Phyllida Barlow (British, 1944-2023), Untitled, sunwind, 2021. Acrylic on watercolour paper, 21 x 29.7 cm.
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PHYLLIDA BARLOW
untitled: upturnedhouse, 2| 2012
Timber, plywood, cement, polyfoam board, polyurethane foam, polyfiller, paint, varnish, steel, sand, PVA
500 x 475 x 322.5 cm / 196 7/8 x 187 x 127 in
Installation view, 'ARTIST ROOMS: Phyllida Barlow', Turner Contemporary, Margate, UK, 2017 © Phyllida Barlow Estate
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Shedmesh by Phyllida Barlow (1944-2023).
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canvasracks, 2018-2019, by Phyllida Barlow. Photography: Louise Long
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Phyllida Barlow
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Phyllida Barlow, Rachel Whiteread, Alison Wilding
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Phyllida Barlow, Support Structures, Gathering Gallery, London, 2023
Phyllida Barlow, Untitled Stackboxes2015, 2015
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Tal R, again
It never struck me before, but of course there are strong art brut affinities in the art of Tal R.
“I think entering my work feels a bit like entering a Luna Park. There’s the roller-coaster, there are shooting galleries, and of course the candy floss van. There are all these different tents with different things. At first glance, it might look like I make very different types of works. But…
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NANNY MCPHEE 2005
There is something you should understand about the way I work. When you need me but do not want me, then I must stay. When you want me but no longer need me, then I have to go. It's rather sad, really, but there it is.
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“There's plenty of artists who don't have exhibitions. There's plenty of art that's never seen. And I think I'm intrigued by that. Making work that does not have a destination has it's loneliness and it's sadness about it. Many artists endure that for their entire lives, and it's heroic. The novel that never gets published, should it never have been written? Of course it should be. It's making a fantastic contribution to the culture of the moment because that individual has that huge urge to do that without any other qualifying pressures. Those are my sort of private thoughts that I think there's a lot about the art world and the way we experience art that's fantastic, but I think there's a lot, that's not entirely spoken about or recognized, which is the unseen and the unknown and the creative act as a deeply private experience.”
-Phyllida Barlow, via art21 on Instagram (x)
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Upturned House, 2012 - Phyllida Barlow
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Phyllida Barlow on our relationship to sculpture
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#PAFpicoftheweek | @webbpete captured this shot of “Antic,” one of the the gravity-defying sculptures from our “Phyllida Barlow: PRANK” exhibition in City Hall Park. On your next visit, don’t forget to look up! 🐇
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