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#This is not a post about crediting sources
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SUA - IVAN TYPE OF JEALOUSY
I've just realized that Sua and Ivan had the same very weird type of jealousy:
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- Sua was not jealous of Till even though Till liked Mizi, instead, Sua turned to be upset with Mizi 'cause Mizi was so silly goofy that she didn't realize Till's feelings for her though it was as plain as crystal.
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- And in the same way, Ivan was not jealous of Mizi although Mizi won Till's affection. He turned to be upset with Sua instead because Sua's feelings was reciprocated and her affection for Mizi was both-sided while his was not, even though he considered that they were alike, that they were the same kind of person.
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Also on the contrary, we can see that Ivan is very close to Mizi in some offical side-arts/side-stories (you can find them on Vivinos X account). Mizi talked to Ivan first and asked him for an explanation when she heard something she didn't understand, and she even asked Ivan to carry her on his back. Mizi and Ivan interaction was far closer than Mizi and Till. Actually, Till's relationship with Mizi was like one-sided, and he just followed behind Mizi to know more about her but did not dare to come closer or tried to strike up a proper conversation.
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Sources of images: all are original works by Vivinos and Qmeng on the official twitter, translated by me.
Sources of the idea: the original idea of this post belongs to this blog on Facebook. Credit link: https://www.facebook.com/share/p/ryTLFhQ1E5VyAa7y/?mibextid=xfxF2i
I have their permission to translate to English and post it on my Tumblr account.
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sgiandubh · 3 days
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The door faces North
This has been, by far, one of the most complex investigations I have ever done in this fandom, and I am truly sorry for the long wait I had to inflict on many of you & for the uncharacteristic radio silence in DMs and comments. During this peculiar journey, I checked, double-checked and cross-checked as many details as I could and I carefully considered at least two different theories, of which I still think they do not exclude each other. I am now confident enough to make not only an educated guess, but also a daring bet on SRH's next whisky move.
Also, sorry for the length of this post. Truly sorry - think of the completely pulverized night sleep I had to give up, in order to bring this to you.
But first, a word on Marple's obvious PR tip on the Hopetoun Estate refurbishment and distillery old/new project. I am fair game enough to tell you the obvious: her overall recounting of the principals is roughly correct, spare perhaps one or two minor details. Correct, but dry - she limits herself to the technical documentation submitted by Golden Decanters and The Hopetoun Estates Trust to the West Lothian Council for approval. She correctly points out that S is not a visible part of the deal, at this point in time and she does a decent summing up of a very, very, VERY plethoric amount of bureaucratic information. She concludes, and I think she is partially right, that he might be interested in becoming an investor (I am taking things a bit further, though). But in doing so, she focuses on the development phase of the project only: the possible connections with SRH and his own spirits business are less, if at all, obvious.
I am going to give you my view of all this charade and, if I am going to mention (and probably repeat) some things already found by her, I am going to focus on the people: this is where the whole story starts to become remarkably interesting, at least to me. After all, I remember promising you some more clarity. Here's an honest, fair play take.
Little did I know, when I started to write about that (now defunct) company, Midhope Castle Distillery, Ltd (https://www.tumblr.com/sgiandubh/748597198794670080/the-info-provided-above-is-correct-but-outdated?source=share), that my investigation would turn to this:
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... for it was to be just an almost random layer of a juggernaut matryoshka of defunct or still active companies, featuring roughly the same people and no less than 6 different name combinations centered around Midhope, Hopetoun, etc.
The following pics will give you an idea - feel free to open them in a separate tab, for clarity . I preferred this synthetic approach, because otherwise you will curse the shite out of me. But it had to be done, with or without Depon, Advil's Greek cousin (and before you ask a graphologist, this is my handwriting, and nobody else's 🙃):
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The only explanation for the whole almost frantic Midhope/Hopetoun crisscross/hopscotch (LOL) combos I can think of is two people trying to secure one (several?) credit lines or to attract significant investors for their project and ultimately failing to do so. But I might be wrong (although I doubt that, thank you). Out of this entire maze ( I swear I now have a migraine), there are only two active companies remaining: Golden Decanters Ltd (renamed GD Spirits Ltd, in April 2022) and Midhope Ltd (renamed Skosk Ltd, in July 2023). It is on them I am going to focus my gaze.
