#Sumit Sarkar

[transformers-mosaic]

Transformers: Mosaic #493 - "Logic And War"

Originally posted on June 6th, 2010

Story - Michael Granger Art - Xavier Basa Colours, Thanks to - Sumit Sarkar

deviantART | Seibertron | TFW2005 | BotTalk

wada sez: We’re following on from yesterday’s strip here, though I should note that as originally published, these comics were released months apart. Dead End’s miserably pessimistic outlook was the basis for some iconic lines from him in the Sunbow cartoon, informing his characterisation here.

#Transformers #Transformers Mosaic #Maccadam #original continuity #Michael Granger #Xavier Basa #Sumit Sarkar #Shockwave #Megatron #Dead End #Breakdown #Wildrider #Drag Strip #Dirge #Motormaster #Soundwave

[queersatanic]

Hindutva's Foreign Tie-up in the 1930s

Archival Evidence

To understand militant Hinduism, one must examine its domestic roots as well as foreign influence. In the 1930s Hindu nationalism borrowed from European fascism to transform 'different' people into 'enemies'. Leaders of militant Hinduism repeatedly expressed their admiration for authoritarian leaders such as Mussolini and Hitler and for the fascist model of society. This influence continues to the present day. This paper presents archival evidence on the would-be collaborators.

By Marzia Casolari

Source: Economic and Political Weekly, Jan. 22-28, 2000, Vol. 35, No. 4 (Jan. 22-28, 2000), pp. 218-228

'Fascist' was in Sumit Sarkar's words, "till the other day a mere epithet" ('The Fascism of the Sangh Parivar', Economic and Political Weekly, January 30, 1993, p 163). It has come to define the ideology and practice of the Hindu militant organisations. It is a common place, accepted by their opponents, as well as by those who have a critical, but not necessarily negative, view of Hindu fundamentalism. Defining the Rashtriya Swayamsewak Sangh (RSS) and, in general, the organisations of militant Hinduism I as undemocratic, with authoritarian, paramilitary, radical, violent tendencies and a sympathy for fascist ideology and practice, has been a major concern for many politically oriented scholars and writers. This has been the case with the literature which started with Gandhi's assassination and continues up to the present day with works such as Amartya Sen's India at Risk (The New York Review of Books, April 1993) and Christophe Jaffrelot's The Hindu Nationalist Movement in India (Viking, New Delhi, 1996), the latest book published on the subject, or the well known Khaki Shorts and Saffron Flags (Orient Longman, New Delhi, 1993), which came out soon after the destruction of the Babri masjid. As a result, the fascist ideological background of Hindu fundamentalism is taken for granted, never proved by systematic analysis. This is an outcome that is, to a certain extent, explained by the fact that most of the above-mentioned authors are political scientists and not historians.

It is a fact that many of those who witnessed the growth of Hindu radical forces in the years around the second world war were already convinced of the Sangh's fascist outlook. Particularly acute was the perception that the Congress had of these organisations and their character. There is no need to mention the already well known opinion of Nehru, who, right from the beginning, had pointed at these organisations as communalist and fascist.

Less well known is the fact that, as shown by a confidential report circulated within the Congress most probably at the time of the first ban of the RSS, after Gandhi's assassination, the similarity between the character of the RSS and that of fascist organisations was already taken for granted. In fact, the report itself states that the RSS

...Started in Nagpur some sort of Hindu Boys Scout movement. Gradually it developed into a communal militarist organisation with violent tendencies.

The RSS has been purely Maharashtrian brahmin organisation. The non-brahmin Maharashtrians who constitute the bulk of C P and Maharashtra have no sympathy with it.

Even in the other provinces the chief organisers and whole-time workers will be found to be inevitably Maharashtrian brahmins.

Through the RSS the Maharashtrian brahmins have been dreaming of establishing in India 'a Peshwa Raj' after the withdrawal of Britishers. The RSS flag is the Bhagwa Flag of the Peshwas - Maharashtrian rulers [who] were the last to be conquered by the British - and after the termination of British rule in India, the Maharashtrians should be vested with political powers.

The RSS practises secret and violent methods which promote 'fascism'. No regard is paid to truthful means and constitutional methods.

There is no constitution of the organisation; its aims and objects have never been clearly defined. The general public is usually told that its aim is only physical training, but the real aims are not conveyed even to the rank and file of the RSS members. Only its 'inner circle' is taken into a confidence.

There are no records or proceedings of the RSS organisation, no membership registers are maintained. There are also no records of its income and the expenditure. The RSS is thus strictly secret as regards its organisation. It has consequently... (National Archives of India (NAI), Sardar Patel Correspondence, microfilm, reel no 3, 'A Note on the RSS', undated). Unfortunately the document stops abruptly here, but it contains enough evidence of the reputation the RSS already had by the late 1940s.

This document, however, is by no means exceptional. An accurate search of the primary sources produced by the organisations of Hindu nationalism, as well as by their opponents and by the police, is bound to show the extent and the importance of the connections between such organisations and Italian fascism. In fact the most important organisations of Hindu nationalism not only adopted fascist ideas in a conscious and deliberate way, but this happened also because of the existence of direct contacts between the representatives of the main Hindu organisations and fascist Italy.

