#Tadfield Airbase

[ao3cassandraic]

At the airbase

There are four explicit threats and (I would argue) one additional implicit threat happening at the Tadfield airbase. Anyone wishing to argue that any character at the airbase is "useless" or "contributes nothing" needs to reckon with all of them.

Nuclear annihilation. Forestalled by Newt and Anathema.

The Four HorseChopperPeople of the Apocalypse, who don't need mere nuclear annihilation to wreak havoc. Three of the four get taken out by Pepper, Brian, and Wensleydale, with an assist from Dog and moral support from Adam. The fourth ChopperPerson bows out.

The war between Heaven and Hell. Why does everyone forget that Aziraphale and Crowley deal with this one? (Admittedly, with a slight assist from Adam's blank intransigence.) It's their Great Plan/Ineffable Plan hairsplitting that sends the Ineffable Bureaucracy back to their respective corners.

Satan, handled by Adam with an assist from Crowley and Aziraphale.

Arguably, the possibility that someone, most likely Aziraphale, murders Adam. I can't imagine that Satan would have been pleased, and without Adam and his reality-rewriting power Crowley is absolutely right -- they're fucked. Madame Tracy ultimately scotches this threat, and in my head it's what Aziraphale is thinking about when he makes that crack about his and Crowley's competence afterwards.

It's a remarkably well-balanced, carefully-crafted situation. Even Shadwell, basically useless though he is, has a role as owner of the Thundergun and audience for Tracy.

#good omens #good omens meta #tadfield airbase #crowley #aziraphale #the four horsepersons #madame tracy #the them #shadwell #dog #satan

[loverboybrightsideghost]

i’m sorry, i’m a bit lost. do you know the way to lower tadfield airbase?

#good omens #bluebird.txt #bluebird’s art #i tries halfheartedly to color this like three times and then i was like whatever #anyways i love this scene #in the radio drama version its so funny (it’s funny in all versions but ykwim) because they can’t do the ‘he must know mustn’t he?’ of the #narration #so what they do instead is ‘hello sir can you help me i’m lost’ ‘your car is on fire’ ‘yes it is. do you know where tadfield airbase is?’ #’your car is on FIRE.’ ‘correct! can you please give me directions?’ ‘….yeah go that way’ ‘thank you sir’ #gdfgdvhdhcdhfndfjshcdnc #the delivery of ‘correct’ made me lose it #anyways #i also could not be assed to figure out how to draw anyone’s hands in this #or the bentley. i’m sorry bentley 😔 #it’s still funny though

[fuckyeahgoodomens]

Good Omens filming locations masterpost! ❤ 🐍😊 Part 2

(here to part 1 :))

Here to the map :)

Others in England (cont):

Tadfield Manor (S01E01, S01E02) - Bulstrode, Gerrards Cross

Scene: The Tadfield Manor where the satanic nuns run the hospital in the first episode and Aziraphale and Crowley visit in the second episode

Availability (as of 2024): The manor has been in private hands since 2016 - in 2023 sold again, I didn't find on the internet that it would be available to visit in any form, the manor is not visitble from the public road.

Link on the map

Four Horsemen meeting (S01E05) – Old School Cafe, Longcross Road B386

Scene: The cafe where Four Horsemen meet

Availability (as of 2024): street all day, the cafe Mon-Fri 7:30-15:00, Sat-Sun 8:30-15:00

Link on the map

Heaven middle floors (S01E01, S01E03, S01E04, S01E05) - Weybridge Business Park, Addlestone

Scene: The Heaven middle floors scenes in season 1 were filmed here

Availability (as of 2024): The places can be sort of seen from the street but I don't think that visiting is possible

Link on the map

Pollution by the river (S01E04) – River Wey Navigation, Guildford

Scene: The International Express Man delivers the package to Pollution

(fun fact: this one was the harderst one to pin down the exact location, I only knew bc of an article that the schooting took place by "Wey Navigation" which is a river long 32km (miles), I tried to find a better mention or through google maps comparing place for a long time but couldn't, finally I wrote to the River Way Navigation organization on facebook but they had no record of the shooting. Finally, in one of the photos I noticed that in the background there is a footbridge that I saw a photo of a similar footbridge while searching on a history of Wey Navigation river on the UK National Trust page and fortunately the previous mentioned facebook page knew where it was, WAHOO! :))

Availability (as of 2024): all day

Link on the map

Hogback Wood (S01E01, S01E02, S01E04, S01E05) - Painshill Park, Cobham

Scene: The Hogback Wood where The Them play, seen in several episodes.

Availability (as of 2024): The entrance to the park is paid (£11 with prebooking online on https://painshill.co.uk/visit-us/ticket-prices-booking/) They open at 10 and close at 16-18 depending on the season. The World Word II crater they shot the main scene at should be in the west-south tip of the park. The whole path there and back is 4km (2,5 miles).

Link on the map

International Express Man's house (S01E04) - Shetland Close, Guildford

Scene: The International Express Man leaves the house to make deliveries

Availability (as of 2024): street all day

Link on the map

Agnes Nutter's village (S01E02) - Weald & Downland Living Museum, Chichester

Scene: The Agnes Nutter's village in episode two. In the map I highlighted which part we see the villagers and Witchfinder Major Pulsifer to through in the show.

Availability (as of 2024): The entrance fee is paid (£15.50 for an adult ticket prebooked online https://www.wealddown.co.uk/), it opens at 10 and closes at 16-17 depending on the month.

Link on the map

Tadfield Air Base (S01E05, S01E06) - RAF Upper Heyford, Bicester

Scene: For the shooting of the Tadfield Air Base the former RAF Upper Heyford was used, by the examining the google maps and screenshots from the series I think that the area labeled as 'Shelter 9' was used.

Availability (as of 2024): The place is no longer used by RAF purposes, there are several companies that use certain areas it but it is not available for public. The Upper Heyford Heritage though organizes (paid - £25.00) tours through the airbase: http://www.upperheyfordheritage.co.uk/home-page/tour-booking/

Link on the map

Soho (S1) – Bovingdon Airfield Studios

Scene: The Aziraphale's bookshop and Soho in season one were built at Bovingdon Airfield Studios

Availability (as of 2024): The studios can be rented but I don't think they are publicly available – the Soho is not there anymore though, it is now build in studios in Scotland.

Link on the map

The motorway on fire (S01E05) - M96 Training Motorway at Fire Service College, Moreton-in-Marsh

Scene: The motorway on fire when Crowley is heading for Tadfield was filmed at M95 Training Motorway at Fire Service College that is usually used for training emergency service professionals

Availability (as of 2024): Not publicly available.

Link on the map

South Africa:

The 1941 church (S01E03) - St. Saviour's Church, Claremont, Cape Town

Scene: The scene in Season 1 where Aziraphale is outsmarted by the Nazis and is saved by Crowley

Availability (as of 2024): Their facebook says Always open

Link on the map

Famine at a fancy restaurant (S01E03) - Mutual Heights building, Cape Town

Scene: The restaurant where we meet Famine for the first time

Availability (as of 2024): It is a building with flats, offices and a reception, not available to public.

Link on the map

Crowley in a cinema (S01E04) - Joseph Stone Auditorium, Cape Town

Scene: Crowley in a cinema (with Neil Gaiman cameo) watching animated rabbits when Hastur interrupts

Availability (as of 2024): Not publicly available as such but they there are presentations and and such happening there https://www.facebook.com/josephstone1968/

Link on the map

Aziraphale dancing gavotte (S01E04) - Casa Labia, Cape Town

Scene: Aziraphale dancing gavotte in a discreet gentlemen's club in Portland Place in the late 1880s was filmed at Casa Labia in Cape Town

Availability (as of 2024): Casa labia is hotel and a restaurant so it can be visited in that way https://www.casalabia.com/

Link on the map

Anathema's child home (S01E02) - Llandudno Rock Villa, Cape Town

Scene: The home which we see Anathema as a child with The Book (in the show it's Malibu, California)

Availability (as of 2024): street all day, the villa itself seems that it can be rented

Link on the map

Eden desert and ep6 time bubble desert (S01E01,S01E06) – Atlantis Dunes, Cape Town

Scene: The Eden desert scenes and the time bubble with Adam and AC were filmed in the Atlantis Dunes at the outskirts of Cape Town