GD Spirits Ltd was incorporated in Berwick-upon-Tweed, England (just across the Scottish border), probably for tax reasons, on March 11, 2015, the nature of its business being listed as 'wholesale of wine, beer, spirits, etc.'. It started with a team of two women: Julia Mackenzie-Gillanders and Ann Medlock, whose names we are going to see over and over again in all the eight corporate avatars. Later down the timeline (LOL for three decades and a half), on January 30, 2018, they were briefly (until July 19, 2018) joined by two very interesting professionals: Mrs. Margaret Boswell, an attorney at the very prestigious international law firm Gide Loyrette Nouel (Paris and London offices)...
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...and Ken Robertson, former Corporate Affairs Director at Diageo Whisky, a subsidiary of the international Diageo group, one of the major players on the world spirits' market:
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The second company, Skosk Ltd, was incorporated in August 2021, in Perth, Scotland, its nature of business being listed as 'distilling, rectifying and blending of spirits', with the clear intention to align with the exacting criteria prescribed by the 2009 Scotch Whisky Regulations:
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[ Source: https://en.wikipedia.org/wiki/Scotch_whisky - sorry, I don't have time to wax lyrical on this, and neither do you]
This time, we only meet again the two distillerettes, Gillanders and Medwick. Up until now, at least, nobody else (attorney, former sales executive, whisky expert) has joined the platoon - TBC? I would not speculate and leave all options open.
There is little to 0 transparency on Skosk's financial situation, at the moment and to be honest, it looks very much like S's co-star (hehe)'s Irish business venture...
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... but I was a bit more lucky, and the numbers more chatty, as far as GD Spirits was concerned:
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Paging all shipper chartered accountants out there, but to me, it doesn't look great, at the moment. Cash is ridiculous, the net worth is hemorrhaging and the current assets are negligible, compared to 2020, when I think they managed to secure one or two credit lines, but not nearly enough for what they needed. Just enough to pay themselves and their external consultants and cover the operating costs, if you ask me.
The revised Planning Statement, of 8 February 2024, posted first by Marple, echoes my initial guess (COVID blew it up, see link to the first post) and the above assessment:
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Mark this: 'Discussions are now proceeding with investors and there is a realistic prospect that work will begin in the near future (2024/2025) to implement the permission.' Given that they will start with the road and parking rehabilitation and upgrading, probably overlapping with the distillery building, it would make sense to begin this autumn at the earliest, with the most urgent: access to the site itself.
The initial Planning Statement, dated 9 July 2020 and re-posted on March 21st, 2024, tells a more detailed story. This is part and parcel of the current project as well, since the revision is just pointing out the changes operated, not the entire rest, which remains unchanged. You be the judge:
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Also keep in mind this tiny, tiny thing: the Business Plan is 'submitted (...) under Private and Confidential Cover'. See where I am looking?
The initial plan was (and still is) for GD Spirits to produce their own booze, using Midhope's own barley (this is very important for the rest of my theory!). They even offer an overview of the real impact of their project on the local economy:
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20 to 38 initial new job creations for a £ 15 to 30 million investment is not 'huge', madam Marple. Cumbernauld is huge. This? This is rather modest, if you ask me. But hey, what do I know about the labor market, right?
That initial Statement tells also the story they want to tell about the genesis of their idea, the scouting for the right location and a couple of other interesting details:
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So they are telling us they started to look for the perfect location in 2018 and oh, hello, they found the Hopetoun Estate rather quickly, already starting the pre-planning application consultations as early as July 2019 (don't get me started, please):
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If so, then why did they incorporate not one, but two different companies clearly linking them to the Estate (Hopetoun Estate Distillery Ltd and Hopetoun Estate Whiskies Ltd) the same day and as early as May 23rd 2017 (and both dissolved in December 2022), as my above penciled timeline (LOOOOOL) shows? Who is really behind this project and why this entire ballet? It's like me pre-emptively looking for rental properties in (let's randomly guess) Lisbon, when it's just wishful thinking, heavily projecting and with 0 guarantees I will be posted there, right? I mean, I adore and deeply know Lisbon and I would be thrilled to go there. But I am not currently looking for any rental property, just like that, because that would be a #silly, rookie mistake. In their case, I think there's a different situation - again, you be the judge.
