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#OR THAT PEOPLE LEARN TO FUCKING READ
reefyslider · 7 months
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How dare you say we piss on the poor
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originalartblog · 3 months
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Apparently much-needed reminder that reposting artists' art (by saving the images or screenshotting them and reuploading them yourself) on other platforms without the artists' expressed permission and without credit is theft and an insult to their passion and craft. You are profiting (in views, in attention, in feedback) from someone else's work and ideas, who do not get that feedback for sharing their creation.
If you are an art reposter, you are a thief and I have no respect for you.
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bizarrelittlemew · 8 days
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top/bottom discourse and dom/sub truthers this and that, none of that can touch me because i headcanon them as vers and switch and whatever is best for the bit and therefore always win. look at all the beauty in the world
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arotechno · 3 months
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these tags have been bothering me for a few days now. i understand wanting some private time at home with your partner, but can you not see that this is EXACTLY the attitude i'm talking about?
does your third housemate ALSO get an allotted time where you and your partner have to leave, or is it only for you? is this something you coordinate on days when your housemate is already independently making other plans, or are you just expecting to be able to kick them out of the house at will like this is a college dorm room?
this isn't a situation where you are three equal parties building a life, this is you and your partner treating someone else like a third wheel you wish would go away and a money bank to help you pay your bills. if that works for all parties involved then it's no skin off my nose, but can't you see that this is literally not at all the situation that i was describing? i'll make a very personal post about how it hurts when people act like my housemates would be justified in trying to get rid of me and alloromantic people will literally be like "this sounds great—as long as i can get rid of you!" like do y'all hear yourselves. do you actually see the words when aros post or is it just static for you.
this is the way people talk about their children, how they want their children out of the house so they can have some alone time. not the way you should be talking about a fellow adult who literally pays for and whose name is on the deed of the house you all live in. aro people aren't housepets.
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liorlen · 6 months
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Pyr y’n gwna ni byrhoedled? / Digawn llawryded, / kywestwch a bed.
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puppetmaster13u · 3 months
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Prompt 210
The battle had been long. Long and destructive, power rolling from both combatants as they launched at each other and tore through armor and flesh alike. 
Islands fell from the skies with every clash, swaths of utter annihilation following as they fought long after their armies had finished. Wings swept great gales of wind that shadows raced to block, fire meeting fire and claws meeting blade as two beasts brawled. 
Finess was no longer a thing needed- this was all about who could last longer now. One who fought for itself, for its legacy of tyranny, and another who fought together, as one. 
The battle was long, no one quite sure how long but enough to be called as such. It could have been hours, it could have been days, it could have even been centuries in this mauling of what was and what could be.  
And finally, the One-That-Was-Many rose victorious over the king before it, dead once more at its talons, wings spread to usher in a new era for the realms. 
Or at least, that was how the tale went, according to Marvel. Even he wasn’t sure what parts of it were true or simply legend, but it was an interesting story all the same. It kept the kids entertained at least, and caught the others attention so there was that.
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gay-jesus-probably · 11 months
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Seeing as the Gerudo turned on Ganon, he might not have been that much better of a ruler.
First of all, we literally have no idea, because the only ancient Gerudo that we actually get to interact with is Ganondorf himself, and he has nothing to say about his own people. The ancient Gerudo sage doesn't count btw, she doesn't have a name, we never even see her face, and she has literally nothing to say except repeating the exact same dialogue as the sages for the other races. The narrative does not treat the ancient sages as people; they are four completely interchangable weapons that are owned by the royal family.
And secondly, I don't care how Ganon ruled them; the Gerudo only get one man every century, if their king sucks, they've obviously got their own system of government to fall back on. I have no idea what kind of authority the sages had among their own people, but honestly I'd say if the four of them were in charge of their respective people, then they were just puppet rulers appointed by Rauru, given that all four of them happily agreed that to sell their entire race into servitude the second Zelda asked them. Say what you will about Ganondorf, but I fucking know that if he was told the Gerudo people existed for the sole purpose of serving the glory of Hyrule, he'd drop kick Zelda into the fucking sun.
And don't get me started on the implications of the cultural differences we see between the independent Gerudo and the annexed Gerudo. The background Gerudo characters all have their own models, and we can clearly see that the ones siding with Ganon have their own unique looks - for example, the amazing lady with the mohawk that summons the molduga swarm in that one flashback. And men are never mentioned in these flashbacks at all, which implies that the Gerudo genuinely didn't care about settling down. Ganon even speaks derisively about marriage, implying that it's very rare for Gerudo women to make serious romantic commitments with men. It implies that their culture is more along the same line as their portrayal in OOT - they are a closed culture. Men trying to force their way into their areas are arrested, and mocked for being entitled dumbasses. Outsiders are only welcome if they can prove that they respect the Gerudo as people, and aren't just there to try and pick up chicks. It's never outright said, but OOT also makes it pretty clear that the Gerudo women just aren't interested in marrying outsiders - close relationships occur with other Gerudo, Hylian men are only considered useful for making babies.