To demonstrate this, I will reconstruct the context from which arose the interest of Hindu radicalism in Italian fascism right from the early 1920s. This interest was commonly shared in Maharashtra, and must have inspired B S Moonje's trip to Italy in 1931. The next step will be to examine the effects of that trip, namely how B S Moonje tried to transfer fascist models to Hindu society and to organise it militarily, according to fascist patterns. An additional aim of this paper is to show how, about the end of the 1930s, the admiration for the Italian regime was commonly shared by the different streams of Hindu nationalism and the main Hindu leaders.

Particular attention will be devoted to the attitude adopted by the main Hindu organisations during the second world war. During those crucial years, Hindu nationalism seemed to uneasily oscillate between a conciliatory attitude towards the British, and a sympathy for the dictators. This is in fact far from surprising because - as will be shown - in those years, militant Hindu organisations were preparing and arming themselves to fight the so-called internal enemies, rather than the British.

More generally, the aim of this paper is to disprove Christophe Jaffrelot's thesis that there is a sharp distinction between nazi and fascist ideology on one side and RSS on the other as far as the concept of race and the centrality of the leader are concerned.^2

I Hindu Nationalists and Italian Fascism

None of the works mentioned above, Jaffrelot's included, deals with what I consider a most important problem, namely, the existence of direct contacts between the representatives of the fascist regime, including Mussolini and Hindu nationalists. These contacts demonstrate that Hindu nationalism had much more than an abstract interest in the ideology and practice of fascism.

The interest of Indian Hindu nationalists in fascism and Mussolini must not be considered as dictated by an occasional curiosity, confined to a few individuals, rather, it should be considered as the culminating result of the attention that Hindu nationalists, especially in Maharashtra, focused on Italian dictatorship and its leader. To them, fascism appeared to be an example of conservative revolution. This concept was discussed at length by the Marathi press, right from the early phase of the Italian regime.

From 1924 to 1935 Kesari regularly published editorials and articles about Italy, fascism and Mussolini. What impressed the Marathi journalists was the socialist origin of fascism and the fact that the new regime seemed to have transformed Italy from a backward country to a first class power. Indians could not know, then, that, behind the demagogic rhetoric of the regime, there was very little substance.

Moreover, the Indian observers were convinced that fascism had restored order in a country previously upset by political tensions. In a series of editorials, Kesari described the passage from liberal government to dictatorship as a shift from anarchy to an orderly situation, where social struggles had no more reason to exist.^3 The Marathi newspaper gave considerable space to the political reforms carried out by Mussolini, in particular the substitution of the election of the members of parliament with their nomination (ibid, January 17, 1928) and the replacement of parliament itself with the Great Council of Fascism. Mussolini's idea was the opposite of that of democracy and it was expressed by the dictator's principle, according to which 'one man's government is more useful and more binding' for the nation than the democratic institutions (ibid, July 17, 1928).%4 Is all this not reminiscent of the principle of 'obedience to one leader' ('ek chalak anuvartitva') followed by the RSS?

Finally, a long article of August 13, 1929, 'Italy and the Young Generations', stated that the Italian young generation had succeeded the old one to lead the country. That had resulted in the 'fast ascent of Italy in every field'. The article went on to describe at length the organisation of the Italian society according to fascist models. The principal reasons of the discipline of the Italian youths were strong religious feelings, widespread among the population, attachment to the family, and the respect of traditional values: no divorce, no singles, no right to vote for women, whose only duty was to sit at home, by the fireplace. The article focused then on the fascist youth organisations, the Balilla and the Avanguardisti.

One may wonder how the Indian journalists could be so well informed about what was going on in Italy. Very possibly, among their sources there was a pamphlet in English, published by an Italian editor in 1928, entitled The Recent Laws for the Defence of the State (copy in NAI, Foreign and Political Department, 647G, 1927). Emphasised, right from the beginning, was the importance of the National Militia, defined as "the bodyguard of the revolution". The booklet continued with the description of the restrictive measures adopted by the regime: a ban on the "subversive parties", limitations to the press, expulsion of "disaffected persons" from public posts, and, finally, the death sentence.

Significantly, the shift from the liberal phase to fascism is described by the pamphlet in strikingly similar terms to those employed by the above-mentioned articles:

This step [the shift to fascism] has struck a death blow to the thread-bare theories of Italian liberalism, according to which the sovereign state must observe strict neutrality towards all political associations and parties. This theory explains why in Italy the ship of state was drifting before the wind, ready to sink in the vortex of social dissolution or to be wrecked on the rocks of financial disaster.

Another inspiring source of the literature published in Kesari must have been the work by D V Tahmankar, the correspondent of the Marathi newspaper from London and admirer of the Italian dictator. In 1927 Tahmankar published a book entitled Muslini ani Fashismo, (Mussolini and Fascism), a biography of the dictator, with several references to the organisation of the fascist state, to the fascist social system, to the fascist ideology, and to Italy's recent past. An entire chapter, the last, was devoted to description of fascist society and its institutions, especially the youth organisations.

One can easily come to the conclusion that, by the late 1920s, the fascist regime and Mussolini had considerable popularity in Maharashtra. The aspects of fascism which appealed most to Hindu nationalists were, of course, both the militarisation of society and what was seen as the real transformation of society, exemplified by the shift from chaos to order. The anti-democratic system was considered as a positive alternative to democracy which was seen as a typically British value.