A first answer, as to who is really behind that project, was given by the UK media, back in 2020:
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How odd, when we know that both Mrs. Boswell, the well-traveled attorney and Mr. Robertson resigned from GD Spirits in July 2018. Do they still say hi to the two distillerettes? Do they quietly keep an eye on the project? Are they silent partners? Business angels? Shareholders? Time to remind you that under UK law, there is 0 visibility on the shareholder's structure of a company. You just see the officers (Director, Secretary, etc), on the Company House website. On an umpteenth, last- second cross-check, it became apparent that Mr. Robertson remained involved in another company of the distillerettes, Hopetoun Estate Whiskies Ltd (yes, the one mentioned above), until its voluntary strike-off, in December 2022.
Their best laid plans do mention OL, and how could it be otherwise? But all this £ 15 to 30 million hullaballoo for 20.000 people only (who counted them and how?), on a seasonal basis?
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High-end restaurant, luxury B&B, event spaces, you name it. Interesting, to say the least.
And, for the people in the back, who still think SRH has a 100 years lease at Midhope (Jesus H. Roosevelt Christ, the stupidity!):
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This is why he commented as a 'member of the public'. At face value, there is no public involvement into that project. Yet. But it is my belief there is a vested interest in all this, justifying the comment, the visit, those papers rolled in his fist, etc. At first, I thought that was a visit to Lallybroch by the Exec Producer of OL's Season 8, to discuss technicalities - and shared that privately with a wonderful friend only. I mean, why not and still perfectly possible. But then, as I could not sleep tonight and felt guilty to have you all waiting, I started to connect some tiny dots.
Like this one, for a start:
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Yes, I know, Marple told you that FIRST, I would not dare say otherwise, because if I did there would be a transcontinental screech. That trademark application was filed at the US Patent and Trade Office in September 2023 and I thought (and still partially do) it was a potential rebranding solution to The Sassenach's EUIPO nightmare (much exaggerated by the fandom's toothbrush experts):
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But you also know I am an idiot and I always check people's CVs, when I follow a thread. This morning, the one Distillerette I am particularly interested in is Mrs. Julia Hall-Mackenzie-Gillanders (née Scales) and not like *urv would be.
Her LinkedIn profile is exceptionally talkative, too:
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... and a BA (with Honors) in Fashion Design, class of 2005, at the Northumbria University.
The Financial Times article 'From packing boxes to wine deals worth millions', you can read on her LinkedIn page, tells a very interesting story. It is the story of a shy underdog (lots of temple bells clinging, at the moment), who made it by sheer persistence. It starts like this:
'When a painfully shy young woman contacted a fine wine merchant and said ' I have no qualifications- can I help?', she got the job and today is signing deals worth millions of pounds.'
It obviously did ring a bell and if SRH knows she exists (she is married, *urv!), and I dare to speculate he does, it must have struck a deep chord. Would I do business with her? I wouldn't speculate, although I am not very sure. Would he? He'd probably listen very carefully to what she has to pitch, for a start.
And what she has to pitch is also very interesting, in his world. A brief look at the Golden Decanters' website shows a first high-end single malt sourced collection of 4 exceptional expressions already sold out:
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And when they mean high-end, they mean gold leaf labelling and all the tralala:
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And, some last minute news, too:
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Remind me, because I am an old woman, after this white night: wasn't The Sassenach (no comment, we agree to disagree and I am very skeptical), a blend?
We have these dots, then:
Bold Underdog ->spirits business->high-end collection of single malts sold out->business partnership with owners of Midhope Castle, fictional Lallybroch in OL, including a distillery and whisky production with Midhope/Lallybroch barley -> visit by the male lead and spirits entrepreneur (also the fictional Lallybroch laird) to Midhope/Lallybroch and vested interest in the estate's most recent business project....
What if The Sassenach would be included, for a start, in that new Blended Collection? And could it really be fanfic to imagine a future high-end, limited edition, Lallybroch whisky produced at Midhope, with Midhope/Lallybroch barley? It wouldn't be the first time, would it: after all, they did it with that limited tequila batch.
As I said, because I am (remember Someone? LOL) a 'silly cow', I was hoping he wouldn't do it. But my guess is he might very well do exactly that, with those people and under that label.