Meanwhile the Gerudo we see serving Hyrule are all trying to measure up to Hylian beauty standards, and appeal to their men. Their one goal in life is to meet a man and get married. Men are welcome in their lands, and only kept out of the town itself... and even then, there's a small army of guys trying to force their way into the town anyways, which is brushed off as just haha, boys will be boys. No men allowed isn't even about independence, it's just a silly romantic tradition.
Of course this is just a fictional culture in a game world, but it's still really fucking uncomfortable that the 'evil' Gerudo are the ones that have independence, both politically and socially, and display a unique culture that refuses to tolerate disrespect from outsiders. Meanwhile the 'good' Gerudo are the ones that canonically exist to serve a kingdom where 95% of the population is light skinned (even setting aside the unfortunate implications, just saying one race exists to serve a different one is super fucked up), they have classes on how to be more appealing to Hylian's, and their entire social structure is built around finding a Hylian man to marry, making them all inherently dependent on the goodwill of outsiders. Even their biggest value of 'women only' is treated as a joke; men trying to trespass in BOTW are just shoved back out the door, letting them keep trying all day if they want. The crowds of men plotting to force their way in are laughed off as a joke. Nobody cares that there's a guy running laps around their city walls and trying to trick women into being alone with him. I mean for fucks sake, in TOTK we find that the creepy guy trying to lure women away has taken advantage of a massive disaster to get into the town, and he's still there once things return to normal. You can't kick him out, or alert anyone to his presence. And the Gerudo just tolerate Hylians blatantly ignoring their boundaries. For fucks sake, TOTK even reveals that the seven legendary heroines they've been revering the whole time were actually completely useless and unable to achieve anything... because they needed the eighth hero, a Hylian man to teach them basic tactics and do all the heavy lifting.
TOTK does not respect the Gerudo people in the slightest. It doesn't respect anyone who isn't Hylian or Zonai.
...This got a little off track, but the point I'm trying to make is, no, I don't consider the Gerudo turning on Ganon to mean anything. The entire game does not feel like the real story of what happened, it feels like the propaganda version of history meant to make Hyrule look as good as possible. I genuinely cannot believe that we're being told the real story about the Imprisoning War, because none of it feels real, and we don't get to know any details that might have made Hyrule look even slightly imperfect. We're told that Ganondorf is evil because he hates Hyrule, and he hates Hyrule because he's evil. The Gerudo people followed Ganondorf and saw him as a hero of their people, then suddenly he was their worst enemy. Hyrule is a perfect kingdom that has strong, equal alliances with the other races, but also all of the non-Hylian races exist for the sole purpose of serving Hyrule, and their leaders are expected to swear eternal loyalty and submission to the Hylian royal family. King Rauru and Queen Sonia united all of the races in peace and equality, which is why they're sitting on the world's supply of magical nuclear missiles, and every member of the Hylian royal family is allowed to walk around wearing them as cute accessories, but everyone else only gets them at the last second, and they all need to outright swear to only use that power to benefit Rauru and his descendants.
There's just so many fucked up contradictions, and so many hints of something more nuanced going on... but the story refuses to acknowledge any of it, and just keeps aggressively pushing the narrative that Hyrule is the ultimate good and couldn't possibly do anything wrong. I don't even believe that Ganon was a bad king honestly; we never hear why his people stopped following him. We also never even see if the Gerudo people turned on him at all; all we know is the ancient Gerudo sage wanted him dead, and given that she also happily sold her people into slavery, she's not exactly the most trustworthy source of information. All we know is that Ganondorf was a hero to his people, only one of his citizens is ever shown having an issue with him (and her motives are never explained), and then he lost the war and was sealed away, leaving his people open to be conquered by Zelda and annexed into Hyrule. By the time we see any Gerudo actually opposing Ganon (apart from the ancient sage), it's been ten thousand years since the war, and all anyone knows is the Hylian version of the story.