Such literature made an implicit comparison between fascism and the Italian Risorgimento. The latter's influence on Indian nationalism, both moderate and radical, is well known.^5 However, whereas the Risorgimento appealed to both moderates and extremists, fascism appealed only to the radicals, who considered it as the continuation of the Risorgimento and a phase of the rational organisation of the state.

The first Hindu nationalist who came in contact with the fascist regime and its dictator was B S Moonje, a politician strictly related to the RSS. In fact, Moonje had been Hedgewar's mentor, the two men were related by an intimate friendship. Moonje's declared intention to strengthen the RSS and to extend it as a nationwide organisation is well known. Between February and March 1931, on his return from the round table conference, Moonje made a tour of Europe, which included a long stop-over in Italy. There he visited some important military schools and educational institutions. The highlight of the visit was the meeting with Mussolini. An interesting account of the trip and the meeting is given in Moonje's diary, and takes 13 pages (Nehru Memorial Museum and Library (NMML), Moonje papers, microfilm, m 1).^6

The Indian leader was in Rome during March 15 to 24, 1931. On March 19, in Rome, he visited, among others, the Military College, the Central Military School of Physical Education, the Fascist Academy of Physical Education, and, most important, the Balilla and Avanguardisti organisations. These two organisations, which he describes in more than two pages of his diary, were the keystone of the fascist system of indoctrination - rather than education - of the youths. Their structure is strikingly similar to that of the RSS. They recruited boys from the age of six, up to 18: the youths had to attend weekly meetings, where they practised physical exercises, received paramilitary training and performed drills and parades.

According to the literature promoted by the RSS and other Hindu fundamentalist organisations and parties, the structure of the RSS was the result of Hedgewar's vision and work. However Moonje played a crucial role in moulding the RSS along Italian (fascist) lines. The deep impression left on Moonje by the vision of the fascist organisation is confirmed by his diary:

The Balilla institutions and the conception of the whole organisation have appealed to me most, though there is still not discipline and organisation of high order. The whole idea is conceived by Mussolini for the military regeneration of Italy. Italians, by nature, appear ease-loving and non-martial like the Indians generally. They have cultivated, like Indians, the work of peace and neglected the cultivation of the art of war. Mussolini saw the essential weakness of his country and conceived the idea of the Balilla organisation...Nothing better could have been conceived for the military organisation of Italy...The idea of fascism vividly brings out the conception of unity amongst people...India and particularly Hindu India need some such institution for the military regeneration of the Hindus: so that the artificial distinction so much emphasised by the British of martial and non-martial classes amongst the Hindus may disappear. Our institution of Rashtriya Swayamsewak Sangh of Nagpur under Dr Hedgewar is of this kind, though quite independently conceived. I will spend the rest of my life in developing and extending this Institution of Dr Hedgewar all throughout the Maharashtra and other provinces.

He continues describing drills and uniforms:

I was charmed to see boys and girls well dressed in their naval and military uniforms undergoing simple exercises of physical training and forms of drill.

Definitely more meaningful is the report of the meeting with Mussolini. On the same day, March 19, 1931 at 3 pm, in Palazzo Venezia, the headquarters of the fascist government, he met the Italian dictator. The meeting is recorded in the diary on March 20, and it is worth reproducing the complete report.

...As soon as I was announced at the door, he got up and walked up to receive me. I shook hands with him saying that I am Dr Moonje. He knew everything about me and appeared to be closely following the events of the Indian struggle for freedom. He seemed to have great respect for Gandhi. He sat down in front of me on another chair in front of his table and was conversing with me for quite half an hour. He asked me about Gandhi and his movement and pointedly asked me a question "If the Round Table Conference will bring about peace between India and England". I said that if the British would honestly desire to give us equal status with other dominions of the Empire, we shall have no objection to remain peacefully and loyally within the Empire; otherwise the struggle will be renewed and continued. Britain will gain and be able to maintain her premier position amongst the European Nation (sic) if India is friendly and peaceful towards her and India cannot be so unless she is given Dominion Status on equal terms with other Dominions. Signor Mussolini appeared impressed by this remark of mine. Then he asked me if I have visited the University. I said I am interested in the military training of boys and have been visiting the Military Schools of England, France and Germany. I have now come to Italy for the same purpose and I am very grateful to say that the Foreign Office and the War Office have made good arrangements for my visiting these schools. I just saw this morning and afternoon the Balilla and the Fascist Organisations and I was much impressed. Italy needs them for her development and prosperity. I do not see anything objectionable though I have been frequently reading in the newspapers not very friendly criticisms about them and about your Excellency also. Signor Mussolini: What is your opinion about them? Dr Moonje: Your Excellency, I am much impressed. Every aspiring and growing Nation needs such organisations. India needs them most for her military regeneration. During the British Domination of the last 150 years Indians have been waved away from the military profession but India now desires to prepare herself for undertaking the responsibility for her own defence and I am working for it. I have already started an organisation of my own, conceived independently with similar objectives. I shall have no hesitation to raise my voice from the public platform both in India and England when occasion may arise in praise of your Balilla and Fascist organisations. I wish them good luck and every success. Signor Mussolini - who appeared very pleased - said - Thanks but yours is an uphill task. However I wish you every success in return. Saying this he got up and I also got up to take his leave.