It's half past eight AM, local time and I need a strong, black coffee.
I rest my case (and I am bracing myself for the screeching). I will answer Anons later, after I come back from the hairdresser's. Appointments must be kept at all costs. Thank you all for your patience.
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cordeliawhohung · 2 days
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I saw a reblog of the anonymous ask someone sent you about using character ai, and someone responded saying something about how it’s disgusting to even ask that, which is a liiiitle harsh, but I digress.
The issue here, is that there are more people who don’t understand what AI is doing than people who do understand.
ChatGPT, Open AI, Character AI, Gemini, etc ALL steal from published works on the internet. It cannot be prevented, no one can stop it from happening.
I’m not an artist & I don’t publish my writing, but I do genuinely care about the artists and writers who are having their work stolen and receiving absolutely zero credit.
Please, please, please, do not put someone’s work into AI.
If you want to create a character, or a storyline & use character ai, by all means, go for it. But PLEASE, don’t disrespect or disregard these artists by feeding their work into an AI. It completely diminishes all of the hard work they put into their art.
oh boy, nothing like having a post you made in fucking january suddenly gain a fuck ton of attention lmao.
while i understand where you're coming from, i think you completely missed the main point of my response to that anon.
1: i literally explained that ai steals work to that anon. i said it's a pale imitation of what a real human would write. that it takes works that people put so much effort into and regurgitates it out. i told them not to put stuff into ai. i informed them, and i wasn't rude about it either. emotional, maybe, but i wasn't being rude.
2: the main issue i had with that anon, besides the ai grossness, was the insinuation that i'm not "creating enough content" for them. "the readers can interact more with the characters" comment from them really grinds my gears. even if ai didn't steal from creators, and it wasn't a godawful abomination, them wanting me to put my ideas and works into something that they can interact with that isn't through me completely disregards the entire purpose of me having this blog in the first place. which i ALSO explained to them. why would i want to put my work into a 3rd party source and not interact with my followers when that's literally my favorite part of creating? bonding and talking about the shit i put effort into? i had every right to be upset about that, and so does every other writer.
3: i have no control how people reblog my posts. so idk why you're coming in my inbox about what someone else reblogged, really, just to tell me everything that i've already explained to that anon. i know who you're talking about too, because they're a mutual of mine, and honestly, i agree with them. it's disgusting to suggest someone should put something into a third party source so they don't have to wait for me to "churn out works" or whatever. i know people aren't well informed. which is why i informed them on that post and left it at that. i also explained why it's frustrating to receive asks like that, to hopefully prevent them from doing that again.
also, while i have whoever is reading this, i'd also like to mention that the anon who sent that ai ask sent a response back (that i didn't bother to respond to because i wasn't trying to make this a thing) somewhat apologizing and said they asked me that because other blogs on tumblr were doing it too. don't do that. don't assume that just because some people are doing x thing, that means you can suggest it to someone else. it's rude, and comparing blogs is just frustrating in itself.
anyway. i will not be making this a thing. do not come into my inbox debating the ethics of ai or whatever, as i will simply not entertain it. (:
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thistledropkick · 1 year
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For people who aren't aware: Most of those gorgeous wrestling photos from Japanese wrestling promotions that you see reposted on tumblr and elsewhere were taken by fans. They look like professional photos, because the fan photographers are just that skilled. But they are fan photos, taken by wrestling fans just like you.
Most of those fan photographers don't want people taking their photos and reposting them elsewhere without permission.
Fan photographers will generally clarify this in their profiles. They often even go out of their way to write this information in English too. But even if they don't, you can run their profiles through machine translate and check, and if you're still not sure, you should ask the photographer for permission directly before reposting their work.
I've seen fan photographers lock their accounts, stop posting new photos online entirely, and delete their photo archives due to rampant reposting. If you enjoy the work of wrestling fan photographers, you should respect their wishes regarding that work.
