard to communicate through a computer
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codexxgigas · 1 year
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Started cleaning my desk and JEEEZ this person (me) has a lot of stuff
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despite-everything · 9 months
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sick and tired of being so fucking depressed i need to make art again
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lavendorium · 11 months
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I have yet to do a single canvas painting since the last time I bought buy-one-get-two-free canvases. And yet I bought 12 more buy-one-get-two-free canvases.
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zigguratssworld · 25 days
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Abstract Art: A Journey of Expression and Evolution
Read about the journey of Abstract Art in our new #blog live on our website now.
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yatiso · 1 year
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i think for my next big creative expenditure i shall save a few hundred bucks then go to the art supply store an hour away (the only one around ever)
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thewirewitch · 1 year
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Today I fished some old art supplies out of my basement. I now have an easel, a few canvases, a wooden paint pallet, some cheap brushes, two of the smallest pallet knives I've ever seen, and some questionably old paint. When I say that, I mean...around 20 years old. Oil, acrylic, and watercolor. The tubs still are squishy, so, it's...possible some of it survived? My dad bought it for my mom possibly before I was even born (or not long after I was born) so...there's a good chance some of it's gone bad. Oil paint is apparently only supposed to be good for around 15 years (or less). Just looked it up and the internet says watercolors (in the tube-form) can last 5 years, and acrylic can last 10+
I really hope the oil paint survived at least. I've never used it before and would rather not have to go out and buy some to see if I like it or not. I did get some watercolors recently, so I don't really care if that's expired or not, and I couldn't care less about the acrylics since I don't like using acrylic paint.
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azuneekun · 29 days
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STARDEW VALLEY BACHELOR/BACHELORETTE (personal) HEADCANONS:
Maru
Is a registered nurse, but is working to become a medicinal and environmental researcher like her father (Professor Demetrius).
Robotics, Electrical engineering and Astronomy are just a few of her hobbies and passions. 
Afraid of getting real piercings, so Sebastian gifted her clip-ons.
Doesn’t trust newer computers, unlike her brother.
She is nearsighted and has astigmatism.
She goes stargazing in hopes of finding signs of extraterrestrial life. Or just to see if she can spot a certain flying robot.
Used to follow her brother Sebastian around a lot when she was very young, but his troublemaking behavior made Maru distance herself. She still cares about him.
Loves helping the farmer with building farming machines.
Loves spending time with her best friend Penny and talking about books and trivia together.
Other than tinkering with gadgets, she also enjoys doing puzzles.
Penny
Could not afford finishing her teaching course in college due to financial troubles.
Saving up money in her tutoring job to become an elementary school teacher.
Her father abandoned them due to feeling ‘trapped’. It happened around fall—so she feels melancholic during that season.
Likes cooking but is a novice at it.
She and Emily do arts and crafts together in the library and or the (fixed) community center. (For the kids and for event decorations.)
She has a slight southern accent.
Elliott and her like to swap book recommendations.
Loves listening to Maru infodumping about her trivia and interests. She teaches them to Jas and Vincent in return.
She likes to do crossword puzzles under the tree near the graveyard.
She prefers to wear skirts.
She influenced Jas and Vincent to have an interest in archeology, thanks to her own fondness of it.
Abigail
Pets every animal they see. Sanitizes herself right away before going home due to Pierre's allergies.
Sometimes helps her dad with the general store. Pierre gives her some money in return.
Abigail loves to draw and sometimes likes to join art competitions.
Enjoys the occult and fortune telling. Has some magical ability, but is not fully aware of it.
She plays the flute and the drums.
Loves adventuring, but feels guilty killing monsters (even out of self defense). Will make graves or offer prayers to put their souls to rest.
Very interested in monsters and loves reading about them.
She has a sweet tooth; minerals taste like candy to her. She also loves spicy food from time to time.
Gets sunburnt easily.
Leah
Used to be hired as an illustrator for books in Zuzu City.
Is under apprenticeship with Robin.
Loves using different painting mediums. Current favorites are charcoal, oil painting, and watercolors.
Experienced forager—she adores making vegetable/fruit salads and stir-frys out of them.
Likes to drink the wine sold by the farmer and the saloon.
She is left handed.
She makes her own special homemade vinaigrette.
Has her own mini-garden.
Loves to help the farmer with crafting artisan equipment that involves wood (eg: kegs, preserve jars, casks, and etc.)
Emily
The unofficial hair stylist (and barberess) of the townies. (HC adopted from @/moon-boat)
Has some real spiritual power and foresight.
Her prophetic visions mostly appear in her dreams.
Knows supernatural beings and Junimo exist (and has seen them) but opts not to tell anyone directly for the creatures’ safety. (Likes to give subtle hints, though.)
Can genuinely communicate with birds and flowers.
Is very good at arts and crafts and helps decorate the festivals often.
Vegetarian. Likes to cook vegetarian dishes.
She's a very talented dancer, and she likes to do her choreography in secret.
Sandy sells the clothes she makes. Haley advertises them on her blog. 
Loves all animals—especially birds.
She likes clowns and circuses.
Is very meticulous about cleanliness and housework.
Is incredibly scared of watching horror movies.
Haley
A talented cook that loves baking sweets.
Is a social media influencer. She has a popular Instagram account called StarfruitHaley and a Youtube channel named Cooking Junimo.