Availability (as of 2024): The Atlantis Dunes – or Witzands Aquifer Conservation Area – is a protected natural area. Biking adventures can be booked through https://atlantisdunes.com/ or also other activities through https://www.capetown.gov.za/Family%20and%20home/see-all-city-facilities/our-recreational-facilities/Nature%20reserves/Witzands%20Aquifer%20Nature%20Reserve

Link on the map

The apple tree in the Garden of Eden (S01E01) - Waterfall Valley (formerly Cascade Country Manor), Paarl

Scene: The Eden apple tree with the waterfall in the background was filmed at the retreat Waterfall Valley (then Cascade Country Manor) (the tree was added by the film crew for the scene)

Availability (as of 2024): I am not sure if you can visit the waterfall like that or you have to be a guest in the restreat. The retreat is available for booking: https://www.waterfallvalley.online/

Link on the map

There were other scenes also filmed at South Africa (thought not specified exactly where): Hell was filmed in Cape Town in a former abattoir. The Noah’s Ark scene and the Crucifixion scene were filmed on a windswept plain just outside Cape Town. Also the Meggido scenes. The entire village used for the scene with War causing mayhem in an african village is in fact a set, built on scrubland over a sand mine just outside Cape Town. The French Revolution scene wa shot on a set that had been used twenty-four hours earlier for the scene in Ancient Rome. Famine visiting a burger place with Elvis was shot on a set in Cape Town. Also some scene's in Anathema's cottage with Anathema and Newt.

SEASON 2

Most of season 2 has been shot inside the film studio in Bathgate (f.e. the whole Soho has been built there), the Hell in S2 has been shot in an old disused factory (not specififed which one). The shots of the Edinburgh castle have been shot from the top of the The Caledonian hotel.

Edinburgh:

Crowley and Shax in St James's Park (S02E01) – Inverleith Park, Edinburgh

Scene: Crowley and Shax meet to discuss the news in St James's Park – the scene though was actually filmed in Scotland.

Availability (as of 2024): All day

Link on the map

The place where Crowley parks the Bentley (S02E01, S02E02) – Circus Lane, Edinburgh

Scene: The place Crowley goes to to park the Bentley and sleep there

Availability (as of 2024): street all day

Link on the map

AC and Elspeth in Edinburgh (S02E03) - Moray Place, Edinburgh

Scene: Aziraphale, Crowley and Elspeth are taking the first "pickled herring" to be sold, Aziraphale and Crowley are debating good and evil

Availability (as of 2024): street all day

Link on the map

Detective Aziraphale parks the Bentley (S02E03) – Victoria Street, Edinburgh

Scene: Aziraphale arrives in the Bentley and happily goes to investigate

Availability (as of 2024): street all day

Link on the map

The Resurrectionist (S02E03, S02E06) - Cask and Barrel, Edinburgh

Scene: Aziraphale goes to investigate to The Resurrectionist bar (also in Gabriel's memories with Beelzebub) – filmed in the Cask and Barrel bar

Availability (as of 2024): outside all day, inside 12-24, Fri-Sat 12-1

Link on the map

Stirling:

Edinburgh cementery (S02E03) - Old Town Cemetery, Stirling

Scene: The cemetery in episode 3 was filmed at the Stirling cemetery (grave, some gravestones, Gabriel's statue and the crypt has been added by the crew for the shooting)

Availability (as of 2024): all day

Link on the map

AC and Elspeth going through Edinburgh (S02E03) – Broad Street, Stirling

Scene: Aziraphale, Crowley and Elspeth going through Edinburgh while Aziraphale is trying to persuade her that she could do something else

Availability (as of 2024): street all day

Link on the map

Meeting Wee Morag (S02E03) - Mar's Wark, Stirling

Scene: The small corridor behind the gate where Wee Morag is staying

Availability (as of 2024): The front all day, the corridor if not through the gate then hopefully from the other side

Link on the map

Others in Scotland:

AC drinking whiskey with Mr Darlymple and the corridor to Mr Darlymple (S02E03) – Hopetoun House, Queensferry

Scene: Aziraphale and Crowley drinking whisky with Mr Darlymple while he explains why he needs fresh dead bodies also at the house has been filmed the corridor reading to Mr Darlymple

Availability (as of 2024): Hopetoun is visitable, Friday 29 March 2024 to Sunday 29 September 2024 Open 5 days per week (Thursday – Monday) from 11am to 5pm, £13.50 for an adult ticket for House and Grounds (to see both), or £13.50 for Grounds (to see the corridor)

Link on the map

The Windmill Theatre in 1941 (S02E04) - Hippodrome Cinema, Bo'ness

Scene: The theatre that Crowley delivered the broken alcohol to and Aziraphale performed the bullet catch

Availability (as of 2024): You can visit the cinema for a movie or an event https://www.hippodromecinema.co.uk/whats-on/

Link on the map

Soho and more (S2) - The Pyramids Studio, Bathgate

Scene: The S2 Soho has been built in the Bathgate studio, also there were built and shot many other scenes

Availability (as of 2024): It is not available to visit for public

Link on the map

London:

Possibly only streets were filmed and the Bentley was added with VFX.

C on the way to A after A calls him (S02E01) - Wardour Street, London

Scene: Crowley on the way to Aziraphale after Aziraphale calls him (to tell him about Gabriel)

Availability (as of 2024): street all day

Link on the map

C rushing to A after Beelzebub's visit (S02E01) - Regent Street St James's, London

Scene: Crowley rushing to Aziraphale after Beelzebub told with that anyone who will be find helping Gabriel will be dealt with extreme sanctions

Availability (as of 2024): street all day

Link on the map

Whew! This masterpost took me several weeks, hope you enjoyed it and it might help you plan your trip to see the Good Omens places! :) ❤ 🐍😊 Wahoo! :)

#good omens #bts #filming locations #fun fact #masterposts #filming locations masterpost #long post

[hikarry]

So, I was rewatching season 1 and got stuck in that scene between Shadwell and Aziraphale in the bookshop.

What if Aziraphale never stepped into the circle? What if the fire never really happened?

Imagine:

Shadwell is lost in his shenanigans, ready to banish Aziraphale to whatever place witchfinders banish witches, and Aziraphale is slowly walking backward.

"Oh, but this is utterly ridiculous." He stops on his tracks, looking Shadwell in the eye. "I'm sorry, good man, but I have no time for whatever silliness is happening right now. If you don't mind, I have an Armageddon to stop." Aziraphale snaps his fingers, and Shadwell disappears, reapearing a few streets over at the other side of Soho. There surely he wouldn't get in the way.

Careful not to step on the active circle, Aziraphale leaves the bookshop and flags down the first cab he sees. The driver stops right in front of the bookshop, and he gets in, giving him Crowley's address in Mayfair.

The last time he called, the demon was home, so that's exactly where Aziraphale hoped he remained. With a bit of luck, he hadn't left for Alpha Centauri... Now that he thought about it, he mentioned having an old friend over? As far as he knew, he himself was the only friend Crowley had, so that statmebt now sounded like a load of nonsense. But whatever. He just needed to speak with Crowley, old friend present or not. Heaven clearly wanted the war to happen, and he had been naive to think they would see reason. The only chance the Earth had of surviving now was the angel and Crowley. He could only pray it wasn't too late and Crowley wasn't gone. He knew where the Anti-Christ was, after all. They could stop this!

When the cab stopped on the street of Crowley's building, Aziraphale paid his fare and threw a quick blessing in the driver's direction for his speed and efficiency before crossing the street and entering the complex.

He had been to Crowley's flat once or twice in the last 20 years. All he had to do was go through the entrance, get on the lift to the last floor, and walk down the corridor towards the last door. And that's exactly what he did, always fiddling with his fingers in a show of the nervous energy that seemed to take over him. They were running out of time. The end of the world would occur any minute now, and Crowley needed to be home. They still had to drive all the way to Tadfield's airbase, and the clock was tickling rather ominously inside his head.

Finally in front of the door to Crowley's flat, he knocked. A few seconds passed with no response, and he decided to knock again, stronger now, but he got exactly the same result.

Aziraphale looked around the hallway, taking a deep breath and smoothing his waistcoat, considering his options.

"Crowley?" He ended up knocking again. "Crowley, we need to talk!" Silence. "I know you're cross with me after our last conversation, but you were right. I talked to the Metatron. And they want the war. As I told you on the phone, I know where the antichrist is, and it would be very nice of you if you opened the door so we could get a wiggle on and stop the Apocalypse." Once again, he was met with silence.