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sergle · 6 months
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I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon
#there is actually nothing morally wrong with running an account that just reuploads ppl's artwork or their jokes or their cosplays#if you just put a VISIBLE LINK in the description of your post with proper credit then it would be beneficial for everyone#because you can get your little clout or whatever it is you want by putting a bunch of same-category content on a page#but nobody's getting fucked over because if your post blows up then people just get FUNNELED to the source#because it's placed so plainly where everyone can see it#and yeah it's better to retweet or reblog but#on the rare occasion that I see my shit reuploaded on tumblr WHICH IS WEIRD BC I MAKE MY OWN POSTS HERE but anyway#someone making their own post where they upload my stuff. and it's always the floral self portraits so let's say it's a post with all those#if I scroll to the bottom and it says like. Artwork by Serglesinner on Twitter <-- clickable link [Sergle's Prints] <-- clickable link#to my etsy#I'm like oh okay and all the anger leaves my body and I'm like ah I see. and I toss the rock aside#like oh okay so you actually care that a person made these pieces. Instead of posting the caption ''women <3'' or smth#like you've GOTTA die if you do that. but if you just link back#or if you go to the effort of writing like a description with a BLURB? like it's a damn museum. like a light paragraph of info#about what the art is and who made it and their links#I am literally sucking you in a strange and peculiar manner. that is extremely helpful#and maybe other artists don't want this AT ALL and they'd rather people not reupload even if it is credited#but I feeeeeeeeel. like 99% of the time this would solve the issue#reposters could genuinely be helping ppl. sometimes the repost gets more traction than the real thing#as long as it credits the creator then that's an okay thing to happen!#that can land somebody a sale! a commission order! a new fan! A JOB#A JOB!!!!!!!!!!#sergle.txt#I didn't write this eloquently AT ALL what the fuck ever barkbarkbarkbark
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canisalbus · 3 months
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*gasp* ITS THE PERSON WITH THE SICK DOG ANTHRO DESINGS AND INTERESTING AS FUCK LORE WHO'S ART I FOUND UNCREDITED ON PINTEREST!! I HAVE FOUND YOU IN THE WILD! FUCK YEAH
.
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hualianisms · 5 months
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Not father & son, not master & disciple, but a secret third thing
First of all, let me preface this by being clear that everyone is free to headcanon anything they want and like/dislike anything they like/dislike! That being said, sometimes I see international fans interpret FDB as LLH's son, or their dynamic as parent-child or otherwise familial, and as a native chinese speaker, I just wanted to share some reasons why I personally did not interpret them as familial.
Granted, at the start of the show, FDB is kept in the dark and also not up to LLH's level of skill in solving cases. However, FDB quickly catches up in crime-solving skills, intellect and maturity by the 2nd half of the show, after a well-written growth arc. I think the beauty of the characters and relationships in this show is that they grow & evolve, and are meant to do so. The dynamic that LLH & FDB had in episode 1 is quite different from their dynamic at the end of the show. By the later episodes, they are 2 adults who are very much equals.
Why I don't read them as father & son:
LLH & FDB act and speak in a manner that is far too informal & familiar with one another, which would be extremely inappropriate for any kind of parent & child, even a surrogate one. Several times, FDB calls LLH by just his first name "Lianhua", and sometimes even calls him "Damn Lianhua" when he is angry/upset at LLH. This would be extremely rude for a disciple to call a master, or a son to call a father. No son talks to his father the way FDB talks to LLH, and no disciple talks to their master like that. Unless the son/disciple hates the father/master, and is outright rejecting his father/master altogether. As we see in the show, not only does FDB not hate LLH at all, he instead cares deeply for LLH and would do anything to save him. Why, then would someone scold/curse someone they care about? Does the trope of the upset spouse/partner sound familiar?
For comparison, see FDB's interactions with He Xiaohui, who he is close to - he is informal & affectionate with her, but never calls her anything other than "娘 niang" ("mother"). I can't emphasize enough how taboo it is in Chinese culture to ever call your parent or parental figure by their name under any circumstance.
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2. In ep 31, FDB himself explicitly rejects the idea of LLH as his shifu and himself as LLH's disciple, responding that he is too old to be LLH's disciple and it was merely a joke. He clearly sees LLH as an equal, and rejects the notion of their relationship being anything other than that of 2 adult equals. LLH also tells his shiniang that FDB is not his disciple, and a few episodes ago LLH told FDB that he has never understimated FDB.