The description of the Italian journey includes information regarding fascism, its history, the fascist 'revolution', etc, and continues for two more pages. One can wonder at the association between B S Moonje and the RSS, but if we think that Moonje had been Hedgewar' s mentor, the association will be much clearer.^7 The intimate friendship between Moonje and Hedgewar and the former's declared intention to strengthen the RSS and to extend it as a nationwide organisation prove a strict connection between Moonje and the RSS. Moreover, it makes sense to think that the entire circle of militant Hinduism must have been influenced by Moonje's Italian experience.

II Moonje’s Plans for Militarising Hindus

III Eve of Second World War

IV Savarkar and Nazism

V Waiting for the Right Enemy

VI Conclusions

Notes

#hindutva #Hindutva's Foreign Tie-Up in the 1930s #Marzia Casolari

[somerabbitholes]

Hey there. I was wondering if you have any book/paper/article recommendations to get better knowledge and understanding of the development of Indian Nationalism?? Thanks in advance.

hi, here you go —

Naoroji: Pioneer of Indian Nationalism by Dinyar Patel — a biography that looks at early nationalism, the economic critique/drain of wealth idea he built, and the role of the intelligentsia in the 19th century. there is also this paper by the same author that is about Naoroji and the evolving ideas of swaraj.

Imperial Power and Popular Politics by Rajnarayan Chandavarkar — about early political and civic activism, especially in urban centres like bombay or calcutta; about how the language of rights took shape amongst indians and what the relationship with the colonial state was like

Empire and Nation by Partha Chatterjee — collected essays on nationalism, anticolonialism, modernity and so on

The Swadeshi Movement in Bengal, 1903-1915 by Sumit Sarkar — a history of swadeshi politics around the Partition of Bengal; who all it engaged, who all participate; a social history of sorts

Talking Back by Sabyasachi Bhattacharya — about the idea of civilization in the nationalist discourse, not just in the revivalist sense but how it slipped into more mainstream imaginations

#answered #anonymous #book recs #india #historyblr #books

[singernupurkazi]

Mone Pore New Version(মনে পড়ে) | Nupur Kazi Song | Nazrul Sangeet | Anando Gaan Full Song Link https://www.youtube.com/watch?v=5JIdkmhRzZg

Immerse yourself in the soul-stirring rendition of "Mone Pore" – a new version of the timeless classic "Mone Pore" originally penned by the legendary Kazi Nazrul Islam. Nupur Kazi's melodious voice brings a fresh perspective to this iconic composition, accompanied by an ensemble of talented musicians who have woven their magic into every note.

🎶 Audio Credits: Song Name: Mone Pore New Version - মনে পড়ে Singer: Nupur Kazi Song Designing: Partha Chakraborty Tabla: Subir Chakraborty Cajon: Sanjib Sarkar Guitar Designing: Sourav Das Mandolin: Soham Bhowmik Sarod: Arko Sen Sitar: Subha Chakraborty Sarangi: Debashish Halder Chorus: Hariharan Sharma, Samhita Nag, Oindrila Chakraborty, Sagnik Chatterjee & Sritama Das Wood Wind (Flute): Tanmoy Mandal Cellist: Sairul Molla Violinists: Subanshu Sarkar & Arun Mondal Bass: Sanu Patra Mix & Mastering: Studio Partha's Creation Language: Bangla Category: Nazrul Sangeet Recorded, Mixed & Mastered: Partha Chakraborty at Partha Creations

🎶 Video Credits: Creative & Associate Directors: Biswajit Bhattacharjee & Nilargha Banerjee Editing: Nilargha Banerjee Cinematography: Sourav Das & Sumit Khan Jimmy Jib Operator: Jaideb Singh Lights: Sana Events Decoration: Rajdeep Chakraborty Sound: Sayan Roy Production Assistant: Somanth Paul Still Photographer: Swarnendu Sarkar Makeup: Riya Digital Adviser: Sanjay Sen Label: @NupurKaziOfficial

🎶 Original Song Credits: Song Title: Mone Pore Lyric & Tune: Kazi Nazrul Islam

🎶 Hashtag:

nupurkazisong #nazrulgeeti #nazrulsangeet #banglagaan #remakesong #banglasong #bengalicover #nupurkazi #newcoversong

[24x7newsbengal]

[iismmumbai]

IISM wishes every Indian a Very Happy Republic Day 2023

‘The Sports Heroes 2.0’ turns 1 !!. It feels like only yesterday when the podium winners at the Olympic & Paralympic Games Tokyo 2020 came together on a single platform to sing the National Anthem of India at the IISM campus.

I’m grateful to all the athletes for coming together to shoot this video. Such videos will inspire younger generations to take up sports in their careers.

The video is directed by Abhijit P. and Mangesh Sawant.

I am eternally grateful to Shri. Amitabh Bachchan ji for reciting the poem ‘Man Main hai Maidan,' penned beautifully by Mr. Kshitij Patwardhan .

Music is composed by Ram Sampath. Costume designed by Umang Mehta. Special still photography by Tejas Nerurkar.