Was it possible? Did Crowley actually leave for Alpha Centauri? He was here minutes ago! He couldn't have left already, right?

Oh, bless it all. He wasn't going to waste any more time.

With a final deep breath, Aziraphale snapped his fingers, and the door unlocked. He opened it slightly, peering inside.

"Crowley? I'm sorry If I'm intruding but this matter is rather urgent." All he got in return was silence. Not a single noise from the demon himself or the so called old friend.

He pushed the remainder of the door open and stepped inside, silently closing it behind him. He looked at the living room, but it was empty of any living soul, apart from the plants on the far wall.

"Crowley?"

Aziraphale called again, now walking towards the office to the left. The door was slightly ajar already, so he spied inside. It looked empty, but he walked in regardless, almost stepping on a pile of goo right there in front of the floor.

"What the...?" He looked down, stepping over the weird substance.

It smelled weirdly of sulfur and...was that Holy Water?

His head snapped to the desk, where he found the thermos he had given Crowley back in the 60s, the cap unscrewed by its side.

Suddenly, he felt his heart stop, and his veins turn into ice. His body gave an involuntary step back away from the smudge, his back hitting the throne as he lifted a now trembling hand to cover his mouth.

No. This couldn't be happening. He would-! Crowley certainly wouldnt-!

A sob escaped his throat as his whole body started shaking.

Oh lord. This was a nightmare. It could only be a nightmare. This wasn't real. Couldn't possibly be real.

Oh Crowley...

Aziraphale's legs failed him, and he ended up on the floor, back leaning against the side of the ridiculous throne Crowley liked so much. Not that he would like anything ever again because he was gone. Crowley was gone. And it was Aziraphale's fault. He was the one who gave him the cursed thermos against his better judgment. And now all his fears were laid bare right in front of his eyes.

Another sob escaped him and he let the heartache take charge, spilling warm tears down his cheeks.

Crowley was gone. The Apocalypse was coming and Crowley was gone. Not to Alpha Centauri but actually gone. Utterly destroyed. And all that remained of his best friend was an unidentifiable goo. Not a trace of Crowley remained.

He hugged himself, hanging his head low, letting the tears fall on his crossed arms and allowing the wretched sobs to take over. He couldn't bear to look at it a second longer. The smell of sulfur and Holy Water was starting to get nauseating.

Well, contrary to popular belief, Crowley was actually very much alive, speeding through the streets on London in the direction of the bookshop. He parked in his usual place and snapped his finger to open the doors of the building.

"Aziraphale?" He looked around, quickly spotting the active circle. Lifting an eyebrow above his sunglasses, he carefully walked towards it, still searching for any trace of the angel. "Aziraphale, are you here?"

The circle was still active with holy energy, so no one had actually stepped through it, and Aziraphale was clearly not in the bookshop, so where could he possibly be?

With a sigh, Crowley turned around and went back to the Bentley. He drove around Soho for a bit, trying to spot some blond curls in the crowd but falling short of success.

"Aziraphale, where the bloody hell are you?" He muttered to himself, carefully scanning the streets, until he gave up, changing his course back to Mayfair.

He needed to regroup. Without knowing where Aziraphale was and without the information on the antichrist he apparently had, Crowley needed to think.

He made his way back to his flat without paying much attention. When he noticed, he was already unlocking the door with his key and stepping inside. And, as soon as he did so, he heard it. Sobs coming from the office. That was...bizarre. Could it be Hastur? Had he figured out a way to leave the answering machine, and now he was crying over Ligur? Crowley almost laughed at himself with such a thought. Hastur? Crying? Now, that would be a sight he would pay to see.

Still, in the name of caution, he slowly made his way to the office, trying to be as silent as possible, when he quickly spotted the angel he had been looking for throught the wide open door, sitting on the floor besides the throne, arms around himself and face hidden while his whole body shook and heartbreaking sobs escaped his vocal chords.

Carefully and confused, he approached, stopping short of the door.

"...Angel?"

Aziraphale's head snapped up, staring at him with wide eyes, his face marked by tears.

"...Crowley?"

"Yeah." He slowly walked his way to the angel, careful not to step on Ligur, squatting in front of him. "Are you alright? What happened?"

He was still staring at him with clear confusing in his eyes, opening and closing his mouth repeatedly until he finally appeared to have found his voice again:

"You-! The-!" Aziraphale's body trembled, looking over Crowley's shoulder and then back at the demon. "You...you're gone!"

Crowley raised an eyebrow, clearly confused.

"I just went to the bookshop searching for you, but when I arrived you weren't there already." Aziraphale shook his head, some more tears escaping his eyes along with a single sob. "Hey, hey." Crowley placed his hands on his shoulders, squeezing them. "What's-?" And then that's when it suddenly clicked inside his head. He looked up at the empty thermos on his desk and back over his shoulder to what remained of Ligur. "Oh, Aziraphale. No, no, no." His hands moved up to Aziraphale's face, forcing him to look up at him, his thumb brushing away some of the new tears running down his face. It burned considerably; angel tears were holy water after all, but right now, that wasn't his focus. "That's Ligur. I used the holy water to make a trap for him and Hastur when they came to take me." He brushes his thumb through Aziraphale's trembling lips, leaning in closer. "That's not me, angel. I'm alright."

Aziraphale sniffed, trying to regain control of himself, but failing miserably.

"I-I thought you were dead. I thought you had used the Holy Water. I thought-"

"Shhh." Crowley wrapped his arms around the angel, leaning his face against his, pulling him into an embrace. They had never hugged before, so it felt a bit strange. Awkward even. "I'm right here. That's not me." The angel grabbed handfuls of his shirt and pulled him closer, burying his face on the crook of his neck, taking deep breaths. "Yeah, that's it. Breathe." He ran his hand through his curls, trying to soothe him. "Everything is alright. I'm right here."

After a while, Aziraphale finally calmed down and moved away, just enough to be able to look at Crowley's face. For a moment or two, they just stared at each other. Aziraphale's red rimmed blue eyes looking right at Crowley's yellow ones; his sunglasses had ended up on his head at some point. The angel's eyes slipped down to the demon's lips for a second and Crowley's licked them involuntarily, before his gaze went back to his eyes.

"You were right." Crowley tilted his head in confusion. "I talked to the Metraton. They want the war to happen...The Anti-Christ..." Aziraphale mumbled those last words.

"Right." Crowley stared down at Aziraphale for a couple more seconds before getting up, offering his hand to the angel to help him do the same. "You said you knew where he was?"

#alas Aziraphale and crowley got away from me once again #this was supposed to be a short lil thing but instead i created a monster #good omens #crowley #aziraphale #ineffable husbands #aziracrow #anthony j crowley

[pommedepersephone]

Being a long time Neil fangirl, when Crowley showed up in heaven and gave his little spiel about bees, I knew right away it was a reference to this line in the book -

Sometimes human beings are very much like bees. Bees are fiercely protective of their hive, provided you are outside it. Once you're in, the workers sort of assume that it must have been cleared by management and take no notice; various freeloading insects have evolved a mellifluous existence because of this very fact.

In the book, it is a reference to the Horsepeople making their way into the Tadfield Airbase to fuck shit up. But. BUT. I keep thinking about this. See, the Horsepeople didn't sneak in. Yes, they wore a disguise, but they literally rolled right up to the front gate and flashed their fake badges with their fancy high ranking titles and were granted access freely.

That isn't what Crowley did - he slunk in with his slutty little disguise and bouncy tip toed past everyone.

But you know who did just walk up to the proverbial gates of heaven with his shiny new title and waltzed right in?

#good omens #good omens meta #bees #aziraphale is going to fuck shit up #and i am here for it

[nohaijiachi]

I've been seeing just about all moments of GO S2 being put under a microscope and absolutely dissected frame by frame

And still I am yet to see anyone mention a moment that might be small in the grand scheme of things, perhaps not as character defining as many other that have been (rightfully) analyzed a thousand times over, but which was *so* important to me, and every single time I watch it I'm just filled with so many feelings and jhaghagha

(putting this under a read more to not spam y'all with a ginormous post clogging your dashes)

The moment in question is this (my apologies for the pics, I currently don't have a proper way to take screenshots of S2 and had to snap photos of my tv screen lol)

It's such a quick moment, a small blip in the entirety of episode 5, but let me tell you why it absolutely destroys my heart every single time.