Coding/hints as something other than platonic:
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Zhiji/zhijiao - FDB calls LLH his 知交 zhijiao in ep 19, and 知己 zhiji in ep 34. "In this life, I, Fang Duobing, recognize you as my only zhiji." is practically a love declaration. And this bond is reciprocated by LLH, bc in a deleted line in ep 19, translated by forayuarchive on twitter, LLH is the one who first calls FDB his zhijiao.
To clarify, Zhiji is not specifically a romantic term, but it's what was used in both The Untamed and Word of Honor - both dramas based on danmei novels with canon gay main pairings - to bypass censorship, to code the bond between the main duo as deeper than your typical platonic male friendship. (See this post for a detailed explanation of the significance/history behind the term zhiji, and see this twitter thread for an explanation of the meaning of zhijiao in MLC - especially how zhijiao is specifically mutual, reciprocated).
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2. Married bickering - forayuarchive on twitter has discussed in these twitter threads how the tone of many of LLH & FDB's interactions (especially FDB) is similar to how married couples or romantic partners speak to one another bc of the level of familiarity, tone and language. For my fav example, see this note (translation by forayuarchive) that FDB left LLH in ep 35, which reads pretty much like a note that a spouse/partner might write when leaving their shared house in a hurry.
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3. "Xiaobao" - Personally as a native Chinese speaker, LLH calling FDB "xiaobao" in front of everyone is a level of intimacy that genuinely would make me feel embarrassed to hear as a third party. 小宝 xiao bao (literal meaning = "little treasure") is usually something you call actual babies/children AND is FDB's family nickname for him, so if you're calling a grown man that in front of everyone including his colleagues, family and even strangers, then one might assume he is likely either your biological family or your romantic partner. (For comparison, just imagine calling your s/o their parent's special childhood nickname for them at work.)
4. Deleted lines where FDB calls LLH "xiaohua'er". 小花儿 Xiaohua'er ("little flower") is very intimate and feels like something someone might call a lover. Or, at least, definitely not a platonic shifu, even less so a parental figure. (For meta on the names that LLH & FDB use for one another, see forayuarchive's twitter thread.)
5. More deleted scenes (translated by forayuarchive on twitter), perhaps cut due to censorship, which make apparent LLH's high regard and deep care for FDB. For e.g., a line of internal monologue by LLH in ep 40, translated here by forhenjun, shows that LLH thinks of FDB as the only person in his two lifetimes who has always treated him as a human being rather than putting him on an unfair pedestal.
6. Official MLC accounts act like as if they ship them.
As murderedbyhomework mentioned, there is a song in the official soundtrack of MLC called "Fanghua's Day-to-Day Life" (yes, the exact same words as their ship name). Sounds like a couple's daily domestic life, doesn't it?
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The official iQiYi Romance youtube channel lists clips of LLH & FDB under the romance category.
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The official MLC douyin account posts MVs with emotional captions (e.g. this one translated here by forayuarchive) that emphasize how much both LLH and FDB mean to one another. Another official MLC douyin calls LLH & FDB the person each other trusts the most.
The MLC clips posted by the official Guangdong TV weibo account also has captions such as these (translated by rice_jpg) that straight up describe FDB's feelings towards LLH as "when you like someone" (very similar CN phrasing as the phrasing used to describe romantic crushes).
7. They are subtly paralleled with a canon straight romantic couple (see fanqxiaobao's twitter thread on the parallels btwn LXY/QWM scenes and certain LLH/FDB scenes). MLC also made a distinct change from the novel by not having FDB get married to Princess Zhaoling, even though the drama could have easily given FDB a romance with her.
8. If you're familiar with chinese romantic tropes or the danmei genre, LLH & FDB fit many common romantic tropes e.g. sharing a drink on the rooftop under the moonlight, forgotten first meeting in childhood (and then meeting again properly as adults), power couple fighting side by side (they even held hands!), nianxia, protective younger ml, sickly older mc - just to name a few. Danmei even has many stories of shizun/shifu & disciple pairings who fall in love as adult equals.
There's honestly lots more but these are just some off the top of my head. Again everyone is free to interpret anything! This is just me explaining why as a native chinese speaker I personally did not read their dynamic as that of a father and son.
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carnival-phantasm · 1 year
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More people should realize that tumblr is no exception from the whole "reposting content from other social media websites" shit. If this place was hip enough to warrant a "top 5 most popular blogs!!!", all of them would be just people reposting twitter screenshots, unsourced videos, uncredited art, and tiktoks.