This video features: Neeraj Chopra, Manish Narwal, Sumit Antil, Pramod Bhagat, Krishna Naga, Ravi Kumar, Mirabai Chanu, Nishad Kumar, Yogesh Kathunia, Devendra Jhajharia, Bhavina Patel, Suhas Yathiraj, Praveen Kumar, Lovlina Borgohain, Harvinder Singh, Manoj Sarkar, Sharad Kumar, Sreejesh P.

Digital India Khelo India University Games, Sports Authority of India, Deepa Malik MyGov India.

#iism #sports #iism mumbai #sports management #sports science #india #Indian Republic Day 2023 #Happy Republic Day #Indian National Anthem #jana gana mana

[fubewunavuve]

Gandharva veda pdf writer

 GANDHARVA VEDA PDF WRITER >>Download (Telecharger) vk.cc/c7jKeU

  GANDHARVA VEDA PDF WRITER >> Lire en ligne bit.do/fSmfG

        aitareya brahmana pdf aitareya brahmana english pdf brahmanas pdf taittiriya brahmana

  At a later date in ninth century Kashmir the Saiva writer Jayantabhatta By the time of the Buddha, Vedic literature was too vast to be memorized by. 45 Sarkar Sumit 'Vidyasagar and Brahmanical Society' in Writing Social History, p. 114 La mīmāṃsā est l'exégène du Veda, et ce qu'il appelle Pātañjala de M Fodor · Cité 3fois — cite, comme exemple, des strophes des Véda sacrés prouvant le contraire. (gandharva) et au chant (gīta/geya) des femmes dans le théâtre Gandharva Veda is an upaveda and is codified in a number of texts that came to be Smith and Wujastyk write that previously it was a requirement that MAV Vedic Bibliography By Louis Renou - Free ebook download as PDF File (.pdf), Religious and moral sentiments metrically rendered from Sanskrit writers, 18 « Ceux qui se nourrissent d'odeur » (dri za), les gandharva de la Brahma énonciateur des quatre Veda qui devient Tshangs dbyangs ou encore le de Y Bai · 2018 — Chapter four: Is it possible to write a “Tibetan” poem in French? (Friendly to Brahmans, Veda-knowing hero, great lord among the Niṣadhans,.Full text of "The Aitareya Brahmanam of the Rigveda, containing the earliest speculations of the Brahmans on the meaning of the sacrificial prayers,aitareya brahmana english pdfbrahmanas pdfaitareya brahmana pdftaittiriya brahmanaRecherches associéesVedic Bibliography by Louis Renou | PDF | Linguistics - Scribdscribd.com › doc › Vedic-Bibliography-Byscribd.com › doc › Vedic-Bibliography-By BL OOMF IE L D :On confl ictingpray ers and sacrifices. Con tributions to theinter p retation of the Veda. I I . L angues sém iti ques. PH IL IPPE BERG E R.

https://www.tumblr.com/fubewunavuve/697833624318443520/intervertebral-disc-prolapse-pdf-editor, https://www.tumblr.com/fubewunavuve/697833429315796992/non-ferrous-metals-pdf-editor, https://www.tumblr.com/fubewunavuve/697833429315796992/non-ferrous-metals-pdf-editor, https://www.tumblr.com/fubewunavuve/697833776139665408/meson-theory-pdf995, https://www.tumblr.com/fubewunavuve/697833429315796992/non-ferrous-metals-pdf-editor.

[heykav]

Have no connection with Bhima Koregaon case, NIA trying to harass me: IISER prof

Have no connection with Bhima Koregaon case, NIA trying to harass me: IISER prof

[ad_1]

KOLKATA: Days after the NIA summoned IISER-Kolkata professor Partho Sarathi Ray for questioning in connection with the Bhima Koregaon violence in 2018, the scientist and social activist on Sunday said he had nothing to do with the incident and the probe agency was trying to “harass him, as has been the case with other intellectuals”.

Over 200 intellectuals and rights activists also…

View On WordPress

#Bikash Ranjan Bhattacharya #Binayak Sen #communist party of india #Edward Elgar #iiser-kolkata #Indian Institutes of Science Education & Research #national investigation agency #Sabyasachi Chakroborty #Sumit Sarkar

[transformers-mosaic]

Transformers: Mosaic #428 - "Clarity Of Sanity"

Originally posted on November 5th, 2009

Story - Michael Granger Art - Sumit Sarkar

deviantART | Seibertron | TFW2005 | BotTalk

wada sez: Get ready for a four-part Megatron-versus-Shockwave beatdown! I’m pretty sure this doesn’t fit into any existing continuity, and is instead a generic mishmash providing a backstory for the Classics Megatron toy, which notably had orange and purple highlights necessitated by American toy safety laws—here, they’re recontextualised as being leftover Galvatron parts. Megatron was driven mad (well, more mad) by Unicron, but here, the extensive damage to his body purges the worst of the planet eater’s influence. Unicron and Straxus appear tormenting Galvatron in the fourth panel; Straxus appeared solely in the Marvel comics (most notably in the expanded Marvel UK continuity where he was central to a bunch of silly complicated retcons surrounding Megatron) which also formed the basis of Fun Publications’ Classics stories, but the plot here simply can’t fit into the Marvel timeline at all. There’s some distinct movieverse vibes to Megatron’s endoskeleton, I’d say. I’ve included a preview and the higher-resolution versions of all the strip’s panels shared online; in the first one, it’s possible to identify a cameo for Armada Megatron in the background!