First of all let's refresh our memory on Aziraphale's relationship with Heaven and Gabriel specifically, shall we?

The very first time we see Gabriel in S1, he surprises Aziraphale at a sushi restaurant. Aziraphale looks to his left, because that's the side where Crowley usually appears when approaching him, but instead of his boyfriend the familiar Demon, he sees the reflection of Gabriel at his other side, and he turns around with what reads to me as very much an "oh shit" expression.

In episode 2 we see Gabriel again, along with Sandalphon; they are flanking Aziraphale and leaving him no way to escape in what to me seems a blatant intimidation tactic, especially with Gabriel being all "hey you remember Sandalphon, right :)" and Aziraphale being like "Oh yeah, likes smiting and turning people into salt, I sure do! *nervous laugh". There's literally no reason for them to be acting like this if not to (un)subtly remind Aziraphale what his place is, and that he is NOT safe, not even in his bookshop.

Whenever we see Aziraphale in Heaven he is constantly standing ramrod straight, hands kept caged behind him, none of his usual mannerism to be seen. He always smiles like a hare being stared at by a hawk and the cinematography very much underlines that tenseness by both showing the impossible, cold and sterile expanse of Heaven in contrast to the camera being shoved right in the characters' face to make the viewer feel just as uncomfortable as Aziraphale is.

When Gabriel and Aziraphale speak in the park there's this moment after it looks like Gabriel is leaving, but he pops right back up in Aziraphale's space in an instant, causing the reaction we see in these screenshots. Aziraphale is clearly taken aback and tense, eyes widening which is like, fair considering Gabriel pretty much jump scared him, but that's rather the point, isn't it? Gabriel pretty much jump scared him. He didn't just turn around and jog back to Aziraphale to ask him about the sword, he purposefully moved himself up to him without any warning. Like sheesh, talk about terrifying bosses.

No Gabriel here, but just another example of how much Aziraphale does NOT like being in Heaven. When he gets discorporated and finally manages to stand up for himself, saying he refuses to fight a war, he still looks like *this*. Like he's one step away from just discorporating a second time and without an actual body out of sheer anxiety.

When all it's said and done at the Tadfield airbase and the four horsemen are gone, Gabriel and Beelzebub decide to go check what the heck is going on, at which point Aziraphale pretty much seems to be bracing himself, straightening his back, adjusting his clothes nervously and then holding his hand in front of him in a show of dignified quietness I definitely read as him doing his best to hide just how anxious he truly is.

Of course we don't see Aziraphale's reaction at being told to shut his stupid mouth and die already by Gabriel due to the body swap, and at this point is pretty safe to say Crowley has never shared with Aziraphale that little tidbit of information, but even not knowing the extent of the cruelty Gabriel showed toward him at the end, he still knows that Gabriel and, by extension, Heaven was more than willing and ready to murder him.

Even at the start of S2, when an amnesiac Gabriel arrives at the bookshop and then hugs him (awkwaaaard), Aziraphale looks like he's entirely frozen and unable to react to the improbability of what is happening, and when Gabriel asks him if he can go inside the bookshop Aziraphale's immediate reaction is to pretty much recoil with an immediate "No!".

Of course he is then forced to let him in because there's a naked man on his steps while the whole neighborhood is watching, and we get some many more little moments of Aziraphale anxiety emerging through his body language: The pacing, the way he sits ramrod straight in front of Gabriel, and him literally backing away multiple steps when Gabriel asks him "You know how it's like, when you don't know anything at all, and yet you're totally certain that everything will be better if you were just near one particular person?"

(Because of course Aziraphale knows how that feels, and that's exactly the same reason why he's been so scared of Heaven for-fucking-ever!) (Also as an aside let me just bless Michael 'Acting Choices' Sheen for that smile that lasts a shard of a second after Gabriel asks that. You can pretty much see the word "CROWLEY" stamped in big bold letters on his forehead in that moment lmao)

(Also as an aside to the aside. Jon Hamm is just fantastic. Gabriel comes across as such an asshole in S1, but Amnesiac!Gabriel is a fucking cinnamon roll and he pulls it off so well ajahjahja)

Then of course we get the whole exchange about the 'something terrible' that sends Aziraphale into more anxious frenzy until another tiny, kinda overlooked moment hits us in the shins, in which Gabriel says "You're funny. I love you." And like, can't blame anybody for not looking at that moment without much thought, I know that that sentence had me crying laughing multiple times on multiple rewatches, but also... God, you can see the way some of that fear instantly leaves Aziraphale, the way he relaxes ever so slightly and ??? Aziraphale??? Is that all you need to instantly start trusting someone who wanted you dead? Who treated you like shit for who knows how long? (Why am I even asking this, of course that'd be enough, it's Aziraphale we're talking about, here.) Then of course the rest of season 2, he and Crowley having a row about what to do with Gabriel with Aziraphale insisting that he needs them, as his friends, yada yada, we get back to the initial moment that sparked this post.

We get there, Aziraphale's (eldritch) Ball and the romantic moment he's been working himself up for ruined, murderous Demons at his steps putting both he and all the humans inside in peril, and all he would need to do to avoid any harm coming to them is to give Gabriel up, and... "You came to me. I said I would protect you. And I will." Not just the words, but the way Aziraphale says them; voice lowered and serious, that hint of hesitation and fear at the start that melts away into full blown confidence at the 'And I will'.

It isn't just Aziraphale being scared by Gabriel mentioning the 'something terrible' at the beginning, nor the brief moments of cryptic recollection that he witnesses Gabriel going through-- It's that Aziraphale sincerely accepted to protect him, and he wasn't going to give that up. He is a Guardian and a Principality, after all.

And like, I see this and how am I supposed not to get my heart utterly shattered by it? If Aziraphale had rejected Gabriel, or treated him unkindly in any way, I hardly doubt anybody would be hard pressed to say Aziraphale did not have the right to do so, not after the way he's been treated by Gabriel and Heaven his whole life. But he doesn't. He is kind to him, if a tad long-suffering at times. The protection he extended over Gabriel is utterly sincere and unwavering.

And ngggggggh I don't even know where I'm going with this. I just. Love Aziraphale so much. Stupid, clever, anxious, brave man-shaped thing that he is, recklessly throwing himself into the line of fire for somebody that, by any means, did not have any right to ask something of that magnitude from him. He is my scrungly, and by God am I ever so excited to see how everything will play out in season 3. I want him to fully grasp that bravery and raise absolute -metaphorical- hell with it. Shine bright, you crazy bastard.

#good omens #aziraphale #meta #i suppose #idk i just wanted to throw my two cents and talk about this specific moment #cuz it gives me ALL of the feels #my angel blorbo ilu

[neil-gaiman]

There have been a few questions recently about whether you or Terry Pratchett came up with particular elements of the original Good Omens novel and they seem to all have been things that you came up with- besides the Tadfield kids, which I think are well known to have been him, what are some fun little details or fan-favorite sectionsthat he brought to the book?

Thanks!

So much! Terry wrote more of Good Omens in the first draft than me. He wrote all the Tadfield stuff in first draft until they were heading to the airbase, and I took over the kids, with the R.P. Tyler scene, and Terry did the Four Horsemen (who had been mine) from there until the end. The Death of Agnes Nutter was completely Terry, as was the first Aziraphale and Crowley scene in the bookshop... Anathema and Newt getting together were Terry's until the post-coital bit...

[drconstellation]

Aziraphale-Beelzebub Parallels

Aziraphale's Edinburgh Journey: Part 2

I've already written a series on how Crowley and Gabriel act as parallels and foils to each other in S2. Their other halves - their partners - also act as each other's parallels. I mentioned this briefly in the second post in that series, but here we need to expand on this.

We also need to talk about Maggie.

I think most people identify that there is good case for a many parallels between Aziraphale and Maggie as well. But when you consider Aziraphale-Beelzebub-Maggie together in a character triangle, Maggie suddenly starts to make a lot more sense. And I believe there is one more peculiar element thrown in that she is reflecting back to us as well about Aziraphale that has made her particularly hard to understand on top of all that.

But let's look at the Aziraphale-Beelzebub related parallels first.