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liquidstar · 5 months
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crazy take: aside from actual lesbian romance stories, obviously, nothing passes the bechdel test better than moe "cute girls doing cute things" anime. its always just a group of girls, few to no named male characters, boys and dating are hardly ever brought up beyond the abstract, if at all. like we're focusing on the girls hanging out rn, we dont need to worry abt that shit. mugi just ate mio's strawberry.
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do you know where to find all the tpn official arts outside of the manga? I also want to know where to find the artbook content so I was wondering
I'll have to open this up to @1000sunnygo but my understanding is Art Book World is *the* quintessential collection of TPN art outside of Demizu's character birthday drawings and other pieces on twitter created post-2020 (I have a little incomplete collection of them in my Posuka Demizu tag, with these being my personal favorites of the trio).
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Highly recommend purchasing if you have the means and access, not only for the art but also the insightful interviews.
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All the art is sourced and divided into sections based on the source.
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(Volume 13 frontpiece rough. 🥺 And the volume 14 cover rough is very cool.)
If you're looking for the original raw covers of WSJ featuring TPN, here's a link to them on WSJ's wiki.
If you mean the promotional anime art that typically is put on clear files and turned into acrylic stands, as far as I know no one has ever compiled them all together in one single-page gallery for browsing outside of online shops selling them. (My small tag of it is here.)
On tumblr there's @just-like-playing-tag's compilation lamenting how TPN Committee can't be bothered to understand Emma's character and preferences because marketing that she's a girl takes precedence.
Offsite, the closest you'll probably get is TPN wiki's collaboration page listing, though as I've mentioned before don't confuse tlieilt_625p's art with official promo art. I still have no idea why their stuff is in the wiki gallery pages; it just serves to confuse more people.
For example, the TPN x Princess Cafe collaboration:
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Their style is insanely close to the official art on a quick glance, but the heads and limb lengths and widths are a bit off.
My favorite promo collaboration art is probably with Megane Flower glasses (cute comic focusing on it by @kewstiny) just because I'm always a sucker for characters who normally don't wear glasses wearing glasses and vice versa, but also for reasons addressed here.
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We are ignoring that Gilda, Sonya, and Vincent would have been more fitting for this promo because they aren't as recognizable for marketing. 😔🙏 Fucking crying over Emma either gluing or duct taping the frames to her face or just like...holding them for the shot vkldlf
Honorable shoutout to this collab though
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Whippin' this out on a date like "relax, babe, I got this"
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semiotomatics · 5 months
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think i found a fake georgia o'keeffe painting lol
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bambeebirdie · 2 months
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Hey so unfortunately I am back into marvel and I’ve been thinking about moon knight but specifically comic moon knight.
I have a fic idea but I’m not really sure how to properly portray the moon knight system with how they act in the comics. Would anyone be willing to give me a quick run down on how they all act? I know the tv show isn’t super accurate, especially with Steven, but I’m not sure exactly how they’re inaccurate. I’d like to be able to portray them accurately but it’s been really hard to research so I’d greatly appreciate anything you could provide.
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bright-eyed · 4 months
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I hate blogs that are like… the kind of pretentious where you’re not bothered by the banality of the posts so much as that they’re all tagged with a thousand tags like #spilled ink #dark academia #girlblogging and they all have 1000 notes. And then half the posts are just like stolen jokes and unsourced poetry. But they’re all run by kids in their late-teens-early-20s so I’m not gonna take it too seriously. Besides my blog was just as cringe and annoying at that age too I was just doing it more anonymously
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yvesdot · 1 year
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Abigail Thorn on transition & loss, Ophelia (1851-2) by Sir John Everett Millais, L. A. H., draft of THE ONE AND ONLY UNIVERSE OF KAY RAINIER by yves., Tragic Accident by yves., All is Vanity (1892) by Charles Allan Gilbert, The Missing Person by Jennifer Finney Boylan, Symphony in White, No. 1 (1861-2) by James McNeill Whistler, We Only Come Out At Night (2014) by Stephen Mackey, Tragic Accident by yves., The Missing Person by Jennifer Finney Boylan.
TRAGIC ACCIDENT by yves.
flash fiction. slipstream. 650 words. 