#Transformers #Transformers Mosaic #Maccadam #original continuity #Michael Granger #Sumit Sarkar #Galvatron #Shockwave #Cyclonus #Astrotrain #Soundwave #Laserbeak #Razorclaw #Runabout #Vortex #Frenzy #Rumble #Unicron #Straxus #Megatron

[countryinsidenews]

CIN ब्यूरो /बिहार सरकार के मंत्री सुमित कुमार सिंह ने "बाबाधाम "जाने के दौरान चकाई में कार्यकर्ताओं से की मुलाकात

CIN ब्यूरो /बिहार सरकार के मंत्री सुमित कुमार सिंह ने “बाबाधाम “जाने के दौरान चकाई में कार्यकर्ताओं से की मुलाकात

प्रिया सिन्हा की रिपोर्ट /बिहार सरकार के मंत्री सुमित कुमार सिंह बाबा धाम जाने के दौरान चकाई में कार्यकर्ताओं से की मुलाकात. विज्ञान एवं प्रौद्योगिकी मंत्री सुमित कुमार सिंह अपने एक दिवसीय दौरे पर देवघर के बाबा धाम जाने के क्रम में चकाई में रुके जहां पर उन्होंने अपने कार्यकर्ताओं से मुलाकात किया साथ ही पंचायती चुनाव में जीते जनप्रतिनिधि भी उनसे आकर मुलाकात की मुलाकात के दौरान मंत्री सुमित कुमार…

View On WordPress

#Sumit kumar singh Bihar sarkar

[sonalsharma28]

Dr. Hemant Bhartiya works at Fortis Jaipur in Jaipur as a neurosurgeon. Credihealth provides comprehensive information on consultation fees, OPD schedules, patient reviews, and address, as well as the ability to book an appointment right away.

#Dr. K Visvanathan #Dr. Deepak Agarwal #Dr. Sumit Sinha #Dr. VS Mehta #Dr. Hrishikesh Sarkar #Dr. Vishal Peshattiwar #Dr. Abhaya Kumar #Dr. Sudheer Ambekar #Dr. Manish Kothari #Dr. Raghvendra Ramdasi #Dr. Ranjit D Nagpal #Dr. Sunil K Pandya #Dr. K P Sanghvi

[gladiates]

My Favorite Books of 2021 So Far

Since we’re a little over halfway through the year, I thought I’d share my favorite books out of the 57 I’ve read so far. Within the categories, they’re not ranked.

5 stars:

Leila Chatti - Deluge (poetry)

Vladimir Nabokov - Lolita (fiction)

Salman Rushdie - Shame (fiction)

Marlon James - A Brief History of Seven Killings (fiction)

Margaret Atwood - Morning in the Burned House (poetry)

4 stars:

Jorge Luis Borges - Ficciones (short stories)

Carson McCullers - The Heart Is a Lonely Hunter (fiction)

Ada Limon - Bright Dead Things (poetry)

Milorad Pavić - Dictionary of the Khazars (fiction)

Natalie Díaz - Postcolonial Love Poem (poetry)

Wisława Szymborska - Poems New and Collected (poetry)

Carmen Maria Machado - Her Body and Other Parties (short stories)

Eduardo C. Corral - Guillotine: Poems (poetry)

Albert Hourani - A History of the Arab Peoples (history)

Rashid Khalidi - The Hundred Years' War on Palestine: A History of Settler-Colonial Conquest and Resistance, 1917-2017 (history)

Richard M. Eaton - India in the Persianate Age, 1000–1765 (history)

Sumit Sarkar - Modern India, 1885-1947 (history)

Sugata Bose - Modern South Asia: History, Culture and Political Economy (history)

Max Blumenthal - Goliath: Life and Loathing in Greater Israel (politics and current events)

Harsha Walia - Border and Rule: Global Migration, Capitalism, and the Rise of Racist Nationalism (politics and current events)

Ngũgĩ wa Thiong'o - Devil on the Cross (fiction)

Ngũgĩ wa Thiong'o - Decolonising the Mind: The Politics of Language in African Literature (lit theory)

C.L.R. James - The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution (history)

Cherríe L. Moraga and Gloria E. Anzaldúa (editors) - This Bridge Called My Back: Writings by Radical Women of Color (nonfiction)

Yunte Huang (editor) - The Big Red Book of Modern Chinese Literature: Writings from the Mainland in the Long Twentieth Century (poetry and short stories)

Simone Weil - Gravity and Grace (nonfiction)

Simone Weil - Waiting for God (nonfiction)

Umberto Eco- The Name of the Rose (fiction)

Dante Alighieri - The Inferno (poetry)

Clifford R. Backman - The Worlds of Medieval Europe (history)

Robert Musil - The Man Without Qualities, Vol. 1 (fiction)

Fernando Pessoa - A Little Larger Than the Entire Universe: Selected Poems (poetry)

Margaret Atwood - Selected Poems II: 1976 - 1986 (poetry)

Edward Said - The Question of Palestine (history, nonfiction)

Also notable: it feels wrong to rate religious texts, but I really enjoyed the Ramayana, my most recent read.