They hold the highest ranking position

Beezlebub holds the highest ranking position in Hell under Satan, as the Grand Duke. They leave a vacancy at the end of the series, that we are yet to see filled.

For most of S2 the Supreme Archangel is missing - and it is only right at the end that we see Aziraphale step up and accept the offered role.

Two things to mention here:

One might argue that the Metatron is higher in ranking than the Supreme Archangel, but for purposes of this discussion he doesn't seem to have much to do with the day-to-day running of things like the Supreme Archangel would. Gabriel was also the one who appeared on the tarmac at Tadfield Airbase opposite Beelzebub when things weren't going to plan in S1.

Secondly, this is where I would like to start introducing the concept that we are being shown Aziraphale's future story in S2. Such as Aziraphale's future role as Supreme Archangel, however long he holds on to it.

I don't know how difficult it will be to demonstrate this as we go along from here, but I'm going to try and point out places where I think we are being shown glimpses of the future - foreshadowing - and a lot of them come through Maggie. Not all, though, there are exceptions, but we'll discuss them in due course. Such as in the next parallel.

They need words of affirmation

Crowley isn't the most loquacious character but he's not shy of boosting his angel's ego when it's needed. Whether it's encouraging Aziraphale to go big on stage in 1941 or supporting his detective efforts in Edinburgh Crowley is still going to put in a good word or two for Aziraphale's sake.

AZIRAPHALE: [over phone]: I think I've found some clues. And do you remember the statue of Gabriel in the graveyard in Edinburgh? I'm looking at it now. CROWLEY: Mmm, good job. AZIRAPHALE: Oh, do you really think so?

We know Beelzebub needs words of affirmation as well because they ask Demon Josh this:

BEELZEBUB: Do you ever think, wouldn't it just be nice if someone told you what a good job you're doing? DEMON JOSH: In hell? BEELZEBUB: Yeah.

Hang on, just a minute...Demon Josh...?

The demon who appears to be acting as the Personal Assistant/Secretary to the Grand Duke of Hell?

There is an old thread that points out that Greasy Johnson's name is basically another form of Jesus Christ. The TL:DR version is that Joshua aka Oily Josh is another form of Jesus.

So Beelzebub has Demon Jesus as her assistant.

Remember I was trying to tell you we are seeing future echoes of Aziraphale's story in S3 here? Jesus as the right hand of the Supreme Archangel, perhaps?

They give gifts

A S1 crossover, Beelzebub gives Gabriel the Tardis-like fly storage container, and Aziraphale gives Crowley the thermos of holy water in 1967 to stop the crazy caper he was planning to steal some. Both acts were done unprompted at the time.

They enjoy music

We've seen Aziraphale with his phonograph in action several times, and in S2E1 we see him in the midst of listening to the Shostakovitch records he got from Maggie when the arrival of Gabriel interrupts him.

We learn Beelzebub also has an ear for a good tune when they mention they like the song they hear in the American bar during the recap scenes of their meetings with Gabriel in S2E6.

They make an offer of "betterment" to Crowley

Beelzebub's offer to Crowley that he could be a Duke of Hell if he finds Gabriel for them, all while he is lounging across the two horned thrones in S2E1, is widely seen as a prominent piece of foreshadowing for S3.

Really, the only question should be is will that be just a plain Duke or will he somehow end up in the Grand Duke of Hell position opposite of Aziraphale?

Aziraphale also made an offer to Crowley - to restore him to angelic status.

At the time, neither offer was accepted with any enthusiasm - especially the latter.

They have a date at Gabriel's statue

I have pointed out elsewhere that this is a triple-parallel with a shot from Before the Beginning, but then I remembered that the parallel with Aziraphale looking jealously at angel!Crowley was written after this date pair with Gabriel's statue.

I intend to talk about the significance of the statue in Part 4: Judgement Day, as it makes a bridge between all three seasons and it needs some thorough and lengthy discussion around it.

They go to the pub

This is another triple-parallel between the two pairs. (I think @kayleefansposts first brought this up but I can't find the post it comes from now, even though it wasn't that long ago.)

First, they both meet in a cafe:

Then they meet in a pub:

And lastly, they meet - well, lets say with alcohol on the table and an option of food?

Their partners make a reference to the absurd creativity of humanity

For some time I wondered why when Crowley came back from the pub with Aziraphale, he plucked the Jane Austen off the shelf and shouted that inane line at humanity: "You people, I will never get the hang of you lot."

Eventually I realized it was a parallel moment to when just before Gabriel miracles the jukebox in the Resurrectionist to play Every Day the first time.

GABRIEL: What's that? BARTENDER: A classic 1960s jukebox. You don't see many of them these days. You just put your money in and tell it what you want to hear. GABRIEL: Oh… You people. Amazing. [hands over money] [miracles] Ha!

Both incidences are inspired by their partners - Aziraphale inspires Crowley to look for Austen's novels and Gabriel miracles the jukebox to play the music that Beelzebub likes.

Their partners accidentally leave them on their own

Crowley was only going to take the human shopkeepers to safety, then return - but he got sidetracked with Muriel all the way up to Heaven. Thinking he would be back soon, Aziraphale didn't plan very far ahead, and that eventually led to a problem - and a long, anxious wait for the demon's return.

On his way out of Heaven, Gabriel was on his way to Hell and Beelzebub - we presume. But as soon as he put himself in the fly, he forgot, and headed to the next most memorable location in his remaining working neurons, which happened to be on Earth. Beelzebub was left wondering where he was - and very alone down there in Hell while their minions were out searching for him. @noneorother shows what happens to the thrones while they wait.

So, about Maggie, then...

Understanding Aziraphale and Beelzebub as a parallel pair helps us to understand Maggie a little better, as Maggie is actually a mix of the two characters, reflecting both of them back at the same time. I think that is why she sometimes seems like an angel and a demon at the same time - because she actually is!

I believe this would also explain the "ugrency" spelling mistake, as well as putting an emphasis on the word urgency itself for us. What is becoming urgent?

For example, Maggie always wears a combination of colours from both characters. Here we can Maggie is wearing Beelzebub's signature colours of orange and light blue, but with a white background as the angelic component.

At the ball, she wears a blue blouse - blue is a colour associated with Heaven - but its a dark, demonic shade of blue.

She tries to give a gift to Nina, that doesn't quite work, but the thought and effort is there. She's very forgiving. And she says she says she'll still be there when Nina is ready to start seeing her again; she's reflecting the future Aziraphale to us.

She doesn't want to leave the scene of danger with Crowley when its offered (sounds familiar, doesn't it? Let's go to Alpha Centauri - No! I Can't!)

She's done with being scared, she's ready to stand up and be brave and fight.

She doesn't want to leave Aziraphale on his own (even though Aziraphale still has faith Crowley will turn up any minute now and have a plan - !!) She comes up with ideas on how to fight back. This is someone who steps forward and takes control. These all look like future echoes and set-ups for parallels in S3 to me.

There's another line that no one ever talks about that I've always thought was a foreshadowing line that Crowley says to Nina:

NINA: He's never hosted a meeting, ever. Why the change of heart? CROWLEY: He's unpredictable. He's discovered his civic obligations.

The parallel to this comes from Maggie, when Crowley goes to tell her its time for the meeting/Ball, she says she never misses a meeting. If that's not part of fulfilling your "civic obligations" I don't know what is.

If there was one aspect of Beelzebub I would perhaps just mention here briefly, but not discussing at length because I want to do it elsewhere again as well, is that they twice show restraint of their power and authority - they don't pull Crowley in for punishment as a traitor, even though they could (they pulled him down to Hell for a chat pretty easily) and they don't bother to rip out Demon Josh's tongue and send him to the dung heaps that day for being talkative and annoying, even though we get the impression it happens on a regular basis. In contrast, Aziraphale and Maggie both step up a bit and take some authority on themselves towards the end.

The lists above are not exhaustive of all the parallels between the three characters, but I hope it helps to get you started in thinking about them in a different way to how you might have been.

Next we try to tie the past<-present->future parallels together as we start getting our hands dirty.

The other posts in this series can be found here:

Part 1: Detective Aziraphale Part 3: Stocktaking in the Basement Part 4: Judgement Day Part 5: I Know Where I'm Going

#good omens #good omens 2 #good omens meta #aziraphale #beelzebub #maggie #demon josh #duke of hell crowley #oily josh #supreme archangel aziraphale #you people #i wont leave you on your own #discovering your civic duties #staying behind to die bravely #he's unpredictable

[cassandralie]

God's Test isn't just for the Humans

It's for the angels and demons, too.