After I read the Abigail Thorn @realphilosophytube quote at the top of this post, I had the strangest dream. Everything I'd ever thought about transness, suicide, agency, family, and duty was in it, and, predictably, it was in fiction form. That dream is now out, in the form of the piece Tragic Accident. Women in the walls! Transition as suicide! Ambiguously historical setting! Tragic Accident has it all, in less than a thousand words.
Obviously, this piece is very close to my heart. It's one of my favorites I've written so far. I'm very happy to be able to share it (and another weird flash piece, The Scar) with a community of people whom I hope will very much enjoy it—first with $5+ Patreons, and now with everyone. Thank you so much for supporting strange transsexual writing.
READ NOW FOR FREE!
Support the author: all writing | book | ko-fi | Patreon behind the scenes on Patreon original two drafts on Patreon
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princeminnow · 1 year
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i feel like art (and post) theft in the agere community is something that really needs to be addressed but i just… might be a little too desensitized to it to put in the energy. if thats ur bag, this is me giving u the go-ahead
dni nsfw/kink
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touhoutivations · 9 months
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dear miss himekaidou,
i unfortunately have not been employed. so, i’ve been working on a few journalist articles, mostly as practice for my skills in case i ever decide to go into the practice and im worried that the articles i’ve been making aren’t of high quality.
how do you manage? i know such insecurities might be common in a profession such as yours, so…. any advice?
yours, eientei’s favorite kon-consultant
"Trust me, to start off- a great journalist is one that already is thinking about the quality of their work and doesn't shut their brain off for ideas. So I think you're off to a good start! It's hard, because while it's a job- you aren't gonna like, be able to push for the great caste system revolution-  I mean hard-hitting journalism all of the time. Sometimes you're gonna get stuck with 'Pick your favourite wagashi and we'll tell you your personality!'" "Buuut, I think there's something to learn from each article you write- even if you scrap them, you need only look. For example, I- loathe as I am to say it- did do such pitiful writing as that article- but the person that requested it also offered a coupon for a senbei stand… 'Dorayaki lovers are hot headed and there's more to them that meets the eye- but they can get caught up in their own world, so they should try some senbei!' 'Senbei lovers go with the flow, but don't pursue their own wants, so they should buy some more senbei!' I'm kinda curious, if I ran that article a week later, would I get a different result? There's a buncha conclusions and thoughts you could ask about the journalism even in such a 'low-quality' article."  
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"I've been talking with that outside world human, and everything down to 'memes' and 'tagging systems' can show different sides of a story and the intentions of an article. Liiiike, there was this one time this crazy village man, Yoshimoto- he started raving about 'how there was some chemical the yamawaro were putting to turn the frogs into youkai'- and some newbie that wanted a week off just handed him a typewriter for him to start his rantings. But then when I actually used my thoughtography to check that river…well, he wasn't wrong? Sorta. The frogs were having extra legs- but when I wanted to write about it, up top said 'It's already been covered'. But it hadn't been. Not properly." "So how could I word it? I mean, 'Yamawaro machinery production found to have linkage in extra limbage of amphibian population'- bo~ring! What about '3 ramblings of Yoshimoto- Number 3 is suprisingly true!' and I slap a couple memes on it? Would that draw eyes? Is Yoshimoto actually concerned, or was this coverage intentionally from a crazy old geezer to discredit a potential problem?"  
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"These are like, the hard stuff that comes with our industry- especially if you don't get the freedom to go independent. But I know that by asking, you're off to a great start. You have to be asking questions, every time- how can I see this differently? How can I write this differently? How are -other- people writing stuff differently? What's language that's 'hip', what language is alienating? Seriously, can Aya stop using red circles and arrows in her articles like [Mii]Tube thumbnails?!"
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"Not everything is gonna be a magnum opus, and not every wagashi listicle is gonna be the lynchpin into your socialist uprising theory deprogramming toolkit- and that's okay. As long as you put questioning and engagement- actual encouragement of media literacy- at the forefront of your own work and viewership, I think that's more work than a lot of other grifter sheeple are doing. There's more than meets a camera's eye, and as long as you keep collecting, I know you'll become someone that will paint a better landscape for Gensokyou- so get your brush, and crow all you want, mmkay?"
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