Famous actor Steve Harrington known wife guy. Spends decades of interviews talking about his wife Robin and all their misadventures—a lot of those stories also include their friend and next door neighbor, Corroded Coffin frontman, Eddie Munson. Then with the advent of social media a lot more people are posting about him being seen with Eddie, and are convinced that Steve and Eddie are cheating. This makes Steve have to out himself and explain that he and Robin are in a lavender marriage. (Not that it wasn’t an open secret in Hollywood especially with how close Robin and international pop sensation Chrissy Cunningham are)
People occasionally ask to see a decision tree for Scarlet Hollow, so a while back I put one together for episodes 1-4! It’s not comprehensive, as most scenes at this point have at least some variation due to any number of tracked variables, but it accounts for most of the really major deviations.
For those who don’t want spoilers but would like to hear about how we kinda structure the game: I like to talk about it as more of a braid than a tree, which is not a new concept or anything, but I feel like it helps other narrative designers understand how to limit the absolute vastness that you can get with branching structures. The narrative branches off at decision nodes, but instead of continuing down significantly different routes, it comes back together at key moments. So there’s a single narrative throughline to the game-- events unfold in the town and you witness them in some capacity, but your perspective on them, who you’re with, the options available to you, all these are impacted by other choices you’ve made along the way, including the character traits you chose at the start of the game.
It’s not necessarily easier than doing routes, since it means Tony and I have to keep track of a ridiculous number of little variations including one-off dialogue choices players have made AND steering players to the important narrative moments can be tricky, but I think it makes for an interesting player experience! People get so excited when, say, a line at the end of Episode 4 calls back to something they said when they first met Tabitha at the beginning of Episode 1.
ANYWAY, HUGE SPOILERS UNDER THE CUT, do not proceed if you don’t want to know about basically everything that’s currently in the game!
Things start to get a little hard to read from here on out....
Episode four had to be broken into four images and looks like spaghetti
I’ll make another one of these for Episode 5 after it comes out sometime next year! (I know that’s a bit of a wait but it’ll be worth it >:D)
sometimes i think about an AA universe where Edgeworth didn't have to be shuffled off every 5 seconds so he could maintain credibility as a rival....where Phoenix didn't have to win every case...yes AA is a game yes i understand why it did that for the narrative. but when I look at those lonely scared 24 year olds from AA1 i can't help but think that their version of a happy ending would be to be able to get used to each other. to face each other over stupid cases and small things. Sometimes one winning, sometimes the other, until it hardly matters anymore, all that matters is finding the truth together. I want them to take each other for granted!!! i want them to look at the other across the courtroom and say "time to face this bitch for the hundredth time i guess!!" these poor bastards have never had anything approaching emotional stability before let them have each other damn it
Actually curious as to what people’s general opinion of Ozbert is in this year of 2023. Does shipping them equate to getting hashtag cancelled? Are they still The OTP of the series?? Or are they strictly Platonic Besties For Life. I do not know
It’s weird tho bc obviously if you’ve read the manga you KNOW their situation is very Complicated™️. When they were both the same age it was fine but then Oz got yeeted into the Abyss and time jumped 10 years forward while he was in there for like 3 days and suddenly Gil’s like. 9 years older than him. But then Uncle Oscar still classifies Oz as being 25 even tho he’s physically 15. And then we find out that Oz’s body isn’t even HIS it belongs to Jack so that’s messed up. AND we find out Gil’s actually not just 24 he’s OVER 100 years old bc Baskerville shit. And THEN we find out Oz is actually the true B Rabbit so that makes it so he’s probably even older than Gil is. When we get to the end of the series they’re both canonically confirmed to be hundred(s) of years old so I’m sitting here like. Well,
ALSO looking at these manga panels and official artworks and stuff from the anime I’m like
Well, there’s definitely SOMETHING going on there, that’s for sure,
sorry sorry last time I'm talking about huskerdust tonight but does it fuck anyone else up knowing that Husk and Angel basically lived at the same time but were on opposite sides of the country. But also Husk went traveling. Like these two could have met while they were alive and wouldn't even know it. They didn't even know the other existed until they met at the hotel
i've been thinking why i don't enjoy soulmate AUs at all and i realized it's because they take away the whole ordeal of "i chose you, against all odds, i chose you" that i am so weak for in fiction
bound by fate? no. i want bound out of spite. bound by a love that we clawed out of mud and blood. bound by tearing your heart open and letting the ocean waves in. bound by a stubbornness that is sharp like a knife and melts away the moment you cup my face in your hands. bound by the way i'm drowing in your deep brown eyes when you gaze at me at 2am in the conbini. bound by a love we chose, no matter how messy it gets.
in every new universe i will choose you again, no matter if you fall to your knees or hold a knife against my throat. i will choose you
more of my oc tervis (any pronouns), the creepiest most miserable little weirdo in town. which is saying something [id under cut]
/ ID: four digital drawings.