Maybe this was already obvious. Maybe I'm the last one to this party. But I want to talk about it anyway. So, let's go!

A test to see if they can put aside their differences -- or at least enjoy their differences and eternal conflict -- enough not to destroy the world and go to war again.

A test to see if they can find something more important than choosing sides. (Choosing love instead war.)

...or at least to keep those two sides, and everything else, running so the humans can make choices.

Aziraphale has figured this out. And so has Crowley.

If everything works properly, then the world won't be destroyed because the angels, and the demons, and the humans will save it. Just like they did at Tadfield Airbase.

Just like they will do again, when the Second Coming--the Really Big One--happens.

Compared to angels and demons, humans are powerless. All of Heaven and Hell versus all the Humans of Earth, isn't a fair fight, is it?

Even so, if the humans love their earth enough, they will fight to save it, even against impossible odds. (Choosing war because of love.)

And if they do, they will win. Because loving the world enough to try to save it is passing the test.

Because the test is really a test of love.

Neil Gaiman even said so himself.

And he is not only Word of God as the writer, but has cast himself in the role of God when he said "come back when you can make me a whale"

which is what God--or at least the Voice of God*--says to Job when he wants answers.

*Neil also said God doesn't talk to anyone in Seasons 1&2, which would include Job. So it might have been Metatron doing a convincing Frances McDormand impression.

But Neil was just having fun with the whale bit. Because he's already given us the answer. Several times.

(I love the fractal answer here lol)

Anyway, that was my delulu for today! Hope you liked loved it :)

#good omens #good omens meta #go s3 theory #go s3 speculation #give me season 3 or give me death #renew good omens #cassandratruths

[celestialcrowley]

My mind is in a hundred places at once, but I’ll focus on this one for now. I’ve been thinking about the class a surreptitious half a miracle, the 25 lazarii miracle and time.

Aziraphale and Crowley are powerful together, but I think Crowley is incredibly powerful on his own.

If he can do this, I wonder what else he can do. And very soon, you’re all going to get the chance to find out.

In another sort of meta, I mentioned that this could be potential foreshadowing for Aziraphale in season 3 since it was technically him who said that. But maybe it was foreshadowing for Crowley. Or both of them.

Bringing this back from my this took 6,000 years to put together meta —

You don’t separate the bee from the hive.

I feel as though we’ve barely scratched the surface regarding our favorite murder hornet’s bee’s power. Here’s why.

1. His imagination is so powerful that he drove through fire without being discorporated to get to Tadfield Airbase.

2. He can stop time.

3. He got so angry about Gabriel being in the bookshop that he was struck by lightning.

4. He can access confidential files in Heaven that certain angels cannot access even though he’s a demon. He did say something about a password, but could there be more to it than that?

What stands out to me the most are the first two. Having an imagination that powerful is actually downright terrifying. Having the ability to stop time is the icing on the cake, but could there be other ways he can control time?

I’ve been awake since 4 this morning. I’m just talking. This might not mean anything.

Anyway, thanks for reading. Reblog with your own thoughts if you’d like. Cheers!

#good omens #crowley #aziraphale #david tennant #michael sheen #aziracrow #aziraphale x crowley #ineffable husbands #crowley x aziraphale

[tehloserprince]

Some folks asked me to post/share this here because they found it useful, so ...

I was a little surprised by the amount of people who thought Gabriel and Beelzebub literally met only three times before deciding they were in love and running off together. It's true that we see three pivotal moments in Gabriel's memories, and I think @neil-gaiman and co. showed the audience these specific moments for a reason, but the writing and visual cues in each of the scenes seemed to be done in a way that would emphasize the passage of time between meetings and the development of the relationship between Gabriel and Beelzebub to the audience.

First Meeting: I believe this one happened not too long after Armageddon failed to materialize. We're given an immediate visual cue from Gabriel, whose outfit is closer to what he wore in S1; he's wearing the same scarf and jacket that he wore throughout that season, and also when he met Beelzebub on the Tadfield airbase. Could be appropriate attire for the season, since we do see Gabriel wearing the coat again a bit later (sans scarf).

At their meeting, Gabriel is seated on the left and Beelzebub is on the right. Their meeting place seems to be somewhere in Russia (away from their home territories). The table is rather large, creating some distance between the two of them. Their body language is also a lot more guarded: legs and arms crossed at times, and they tend to lean away from each other more throughout the conversation. This meeting is short, but there are some sparks between the two of them: the gentle teasing ("well, you lost"/"so did you"), Beelzebub crossing their arms and trying not to smile at Gabriel's "Arma-bloody-geddon" moment, and the shared understanding over the burdens of being the respective Commanders-in-Chief of Heaven and Hell.

It ends with Gabriel leaving quickly after saying it's a pity they'll never speak again, but ...

Second Meeting: ... obviously, they do end up speaking again. When Gabriel enters this particular meeting, he's wearing an outfit closer to what we see him wearing in S2 prior to him losing his memory. Again, possibly a seasonal cue as well. At the beginning of the Second Meeting, Gabriel sits down across from Beelzebub and immediately proposes the idea of "no Armageddon." He would have no reason to do that unless there had been other meetings that deepened their initial connection and made him realize that hey, a victory for Heaven would mean NO Beelzebub, which would kind of suck because he's grown to enjoy their company and their little "work meetings."

While they've built a sort of rapport over their work lives, there seems to be something else simmering beneath the surface. This is reflected in more visual cues: their body language seems more comfortable/relaxed - they lean towards one another as opposed to leaning back and maintaining distance; the table itself is much smaller (meaning they're seated closer together/with less distance between them); and they've also switched sides - Beelzebub is now seated on the left and Gabriel is on the right. Their meeting place seems to be a bar in America, which might mean they've still been avoiding any meetings in their home territories.

Beelzebub is open to Gabriel's suggestion and agrees to it almost immediately. Instead of rushing off like he did after their first meeting, Gabriel remains seated and Beelzebub seems to get a bit flustered by his gaze. They discuss the music playing on the jukebox, and Beelzebub is so much more patient with Gabriel's lack of knowledge than they would have been with anyone else. There are multiple layers to Gabriel's line, "Then ... I also like it." The little subtleties from Jon Hamm and Shelley Conn add a wonderful depth to these short scenes tbh.

At the end of the meeting, Beelzebub straightens up, fixes their gaze on Gabriel, and very pointedly states that there's "no NEED for them to ever meet again," smiling slightly as they wait for his response ("none whatsoever"). The wording there is important because ...

Third Meeting: ... there IS no "need" for them to ever meet again. From here on out, they're meeting solely because they WANT to be in each other's company. They're no longer pretending that their meetings are strictly business, and they're also not limiting themselves to locations outside their home territories. I get the feeling that the Third Meeting the audience gets to see was more like their "first date." Instead of meeting directly at a public location to discuss "business," Gabriel takes Beelzebub to see something important to him. Of course, this is Gabriel we're talking about, and he's taken Beelzebub to see the statue of him in a local cemetery in Edinburgh. But still! The statue is meaningful to him, and he wanted to share that with Beelzebub. They're even standing right next to each other as the scene begins, with Beelzebub's head cocked to listen as Gabriel speaks. Shelley Conn gives us this awesome moment of Beelzebub looking at Gabriel almost wistfully, and mmm do I have Some Thoughts about that entire scene. I've shared them elsewhere, maybe I'll eventually post them over here, but the TLDR is that yeah, I feel like they're wishing Gabriel would look at them Like That. I also think maybe there was some larger doubt re: whether or not the Archangel Fucking Gabriel, God's Messenger, would ever love a demon over their heavenly duty/station. But I digress.

Following their excursion to see the statue, Beelzebub and Gabriel wind up at The Resurrectionist. Gabriel's been wearing that coat again, which could show another shift in the seasons. Instead of sitting across from each other, Gabriel and Beelzebub are now seated next to each other in a cozy booth. The candles and dim lighting give it a romantic feel. Adding to that clumsy sort of romantic feeling, we see Gabriel and Beelzebub each doing something nice for the other just to see them happy. Gabriel performs a small miracle on the jukebox to have it play what has essentially become "their" song, and Beelzebub gifts a fly in return - essentially, a small piece of themselves, as they are the Lord of the Flies after all. It also happens to be the first thing anyone's ever given to Gabriel, a fact that has quite an impact on Beelzebub.