Likes drinking peppermint coffee and eating cupcakes.
She is a picky eater.
Learned to dance from Emily.
She and Emily are taiwanese-americans.
Her hair is dyed blonde and she wears contacts.
Freelance model, but likes doing photography more.
Does photography gigs sometimes.
Secretly admires her sister's dancing, but doesn't want to lose to her during the Flower dance.
Likes to go surfing during the summer time. (HC adopted from @/sofiaruelle )
Closeted lesbian, but came out proudly once she started to live in the valley.
Bunnies and Ponies are her favorite animals.
Shane
Prefers keeping people at a distance (so it doesn’t hurt him if he loses them), but is weak to persistent people. Prefers keeping people at a distance (so it doesn’t hurt him when he loses them), but is weak to persistent people. (eg: Emily, Sam, the farmer)
Is very good friends with Emily. Likes to joke around and share chicken stories with her. 
Lost a sports scholarship in university due to injury, so he dropped out. (He took a course in multimedia arts, hence his 7 ♡ event.)
Likes to collect funny printed boxers.
Wears old clothes until they tear apart.
Doesn't bother combing his hair much.
Takes care of the animals when Marnie's not around, and teaches Jas about the ranch while he’s at it. 
Most of his savings are for Jas and Marnie.
Has calloused hands from hard work.
He likes to use nicknames. Both derogatively and affectionately. (e.g. Sweetheart, Chickadee, Doll, Buddy , Asshole, Jockstrap (Alex specific), Dickhead, Kid)
Shane has excellent upper body strength due to lifting heavy boxes at work, and sacks of feed at the ranch.
Jas’ mother is his older sibling. Marnie is his father's younger sister.
In the future, his beautiful blue chickens will become recognized as a standardized breed by the farming community. 
Harvey
Used to be a surgical oncologist. Left this position due to emotional distress.
Came from a prestigious family of doctors, lawyers, and professors.
Has a twin brother. ( HC adopted from @/coinly )
Loves science, history, and the documentary channels.
He used to be in a long term relationship but it ended due to LDR.
He can cook but doesn't feel happy eating by himself—so he just heats up frozen meals.
He smells like nice soap and hand sanitizer.
Has a wonderful singing deep voice. (HC adopted from @/hannahstumble )
Likes to drink wine every once in a while to relax.
Jazz music is calming to him. He owns many cassettes of the classics.
Elliott
Was a music professor in a private university.
Is from a wealthy family, but left to become more independent.
Humble and isn't very materialistic, but is very strict with his well-kept appearance. 
Keeps his pencils so sharp it might as well be a weapon.
Isn't very good at taking care of plants, but is learning how to. 
A little clumsy with housework and repairs, but tries to keep tidy.
His favorite pastime with his father was fishing. 
Likes to drink, but can’t hold his liquor at all.
 In his youth, he has gotten some recognition for his published short stories and poetry, but  has yet to make a full length novel.
Commissions and collaborates with Leah on art and ideas for his books.
His piano actually came from Robin's. Sebastian used to own it but preferred playing the synth now.
Sebastian
Is very skillfull at using a knife (for fish and seafood).
He is a lazy genius. 
His Korean name is Seojun. His biological father tried bringing him to his home country when he and Robin divorced, but Sebastian opted to stay with his mother.
He loves cats as much as frogs and bats.
Sleeps very messily. Ends up in weird positions on the bed, with pillows dropped onto the floor.
Loves exploring the mines and wants to join the Adventurer's guild in the future.
Does his (and his friends') piercings.
Has a long deep scar on his left leg due to a rock crab.
The town go-to mechanic, alongside Maru.
He’s jealous of Maru, but doesn’t hate her. Doesn’t know how to express himself, so they end up fighting. He thinks he’s not the best older brother to have.
Insomniac. Needs medication to help sleep, sometimes.
Likes to tease and scare people.
Also gets sunburnt easily—but in return doesn’t get affected by the cold weather as much.
Best billiards player in Stardew.
Alex
Has dyslexia, but is not aware of it (until the farmer points it out).
Likes to help cook with his grandma.
Makes and sells his own icecream.
Is the local town mailman.  (HC adopted from @/ryllen )
Childhood friends with Haley, but pretended to be her boyfriend in HS to shield her from men (as per her wishes).
Not only was he a varsity quarterback for gridball, but he was also an ace baseball player.
One of his favorite pastimes is watching the gridball game every Sunday.
Thinking about saving money to go to a vocational college or getting a scholarship. 
Interested in becoming a physical fitness coach if his dreams to go to the league fall through.
Afraid of being vulnerable to people, because he wants to be seen as strong and reliable.
Sam
A popular boy in school. 
Was influenced into loving music due to Sebastian. 
Likes flowers but has severe hay fever.
Has a scar on his eyebrow from a skateboard accident.
Loves his mom's largemouth bass fish casserole.
Thinks being a submarine captain might be cool as a job (thanks to the night market), but would prefer being in the music industry.
Likes to DJ and compose his own music.
A little forgetful, so his wrists and hands are full of scribbles and rubber bands as reminders.
Likes cactuses and the flowers that bloom from it (and especially loves cactus fruit).
Him and Alex both like to collect branded sports shoes, and talk about it together sometimes.