The first image is a series of drawings of Tervis on a paper-textured background. A heading at the top reads 'Tervis (Humble)'. One is a coloured headshot of Tervis looking to the left; they have a gaunt face, short receding hair, a scar bisecting their lip and right eyebrow, greyish skin, and are wearing a red shawl around their neck. An arrow pointing at their right eye reads 'one blue eye (mostly blind)'; another arrow pointing at their left eye reads 'one brown eye'. They have a serious, hostile expression. The second drawing is an uncoloured full-body sketch of Tervis. Next to this is the same drawing but coloured and with more polished lineart. Tervis is a thin, hunched figure wearing a long, dark brown robe, a greyish bag on their back, and a red shawl around their head and neck. They are barefoot, and are leaning on a walking staff with both hands. An arrow pointing to the walking staff reads 'needed for walking, useful for hitting'. Tied to the belt around their waist are several long scrolls of paper with writing on them. An arrow pointing to the scrolls reads ''blessings' they paste on infected houses'. Tervis is looking warily out at the viewer from beneath their eyebrows. An arrow pointing to their head reads 'scar from getting hit in the face with a brick (also knocked out a tooth)'. Alongside these drawings are a series of bullet points giving information about Tervis. These read:
indeterminate age, indeterminate gender
religious fanatic (unclear which religion)
lives alone somewhere in the steppe
dislikes everyone but is nicer to children than anyone else
has every disease
The second image is a fake screenshot from the video game Pathologic. Tervis is looking out at the viewer; the background shows scenery from the steppe. The text on screen reads:
CHANGELING: I still don’t see what you could have done that would make you personally responsible for this plague.
TERVIS: Responsible… no, not merely responsible! This is my plague, cast upon my head alone. I am the originator; my sin is at the root of all. I have ventured into the town. I have seen the canker there. No matter how many houses I bless, my sickness sinks deeper. The rotted limb is the death of the body… Surely you understand me. You are a healer, are you not?
CHANGELING: What is it that you are asking me to do?
TERVIS: Let me be the lamb, worker of miracles! My blood shall wet the earth, and bright flowers shall grow… My putrefaction will provide the soil within which new life will burgeon, pure and free of sin and decay. Let it be done. I am ready. My failing flesh is but little sacrifice; in death my weakness will be my strength. Soon these torments will be at an end.
Below are two dialogue options:
You’re insane!
What makes you so sure your death would solve anything?
The third image is a fake screenshot from the video game Pathologic 2. Tervis is looking out at the viewer, and has been painted in semi-realistic style. The text on screen reads:
Tervis: Why do you force me to live? Damn you! Your cure is poison to me. Now I shall never be blessed. You should have left me to bleed.
Below are three dialogue options:
Don’t be absurd. I wasn’t going to watch you die.
What makes you think you deserve suffering?
I wish I had.
At the bottom of the image is a line of dialogue which Tervis has just spoken:
The air is foul. There is rot in this place. The stench of corruption shall be – what was it? What was it? The stench of corruption shall be… swept aside…
The fourth image is a coloured scene depicting Tervis and Clara. They are central in the composition; around them is the steppe, which has been rendered in a loose, painterly style. Tervis is kneeling, their walking staff cast aside, and are reaching out their hands to Clara in a desperate, pleading gesture. They are crying, their face contorted in an expression of agonised ecstasy. Clara stands beside them, one hand reaching out, the other held above Tervis’s head as though about to touch their brow. She has a solemn, pained expression. Behind her head, a break in the dark clouds gives the impression that she is haloed by sunlight; rays of the same light fall onto Tervis, illuminating their face and red robe. End ID. /
Okay, let's talk about the recent Natuyuu chapter for a little bit ... and something that just moved me to tears ><
let's ignore that the appearance they teased was for the cats and not what I wanted and wished for which's fine I'm fine I knew it was impossible .. yet hoped nonetheless
the chapter was really cute indeed, but I was shocked that the Reiko's pic was gonna be addressed right after the reveal !!! that took me by surprise yet a very happy one to confirm what I was saying back then ...