When Aziraphale is talking to the owner of The Resurrectionist, he learns that the jukebox miracle occurred "last year." So we can deduce (detective word!) that Gabriel and Beelzebub had been "dating" for about a year prior to his "disappearance." A year is a long time for them to develop much deeper feelings and intimacy. Not necessarily talking about sex there either, because folks can imagine whatever they want to in that regard. I mean intimacy in the sense of knowing and feeling comfortable with each other. The way they hold hands and have their arms around each other in the S2 finale indicates that they'd gotten pretty cozy with all of that. I mean, come on, look at how happy Gabriel was to see them once his memories were returned and how immediately his entire demeanor changed.

In the brief moments we see Gabriel prior to his memory loss, he's behaving differently from his S1 counterpart, who was a lot more rigid and laser-focused on Armageddon. Even Beelzebub seems a bit changed; that scene with Demon Josh is a great example. Granted, Beelzebub was more subdued/worried about Gabriel in that moment, but it seems like they'd grown a longer fuse and/or were less quick to anger/annoyance. Daydreaming can do that to a demon, I suppose.

I love this pairing; they're such a great example of how loving someone and being loved in return can bring out the "real"/best version of yourself. I'd totally read an entire novel about them. And can I just add once again that the visual cues were so well done? Not just the acting from Shelley Conn and Jon Hamm, who really brought a lot to the table (see what I did there) with their facial expressions and mannerisms, but the actual visual cues in each of these scenes: the way the two of them were gradually seen to be sitting closer until they were seated right next to each other; the shift in body language between meetings; the way they switched sides during each of the meetings we got to see, as opposed to Aziraphale and Crowley having dominant "sides" that we tend to see them on; etc. I could write an essay on this (more than I already have) so I'll have to stop myself now.

Anyway. Screenplays are neat, and it's fun to see how words and imagery combine to tell a much larger story. Of course, you need great actors to really bring it all home, and thankfully we've been blessed with many in Good Omens. Much love to Jon Hamm and Shelley Conn for their work here.

#good omens #good omens 2 #gomens #ineffable bureaucracy #boxfly #beelzebub x gabriel #gabriel x beelzebub #lord beelzebub #archangel gabriel #s2 ep6 #shut up j #listen i just enjoy analyzing media sometimes #especially when it brings me serotonin

[im-this-kind-of-girl]

My complete and unhinged Metatron analysis

Hello, I have seen that many people are theorizing about Metatron, so I'm here presenting an analysis of who Metatron is, rather his biblical role and how he may be more connected to the Aziraphale and Crowley than we might believe.

-Also, English is not my first language, so please be patient with me-

ANALYSIS OF METATRON AS A FIGURE WITHIN CHRISTIANITY:

Metatron, has always been a controversial figure in Christianity, full of dualisms.

Let's start with its etymologically. The term Metatron has two completely different translations: one comes from the Greek metradromos meaning "he who pursues with vengeance"; or it is also possible that its origin is from the term meta ton thronon which means "closer to the throne". There are many doubts about his true origin, since it is mentioned in non-canonical versions of the Bible, during Genesis*. However, in the most current and official versions of the Bible, it never appears.

While there is nothing official, the most accepted version is that he is actually the prophet Enoch, Noah's grandfather. Enoch -who used to have his own book of the Bible in earlier versions- was a prophet who had the God-given gift of visiting Heaven through different visions. In his 1st vision, Enoch has the mission to intercede with God on behalf of the fallen angels. In another vision, he sees the Cherubim in Heaven, whom he describes as beings of fire. Later, he is taken by the archangel Michael to the highest heaven. Enoch also travels in his visions or dreams to the tree of knowledge. He is supposed to have lived 365 years and, at the end of his visions, Enoch is chosen by God to become the archangel Metatron, a powerful archangel who is also called the little Yahweh.

There is another explanation for his origin: he is the first being of creation, seated at the left hand of the father, which in tradition is associated with Satan.

The Zohar also describes Metatron as "the king of angels" who reigns over the tree of the knowledge of good and evil.

When Enoch was on Earth, he devoted himself to writing a book containing the secrets of wisdom until he was taken to Heaven to become an angel. God allowed Enoch to continue this same ministry in Heaven** .

FUN FACTS:

Metatron was the one who led the Israelites to the Promised Land (Moses).

Metatron is the patron angel of children.

Metatron transmits God's daily orders to the angels Gabriel and Raphael.

Not being an angel from his origin, Metatron is associated with the angels in charge of Death, he supervises them when they help the souls to make their transition from the physical to the spiritual plane.

He is canonically the most powerful archangel in the entire celestial realm, second only to God. His role is similar to Lucifer's original rol, the right hand of God.

The archangel Metatron is in charge of directing the ascension and activation of the human being's light body. Having been human, he knows the path of enlightenment. He represents the potential for transformation and purification of the soul when it sets out to transcend matter to unite with the pure spirit of the Divine. Metatron is in charge of guiding the souls towards the light, towards purity (insert the fact that he asks for coffee with almonds, which in Christianity is related to purification).

METATRON IN THE LORE OF GOOD OMENS

It is worth mentioning that in the original Good Omens book, Metatron is the only angel that appears besides Aziraphale. While other angels are mentioned, Metatron is the only one who appears, firstly when Zira wants to talk to God, and secondly when Beelzebub and Metatron make presence at the Tadfield airbase to try to convince Adam to restart the end of the world (it is not Gabriel who appears in the book).

And, considering that the 3rd season is based on the sequel to the book that never came out, it makes sense that Metatron would have had a bigger role because he was always a present character.

HIS RELATIONSHIP WITH CROWLEY AND ZIRA:

So, from all this information, I would like to point out that Metatron not only used to be human and knows the "true path of purification," but he is also in charge of caring the tree of knowledge.

You know, that tree?

Aziraphale and Crowley represent the two things that oppose his very existence: an angel that is becoming more and more human with each passing day and the Serpent of Temptation that keeps doubting and questioning the edges and the difference between good and evil. These two not only were they not punished, but together they are two extremely powerful entities, perhaps as powerful as he is.

They are a threat… but only together.

Metatron can see in Aziraphale the very opposite of what he represents, someone who needs to return to the path of divinity:

Aziraphale, the supposed guardian of Eden, who started out as an angel, who gradually transformed into someone with more and more human habits, falling into almost all the deadly sins, in love with the Serpent who tempted humans to eat from the forbidden fruit of the tree of knowledge. Someone who loves forbidden books and bibles, with a hedonistic and condescending personality who managed to deceive his brother angels for millennia to protect humanity and his earthly life***.

It would also explain his disdain towards Crowley, why he looked at him with that face: Metatron is the protector of the tree that Crowley managed to corrupt.

To all this we can add that Metatron/Enoch renounced his humanity to become something superior, while Crowley and Aziraphale consider humanity to be something superior worth defending and loving. They see in humans what Enoch could not see behind his judgment of false celestial purity. They are two supernatural entities who managed to love humanity more than he, a human, ever could.

These parallels are not only born out of my obsession, no. The fact that Metatron has separated them has a much more possible and deep significance.

Narratively, this can only mean one thing: Metatron is the villain, the perfect antagonist to Aziracrow.

CLARIFICATIONS *Genesis is where the Adam and Eve story is found, the Garden of Eden, the moment that changes Zira and Crowley forever…. **That "book that contained the secrets of wisdom"… is it the book of life? Is Metatron the only one who has access to it? ***I would like to clarify, that for me the real main character of Good Omens is Aziraphale, that's why I find more comparisons with him, followed by Crowley as co-protagonist, but I will continue this theory another day.