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sickfreaksirkay · 19 days
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when people say it's stupid to learn latin because it "isn't useful" i literally go crazy wild like i get violent and aggressive and start gnashing my teeth looking like a dog with rabies or something
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I will never fucking be over Speck. We all watched the girl we spent 1.6 million words with, that we saw grow and fight and bleed and never give up, slowly and noticeably degrade and become a paranoid hollow shell of her former self. She slowly lost her ability to speak, read, write, comprehend words, or read body language, and everything she lost made her break down more with the realization. So many themes reached their peak, from Taylor's desire to throw herself away and burn up for a good cause, to her willingness to commit truly horrifying acts for the greater good, to her desire for everyone to just fucking band together and put aside their differences against a common foe. There's so many amazing moments like Lisa verbally eviscerating her, to the breakdown when she thinks she killed Dragon, to her handing Dinah the "I'm sorry" note before taking control of her. And I haven't even gotten into the ever increasing connection between her and her passenger and how damn well that was done, or the way her thoughts become shaky and unhinged, or the conversation at the end with Contessa, or the way Rachel steps into her radius because she trusts her, or Aisha singing the entire time and comforting Taylor as she unravels. I swear to god I barely covered half of what I love about Speck in this post, it has so much and it's the perfect ending to the such an interesting character and story. It's genuinely my favorite piece of writing ever, I have not once managed to read it without crying. She tries so fucking hard and in her infinite determination and disregard for herself she kills god. God it's so good.
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mylimoji · 6 days
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wait, so are we meant to be supporting our fellow artists and people in true commie fashion, or are we meant to kick them to the curb at the first sign of trouble into a brutal underpaying job market? p capitalist mindset of you comrade xxx
FELLOW ARTISTS????? WHO MAKE LIKE 100K PER MONTH????
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crescentfool · 9 months
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the persona 3 protagonist 25th anniversary nui in food appliances!
#lizzy speaks#persona 3#minato arisato#makoto yuki#guys friendly reminder that this is what adulthood is about dont listen to anyone who calls you cringe#hence why im putting these in the main tags. i mean they're not incorrect for what the photos are about. lmao#anyway this was a very fun birthday!!! i feel very loved and supported by so many people and i got to do very fun things (like this)...#i think... birthday is like thanksgiving to me. in the gratitude respect.#a reminder of all the lovely people that i have gotten a chance to meet and how i've learned from them#it makes me very happy to have been born... i think every day is a great day to celebrate life's grandeur + brilliance + magnificence#it's just a very poignant and strong feeling that i have that i'm happy to have met so many wonderful people#and while there are some people i've only known for brief periods of time or people who i havent really been good at keeping in contact wit#i do cherish it! im so grateful. so happy that there are people who cheer my silly shenanigans on#while there are ways in which aging makes me go “oh hmm” i think overall i'm happy that i get to keep on living and learning#i have so much fondness for humanity and people... like even if i dont get to talk to ppl directly i just get very emotional yknow#like wow.. you exist.. thats so fucking awesome... i hope you have an awesome day... im glad our paths could cross#if you have read up to this point of my tags.. thank you for reading and being part of my life#i will keep on being the silliest guy ive ever known! cheers to more shenyanigans and self-discovery :3
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themoonking · 4 months
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the book trend that needs to be left in the dust for the new year is greek mythology retellings. i am so sick and tired of "retellings" of greek (or roman, but mainly greek) mythology from authors that clearly have a very surface level pop cultural understanding of the myth(s) they're adapting and the culture(s) they're depicting. especially the many that market themselves as "feminist retellings" where the "feminism" is basically just "men bad sometimes", and especially when they're "feminist retellings" that take some of the few mythological women who get happy endings and take it away from them for the sake of saying "men bad sometimes". it's all so shallow and they exploded this year and i'm sick of it.
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bonefall · 5 months
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post/734733274896809984/do-you-ever-worry-your-own-writing-might-come-off that makes sense. i was asking because i'm afraid of accidentally writing misogyny myself and i kind of admire what you do
Hmm... I wish I had better advice to give you on this front, but honestly, the only thing I can tell you is to consider the perspective of your female characters.
Women are people. They have thoughts and feelings of their own, so like... just let them have their own arcs. A lot of the worst misogyny in WC comes from the way that the writers just don't care about their girls (or, in the case of tall shadow, actually get undermined and forced to rewrite entire chapters), so they're not curious about their lives, or WHY they feel the way they do or what they want, or any direction for their character arcs.
Turtle Tail as an example. She'll often just end up feeling whatever Gray Wing's plot demands. She's gotta leave when Storm dumps him to make him feel lonely. She shows up again to love him in the next book. Lets her best friend Bumble get dragged back to Tom the Wifebeater, but is sad enough about her death to be "unreasonably angry" with Clear Sky, and then calms down and accept Gray Wing is right all along.
And then she dies, so he can have his very own fridge wife.
In this way, Turtle Tail's just being used to tell Gray Wing's story. They're not interested in why she would turn on Bumble, or god forbid any lingering negative feelings for how she didn't help her, or even resentment towards Clear Sky for killing her or Gray Wing for jumping to his defense. She isn't really going through her own character arc.
She does have personality traits of her own, don't misunderstand my criticism, but as a character she revolves around Gray Wing.