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art · 2 months
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Meet the Artist: @zandrapaints
Hi! I'm zandra (she/her), a traditional artist from Northern California! I love to imagine a cozy world through my illustrations! My main medium is watercolor & ink but I also love gouache and trying my hand with oil paints. I find inspiration in beautiful California, colorful and comfy homes, blooming plants, and a simple #cottagecore life. I aspire to create art that brings people a moment of peace and love sharing my world here.
Pleased to meet you, Zandra! Below are some pieces she has shared for you all.
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For more of Zandra's work, be sure to check out her Tumblr, @zandrapaints!
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25centsoda · 1 year
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I do not need multicolor inks, I already have way too many mediums that I don’t even use. I do not need multicolor inks. I do not need multicolor inks. I do not need--
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netherworldpost · 3 months
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@kernyen-xo /
Cheaply.
Watercolor sets made by Crayola. Acrylics made by Crayola. The brushes these kits come with are frustrating, cheap brushes are typically $3-5 each. You can spend as much as you want on a brush, the cheap ones are surprisingly good. This is extremely common advice, this isn't just from me.
When you find "ah I like this" go with a student grade of whichever you prefer. Or both! I find watercolor frustrating. I find acrylic doesn't look graphic as much as I want. I fell in love with a paint called gouache because it is very flat, layers nicely.
I would not start with oil paint. It is expensive, requires a lot of special care to keep you safe. Fumes, cleaning agents, etc. Fall in love with painting, then if you want, give oil a try. Be prepared for days (weeks, months, literally) for paint to dry. This isn't to scare you off it -- it's great -- but I wouldn't start here.
Oil has tremendous variety of things you can do with it.
Watercolor is ethereal.
Acrylic has great graphic qualities, lots of range.
I like gouache because it looks almost animated (there is a reason for that, it was/is used in animation background sometimes). It's tricky and tempermental.
Paint by numbers kits if you don't draw. Maybe even if you do and just want to dive into painting.
Mixed media sketchbooks. Lets you experiment a lot, cheaply. The big thing about sketchbook paper is it comes in a few forms -- very cheap (newsprint) and takes dry media (pencils, etc.) well, cheap (mixed media, lets you experiment quickly and a lot), and expensive (hot press has no texture, cold press has a texture).
Painting needs something that can get wet and not fall apart.
Start with a cheap mixed media sketchbook and see how you like it. Move on from there.
Ton of videos across lots of social media and much content. Has the advantage of multiple perspectives, you don't get trapped in "I think this is crap" or "This is the best" versus your thoughts.
Start cheaply.
Art stores and product manufacturers exist to make money. This is a neutral statement. The point is they are a store, they will sell you whatever you think you need, whether you need it or not.
Conversely!
Some things that are not universally useful but sold in art stores are great labor savers. Some people look down at disposable palette paper, others need the flexibility because they have a hard time washing palettes... etc.
Start cheaply. Look at hardware stores, lots of duplicate functions in items.
I come from a background of digital art and a lifetime of business where "ah where the BONES ARE WE GOING TO FIND MONEY FOR--"
Have fun.
Get in deep and frustrated and then drink the frustration (but not the paint water) because you realize you're frustrated because you can FEEL how it should look but you can't get there yet.
The journey is amazing.
I've started looking at the mountain of business problems I have been sorting through for the last few years.
"Okay. How is this supply chain issue with stationery compared to a painting I want to do of the piranha plants of Super Mario Brothers?"
This is literally something I asked myself.
It took me out of the problem (supply chain issue, boxes, our office size, the number of stationery items I want to design) and forced me to look at it as a painting (structure, where does it stay simple, where does it get complex -- what makes sense -- ah, PDF downloads).
Paint.
Learn by doing.
Start cheaply.
Keep going. Build up.
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florencemtrash · 1 month
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The Shadowsinger & The Inkbird: Chapter Seventeen
Azriel x Day Court Librarian Reader
Summary: Y/n's clairvoyance is a gift from the Mother, but it feels more like a curse. With the power to gain knowledge through touch alone, Y/n holes herself up in The Alcove and hopes her powers and parentage will remain a secret. But things will change after the Summer Solstice ball and a chance encounter with a certain Shadowsinger.
Warnings: None. Some angst. Some fluff. AHHHHHHHHHH just look at the gif guys
The Shadowsinger & The Inkbird: Masterlist
Masterlist of Masterlists
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“Let me know if I’m hurting you.”
“I will.” 
The wet cloth soothed his burning skin as you carefully cleaned away the smattering of blood dashed over his high, bruised cheekbones like freckles. You were both holding your breaths, only daring to move when your lungs demanded it. Azriel sat on the chair you’d dragged into your bathroom, face level with yours as you leaned down to inspect his face with two fingers tucked beneath his chin. 
Azriel’s fingers twitched at his sides, aching to touch you somewhere. Anywhere. 
“You said you’d tell me if I hurt you.” 
“You’re not hurting me, Y/n.” 
Azriel could have told you that he was well versed with cleaning blood off his body and clothes. He could have reminded you back in the dining room that Feyre and Rhysand stood only ten feet away and could have whisked away his injuries and the bloodstains with a single touch or snap of their fingers. But instead he’d said nothing. He’d let you close your hand around his, fingers dangerously close to his thrumming pulse, and followed you to your bedroom while ignoring the throbbing pain of his cracked ribs. 