#good omens #ineffable husbands #aziracrow #did i just also make a whole bible analysis? Look what you made me do gaiman #can this be tagged as a bible study? #bible study #every time i see a catholic metatron figure i want to throw up #neil gaiman #terry pratchett #good omen season 2 #good omens theory #good omens metatron #go2 #aziraphale #crowley #good omen 2 spoilers

[seven-stars-in-his-palm]

i know it in my wee little heart that crowley and aziraphale spent their first new years after armageddon stargazing at tadfield airbase. good for them. good for them

#i'd explain why but im tired. its for multiple reasons actually. thematic and sappy reasons #good omens #crowley #aziraphale #ineffable spouses #stars in a jar au

[hikarry]

Crowley being the bringer of his own bad luck will never not be funny

Needs to make an urgent call about Armageddon? Can't cause he just took down every cellphone tower in the London area a couple of hours ago

Needs to get to Tadfield Airbase as soon as possible? Can't because the M25 is on fire due to his meddling with the building of said road 5/6 decades ago

These are only two instances we know about and that happened recently, but it can somewhat already be considered a pattern

Now, just imagine how many times this happened through the millennia. How many times has Crowley fucked with something just to be fucked right back in return

I would seriously just sit there and watch a compilation of all the traps he created for himself in the last 6000 years

#good omens #crowley #david tennant #anthony j crowley

[aziraphales-library]

hi guys!!! first I want to say that I'm so thankful for everything you're doing and I hope you have an amazing day <333 I was wondering if perhaps you knew any good zombie apocalypse AU fics? Or it doesn't necessarily need to be zombies but I'm looking for that kind of apocalyptic vibe (not the hell and heaven war tho). Thank you so much in advance!! <33

Hello! There's a bunch:

Summer's End by FeralTuxedo [E]

2095. Britain is a post-apocalyptic wasteland ravaged by droughts, the collapse of civilisation, and hordes of the undead. Despite that, Aziraphale’s life is actually pretty good. He has his caravan, his books, and his work, offering his services to the men who stop by Tadfield on their arduous journey north.

One day, a mysterious stranger knocks on his door. Crowley is charming and handsome and he appears to know his way around a vegetable garden. He comes with the tempting offer of a mutually beneficial arrangement. But it’s in Aziraphale’s best interest not to get too attached.

A dystopian cottagecore sex worker AU.

Tribute by snae_b [E]

Water is scarce, the surface is unlivable, and Eden isn’t the paradise Aziraphale once thought he knew. But for a Guardian on the run, it's out of one lion's den, into another.

is there anybody out there? by theycallmeDernhelm (onyourleft084) [E]

Welcome to the zombie apocalypse. England has been overrun by walking corpses, everything's gone to hell, and the few survivors are scattered- among them, Crowley and his 11-year-old son Warlock. When Crowley's radio signal is unexpectedly picked up by another group of survivors, he finds himself falling, in a way he never thought he'd fall again, for the charming and kindly Aziraphale. Over three seasons and a tenuous radio connection, a romance develops between them, while a friendship grows between Warlock and Aziraphale's nephew Adam. Love isn't dead (or undead) after all.

Zombie Apocalypse by AppleSeeds [T]

When a meteor strikes Earth carrying a virus that can 'turn people into zombies', Aziraphale finds himself responsible for a group of frightened teenagers at an airbase-turned-hospital in Tadfield. Aziraphale is terrified, but experiences some relief when the teens introduce him to Crowley, who has a plan to get them all to safety. When things don't exactly go according to plan and with the zombies closing in, Aziraphale must face his fears in order to protect the children from becoming infected.

~Mod N

#good omens #ineffable husbands #adult omens #zombie apocalypse #apocalypse au #human au #mod n

[cruciatusforeplay]

Hello I have Good Omens Brainrot like the rest of us, and I had a spare afternoon, so here is

Crowley and Aziraphale's Canonical Chronological History

(watching-guide with media timestamps so you can watch it all develop in order)

It's long so it's going under the cut. Let me know if there are errors beyond being out by a second or so. Also speedrunning two series of this show in an afternoon made me So Unwell (emotionally). I would absolutely recommend it.

I've broadly only included only clips that featured either one or both them as a focal point, or where the events would have informed their relationship, plus the option of the S2 finale in its entirety.

**Before the beginning, nebula** S2E1 0:00- 6:20 (up to opening credits)

**Just after the beginning, Garden of Eden, 4004BC** S1E1 1:55 (or 3:25 to skip Adam and Eve)-6:04 (opening credits)

**Noah's Ark, mesopotamia 3004BC** S1E3 0:00-2:47

**Job, 2500BC** S2E2 0:00-5:35, 22:30-40:01, 44:10-46:49 (end of episode)

**Crucifixion of Jesus, Golgotha, 33AD** S1E3 2:47-4:28 (continues directly to)

**Rome 41AD** S1E3 4:28-5:31 (continues directly to)

**Knights, kingdom of Wessex, 537AD** S1E3 5:31-7:56 (continues directly to)

**Bastille, Paris, 1793** S1E3 11:53-15:31

**The Globe Theatre London, 1601** S1E3 7:56-11:53 (continues directly to)

**Edinburgh, 1827** S2E3 8:34(post credits)-12:56, 17:38-22:10, 24:28-33:59

**St James' Park London, 1862** S1E3 15:31-17:29 (continues directly to)

**The Blitz, London, 1941** S1E3 17:29-24:07, recap can be skipped that can be skipped: S2E4 5:10(post credits)-6:14, 8:24-37:59

**Soho, London, 1967** S1E3 24:07-28:38 (opening credits)

**The M25 meeting, Hell, 1970s** S1E5 21:21-22:27

**The Antichrist, near Tadfield airbase, "11 years ago" ~2008** S1E1 7:32(post credits)-14:24, (optional baby drop off with Crowley) 19:24-20:14, 25:59-29:59, 30:14-32:24, 33:35-35:04 (continues directly to)

**Antichrist upbringing, "5 years later" ~2013** S1E1 35:04-39:30

**6 days before the end of the world, Monday, 2019** S1E1 40:45-43:19 (continues directly to)

**3 days before the end of the world, Wednesday, 2019** S1E1 43:19-44:08, 44:38-45:52, 48:01-49:11(to end credits)

**2 days before the end of the world, Thursday, 2019** S1E2 0:00-3:56, 21:16-23:33, 26:24-27:54, 31:04-32:10, 34:14-44:40, 45:36-46:21, 48:05-54:01 (to end credits)

**1 day before the end of the world, Friday, 2019** S1E3 30:07-31:14, 35:27-36:49, 38:48-41:30, 43:39-45:51, 49:41-49:53, 50:39-53:11

**The last day of the world, Saturday, 2019** S1E4 4:01-5:42, 8:15-9:28, 29:06-29:48, 33:29-42:00, 48:47-54:06 (to end credits)

**5 Hours and 48 Minutes to the End of the World, 2019** S1E5 0:00-1:32, 3:17(after credits)-4:17, 6:11-8:49, 11:01-13:25, 17:47(or 20:18 to skip the spirit of Ron)-21:00

**1 Hour and 43 Minutes to the End of the World, 2019** S1E5 21:00-21:21, 22:28-25:07, 26:49-31:43, 36:59-37:31

**17 minutes to the end of the world (and the rest ofbthat day), 2019** S1E5 46:24-49:25 (end credits), S1E6 1:53(2:35 to skip repeat section)-4:39, 8:19-9:49, 10:44-12:49, 14:02-27:10

**The very last day of the rest of their lives, 2019** S1E6 27:10- 28:07, 31:02-32:58, 0:00-1:46, 32:58-36:26, 42:33-45:45, 48:40-52:17

**London, present day (S2E1), ~2023** S2E1 7:48-13:15, 13:47-29:59, 33:00-36:13, 37:39-38:00, 38:19-42:41

**London, present day (S2E2), ~2023** S2E2 5:35-8:53 (to opening credits), 10:21-22:30, 40:04-43:28

**London/Edinburgh present day (S2E3), ~2023** S2E3 1:14-6:35, 6:47-7:07 (to opening credits), 12:57-14:36, 16:09-17:38, 22:11-24:27, 33:59-42:05(to end credits)

**London, present day (S2E4), ~2023** S2E4 0:00-3:42 (opening credits), 41:08-41:46, 42:02-43:09(end credits)

**London, present day (S2E5), ~2023** S2E5 0:48-2:57, 3:43-5:24, 7:07-8:04, 8:31-10:12, 12:29-13:32, 13:57-17:57, 19:33-29:52, 30:24-40:38

**London, present day (S2E6), ~2023** S2E6 0:00-4:52(to opening credits), 6:20-(optional 21:06-27:31 for Gabe and Muriel memories, otherwise continue to)end of ep

#good omens s2 spoilers #good omens s2 #the goodest of omens #good omens