#currently reading #literature #bookblr #book recs #literary fiction #Book Recommendations

[banglanotebook]

১৪ ভাদ্র ১৪২৭ | 29 august 2020

BANGLA WORDS   কফিখানা [kôphikhana] | café, coffeehouse

The loanwords ক্যাফে [kŷaphæ] and কফি হাউস [kôphi haus] are also in use.

Pictured is the interior of the Indian Coffee House in West Bengal. One of the most famous of India’s coffeehouses, Kolkata’s College Street location is protected as a heritage site. The coffeehouse was originally established in 1942 as a part of Albert Hall before it was named a coffeehouse in 1947. Throughout its lifetime it has attracted students, artists, musicians, writers, politicians and intellectuals alike, fostering a reputation as the perfect meeting place for আড্ডা [adda] sessions, or lengthy or in-depth conversations.

Kolkata’s Indian Coffee House has served many famous visitors, including: Satyajit Ray, Amartya Sen, Mrinal Sen, Aparna Sen, Ritwik Ghatak, Narayan Gangopadhyay, Sunil Gangopadhyay, Sanjeev Chattopadhyay, Samaresh Majumdar, Subhas Mukhopadhyay, Shakti Chattopadhyay, Craig Jamieson, Sukhamoy Chakraborty, Tapan Raychaudhuri, Barun De, Sumit Sarkar, Malay Roy Choudhury and Samir Roy Choudhury.

Looking at the photos, I think it’s pretty cool that it’s taken on the aesthetic of its intellectual reputation with the paintings and photos of scholars and artists on its walls, and it also has nice airy balcony seating.

Photo credit

#bangla #bengali #languages #langblr #indo-european #indo-iranian #indo-aryan #indian coffee house #Kolkata #cafe #coffeehouse #kophikhana #food #restaurant #South Asia #south asian #South Asian Languages #Asian #asia #Asian languages #india #indian #west bengal #bengal #Bangladesh #bangladeshi #culture #desi #Learn Bangla #learn bengali

[singernupurkazi]

Alga Koro Go Khopar Badhon New Version - Nupur Kazi Song - Kazi Nazrul Islam - Anando Gaan   Full Song Link: https://www.youtube.com/watch?v=cxs9MM9aA4s

আলগা কর গো খোঁপার বাঁধন --- গানটি নজরুল ইসলামের ৪৩ বছর বয়সে লেখা গজল, সে সময় তিনি গ্রামোফোন কোম্পানিতে নিযুক্ত ছিলেন। ফরমায়েসী গান। গুণী শিল্পীদের দিয়ে এসব গান রেকর্ড করানো হোত। এই গজলটি ১৯৪৩ সালে প্রথম রেকর্ড করেন আসরাফ আলি।

🥳 Audio Credit: Song Name: Alga Koro Go Khopar Badhon - আলগা করো গো খোপার বাঁধন, Singer: Nupur Kazi, Song Designing: Partha Chakraborty, Tabla: Subir Chakraborty, Cajon: Sanjib Sarkar, Ghuitar Designing: Sourav Das, Mandolin: Soham Bhowmik, Sarod: Arko Sen, Sitar: Subha Chakraborty, Sarangi: Debashish Halder, Chorus : Hariharan Sharma, Samhita Nag, Oindrila Chakraborty, Sagnik Chatterjee & Sritama Das, Wood Wind (Flute): Tanmoy Mandal, cellist: Sairul Molla, Violinist: Subanshu Sarkar & Arun Mondal, Bass: Sanu Patra, Mix & Mastering: Studio Partha's Creation Language: Bangla, Category: Nazrul Sangeet, Recorded, Mixed & Mastered - Partha Chakraborty at Partha Creations.

🥳 Video Credits: Creative & associate director: Biswajit Bhattacharjee & Nilargha Banerjee, Editing: Nilargha banerjee, Cinematography: Sourav Das & Sumit Khan, Jimmy jib operator: Jaideb Singh, Lights: Sana Events, Decoration: Rajdeep Chakraborty, Sound: Sayan Roy, Production Assistant: Somanth Paul, Still Photographer: Swarnendu Sarkar, Makeup: Riya, Digital Adviser: Sanjay Sen, Label: @Nupur Kazi Official

🥳 Original Song Credit: Song Title: Alga Koro Go Khopar Badhon Lyric & Tune: Kazi Nazrul Islam  

🥳 Previous Release: https://www.youtube.com/watch?v=gWnFkGl1bXo https://www.youtube.com/watch?v=lYSOBwXVnU4 https://www.youtube.com/watch?v=FIDbe0yca3M https://www.youtube.com/watch?v=vV5eQCjfE9A https://www.youtube.com/watch?v=pEKeHFegzPk

🥳 My Social Media, Site & Digital Marketing Partner: Visit My Google Site: https://bit.ly/NupurKazi_Official Follow me on YouTube: https://bit.ly/Nupur_KaziOfficial Follow me on Facebook Page: https://bit.ly/39VaFFH Follow me on Linkedin: https://bit.ly/NupurKaziofficial Follow me on Instagram: https://bit.ly/NupurkaziOfficial Follow me on Twitter: https://bit.ly/nupurKaziOfficial Digital Marketing Partner: https://bit.ly/studio-violina

🥳 Contact me: Email: [email protected]