Feyre called your bedroom The Wisp after having decorated it with all manner of airy, cream-colored furniture accented with soft browns. Your desk was overrun with neat piles of papers, books, and journals. The windowsill by your bed was dedicated to pre-sleep novels and clusters of lavender tied with twine and left to stand upright in vases fashioned from ink bottles. The scent of old books and parchment paper clung to every surface along with something that smelled clean and entirely like you.
Your bathroom was similarly orderly. Bottles of perfumes, lotions, and oils were laid out on the countertop like little soldiers, catching and scattering the moonlight from the window in a rainbow of color. 
You brushed the cloth over his lips, eyes lingering on the two splits already scabbing over, then down the curve of his jaw to his chin. 
It was reverently quiet here in your bathroom. Nothing but the faint and steady drip from the faucet into the quartz basin and your breathing filling the space. 
Color had been spilled over Azriel’s face like a watercolor painting, equal parts painful and beautiful to look at. Because he was still so, so beautiful looking up at you with those whisky eyes that made your head spin. Those dark curls that hung over his forehead like seafoam waves. Your hands fluttered over the bottles on the countertop before settling on a pale green one that smelled strongly of mint. You smoothed the oil over Azriel’s face, leaving a cool, tingling sensation wherever you touched.
“I’m sorry about Lucien,” You whispered. “And Helion. I never wanted you to get hurt like this.” 
“Don’t apologize.” He smiled sadly. “Cassian was right when he said I had it coming.”
You winced. “How bad was it when you fought Lucien the last time? When you invoked the Blood Duel?”
Azriel didn’t shy away from the question, and his gaze never left yours as you quietly restoppered the bottle. “I was a second away from stabbing him through the heart when Elain stopped us. There are a fair number of scars we both left that fight with, but we did walk away,” He stiffened at the memory, “Barely.” 
“Do you… do you regret it?”
“Yes,” Azriel said quickly. Firmly. “I will regret what I did and what Elain and I did together until the day I die.” His hands flexed by his sides and he dared to lift them up to your hips, anchoring himself with the feeling of you beneath his fingertips. When you didn’t shy away from his touch, he continued on. “I wanted what my brothers had and in my desperation I think Elain and I chose each other because we just wanted to do something. I wanted a mate and proof that I belonged alongside Rhys and Cassian, and Elain wanted to break the rules for the first time in her life. To feel in control. But we never should have done it knowing everyone would get hurt.” 
“Sometimes love is like that,” you murmured, “Messy and hurtful… or so I’ve read.” 
“I didn’t love Elain. I don’t love Elain. At least not romantically.” Not the way that I love you. 
You tried to ignore the flutter of relief in your chest. It didn’t feel like the right time for it. Not with Azriel bruised and hurting before you. You dropped your eyes to the pale green tiles and caught sight of Azriel’s gloved hands. 
“You’re wearing them again.”
Wordlessly you picked up one and gently began tugging the leather off his fingers. One by one. The whole time you kept your eyes on him, tracing the tension in his shoulders and between his eyes as his ruined skin was exposed inch by inch. The air felt foreign on the skin of his palms. The feel of your body so close to his felt exhilarating. 
“I’m so sorry,” Azriel whispered, “I never meant to hurt you in all the ways that I did. What I did—” 
“I know, Azriel.” 
His eyes traced every line of your face, hands shaking. “You’re not a fourth choice. You’re not broken... But I think I might be,” he confessed. The words hung in the air between you two. Words you could wrap around his neck and hang him with. 
He felt every stroke of your fingers over his knuckles. Every flutter of your eyelashes as you looked at him with the faintest tilt of your head. 
“So what?” You breathed out. 
Azriel shook. “Y/n?”
“So what if you’re broken? Maybe you are, maybe you aren’t,” You leaned your forehead against his, noses brushing, “But you’re still Azriel.” You smiled gently at him, eyes fluttering closed as you sighed. “And I think that’s a wonderful thing.” 
Azriel stopped breathing as you brought his hands up to your lips and brushed them over every scarred knuckle. Every touch of yours was sacred. In their sincerity. In their rarity. In their preciousness to him. 
“Do you… do you like me, Azriel?” Your words were nervous and soft. Softer than the finest bed Azriel had ever laid his head down on. Softer than the clouds that turned to rain when he flew through them. Softer than your ink-stained fingertips landing on the sprinting pulse of his neck. 
“Yes,” Azriel murmured, “You can’t even begin to know, Y/n.” 
And then your softness was all around him. It was your lips against his lips, pillowy and tasting faintly of the sweet wine you’d drank at dinner. It was your hands and arms looping around his neck and keeping his head squarely on his shoulders so he could experience this vibrance. It was the feel of your body as he held onto your hips and then flattened his hands against the small of your back, pressing you as close as he dared. River-soaked robes long since forgotten. 
You were like water threatening to slip through his fingertips. 
You hoped you were doing this right. Reading about kissing was very different from the actual thing. Your lips felt too stiff or too fervent. You worried your hands were too greedy as you plunged them into his raven-wing hair and tangled silken strands. But while you lacked experience, Azriel surely seemed to be making up the difference. He held you as close as possible, until it felt more like breathing than kissing. 
Salty tears landed in between your lips until you could both taste their sharp tang on your tongues. 