So, zoom out every now and then, and just ask yourself; "Whose story is being told by what I wrote? Do my female characters have goals, wants, and agency, or are they just supporting men? How do their choices impact the narrative?"
But that's already kinda assuming that you already have characters like Turtle Tail who DO have personalities and potential of their own. Here's some super simple and practical advice that helped me;
Tally the genders in your cast. How many are boys, how many are girls, how many are others?
And take stock of how many of those characters are just in the supporting cast, and compare that to the amount you have in the main cast.
If you have a significant imbalance, ESPECIALLY in the main cast, fire the Woman Beam.
It's a really simple trick to just write a male character, and then change its gender while keeping it the same. I promise women are really not fundamentally different from men lmao. You can consider how your in-universe gender roles affect them later, if you'd like, but when you're just starting to wean yourself off a "boy bias" this trick works like a charm.
Also you're not allowed to change the body type of any girl you Woman Beam because I said so. PLEASE allow your girls to have muscles, or be fat, or be old, or have lots of scars. Do NOT do what a cowardly Triple A studio does, where the women all have the same cute or sexy face and curvy body while they're standing next to dwarves, robots, and a gorilla.
Or this shit,
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If you do this I will GET you. If you're ever possessed by the dark urge, you will see my face appear in the clouds like Mufasa himself to guide you away from the path of evil.
Anyway, you get better at just making characters girls to begin with as time goes on and you practice it. It's really not as big of a deal as your brain might think it is.
Take a legitimate interest in female characters and try not to disproportionately hit them with parental/romance plots as opposed to the male cast, and you'll be fine. Don't think of them as "SPECIAL WOMEN CHARACTERS" just make a character and then let her be a girl, occasionally checking your tally and doing some critical thinking about their use in the story.
(Also remember I'm not a professional or anything, I'm just trying to give advice)
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nostalgia-tblr · 1 year
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I feel like anyone who's about to embark on attempting to type out a character's accent phoentically (at least as well as one can with English) should probably stop for a moment before they get going and ask themselves, "How would I, myself, feel about a fic where the one character who sounds like me had their speech written out like this and every other character just got their dialogue left in standard spelling?" I feel like a lot of people would tone it down a bit, at least, if they'd done that thought experiment first.
(Anyone who answered "but I don't have an accent!" isn't allowed to write out anyone else's accent, ever. This rule may seem harsh but you need it. Really, you do. Because you've never had anyone treat your accent as abnormal or comical or wrong, so you really don't know what you're inflicting on others here.)
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avengerclasses · 1 year
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diathadevil · 5 months
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Do you ever think about how Fakir, after him and Ahiru finally broke everything that kept the town of Goldkröne in the ghostly hands of its writer, after they finally have some air of peace over the town finally being able to live in its intended early 2000s environment, that Fakir still feels at times like it's not real and that for a while he fears that if he closes his eyes it'll be back in Drosselmeyer's control. Like it just doesn't feel real to him during that first year of calm, until he feels the dull pain on his recovering hand injury and Ahiru who follows him without a pendant anywhere to be found.
He doesn't feel it's real, the calm finality of this town, but he makes sure to feel the scar on his hand. And he makes sure to hold the little duck and realize that she is who she has always been. Him and the town are finally living peacefully.
#dia talks#princess tutu#He probably starts planning on writing Ahiru into the world mayyybe like 3-4 months into his recovery#he doesn't know what a cell phone is yet but he sure as hell can look at a bookstore and ask for a notebook and pens#i bet that first year in Goldenkröne must be hell because trading deals bring all sorts of new things into the town#Just Fakir going “what the fuck is a scooter?? Wait what's a CAR---”#he ends up having to read a bunch of newspaper articles about “Goldenkröne booming in German tourism!”#Actually does he even know his country's name... Did they all even know they lived in Germany and not JUST a city????#Drosselmeyer would've really pulled one on them for only talking about the city and its outskirts and NOT the country it resided in#But let's assume they did know. Fakir would have to figure out so much has changed in 2002 Germany compared to whatever time they were in#My god just thinking about the thought of Fakir learning what a television is... or a radio for that matter has me howling internally#local amateur writer is put into a coma after hearing for the very first time german rapper Sido#alternatively: local amateur writer's brain explodes after hearing german Happycore artist Blümchen and dance pop group No Angels#ptutu spoiler#i know its a +20 old show but just in case people wanna watch it i love it enough to tag the post show headcanon#ptutu analysis#ptutu headcanon#ptutu post canon#Also sorry i keep jumbling between Goldkröne and Goldenkröne in the writing its 4 AM and the german part of my brain is a mess lmao#(its supposed to be Goldkröne but for some reason I keep making it into the attribute word Golden so dont mind the mistake)#(if you do i will sob please be gentle towards my polyglot self)
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