but before that, the way Natsume started to realize and know for sure that that might've been Reiko by remembering his father was too much for me ...
this chapter was such a good demonstration of how much our little sunshine has grown so much emotionally ... I was tearing up seeing him trying very hard to remember that blurry memory of his father taking him to an amusement park T^T
the boy who forced the memories out of his system so as not be broken down by it .. the same boy who refused to see the only parents' picture he had so that he won't be hurt or cry when he sees them ... who always pretending to be fine talking about his real family .. who ran away from any mention of them that he just purged any faint memory he once had till the point he really forgot everything related to them despite how this act of itself was hurting him deeply ...
this same boy right now is doing his best to remember his own father .. to remember a said precious memory .. he was trying really hard something the past Natsume would never do .. but sadly, all he managed was those blurry images .. he no longer remembers his father's face .. yet he wasn't broken down or sad .. he was actually happy as if he holds something dear to him .. that even if it's blurry, even if he no longer remembers it much ... the fact that it exists no matter how faint it was was enough for him .. he does have such a happy memory inside of him afterall .. he was content by this alone .. not pain or sadness but happy to know it was there ..
I can't say it well enough how much he has grown up now ...
and when by the end he did remember this faint memory very clearly .. he didn't cry or was sad (I sure was tho) No, he was very happy as if he was above the clouds dreaming something nice ... even Madara comment that he was weirdly happy and daydreaming ...
this was just ... how to say it ... it just moved me to tears with happiness ..
and his father ... his father was such a kind loving father which just break my heart even further .... Natsume didn't cry but I cried in his place ... even tho I was also happy and proud of him so much ..
Now to Reiko ...
I really was happy how Midorikawa-sensei proved my point when I said that Natsume lacks the ability to recognize a happy Reiko because he just never seen her like that, so even when that picture was indeed Reiko Natsume's mind was like "a girl that looked like Reiko" ... I won't dig deeper for this since I already did for a bit in a different post.
"if that picture was indeed Reiko, is the reason I didn't recognize her because that was an expression I have never seen before ?? I think that smile perhaps was ...."
the way Midorikawa-sensei let Natsume realize that through his father's memory was clever yet cruel to me .. while also proving that that smile was indeed toward someone she loved (her husband) .. a kind of smile that you show to someone dear to you like the loving smile Natsume's father showed to him in that memory ...
now was the artist her husband ?? or was it a 3rd party who knows both of them, so they only captured the moment ?? in the first place why was her picture in an exorcist auction ?? I guess that the next question that Natsume needs to address now that he confirmed she was indeed Reiko :)
slowly but surely, the grandfather reveal is upon us and I'm here for it and all the pain he will bring with Reiko's full story :)
PS : a funny thought that occurred to me when Natsume was thinking " what kind of person will buy that picture I wonder?" and my mind went "who knows, maybe he will be Yorishima as plot twist" as if that shut-in exorcist will go to auctions or even leave his house for that matter xDD
"[Elizabeth Woodville's] piety as queen seems to have been broadly conventional for a fifteenth-century royal, encompassing pilgrimages, membership of various fraternities, a particular devotion to her name saint, notable generosity to the Carthusians, and the foundation of a chantry at Westminster after her son was born there. ['On other occasions she supported planned religious foundations in London, […] made generous gifts to Eton College, and petitioned the pope to extend the circumstances in which indulgences could be acquired by observing the feast of the Visitation']. One possible indicator of a more personal, and more sophisticated, thread in her piety is a book of Hours of the Guardian Angel which Sutton and Visser-Fuchs have argued was commissioned for her, very possibly at her request."
-J.L. Laynesmith, "Elizabeth Woodville: The Knight's Widow", "Later Plantagenet and Wars of the Roses Consorts: Power, Influence, Dynasty"
The fact that no one across all of DC fandom (as far as I can tell) has mined the beautiful comedic potential that is the night and day difference between Tim and Damians current canonical love interests