“I’m sorry. I’m so sorry,” he kept saying over and over in between shaky gulps of air. “Y/n, please believe me. I—” 
You kissed him harder just to make him stop, swallowing his pain as best you could until his breathing evened out. 
“I’ve got you, Az.” You brushed his black waves away from his forehead before kissing him there too. “It wasn’t your fault.” 
Tell her. Tell her. Tell her. 
Azriel’s shadows chanted in his ears. But he made them go silent. 
Another day. 
Let him just hold you like this for now. For as long as you would let him. Here in the stillness with you — the only person who’d ever brought him a real sense of peace and quiet — he felt it was safe to hope again.
The long stream of kisses ended too early for his liking, although he didn’t dislike the sight of your heaving chest and blushing cheeks. He couldn’t quite believe what had just happened, and you seemed to be thinking the same thing as you stood between the walls of his legs, his arms wrapped loosely at your sides and yours dangling off his shoulders. 
You’d kissed him. You’d kissed him. 
You touched your fingertips to your lips, worry in your eyes. “Was it bad? Did I do a bad job? I’ve never—” 
Azriel would have none of that. He tightened his arms around your waist, pulling you flush against his chest and kissing you all over again. You relished in his heat and the faint tickles of shadows that encased you both in darkness, like a veil had been thrown over the room leaving everything gauzy and soft. 
“You, my Y/n,” his lips brushed over the corner of your mouth, trailing down to your neck when he sighed so, so softly, “Are a marvelous kisser.” 
Had you melted into a sack of bones on the floor? It certainly felt like you had. You were blushing uncontrollably, searching for something, anything, to comment on. You thought your heart might just burst out of your chest. 
“You have frosting in your hair.” You plucked the white blobs off his head, feeling the sugar grains crumble between your fingers. 
“I think that was meant to be dessert.”
“I think you might be right.” You tried controlling your breathing when Azriel leaned forward and kissed the bare skin of your shoulder, and failed miserably. “It’s a real shame,” you stammered, “I was looking forward to cake.”
He kissed the center of your chest next and your heart skipped a beat. “I’ll buy you all the cake in the world to make it up to you.” 
“That’s a hefty promise, and a waste of cake.” 
“Do you doubt me?” Azriel asked honestly. You could ask him for moonlight in a bottle, or a dress spun from spider silk, or all the stars in the sky and he’d find a way to make it happen. Some way. Somehow. He’d give you everything that was his to give, and then some. 
“No. I don’t doubt you.”
“Good.”
He couldn’t help himself. He kissed you again, reveling in the faint sighs that he swallowed up and the few that escaped between your locked lips to sing in his ears. You traded kisses for hours on end, slipping them in between conversations and gentle touches. It was an exploration in intimacy that you worried might sweep you away, but Azriel was as he always was — patient and gentle — from the tips of his black hair to his scarred hands to his leather boots. And you loved every inch of him. 
You clung to his shirt, the scent of soap still clinging to his skin after he’d returned from his bath and laid down in bed beside you in cotton instead of leather. 
“Azriel,” You said, your voice thin and tired. The candles burned low casting shadows that flickered and twisted on the wall. But you didn’t pay any mind to shadows any longer, not when you knew they belonged to Azriel as surely as you did. “Stay.”
And who was he to deny you? He held you close, your cheek pressed against his chest. You fell asleep to the sound of his heart, and he fell asleep to the rhythm of your breathing. 
You woke up to the weight of Azriel draped over your body, face pressed against your breasts, arms wrapped around your waist, and the rest of him nestled in between your legs. He grounded you, wings splayed out and bathing in the sunlight that streamed through the windows. 
You were pleasantly surprised that he was still asleep and you took the time to lightly trace his features, weaving your fingers through his hair until he made a sound that had your heart speeding up. Something halfway between a sigh and a groan. 
He was slow and sluggish to wake, eyes blinking languidly as he registered the warm, supple body beneath him. 
You. 
He’d fallen asleep here with you, wrapped up in your scent until the world had faded away into blissful nothingness. He could have been asleep for eight hours or eight years and he would be none the wiser. All he knew is that you were running your fingers through his hair, and he didn’t want you to stop. 
“Hey, you,” You murmured when his whisky eyes fluttered open, eyelashes casting spidery darkness over his cheekbones where his own shadows curled as if still asleep. 
Azriel hummed, burying his face in your chest and sighing with his whole body. His arms rubbed up and down your sides leaving molten heat in their wake. “Please don’t tell me it's morning.” 
“I’m not above lying, Azriel. It’s the middle of the night.” 
His wings shook with quiet laughter, the movement of his body tickling your skin until you were grinning unabashedly. 
“Then why are you awake?” Again, his words were muffled by your skin. 
“Because I’m currently being crushed beneath the weight of an Illyrian warrior.” 
His head shot up in alarm. He was no small male and although he’d spent centuries gaining enough strength for his wings to feel weightless on his back, he knew they were anything but. And you’d let him stay like that all night. It was a miracle you hadn’t suffocated.
Stupid. Stupid. 
“I’m sorry. Gods, I didn’t mean—” He began to slide off of you. But you were laughing. 
“Wait! No! I was joking. I was joking. Come back!” You wrapped your legs around his back, the sudden movement pulling him flush against you in a rush of heat that made him go stone still. 
Mother, help me. He thought to himself, feeling blood travel both up and down his body. 