🥳 Hash Tag: #nupurkazisong #nazrulgeeti #nazrulsangeet #nupurkazi #banglagaan #newbengalisong #coversong #বাংলাগান #anandogaan

[weimdrk]

All New Hindi English Song lyrics are Availabl On web Visit Here For every Song plz

Delhi-A R Nait Lyrics

Soorjan Wale Amrinder Gill Lyrics

Taras Sufi Hussain Sisters Lyrics

Fake Gangster Alfaaz Lyrics

Twin Flame Pardhaan Lyrics

Chorni Ikka D Cali Lyrics

Zindagi A Kay Lyrics

Dard Kahani Falak Shabir Lyrics

Fan Babbu Maan Ka Sachin Panwar Lyrics

Kadar Kisaan Ki Mukesh Fauji Lyrics

Gunda Ghardi Mohit Sharma Lyrics

About Me Lyrics Jordan Sandhu

Mann Jaa Ve Kay Vee Singh Lyrics

Mind Kar Jayega Lyrics Emanat Preet Kaur

Kush Ta Banuga Lyrics Sikander Kahlon

Sunday Feelings Lyrics B Monika

Dastoor Lyrics Motif Dhiman

Bad Like Lyrics Hell Daman Mehmi

Bhabi Mankirt Aulakh Lyrics Shree Brar

Ladka Alag Sa Lyrics Emiway Bantai

Circumstances Lyrics Sharry Maan

Pal Pal Ahmad Shaad Safwi Lyrics

Without You Lyrics Sahil V Freak Singh

Badan Pe Sitare Lyrics Stebin Ben

Sarkare Lyrics Harf Cheema

Awwalh Allah Noor Upaya Jasbir Jassi Lyrics

Asi Vaddange Himmat Sandhu Lyrics

Popstar Dj Khaled Ft. Drake Lyrics

Teriyan Ankhan Rahul Grover Lyrics

Sajna Aakil Shah, Vaishali Lyrics

2 Number De Guntaj Dandiwal Gurlez Akhtar Lyrics

Punjab Veera Lovely Noor Lyrics

Koi Aur Hai Ankit Tiwari Lyrics

Hope Rdx Ft. Garrari Lyrics

Mascara Rps Janaab Lyrics

Hawawan Nirvair Pannu Lyrics

Soft Skin The Aman Gurlej Akhtar Lyrics

Straight Way Romey Maan Lyrics

Unbelievable Lyrics Tiger Shroff

Hockey Lyrics Feroz Khan

Safe Side Kadir Thind Lyrics

Jhotey Yaar Harpi Gill , Kamal Khaira Lyrics

Ashiq Mitti De Sippy Gill Lyrics

Sharaab (The Main Man) Gippy Grewal Ft. Gurlez Akhter Lyrics

Tere Aala Jatt (The Main Man) Gippy Grewal Ft. Shipra Goyal Lyrics

2 Seater (The Main Man) Gippy Grewal Ft. Afshana Khan Lyrics

Jatta Ve (The Main Man) Gippy Grewal Lyrics

Vailpuna (The Main Man) Gippy Grewal Lyrics

Piche Piche (The Main Man) Gippy Grewal Ft. Bohemia Lyrics

Aish Aa (The Main Man) Gippy Grewal Lyrics

Naam Jatt Da (The Main Man) Gippy Grewal Ft Jass Manak Lyrics

Fark (The Main Man) Gippy Grewal Lyrics

Jhanjra (The Main Man) Gippy Grewal Lyrics

Gun Te Gulaab (The Main Man) Gippy Grewal Song Lyrics

Ayen Kiven Gippy Grewal Ft. Amrit Maan Lyrics

Sautan (सौतन) Binder Danoda, Sonali Phogat Lyrics

Bollywood Sumit Goswami Lyrics

Jai Veeru Khasa Aala Chahar Lyrics

Duffer Diler Kharkiya Lyrics

Chellama Anirudh Ravichandar Lyrics (Doctor Tamil Movie)

Humsafar Lyrics Pamela Jain

Kasam Tumko Ye Meri (Sakshi) Lyrics Priya Dubey

Bad Sidhu Moosewala leaked Lyrics

Weapon Shoulder Korala Maan New Punjabi Song Lyrics

Shopping De Daurey The Landers, Gurlez Akhtar Lyrics

LOL Payal Dev, Dev Negi Lyrics

Ifrat Mandy Kalra Lyrics

Gal Mitran Di Joban Sandhu Lyrics

Ishqan De Lekhe 2 Sajjan Adeeb Lyrics

Debate Amar Sehmbi Lyrics

Mohabbat Sukh Brar Lyrics

Jatta Takda Hoja Jass Bajwa Lyrics

Akhan Khol Kanwar Grewal Lyrics

Hasrat Harinder Samra Lyrics

#new song #downloadhd videos newsongdownload 2020 #hindiso #hindi song lyrics #bollywood #lyrical #new song lyrics #best memes #best_old_hindi_songs #old hindi songs

[phenakistoskope]

Khaki Shorts and Saffron Flags; A Critique of the Hindu Right - Tapan Basu, Pradip Datta, Sumit Sarkar, Tanika Sarkar, Sambudhha Sen

(for the record, Nehru is also an asshat)

#hindutva #hinduism=hindutva #liberalism is a gateway to fascism