You guided his head to your chest by the strands of his hair until he was following the curves of your silhouette once again. “I like it when you hold me like this, Azriel,” you confessed. “I don’t feel like I’m going to float away anymore. Does that make any sense?”
“It makes perfect sense,” he whispered. He felt the same way. “You make the world go quiet, Y/n.”
It wasn’t until the clock struck twelve bells and the House’s cooking wafted through the hallways that you and Azriel finally peeled yourselves off one another, shuffling to the bathroom in a cluster of wings and loose night clothes. 
Azriel watched you closely, finding new ways to love you even as you brushed your teeth side by side, bumping hips and smiling at one another shyly. He watched as you brushed your hair and washed your face, stealing kisses that left minty cool tingles on his skin. 
Lucien was noticeably frowning when you and Azriel walked into the dining room, Azriel’s scent still clinging to your skin and yours to his. You’d done nothing more than sleep in the same bed, everyone was looking at you with shit-eating grins like you’d taken Azriel on the living room couch for the whole House to hear. 
“You look well rested, brother,” Cassian noted over the lip of his coffee cup. 
It was the best night of sleep Azriel had gotten in centuries, perhaps in his entire life. 
You wordlessly traded seats with Elain at the table, leaving you and Azriel on one side and Lucien and Elain directly across. When no one was looking, he reached down and pulled your chair closer, pressing his knee against yours beneath the table. Lucien noticed — of course he did — but the blush on your cheeks was so innocent and the love in your gaze so honest that he couldn’t bring himself to make any comment. Although, he did throw a few dangerous looks Azriel’s way, looks that plainly said, If you hurt her, you’re a dead man. 
Azriel only nodded faintly in reply, as if he knew what Lucien had been thinking all along and was in agreement. 
But in the following weeks your brother would come to be grateful that your care for one another was not loud. It wasn’t desperate, groping hands in hallways or sultry looks that heated up crowded rooms and made people uncomfortable. It was reserved smiles and knowing glances when you independently formed the same thought at the same time, eyes latching onto one another until one of you inevitable broke away laughing.
For the first time in his life, Azriel had someone who wanted him back just as fervently, even if it was difficult to believe. 
Azriel always needed to be touching you, whether it be a hand at the small of your back or the press of your shoulders together as you leaned over one of the desks at Cagniv — now that Azriel was allowed inside — with papers strewn about like dove feathers. 
You were no better. You stuck close to his side where shadows lingered and sought him out in every room until you may as well have owned the space within the curve of his wings. 
But things were changing. Koschei loomed taller and taller over the House like an avalanche ready to wipe Velaris off the map. Once again, everyone heard Vassa’s cries at daybreak and nightfall, and when Jurian slipped out of the attic for his own rest, he looked a little thinner and paler each time and no amount of medicine or food you and Lucien brought upstairs seemed to be helping. 
Azriel tried to steal every extra second with you in the mornings. If he had his way, he’d never leave his bedroom again, content to admire the splash of sunlight over your body and your sleepy sighs. But he was still the Shadowsinger and Spymaster of the Night Court and you quickly got accustomed to waking up to an empty bed with only a note on the nightstand. On those days you migrated out of whatever room you’d spent the night in — yours or Azriel’s, although the lines were blurred — often trekking to Cagniv to escape a house where strange, new faces were coming and going with more frequency: ash-pale fae from Winter, a white-haired female from Summer with skin so dark it was almost black, and golden males from Dawn with downy hawk wings. They locked themselves in Rhysand and Feyre’s office where bargains and plans were made in blood and salt. 
Other days you carted your books to Feyre’s studio with Nesta and Ione in tow, perching on a stool while the High Lady crafted life out of brushstrokes like she was the Mother herself. 
Feyre stood at her easel, as she had been every day this last week, with her pencil clenched between her teeth as she ignored the faint aches in her lower back and her wrist. Every line, every detail, was attended to with painstaking precision as she mapped Nesta and the old woman’s faces onto the blank canvas first with graphite, then with a thin wash, then with layers of paint that added dimension and familiarity to the two stoic faces. Feyre didn’t let her passion overtake the more clinical approach she was taking with this piece. This was not the time for free flowing movement and modernism. 
This was all about realism. 
Exactness. 
When the High Lady placed her brush on the muddied water cup beside her, you jumped up. “Is it finished, Feyre?” 
“As finished as it will ever be,” Feyre responded gravely as you took in the sight before you. Three women: Nesta, Ione, and some mixture of the two. Feyre had captured their likeness with incredible precision, using the painting to familiarize herself with their faces and the ways they could be warped and molded.  
You peered over the corner of the canvas to where the two women were standing side by side. Ione lengthened her spine, cane clasped in her hands that you’d never seen her lean on with her full weight. Time had condensed her bones and stolen some of the height from her frame, but none of her sharpness. It was a trait that granted her a strange degree of likeness to Nesta, as if you’d glanced into a future where she’d never turned fae. 
You looked at Feyre, then down to the vials of blood you’d collected from the pair. Already your magic was seeping into the burgundy bottles, testing its boundaries with such an unfamiliar medium as you released any hold you had on it. You looked at the High Lady and nodded. 
It just might work. 
“My brilliant daughter,” Helion praised, kissing you on the top of your head before disappearing in a flash of light. His empty teacup spun on the saucer. 
You felt a familiar flicker of pride grow within you. Helion had spent hours pouring over your notes, your manuscript, and leaning his ear towards your plans. He was in agreement. 
It just might work. 
Lucien slunk out of his room after Helion’s voice disappeared and sank into the abandoned couch with his whetstone and white-bone blade. The ring of metal echoed through the room, melting into the birdsongs that slipped in through the cracked open window and the clatter of sugar spoons against a porcelain plate.  
“You should tell him,” you said again, pushing a teacup over to your brother. It was a common refrain after Helion’s visits. 
Lucien stared at the three cups now strewn across the coffee table. Two empty. One full and untouched. Had Helion noticed the extra one? 
“I’ve had enough of High Lords for a while,” Lucien said as you poured yourself another strong cup, “When this is over, I’m taking Elain, Jurian, and Vassa back to the Human Lands.” His eyes flickered over to you briefly, “You should come live with us. You’d find it interesting how they conduct themselves. You might even learn something.” 
“I’ll visit for a short time, but nothing longer than that.”
“Why not?” You lowered your gaze and blushed, unconsciously tugging your sweater higher up your neck. The sweet marks Azriel’s lips had left on your skin were long gone, but you swore you could still feel them. “You know why.” You murmured softly. 
Your swollen eyes spoke of restless nights without the Shadowsinger’s hands to lull you to sleep. Azriel had gotten into the habit of stroking your cheek while you talked in bed, until the steady brush of skin against skin finally had your eyes closing shut. You missed him. 
“Lucien, I understand that you want nothing to do with Helion or any other High Lord, but… You could be better. I know you could be. You could be the best High Lord of them all, if you’d only be open to it.”
Because that was Lucien’s worst fear, wasn’t it? That a time would come when Helion would leave this world and any hope for a quiet, peaceful existence with Elain would be gone.
“And what if you’re wrong?”
You touched his wrist and the blade stopped its strange singing. “‘It’s often those who think they deserve it least, that deserve it most.’ Pippin Clodshot from—”
“A Duel of Two Faces by Aechtion.”
You reared back in surprise and Lucien grinned, tapping your nose. “I do read, sister.” 
The sarcasm in his voice was laid on so thickly you could only grumble in response. “I wasn’t aware you had two brain cells to rub together, brother.” 
Lucien laughed so heartily and for so long that Elain and Ione stuck their heads out from the kitchen in conern. 
“I thought someone was dying.” Ione rolled her eyes before her grey head disappeared once again. 
You slid further under the covers, burying your face in Azriel’s pillows as the sun finally slipped behind the mountains and shadows raced each other to the Sidra. 
Seven days. 
Seven days of waking up to empty sheets after Azriel had jerked awake halfway through the night, bloodshot eyes searching for something you couldn’t see and that he didn’t tell you about. He’d only kissed your forehead, smoothing back your hair and murmuring something about a task he needed to take care of before shrugging on his leathers. You’d sat in bed, comforter tucked under your arms and over your chest even though you were fully clothed, and watched Azriel move around the room with a practiced air as weapons flashed in the moonlight and disappeared into his bag. 
You knew all the hiding places in his room now — one of the many secrets you’d unearthed — so you didn’t find it at all strange when he captured your lips before dipping his hand beneath the mattress and pulling out a long serrated blade, perfect for sawing rope and wood. 
“Where are you off to this time?” 
Azriel had gone still, taking his time to shake away his thoughts before sweeping a handful of stoppered vials off his desk — sleep potions, draughts for pain and healing, subtle, painless poisons. You would know because you had helped make them. 
“I’ll be back before you know it, Y/n,” He’d whispered, eyes boring into yours with a haunted look that hadn’t left him since that day in the market square. 
Ten days.
Ten days of carrying around a heavy ache that every so often tightened with a feeling you couldn’t name. Almost as if it didn’t belong to you.
You paced back and forth in Azriel’s room, trying to calm a heart that hadn’t stopped racing for the last hour. You’d tried opening, then closing the windows as you curled up beneath the covers of his bed, mountain air blowing the curtains open and chilling your too hot skin. But none of it helped. 
Chasing his scent in the sheets wasn’t enough anymore. 
You tiptoed out of Azriel’s room, copying his silent steps and sticking to familiar shadows as you slipped through the House. Like Lucien, you tended to stay hidden whenever representatives from other Courts visited the River House. They were people Rhysand and Feyre trusted, but that didn’t mean you could erase centuries of wariness from your bones. 
You heard nothing coming from Feyre’s studio, but you knew that if you were to sneak through the layers of air she’d sealed around the space, you’d meet a male carved from molten heat. 
You waited in one of the spare studio rooms for the High Lord of Autumn to leave, eyes peering through the slit between the door and its hinges. If you stared for long enough, you swore you could see the air beside the door rippling with Autumn heat. 
Finally, Eris Vanserra stepped into the hallway in all his striking glory, followed closely behind by Lucien. Violently red hair hovered over a pale, freckled face composed of angular lines — striking but not unkind. You thought he looked like a lit match with his wiry frame wrapped in resplendent browns, reds, and golds that spoke of forest riches. Or maybe he just looked narrow when standing next to Cassian. That was always a possibility.
“Thank you, Eris.” Feyre squeezed his hand reassuringly. She wore similarly decadent clothes. The moonstone and diamond crown perched atop her light brown hair was a rare sight, but Feyre wore it as naturally as she wore her paint splattered overalls. She was an artist and a High Lady in equal measure, and she sacrificed no part of one in favor of the other.  
The newly minted High Lord of Autumn chuckled darkly, eyes flashing like a living flame. You’d heard horrible tales about Beron Vanserra, his cruelty, and his violence. But whatever traits Eris had inherited from his father he’d sloughed off like a second skin. The molting process had been full of its own pains, but as you assessed him now, you saw only the characteristics he shared with Lucien.  
“Don’t thank me yet. Not until my feet have touched the Continent.” 
“Let’s hope it doesn’t come to that.” 
Eris tipped his head, a smirk on his face, then disappeared in a flush of woodsmoke. 
Spring, Winter, Summer, Day, Dawn, and now Autumn. The seven courts had slid into an uneasy alliance once more, weary but willing after decades of war. Feyre wasn’t sure how much more Prythian could take if this transformed into another bloodbath. But if the fledgling plan you’d all helped nurse came to fruition, it wouldn’t come to that… at least that’s what Feyre kept telling herself every night so she could sleep. 
The High Lady jolted back when you slipped out from your hiding spot, cast in a halo of cool-toned light from the dying sun. Cassian shared in Feyre’s surprise. They hadn’t heard you come up the stairs or pass by the door. They hadn’t even sensed you until you made your presence known.
Maybe she’s picking it up from Azriel? Feyre said with some amusement. 
Gods help us all. There’s two of them.
“Where’s Azriel?” You looked to the High Lady for an answer, hands held stiff at your sides. You felt that strange anxiety clawing at your throat. It had dripped into your feelings slowly since the morning, growing like a weed until you couldn’t stop clenching your fists. “I haven’t heard from him in days.” 
Feyre felt a familiar coil of guilt settle in her stomach. 
Don’t tell her about this, Fey. Azriel had begged her, his eyes hard and tired before taking off from the back porch towards The Warren. 
He’d made all of them promise not to tell you about that place. About what he did. About what he was doing. But you weren’t a fool. You knew of his reputation as a Shadowsinger and a Spymaster and the work that came with it. You’d traced some of the scars on his body, plucking the stories from his skin whenever he let you, and you woke up when he did from his silent nightmares. The slightest change in his breathing pattern, the barest flinch of his arm wrapped around your waist was all it took for you to open your bleary eyes and shake him awake. 
But there were some secrets he was still too afraid to reveal, and some secrets he’d buried so deeply he didn’t even know what their monstrous faces looked like anymore. 
“Y/n—” Feyre began.
“I want to know.” You reached for Feyre’s wrist, grasping it so tightly your knuckles paled and Cassian stepped forward. It was a silent reminder that you had the power to take that knowledge from her if you wished. You loved Feyre. You considered her a friend. But the panic wasn’t leaving you. You stared at her desperately, pupils blown wide open. “I need to know he’s alright.” 
Feyre opened her mouth to speak, then froze as Rhysand’s velvety voice entered her mind, strained to the point of breaking.  
Feyre, you need to bring Y/n to The Warren.
<- Previous Chapter Next Chapter ->
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Author's Note:
85K+ WORDS AND FINALLY THEY'VE FUCKING KISSED HOLY SHIT
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I really must applaud you all for your patience because hot DAMN I am FLOORED!!! And yes, yes, I know, I know y'all want Y/n to figure out their mates and I will simply be pleading the fifth and hiding in my room and not telling anyone of you when that will actually happen because I simply cannot! ASFDK;JABSLDFIGUH
*takes a deep breath* Thank you all so much for reading and for your engagement whether that be leaving comments or liking or literally anything because it makes my day and I'm just happy that my passion project/hobby is able to bring people some smidgen of joy because the world really sucks but hey at least we have fanfics
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pazzesco · 7 months
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🎨Winslow Homer
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Winslow Homer | The Life Line - 1884 - Philadelphia Museum of Art
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Detail - Homer's composition puts us into the midst of the action with massive waves rolling past, drenching the semiconscious woman and her anonymous savior on a breeches buoy.
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Winslow Homer in 1880 - Born: February 24, 1836 – Died: September 29, 1910
An American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters in 19th-century America and a preeminent figure in American art.
Largely self-taught, Homer began his career working as a commercial illustrator. He subsequently took up oil painting and produced major studio works characterized by the weight and density he exploited from the medium. He also worked extensively in watercolor, creating a fluid and prolific oeuvre, primarily chronicling his working vacations.
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Winslow Homer | The Fog Warning - 1885 - Museum of Fine Arts, Boston, Boston, U.S.
The painting depicts a lone fisherman in a dory who has caught several halibut but now sees fog blowing up, threatening to cut him off as he rows back to his ship.
🔽 Bonus Homers 🔽
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Winslow Homer | The Herring Net - 1885
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Winslow Homer | Boys in a Dory - 1873 - Metropolitan Museum of Art
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Winslow Homer | Breezing Up (A Fair Wind) - 1876 - the National Gallery of Art in Washington, D.C.
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Winslow Homer commemorative issue of 1962
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Winslow Homer | Shooting the Rapids, Saguenay River - 1910 -> This was his final painting & it was unfinished.
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